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fa-by · 3 years

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Hi Faby I have a question L said that she knew she was queer when she fell in love with her best friend when she was 15 and that her and L started to have a physical connection when she was 15 and I know everyone says that she was talking about C because L met C for the first time when she was still 15 but to me that doesn't make sense because L and C only started to get closer after L turned 16 and her and C basically just met so how could she be talking about C?

Hi to you, dear Anon 👋🏼😄 I know it doesn’t seem to make sense because the narrative’s goal is to confuse you and get you on their side by making you abandon the ship. You have to pay attention to the details and what they say because there are always flaws in the stories that our Camren are forced to tell. But don’t worry, I’m here. I’ve already talked about it many times, but I’ll explain it again to make you understand better and answer your ask at the same time.

So. During Becky G’s ‘En La Sala’ podcast (October 28, 2020), Lauren said she realized she was queer because she fell in love with her best friend when she was 15 and they started having a physical relationship. She forced herself to think that kissing and sleeping with her friend every once in a while was just a funny thing and nothing important; something that she has ‘normalized’ in her head by justifying it as something that ‘straight girls do’, and therefore fueling her internalized homophobia. Personally speaking, I believe in this. Not in the ‘she fell in love’ part because Laur’s still forced to say that the only girl she has ever loved is Lucy, but I believe Lauren and Lucy really did everything L said. Lucy was the first real unlock thanks to which Laur experienced the attraction and the feelings towards the girls she’d always felt and hidden deep inside herself. I firmly believe that Lucy was the first girl among her crushes on girls Laur acted on, and with whom she experimented in secret given the environment in which they both grew up and which still surrounded them at the time.

Now, the time frame in which this experimentation happened. Paul Martinez, the one she believed was her first love and whom she believed she would marry, broke up with her in late July 2011, and she only managed to move on when she wrote a song about how she felt on September 17th of that same year. Lucy moved back to Puerto Rico in February 2012, returning to visit Miami occasionally (that’s why the fetus pictures with Lucy and Camren at Laur’s house). Therefore, the time frame in which that experimentation happened, is from the end of September 2011 to February 2012. It could’ve happened in all those four months, or only in two, or only in one. Who knows. But that’s the time frame. Time frame during which Laur was 15 years old.

Having explained this, let’s move on. Camren first met during the first phase of the audition, the ‘cattle call’, on May 1, 2012, in Greensboro, North Carolina. You know? Where that short and really cute conversation started by Mila happened: “Hi, I like your shirt”, “Thanks. I like your jacket”. But it ended up there because they didn’t become friends from that day. They didn’t exchange phone numbers and they therefore didn’t even spend time together at home in Miami. They were still just two strangers who had auditioned for a TV show to pursue their dreams like so many other people. Oh and, on May 1, 2012, Laur was still 15, and Mila had turned since almost two months; therefore they were both 15 years old. The moment they became friends by no longer detaching one from the hip of the other, was two months later, on July 25 in Miami, when they met for the first time for the first day of boot camp (L went to C: “You’re the Cuban girl!”). On July 25, 2012, Lauren had by then turned 16 for nearly a month, and Camila was still 15.

Now let’s move on to the biggest miscalculated mistake that, either they made her say, or Laur herself said; perhaps even deliberately and not by mistake. On June 26, 2020, and therefore before the podcast with Becky, the PAPER Magazine article was released. In that article, Lauren explained, along with other things, that she’d been in love with her best friend for seven years. But the calculations don’t add up, for two things to be exact.

First thing: The Laucy narrative includes that A) Laur fell in love with her sure, Jan at 15 when they kissed and hooked up during parties.

P.S. Is it just me, or does this smell like what actually started happening to Camren the following year? I mean, the Like Friends Do situation whereby Laur got out of her internalized homophobia and realized she loved her and then got her head out of her ass by finally going to get her girl? No? Just me?

B) The wanting but not being able to be with her and giving her what she wanted made them grew apart not by her choice and not because Lucy returned to live in Puerto Rico and they simply grew apart for the distance and Lauren’s busy schedule with 5H, no, no.

P.S. I don’t know about you, but this still smells like Camren’s story to me.

C) Lucy returned to her life after she had a car accident on May 17, 2015:

“She came back into my life when I was 18. I was on tour and I was in my room in a hotel somewhere and she called me”. From that moment on, Lauren decided they would’ve been together “all in” and “now we’re gonna be in this relationship”. Yeah, sure. No contract that was supposed to help both of them involved here. No, no.

D) They broke up because Laur confirmed that theirs was a very toxic relationship, and the specific reason she gave was because they both weren’t fully healed from the past yet, but that they still loved each other very much. Mmmh-hmm, okay 🥱😴 Yeah, no, yeah, sorry. I fell asleep as a result of hearing bullshit.

Second thing: Ty.

Shall we reveal the miscalculation (again)? In love with her at 15, got together with her at 18 and broke up at 20 (1 year and 8 months, from mid-May 2015 to mid-January 2017), and after less than a month, start of another PR dating Ty. Now, 20 minus 15 (Laur’s two ages from the beginning to the end of the ‘story’), how much is it? 5. Shall we calculate from the moment of Laucy experiment to when they ‘broke up’? From late September 2011 to mid January 2017, how many years are? 5! 5 years and four months to be exact. According to the logic of the narrative, if she was oh so in love with Ty as they made her proclaim every two seconds, it means that she’d stopped loving Lucy that same year, and it’s not 7 years anyway! It’s still 5! Do we want to try with two last calculations? Okay. Also because you may have wondered: “Faby, what if we instead calculated from when ‘they got together’ to the release of that PAPER Magazine article?”. I’d answer that it’s still 5 years. From mid-May 2015 to June 25, 2020, it’s 5 years and 1 month to be exact. “Faby, what if we tried to calculate from the beginning to the publication of the article?” From the end of September 2011 (beginning of the time frame of the Laucy experimentation) to the publication of the article on 25 June 2020, it’s 8 years and 9 months to be precise. Not even in this case it’s 7! So, as you can see… And at this point I wonder: is there an alternate world where math calculations lead to 7 and not 5 here? What was that? Why say 7? Well.. I actually know why.

Shall we play another little math game? Can I reveal the truth in the lie? Let’s try to make sense of this 7 together now.

Lauren explained that she’d been in love with her best friend for 7 years in that interview, right? The interview with PAPER Magazine came out on June 26, 2020, but was done before the date it was released. We all know Laur was born on the 27th, and therefore in both cases, Laur was 23. And tell me, dear, how much is 23 minus 7? Sorry, I can’t hear your answer. A little louder please? Got it, got it. Can I also write it for everyone else who’s reading? Okay, thanks: 16. Wait, 16??? So who was Lauren actually talking about? Ohhh. How foolish of me. That’s why it ‘smelled like what actually started happening to Camren the following year’ to me. Because Laur was talking about Camila all along 🤦🏻‍♀️

🤣😏😎

Sarcasm and jokes aside, do you see how easy it is to manipulate and confuse people's ideas? It's still 7 years if we calculate from mid-January 2013 (after the first real New Year's kiss and the signing of the contracts with Syco/Epic) to the release of that PAPER Magazine article on June 25, 2020. And it's still 7 years even if we calculate from July 25, 2012 (first day of boot camp) to June 25, 2020. Camila is the answer to the 7 years because even if they try to make Laur modify the narrative by making her change the names with the PRs' ones, she's always talking about Mila anyway in reality.

Does it make more sense now, dear? I hope I’ve taken away all your doubts 🥰 Stay safe and have a good day 🤗 You guys too ❤

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aroclawthornes · 3 years

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Blooming Brilliant, an Aroace Willow Park Manifesto

[id: a gif of a heart locket opening. One half of the locket displays a picture of Willow Park from The Owl House, winking and making peace signs with her fingers. Blue and yellow stars surround her. The other half reads "willow park my beloved." /end id.]

Greetings! It’s me, User Aroclawthornes, and instead of working on all the time-sensitive homework I have I sat down and wrote an essay explaining why I think Willow Park OwlHouse could plausibly be read as aroace, and why it would be a thematically enriching interpretation. I’ve never written anything like this before, so it’s oddly formal, a little pretentious, and contains a lot of qualifying language, but I'm confident that it gets my point across. I’m not intending to speak over other interpretations of Willow or assert that it's the only true way to read her, but it's a headcanon I find interesting, and I think there’s a lot of evidence to back it up, between certain elements that Willow’s arc employs to some good old overanalysed symbolism. If you're aspec, I hope this is validating; if you're not, I hope it's interesting; if you don't care, scrolling past it is quick, free, and easy.

