#i just say its ryan character development

[buckttommy]

Imho henren just doesn’t spark for me. They just kinda bore me and it’s okay to admit you don’t like every queer ship a show gives you.

You're right, it is 100% okay to not like every queer ship you are given. This is actually something I'm really passionate about, because it's deeply similar to the idea of recommending a piece of media based on the fact that it has queer rep and not based on what other value the media has. Both accepting a ship because it's queer and recommending a piece of media based on its queer components come with an inherent, Capitalistic demand to disregard quality in favor of quantity (i.e. "Yeah, that book is mostly porn, but at least it's got gay men in it!" or "That show is trash, but at least the queer couple is kind of cute.") So to that end I say, you are absolutely right. If Henren doesn't spark for you, it doesn't spark. There's nothing wrong with that.

The problem arises when people erase the fact that complex, meticulously crafted, realistic, healthy, and beautiful queer characters have existed on this show from the very beginning. Michael's storyline alone — a gay man who stepped into his identity later in life, despite already being married with children — was so deeply moving and impactful on its own, as was watching him develop a genuine relationship with Bobby, his ex-wife's husband. We never get stories like that on television. Someone is always left out. Someone is always hurt. Queerness is always seen as a permanent betrayal where no one gets to move on from that pain. But 9-1-1 gave us a story where these people became a unique and cohesive family, and that matters.

Henren doesn't spark for you, but the weight and significance of their existence is undeniable. For one, neither of these women are stereotyped and sexualized. Karen is the "femme" in the relationship but she's never put into clothes or situations designed to appeal to the male gaze. She is a mother, she is a wife, and she acts like one. For another, Queerness is not the sole focus of their arcs and is considered just a part of their lives like anything else. They have careers, they have a family, and yes, the cheating storyline in Season 1 reeks heavily of Ryan Murphy's homophobic ideology, but the way they chose to grow past it cannot be overstated. Stories where we get to not just live, or not just love, or not just be messy, but where we can do and be all three cannot be overstated.

So, yes, I get upset when people ignore the existence of these characters and these stories for the sake of Buck. I love Buck so deeply and, as a bisexual person who knows what it is like to realize, step into, and subsequently settle into that identity, I'm excited to see where his story takes him. But he's not the only queer character on the show, nor has he ever been, and whether you yourself are queer or not, I think we can all agree why speaking out against that particular false narrative is so important.

[gunterfan1992]

Episode Review: “Cake the Cat”/“Prismo the Wishmaster” (Fionna & Cake, Eps. 3-4)

I wish I had the strength to stay up until the exact moment these episodes are released, hurriedly consume them in a haze while writing down my thoughts, and post my review before the sun has a chance to come up. But alas, as an old man—i.e., a 31-year old—I am not quite as strong as I used to be. (Remember dear friends: Eram quod es; eris quod sum!)

In other words, please excuse me if my reviews take a day or two to post! I have to watch 'em after I get home from work!

Airdate: September 7, 2023

Story by: Anthony Burch, Adam Muto, Hanna K. Nyström, Jack Pendarvis, Kate Tsang

Storyboarded by: Hanna K. Nyström, Anna Syvertsson, Jacob Winkler, Haewon Lee, Nicole Rodriguez

Directed by: Ryann Shannon (supervising), Hans Tseng (art)

Like the title card I have included here, the plot of "Cake the Cat" is relatively straightforward: After finding herself in Ooo (and gaining speaking abilities thanks to a universal translator), Cake explores the world around her. Along the way, she befriends Squirrel (from season five's "Up a Tree") and accidentally destroys an outdoor market. Meanwhile, in her own world, Fionna tries desperately to find her missing pet. But after Simon tries once again to summon GOLB, Fionna suddenly finds herself transported to Ooo, where she reunites with Cake.

"Cake the Cat" might not be the deepest episode from the "Adventure Time Extended Universe" (hmm, maybe the "ATEU"?), but what it lacks in depth, it makes up for with humor. In particular, the episode manages to get considerable mileage out of Cake just acting like a normal (albeit talking) cat: she scratches people, tears things up, snatches food away, and very nearly massacres a small woodland critter, etc. As someone who adores cats and has long put up with their, shall we say, bullshit, these scenes were right on the money. Cake might indeed mean well, but she is still a cat, and cats get into all sorts of hijinks (that's part of the reason why I love them).

"This episode, out of the four that have aired so far, feels the most like "old school" Adventure Time, largely due to the allusions it makes to older episodes: For instance, one subplot in "Cake the Cat" sees the titular character scratch the dickens out of the insane "Tree Gang" from season five's "Up a Tree." (In fact, one could even make a compelling argument that the first half of this episode is basically just a sequel to "Up a Tree"!) Cake's market shenanigans and the ire they raise with the forest folk also echo the events of season two's "Storytelling" (in which Finn makes a gaggle of forest critters' lives hell in a half-baked attempt to find a good story). Like its season two predecessor, "Cake the Cat" heavily relies on the main character's obliviousness, which often leads to some great bits of dark humor (e.g., the shredded pillow man, who, while 'bleeding out' feathers, wheezes, "I… clapped for you!"). But despite these similarities, "Cake the Cat" has enough flourishes to make it its own thing, thereby preventing it from feeling like a tired retread."

One such "flourish" is the heavy focus on Roz Ryan. Most of the past Fionna and Cake episodes have underutilized Cake, treating her as little more than a sassy one-liner machine. "Cake the Cat," on the other hand, not only makes use of Ryan's acting skills, but it also lets her flex her musical prowess by having her sing the song "Cake on The Loose." Ultimately, the decision to not relegate Cake to a secondary role allows for some much-needed character development. Her interactions with Squirrel, for instance, let us know that she's a survivalist who will not tolerate bullies. We also learn that Cake sees Fionna less as a family member and more as a bossy (albeit beloved) roommate. True, these are small glimpses into an established character, but because Cake has long been underdeveloped, they help to flesh out her character, allowing her to come into her own. This is a trend that the following episode will continue…

Airdate: September 7, 2023

Story by: Anthony Burch, Adam Muto, Hanna K. Nyström, Jack Pendarvis, Kate Tsang

Storyboarded by: Iggy Craig, Graham Falk, Jim Campbell, Lucyola Langi

Directed by: Steve Wolfhard (supervising), Hans Tseng (art)

Like "Simon Petrikov" before it, "Prismo the Wishmaster" is a darker installment that subverts the levity that preceded it.

And I'm OK with that!

The episode begins with Prismo beaming up Fionna, Cake, and Simon and revealing to them the truth behind the whole "Fionna and Cake" thing: This "fan fiction" is actually a fictional universe of his own creation. Tired of constantly bringing other people's realities to life, Prismo decided to create a universe of his own. There was just a tiny problem: Doing so violated the cosmological rules that Prismo must follow as the god of wishes. He thus decided to hide the "Fionna and Cake" world in the mind of Ice King—out of sight, out of mind (literally). Unfortunately, GOLB's resetting of the crown threw a wrench into these plans, resulting in his "unauthorized crossover" being detected. This violation consequently summoned Scarab, an antagonistic "god auditor" who yearns for Prismo's job as wishmaster. The episode concludes with Prismo zapping Fionna, Cake, and Simon to Farmworld seconds before Scarab can capture them.

Before talking about the meat of the episode, let me briefly talk about the [Psychic Tandem War] Elephant in the [Time] Room: Prismo's voice. In the initial series, as I am sure many of you are aware, Prismo was voiced by Kumail Nanjiani, a talented comedian perhaps best known for his role in the HBO series Silicon Valley. There was something about Nanjiani's voice that really clicked with the Prismo character—his laid back, somewhat monotonous way of speaking just really fits with Prismo's "chill deity" thing.. Alas, Nanjiani does not reprise his role in "Prismo the Wishmaster" (instead, the character is voiced by Sean Rohani). What? you might be asking, Was there some drama? Did the actor have a falling-out with the crew? No. The answer is far, far more infuriating: Nanjiani's reps apparently declined to tell the very actor they were working for that the Adventure Time folks had wanted him back! Nanjiani has often said that Prismo is one of his favorite characters that he has had the opportunity to play, and so I can only imagine how crestfallen and mad he probably was when all of this came to light. Absolutely nothing against Mr. Rohani, but considering that the voice actor he replaced never wanted to be replaced, I hope that the studio can let Nanjiani overdub Prismo's lines for future streams of the episode. (Ya know, to fix the time line and all that jazz.)

