Modu by priest was truly such a good read. If you like romance? It has a sweeping romance, with a well done bisexual and gay lead (and straight best friend) all written in ways that manage to feel realistic, it's got features people likely found it for when looking for a danmei - rich manipulative younger man, older investigator who's got a hero streak, and yet those categories don't really do justice to them (and of course tao ran is the more grounded detective story lead who keeps his theories to himself and worries about dragging others into his mess).
They're so much more... Fei Du is a traumatized young man who's worried he's as monstrous as the people who scarred him, who is preparing to take the leap and cross the line to become an even more terrifying version of himself if it will destroy the corruption poisoning this city and harming so many, Luo Wenzhou is a cop that used to want to be a hero and learned he will fail people and be unable to save people and holds onto Fei Du as someone who reminds him he DOES fail but also reminds him why he wants so hard to keep Trying to help people even when it seems impossible... why trying and putting in effort to care and help Even when its too late to fix things is Worthwhile. Tao Ran is a contrast to them both, Fei Du living in a world where there's only monsters and victims and Luo Wenzhou desperately trying to force the world to be a place where justice CAN prevail and win even as he sees it fail over and over, trying so hard to believe all people have the capacity for everything and are worth trying to save. Even though Fei Du doesm't believe that, being around Luo Wenzhou makes him want to consider it. Tao Ran, their contrast? Believing the world can go either way, and its up to people like him to create any justice at all, any structure at all, or else everything is just meaningless suffering chaos. As characters, the three of them serve to explore how the world works and views on it in terms of a detective murder mystery encompassing the whole city, the small scale version of the world. Modu is a romance, but its also fully commited to being a murder mystery that wants to tackle the kind of themes that come up in the setting it's created. Its characters are so much more than Insert Character Ship types here. These characters were made this way to explore these ideas (just as the villains are all made to parallel and contrast Fei Du to explord these ideas in comparison to our point of view Fei Du moments, our impressions of Fei Du from Luo Wenzhou and Tao Rans varied perspectives, all of them are different lenses to view humanity and how it works, if the world is just or if we have to make it good, if we can be inherently good and if good people will reach out to us if we just keep treading water to survive, if its luck and chaos, and how much... and much more frankly).
Modu is like. If you want a story about a corrupt city and its victims, symbolizing a corrupt world and all of us at its mercy, and you want to see the heart of the people doing something about it. First the main trio, but also every victim Fei Du recruits to help, every murderer recruited to the corruption, all the people in the cases swayed to some side. Thats what Modu is about.
The romance is just one facet of exploring that, the personal debate about what these things mean about the world as told through two people who view this world incredibly differently. Yet find some way to exist in the same space, same mutual world, when together. It hooks you in and doesn't let you go and youre wondering right there with them, left to draw your own meaning in the end. Hopefully that its worth trying, that doing something is worth trying even when its just the trying you can do and not the succeeding, at least thats what I got from it (at least in regards to Fei Du and Luo Wenzhou meeting each other, unable to live up to the pillar they put each other on but trying anyway, is what I felt from them).
Then like? Modu gives you THAT story, which in its own right is enough to make you contemplate.