Some disclaimers on terminology: I’m speaking from an aroace perspective, and so when I say “aspec coding” I’m generally referring to both orientations as a catch-all - a lot of the coding surrounding Willow could go either way. I’m also going to be talking about commonly accepted “aspec” narratives, but I’m aware of the limitations of this insofar as my experiences are only a single facet of the diverse range of aspec people in this world, so anyone who wants to add or argue anything - respectfully - is encouraged to.

Analysis below the cut!

The Thing About Plants

I’m not going to pretend that an association with plants is historically indicative of aspec coding, because, frankly, there haven’t been enough aspec characters to establish it as a convention, and it’s also a fairly wide-reaching branch of symbolism. However, I am going to propose that lighthearted comparisons between asexual people and plants (however misguided on functions of plant reproduction they are) are fairly common elements of budding ace teenage humour, as are related quips about photosynthesis.

[id: a screenshot of Willow from "I Was A Teenage Abomination", depicting her sitting on the ground while casting a spell over a small, pink flower. /end id.]

I’m also not going to claim that the colour green Belongs To Aromantics, and therefore that All Plants Are Belong To Us, but in tandem with everything else I’m about to cover, the connection between Willow and plants seems like a fairly plausible nudge to a relatively common element of aspec humour.

“Half-a-witch” Willow and the Late Bloomer Experience

[id: a screenshot of Willow with glowing green eyes, from "I Was A Teenage Abomination", depicting her summoning a mess of thorned vines. /end id]

Willow is literally nicknamed “half-a-witch”, in reference to her supposedly incomplete state - this is a sentiment eerily reminiscent of the pressure to find one’s “other half”, which affects aspec - especially aromantic - people particularly profoundly. She’s considered a late bloomer, someone who hasn’t reached the societal milestones of growth at the expected age, and who is derided and considered immature as a result of this perceived failure. However, we quickly discover that Willow is, in fact, an exceptionally competent and powerful witch - taken out of the restricting frame of the Abominations track, she’s able to grow into her own, “complete” person, therefore proving that she was never really lacking in anything in the first place. Like real-life aroace people, she was perceived as limited and immature based on the expectations and judgements of other people, but Willow was never deficient in anything, least of all herself.

[id: a screenshot of Willow and Luz from "I Was A Teenage Abomination". They are holding hands - the former is laughing with her eyes closed, and the latter is grinning, while covered in abomination goop. /end id]

As far as symbolism goes...the track Willow is initially put in literally requires her to conjure up another humanoid entity, with the expectation that she will therefore prove herself to be a whole and mature person. Only with this ability, she’s told, will she be successful and happy as an adult. The shapelessness of her attempts at conjuring an abomination reinforces this connection in my mind - if I may reference this quote from Ducktales 2017‘s (absolutely stellar) A Nightmare On Killmotor Hill, in which the protagonists explore their own subconscious fears via. the dream realm, for a second:

“I think that’s supposed to be my romantic interest, but I’m too threatened by the concept, so it never takes shape.”

A lot of young aroace people find themselves in situations where they attempt to convince themself of their interest in someone in an attempt to be “normal,” or end up lying in response to family members or friends’ questions about crushes. While Willow’s abominations, first and foremost, represent the expectations from her school, classmates, and family to be a successful, “complete” witch with a profitable future, I think that with an aroace interpretation of Willow they could also very easily be read as representing some latent insecurities over a lack of attraction, or pressure to find a significant other.

(I’m not condemning Willow’s dads, by the way - they seem like perfectly lovely fellas, and I’m confident that they were doing what they thought was best for her. They’re certainly very quick to drop everything to assure her future in Escaping Expulsion, so obviously they care about their daughter very much.)

Greens, Blues, and Yellows: Colour-Coding Willow Park

A while back, I made this post comparing Willow’s palette to the aromantic and aroace flags:

[id: a screenshot of a post depicting the aromantic and aromantic asexual flags, colour-picked from images of Willow in her Hexside uniform and casual dress respectively - these are overlaid on top of the flags. The caption reads "observations on willow park". /end id.]

The grey-and-green aromantic flag has long been the accepted mainstream symbol of aromanticism, and, as the above post - and many others - demonstrate, Willow’s palette reflects it near-perfectly. This could easily be a coincidence, owing to the palette of the standard Hexside Plant Track uniform, as well as her hair and eye colours - which are obviously supposed to be reflective of her plant-related abilities. However, given how fond of employing hidden meanings The Owl House has shown itself to be, I don’t think it’s far-fetched to claim that there’s at least a chance that her palette was constructed with the flag in mind.

The latter is...a bit more problematic for me, although it’s fun to joke about. The blue-and-yellow aroace flag was only created in December 2018, relatively late into The Owl House’s initial production, and it’s still relatively obscure, although on the rise in popularity as the accepted aroace flag (I only recently started using it myself), so I don’t know if Willow’s casual wear is enough to verify the presence of any deliberate subtext. I think it’s a fun coincidence, however, and (as was pointed out in this post) it’s cool that these blue and yellow stars surrounding Willow occur in the same frame as Luz’s bisexual decor:

[id: a photograph of Luz, Gus, and Willow, all surrounding a disgruntled-looking Principal Bump. Luz has flowers in the colours of the bisexual flag decorating her hair, while Willow is surrounded by bright blue and yellow stars. /end id.]

also seen above: powerful bi/aspec solidarity

Conclusion:

Do I genuinely believe that Willow is being deliberately written this way? If you’d asked me, say, two months ago, I’d have said probably not - as far as queer representation in kids’ cartoons has come, it has a ways to go, and focusing on transgender characters seems like a more obvious (and equally invaluable) route to go down. I can name maybe five explicitly aspec characters off the top of my head, two of whom have been written as alloromantic and/or sexual in adaptations or continuations of the source material (I have...some grievances with 2005 Doctor Who). But the emergence of Raine, an explicitly nonbinary character on Disney Channel, has given me a little spark of hope, and so, even if it’s never confirmed, it’s comforting to be able to see a character with such strong elements of aspec coding and think to myself, just maybe, that there might be some intent behind it.

I also...really want to see interesting things done with Willow. We’re halfway through Season 2, and despite some promising setup for her arc in the Season 1 finale, she’s sort of been left by the wayside lately in favour of developing the more “plot-relevant” characters, such as Luz, Amity, Eda, and Hunter. Frankly, I think it’s a disservice to her Season 1 development, despite how much I adore all the characters I just listed - beyond any personal motivation, the prospect that Willow could be aroace adds a lot of sorely-sought depth to her, and, as detailed, a lot of this has already been set up in her earlier episodes. I just...I think it’d be neat. Rarely do you get a kids’ show so brazenly queer in its themes as Owl House, and aspec people deserve to be included in that.

Willow would also be great aroace representation because, well - those five or so aspec characters I mentioned being aware of are all white or “raceless” (...also written as white, basically), and so an aspec Asian character would be a really lovely step forward in this area. Additionally, all the characters I referred to are also conventionally skinny, and Willow is not only fat, but written in a way that doesn’t treat this feature as a caricature. People who are more knowledgeable on these topics than I are absolutely free to make additions, as is anyone who feels like I’ve left certain details out.

tl;dr: Willow’s association with plants could be read as a cool nod to aspec humour, her “late bloomer” narrative is eerily reminiscent of some common aspec experiences, her palette speaks for itself, and it’d be really cool if we could diversify the so-far fairly bland sphere of aspec representation.

I’m going to conclude this by linking Rose by The Oh Hellos, because they’re my favourite band, they share The Owl House’s initials, and I also think it’s a good Willow song. Peace out.

youtube

#the owl house #willow park #pspspspsps you will read my 1.5k word aroace willow essay #hooting #meta #willow #aroace willow manifesto #fuck it. this is getting posted

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clocks-are-round · 3 years

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Gonna hit you with a curveball - How about Carolina?

Uhhhhh oh boy. Out of all the characters. For multiple reasons I must ask y’all not to judge me.

fgdsdds YOU ASKED and I am nothing if not honest and oversharing

Why I like them: To be honest, of the MCs she’s probably the one I’m least attached to. I think I started liking her in season 15. Waitwait— I liked her interactions w/ Epsilon I think. IDK, been a minute since I’ve watched the seasons after BGC. Some of the fanart does have me simping, but we’re focusing on canon here and canon face reveal Carolina looked like… 30 minimum (I know she wasn’t but she looked like a mom to me idk), which is still old to me so *shrug*. Season 15-17 was great for Carolina imo. But fandom Carolina is really what won me over. And not just because she’s hot! I mean— FUCK! Can we— Can we change the subject?