Now, back to our review! Just as "Cake the Cat" recalls the vibes of older episodes, "Prismo the Wishmaster" also echoes with the past, feeling in many ways like a spiritual cousin to season six's "Is That You?" (the masterful episode, solely storyboarded by Jesse Moynihan, that skillfully undid Prismo's death in a way that felt neither cheap nor forced). The similarities between "Prismo the Wishmaster" and "Is That You?" are largely due to their setting (both episodes take place almost entirety in Prismo's time cube), and their shared interest in what I guess you could call "character duplication." But just like "Cake the Cat," this episode is fun and familiar, while still managing to be new and exciting.

I particularly enjoyed the episode's deepening of the already complex cosmology of the Oooniverse. Back in 2020, in the first edition of "Exploring the Land of Ooo," I speculated that the world in which Finn and Jake live owes much to the dualistic cosmology of Gnosticism, specifically the religious movement known as Manichaeism. This approach to reality views the world as fundamentally divided in two. On one side, there is the "Father of Greatness" (roughly equivalent to the Judeo-Christian idea of "God," who creates and orders reality), and on the other side, there is the "King of Darkness" (roughly equivalent to "the Devil," who embodies darkness and death). Adventure Time seems to draw inspiration from this conceptual split, with GOLB being the Oooish version of the "King of Darkness," who revels in chaos and destruction, and "Prismo's Boss" being akin to the "Father of Greatness," who is interested in order and structure. Additionally, Scarab and the various gods who govern the universe remind me of the Gnostic concept of archons (entities that rule over the day-to-day affairs of the physical cosmos), but perhaps that's a topic for another day...

Speaking of Scarab, going into Fionna and Cake, I was particularly curious how the show was going to one-up the Lich. His story arc was nicely capped off in "Together Again," and so I appreciate the producers' decision to create a new villain for this series. As someone who often deals with inane bureaucracy, I quite like the idea of a "god auditor," and Kayleigh McKee does a great job infusing Scarab with a dignified sort of malevolence. Scarab feels textbook lawful evil to me, but unlike a lot of the other baddies in the Oooniverse who are doin' it up the only way they know how, Scarab does not feel affable in any way. He's a cold, sterile regulator, akin to the T-1000 from Terminator 2: Judgment Day, who is interested in only one thing: eliminating his targets. In a word, he feels like a legitimate threat, and that's exciting!

Another major triumph of "Prismo the Wishmaster" is that it fully justifies why this entire miniseries is happening. One of my biggest worries going into this string of episodes was that, while fun, it would not do a good job of legitimizing its own existence. This was largely due to my own biases. After all, I've always enjoyed Fionna and Cake, but I have never adored their episodes. In my mind, they were fun excursions; nothing more, nothing less. However, "Prismo the Wishmaster" expertly grounds their existence in the Ooo that we know, demonstrating that the Fionna and Cake series is not a dull victory lap, nor is it a masturbatory exercise in excess. Instead, it is a bona fide extension of Adventure Time's mythology. Fionna the Human and Cake the Cat are now just as "real" as Finn and Jake ever were. Instead of being simple parodies, they now have a certain depth to them.

Simply put, they matter.

Final “Cake the Cat” Grade: B+

Final “Prismo the Wishmaster” Grade: A

[deluweil]

I know it's been a while, but with the new 911 season coming up ( I will not be watching,probably check in every now and again) I wanted to share my own self check of how I view relationships on tv.

After S6 finale, I was like lost and furious, I mean, I wanted and still do want the last 6 years of my life back from 911. (Well three because they didn't always suck).

But I went back to watching normal TV, you know, the kind that portray relationships and are being clear of the direction.

I watched Good Omens, so rooting for that pair, they are the best! And with that cast of unbelievably talented actors, I enjoyed every minute of it. Point is I didn't allow myself to see that friendship as a ship because of how damaged my perception of on screen relationships became after 911 displaying all the right signals, then taking a hard left into a tree at the end of the seasons.

I am not even going to to touch the First Prince of RW&RB, which is essentially a buddie storyline that was followed through to its logical conclusion.

I also thought, maybe I just can't enjoy straight on screen relationships anymore and I'm looking for more.

My sister sat me to watch Bridgerton for the very first time (just S1 for now) I can say with absolute certainty that it dis-abused me of that theory as well, because I rooted and got excited for Daphne and Simon at first sight.

Such a wonderful love story told right!

These are the two prominent tv shows that cemented my belief that it is in fact not on me.

Going back in my head I remember rooting for Catherine and Steve, and almost every one of Danny's gfs (except Rachel, it was clear she'd break his heart again.) In H50.

I wanted Gibson to end up with Andy in Station 19. Never wanted her to end up with Maya or him with Miller.

And even though it didn't need to be said, but was said in a humorous fashion, the writers also made clear that Gibson prefer women.

So it is in fact the flawed 911 writing that got me to give up on all forms of logic of reading tv relationships right.

That I gave up on tv for a while.

But, that being said, I can say I was always attracted to Ryan, but Eddie always got my gaydar to go off. And Oliver is not my type, but Buck is a hot bi firefighter - and that is a thing I already thought in S1, way before Eddie arrived.

So either the writers has no clue what they're doing, or they did and chickened out last minute.

And I finally reached the point where, I throw in the towel, wish you all well and move on.

It is not just about buddie, it is just a buddie post.

If anyone is interested, I can make a whole post involving the "development" of the rest of the og characters, where I say enough is enough.

Either make them interesting again, or bring in new blood that hasn't been first a piece of ass to further Buck's questionable development.

Let me know if you are interested.

The blinders are off and I am not keeping quiet for the sake of followers anymore.

9-1-1 was a great show, 3 seasons ago. They had sparks every now and again in between, but those were few and always demolished in some way by horrible writing choices.

Thank you for a great time, this fandom has been a place to come to whenever I needed to escape reality, I love you all. ❤️

[ssaalexblake]

I’d be interested in hearing your thoughts on the Ghost Monument. I know some people feel the stakes aren’t high enough, and that maybe if the racers were pitted against each other more it could be a more ‘interesting’ episode I guess, but I find the dynamics of the 2 guest cast to be interesting because they aren’t enemies, they’re not friends either but there’s not a desire to kill each other, because they are their out of necessity and to me that’s more then just being there out of ego or a prize. That surrounded by the history of the Stenza on the planet, it’s fascinating and one where I don’t think I’m fully across yet, so would be interested in hearing your thoughts.

Honestly, I was mostly just shocked that people thought this episode was bad? It wouldn't make my favourites list but there's literally nothing wrong with it either in plot or the execution of it imo. I enjoy it in a rewatch! It builds important dynamics and sets up important arcs. The foundation for the main characters are more firmly set.

Also, like, whatever peoples feelings on the stakes in this episode, it should be noted that The Ghost Monument as an episode has a dark twin. Its name is Ascension of the Cybermen. Narratively they function as a pair and the second one is supposed to be a lot darker with more stakes that shows the development of the characters, so you can't really do that if the first one is absolutely Go Go Go GO high stakes all the whole way through? The tonal difference belays the seriousness of the second episode. The contrast shows to demonstrate both how far the fam have come in AotC and how far 13 has fallen from TGM.

Not to say the sitch they're in in TGM isn't serious, it is, but this is not super stressful to the doctor, she's not, till the very end, scared she can't return them home or that they'll die (well. anymore than the doctor apparently normally is. The monologue in Once, Upon Time was fabulous but very sad). The fam are mostly just following 13's lead to get through this all figuring it's their best chance. In the second episode, they show their own initiative. In effect TGM is their training wheel episode that allows them to survive when the stakes get high.

The links between 11x01 & 2 and 12x09 & 10 give me Life. Such brilliant arching plot threads. Great bookends to Ryan and Graham's time on the show.

And really? This is a personal opinion, but disaster apocalyptic scenarios (which this is applicable to even if our group aren't natives of the place) where everybody lives in hell but just fight and try and kill each other as well as the environment trying to off them are just Bad. And belays an absolutely twisted view of us as a species. I feel like them all banding together when it gets tough and forming a community, if a very terse one where not everybody gets along, is actually an accurate portrayal of people in general. Even whatshisface Enzo or whatever joined the group he hated for safety because he was a lousy person, yeah, but he was Not stupid. I cannot stand grimdark crap like those zombie shows where people just kill each other en masse in their warring factions or whatever like the whole of human history isn't us forming societies and working together.

