#i love basic programming

[small-basic-programming]

Turtle Programming, A Colorful Spiral ...

The output of my exercise ...

The source code of my exercise ...

Post #136: Small Basic, Turtle Programming, A Colorful Spiral, 2023.

[getvalentined]

Strifentine Is Real screenshot dump!

Did I acquire these screenshots through literal hours of running around in Gold Saucer figuring out how Vincent is programmed to move and react to Cloud's actions and using that behavior to my advantage? Obviously.

Do they still count? Of course they do.

(While nothing in here is truly a spoiler in any major capacity, I am nonetheless tagging it as such for those people who don't even want to see screenshots with no context until they've finished the game.)

[ruvviks]

sweet sunshine girl ☀️ ↳ shots by the talented @mojaves, edited by me!

taglist (opt in/out)

@velocitic, @lestatlioncunt, @euryalex, @ordinarymaine, @bialanwake;

@mojaves, @shellibisshe, @dickytwister, @mnwlk, @rindemption;

@ncytiri, @calenhads, @noirapocalypto, @florbelles, @radioactiveshitstorm;

@strafethesesinners, @fashionablyfyrdraaca, @aemondtargeryen, @radioactive-synth, @katsigian;

@estevnys, @elgaravel

[carpathiians]

dug up my oldddd tiny wacom i used to draw with as a kid </3

[might-be-tiny-gt]

Last year I wrote a story about a streamer who shrinks based on chat donations. I meant it as a one shot, but guys…. GUYSSSSS.

I think about this story ‘s universe a lot. I have lore notes just collecting dust and I need to share it or I might go absolutely mad XD Made these visuals charts to get the basics across but if you’re interested in my lore and semantic ramblings, feel free to read below the cut.

Consider this my unofficial pitch bible for Down Played.

General premise: Monica Diaz is Twitch streamer with steadily growing fan base. Her tag is MiniMushroom and her aesthetic is cottage core. She loves all things magical and tiny, especially toadstool mushrooms, that’s the image most associated with her “brand.” She’s approached by a mysterious benefactor who has developed technology specifically for Monica to test and utilize for her streams. It’s called Byte-Syzed Tech and it connects to a user’s twitch stream and based on the user’s preferences, gives the audience the ability to change the user’s height. The one shot I wrote takes place during Monica’s first live use of Byte-Syzed tech on stream. If I were to develop this into a full story I’d probably go back a bit and start around when Monica is first approached about using Byte-Syzed tech then continue to follow Monica adjusting to using Byte-Syzed more often. How she deals with the size change on camera, off camera, how her social and personal life are affected, all that good stuff. I think it would like a slice of life feel good kinda story.

Characters:

- Monica - Main character and primary user of Byte-Syzed tech. Surprisingly enough, she’s actually a law school grad who probably would have put her degree to use if she didn’t accidentally gain a massive following on twitch. Funny how life works out. She stands at 6’4 and always was fascinated with the idea of being small (Basically, she’s a g/t nerd who doesn’t know what g/t is) so being gifted Byte-Syzed and being able to use it on stream is kinda a dream come true.

- Kim - Monica’s girlfriend, roommate, and stream moderator. Kim and Monica were high school sweethearts but drifted apart in college due to personal matters in Kim’s life including having to drop out of college. Kim and Monica rekindled their relationship a few years later and Kim cites Monica and her encouragement as a big reason why she’s been able to get her life back together. She’s currently back in college working on getting her degree in Mathematics.

- The Twitch Team- Moni hosts solo streams but also very often collabs with three of her online friends. Ariel (@Lifeisthebubbles), a Vtuber who is the only one Moni has met in person. Corey (@McDonuts) an NB asmrist on youtube who started streaming games for fun. And Phin (@UrguyPhin) Corey's bf and the competitive gamer of the four. All three of them were streaming with Monica when she first used Byte-Syzed and have since gotten used to pausing their games so an ever shrinking Monica can adjust her set up.