Why I don’t: She just felt so… flat? cold? for the longest time. Obviously that changed with time, but I did not care much for her initially.

Favorite episode (scene if movie): Facing herself in the Labyrinth was pretty cool. Showed how far she’s come.

Favorite season/movie: Maybe 15? Velocirocktor is the shit.

Favorite line: “Can I sing?” and all those scenes implied. It established her current dynamic with them so well haha

Or the awkward, “Bow chicka bow wow?”

Favorite outfit: Her Halo 4 armor is most aesthetically pleasing to me. As for out of armor in fan drawings, anything that shows off those gorgeous muscles. Tank tops are good.

OTP: This is gonna sound cringey as hell, but since I don’t have a ship with her in the show— one of my characters in upcoming series Queer Canyon. Spinach (pronounced spinahk) is chatty and over the top and works best with someone who tolerates and enjoys that about her while still grounding her to keep her from getting herself into too much trouble. I think they’d be cute as hell together. In my defense, I realized if they met Spinach would fall for her months before I started simping for Carolina art. Carolina is exactly her type and as soon as I realized I started planning a potential crossover that may never see the light of day. (to clarify, in the planned 3 seasons of Queer Canyon they don’t meet the official RvB characters. Different simulation outpost, different freelancers, this is just a fun what-if ship) I am not opposed to Carolina ships though. They’re all pretty cute, I just don’t personally ship any of them I guess? Maybe I’ll pursue a ship in my fanonverse with her eventually, but currently I don’t have one planned.

Brotp: Carolina and Wash. I love their bond and pray it is kept platonic. Would love to see more of Carolina with literally any of the others though.

Head Canon: Carolina’s first name is actually Carolina. Not anything revolutionary but I don’t really have any big headcanons about her right now.

Unpopular opinion: IDK if this unpopular, but I think she has dark hair. Those roots look dark to me.

A wish: To see her interacting with the others more. Feels like she was always either with Epsilon or Wash. I want more dynamics!

An oh-god-please-dont-ever-happen: This is also unpopular, but please don’t officially pair her up with Wash? I don’t care whether she ends up in a straight-passing relationship. I don’t care about Tuckington. I just want their beautiful relationship to stay platonic. But if it does happen, Rooster Teeth… DON’T YOU DARE CONFIRM THEM BEFORE GRIMMONS OR I’M COMING FOR YOUR ASSES*

5 words to best describe them: determined, strong, competitive, tunnel-visioned, protective

My nickname for them: I know everyone calls her Lina, but I always call her Carolina. I’ve tried using the nickname but it just doesn’t feel natural for me personally. My tag for her is //floor is lava undefeated champion

*for legal reasons this is a joke. Also, for personality reasons the most you have to fear is a strongly worded email about how disappointed I am in you.

#lol this was fun #another response is on the way #red vs blue #//floor is lava undefeated champion #ask meme

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homosociallyyours · 3 years

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Your last post about the ideal stunt girlfriend! I have some thoughts on this as well. I think first of all as you said the preference is that they just do not exist that is essentially why anything and everything they do seems to be picked apart. I am not sure what it is that someone can do then if their existence is the problem. (This is only in context of the 1D fandom because I have no idea how stunt girlfriend might be treated elsewhere). The blame for the closeting is placed entirely on the shoulders of the stunt girlfriend as if she is the one forcing a closeting whereas we do not know anything going on behind the scenes. (Just want to add that there is nothing wrong with someone choosing to be closeted in order to navigate a homophobic industry and world and to protect oneself.) I know the common story told about larry is that external people are forcing things upon them or are sabotaging them and there may well have been times where they were advised strongly (or manipulated and mistreated when they were younger by those who should have tried to help them in the industry) to stay in the closet but that does not mean that they do not have any agency at all for anything especially not in the present day. Perhaps in an ideal world they may choose to disclose their sexuality and their relationship (but even if they did not they do not owe that to anyone. Anyways the problem is heteronormativity and assuming people are straight by default). I do personally believe that both Louis and Harry want to at least be recognized as part of the LBTQA community for as long as they do not state things publicly (and also show that they are together to those that recognize it. I am a larrie so that is my belief lol) and possibly do want to come out at some point (both about their individual sexualities and their relationship) but until then they do have to perform heterosexuality for many numbers of reasons. And while they do that there is a need for a stunt girlfriend whether as PR or just for the purpose of appearing straight depending on their career needs. I know people who will speak out against attacks on Olivia might still have issues with Eleanor because one is PR and one is not (this is a simplified version of the reasons and I don't want to go into comparisons or reasonings people have for anything. At the end of the day neither attacks is justified to me.)

Okay this is already quite long and I haven't yet got to the point sorry about that. I think at the end of the day the purpose of the stunt girlfriend (when there is no PR involved) is to help maintain the closet until the closet is required. It doesn't matter who the person is tbh. If it were not Eleanor it would have been someone else so people who say things about Eleanor's personality, looks, character, mistakes she may have made do not make sense to me. None of these people know her yet they have made their own head canon version of her which is always a negative version. It would be the same no matter who was in her place. I think Louis' purpose for Eleanor specifically has to do with the story he wants to tell with his music and in interviews (a story that could possibly be most similar to his actual relationship perhaps even if not entirely the same) and I do believe Eleanor specifically helps tell it (as his longest public relationship). It allows him to mention a girlfriend that has "helped him" through tough times and give anecdotes about his "girlfriend". I think Eleanor probably does other things behind the scenes like a personal assistant as well we just do not see it. But the Eleanor we do see is the image that we are shown, the image that tells the story that Louis wants told. And that story in itself is so interesting and to me just confirms things that I believe about his actual relationship. So its more intriguing to me than something to stress over or look at negatively. I don't know Eleanor but what I know is this is her job and she will do it. It is work and I don't know why it has been villainized. I understand being frustrated by the situation and feeling like Louis (and Harry) may have not been happy through stunts in the past (potentially) but that does not translate to hating the stunt girlfriend. Disliking a situation you are in does not mean you dislike everyone who is part of it. But yeah anyways the end point is I do not see any situation in which people would be happy with a stunt girlfriend.

It doesn't matter which song she posts there will always be some criticism over it. It doesn't matter if she just posts herself with dogs or doing influencing there will be a problem. It doesn't matter whether she posts about Louis or not there will be criticism in either case. Lastly it doesn't matter if she talks with Louis' sisters or not either way there will be arguments that they are not on good terms. So I am not quite sure what it is that an ideal stunt girlfriend can do for fans. I don't see any situation where people who have already decided to have a problem just based on the concept of her being a stunt girlfriend will suddenly stop. But talking about these things might help at least some people understand the bias? I just think the best approach is that she keep doing what she feels is best according to the story that she has to tell and ignore the criticism (which can be tough I know because of the immense amount of hate you can get for it). I think if I were to find and guide someone my focus would be on guiding them on how to navigate the hate and I guess general tips based on the story that needs telling. And I think when it comes to finding someone it is probably a mix of finding someone who would look like what the ideal image of a girlfriend to a popstar should look like (which has its own problems and really we need to reevaluate standards of deciding these things) and also someone who can do the other behind the scenes work too?

Idk I have done a lot of rambling (and still probably haven't got all my thoughts down lol) but it was definitely an interesting post that led to some thoughts I felt like discussing. I hope you do not mind my sending an anon with all these thoughts. You do not have to post it if you are afraid of the reaction and can instead reply in tags?

I just want to end with agreeing with what you said about considering bearding to be like sex work. And also thankyou for your post.

hi nonny! thank you for your long and thoughtful response :) i hope you don't mind that i'm publishing it-- i think you made some good points and i appreciate that you really tried to answer the question of who to pick and what to guide them to do. image would definitely be key, as would an internet presence of some kind. i imagine celeb pairings would mean more frequent but less involved appearances while a famous/not famous pair would be able to get away with fewer public spottings but maybe more in depth/intimate scenarios.

and i really think there's just no way to please everyone, but you're right that the blame for closeting seems to fall on the shoulders of the woman who's bearding. :/// that often goes hand in hand with the narrative that they're (still) being forcibly closeted instead of looking at the very real history of ex-boybanders and performers who came out, which is relatively bleak/unsuccessful and making a decision to try to gain more credibility as solo artists.

meanwhile i share your perception that they want to be seen/read as LGBTQ+ by those of us who are part of that community. signalling is real, and it's not based on stereotypes like "oh he wore makeup! he has a limp wrist!" i mean as a queer femme from the south, when i go home i tone myself down quite a lot, but i still wear/use symbols that other queer people are more likely to notice, tell stories about myself that indirectly mention my gender and sexuality, and engage with queer history when possible in ways that straight people just. wouldn't perceive.

but of course you can do all of that and STILL want or need to be in the closet!

i really appreciate you responding to my question, even though i think you're right that there's no answer that would make the hatred these women get any less virulent. i do hope that, like you said, talking about it is at least useful in getting more people to realize that maybe it's undeserved? beards don't build the closets, they just stand there to make sure nobody walks in on the person they're working with while they're half naked, basically.

