the little things (that add up to you)
kageyama, hinata, suga, daichi, tsukki
kageyama || he keeps extras of your favorite hairties in his bag, just in case you need them; he always pauses to watch when you put up your hair, thinking to himself how such a mundane thing could mean so much, could take up so much space in his mind, your fingers running through your hair, gathering it up, the soft strands slipping loose to frame your face, your favorite hairtie caught between your lip and your teeth like some inconsequential thing, but he knows -- he knows that it's these moments he'll find tucked away in the pages of his own memories when he gets home, when the lights go out, when it's just him and his own thoughts of you.
hinata || he always buys your favorite flavor of taro milk-bread on the way home; he likes it when you take the first bite, loves the way you smile, unbidden, the happiness bubbling up through you as inevitable as the sunrise, the way you lick your lips and look up at him with those sparkles in your eyes, the way you blush when he laughs, reaching out to wipe at the crumbles that always, always get stuck to your cheek, your lips -- he knows that it's moments like these, the ones he gathers like breadcrumbs on the floor of a heart-break forest, leading him towards a place where he can't turn back without knowing that something inside him will shatter (but only if you leave him, and he doesn't think you will), but he doesn't mind, because he knows that it'll be worth it in the end, just to see you smile.
sugawara || he holds your hand in the hallways, even during the summer months when both your palms are sticky with sweat; he's always loved the feeling of your skin against his, loved the way it makes you blush, even to this day, loves how peoples eyes linger on the pair of you as he walks you to your next class, or to the lunch line, or out to where the gymnasium is, where you'd swing your hands between your bodies and pull him back for a kiss, ask him for one more minute, maybe two, the pair of you lingering like infatuated teens after their first date, unwilling to part at their parents' doors -- he knows that it's moments like these, the ones he cups in the palms of his hands like glass-blown marbles, these are the ones that will matter the most when one day the pair of you look back, holding hands in some distant future, because he knows that he'll never grow tired of the feeling of his hands in yours.
daichi || he lends you his jacket, his mittens, his umbrella, his scarf, even if that means he'll be a little chilly on the way home sometimes; because he's always prepared and you're -- well -- you're working on it, and he can't deny that he likes seeing you in his clothes, the size-difference strangely satisfying, the sight of it scratching some itch inside him he's never realized he had, and then when you return it -- whatever it happens to be -- he knows that it'll smell like you, and he can't lie, he really likes that too -- and he knows it's moments like these, the ones he tucks away in the lining of his jacket, in the stitching of his scarves, that he'll reach for the most, the ones that'll keep him warm on a cold winter's day when he doesn't have you by his side.
tsukki || he has a playlist of songs that you've mentioned you liked, just for himself; because he knows better than anyone else that the music a person likes reveals all their deepest secrets, and finds himself wanting to know all of yours, so he listens to each song, memorizes the lyrics, taps his fingers against the beat and wonders if you did the same the first time you listened, wonders if one day, he were to put a pair of headphones over your ears with a playlist full of all his favorite songs, if your eyes would light up, if your cheeks would flush, if your lips would split into a knowing smile and if you'd already know all the words to sing along -- because he knows that it's moments like these, the private ones he keeps like secret soundtracks, that might one day give him away to you, where you might one day realize that from the moment you met, all his favorite love songs started being about you.
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Trails of Love Hori's been paving down in the build up for the series' ending
Part II: Decoding the love story being told through other characters
Part One | II. KamiJirou | Part Three ->
.•° ✿ 5. "I̥̰̟͈̣̮͑̑͐̓̌z̴͉̙̲̋͗͌u̶̫̝̒̊̐Ocha" ೋღ
Oh look, time to defeat the raid boss of BNHA: IzuOcha.
(I wrote this meta in March, and after reading it now, I didn't feel I needed to change anything, but I added a small bonus section at the end. Hope you enjoy!)
