#i like this interview!!

[taminoarticles]

— Tamino for CRUSH Fanzine, Issue 14 / 2018 (x)

Tamino (Habibi)

Photographed by Nicolas Wagner Interview by Ariel Kenig Styled by Marie Revelut Tamino is wearing Ann Demeulemeester

I'm crazy about him. His music is like a shock to the system. His name is Tamino, and I met him via CRUSHfanzine’s co-editor, Nicolas Wagner, who decided to shoot my new crush while he was in Paris. But Tamino is not only a crush. We could call it love, admiration — the ultimate crush. I am reminded of those rare times when discovering an artist forces you to compare his immensity to others. To err is human, I guess. And yet, when faced with two figures, two faces, two pyramids, the brain needs to differentiate shapes and shades in order to better recognize them. I met Tamino, asked him a few questions. I had a serious look on my face. It didn't last long. Not long enough. Here is my transcript…

“My paternal grandfather died when I was 5 years old. He lived in Cairo. I was always familiar with his songs, primarily via cassettes that my mother would play me when I was little. She thought it was very important that I know where I come from. It's a little strange to see him on YouTube. My dad takes care of those types of things, but it's not easy. My grandfather never really thought about his legacy. There are other singers, like Abdel Halim Hafez, who are still alive and are better known today than my grandfather. His music is everywhere. It would probably be a good thing if my family took steps to showcase this heritage. My grandfather was the first Egyptian singer to play electric guitar on stage. He listened to Elvis Presley… he wrote part of his music himself. As for myself, I write alone. And I do almost everything all by myself. I've been working with a producer whom I met two years ago, on an EP at first. We had such good chemistry that we re-recorded my song “Cigar” together. I told him about my video concept, of that skeleton that stars in the clip, and he produced the song with that idea in mind. That's what I like about him and the guy he's in a two-man band with: they think not only in terms of sound, but of entity. They want to capture the essence of an artist and take it to such-or-such particular idea they have of him, portray him in this or that way, and in my case, take the project to quite majestic heights. You may find it funny, but I don’t write “sad” songs. I mean, I'm not telling the story of a guy sitting alone on his bed with his guitar... I like more epic, more “regal” things. I love Belgian surrealism, that I connect in my work to more Eastern or romantic references. For me, it's a logical juxtaposition... I've not been to Egypt for five or six years, but I'm going back next week. I can’t wait. I like to go closer to the Red Sea, in the less touristy places. I don't have a TV, I don't read the press, and I deleted my Facebook account. I stay abreast of what's happening in Egypt via YouTube. It's strange for me to see that these wars that are rocking the Arab world have existed for thousands of years…

Facebook has too many distractions. I need to stay focused in some sort of flow, to work every day for a long time, whether I end up writing only two sentences or an entire melody. All in all, if you include all the projects and bands in which I participated, I must have written over a hundred songs. For my album, we recorded 18, of which we'll keep 11 of 12. Right now, we're working on mixing it. I studied at the Conservatory, in the popular music department, which gave me a lot of freedom. I worked on my Voice and I continue to maintain it. I am careful not to scream in bars when the music is too loud. It’s easy to end up screaming without even realizing... Although these days, I don't go out much... I don’t have the time. And I have no personal life! [Laughs.] It’s true, it's crazy. I am 21 years old. My life is a little different. You're never around, and when you come out, your friends are surprised: “What? I thought you were in a relationship, I thought you moved.” I don’t feel the age difference with the people I work with. When I was younger, I was very shy, and at the same time, I needed to express myself. It was a weird combination. Nowadays, I'm lining up the tour dates. Our last concert in Paris, at La Maroquinerie, was very moving. My two musicians cried in the middle of the concert. I was getting dewy-eyed myself. It was so intense, to be so well-received in another country. I was reminded of one of our first concerts in Belgium... I think the album will be both an extension of the EP and a synthesis between two themes: romance that can both lift you up and make you vulnerable because you can fall at any time, and indifference to life, in the meaning we give to it, our investment in it. Everyone has a dark side but… I don't know... I do not only write somber music, but I know myself a little bit, so… It's sometimes cumbersome... When you spend too much time looking in the mirror, you end up doing nothing... Sometimes, it's better to just “do,” and the song may tell you something about yourself. A song written in twenty minutes, without too much thinking. This earring? I found it in an old cupboard. It's my mother’s. I'm not sure that she ever wore it.