#long post #closeting #stunt mention #1d #if i get anyone trying to say HL don't signal queerness you're getting blocked #as i hopefully made it clear this is simply how i (and the anon) view the situation #other people can post their perceptions on their own blogs-- that's what they're for :)

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s1i9d · 4 years

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The Owl House, Season 2 Speculation

New Year, New Speculations! In the middle of the season, Owl House Season 2 is still over the horizon, and many fans (myself included) are clamouring for even the slightest bit of info. Whether its episode titles, how many episodes, a release date, etc. Many are excited for the prospect of Season 2, confirmed two months ahead of the series’ premiere!

Season 1 left many things unresolved, yet still found itself to be satisfying in some aspects. Which is not necessarily a bad thing, but it does leave excitement for more episodes. This post will talk abou three main areas: character development and their anticipated arcs, the main plot introduced, and smaller side plots incorporated in Season 1.

I’m more of a casual Owl House fan, but I enjoy speculating about what is to come. So if I missed anything, let me know!

SPOILERS AHEAD FOR SEASON ONE OF “THE OWL HOUSE”

Let’s begin, shall we?

Character Development and Anticipated Arcs

Luz and Amity – Obviously one of the most exciting and anticipated arcs in a very long time, since all main character queer relationships canonically happen towards the end of the series, either as a result of censorship or queerbaiting. One good and the other not as much.) From their rough first meeting at Hexside all the way to playing on the same Grudgby team, we’ve seen their relationship naturally bloom in the first season. There’s definitely gonna be tensions with the Blight family, but that falls more under plot.

Eda and Lilith – Nothing says interpersonal drama more than a complicated sibling relationship. At the end of Season 1, Lilith shares the curse with Eda after helping them escape Belos’ imprisonment. I don’t believe that they will have a happy go-lucky relationship from the start of Season 2, but I do believe that they are on the path to bettering themselves and each other. Possibly an introduction of their parents (as introduced at the end of “Covention”) but perhaps not.

Willow & Gus – Perhaps one of the more frustrating parts of The Owl House personally. Willow and Gus have very little character development for themselves in Season 1. Other episodes that focus on them were mainly narrative devices to further develop other characters. e.g. 115 - “Understanding Willow” although being about Willow, was mainly a means to develop Amity, Luz and introduce the Blight Family drama, therefore developing Amity’s arc further rather than develop Willow herself. I think it is fine for a first season to prioritise which characters to show, and which to set up for later on. My hopes for Season 2 is that they will have their own development outside of being used to further other forefront characters.

Main Plots Introduced

Emperor Belos

The Magic of Belos

The Refueling – In 118 - “Agony of a Witch”, when Lilith enters Belos’ chambers for the first time, we see him ragged and tiredly hunched over his throne gasping for air. To rejuvenate himself, he takes what seems to be a Palisman broken from their staff and cuts it open, revealing a green goo-like energy. He drips it into his eyes, supposedly giving him power.

Witch’s Wool Cape – The Witch’s Wool Cape is the cape that Eda made for Luz in 118 - “Agony of a Witch” and Luz is seen wearing it in 119 - “Young Blood, Old Souls”. What remains interesting about this is what Eda specifically says about it (”It repels powerful spells. Every Witch worth their salt has a cloak like this!”) and how Belos is able to use powerful magic against Luz to slam her into the wall during their fight sequence. Does this mean Belos is using a different type of magic? Or is his magic far more powerful than the Witch’s Wool can withstand?

The Titan of the Boiling Isles & Belos’ Propaganda – The Titan is technically canon and true. In Belos’ throne room, we see his throne just under a very large beating heart. However, it’s not clear if Belos in actuality is able to speak to the Titan, or if he’s trying to maintain order and rule.

The Spy of Belos – This is more of a minor plot introduced at the very end of 119 - “Young Blood, Old Souls”, but Belos speaks to Kikimora and shows a spy wearing a Palace guard uniform and a mask that somewhat resembles Hooty.

The Portal to the Human World – This remains one of the greater mysteries of Belos, as the finale shows him to want access to the human world, yet the show does not say why. Perhaps his goal is to somehow liberate the world by the actual word of the Titan, or he wants to take over the human world under the disguise of being able to speak to the Titan. Either way, it leads to the Human World being taken over by Belos.

Hexside Academy & The Mono-Coven System – The addition of Luz is interesting, as she and the other previous members of the Detention track all have multi-coven learning. Previous to that, Eda was the only real exception who was not a part of a coven and using “Wild Magic”. It leaves the question if Belos’ tolerance for a blatant disregard for his system in Hexside will be brought to light, and how he may try to enforce his rule.

Luz Noceda

The Portal & Returning Home – The only real way for Luz to return home is through Belos’ makeshift portal, since she destroyed Eda’s original portal to protect the human world from Belos.

Letters to Luz’s Mom – A big mystery is who is sending Luz’s mom the letters pretending to be her from Boring Camp in “Enchanting Grom Fright”? Theories have been swirling around of it being Eda, Emperor Belos or even a new representative in the human world with the ability to carry out Belos’ plans. The question now is if the sender is actually from the Boiling Isles, how did they send the messages? If using the portal, only Eda has the ability. Belos has lost actual access to the portal, so he isn’t a contender. The mystery looms over us.

Learning Magic & Connecting to the Boiling Isles – As of now, Luz knows four spells: Light, Ice, Plant, and Fire. She has been able to connect with the Island to use magic in her paper method, and the finale showed it was the connection to and magic of the Boiling Isles which allowed her to use the magic. There are a number of Covens and spells she has yet to learn, which also leads with her own journey to self-confidence and found family.

Eda, Lilith & The Curse

The Curse – By the end, the curse is worsened. If not for Lilith sharing the curse with Eda, the curse would have taken over Eda and she would have been lost forever. But now with the elixir no longer working halfway through the season, they must find another way to undo the magic binding them to this transformation.

Luz’s Paper Method of Magic – Eda and Lilith are unable to do any more typical magic using their biological functions, but Luz offers to teach them her Paper technique of using magic. Eda tries and it shows that she is able to use the Light spell at the least.

Hooty - I stan Hooty! There I said it! But this is more than just me irrationally stanning the best biord house, there’s actual interesting potential in the mythology behind Hooty. First of al,l as the titular character of “The Owl House” we know nothing about how he came into existence. We don’t know his past with Eda, nor how Eda, King and him came together. Potentially after Eda was cast as an outsider, but nothing specific yet.

The Blight Family

Amity (Personal Journey) – Amity has shown to have struggled with her family, more specifically limitation by her parents and an extent of harassment by her siblings. This would also factor in several plots, such as: Belos and the mono-Coven system, Luz and her relationship with Amity, Willow and Amity, Basha, and several other related threads. I believe that the Blight Family will appear more plot related than just simply being character focused for Amity alone.

Side Plots

These are the mini plots introduced and have yet to be touched upon again.

King’s Species of the Demons – In 104 “The Intruder” where we first learn of Eda’s curse, King speaks of his species: a group of which we haven’t seen yet. He says their weaknesses are purified water and passive-aggressive comments. We haven’t seen any other characters quite like King, so that’s something to look forward to.

The Magical Capabilities of Luz, Willow and Gus – In 106 “Hooty’s Moving Hassle” where Luz, Willow and Gus animate the Owl House with chicken legs, Eda says at the end “...[to animate a whole house.] That would take some powerful magic.” Meanwhile showing Amity and Basha’s five-person friend group unable to conjure a doll. If Amity is shown to be an exceptionally powerful witch unable to do a conjuring spell, it leaves a question of how powerful the trio actually is...

Azura Book Club – Lumity fans know the Azura book club, a.k.a Gen-Z’s way of figuring out if people are gay. (I’m half joking here.) But the Azura Book Club was mentioned last in 112 “Adventures in the Elements” and not touched upon again.