I have a lot of things to say about why Ochaco was never meant to be the one... but I'll try to stay concise and on topic with regards to this meta. Ochaco appears set up as Izuku's love interest from the get-go, but is that really what Hori wanted to do? I'll be taking a dive into their themes and in part three of this meta, I'll be explaining why the answer to that question has been a resounding: NO!
When I compared the feedback Ochaco got from Aoyama, Toga and Mina about her having a crush on Izuku for wanting to be like him, to Izuku, who didn’t get any feedback for all the times he did the exact same thing and copied Kacchan, it felt very unfair.
See what I mean? It is completely unfair. And this was such a hard topic for me to navigate and answer for the anon at that time. But then I did some thinking.
Compress, Gentle/La Brava, Kamijirou and finally Kirimina (which came as a pleasant surprise, and for me, cemented Hori's intentions with all of this)... all of these characters have been written to highlight various things about BkDk's relationship.
Then, there is Ochaco's admiration of Izuku and she always gets told it's a crush, and it's so weird of a plot to begin with. This very one-sided "crush" also felt out of place with the rest of the themes going on. I eventually realised maybe we had been looking too closely at the admiration issue all along. By attempting to explain the meaning of the tree and why it's different from this other tree, we didn't see the forest it's connected to and that there was actually something bigger going on that Hori had been crafting.
Scale it back and you’ll see: It’s not that Izuku didn’t get his own feedback about his feelings for Kacchan in the various ways he shows he wanted to be like him, but Ochaco’s conversations with Aoyama and Mina and Toga were his feedback!! It was one of the biggest AHHHHHHHHHHH SO THAT'S WHY pin drop moments I've ever had.
No one was calling him out, because they didn't need to! Calling out Ochaco for that behaviour was all Izuku's same behaviour needed!
Chapter 15 is the first time Izuku displays this behaviour of wanting to be like Kacchan. In Chapter 48 Izuku trains his movement after thinking of "Kacchan and the others". His movement mimicking Katsuki's is first noticed by Iida in Chapter 52.
We spent so much time worrying what the difference is between Izuku and Ochaco’s admiration, but we tackled the problem all wrong! In fact, we didn’t need to tackle it at all.
Because not only did Ochaco’s crush sideplot serve as a red herring to veil the real love story going on from the average reader, it was also used as another tool to highlight it.
In chapter 58, Izuku showed off his new movement style and everybody, even Katsuki, noticed it was copying the way Katsuki moves. The fact we get another Ochaco shot of her watching Izuku mimic Katsuki really does add credence to the theory that she noticed Izuku's feelings because he's also copying the person he loves. And if their logic was true for her, then why couldn't it be true for Izuku too? Izuku's mimicry being such a non-issue for 1-A was surely done on purpose for us to see this hypocrisy one day: That her mimicry gets called out as love by everyone, but everyone sleeps on Izuku's own mimicry simply because it's between two boys.
Our take away was never meant to be “what’s the difference between their admiration/love”, but simply that Izuku was both wanting to become like and inadvertently becomes like Kacchan because he loves him so much and a way to keep Kacchan close to him was incorporating both his attitude and movement style into his own.
Hori was linking the two concepts of mimicry and romance together with commentary from Mina/Aoyama/Toga while having Izuku do this EXACT THING they were talking about, with Katsuki, right in front of our damn salad!
Because what other characters noted about Ochaco's behaviour... Izuku was also expressing towards Kacchan. (Hori even brought it up again in DvK2 just to remind *everyone* that Izuku is very conscious of doing the exact same thing as Ochaco)
Even if Ochaco later reveals their logic to not be true FOR HER (which I wholeheartedly believe in. BkDk+TogaChaco end game LETS GO), we know for sure this logic has absolutely been true for Izuku. And the feedback Ochaco got also fits Hori’s framework of;
Bkdk -> are the actions
Other characters -> are the words for their feelings and actions.
Ochaco never was a raid boss to begin with... she only had the appearance of one. All to get BkDK through to the finish line.