- The Benefactors- Keeping their (Plural, there are two of them) exact identity to myself for the time being, but basically they’re mad scientists with the best intentions. Their antics have garnered attention across the internet as they have created and gifted inventions to up and coming online creators that seem to defy all laws of physics. Anti Gravity chambers, a literal money tree, a mask the morphs the wearer’s face, and now the Byte-Syzed size changing tech. Despite their inventions going viral, their identities have remained hidden. So what is their deal? They’re just big fans of these creators and for lack of drawing skills have gifted them weird inventions instead. Nerds… Due to the nature of Byte-Syzed and the possible effects it can have on the human body, Monica and Kim remain in close contact with them.

How Byte-Syzed Works in Universe: This I wrote tons of notes about when I first thought of the idea. Byte-Syzed can be divided into three key components; The program, the arm band monitor, and the sync suit.

The Program is installed on the user’s computer and connects directly to the arm band monitor and sync suit. The program has user friendly set up that allows the user to input the direction of height change (Shrink or Grow), The minimum or maximum height change, How height change occurs (By views, chat commands, donations, etc.), and rate of height change (How much height is gained or lost with each instance of viewer interaction.) EX: If height is based on donations, the user can set it up so they lose 1 inch for every 10 dollars donated. They can set the minimum height to 6 inches, so once they’ve received enough donations that they have shrunk down to 6 inches, Byte-Syzed will hold at that height. More donations may come in after, but the height will remain at 6 inches for the duration of the stream.)

The Arm Band Monitor, is the device the physically changes the user’s height after connecting to the Byte-Syzed Program. It also monitors and display’s the user’s current height and vitals. All data collected from the arm band will then be saved and can be referenced later if the band is connected to the computer. The arm band must be kept on at all times during active use and active reset of Byte-Syzed. Active use is the time in which Byte-Syzed is being used in a stream and the user’s height is actively changing. Active reset refers to time after the stream has ended and the user is either set at their new current height or in the process of returning to their normal height. After a stream has ended the user will remain at their changed height until they press the reset button on the monitor. Once the reset button is active, the user will return to their normal height at 1.5 times the amount of time it took to change to their current changed height. EX: A user has finished a stream that was 4 hours. They hit the reset button which will return them to normal over the course of 6 hours. (4x1.5=6) This only applies for time Byte-Syzed was in use, not how long a size change occurred. EX: If the user’s stream was 4 hours, but they reached their minimum height in 3 hours, the reset function will account for the 4 hours the stream lasted. This is a safety procedure to reduce stress on the user’s body. Note: If the reset button is not pressed, the user will remain at their changed height for a period of 12 hours. After 12 hours, the reset function will kick in automatically.

The Synchronized Suit or Sync Suit is directly connected to the Byte-Syzed program and will grow and shrink with the user at the same rate as the user. Normal clothing can be worn above it but they will not change size with the user, only the sync suit. The sync suit Monica received came with the suit, shoes, and a headset with a built in microphone to keep audio input even over the course of her size changing. More sync suits are in the process of being designed and produced, with the goal of making sync suits that resemble everyday clothing like t shirts or skirts.

Fun Story Ideas:

- Origin story. How Monica met the benefactors and was gifted Byte-Syzed, her and Kim’s gripes about using it, actually going through with it and the pros and cons she noticed, the end of her first size changing stream and dealing with being tiny in her own room and her girlfriend’s hands. Etc etc

- Monica finished a late night stream using byte Syzed and forgets to press reset when she goes to sleep so instead of growing back over the course of the night she wakes up at her tiny size. After realizing her mistake she begins the growth process but now has to do it while attempting to do her regular day time activities.

- Monica is approached by a doll company to collaborate on a new doll based on her, only issue, their studio is several hours away and they want her to model at both her full height and at the height of the dolls. After some consideration Monica and Kim decide to take a road trip to the studio and use Byte Syzed at the studio under Kim’s careful supervision. What could go wrong?

- Months have passed and Kim and Monica have grown well adjusted to the major size difference between them after Monica finishes a byte syze stream, however curiosity has gotten the best of her and Kim wonders what it would be like to be the tiny one for a change.