But speaking of whatever his name is, I feel like his contributions to the dialogue of the episode played an important part in delivering the themes they were going for, so making them fight instead would just have damaged the episode's core aims.

Mr 'I love my mum she taught me people are awful and selfish and horrible by breaking my trust and allowing me to get badly injured' is, congrats, the first person in this era to talk about his terrible mother whom 13 Immediately says sucks (gee i wonder why they did that. he even got hurt because he fell and his mum didn't save him). This is also the first time the cycle of abuse is mentioned because uh, the loser in the mother of the year competition did it specifically so it'd perpetuate itself in her son. This is the episode the timeless child is first mentioned. Considering the cornerstone of the arc is that this child in the end Broke that chain of abuse I do not consider this a coincidence. I'd bet him and his mother would think that Tecteun made that child Strong by what they did to them. 13 did Not like this man and she wouldn't, he's a dark mirror but also the victim of a really shitty mother.

There are other things i take note of in this episode. It's the first time out of post regeneration weirdness we see 13 really hit her stride. It's the first time we see her eschew pacifism as Her Thing despite the fact that she's already demonstrated her willingness to use violence with a few bombs the ep previous. Contextual morality. Reoccurring theme. It Wasn't a good idea to use violence in the situation she was in in TGM. Still doesn't make her a pacifist though bc lol, the bomb thing. So it's Kind of the first blatant portrayal of 13's private actions contrasting ones witnessed by the fam which are used to make her look better in their eyes. This will continue all season.

The stenza are now explicitly portrayed as violent colonizers as opposed to weird guys with the universe's most messed up election system. The lady is going through a race from hell is here to buy her loved ones out of the hell of their society. It's the first time the theme Properly pops up in the era. The first of many times. 13 continues to be a support to Ryan here, deepening their relationship. She's dad-ing him. She's not mad, she's disappointed! (she's also mad). She's also supportive of him.

I also think that 13 totally running out of ideas and thinking they're all gonna die at the end when the others disappear and the tardis does Not appear sets up something interesting. The fam, the ones who have been sceptical about her ability to save them this ep but still figure her as their best chance Immediately bolster her confidence and try and prop her up. They continue with the 'you've got this doc, we have faith in you!!' for a while after that, i assume they think she needs the morale boost? But I think it just leaves her with this terrifying pressure in the end?

She tries to let them know later on that this travelling is Dangerous and that they could get hurt but i think they have kind of started to buy into their own hype about her by then and aren't as worried as they should be. They think tim shaw is the worst of the worst the whole of s11 and 13 doesn't barely deign to acknowledge him bc he's so beneath her. So by the time the real bad guys pop out of the woodwork that Actually scare her the fam are overconfident in her ability to save them, which in turn eventually leaves them in the AOTC situation where they have to save themselves because she Cannot save them herself. She gave them an out before then and they didn't take it because they were not worried. I think the journey to that overconfidence starts right here.

I guess if i had to gripe it'd be that the scene where the two racers decide to take the prize together was Way too easy and more of a footnote in the story? There wasn't really another way this was going to end, but still. That seemed a little weakly done to me. I'd like a little bit more time devoted to it because it's not like i can't think of a few different scenarios to get here, it's just they'd have taken more screen time. In the end, I think that the episode had more important plot threads to go into so they just rushed it a bit. Maybe that's where people wanted more conflict? I don't want more conflict as much as a deeper discussion. They Didn't have a gripe with each other beyond that they were competing against each other and wanted to win and it didn't seem to occur to them that they could just share. But also, i've not watched this for a while. Maybe i'm misremembering, but i remember it feeling short to me.

idk, in the end it reminds me, weirdly, of Jurassic park where they're working their way across the park to the guest centre when all the dinos are escaped. Yes they're in danger and at times it's severe, but they have time to talk and bond and work together using their own skills as a group. The stakes Are high, there be monsters out to kill them and they want to go home, but it's also not 100% dire at all times. It hits the same mood for me.

This episode wasn't grim but it wasn't trying to be either so i guess if you Like grim it'd be a disappointment, but it did what it wanted to pretty well with setting stuff up and having a reasonable compelling episode plot.

Also... It's Super pretty. The bright sun. Glorious.

[t4tails]

what did u think of the characters in the quarry i feel like they were hard to get into if that makes sense

tbhhhh i think almost all of them are at least entertaining if not likable. im watching an until dawn playthrough rn to compare and while im not far in i will say im so far definitely preferring the quarrys cast.

dylan & emma were my personal faves... dylan is a no brainer cast stand out for sure hes super fun, and emma like. she sucks but i like her LMAO. kaitlyn was also pretty cool but i feel like she got kind of shafted in the development department :/ she doesnt have much to do and despite being the expert marksman she uses the guns surprisingly little. jacob & ryan got on my nerves a lot but i think they both have the clearest arcs in the game even if the formers just ends with him crying in the woods lol. nick & abi were super boring and inoffensive... like unless emma gets infected abi really doesnt have any major cool scene and nick is just a werewolf for half the game, and also his character models mouth was obviously rigged to be smiling as the default and it was really distracting. max and laura were really cute together but laura coming back and taking over the plot was super fucking annoying

i think they all definitely wouldve been a lot better if we got any kind of real conclusion. like its actually insane that so much of the early game plot hinges on their flirty blooming romances and then its just all dropped with jacob & emma being the only relationship to possibly get closure if you pick up one (1) extremely easy to miss item in the first chapter. like its actually such bullshit we get no max and laura reunion ☹️

[lullaebies]

While I know that a lot of the things of the books are vague and therefore are open for different interpretations HOWEVER Ryan's interpretation of the dance is the worst I've seen, and I've seen alot of different takes/interpretations since I've been there in the fandom for like 9yrs, but Ryan manages to come up with the worst. Especially with Aegon's character, like I know Aegon (&his mother &his brothers) plays the role of antagonist or at least the closest one to such role, so I wasn't expecting him to be a jesus-like figure in the show but the way Ryan has made him sooo cartoonishly evil (he is objectively worse than Joffrey) but also so pathetic without any endearing qualities that cool villains have is soo jarring and annoying to me especially when Ryan pat himself thinking that the abomination he has created is some sort of "grey complex character"

See I don't really hate everything on the show; clearly if I did I wouldn't be half as obsessed with it, but I feel they chose one of the most dumbed down options for the Dance in the matter of the political debate and intrigue. If they took the Greens and their concerns any type of seriously we could've had a show more on the level of the first seasons of GOT. Most of the Green characters suffer from characterization issues, Aegon is simply the one you can tell on the most because it's fucking ridiculous with him lmao. (this is not to say TB doesn't suffer from characterization issues, but the vast majority of them are kids rn who frankly just didn't get screentime so that's a damn shame. The adult TB character's suffer more from lack of consequences and critique from the narrative imo). As for the Aegon section of the ask - You know the real kicker is that the use Joffrey in interviews as a measuring stick to say "he's no Joffrey" like... did you by any chance... read what you wrote? As you said, he's worse. And even worse are the inconsistencies - you expect me to believe he goes to fighting pits and rapes girls every sunday before sept mass when this man cries at his mother looking at him pointedly? Like, you can glean characterization off of Aegon, you can make him interesting if you tried, but they did not try to make him any sort of grey character in the first season. (in fact, the sympathetic parts of his story are glossed over and he is villainized over them!) He's just a menace that we are told to watch like: "look at this loser the greens are trying to replace Rhaenyra with". And they set it up from the get go with him as a child being a bully and a pervert, being mean to everyone around him, and I don't need to talk about adult Aegon, do I? I genuinely feel like the first season as a whole did its best to say "he sucks, he has no redeeming qualities, do not support". And it's so stupid, because people would've supported Rhaenyra regardless. She has an actual plight trying to ascend as the first queen in her own name. But the showrunners will masquerade Aegon II as a grey character while writing his actions and words as morally black as the night to act as if they don't have a favorite side. I don't know. I hope Tom managed to plant so ideas in their head as to how to handle him better, I do hope we get some sort of character development after the initial events of S2, but in the matter of being truly sympathetic in any way and morally ambigious they already shot themselves in the foot.

[thestrangestthlng]

Bi Buck and the internet interneting

I'm absolutely fucking living for the positive male bisexual representation we've been getting in media. Three masc male bis in the past year (and some change) is fucking amazing. Not only are they coming into their sexualities, their growth and development is detailed and explicit.