Ochaco talking about "putting the All Might doll away" here used the same verb as "shutting her feelings away" and her scene instantly jumps to Izuku looking at his black whip - a quirk he has also "put away" behind a locked door that represents OFA. Black whip is a quirk which emerged from the feelings he has for Katsuki, that Izuku has also had to "put away" because what happened to him was so traumatic. I think Hori wanted us to see their two stories of "locking something away" were actually the same in essence, and it wasn't just black whip itself that Izuku had to lock away, but also his feelings for Katsuki... because we lost Izuku's POV towards Katsuki after the "I'm too blessed." scene. Most likely to hide the romantic love Izuku feels towards him from the reader.
I realised the same logic of the other couples also applied to Ochaco too a few months ago, while I was putting together this meta about all the ways Hori has indirectly shown readers what Izuku’s feelings for Kacchan are. Hori couldn’t say it outright because of his demographic and the current expectations society has that BL should stay in it's own category and far removed from shounen.
So Hori gave bkdk their moments without a whole lot of context and developed the idea of them simultaneously in another language, by getting other various characters to do the talking. And he used these characters to indirectly spell out bkdk’s love story in conjunction with bkdk’s own behaviour, all for the sake of his big bkdk reveal in the series' finale.
And to think he’s been doing this almost since the beginning blows my mind. (Chapter 15! Chapter 15 was the start of WWKD: What Would Kacchan Do) The man is a genius. A lot of this feels like he had needed to release his feelings about bkdk, so he left these trails of code throughout the manga... and we’ve finally cracked the damn thing.
We did it. We realised Hori’s 2nd language and roundabout method of telling one of the greatest love stories in shounen history. And I’m sure there’s even more examples of it to discover, that all our fandom's talented, keen-eyed bkdks find every day.
If Horikoshi Kohei-Sensei wrote this story because he wanted to cement his mark in jump history, he has deservedly done just that!
Part B - The real ship of dreams
(It felt too good to be true, yet I was quietly hoping...)
.•° ✿ 5. TogaChako ೋღ
Circling back to the first part of this meta, "The Shape of an Eternal Bond" ... Do you remember when I talked about how BkDk couldn't imagine a world without each other, and the sense of an eternity they both exude together? Something that has always been, something that will always be. It seems more themes and feelings we get from bkdk's relationship have now been thrown into the Togachaco fight.
Ochaco gave Toga what is essentially a marriage proposal to a vampire, and then her wires made the shape of the infinity symbol. Toga expresses to her "I can't stand the thought of you not being in this world anymore." This is 1. so touching 2. bkdk as HELL, and I am certain that Katsuki and Izuku will confess their desires to be together forever before this manga ends.
I mean, this just goes to show you how us bkdks and Hori are literally on the same neural link, and we've been right about his methods of storytelling and how he's leaving trails of love inside these other couples to express concepts that are present in bkdk's own (soon to be) very romantic relationship.
It's a fun thought exercise to look at Togachaco's fight and predict what certain themes of theirs Hori will install into bkdk's talk/feelings they will express to each other... but there is a certain one, other than "forever", I feel very strongly about and will focus on here...
And that is Izuku's smile.
Something Katsuki once detested became the thing he most advocated for and longed to protect. His thumbs pointing to himself while talking about smiles... no wonder this had an air of Katsuki, himself, being the biggest reason Izuku smiles. "How could you leave me and choose this for us - a life of no smiling like that?"
At the start of the series, Katsuki couldn't stand Izuku's face or the smile he made at him. Whenever he saw it, he could only think of it as somebody laughing at him, looking down on him... but then DvK2 reframed Izuku's wide smiles at him and turned them into something pure, and genuine, and I think that's when Katsuki started to realise how much he was being loved the whole time.
And how could Katsuki possibly not reciprocate those earnest feelings from his special person who helped him find his heroic heart?
And this seems to be something Ochaco has noticed about Izuku? Ochaco, somebody who loves when people smile, noticed how big Izuku smiles when he talks about heroes... but especially the besotted faces he makes whenever he's with Katsuki... Of course she did.