If you have read this far, you have my eternal gratitude. Thanks for reading this far, I really hope you liked it XD Maybe if time and motivation allows I can flesh the story out.

[python-programming-language]

Post #83: Tumblr Opinion Poll by Python-Programming-Language, Question: Which programming resp. script language do you prefer?, 2023.

[basic-retro-programming]

BASIC - Safe the date: May 1, 1964 - 2024 ...

Post #295: BASIC Programming, May 1, 1964 - 2024, The 60th anniversary of BASIC happens this year, Safe the date!, 2024.

[squirreltastrophe]

some little lighting tests that are kinda messy but I liked them enough to post :] wanna really focus on getting better at colors n such!!!!!!

(more coming soon probably hehe)

[erregiulydraws]

niigo

[whumpshaped]

also not to be a robotfucker on main but do u ever think about how all the little sex toys we made feel soooo good and how itd be so cool to have a little robot partner. and how that could turn so fucking whumpy so quickly. do u ever think abt robot noncon. no? just me? ok

[inamindfarfaraway]

thoughts on best boy The Spot?

SUCH A GOOD VILLAIN.

When he’s a lighthearted probably-just-a-villain-of-the-week, he’s hilarious. I particularly loved him begging the store owner not to fight him off with a bat because this is his first robbery, please don’t make this a bad experience for him. He’s never done this before! It’s like he’s apologetic for the robbery being so inefficient, not the crime itself. His insistence that he’s Miles’s Nemesis instantly reminded me of The Panda Redd’s Lord Death Man videos. Him innocently saying “Oh, I love chai tea!” after Pavitr’s rant and Pav screaming “No!” and attacking him cracked me up. Despite his supervillain nemesis dreams, he’s so… polite and affable. Almost Doofenschmirtz-esque at times. Tell me Doof wouldn’t apologize in the exact same way for the “I came to India on a journey of self-discovery” faux pas.

I love that he’s the bagel guy. I treasure that moment with its bagel sound effect and I’m so glad they brought it back. He would cry so hard watching Everything Everywhere All at Once.

But the fact that he’s intertwined with Miles’s origin story and each of their superpowered conditions are unintended consequences of the other’s actions is highly relevant to the narrative, where the rippling consequences of your actions are a major theme. It’s kind of a fundamental Spider-Man thing, after all. It’s genuinely unsettling when he begs/demands Miles to look at him, really see him, and take him seriously. Even if he then literally kicks his own butt. It hits a lot harder after we see how isolating and distressing being an anomaly is to Miles himself. You can understand why Spot would obsess over their connection. Him starting out laughable and growing to be epic is an echo of Miles’s development in the first film - complete with a mostly black appearance upgrade when he gets the hang of it.

The tone blending is so masterful with him because he is also, somehow so scary. When he stops acting silly and friendly, it’s chilling. His powers are terrifyingly effective and dangerous and it seems like he hasn’t even fully unlocked their potential by the end of the movie. His appearance is silly (“Are you some sort of Cow Man?”) until it’s not; until it sinks in that he is a reality-rending cosmic abomination full of resentment, pain and spite, and his lack of a face or even eyes makes him feel more disturbingly eldritch than cartoonish. I cannot wait to see what he’s capable of in Beyond, and I hope the beautiful imagery puts Lovecraft to shame.

[small-basic-programming]

The Tech Academy, Section 18, Animation ...

The source code of my exercise, part 1 ...

Some outputs of my source code, part 1 ...

The source code of my exercise, part 2 ...

The screen recording of my output ...

The source code of my exercise, part 3 ...

Some outputs of my source code, part 2 ...

Post #144: The Tech Academy, Section 18, Animation, 2023.