Furthermore, we have them having their sexual awakenings at different phases in their lives. There's no timetable on figuring out your sexuality. Personally, I as already in my late-20s/early thirties when I realized that yes my aesthetic appreciation for women was more than just aesthetic appreciation. We have Nick Nelson falling in love with his friend in high school, Alex Claremont-Diaz falling in love and having his awakening in his early-mid twenties, and now Buck realizing that his jealousy and feelings are more than just wanting to be friends in his early thirties.

Of course, the internet loses its collective minds--mostly for good, but you know the internet is always going to the internet.

There were a bunch of comments about how the show was "ruined" and asking why everything has to be gay. Here are some direct quotes.

"ABC just fucked up an amazing show and ruined my favorite character."

"Enough already. Why must it be in every freaking show on television? We'll see how the ratings go."

"Not Buck😢. ABC has just ruined 9-1-1."

"I'm done... tired of not being able to watch anything with the gay agenda having to be added."

"Ruined the show for me."

"WHY WOULD YOU RUIN BUCKS CHARACTER LIKE THIS. BYE"

"BRO WHY DID YOU MAKE BUCK GAY NO"

"Didn't and don't like where this Buck storyline is going.. smh"

Let's start breaking down this fucking foolery. First and foremost, 9-1-1 is a RYAN MURPHY show and the show has been queer af the whole fucking time. What we're not going to do is erase Hen like she hasn't been there the whole fucking time.

So, I personally this that people are mad about this development in his character because Buck is masc. Not only masc, but he's a firefighter, a manly man's job. Being a queer masc in that type of setting is threatening to some men's heteronormative opinion of what masculinity is. It makes them uncomfortable because he's not a stereotype. Buck's personality hasn't changed because he's started kissing boys. Hen is not an issue because Hen having a more traditionally masculine role as a lesbian is not "threatening" to their opinions of what masculinity is. Michael isn't an issue because he's not a main character, he's not in the 118.

But someone is like "not everything is homophobia" and went on to say about how sometimes people just don't like change and that if you got to know someone for six years as straight you won't like it if they were suddenly queer.

Holy microaggressive queerphobia Batman.

Buck hasn't changed more than his character growth and development over the years. Also, they've been shining a queer beacon over his head for years, which is why so many people were hesitant to get invested in the show thinking it was just going to be another queerbaiting situation.

As a bi myself, I am ecstatic to see more and more positive representation, but to sit here and say that his character is ruined or the show is ruined because he did what they've been hinting at for years, that's goofy.

Like, if queerness offends you so much, why are you watching it?

Moral of the story is that queer people come in all shapes, sizes, personalities, mannerisms, etc. The fact that media is including more masculine presenting queer men is amazing, because we've been force-fed stereotypes that are palatable for straight men for decades. It's supercalafragulisticexpialidous that we have bisexual male representation because that's new new. There's so much biphobia and bi-erasure it's so amazing to see it on the screen (and also not just being queerbaited for years.)

Hollywood: Keep it up.

And because I can: have some bi boy appreciation:

Just lusting; nothing to see here.

Honestly, though Taylor is so fucking pretty, he's literally punchable.

They're literally low key raising a family together, and ya'll are surprised. (Also, side note, I will die for Christopher.)

[slashingdisneypasta]

This idea/question popped into my head last night and I think it might intrigued you too. Or at least it'll be fun to think about.

So we know that in the Slasher AU, Rena is dead and Ryan and Kingston are still running their L.V mafia. But what if they were a bunch of slashers? Whether they replace the weasels as the Slasher Villains or they are Las Vegas' group of killers? How much different do you think they and their relationships would be (not just with each other but other people, like Maya and Kingstons parents)? What kind of irl slashers would you compare them to?

If they are slashers alongside the weasels... Ohhh boy Shiny, Poppy, and Lottie are in for a shit show when they get on the road, I imagine.

SLASHER AU SLASHER AU SLASHER AU-

Okay so I saw this and had to get up, fill a hot water bottle and get comfy so I could respond. I'm ready now, here we go.

Slasher!Rena is Freddy down to a T. She's an orphan, she's a Huge Tease, she's terrifyingly cunning, and she'd absolutely come back for her daughter just to use her when she needs her. So Rena's basically herself, but with a taste for bloodshed. As opposed to King and Ryan, Rena probably always had a little bloodlust in her, from childhood; I can see her being bullied when she was little (she was a lanky, awkward thing who looked just like her brother- they called her a boy, boyish, masculine. Said she would never be pretty; that kinda thing. As well as 'poor' and 'orphan'. She and Ry still get adopted by King's parents in this au but that doesn't change the fact they aren't her real mum and dad, and children are cruel) and hating everyone around her (Except Ryan and King). She started hating guys, particularly, even more after she hit puberty and SUDDENLY!! everyone liked her.

As she grew up she became more and more the character we know- addicted to drama. Except its even worse, because... well, she's not satisfied with a little sex. Yes, thats great, but she starts to think that if she can kill... and then go to the funeral, too,... t h a t would be perfect. And of course, she targets kids she grew up with and their families. (And at this point, she's the most popular woman in the little australian farm town. She knows everyone, she's friends with everyone- So she has access, to everyone.)

After they move to Vegas, america's capital of bad mistakes, Rena really hits her perfect stride. Everyone there is her puppet.

(And *cough* I have this thought where, after Poppy/Shiny/and Lottie come to Vegas and meet the Roo's, and Lottie naively thinks she's finally found a parent who wants her (Rena's spinning it like Smartass took her and hid her from her mother- which we both know is nothing but lies), Rena digs into her daughter. She finds out everything that happened, convincing Lottie with gentle motherly touches and warm openness to tell her all her secrets. Then, for fun, Rena sells Lottie out to Greasy)

Slasher!Kingston is Chucky for sure XD Oh! And also Foxy and Stu!! Kingston still seems to think pretty clearly (Unlike, say, Otis or Baby. Or Tiffany. Or Billy.), he k n o w s the difference between right and wrong, he can explain ethics, but he just doesn't care ('wrong's the fun one'). Kingston basically started developing a bloodlust after Rena started killing. He was always pretty popular in school (AFL star) and in town; he was never bullied, but he's always up for trying something new! King's a bit of a thrill seeker (He drove before he had a licence way over the speed limit, he drank before it was legal, he smoked, he did drugs, he was up for really any dangerous stunt, etc), so when he stumbles upon his girlfriend with blood on her pretty face and his old football coach laying still on the ground, he's basically like... 'oh is this what we're doing now?? Well- shit- I'm down! Whadawe do with this??' *gesturing to the body of the man who kindly taught him football all through highschool* Who's next??'

And its not personal for him at all like it is with Rena, he'll kill anyone. Doesn't matter. He has very little in the way of empathy.

King just jumps on board immediately- following Rena's lead but quickly ~flourishing~ on his own. And, being a thrill seeker, he almost blows their cover so so many times! Rena gets so annoyed 😅 She has tied him to a chair with military grade knots through the night before on multiple occasions because they need to lay low now goddamnit!

As for his parents... he would absolutely kill them, no guilt no shame. He doesn't want to, he's not gonna go out of his way to do it (They're his mum and dad! He loves them, in his way), but if they found out about his extracurriculars and they started creating problems then he will shoot them in the heads.

Slasher!Ryan, true to his character, was never a really cruel person (Just complicit)... until Maya** was killed. So, I'd liken him to... maybe... Needy? From Jennifer's Body? After Jennifer and Chip were killed, she lost a l l semblance of being the 'good guy'. She went basically monotone, and just... pissed. And thats definitely Ryan (In the original universe too, but its definitely more violent in this one). Ryan definitely also has a mindless, wrathful Michael Myers thing about him.

He wants to destroy whoever did it, whoever took Maya away. But once its done... he still doesn't feel better. Ryan will never feel better. He's lost something very important inside him, he doesn't care anymore, and it will not ever go back to the way it was. He's like a mindless soldier for King and Rena to use as they will. (To their credit- they do try not to treat him that way though. Thats their brother, who's been with them no matter what since the start, and... they love him. He's their soft spot!! But sometimes they have to use him.)

Ryan goes into dissociative states where he will hurt anyone near him, and King has to hold him back (Which is a struggle- Ryan's stronger then any of them) while Rena forces a pill down his throat; covering his mouth until it goes down and he goes to sleep.