On the Weekly Shounen Jump cover that featured bnha chapter 394, most of the characters on it are happy and smiling. Izuku isn't, however. That's because he's lost the ability to smile because Katsuki is still dead in the manga... Hori used this jump issue to build on this theme in the manga - that if you take Katsuki away, then away goes Izuku's smile, too.
Because Katsuki's very existence gives Izuku his happiness.
These two panels were supposed to be compared to each other - "Blood" and "Smiles" are two concepts mirroring each other in Togachaco's story. It's their different love languages. Toga felt like she couldn't ask Saito-kun for blood because he'd never accept her, Ochaco felt like she couldn't ask Izuku for his smile... because he'd also never accept her... she knew this was because Izuku already had somebody who gave him his sweetest smile... the same person who knew him more than anyone.
Chapter 395's title, 'shiawase no ue ni' was an interesting one that feels nuanced with Ochaco's feelings towards Izuku. It can be read as "Above (my) happiness..." I think this title is describing the concept of prioritising something else BEFORE one's own happiness. It's the perfect concept title for self-sacrifice, like Toga putting Ochaco's life above her own, but could ALSO be referencing Ochaco placing Izuku's happiness with Katsuki before her own feelings for him!!
Ochaco's story, at present, appears to be about putting aside unrequited love for a person she didn't quite understand, and instead placing her efforts into an attainable goal - rescuing somebody's heart from despair, and in doing so, becoming each other's important person. And then neither have to journey through life alone anymore. Ochaco knew this is something Izuku and Katsuki found in each other. In the image above, the girls are looking at Izuku and Saito, who won't turn their way, because they are both looking at a blonde boy next to them. Their "Sometimes Saturday." Katsuki.
The hidden face as Ochaco says she "came to like" Izuku Midoriya is quite suspicious. It belies what she's saying and she seems to either be hiding something negative or she’s not being truly forthcoming about her situation and feelings for Izuku. There are also themes of envy that finally showed up in Togachaco's dialogue which may be foundation Hori has laid down for the reveal of Ochaco's feelings later, as well. Envy about the attention Izuku received from others as a hero. Envy towards Izuku's innate passion for heroes, and the adoring faces he makes for Katsuki, perhaps.
So this smile that Katsuki has always misunderstood as something negative aimed towards him ended up turning into something... very lovely and important to him, as shown in Izuku's panel and how Ochaco described Toga's smile right afterwards.
And honestly... if we get little snapshots of the many smiles Izuku has made for Katsuki, while Katsuki is thinking about how adorable Izuku looks just for him when they're talking, I don't think I'll make it out of this bkdk reveal alive. Hori is going to obliterate us with whatever he's got cooking for them.
With all the major bkdk-alike couples now finished, the next post of this meta series will be:
Part III, and the conclusion of this meta series ->
Back to Part One
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it was only a kiss, it was only a kiss
“IT WAS ONLY A KISS, IT WAS ONLY A KISS” ; or, martyn inthelittlewood and the passing of the curse // wingswap / shared curse au (?) // ao3 link
cw: graphic descriptions of canon violence, vomiting, body horror (??)
spoilers through secret life ep 4
1.7k words
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Tensions are always the lightest at the start of a session. Freshly spawned in, feeling fully vitalized and without any expectations for the challenges ahead. With no allies, no enemies, no bases… It's so lighthearted, and Martyn loves it. They all can be dramatic and murderous in the end, but these early, peaceful moments are something he treasures.
(he feels like he’s missing something. that he hops between worlds so frequently, while it seems like the others all have a home to go to. it’s not mentioned to him. other worlds are never mentioned here, in the world of red, yellow, and green.)
Tensions are light, and Martyn is the one that breaks it. Sue him, he’s giddy to get started, and it’s not his fault when he swings a wide, joking punch… and Jimmy moves right into its path. It’s not his fault, he’d say defensively – in the gleeful energy of the new world’s start, Jimmy is hit; the group recoils, some in momentary (but genuine) alarm; others with cackling laughter.