Mattholomule, Gus and the Human Appreciation Society (H.A.S) - This isn’t that important, but Gus has been known for being very into human mythology and lore. Mattholomule is the Leader of H.A.S, but it still remains the question if Gus is still a part of it and trying to combat Mattholomule’s ridiculous human mythos to be liked.

The Palisman – There’s quite a bit surrounding this one so it forms into two topics.

The Bat Queen – A very interesting character appearing only twice (”Lost in Language”, and “Escape of the Palisman”) before never being mentioned again for the whole season. The Bat Queen has her children, as well as the protection of the abandoned Palisman by irresponsible Witches. Luz also leaves an open-ended offer to help the Bat Queen search for her original Owner. Perhaps the Titan was the Bat Queen’s original owner, or possibly a giant before the reign of Emperor Belos since she did mention it had been far too long to remember.

Palisman of the Main Cast – With the introduction of the Palisman, it leaves the question of when Luz, Willow, Amity, and Gus will get their own Palisman and which animal they would have. Luz has been shown to have the ability to use non-paper magic when in possession of a Palisman (”Young Blood, Old Souls”), so it could prove an interesting loophole for Luz to be flexible with the methods of magic she uses.

That concludes the speculation! As these are my own thoughts and opinions, I’d love to hear your speculations! Thank you for reading!

#the owl house #hooty #luz #luz noceda #amity #amity blight #lumity #willow #gus #The Owl House season 2 #eda clawthorne #king #disney

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itsclydebitches · 4 years

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RWBY Recaps: Volume 8 “Strings”

Happy Saturday, RWBY friends! I am, quite obviously, going to dive into the recap in just a moment, but first I wanted to take a short detour to discuss the elephant in the tumblr room. Namely, Supernatural.

For those of you out of the loop, the tl;dr is that a fifteen year, beloved show ended with a truly horrendous finale. Specifically, the finale rejected everything that the show had been building towards: the logical conclusion to character arcs, the theme that “family don’t end in blood,” the potential for a queer romantic relationship… I could go on. The point I want to make is that the fandom had every reason to believe we’d be getting these things. This isn’t a case of fans upset that the finale didn’t go the way they wanted as an individual viewer, but rather that the finale didn’t go the way the show clearly and explicitly said it would. It’s not an exaggeration to say that in many respects, viewers were straight up lied to.

(I recommend reading the reviews.)

What does this all have to do with RWBY? Well, I can’t help but think that history is repeating itself. Certainly there are some notable similarities between the two series. Both have long, meandering plotlines with no clear end in sight (though I hope RWBY doesn’t reach the 15 Volume mark…). Both began with a small, core cast, but quickly expanded—generating the expectation that these now equally important characters will be given their due. Both have moved from the small conflict of fighting everyday monsters to a god-based mythology. Both have a popular queer relationship dangled in front of the viewers, featuring scenes where they’re “obviously” in love… but will it ever be confirmed? Both have a fanbase that says loudly and confidently that the writers know what they’re doing. Just wait! It’s all been planned! We’ll be rewarded for our patience and soon all the naysayers will be proven wrong.

Thing is, the Supernatural fandom wasn’t rewarded. Right up until a week ago those fans—myself included—had faith that the writers knew what they were doing because they can’t really be that out of touch with their own story...right? It’s not possible. Yet they were, it was, and now that I’ve gotten solid proof of precisely how far a show can go to reject its own logic, themes, and premise, that just makes me more wary of RWBY’s mistakes. Before I had a solid faith that things couldn’t possibly get that bad, that no matter how much RWBY might be messing up in the short term, it will undoubtedly pull it together overall, because what show wouldn’t? Especially a show with such promise and, at times, wonderful storytelling. Well, Supernatural didn’t manage it and frankly I’m not sure what to do with that information.

Seriously. I don’t have any grand conclusion here. It’s not my intention to suggest that anyone should stop watching RWBY, or to claim that it will absolutely fail because Supernatural did. Obviously, we don’t know what will happen until we get to see it in the show. I only want to acknowledge these parallels and the similar journey I see both fanbases on. I can’t help but wonder if, a couple years from now, RWBY fans will be making incredibly optimistic posts about how it’s all coming together, just have some faith, everyone who says that the group won’t get a satisfying ending, or Blake and Yang won’t be confirmed are just mean trolls… only to wake up that Saturday morning and get another metaphorical slap in the face.

It’s something to think about.

But here I’ve spent a page talking about the wrong show. Let’s get into the episode!

We open on a black screen with lots of ambiguous noises. At first I thought this was Oscar struggling in the Hound’s grip or something, but then I remembered that RWBY likes to insert an episode between cliffhangers. I watched Ironwood (presumably) shoot a guy and he only came back this week (though that question still isn’t answered. At this point I kind of wonder if it will be). Oscar was kidnapped last week, which means we won’t get to see him until next week. Or… two weeks from now? RT skips the week of Thanksgiving, don’t they? Sounds familiar doesn’t it? Something horrible happens to Oscar and we need to wait two weeks to find out how it’s resolved.

Watch him escape the Hound off screen and return to the group with a new outfit 😂

So it’s not Oscar we hear, but Ruby, the last one coming out of the tube. Weiss is in the process of pulling Nora’s ear for that stunt… with a frankly strange looking hand. What’s up with RWBY animating weird hands lately? I’m pretty sure that’s not how anatomy works.

Anyway, Nora counters that this was a “Once in a lifetime experience,” but they were all going to go through the tubes regardless. Weiss isn’t pissed that you sent her through, she’s pissed that you did it unexpectedly when she was alone, heading into enemy territory. But of course, there’s no one in the room to hinder them, so the mistake is meaningless.

We’re setting the tone again though. For the first half of this episode everything is sunshine and giddy adventure, which doesn’t fit the situation at all. It also creates emotional whiplash when I’m suddenly supposed to be super worried about things later on. This sort of about-face works once in a blue moon, as an emotional punch, like we see in Mulan:

But RWBY does it every other episode, which makes the overall tone of the series confusing instead. Half the time RWBY feels like two different stories—the cartoony tale of girls going on fun adventures, and the traumatic tale of a fantasy war—that have been badly spliced together.

“Alight, Robo-Girl, which way?” May asks and Penny demonstrates why she’s the best for sneaking into a facility. She’s able to map out the whole place, including seeing where everyone is so they can avoid detection. Kudos to RT for going this route. I was worried that they would have Ruby and the others straight up attacking Atlas grunts, knocking them out/potentially even killing them because who cares, right? They’re the bad guys! So I’m glad they’re working to get in and out undetected. Granted, we see in some places that they’re clearly willing to fight the soldiers if it comes to that—they’re reaching for their weapons when Penny opens the final door, expecting the room to be full of people. They were going to attack—but at least they’re trying to lessen that conflict as much as possible. That’s the sort of choice I expect to see from heroes and I’m glad we got it here.

After scouting the area Penny corrects May: “And my name is Penny,” to which Ruby gives a satisfied “Heh.” I’ve got no problem with Penny rejecting nicknames, even potentially well-meaning ones, because she’s always struggled with her status as a real girl and her name is her own. She gets to decide what others call her. I do, however, have a problem with making the presumed trans character the one who is corrected. Granted yes, we haven’t gotten confirmation in the show that May is trans, but RT doesn’t get to cash in on that rep without likewise suffering the consequences for how the character is treated. You’re telling me that a trans woman is going to roll her eyes when someone asks her to use a specific name? Please give May flaws, yes, she’s a person, but out of all the millions of flaws across the human spectrum, this is the one we’re shown?

Not to mention Ruby’s continued attitude. It’s like, ‘Yeah, May. Stop being a horrible person who draws attention to the fact that Penny is a robot. I never did that.’ Except when Ruby first met her she didn’t know Penny was a robot. Just like she didn’t know Blake was a faunus—something we’re reminded of this episode. We might assume Ruby wouldn’t have ever made any missteps at the beginning of these relationships, but the fact remains that she got to know both girls before their minority status was ever revealed. Ruby loved them before she ever had to grapple with their differences.

Put in her place, May then demonstrates that she can make lots of people invisible, not just herself. That’s handy. She creates an invisibility bubble that reminds me of Harry’s invisibility cloak. In the sense that others might not be able to see you, but they can still hear and touch you, which makes sneaking around still pretty challenging.

No sooner have I thought that then two guards get into the elevator with them. The group keeps quiet as the duo discusses how no one can get close to Salem’s storm without “getting shocked right out of the air.” Interesting. And frankly one hell of a roadblock if the Hound escapes into the clouds. Oscar may be gone for a while if he doesn’t escape on his own... The woman also comments about how creepy it is that all the grimm are just hanging out, waiting. It’s “worse than if they’d attacked.”