[stupid-and-cute-are-enough]

for the past 4 days, i've descended into madness over the anon getting turned into an animatronic. behold. 2.6k words @get-rammed i've gone insane

as always, i spew BTS lore in the tags

“Alright, that’s everything,” his Handler announces, finishing the paint on his last claw. They give his hand a satisfied pat. Monty watches as they turn away and begin packing up their things, making idle chatter as they do, offhandedly mentioning that they hope it isn’t too late by the time they actually get to head home. They told him earlier that they’ve got a meeting with the higher-ups once they’re done tonight, and it’s been weighing on him all day.

“I don’t think you should go to that meeting,” he says because he can’t take it any longer.

They pause. “What do you mean?”

“I just… I don’t think you should go.” Monty clenches his fists in his lap. It doesn’t feel right. If it was any other lame meeting announced in a staff email, sure, but this isn’t one of those. They were approached in person. No documents, nothing written; just pulled them aside this morning and told them something about enhancing the Handler experience. All of the other Handlers have gone home already, too, and there’s nothing that they could want just his for that meant anything good.

They huff fondly. “I don’t really have a choice, Monty.”

They keep getting ready, a sinking feeling forming in Monty. He tries again to explain that it’s a bad idea again but is gently shut down. His Handler hugs his head on their way out, an act he’d usually eat up and crave more of, but tonight, he feels like rejecting it. It just feels so wrong.

“Sweets, please, don’t go.” He grabs onto their sleeve. “I got a bad feeling about this.”

Their face softens. “I hear you, Monty, but I have to. I’ll probably get fired if I don’t.” They laugh a little. “I’m sure everything will be fine. Worst-case scenario, they dump a mountain of work on me. Everything’ll be okay. I’ll see you tomorrow, big guy.”

—

They announced a new animatronic the very next day.

The announcement made Monty raise a brow because even with his debut as a Glamrock, as rushed as it was, Fazzbear Entertainment still took their time to milk it for all its worth. Surely, with a brand-new animatronic, they’d pull out all of the theatrics. But, no, management had just called everyone backstage (Monty was grabbed by Chica’s Handler because his still wasn’t here, and it worried him. They always tell him if they’re going to be late) and spilled the news.

It’s another gator, which, geez, thanks, corporate. It’s dressed in actual clothes, unlike the rest of them. It’s a little smaller than Monty, with a sleeker design. Monty eyes the new thing up and down. There’s something… wrong with it. Monty feels it. So does the rest of the band. It stands across from them, eyes too wide, taking in too much yet too little information at the same time. Its hands are clutched together, held tightly to its chest. It’s a shambling mess, really. Barely finished and definitely not ready for crowds. The thing really needs a Handler, which only reminds Monty of the empty space by his side.

It’s different from them. It doesn’t fill its body like it’s supposed to. A feeling of uneasiness washes over the room. Even the other Handlers look a little disturbed.

After the incredibly lackluster introduction, dampened by the uneasiness of everyone in the room, management gives up on pleasantries and snaps at everyone to prepare for opening time. They leave without further explanation, not even telling everyone what the newcomer is supposed to be doing. Everyone takes the chance to leave as fast as possible, abandoning the barely functional animatronic where it stands.

Something in Monty tells him to linger, as disturbed as he is. The sinking feeling he had last night returns tenfold.

It looks too familiar. Cautiously, Monty approaches the thing, eyeing the uniform it wears. He dares not to peek at the nametag displayed proudly on its chest. The animatronic tilts its head up at him slightly, or at least it tries. Monty can hear the inner mechanics going, but it remains frozen. He stands uncomfortably in front of it, unsure of what to do. Everything about it feels wrong. Everything about this feels wrong.

He peeks at the nametag, and his world comes crashing down. Surely not. They couldn’t have shoved a whole person, a full consciousness, inside of an animatronic, could they? That technology doesn’t exist, right? Right?

Monty reaches out a shaking hand, staring into the bot’s blank, red eyes. It can’t be. Fazzbear has done some fucked up, shady stuff, but they wouldn’t do this, would they? This has to be too far. It has to. His hand touches their forearm, feeling the all-too-familiar fabric of the Handler uniforms under his finger pads. He meets their eyes, registering the terror behind their blank stare.