And if you're like me and care about people, about characters? Well it gives you, like I said, those big themes and a city's nightmares symbolizing the world, and brings them down to an individual level. You read from the mind of the little girl who grew up in this (one of my favorite scenes and when I felt this novel was going to not shy away from dark psychological moments and bringing them to you). You read from the mind of Fei Du when he knows himself, when he doesn't. You read from the minds of all kinds of people, and the heart of much of the investigation is peoples motives and things they'd gone through and how that shaped what they'd do next. Why they'd do it. Leaving you to wonder who's right. Jaded idealist Luo Wenzhou who wants to believe in the goodness of the people he loves, but also is willing to risk that strangers may have good intent? Fei Du who thinks theres only victims and perpetrators and everyone is going to fall into one in the right circumstance? Tao Ran, who feels the world is too messy to dare declare predictable, who thinks even your closest can betray you and even you can accidentally hurt them, nevermind strangers, and the only thing you can control and rely on is your own choices? Some mix? None of them? The side characters as they come up, grow and evolve, do they understand the world better or worse, and is the world they experience different than anothers and justify why their worldview is likewise different? Modu gives you that up close and personal, over and over. Im still thinking about it. And the way its done, they all get to feel like lived in people. Not structures to tell the themes only. But on their own, there's a personal struggle between Fei Du feeling like a monster who'll destroy Lup Wenzhou if he loves him, like his dad destroyed his mom, and Luo Wenzhou carrying the guilt he could never save Fei Du and desperate to believe in Fei Du (and keep trying to save him in that way if only that way) as person who can do good despite not being saved and despite Fei Du's fears. You could cut the entire city's plot away, all of the crimes and make the city calm, and still that core of their plot would be carrying a Lot of weight. Theyre playing a game of "enemies" to lovers sure, or whatever romance story structures they fit into. But they're also made to be deeply rooted into each other, their personal beliefs tied into the outcome of what they hope or fear happens if they are close together. Modu made me care about that. Its like the fears many people might have, abiut theur own flaws, about getting close to others, about trusting and being unsure if that trust is safe to give. Its that and magnified into bigger form, in this landscape of a fucked up city and the tragedy of Fei Du and Luo Wenzhou's meeting and former lives.
Its like. Id love to to read another danmei (Ive got a lot on my to read list). But what's going to give me roo
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"Hey Kioko, how's the new job?"
I now understand why people advocate so strongly for universal healthcare. Insurance is such bullshit. But aside from that. This is a terrible job.
"It's only been two weeks. What's going on?"
Okay.
So I didn't think this through.
More under because the rant's long
This job I'm at is at a clinic. They're open three and a half days each week, it's typically 30 hours per week. I've got no experience or knowledge of medical terminology and medical computer programs. I admitted this in the interview we had. I was way too over the moon when they IMMEDIATELY HIRED ME AFTER ONE INTERVIEW. Why do I know they immediately hired me? They sent me forms that jobs normally send after someone gets hired. That should have been, you know, two red flags. But again, they wanted me to come in for a work interview, so I thought maybe they wanted my paperwork beforehand so I can do the work interview.
No, I literally missed the signs. I mean, I thought it was weird but I sort of thought they were super eager. And then after that work interview, they asked how soon I could start.
"I want to at least do my two weeks at my other jobs." Since, to be honest, while I hated one of the jobs, the managers at both places have been super kind.
"Can you ask if it's possible to leave earlier?" The doctor asks without hesitation.
Also another thing to say, I don't have a lot of work experience. I've been hired on the spot for one of my other jobs and didn't have a job at the time so I didn't really need to do a two week notice. But a two week notice is a courtesy. And again, while I didn't like the job, I really liked the managers. They have been patient and flexible with me and didn't pressure me to do things I couldn't do. So I felt rushed and slightly offended. But I brushed it off. Maybe they just thought I would be a good fit for the position and really wanted me to start soon.
So I started Tuesday. Realized I had to leave to celebrate my brother's graduation this week. Here was what the doctor did when I told him that I would be gone Friday and the first half of next week:
I have essentially did a speed run of the basics of the tasks I'm supposed to do the four days I've been in so far.
It's not even the end of week 2, mind you, and I haven't done a complete week at this place yet. Sure, the doctor's not expecting me to be an expert, but when I am the only one working at the front desk and I have no experience in the medical field or know how to do insurance claims maybe there should be a lot of training.
There is none. I have been taught way too many things in the span of four work days that takes thirty minutes to explain to me. And then it eats away my time because a new thing arises that the doctor didn't teach me.
He's expecting questions from me. I have so many and he's not available at all times. And I don't know how to tackle a lot of things without asking for help. There is no one available all the time. I am floundering. I'm spending way too much time after closing to figure out what to do by myself.
No one is teaching me how to read insurances. No one is teaching me how to explain to patients why their bill is like this. No one is teaching me how to be good on my own. This is the worst job with training. I'm essentially the face of a clinic who's trying to maintain people's health. And I have to learn "along the way"?