[antlerclxws]

[talesfromthecrypts]

They actually make physical media for a much larger percentage of movies than they ever did in the past. Often with a lot more care than any small release was treated in the early dvd days. Its just if you only watch streaming stuff or the big new recent box office hits you won't see that. It is so ridiculously easy to get physical media for movies that even 5 years ago you couldn't even find. Like yes Netflix is a stingy bastard but so many things are available on disc WITH special features than ever before

[prouvaireafterdark]

listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.

Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.

writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.

so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.

she's the reason Claudia exists.

she's also the reason Claudia cannot be saved.

[harbingersecho]

you will regret this for the rest of your life

[cryptocism]

It would have taken another immortal to keep up with him.

so i haven't read the books but i did read the Devil's Minion chapter and this part made me laugh out loud:

[watmalik]

Wolverine being a confirmed boy kisser by Hugh Jackman.

[kayascodelorio]

INTERVIEW WITH THE VAMPIRE (2022-) S02E05―Don't Be Afraid, Just Start the Tape

[elainiisms]

"you can't ship those characters they tried to kill each other!" sounds like someone can't appreciate the inherent eroticism of violence 🙄

[daydreamycrustacean]

Loved by god

[oldwitchsleep]

this is the funniest fucking thing he could possibly fucking say about lestat

[platoapproved]

louis + cruelty

[secretdazedragon]

[brian-kinney-apologist]

how I slept last night knowing that s3 of iwtv is secured, rockstar lestat is happening, akasha is on her way, loustat are endgame, ghost!claudia is a possibility, sam reid is not allowed to cut his hair short for a couple more years, daniel is now a vampire and the devil's minion is real:

[egophiliac]

bring back zooterkins, the best 17th-century swear word

I don't normally do Just Characters Swearing, but. ...this kind of wrote itself and then wouldn't leave my head. it comes from both a piece of character-writing advice that has always stuck with me, and also my conviction that Leona is 1000% funnier as a character if his dialogue has to stay G-rated. let Kalim say fuck, but don't let Leona say bastard.

(I'm sorry)

[and-fishing-equipment]

i've started reading tvl and no amount of posts telling me there's a "huge tonal shift" could have prepared me for this HUGE TONAL SHIFT this is the funniest fucking thing i've ever read it genuinely goes like:

louis, narrator of iwtv: as i wandered the streets of paris, i wished most of all for death. i had called to god, to satan, anyone, to find meaning in it all. but for an evil creature such as myself there is no place in this world. there can be no love where this evil lies. it was as though a veil separated me from all that could be good and righteous. i did not deserve to love and be loved in return, not by claudia, lestat, armand. to attempt it would be a sisyphean task, a fools tale. and yet...... the need for hole from armand was so great. greater was only the need for........ living human blood.

lestat, narrator of tvl: hey guys, my name is lestat, you may know me because i'm really hot and sexy. english isn't my first language so sorry if i make any mistakes!! okay here's my story: after rotting beneath the earth for decades, my hot and sexy body has finally risen from the ground. i used to be depressed, but now i'm slutting it up again in the 20th century! first thing i did was get some (hot and sexy) new clothes and then wore them while riding my (hot and sexy) motorcycle and listening to bach on my sony walkman. while i was watching this super niche indie film (you've probably not heard of it) "apocalypse now" i realized that i'm so evil that i shouldn't exist. but then i realized what could make me deserve to live on this planet: rock n roll music.