“Hey,” he says softly. “Hey, it’s... I, uh-”

“M-” Their voice fries out, and their jaw moves unnaturally. But it’s enough for Monty. That’s their voice. That’s their voice. Monty feels something vile fester inside of him. If he could get sick, he would. That’s them. That’s them in there. They’re in there. That’s his Handler, who he saw just last night, in there.

Their stare is so blank. Their hands are clutched together so tightly. That’s them.

“Oh, sweets…”

His hands slide down their arms to take their hands, snagging his thumb on the cuff of their uniform as he goes. Something there catches his eyes, though, something a human eye would miss, but something he’s been trained to notice. A tiny speckle of blood stained into the fabric. Their blood.

Monty sucks in a breath, his grip on their hands tightening. They were hurt when this was done to them. They bled.

“Let’s go to my green room,” he says. He keeps his voice gentle, but there’s also no room to argue. He doesn’t think they could, anyway. They don’t respond to him or make any kind of movement, so Monty moves for them. Slowly, painfully, he guides them up to his green room, keeping a gentle set of hands on them the entire way. They stumble and would’ve fallen without Monty to catch them. Their tail drags limply behind them. They probably don’t know how to use it for balance yet. The word yet makes Monty’s heart hurt.

He ensures the door stays open as they shuffle into his room, hovering over them until they’ve been cautiously guided to sit on the couch. They don’t need to struggle to stand anymore. Monty doesn’t think he could handle seeing it.

“Everything’s gonna be okay,” he says. It’s a lie. It’s an awful, horrible lie, but what else is he supposed to say?

They try to speak again, but their voice fries into something that sounds like a quiet cry. Their body begins to tremble, their hands clenching around each other even harder. All tell-tale signs that they’re crying, but they don’t have tears anymore. Instead, their eyes just stare into the wall, unresponsive.

“I’m so sorry, sweets,” he says as they weep. He sits beside them on the couch, cautiously wrapping his body around theirs. He doesn’t know if the different sensations will upset them even further, but he also doesn’t know what else to do.

“H-” A billow of steam rolls out of their jaw, rattling their whole system. The sudden movement startles Monty, making him pull away.

“Hey, sweets, you-” Monty glances into their eyes, wide, sightless, terrified, with a slack jaw pouring steam, “you need to calm down. I know it seems like I’m askin’ the impossible of ya, but you’ll overheat yourself, and I dunno how to fix that.”

Their body shudders, unresponsive to their mind. Monty doesn’t know what to do. He doesn’t know how to help. He remembers what they did when he first came online and when he was given his new body. They surrounded him with familiar, comforting things, but his Handler doesn’t live here like he does. At least they didn’t. Their greatest comforts are probably far out of Monty’s reach. He searches around his green room, trying to find anything he knows helps them relax.

He spots a fidget they used to love playing with during his noon charging sessions. It should be simple enough; it just needs a pushing and pulling motion. Nothing complicated. But his Handler’s hands don’t react, even as he pries them apart and presses the fidget into their palm. Their fingers remain tense, not even twitching.

“Okay, something easier. I got it. I’ve got you.”

Monty reaches and grabs one of the oversized plushies lying beside the two of them on the couch. It’s big enough for him to comfortably interact with, so it should be good enough for them, too, right? He places the weighted plush in their lap, tucking its arms in so his Handler doesn’t have to do it themself. It looks like they try to wrap their arms around the plush, but the thing just ends up getting knocked to the floor. The failure to get their arms to work only serves to upset his Handler more as their hands begin trembling, the metal of the digits clinking together. 

Monty looks up at them, scared for them. Scared with them. If they can’t function, they’re going to be decommissioned– not fired, not still alive, decommissioned and dead. Gone forever. Their head has turned slightly, staring intensely at something, so Monty follows their line of sight. His gaze lands on their jacket that they accidentally left last night, draped across a chair. Now a little shaky himself, Monty gets up and retrieves it for them.