** Maya did not know about Kings and Rena's killings when she was alive. Ryan kept it from her, and though King made some odd jokes sometimes around her, and she might have had some suspicions... she never outright found out.

[ratbiwirattime]

Hello (Here's to hoping I can work with this)!

Connor suggested coming to Tumblr to try and see we can gather any clues about what happened a couple days ago (which, btw, if you have any ideas at all or remember anything from WyldRyatts yesterday, don't hesitate to message us).

My name is Aster and I use she/her, but they/them or it/itself pronouns are fun too. If you need to ask Ryan Selucreh or Connor Connors a question, I don't think they're on tumblr yet, very sorry.

wait why is the title aster and b-

hi me biwi call wahtever me rat no care. develope typign skdi9ls slwoly giv em power to understnd ou nio telk,m mytrhebormne cerw ijkm hereer

with the newer rp people from the suckening AND prime defenders, i think its time i make my own for my favorite under-rated campaign! AND YES I DID MAKE BIWI THE FUCKING RAT SHARE AN ACCOUNT WITH ASTER SUE ME

im normally @s0lar-ch3ri and shit so yeah. will i probably make a seperate account for biwi soon? yes. but not now (update cause of the switch, the side blog will soon only be biwi, but im still gonna feature him here cause why now)

im gonna change up the profile and shit soon, just making a post so mutuals arent alarmed if im following them now and shit

#biwi entertainment cheese - biwis in control of the account today

#in character aster! - as it says, aster aeliana in character

#off stage water break - out of character posts/reblogs

#aster can answer that! - answering asks in character for aster

#biwi hears. - he will take your question.

@red-might-be-dead AY I FUCKING DID IT NOW I GOTTA DO MCS

(shift the things from the other one over here now lol)

(UPDATE UNDERWAY OF BEING A BIWI RP BLOG, THE ASTER ONE WILL BE LINKED SOON)

[aster-aeliana]

Hello (Here's to hoping I can work with this)!

[Image ID: A banner that says: ‘To break free from the JRWI RP industrial complex, feel free to block the ‘#just role(play) with it’ tag. End Image ID.]

Connor suggested coming to Tumblr to try and see we can gather any clues about what happened a couple days ago (which, btw, if you have any ideas at all or remember anything from WyldRyatts yesterday, don't hesitate to message us).

My name is Aster and I use she/her, but they/them or it/itself pronouns are fun too. If you need to ask Ryan Selucreh or Connor Connors a question, I don't think they're on tumblr yet, very sorry.

wait why is the title aster and b-

hi me biwi call wahtever me rat no care. develope typign skdi9ls slwoly giv em power to understnd ou nio telk,m mytrhebormne cerw ijkm hereer

After recent discoveries, we've found a way to remove Biwi from posting on our tumblr (credit to @arcadianxanadus for the informing that he was here), so yay! By the way, we can't seem to find him, has anyone seen him? (BWI MESAGE DO NTO TELL IM @ratbiwirattime HREHEERH)

edit: hello everyone! I forgot to say sooner, but both Ryan (@ryan-selucreh) and Connor (@connorfrombofa) are on here! Also my dad and Romeo, and Jasmine recently, hooray!

with the newer rp people from the suckening AND prime defenders, i think its time i make my own for my favorite under-rated campaign! AND YES I DID MAKE BIWI THE FUCKING RAT SHARE AN ACCOUNT WITH ASTER SUE ME

im normally @s0lar-ch3ri and shit so yeah. will i probably make a seperate account for biwi soon? yes. but not now

im gonna change up the profile and shit soon, just making a post so mutuals arent alarmed if im following them now and shit

#biwi entertainment cheese - biwis in control of the account today (not used on this blog)

#in character aster! - as it says, aster aeliana in character

#off stage water break - out of character posts/reblogs

#aster can answer that! - answering asks in character for aster

#biwi hears. - he will take your question. (not used on this blog)

@red-might-be-dead AY I FUCKING DID IT NOW I GOTTA DO MCS

CREDIT TO @ripells FOR THE PFP USAGE

[blazehedgehog]

How DID FNAF get so popular in 2014? (God, that was 9 years ago.) Was it just a right place, right time thing?

A bit, yeah.

I think it's pretty clear from the popularity of Halloween that kids like to be scared (and to scare each other). There was a whole market that a lot of studios either forgot about or never tapped into.

Because, like, when you think about "horror for kids," you think about, like... Grabbed by the Ghoulies, or Luigi's Mansion, or even that one Haunted Mansion game Disney put out.

Games that are absolutely more silly than scary.

But we were in the era of the "creepypasta," which was undoubtedly dominated by kids between the ages of 13 and 18 writing about how their Sega Genesis was oozing blood or they had summoned Jeff the Killer by calling his number at 3am or whatever.

And this was after years of top Youtube Let's Players cutting their teeth on games like Amnesia and Cry of Fear. Kids were now intimately familiar with actual horror. They were hungry for sterner stuff than the typical idea of what kids could tolerate. Googly-eyed skeletons and technicolor sheet ghosts weren't cutting it anymore.

Five Nights at Freddy's was laser focused at this demographic: characters and a premise even adults find scary (uncanny animatronics turned killers) married with extremely simple gameplay that's all about building up to what is effectively somebody going "Boo!"

I currently live with my brother and his family, and he has twin sons. They're six years old. When it's time for bed, they give hugs to everyone. And when it comes time for my hug, every night for the last year, they try to sneak into my bedroom so they can jump out and shout "Boo!"

And when they do manage to surprise me (either because I play along or because they genuinely come in so quiet and secretly that I do not notice), it is one of the greatest things for them. They'll go bouncing out of my room and one will proclaim to the other "I GOT UNCLE RYAN!"

Even six year olds like the "Boo!" It's universal. The ultimate, most primal form of prank.

And despite trading in dark themes (dead children and a conspiracy to hide their deaths), there's no blood in FNAF. The violence is, at most, implied. And since the lore was deliberately obfuscated, its darker themes are gated by how deep you're willing to dive. Younger kids who might not be keen enough to figure out the easter eggs and hidden story elements are spared, whereas older kids can devour theory crafting videos until their eyes cross.

I don't necessarily think Scott Cawthon did everything deliberately. He's on the record saying FNAF was kind of a last ditch effort for him to be successful at game development, after all his other (Christian/Educational) projects were non-starters. I think certain parts of FNAF were probably more a happy accident. But he did land in the right place, at the right time, with the right game for what an audience of 13-18 year olds was most likely to connect with at the time.

And in the bigger picture, it was like the popularity of characters like The Crypt Keeper, Jason Vorhees and Freddy Kreuger finally came home to roost. Those were characters of the late 80's and early 90's that found surprising popularity with kids of the era. Growing up I was both amused and terrified of the myriad of Freddy Kreuger merchandise, and they straight up made a Tales from the Crypt saturday morning cartoon. From something that aired on HBO at 10pm and routinely had nudity and quite a bit of gore.

Even if their parents never liked it, kids have been getting scared by adult horror for decades.

Now, with FNAF, it was literally Good Christian Fun™ with enough of an edge to it that kids didn't feel like they were being talked down to.

[prinnamon]

@spiderh0rse has been posting some fantastic notes while it makes its way through Freeman's Mind, so i got inspired to do the same for Mind of Ryan today! it's a shorter series, so here's my thoughts on all eight episodes plus extras. was not expecting to sit down and watch it all today but i was overcome by the need to do so. you know how it is.

WIKI

full name: Ryan Harrison Sullivan

date of birth: August 25, 1976

has received HEV training

working in "mechanics & AI development"

EPISODE 1

listening to "Anywhere But Here" from the album The Story Of The Mechanical Man by Behavior at the start of Episode 1, meaning the series must take place after its release in May 2001.

drives to work ("helicopter rides are too expensive," so apparently the employees have to pay out-of-pocket to fly out to the facility)

didn't sleep well the night before. yet another mindverse character who refuses to get good sleep or eat a nice meal

wears his lab coat all the time even outside of work because he thinks it makes him look "cool as fuck" and because it's very comfortable. people think he's weird for this.

he used to live in michigan

one time a raccoon bit into the power lines and this knocked the power out for the entire town he lived in

willing to shrug it off when people start talking like sephiroth in his mentions say concerning shit. very "haha ok whatever you say man"

barney is his roommate. ryan thinks of him as lazy. barney relies on ryan as his alarm but ryan is not above giving the fuck up since barney is a heavy sleeper

excited at the sight of a mechanical keyboard (based)

appreciator of air conditioning. his college (presumably UChicago; see Episode 6.5) had no a/c.

ryan knows barney gets pissed about it when he finds a safety violation like a lack of handrails on a staircase or walkway, but he never reports these violations

just. casually hops over a counter to throw something away in an inaccessible trash can. tells people to get over themselves about it when they react negatively

EPISODE 2

ryan works in sector G as a robotics engineer

wonders if he's "the only young scientist here," so probably either doesn't know Gordon, Felix, Stark, and Ramirez or is only referring to his department

KNOWS COLETTE GREEN. LIKES HER. THINKS SHE'S COOL. (based)

"she is just the right amount of crazy." is a little younger than her

hasn't been late to work often.

could live without his break, but it would suck.

thinks the transit station is "unnecessarily huge"

can get a little mean in a tense situation (calls a guard a "dumbass")

mind goes blank in a crisis ("i just don't even know what to fucking think right now!")

