Lucid Dreamer (2/2)
part 1
Gepard stalls almost a week before he finally goes out to the safehouse, and it takes him a couple days to find it because Sampo didn't have the time left to be wasn't super specific about the location. But he does find it.
It's pretty bare bones, really. Gepard knows that was probably to be expected, but… It feels crushing, when he realizes there are so few personal things here. It's nothing specific to Sampo. Just some food, some medical supplies. A cot and a heater and a lot of mismatched blankets. Nothing to remember someone by.
But he does find the letters, in a metal box stashed away under the bed.
There are two for him. Three for Natasha, and two for Seele. One for Hook, one for Serval, one for Pela, one for Bronya.
Bronya's is mostly business. They knew each other from the whole Stellaron incident, but not much beyond that, and the incoming catastrophe is a more pressing matter. Seele's is actually two copies of the same letter, and Gepard realizes why when Seele is so angry she rips the first one up without reading it. He gives her the copy a couple days later, and she slinks off without a word.
Pela seems completely normal after hers is delivered, but Gepard knows better than to trust that. The next day, he finds her asleep in bed with Serval, bottles abandoned on the floor, both their eye makeup smeared and running and Pela's glasses horribly smudged and crooked on her face. Serval doesn't read hers in front of him, but she's clingy with Gepard, Pela, and Lynx for quite a while after. She throws herself into her work a lot. She insists the heater from the safehouse is busted and she needs to keep it. It's too dangerous for use by someone who's not an engineer. Might burn their house down or something. Gepard doesn't argue.
Hook's letter is short, with easy to read words. The rest of it is actually a treasure map, and she and the moles spend the next several days running through the Underground, finding hidden candy and toys. Hook asks them when Sampo is coming back, because one of the marbles she found from his map looks green, just like his eyes, and she wants to give it to him. Natasha shoos Gepard out of the clinic before he can even begin to think of an answer.
Natasha refuses to let him see what's in her letters, which ok, fine, he'll respect that. He hears from Bronya who heard from Seele who heard from Natasha herself though that one of the letters was a map and the other a catalogue, with all of Sampo's hidden "warehouses." Gepard promptly marches himself back out to the frontlines, where he can turn a blind eye. If a ton of stolen goods suddenly enters the black market, and if the orphanage and the clinic suddenly have new supplies, well, technically that's none of his business.
Gepard goes to bed, curls up under mismatched blankets and closes his eyes.
He doesn't dream.
One of Gepard's letters was also business, like Bronya's and Natasha's. He and Bronya follow everything meticulously, down to the letter, because there has to be some good to get out of all this, there has to be. Gepard can't let it all be for nothing, it would bury him.
And so the catastrophe passes. Not without casualties, and not without a lot of damage and destruction. But Belobog survives.
And after that, time just kind of…goes on. Gepard has been a part of the Silvermanes since he was old enough to enlist. The Fragmentum had gotten so much worse in the years before Welt sealed the Stellaron. He knows the statistics, it is literally his and Pela's jobs to keep track. He knows when he sees a face everyday in the camps and then it's suddenly gone. He's not unfamiliar with things like grief and loss.
He still catches himself checking the trashcans and the supply crates and soldiers' footprints sometimes, though.
But there comes a night where Gepard goes to bed, holding the mismatched blankets to his face, and he dreams. And it's strange, it's off, it sticks with him. Sampo doesn't look the same. He's thinner. His muscles have atrophied. He looks like how Gepard has seen soldiers after months in the hospital.
The most unsettling difference is there's a scar across the left side of his head, Gepard can see it over his ear, peeking out past his hairline, carving towards his cheek. Sampo is always careful about his face. Gepard once saw him dodge a Fragmentum monster and literally let it cut across his neck just to keep his face clear. He wouldn't let that happen for nothing.