He realizes once he gets back that it doesn’t fit them anymore. It used to be so big on them, but it doesn’t fit now. Their favorite jacket, the one they wore every day, doesn’t fit anymore. He drapes it over their shoulders, bringing it around them tightly. Their shoulders are bigger under his hands. Wider. Their body is like his own now and so very, very different from what it used to be.

He retakes their hands, kneeling in front of them. He meets their eyes, which stare deep into whatever kind of soul he has.

“Look at me, Chere,” he says, squeezing their hands, trying to ground them. He’d tell them to breathe with him, but they can’t anymore, and he doesn’t know if that’ll help or upset them. “I’ve got you. I promise. I won’t ever, ever let anything else happen to you. I promise.”

Their hands squeeze his own, and Monty lets out his own version of a sigh of relief. The shaking in their limbs begins to die down, the steam eventually coming to an end. He smiles at them, keeping his hold on their hands solid. He praises them softly, rubbing their knuckles.

Their eyes meet his properly, and Monty can see the hurt and the fear in their eyes. They shift, jaw moving experimentally.

“I… can’t breathe,” they say.

Monty’s heart breaks for them. They try to shift, try to grab onto their jacket and pull it tighter around them, but their limbs won’t cooperate, and the metal of their fingers slips against the satin material.

“Here, you gotta… you gotta grip with the pads of your fingers. Like this,” Monty says, taking hold of their hands and guiding their fingers to do so. A shudder runs through their system, getting their hands to tighten and pull, if only slightly.

Monty steps back to take another look at the design of their new body. A gator, like him. Their hair is soft and synthetic, with a little product to keep it sleek, so at least that wasn’t taken from them. In a bitter-sweet kind of way, Monty can imagine helping them style their hair in the morning when the dust settles. But Monty still has trouble adjusting to his mohawk, so he can’t imagine what it’s like for them right now. How long it’ll take for that dust to settle. They’re smaller than him. Sleeker. A little more compact and able to fit into tighter spaces. Probably equipped with the same processing power Monty has, and he prays to whatever is out there, none of the guardrails. Overall, they’re… built to work. They were hurt, maybe even killed, their body broken, disposed of, and shoved into this body to work. To work! They never get to go home again; they never get to have a life outside of the Pizzaplex ever again, all so Fazzbear Entertainment could have another obedient little worker.

Monty shoves down his anger. They don’t need that right now. Instead, he turns his energy to muster up the best smile he can, affirming the correct motions with their hands.

“There you go, you’ve got it.” His smile wavers a little at their silence. 

They stare at their hands, their new, robotic, alien hands. Hands that don’t listen when they tell them to move. A body that doesn’t listen. They grip around the fabric of their jacket, feeling, in a way, the mechanics whirr in their arms. But they don’t feel the silky fabric anywhere but their finger pads. They feel the warmth of Monty in front of them, holding onto them, but only in broad strokes. It’s not like skin. It’ll never be like skin. There’s no more blood, only coolant (they feel so cold), no nerves, no organs. No lungs. Those things are still there, in a way, in a robotic sense.

All of the essential bits keeping their body moving are still there. But it’s not their body. Flashes of blood and mutilation streak across their vision the longer they stare. They have claws now. And a snout. And a tail. They always thought it’d be kind of cool to have a tail, who doesn’t, but not like this. They don’t want this. They want to go home and lay in bed and fall asleep and hope that this is some god-awful dream. They want to fight with their ID at the stupid maintenance tunnel exit, and drive home tired, and wake up five hours later to come to work and do it all over again. 

“... sweets?”

They look up to Monty, sight still a little unclear. He looks worried. He looks scared. They don’t think they’ve ever seen him scared. He tentatively takes their hands, prying the fabric away before they rip something.

They stay there, Monty kneeling, Handler sitting, staring at each other. Lost, scared, confused. Neither quite sure what to say.

“I wanna go home,” they eventually settle on. They can see the resolve in Monty crack.

“I know, sweets.” He rubs their knuckles again. They’re disturbed by how little they can feel of it. “I’m so sorry they did this to you.”