Jimmy looks affronted, golden wings flared in surprise before breaking into a grin. Martyn matches it, holding his hands up in defense; an ‘over the shoulder tease gone wrong’, but… he did take a smidgen of Jimmy’s health. A red spot that’ll bruise, with no way to heal itself.
So he clasps his hands together and parts them, a heart forming in his palms. He ushers it to Jimmy with a breath of air as the group begins to split, taking the pandemonium as an excuse to get the season started!
The bruise clears; Jimmy blinks, and his grin splits even wider. He lunges at Martyn, feathered ears fluttering, wings and arms alike open wide.
“Gimme a kiss, gimme a little kiss—!” Jimmy chirps.
They meet in the middle; arms interlocked, fingers interlaced. Lips pressed together so briefly. These games are thrilling and horrible and torturous and all, but… you get to know each other very well. More than you know yourself. The pressure’s low with his last win, and… well, frankly? He doesn’t feel like the Watchers would let anyone strike it twice in a row.
For Martyn’s purposes, one win is enough for now.
His lips tingle as they part, feet hitting the ground running in different directions. Towards the forests, towards the blossoming trees, and Martyn cannot help but think to himself — What can go wrong?
-----
So what, they find themselves drifting back together. This game is… different. A bit more like a game. Maybe it’s the symbol of the Secret Keeper that unnerves him, and maybe he finds solace in those who remember. Occasional glances shared amidst the glee and chaos, even while they chant “FAIL” under the figure’s looming gaze.
-----
Fire crackles. Lava burbles nearby, unseen, lying in wait. The air is heavy. Thick with sulfur, thick with heat. Pure, baking heat, devoid of humidity. Thick with the smell of blood. Shield raised, Martyn gasps as the gleaming axe swings down, slamming through the barricade of wood. The shield splinters apart in his grasp, splinters digging into his arm as he drops it.
The brute does not wait for a cry of mercy; the axe swings back up, the blunt handle cracking against his jaw as the bone slams together; Marytn stumbles back. He — he shouldn’t have done this, shouldn’t be here, but — but he needs to be. Stupidly, undiscerning, chasing that gods damned need to be better.
His vision spins. The brute reaches into his desperate, haphazard tunnel, and grabs the front of his shirt in an unforgiving hoof. It reels back and just as quickly slams him back against the wall of the tunnel, before peeling his bloodied, beaten body off. He’s thrown to the ground, gilded blackstone splattered with blood.
Martyn’s gaze blinks through the blood and the nausea, just in time to watch the brute’s axe complete a full arc, and slam into his chest.
. . .
The impact carries him through the respawn, to the point that he can’t even recognize when it changed from burning, unforgiving stone to lush grass. It hurts, wounds stitched together and healed faster than he got them, and it hurts. His bisected chest forces itself back together, the skin weaving back into place; it doesn’t leave so much as a scar.
Martyn can’t bring himself to think about that; he can’t think to begin with. His head is filled with cotton and a murky haze, blurring time and sensation together. His fingers dig into the ground ‘til the grass is uprooted.
Light shifts, dancing over his pressed-shut eyelids; something moves overhead. There’s… voices, and his mind hums that there’s an obligation. A change in dynamics, that they’re closer to enemies than allies.
But arms hook under his own, helping him into a seated position. His back presses against the indented form of a crafting table. There’s a bottle of water at his lips. A bowl of something pressed into his hands. Murmurs of shock, of sympathy, and there’s Grian’s voice. The warden of the games, the bastion between them and the full, unrestrained torment of the Watchers; better to make it a game than a Saw trap, y’know.
Grian hums. A hand finds itself on his shoulder.
“Oof – Sorry, Marytn,” Grian coos, halfway between a tease and sympathy. Through the haze, he can’t discern which he prefers. “That’s a rough way to go.” Martyn murmurs back, some kind of sarcastic response — he can’t remember what he’s saying as he’s saying it — but he doesn’t protest as bodies move around him, helping him get food and water back into his respawned body.