I don't know. I feel that when I'm in charge of looking at someone's expenses for their health, I feel there should be someone that should be training me from the moment I get into the office and the moment I leave.
I told myself I'll give this a chance. I wanted to give myself a year, 6 months at the bare minimum. Now I think I'll give it 3 months.
Oh and they told me my position is "office manager" when I had to tell someone what my position at the clonic is other than being just being an office clerk. Which. Was the job title on Indeed.
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i love makoto so much but fanon does her so much better (the good parts of the fandom) because in the game her character is so lack luster. they butchered her confidant it is so borning and not even about her. they made her a cop. A COP. they pushed this "canon waifu" role onto her (before sumire came along and did it Even Worse). and it SUCKS because SHE IS SO MUCH MORE!!! SHE IS SO MUCH BETTER!!!! SHE COULD'VE BEEN SO MUCH BETTER!!! the way i feel about canon makoto is the same way i feel about the canon ryuji events post komoshida where he's horribly mistreated and used purely as comic relief: i ignore them <3 my game now <3 never happened <3 my ocs <3
You are so right. I generally apply this to all characters in p5 bc the game does such a shit job of staying consistent with character arcs and personalities. Theres a desperate need to throw in perverse jokes at the expense of female characters and a need to show that the police (as a whole) are reliable people who are not influenced by things like money and power; only the BAD cops do that. Not to mention this obvious fatphobia and homophobia but i feel likes thats a given.
But back to Makoto. Shes a victim of bad writing just like everyone else. Ryuji during the kamoshida arc was fighting with self loathing and genuine anxiety, and aside from the like. One comment on Panthers outfit in the metaverse, hes more than well behaved. All of that is shelved as soon as Kamoshida is gone and replaced with him being weird comic relief (and the focus of alot of sexual jokes that were nonexistent in the beginning of the game). Anns arc about self love and empowerment is completely dropped as soon as the nasty bad guy is put away (so that its good to be weird about her w the Good Guys). Makoto loses her a chunk of her personality to be the mature waifu which is INSANE to me bc shes like. Not okay or normal at all 😭😭😭 she THINKS shes responsible and so does everyone else on her team, but its an act! She doesnt know shit! And she doesnt know that she doesnt know shit bc shes respectful and adults dont care about anything as long as u respect them!
Its very telling that for literally every single thief (and goro), you can see the exact moment the writers gave up on adding anything of worth to their characters outside of the social links. Its like they didnt know what to even do w the characters at their disposal after their main arcs were complete. No mention of friends hanging out without you, no mention of having group hangouts. Everyone is treated as a core, important member of the friend group DURING their arc, but outside of it, they are acquaintances at best. Theres nothing in the game that convinces you that these guys are legitimately friends who care for each other and do Friend Things. And i describe it like that bc there IS a game that treats them all as friends, and its strikers! Strikers/Scramble genuinely feels like the game p5 wanted to be; a road trip w your team where they stay up at night talking to each other and hanging out and doing things together that dont necessarily include you, the player. Its refreshing and lovely but it sucks that u get that kind of attention to detail in a ‘spinoff’ title
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"If enough of us vote third party for president, we could actually GET somewhere with our policy goals!"
Baby girl you can't even get a majority of third party/independents in a single state legislature. In the past 30 years there have been seven independent/third party state governors, and of those, only three were genuinely independent. The rest either got elected as a R/D and switched mid-term when they alienated themselves from their state party, got elected as I and then switched to R/D during their terms (with some of them having served the R/D parties before), or served as proxy candidates with heavy backing and support from one of the major two parties. Even VERMONT, a relative stronghold for independent/third party candidates -- the place that brought you Bernie Sanders -- doesn't have a majority of third party candidates. And when I call them a stronghold, I mean they are the only state (I know of) that consistently elects (less than a handful of) Independent candidates to the state legislature; the place is still dominated by Ds and Rs.
"The highest power in the land can't actually be voted on so there's no reason to vote for the democrats"
Hey princess here are some high school civics question for you: How are Supreme Court judges nominated? :) By what process are they appointed? Who starts that process? :) Why is the Supreme Court considered reflective of who has won the presidency? :)
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