No it’s not! RT, stop trying to implement the idea that Salem withholding her forces is some epically cool choice. She should have decimated everyone by now and the fact that she hasn’t just shows how transparent the problem is: you’ve created a villain that’s too powerful and now you don’t know what to do with her.

As the group sneaks out of the elevator Nora grins and presses all the buttons, which is, as expected, a dumb move. They’re supposed to be sneaking into this base. If they’re caught they’re going to be thrown in jail at best, killed at worst, but Nora wants to risk that for a practical joke? Again and again we see this insistence on incorporating comedy where it’s not only unnecessary, but actively interferes with other aspects of the scene.

Reaching a terminal, Penny inserts her finger and gains access via Pietro’s credentials. She’s really demonstrating this episode why she’s… pretty terrifying? I mean, Penny is an incredibly powerful fighter with a computer’s view of the world, access to everything in the most powerful Kingdom alongside its information, and she now has Maiden powers to boot. Which, I should add, it took her one fight to master (because remember, the heroes are now always as strong as they need to be to win…). Now that Watts is planning to hack her, I expect her to be an incredibly formidable enemy, just given the amount she could potentially do. I think Penny herself is too kind to exploit all that potential and as we’ll see via Pietro briefly taking control, she doesn’t always have the knowledge to use the tools at her disposal. But in the hands of someone like Watts? He’ll turn Penny into the ultimate weapon.

Access granted, they learn that they have to go “Right through central command!” Of course, Penny makes it sound like a fun game and the spy-movie music/cartoon lecture doesn’t help. Again, tone. It’s adorable! It just doesn’t fit sneaking into a military base with your lives on the line while Salem waits outside. That was a RWBY Chibi moment.

Penny explains—twice—that Ruby can use her semblance to fly them all through central command and it’s treated like a revelation. At first, I was pretty confused because Ruby has been dong this for ages? She carried Weiss in “Argus Limited” and Nora during the Geist fight. But upon close inspection, what Penny seems to have “figured out” is that Ruby can carry multiple people at once because the “mass doesn’t matter.” Okay. Not a contradiction then, though I think RT could have made it a little more clear that Ruby was shocked at the idea of carrying multiple people, not carrying someone at all.

What I do take issue with though is Ruby mastering this skill instantaneously. I mean, why is Ruby being forced to try this on the fly (pun not intended)—Penny has known the layout of the building since they made this plan. She knew they had to get past central control and that it would be packed with people. She’s obviously thought about Ruby’s semblance a great deal—and why is she succeeding? Give me a Volume 7 where Ruby actually trains in this technique, set up via Harriet’s comment early on about her semblance, and then she’s victorious here when it finally matters. Or give me Ruby assuming she can pull off this incredibly difficult skill only to fall out of her semblance halfway through, a roomful of Atlas personnel staring at them. Then what?

Not this.

This is a character who does everything perfectly on the first try without ever having to fail. Ruby is boring like this.

Crisis averted, we transfer to Ironwood who is… working with Watts.

What else is there to say? I’ve already laid out all the reasons why this is stupid and makes no sense. Others keep coming onto my posts to explain to me how Ironwood’s awful deeds up until now fully show his decent into villainy, conveniently ignoring the numerous limitations he was under and his choice to do what he thought was best for the world using inaccurate information. Ironwood was always a divisive character and many are happy to ignore the years’ worth of deconstruction done—a man who looks like the Evil Military General but actually isn’t—because they never liked him to begin with. Not liking him is fine, no one has to like any character, but I’m honestly shocked by the number of viewers who refuse to acknowledge how bad the writing is, even if it means defending a character they hate a teensy tiny bit (#SupernaturalVibes). As a friend put it, Ironwood now feels like a caricature of his former self, a Pure Evil Ironwood who appeared out of nowhere and is now here to stay. He shoots kids. He shoots unarmed civilians. He teams up with Salem’s men and tries to hack Penny. These are undeniably horrible acts, they’ve just been given to a character who never would have done them until RT randomly flipped the Evil switch.

The “RWBY” tag, alongside all the fluff moments of this episode, is now filled with posts encouraging Marrow to turn, yelling at the Ace Ops for being “bootlickers,” and capslock screaming at anyone who dared to speak up for Ironwood. It still sucks to have bad writing twisted into an attack on the fans and it’s going to continue to suck until at least the rest of Volume 8. I’d like to again remind everyone that Qrow teamed up with Tyrian a few episodes, yet because he’s again in Ruby’s graces, that was twisted into a ‘not that bad’ situation. The issue isn’t really that Ironwood is teaming up with one of Salem’s subordinates, but that he’s doing it to go against RWBYJNOR… the second a character teams up with Salem to get what Ruby wants (to not have her team in jail) then that’s totally fine… but that’s a wrinkle a lot of people are happy to ignore.

So yeah, Ironwood is an idiot now too. Like Qrow also was last Volume. He really thinks Watts isn’t going to betray him somehow? Although, I do wonder if the chance to ruin Pietro’s creation outweighs his loyalty to Salem, but the point is that Ironwood can’t be sure of that either. At least he’s smart enough to keep Watts under continuous guard. He puts his hand on Watts’ shoulders and goes, “I’d hate for us to have to try motivating you. Again.”

So he tortures people too now? Like I said, caricature. This was Ironwood and we were given no clear idea of where he disappeared to.

RIP a great character.

Watts notices though that Pietro has apparently accessed a secure area and alerts Ironwood to it. I laugh that the information is just ¡EMERGENCY! In large, red letters. Ironwood immediately makes an announcement for everyone to be on guard. It’s a level 3 lockdown — that won’t impede the group leaving via airship! — and they’re to use “lethal force” if necessary. Weiss is disgusted.

As much as I disagree with making Ironwood into a shoot first, ask questions later kind of guy — he’s definitely wrong to be doing this — I also find myself rolling my eyes at reactions like that. Yes, Weiss. You attacked four operatives until they were knocked unconscious. Prevented an entire city from escaping Salem’s wrath, endangering them all. Now you’re breaking into the most classified room in the Kingdom to steal an equally qualified project and use it for your own means. There’s no reason why Ironwood would level his might against you. Is death still an extreme response? Yes. Should Weiss be acting like Ironwood is crazy for responding to them in an extreme manner? No. Her remark makes it sound like Ironwood is attacking her poor, innocent, defenseless team… not the team that’s been lying to him, betraying him, attacking him, and stealing from him. Not the team carrying deadly weapons into a facility to take what they want at any cost.

With their presence known, May wants to go grab an airship. That’s the series now.

Meanwhile, Penny insists that they can still complete their mission and we see Nora come up with some sort of plan.

Except, what plan was this?? What did she say to the group? ‘Hey, let’s wait around until some guy conveniently walks by with a full cup of coffee. Then we can trip him and the mug will fly alllll the way across this gap to land on a terminal, startling at least two workers. Except this guy will be hated by the whole room because he’s always messing things up—his coffee mug has been changed from #1 Dad to #1 Dud—so that this little mishap will create a ruckus that gets everyone involved, giving us the opportunity to slip by them all.’

Seriously, what? This kind of “plan” only works with someone like Clover, where we know he has a good luck semblance and thus all these unlikely pieces fall into place. I could absolutely buy Clover smiling smugly, working under the knowledge that he just has to wait around a few minutes and something will come along that works entirely in his favor. But Nora? How did she know any of this would happen? Obviously she couldn’t have, so what exactly was their intention if this coffee carrying, hated guy didn’t show up? RWBY, your contrived plots are showing.

I do, however, love the grimm Jaws poster. Jaws is an absolute favorite of mine, so seeing a reference to it in RWBY? A funny one at that? It almost makes up for how bad this episode is lol.

Because frankly I’m bored. The group sneaks around, criticizes May and Ironwood, briefly confuses me about Ruby’s semblance knowledge, and gets through tons of Atlas personnel in the stupidest way possible. I have to watch this guy running out of the room with coffee on his pants screaming, “WHHHYYY???” and he doesn’t notice the five girls standing right next to him. It’s silly. It’s boring. Luckily for RWBY, things are about to pick up in the second half.

After Ruby gets them upstairs and the final room is also conveniently devoid of people, Pietro takes control of Penny—including yellow possession eyes like Oscar has with Ozpin—and he...gets Amity started. That’s it. After a whole volume of ‘It’s not finished yet’ and ‘We barely have the resources’ and ‘Robyn stole what we were using to do idek what with’ he presses buttons for a while and they’re in. How good for them!