They want to tell him that it wasn’t his fault, that he has nothing to be sorry for, but the words don’t come to them. So, instead, they sit in silence. Awful, dreadful silence.

Eventually, Monty stands, still holding their hands in his. “You’ve gotta be getting… tired,” he murmurs. “Here, I’ll show you how to get charged.”

His Handler know how. They’ve helped Monty settle in to get charged a million times. But it’s different now. They need to charge. Their battery isn’t running low, they don’t think anyway, but the emotional drain is enough for them to take the carefully offered out. Monty gets them set up, gently explaining things as he goes, like what it’s going to feel like at first and how entering standby will kind of feel like sleeping (at least, what he’s pretty sure sleeping feels like). When everything is said and done, and Monty is sure they’ll be out for a while, he turns to eye the big door that separates his room from the rest of the Pizzaplex.

His curtains are closed, and he’s going to make sure it stays that way. For a long time.

[ruvviks]

hanan at age 24 vs hanan at age 35 :] becoming a test subject at arasaka special programs really changes people huh

taglist (opt in/out): @shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart, @vvanessaives, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman, @celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister, @killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree

[cyberstudious]

what's it like studying CS?? im pretty confused if i should choose CS as my major xx

hi there!

first, two "misconceptions" or maybe somewhat surprising things that I think are worth mentioning:

there really isn't that much "math" in the calculus/arithmetic sense*. I mostly remember doing lots of proofs. don't let not being a math wiz stop you from majoring in CS if you like CS

you can get by with surprisingly little programming - yeah you'll have programming assignments, but a degree program will teach you the theory and concepts for the most part (this is where universities will differ on the scale of theory vs. practice, but you'll always get a mix of both and it's important to learn both!)

*: there are some sub-fields where you actually do a Lot of math - machine learning and graphics programming will have you doing a lot of linear algebra, and I'm sure that there are plenty more that I don't remember at the moment. the point is that 1) if you're a bit afraid of math that's fine, you can still thrive in a CS degree but 2) if you love math or are willing to be brave there are a lot of cool things you can do!

I think the best way to get a good sense of what a major is like is to check out a sample degree plan from a university you're considering! here are some of the basic kinds of classes you'd be taking:

basic programming courses: you'll knock these out in your first year - once you know how to code and you have an in-depth understanding of the concepts, you now have a mental framework for the rest of your degree. and also once you learn one programming language, it's pretty easy to pick up another one, and you'll probably work in a handful of different languages throughout your degree.

discrete math/math for computer science courses: more courses that you'll take early on - this is mostly logic and learning to write proofs, and towards the end it just kind of becomes a bunch of semi-related math concepts that are useful in computing & problem solving. oh also I had to take a stats for CS course & a linear algebra course. oh and also calculus but that was mostly a university core requirement thing, I literally never really used it in my CS classes lol

data structures & algorithms: these are the big boys. stacks, queues, linked lists, trees, graphs, sorting algorithms, more complicated algorithms… if you're interviewing for a programming job, they will ask you data structures & algorithms questions. also this is where you learn to write smart, efficient code and solve problems. also this is where you learn which problems are proven to be unsolvable (or at least unsolvable in a reasonable amount of time) so you don't waste your time lol

courses on specific topics: operating systems, Linux/UNIX, circuits, databases, compilers, software engineering/design patterns, automata theory… some of these will be required, and then you'll get to pick some depending on what your interests are! I took cybersecurity-related courses but there really are so many different options!

In general I think CS is a really cool major that you can do a lot with. I realize this was pretty vague, so if you have any more questions feel free to send them my way! also I'm happy to talk more about specific classes/topics or if you just want an answer to "wtf is automata theory" lol

[koishua]

growing up on diff kpop gens with my younger sister this is wild bc her le sserafim/nwjns/illit/kiof was my snsd/aoa/apink/girls' day/exid/gfriend/rv :( 4th/5th gen vs 2nd/3rd gen have CRAZY different energies it's fascinating