EPISODE 3

his chest hurts when he wakes up. presumably from cpr.

"my brain isn't really registering everything that's happening. i feel like i should be panicking, but i'm not."

hates roaches. does know they're a vital part of the ecosystem and that his hatred is irrational but hates them anyway

"hi, rat."

notices his lab coat is dirty. he's unsure why he's fixated on that when he has bigger problems.

cold and wet and NOT having fun!

illustrated end card shows him holding his flashlight up over his shoulder

EPISODE 4

gets attacked by a headcrab, which presumably gives him the little cut on his right cheek seen in every end card from this episode forward!

uncurious about the aliens. does NOT want to know what they are. just get him outta there

knows everything about the tau cannon. recites facts about it to calm himself down. i think his mental "happy place" is just a rotating 3D model of the tau cannon. which is incredibly real. also he calls it the tau cannon (based)

his plan for today, if he'd actually gotten to work, was to "see if [he] could apply a self-limiter to the alt fire to prevent it from overcharging."

he wishes he was in his lab right now.

his reaction to seeing a dead guard lying next to their equipment is "oh, hey, a bulletproof vest!" and he takes it and puts it on with NO hesitation. he then immediately starts searching the corpse for other useful shit. and this is like. one of the first dead bodies he came across. really just getting right to it. who needs to descend into apathy when you can save time by starting there?

able to recognize that this situation is incredibly fucked-up but not really able to engage with that fact emotionally.

it feels wrong to him to kill the headcrab zombies. he recognizes that they probably used to be his coworkers. after taking out two of them, he resolves not to do it anymore.

EPISODE 5

his black mesa-issued flashlight is a shake-to-charge light.

barnacles are "ceiling tongues."

"man, that thing killed Bob. he was two days from retirement. how could you do that?" i have no idea if he's being serious and he recognized the construction worker who got killed by a barnacle here or if he's making a joke to dispel the horrors—oh. yeah. he flat out says he has no clue who that guy was

his robotics lab is in the biology building! he doesn't understand this, but he also doesn't mind. (Heather's a biologist! maybe he knows her, since they work in close proximity.)

ditches the vest for improved mobility.

chuckles in disbelief after managing an impressive feat of acrobatics

says electrical failures and brief power outages were regular occurrences even before the incident

takes a snickers bar off a dead guard

could go for a pizza right now

can't rule out that the facility's haunted

"what the fuck is that? wait. that reaction is not suitable. allow me to rephrase: AAAAAAAAHHH!" hmm. i see. makes another tally mark on my "Ryan's first instinct in this situation is not to panic, and he only really does so because he thinks it's what a reasonable person would do right now" list

EPISODE 6

lived out of a storage unit for a while when he had no other option. he packed all his stuff in a rented storage unit and hid his bed behind the stacks of boxes. it was always miserably cold in there and he did Not have bedding. being in the drainage canal reminds him of what that was like

acknowledges he may have to fight the headcrab zombies eventually but "just can't stand the idea of beating them to death" because of how violent and brutal it feels

really doesn't wanna leave the guard with the broken leg to die but reluctantly accepts his weapon when he says he's "never gonna make it"

even with a gun, he'd rather run from danger. gotta conserve ammo.

"why is it so difficult to leave the building?!"

impressed that the guy in the control room hacked the announcement system. tried to do so for April Fools last year but failed to bypass the firewall

panics and accidentally kills(?) mister control room by shooting the bullsquid attacking him with a shotgun, sending both the bullsquid and the guy flying out the window. feels really truly quite bad about that.

EPISODE 6.5

ryan went to the university of chicago!

ryan drinks squirt (the grapefruit-flavored soda)

in 1995 he spent $1500 on a giant fucking heavy ass laptop while absolutely not having the money to do so. he regrets nothing. he love computer

EPISODE 7

OH RYAN HAS A CUSTOM 3D MODEL. OKAY. SICK. ANIMATED OPENING.

has a cell phone on him

injured his leg pretty bad when the elevator fell but doesn't seem to have lost consciousness at any point. yeowch!

concerned about how the pain in his ears from firing a gun in a vent is significantly less than the pain earlier from the houndeyes' soundwave. wonders if he's sustained permanent hearing damage.

his tune has changed regarding vents. hated being in the first one he had to crawl into. now they're a nice change of pace, because he at least knows larger enemies can't follow him in and chase him.

barnacles ceiling tongues are now "tongue monsters." he addresses one as Chunky the Tongue Monster.

a little sad/guilty watching as guards fight for their lives and he ascends on an elevator towards the surface. "this whole situation is just so fucked, man. you just kinda have to look after yourself, and if anybody gets hurt or dies, you just have to leave them. damn."

his phone is a Nokia 3300B. it is a thing of beauty.

once he gets high enough to have cell service, he gets a call from Tod Arlen, who's been trying to call him for hours. Ryan says Arlen's "the last person [he] expected a call from."

arlen has already escaped with Kate by this point!

arlen warns ryan that he's heard some black ops chatter and they plan to blow the place up. ryan is silent about this until arlen's like "are you there?" and ryan very calmly/dismissively says "yeah. well don't worry about me, man. im almost at the parking garage so i'll be fine :)"

they make plans to meet at the clayton airport when ryan gets out. (and, over the phone with arlen, ryan does seem pretty confident it's a "when" situation, not an "if.")

ryan seems calm and casual throughout the phone call but lets himself freak out about the gravity of the situation as soon as he hangs up. ("i'm going to fucking die.")

EPISODE 8

the wiki suggests that an eighth episode was in production at one point, but there's no such thing on YouTube unless you count an unlisted video called "Shotgun SFX Test - Mind of Ryan Episode 8"

there's an end card for ep8 showing ryan having survived being shot. i don't believe episode 8 got made. i think the illustration is all there is.

there is a speedpaint of the episode 8 end-card tho!

"STARTING OVER."

"the only way mind of ryan will come back is through the form of a reboot, and i don't know when or if that's going to happen."

[adamwatchesmovies]

Barbie (2023)

2023’s Barbie turned out to be a pretty big deal. Not only is it Warner Bros. Studios’ highest-grossing film ever, it also received rave reviews and was directed by Greta Gerwig, who co-wrote it with Noah Baumbach. Some say it proves that art is dead, that the bad guys have won, that even the artists with the most pristine integrity can be bought and sold like plastic dolls by soulless corporations. I say it proves there are no bad premises, only bad executions. When someone talented really cares about a project, they can turn even what some might call a commercial into a great, memorable, stylish and surprisingly thoughtful piece of art.

In Barbieland, all of the Barbies, Kens, and other Mattel dolls live in harmony - playing at the beach, working at their prestigious jobs and doing everything the children in the real world have them do. When Stereotypical Barbie (Margot Robbie as “Barbie”) suddenly develops bad breath, and flat feet, then begins thinking about death, she travels to the real world to confront the child who’s been playing with her. Along for the ride is Beach Ken (Ryan Gosling as “Ken”). While Barbie is horrified to discover that the real world is not the ideal matriarchy she imagined, Ken is fascinated.