I do love that Penny calls Pietro “Dad” though. I’m here for the android-father relationship.

While Pietro works we turn to Blake, Weiss, and Nora. Blake tries to convince the audience that Ruby and Yang had an actual fight with, “I’ve never seen Yang and Ruby fight like this.” Yeah, because no one in this group has ever said the sliiiiightest thing against Ruby, so you all read the tinniest disagreement as a “fight” to be worried about. I mean, doesn’t RT have friends to draw inspiration from? They’ve never disagreed about Huge and Complex Questions before? Never gotten pissed and then shrugged it off the next time you want to text? RWBY’s idea of a diverse friend group feels like many other writers’ idea of a sibling relationship: anyone with an actual sibling goes, “What is this?” Speaking of, Weiss explains that sisters often have “very different ideas about what’s right” as if, again, people don’t have different ideas? Just in general? Why is this suddenly a sister thing? She’s clearly thinking about Winter, but doesn’t actually bring it up, so all we’re left with is the same situation we had last Volume. Weiss thinks she’s right, Winter is wrong, and they’re just going down their separate roads because there’s definitely no reason to re-examine any choices here. It’s all static.

Until Winter betrays Ironwood, of course.

Nora tries to reassure Blake that the group will be fine (ha) even though they’ve split, the irony being that we, the audience, know they just got wrecked by the Hound. Jaune is a great leader though, Oscar has grown so much, Yang could defend them all in a fight, and Ren… well, she can’t think of anything to say about Ren. I hate the Nora is acting like Ren has drawn away from her for no reason, after she chose to kiss him—without consent—rather than listening to what was bothering him, then proceeded to pretend that this mystery problem never existed. What does she expect? I do, however, like the general acknowledgement that she doesn’t know who she is without Ren. Who is Nora? Someone who is “strong and hit[s] stuff?”

See, this feels like RT writing self-consciously because Nora doesn’t have much of a personality. Oh, on a surface level she’s bursting with it, but past the bubbly exterior? That single layer? We can add maybe one thing to this “Likes Ren, is strong, hits stuff” list: she’s funny. That’s it. Anything else we might add like “she’s loyal” or “she’s kind” is just a generic characteristic of this entire team. They’re all meant to be crazy talented good guys and even the “is strong” aspect is suspect when others frequently pull off attacks as showy as Nora’s hammer hits. So who is she? What are Nora’s dreams? What are her hobbies? Her fears? Her history? We’ve seen a single flashback of her on the streets and one scene back at Beacon where she listens to music and reads a magazine. Seven years worth of material and that’s it. There’s a reason why the go-to, non-combat action for Nora in fics is “makes pancakes.” We know so little about her still.

So I was excited for a brief, shining moment. Yes! Explore who Nora is outside of being strong and hitting stuff! … and then her big action this episode is, as she says, being strong and hitting something. Don’t get me wrong, outside of that setup it’s pretty epic. I like Nora going to those lengths to save Penny and I absolutely love the repercussions of the choice: a broken aura, passing out, and badass lightning scars all over her arms and neck (especially when women often aren’t allowed to accumulate scars in visual media). That’s pretty damn awesome. It’s just that it comes on the heels of the story insisting that Nora is more than this, that we’ll learn something new about her… and we haven’t. This is indeed cool, but we already knew that Nora was willing to crazy lengths by hitting things really hard. That’s already her established norm.

At least this moment has some really nice characterization alongside the stupidity. The conversation between Ruby and Penny is just plain stupid. Penny wants to stay to help with the evacuations, but Pietro says she should come with him in Amity. Why? As Ruby says, because then she’ll be up in the sky and Salem won’t be able to access the relic.

That’s what Ironwood wanted to do! We could have had this conflict episodes ago with you all working with him! I really can’t with this cast. Also, the rest of this is still confusing. I thought pretty much everyone was in the slums by now, so what evacuation are they talking about? Do they plan to evacuate everyone in Mantle out of the kingdom somehow… like Ironwood wanted to do with Atlas? And why are they acting like Amity is evacuating some people too? I thought they were just using it as a communication device? To add insult to injury, Ruby then contradicts herself a minute later when she tells Harriet that Ironwood can’t have the relic because “Salem will find her way to the relic no matter where you go.” Ruby, if Salem can access the relic high in the sky she can also access Penny in the sky. If you believe that literally nowhere is safe then why are you sending Penny away under the claim that she—and via her the Relic—will be safer? If you want Penny in Amity to lessen the chance of Salem getting the Relic, why can’t Penny be in Atlas while simultaneously (hopefully) getting a whole slew of people to safety?

I’m continually confused by this “plan” of theirs. Their claims just flip-flop according to what (supposedly) contrasts them with Ironwood. Even though that’s not actually the case.

Penny is me, sad while watching this train wreck of a scene.

So yeah, the Ace Ops are here. I’ve wondered since the trailer why Weiss looked smug while everyone else was startled. Turns out it’s because of her line, “So, your first time losing to us wasn’t enough?” I can’t express how much I dislike all the girls’ personalities now. I want to shake some compassion and humility into them. Plus, they never should have won that fight in the first place. Marrow yells, “We were holding back!” but coming from the team’s weakest member it reads as defensive. Like we’re supposed to go, ‘Lol yeah right, Marrow. Just admit you got your ass kicked,’ even tough the Ace Ops should have wiped the floor with them, holding back or not. That’s my biggest takeaway from this fight: it’s the reverse of what we should have gotten. The Ace Ops should have beaten Team RWBY with ease and struggled greatly against an android Maiden, not falling before a bunch of teens and succeeding against Penny if not for Nora’s timely breakthrough. Your half-trained cast of growing heroes should not come across as more powerful than an intelligently designed weapon now wielding magic.

Before the fight starts we get a whole lot of lines that are, frankly, frustrating. Vine tells Penny, “I thought you were supposed to protect the people, not hurt them” which is true enough. Penny is taking action that is putting a lot of people in danger, regardless of the fact that Ruby is at the helm. Problem is, the Ace Ops then blame her for Winter’s injuries and “stealing” the power? That’s not the issue here. The issue is Penny’s blind loyalty to Ruby, but by having the Ace Ops back a stance that is clearly inaccurate—Penny didn’t cause Winter’s injuries, Cinder did; Penny didn’t steal the powers, she was encouraged to take them—it makes them come across as Very Evil people who will twist things to make poor Penny look like the villain. Even if this is a case of Ace Ops having bad intel (which seems unlikely. Wouldn’t Winter have told them what happened?) RT has avoided letting the Ace Ops take a justified stance here because that would make them look too sympathetic… even though they do have multiple justified stances to take. Like, ‘Hey, stop keeping half a kingdom here where Salem can easily kill them all’ or, ‘Hey, why did you spend months betraying Ironwood and then turn on us instead of trying to find a compromise?’ Even, ‘Why did your uncle help kill our leader?’ There’s plenty that the Ace Ops should be rightfully pissed about, so choosing Penny and Winter out of everything feels like RT is firmly backing them into Ironwood’s corner: you’re just bad now and bad people blame innocent girls, rather than acknowledging the actual wrongs done against them.

So we have Ruby contradicting herself and the Ace Ops backing warped ideas that make them look worse than they actually are. Adding to the stupidity is the fact that Elm mentions that Winter is in “critical condition” and Weiss… doesn’t care. Harriet then tells Ruby that she’s “throwing [her] in jail right next to your uncle, runt” and... Ruby doesn’t care. Qrow is missing and Ruby just found out he’s been captured by Ironwood, yet there’s no reaction whatsoever. This show continues to go hard on the ‘screw adults’ mentality, huh? Ozpin needs to keep quiet and is horrible for coming back. Ironwood is now a cartoon villain. Winter made the wrong choice so no one cares about her anymore, not even her sister. The Ace Ops remain enemies despite trying to talk things out. Qrow? Barely know him. Who’s he? This is a Ruby loves Penny episode. There isn’t enough emotional nuance for her to care about him too.

The sad thing is I adore Nuts&Dolts. In a different context these moments would be a goldmine for me.

If anything, this episode feels worse than the majority of last week’s because there are good things here that have been thrown into a bad setup. I can’t get excited for the group’s battles when I see who they’re attacking. It’s hard to squee over Ruby hugging Penny when she doesn’t react to Qrow. Watching Nora go all Thor feels like it only has half its potential when it’s coming out of a very messing, ‘I’m more than just being strong and hitting things… which is why I’ll continue being strong and hitting things.’ RWBY has excellent moments set into a terrible story.