He can’t remember who it is that comments, “Jimmy’s not the first death?”
-----
Marytn’s been finding himself sore in new ways, new places. Body pains aren’t uncommon by any means, and especially not in this season. After all, with the lack of regeneration, the wounds themselves may staunch their bleeding but the impact still remains. But, after a successful day of the task force running about, and having full hearts after redeeming his task, there’s still a frustrating ache in his shoulder blades that he can’t quite reach. His scalp, too, aches, pinpricks of little stings dancing across from time to time.
Sometimes, he finds a stray golden feather among his stuff, and wonders when Jimmy left it there.
-----
Martyn’s grinning as he bolts down the narrow staircase, his fellow Big Dog at his heels. He hasn’t been to the End in ages! And in the life series, no less! He doesn’t give himself a moment to doubt as he hops right into the portal, and—!
Vertigo.
Bodies moving. Chest lurching. The excitement and adrenaline wrench themself into deformity, into something twisted, something wrong. An immediate sense, knowledge, that he’s not wanted here. That he doesn’t belong here. That he needs to get out. He stumbles forward, trying to get out of the way.
His feet land on empty space, and he’s off the edge. The air of the end is sickening and it fills his lungs, claiming the space like it's theirs.
As he descends further, further into the void, the outline of the dragon’s domain drifting out of sight, the more his body is theirs. Unthinking, desperate, he rips a bit out of a golden apple, feeling the briefest of reprieves before the void itself tears the vitality from him, and it keeps ripping. Thirty hearts to lose, to be torn from his body. The pinnacle of health to the most cruel and torturous death, all at their discretion. The damage eats away at his body, plummeting longer and sinking further than any player has the right to.
The void hungers.
Hands, ethereal and purple and sick, grab at him, fingers digging into scars and ripping them apart and tearing into his shoulder blades even though he tries so, so desperately to get out of the void. It rejects him, wholly and utterly, and it is thrilled to do so.
He’s fallen right into the Watcher’s domain, death imminent, and they all want a taste.
They tear him apart until all thirty hearts are torn asunder and he respawns and he’s put together wrong.
Martyn’s back hits the bed; he’s a flurry of limbs as he rolls over, toppling off the side; the bile pooling in his mouth spills to the ground. He wretches. It’s worse, it’s so much worse than the last death. His body screams, his back aches, and his whole body feels wrong like his own bones have been torn out and fit back inside. Hollowed out.
A shout. A thud. Jimmy spawns, and Martyn, through the screaming haze, instinctively knows that it wasn’t by voluntarily going through the portal. Jimmy groans, but is quick to look for his teammate, head whipping around.
Marytn hears a quiet “oh, gods”, and he doesn’t process the time it takes for a person to be kneeling beside him. He’s prattling gentle reassurances as Marytn continues to wretch over the sound of his comm beeping and chirping.
A call goes through. Grian’s voice crackles with glee — “TIMMY—!” — ready and quite delighted to tease… and cuts himself off as Martyn cries out again. His ears, his ears, they hurt. His scalp. His back. Everything feels from and something warm and wet dribbles down the side of his head.
If he could open his eyes, he'd be able to see the purple, viscous ooze, dripping down his chin in sluggish rivulets.
Jim speaks next. He screams for Grian to come over, that “Something’s wrong — Something’s so wrong. It’s the canary curse, Grian, it’s the curse.”
A single wing, golden yellow and slick and limp hangs down the side of Martyn’s back. His ears are accented by feathers, torn out from under the skin, and Martyn’s sobbing.
The wing flaps desperately, slick and wet and heavy, covered in slime and ichor like it was wrenched in place by the void itself; it slaps against the floor.
Jimmy — lurching, unbalanced, missing a wing — stays kneeled beside him, rubbing circles into his back. He murmurs reassurances like it's a prayer, pressing a kiss to Martyn’s forehead.
“C’mon, stay strong,” he murmurs. “We’ll get through this. We’ll… we’ll be okay.”
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