The movie Barbie most resembles is 2014’s The Lego Movie. Like it, Barbie is a frequently goofy and surreal comedy featuring a beloved children’s brand. It is also colorful, with many stylish visual flares that prove the people in charge have a deep and loving appreciation for the property. When Barbie leaves her bedroom to eat breakfast, she doesn’t take the stairs; she floats down to the ground floor. It’s because that's the way the dolls move when little girls play with them. If you look at the movie, you’ll see many of the various Barbies Mattel has sold over the years appear in cameo roles or roles you think are cameos (but turn out to be much more). Some of the Kens and Barbies we see aren’t even official Barbies but are part of the doll’s history, such as Kate McKinnon's “Weird Barbie” - the Barbie whose hair got cut up, has broken hips and weird “makeup” applied all over her face. Like The Lego Movie, Barbie has the occasional musical number and eventually leaves the made-up play world to visit the real world - a way for it to become more than just an ultra-colorful, super stylish adventure with costumes that are sure to win it awards.

There’s a lot to unpack in this film. Some of it you might anticipate from Barbie's trip to our world. Every 10 years or so, a mob with torches and pitchforks rises up to condemn Barbie for projecting unrealistic beauty standards upon little girls but never before has the character of Barbie actually been confronted with those criticisms; it’s always been the people at Mattel who’ve been on the receiving end. Obviously, in reality, it’s because Barbie isn’t real, but this movie asks “What if she WAS real? How would she take these criticisms? What would she say about them?” I don’t know how Greta Gerwig and Noah Baumbach did it but they convinced Mattel to all sorts of things I would’ve never expected. The movie also makes some strong points - all while being funny and going in unexpected directions.

Barbie is one of the most memorable movies in recent years. Even if you don’t remember the exact song that played during the Beach Battle, you’ll remember what the choreography was like while it played. You’ll remember Margot Robbie’s outfits, the visuals showing how her and Ryan Gosling’s characters travel from Barbieworld to our world, what the offices at Mattel look like, the wonderfully bizarre interpretation of its board of directors, the sets, Barbie's interactions with Gloria (America Ferrera) & her daughter Sasha (Ariana Greenblatt) and the way it made you laugh. It’s got so much going on you could rewatch it several times and find something new in the visuals or the dialogue. There’s a point made about what role the Kens have in society, particularly at the end regarding how much Mattel/the rest of the world cares about them that still has me smiling long after the movie is over.

My only criticisms towards Barbie are that a) it probably could’ve been slimmed by about 10 minutes and b) it’s so successful that we’re all but guaranteed to have a sequel and I can’t imagine a follow-up being as fresh and satisfying as this original. I know there are people who will not be interested despite all the positive word of mouth. To them, I say you’re missing out. This is a great film that just happens to be about a plastic doll made by a giant corporation. It does so much with its premise, that I'm still in shock. (Theatrical version on the big screen, August 11, 2023)

[washipink]

Rain by Jocelyn Samara D Year 1: 2010-2011

erSo I recently found out that 1 year ago, a comic that was INCREDIBLY important to me as a trans middle schooler who went to catholic school had wrapped up. This year, I’ve decided I’m going to read through and review Rain by Jocelyn Samara, 1 year of the comic’s run at a time. First up: Year 1, which covers Chapter 1 (The New Girl) through Chapter 6 (Fallen Angel). I’ll be summarizing the story and characters for those unfamiliar, so feel free to follow along.

There’s a LONG-ASS post under that read more. If you have any experience with the comic or enjoy the post, please talk about it with me. It’ll be a good time.

Year 1 Summary

The star of the show is Rain, a transgender 17 year old girl who moved in with her Aunt Fara after her mother’s death. It starts on the first day of her senior year of high school, the first time she’s ever tried to pass as female in front of... anyone???

Based on some of the language used in the character bios, I should be very clear that this comic is from 2010 and written by a trans woman who is most likely older than most of my followers. There may be language used that you personally don’t agree with. I’m not a fan of being called transsexual myself, but there’s nothing wrong with saying it.

Anyway, the basic gist is that Rain passes EXCELLENTLY and attracts a lot of attention from her male classmates, much to her dismay.

But the men aren’t the only people with their eyes on Rain. Lesbian classmate, Maria and her fake boyfriend, Gavin make a bet of 5 United States Dollars out of who can talk to Rain first.

Here’s the rub: During Role, Gavin seems to recognize Rain’s last name. It’s the same as his childhood best friend, Ryan. Gavin and Maria then banter a little bit, jokingly saying “what if that IS Ryan? could ya believe that?”

Little do they know...

One thing about Rain is that its cast of characters is by no means infallible. Even characters that I came to love, like Maria, are kind of insensitive. Just about no one in this cast has ever MET a trans person in their lives prior to Rain. It’s very true to life in that way. You meet a lot of people that are ignorant or accidentally insensitive. And sometimes, they learn to stick up for you.

The realistic portrayal of how trans teens can be treated by other teens is one of my FAVORITE things about Rain.

Anyway, Gavin brings up Ryan Falherty to Rain, which causes her to panic and run away.

And Crash Directly into the fifth member of our main cast, RUDY!!!!

A rather gossipy gay boy that sees up Rain’s skirt and thinks she’s just a REALLY brave gay dude. He tells Gavin and Maria pretty much right away and Gavin does not take it well. The majority of Year 1 is spent on Gavin and Rain repairing their strained friendship after years apart from one another. That begins here, with Gavin confronting Rain about her identity.

Gavin’s super upset about the whole deal, but Maria and Rudy are some of Rain’s biggest shooters going forward. Even if they can ask a LOT of invasive questions.

If I’m being completely honest, there’s no MAJOR developments in Chapter 2. Fara gets a call from Rain’s older Sister about how their older Brother hasn’t talked to either of them in forever. This lays a few seeds for later events, but it is PRETTY unimportant for a while. There’s some really good emotional dialogue in it though.

In Chapter 3, Rudy’s meddling directly causes Rain and Gavin to reconcile. They have a discussion about how the reason she never told him was just that she was scared to lose her only friend.

MEANWHILE, in an attempt to make some actual friends, Fara reaches out to her neighbors and meets Ky(lie) and Heather Coven, a Gender Ambiguous Teen who goes to a different high school and her less approving older sister.

Kylie, also known as Ky, swaps gender presentations incredibly frequently, not really showing any bias for one or the other. So do not expect me to be consistent with their pronouns. Their gender is kinda messy. Almost like he’s some kind of... real person with a real life gender. Crazy.

Anyway, Fara invites them over and she and Heather get drunk, which means she can’t pick up Rain from the mall. Rain needs a place to sleep that night and Gavin invites her to stay with him.

This begins Chapter 4, in which Gavin and Rain realize that things may be different from when they were kids... but there’s a lot that hasn’t changed. Gavin remarks about how much more feminine Rain is than when she was a kid and how that’s WEIRD for him... but they end up playing a game from their childhood pretty much all night. It reminds them of all the good times and ignites within them the hope that they can have MORE good times going forward.

As an adult with friends I’ve had on-and-off relationships to, this speaks to me way more powerfully than ever before. The more things change, the more they stay the same.

The next day, during her hangover, Fara sees Rain’s older brother on an ad for a dating website with his new fiance.

And on the way back to her apartment, Rain meets Ky for the first time. Neither one of them is aware that the other one has ANY kind of Gender going on and they won’t be for quite some time.

The chapter ends with Aunt Fara telling Rain about what happened with Aiken.

Chapter 5 is a simple one, Popular prep girl, Emily is giving out invitations to a Halloween party for her “perfect senior year”

Everyone but Rudy gets one, which causes Maria to give Emily a talking to. She assures Maria that he wasn’t intentionally excluded and it definitely wasn’t because he’s the only openly gay student in the whole school.

Oh, also a dude beats Rudy up for that exact reason, earning Maria’s fury later on. Rain invites Ky to come with the rest of them to the party.

Like I said, pretty simple chapter.

The last chapter of year 1 is Chapter 6: Fallen Angel.

Everyone is showing off their Halloween costumes before they leave for the party. Rudy’s reads as a bit insensitive to rain, as he goes as.... a high school girl.

We’ve all heard this one, right? young queer person that wants to toy with their gender expression uses a Halloween costume as an excuse? It can hit different watching your friend do this when you’re a stealth trans person and especially when you’re one as self-conscious as Rain.

When they reach the address for the party, they find out that Emily... has an older Boyfriend. Like, a WAY older boyfriend. Who lets all these literal teenaged children drink at a party in HIS HOUSE.

also he’s dressed as the devil in case you needed any more signals he was BAD NEWS.

This sounds like a good time for an aside: Fara is on a date with someone she met online. He works at a manga translator and offers to get Rain a meeting with her favorite mangaka.

Meanwhile, at the party, Chase seems to recognize Rain from somewhere. What could this mean?