Their actions in the dream itself aren't new. Sampo seems tired, run down and worn out, but he announces his presence with aplomb by lobbing a bunch of smoke bombs off the rooftops and sending his soldiers scrambling. Same shit, different day.
The new part is what he says when Gepard chases him out to the edges of the camp, tackles him into the snow. Gepard pins him to the frozen ground to detain him and Sampo doesn't even fight it, just looks up at him like he's seeing sunrise for the first time in months.
"I'll be home in one week."
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Ghost Bride but with the Night Guard! AU, Eliza would be surprised at the Night Guard's small friends and allies suddenly coming to life (Also: The Night Guard just sends out Rexy on Puffy during his boss battle... And the Night Guard being dressed as the most well-suited Suitor!)
NO, BECAUSE LARRY LITERALLY HAD A DIFFERENT LOVE INTERET EVERY MOVIE, SO I CAN SEE THAT ELIZA, REGARDLESS OF YOUR GENDER, FALLING FOR YOU BECAUSE YOU HAVE THAT NIGHT GAURD CHARM.
Like, you're all: "Eliza, you and Idia can't work out, he's made of flesh and blood and you're..."
Eliza: "I'm what?"
You: "Wonderful things. You're made of wonderful things."
BUT YEAH, NO, SHE SETS HER SIGHTS ON YOU BUT YOU MATCH HER UP WITH PUFFY BUT LITERALLY, YOU BEING ALL: "How are you guys THIS bad at talking to women-"
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Alright here's my semi thought out rambling on the contenders of who could adopt Billy Batson.
Keep in mind, this is not based on the Shazamily Billy, but the homeless kid Billy who spent years running away from his abusive uncle, and then multiple foster homes, and squats in apartments.
BatFam: IMO, they would immulate a foster home too much for Billy's comfort. A large home with multiple bodies, all of them having their own issues and lives that Billy would either feel excluded from or strive to help too much. Likewise, to have all those eyes - especially as the Batfam - watching him and being aware of his every move would be incredibly invasive for him. Billy is an independent kid, but hes not a crime fighter like the batkids, so the others would try to help him in any and every way possible, that would inevitably push Billys boundaries. The family stability is questionable, but the loyalty is definitely something Billy needs. So i think theyd be best as like, the friends home Billy stays at sometimes. Not to mention its Gotham. That city is not for Captain Marvel.
Constantine: lmao. Listen. I love this disaster in a trenchcoat disguised as a wreck of a man, but he should not be in any parental role. Him and Billy work out bc they are around each other in doses. They're complete opposites in methods and morals, and continued exposure would do them both harm. Likewise, when John truly cares for someone he pushes them away bc everyone around him gets hurt. He actively chooses to hurt them sometimes, if theyre not used against him. It doesn't matter that Billy is Captain Marvel and can withstand more than John can throw. John will self destruct and keep Billy away. And that is what would hurt Billy most. Bc he would feel abandoned and unwanted, and that kid has too many issues surrounding that in particular. He needs a stable environment and Constantine can not provide that in the long run - especially in a domestic sense. They're wayyy better off as friends, or magical mentor/mentee.
Superman: The biggest obstacle here is Clark's insistence that Billy remain a child and live a normal life instead of being Captain Marvel. Even if Clark relents to having Billy be Marvel and stay on JL, it would be a continuous struggle for both of them. Not only bc Clark does not know how to be a parent, but also Billy would have a very hard time adjusting. Compared to the other two, I'd say Clark is the most stable, but perhaps not stable enough. Journalism and Superman take up a lot of Clark's time, and he'd really struggle with balancing having Billy too - especially if this is pre-Jon. What's more, unlike Jon, Billy's duties and abilities are different. Despite Superman understanding personal wants vs greater duties, he could not help with Marvel's duties, as much as he'd want to. And I think that would really stress Clark out. Not to mention gaining Billy's trust once its lost is an uphill battle. Cap can work just fine with Superman, but Billy would be a feral kitten - another differing aspect Clark would struggle to grasp. I think there's potential here, esp with help from Lois and Mama Kent, but they're both on such different wave lengths beneath the shallow surface, that they'd struggle with cohabitation and being a 'family' more than one would think.
Wonder Woman: Gonna be honest, I think she's the best candidate for taking Billy in. Not only does she understand Cap's duties from a divine perspective, but she's taken on such monumental tasks. She gave up living on her home island to do her divine warrior duty, but then she found balance in remaking her home life as Diana Prince. She had a loving mother and community that raised her, which she'd draw inspiration from for Billy. There'd be a balance of knowing he's a child that needs protection and he's a chosen champion that needs to learn how to protect others (and himself) - honestly, the same balance Diana's mother had to find for her, which she'd realize with Billy. Itd be a familial connection she has greatly missed since Amazon. And tbh I think Cap and Billy are on the same page with WW - respect and admiration and trust, and that divine tie of being gifted by the Gods (Zeus specifically). Plus being handled without kiddie gloves and respected as a hero would be something Billy greatly appreciates.
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hi so i just finished bridge to terabithia and now i’m unwell and my eyes are red because i’ve been crying before i’d even reached 20 minutes of it for i actually knew what was going to happen and by the time i reached an hour something something i just straight up sobbing screaming into my pillow. and now it’s 12 am and i’m still thinking about them. because god, look at them, how they were, the little world they lived in, wouldn’t you just love that, to run away, to escape, to grasp that childhood naivety and innocence that you lost a long time ago, to feel the sun in your skin and the air in your lungs and to paint fantasies and laugh and play and run hidden away from the world and find an old run down tree house and decided to make it your own little shelter and pin up canvases on the worn wood and paint and let your creativity goes wild and have someone understand you and gets you and do it with you, and wouldn’t you just love to have something so constant, so sincere, so genuine, so pure, so real, that there wasn’t anything else. if i knew i was going to cry this much, if i knew how much space this movie would make in my life, i wouldn’t have started this movie tonight. i would have been in peace on the floor of my room, not realizing how badly i actually want something like this even though i would never unironically admit this to anyone in my life or even myself when i’m outside of the familiar place of my mind, for that matters
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hi random ask coming through look around you what's the closest item you have there that you want to talk to me about. like a cool poster or a mug or something!!!!!!
Saw your post when I was in my kitchen, and this was the coolest item next to me, resting on my shelf.
What looks like a simple tiny vase of some sort, is actually a shell from the first world war.
Soldiers would recuperate shells that had fallen all around on the battlefield, empty them of any remaining gunpowder, and use them to create art - carving intricate decorations as a way to pass time when they were stuck in the dug-outs for days.
Decorated shells are the most famous exemples of trench art.
At the bottom of this one you can see this specific shell was manufactured on september 1917, for infantry use (the grenade symbol on the right, as opposed to marine or anti-air use for instance)
My friend gifted this to me after we spent a week visiting the area around Verdun last winter, as a strange sort of pilgrimage. It was odd and emotional, and this week felt like it lasted a month, but it was good.
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YET AGAIN I’m struck by the Savitar & Nora idea beam 😅
What ideas? Currently two:
a) s5 Nora actually getting captured by Savitar when she and Barry make their trip back in time, also Nora spills her and Barry’s whole plan to Savitar and calls him “Dad” (because, ofc, she thinks he’s Barry), so now she’s in his lair, at his mercy, and Barry is who-knows-where
b) s7/Present Nora has flashes of s5 Nora—they’re not quite the same person but not quite different either. This is usually during dreams. But for some reason, this intensifies when she and Bart somehow land themselves in s3—now the flashes are more frequent, resembling visions more than dreams…or resembling memories. Maybe they get themselves captured by Savitar, maybe not (they could just cross paths with him frequently but keep evading him), but Bart is very weirded out (and highkey worried) by how much his sister knows about Savitar and the past in general
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