Anyway, remember how I mentioned the underage drinking? Yeah, Rudy is HELLA drunk. And the results are not pretty.

The whole school sees this and is... BAFFLED. Because of course, Rudy is gay. how could he kiss a girl? Did he do it because he was dressed as a girl? Was it the alcohol? was RAIN Gay? Who knows?

The chapter ends on Rain riding home in tears.

Thus ends the first year of Rain.

Art

Ok, let’s talk about the elephant in the room. This art is... not too impressive. Every character looks like they jumped out of a How to Draw Manga book and Rain’s design is VERY 2010. Backgrounds are infrequent and many panels feature just 2 characters next to each other against a flat color.

But I think that’s okay. While the visual design of Rain is not immaculate, it’s certainly passable. Samara had a story to tell and she didn’t let her art hold her back. She just took pen to paper and let it go. As the comic goes along, you can tell she’s trying different things and experimenting with drawing a variety of poses. That said, the art style never really changes at all during the comic’s run.

Pure Unfiltered Story Opinions

Rain was one of the first real queer stories I’d gotten a chance to read. At the ripe, young age of 12, every word of it was unreal to me. A girl like me made REAL friends in spite of it all and got to be who she was. And now, reading it again, it really holds up.

Rain has a depiction of queer friendships that’s very true to a lot of peoples’ lived experience. Not everyone GETS each other, but they try. Sometimes, they ask a stupid-ass question. Sometimes, you get into fights. 

Also, sometimes people in your high school get prayed upon by creepy weirdos in their late 20s who think they can get easy tail from CHILDREN. (Trust, people. This gets addressed. This is NOT a fucking glorification and if anyone in the notes says it is, they’re blocked.)

I look forward to seeing where the comic goes from here and I hope you’re ready to take that journey with me.

[horizon-verizon]

I just thought of something else about HotD. *EDITED POST*

One explanation for having the Velaryons be uniquely black (as in throughout their house, there are only black members and they are the only exclusively black Westerosi house shown in HotD thus far) was to make it so that Rhaenyra's first three kids were so "obviously" not Laenor's.

And one justification that I think Ryan Condal and some green stans who have read the book would use to explain the switch up from:

Rhaenyra was the one to wear a dress that silently announced her new self-determination against a harassing opponent

-> the Alicent doing the same but in green

is because it is "obvious" how Rhaenyra's faction got to be called the "blacks". Since the Targ colors are black and red, and she came out, in the book, in black and red at the marriage anniversary tourney held for Alicent and Viserys. (The same one where Daemon entered via circling dragon from the Stepstones.)

There is this peculiar pattern of apparentness of features used as the justification for superficial and bigoted changes concerning character identification and development that troubles me, which also concerns the casting of the Velaryons.

Why is it so important to "make it obvious" that Rhaenyra's sons are not Laenor's in the show, why even cite that as a good reason to make the Velaryons black? Why not just say that we want inclusive casting and center black actors more in fantasy media?

So it's unimportant that we see Rhaenyra assert herself, but:

it is important that Alicent (the woman with the internalized misogyny and the usurper against another woman having power) assert herself?

it is important it's made "obvious" that Rhaenyra's 1st 3 kids are not Laenor's?

The math aint mathing.

A) There is already the absurd narrative trope of the "test" of white female infidelity through the color of the baby's skin in Western media. Such a trope reveals and affirms white male anxiety over the control over white female bodies and perceived competition with black men AND bestialization of the same black men. Cheating is wrong, (and I define cheating as when the partners got into an exclusive relationship and one/both/all look for others) but the fixation on the color of the skin and using that to "catch" infidelity centers the white man's need for control more than anything.

With the Velaryons and their own family not really displayed as a family, with all its love and care, devotion, and conflicts already (what did Laena feel when she discovered her parents wanted to marry her off at 12 to a 30-year-old? Corlys and Laenor's interactions, before and after Laenor revealed his sexuality? Him and Laena and Rhaenys listening to Corlys' adventures and how they met? Rhaenys, how do she and Corlys rule Driftmark and Hight Tide together or separately? How did Laenor meet Joffrey or better, how did the 'rents take this, what did that look like? We know Laenor loved his sister and mourned her so much as to stand in the sea, but can we see happier moments between them?) It reduces the Velaryons (esp Corlys) further as their own unit and makes Corlys, now black, look closer to this stern black dad who is only interested in his kids selfishly with no softness or concern for their well-being.

Where and who are the Velaryons a little apart from Corlys' political plotting and goals?

Simultaneously, it also makes the Velaryons' political interest in the Targs seem...superficial isn't the right word, more like it comes out of nowhere maybe?

This all while grouped with and related to the misogynoir (lagosbratzdoll).

B)

It makes it as if the most important thing or the primary thing is that Rhaenyra's adultery was unique or something to point out as wrong. That she flagrantly causes her own doom instead of her doom presaged by Jaehaerys I's misogyny (ozymalek's youtube video), again, his misogyny (my post), Alicent's ambition, and Andal patriarchy. I wrote how even Viserys is the actual origin of her plight HERE.

Rhaenyra's black/red dress moment wasn't just about her declaring for her house. It was also about her own self-determination against the harassment implied in the original canon. Here is what mononijikayu to had to say in a reblog:

equally so, the removal of important aspects of rhaenyra's vindication against alicent like the dress reveal scene was also something that can be questionable. because that serves an important purpose of showing us that she just didnt sit there and take the beating. she developed a desire to stand up for herself and not let herself dive down to surrender. that was the establishment of her will to lead her faction against alicent's greens. and yet somehow that seems less important or that was not feminist enough. that rhaenyra stood up for herself and survived that toxic environment. that she was ready to assert her stance against it.

The book does enough of the "it's obvious that Rhaenyra's kids are not Laenor's", which we were supposed to take as misogynist propaganda means to twist us against Rhaenyra and see her having children out of wedlock as the "true" issue anyway:

The features the Velaryon boys had is also meant to subtly insert the idea of them still Laenor's, as his mother, Rhaenys, had dark hair and "violet" eyes. Taking the teased ambiguity out of the parentage and then flattening it to "obviousness through race" (at least when it's promoted as a good reason --primary or not -- to hire black actors) further tries to make the audience feel that rhaenyra had more control over the lineage/house and others than she really did, instead of making do a lot.

It normalizes the unfairness of women being discouraged from thinking of their own needs or happiness or autonomy in favor of the status quo's compulsion for them to sexually reserve their bodies for their husband's (despite that not being reciprocated at all) instead of encouraging the audience to really feel she's owed more, that the rules she's compelled to follow follow are absurdly impractical AND unfair towards her and any woman. Very anti-feminist.

And that idea of legitimacy = cradle-bonding stuff needs to stop.

Conclusion

If you needed (as you do) to introduce black characters and put them into higher positions of power, wealth, and prestige (as the Velaryons had in canon), do not under any circumstance make the troubling aspect of racial paternity "tests" a good thing. I admit that audiences would be bringing this up and using it as a gotcha moment against Rhaenyra, saying that it was "obvious" those kids weren't hers. My point is that it didn't matter, the show bts made it matter more on the producers and marketing end, and the show steers away from misogyny as the central issue, not adultery.

Not only does the show wrongly identify the source of wrongdoing through that green dress moment, but the show also exposes its antipathy and disfavor for a side where white/EU patriarchal mores against female autonomy, leadership, and centrism go to die. Or get as choked out as Rhaenyra was by Daemon in episode 10.

*Yes, the first picture is there for jokes and to mark this post as unique on my activity page.*

[dgcatanisiri]

Whatever else can be said about Star Trek Picard (and I have things to say, I assure you, but that's for another post), I will forever be grateful for its evolution of Seven of Nine's character.

Because as much as she was a crutch for Voyager's writers, the go-to viewpoint character if they were stumped on how to handle a story, between knowing Jeri Ryan's own abilities as an actress beyond this character and in actually seeing her in Picard, episode after episode, it's clear that she was STILL being wasted by Voyager, by not getting to see her emotionally develop, beyond just how Jeri Ryan played her, as opposed to an intentional character growth.

When Seven smiles on Picard, it's just so BRILLIANT. A woman who had no idea what happiness was before Voyager, and has still been struggling to find it in the Alpha Quadrant once that family she had has gone its separate ways after their return, now gets to EMBRACE that emotion...

We didn't get Seven to that point on Voyager, and I'm glad we get it on Picard.