The fight, at least, is exciting. The Ace Ops goad Penny into stepping away so they can trap the rest of Ruby’s team—smart—and she’s forced to hold her own while Weiss tries to break through with her knight, then Nora overloads the system. To be frank, I’m not great at analyzing combat. Not unless I’m looking for something specific like whether a win is justified. I’ve already mentioned above the broad issue of the Ace Ops very nearly beating the most powerful fighter next to Salem herself, yet failing so spectacularly against Team RWBY. Outside of that context though? I really enjoyed this. Lots of tight action, creative attacks, teamwork, some emotional pauses throughout… it feels like a pretty solid battle. Put it on Youtube as a clip, outside of the rest of the story’s messiness, and you’ve got yourself a fantastic watch.

We can’t stay in the combat forever though. During all this Weiss calls the Ace Ops “cowards” for making it four vs. one. You know, RWBY should really just do away with dialogue and make the show purely action because the cast frequently sounds so stupid when they speak. Like her comment about Ironwood’s lockdown… really Weiss? ‘Yes, we might be wanted criminals who betrayed this group in the worst possible way, but how dare they not do the honorable thing and have three of their teammates sit out while trying to capture us? Even though the girl they’re trying to capture has magic. I mean, the nerve of them!’

Weiss, at this point I’m not sure how to explain to you that the people you’ve made into your enemies do not owe you a fair fight.

Another detail: we get to see Ruby fall off the edge of the walkway and this time she remembers she can fly! A definite improvement from Volume 6.

Finally: by the time Penny’s eyes go full Maiden in Elm’s grip, I think we’ve seen everything from our trailer. Episode 4 will truly be a mystery.

Ironwood has, of course, been watching the fight this whole time. When it looks like the Ace Ops will lose against the team he means to send in reinforcements, but Watts says he has “a message for your operatives.” Instead of capturing Penny they steal one of her swords instead, ending with a shot on Marrow looking conflicted.

Because remember, there’s no actual moral grayness in this story. The protagonists are right and everyone else is wrong. It’s (supposedly) black and white. Which means that if the Ace Ops have any hope of surviving this Volume and being seen as anything other than evil bootlickers, they have to join with Ruby. Marrow seems primed to do that.

Am I surprised? No. Disappointed? Always lol.

May has the airship ready to go and they fly off… despite the shields. And the lockdown. Consistency? Who’s she? Nora is said to be “in bad shape” and after another hug Penny leaves to hide in Amity, even though Ruby thinks that hiding is a useless, cowardly choice. Just not when she and her allies choose to do it.

We end the episode with Watts receiving Penny’s sword and making the statement, “If you can’t beat them… then make them join you.” I have to say, his cheesy villainy is something I continue to enjoy, even if it’s heavy handed at times. Watts is just fun. I do have to say though: if Penny is hacked, what does that say about her agency? We double-downed on the ‘real girl’ narrative by giving her the Maiden powers, but she’s simultaneously synthetic enough that a single piece of her can remove all autonomy? It once again feels like RT isn’t sure what point they’re trying to make, they’re just chucking a lot of themes at the wall and seeing what sticks. Still, we’ll have to let it all play out before making any judgements.

And that’s it for this week. It seems like this is a slightly shorter recap than normal, though that may be because I struggle with discussing pure action sequences, which made up a decent chunk of this episode. I’ll no doubt return to the Ace Ops vs. Penny fight when I’m not on a self-imposed, one day deadline for posting. The only thing left is to update the Bingo Card, but I don’t think we made any headway this week. So... good job, RWBY?

I’m still going to hold off on the civilian’s square until Salem’s army actually attacks, as well as the two day timeline square.

No Winter this episode

Watts is teaming up with Ironwood which is… so much worse than him teaming up with Jacques again. Does a square get an X if the canon is even worse than what you assumed it would be??

Maria was mentioned this episode. Jury’s out on whether she’ll actually do anything.

Atlas is still standing, we knew Penny was heading towards a hack so it’s not much of a cliffhanger, no Qrow, no Ozpin, no Neo or Cinder.

It certainly looks like we can check off “The team gets Amity up and running,” but let’s just see if there are any problems next episode. If the problem is only ‘We would have launched it if not for Salem’s attack’ or something, I’m checking it off. The point is it would have worked.

I’m also leaning towards “More obvious Blake/Yang implications without confirming a relationship” given Blake’s heart-to-heart with Nora… but let’s see if the Volume does anything more egregious.

All in all (and perhaps despite what I’ve written above), I don’t think it’s fair to totally drag this episode. As said, this feels like a strong episode in a bad story, something that I would have LOVED if a) Salem weren’t here and b) the ‘ethical dilemma’ wasn’t boiled down to a ‘Team Ruby is good’ and ‘Ironwood and everyone associated with him is evil’ situation. It’s an episode whose tone and character action belong in a different version of RWBY. If you gave us this fun episode in an earlier Volume against a Pure Evil antagonist? It would have been great.

Ah well. It is what it is. Expect more emotional whiplash when we come back and everyone learns that Oscar has been kidnapped by Salem’s talking pooch 🙃

See you then! 💜

#rwby #rwby spoilers #rwby volume 8 #rwby strings #mymetas #rwby recaps #apologies if this Recap is messier than normal #I have a zoom meeting in five minutes lol #gotta go fast!

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oneweekoneband · 4 years

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i didn’t though

youtube

When I was twenty and tractable I listened to “Treacherous” and I believed Taylor Swift was telling me something, because “I’ll do anything you say / If you say it with your hands”, is not content meant for straight people, even though legally they, too, are allowed to hear it, and they do generally have hands. When Taylor Swift drank beers with Karlie Kloss at a Knicks game in 2014, I believed she was telling me something even more forcefully, because, really, why be at Knicks game if not just to kill time politely before fucking whoever you’re there with. When reputation was released and it contained “Dress”, a song about buying a certain item of clothing to look good for a person you love specifically not “like a best friend” so that after “all the pining and anticipation” they can remove it from your body and you can drink wine together in the bath, I believed Taylor was screaming a confession at me, and I was more than ready to receive it. When I heard from multiple sources just last year, amidst the aggressive rainbow-deluge of the Lover promo cycle, an ultimately false rumor that said Taylor was going to come out in a Rolling Stone cover story I, somehow, incredibly, brain as smooth as a baby’s ass, believed that too.

I have believed a lot of things. And it’s a nice diversion, to believe like that. But, more recently, I’ve found that the detective in me has turned away from this one. The only facts I’ll ever know about Taylor Swift are those she wishes to share, and speculating about what secrets she may or may not be hiding is a distraction from the real, joyful work of appreciating all these already literally, unequivocally, very gay songs. I’ve found, well, that I just don’t care anymore, which sucks, as I detest the squirmy idea that I might be growing as a person. But the truth is one really can write extremely, objectively homoerotic love songs yet be, for all intents and purposes, terminally straight. And like that poignant tweet about Lin Manuel Miranda tells us, you can seem gay, because of, like, your whole deal, and then it turns out you’re just annoying. You can even have a torrid love affair with your one-time supermodel best friend and in the end just want to marry some guy from The Favourite (Allegedly from The Favourite. I have seen that film three times and could not pick that man out of a lineup if my life depended on it.) and maybe there’s nothing to announce to anybody about it at all. Sexuality is complex and personal, and Taylor’s own sexuality doesn’t much matter to me, outside of how I always think it’s nice to know there’s yet another bisexual white woman out here in the world being even more irritating than me. (I say this strictly in terms of labeling; it ought to go without saying that Taylor’s various psychosexual obsessions with things like Amy from Gone Girl, and The Kennedys, and her house in Rhode Island matter to me immensely.) It doesn’t matter because it has no bearing on the fact that she keeps dropping queer classics.

Anyway, yeah, most good Taylor Swift songs are gay, just like most good things, generally, and there’s a number of viable picks on folklore, except not “betty”, no matter what the collective banshee’s wail of the Internet tells you. The gayest thing about “betty” is that it’s Taylor putting herself in the mind of a skateboarding teenage boy, which, yes, admittedly, is a big homo vibe, but nowhere in or around this song are any people of the same gender identity smashing bathing suit parts together, or even thinking about doing so, and when there are so many better options available, I feel it is prudent that we have just the barest hint of standards. As queerness itself is malleable, wonderfully, painfully individual, and comes in no one standard format, so too is determining which song on a Taylor Swift album is the most gay a singular, complicated calculus we all must do for ourselves within our own hearts, and, of course, there are no wrong answers, unless it so happens that your answer is not “the 1”.

“the 1” made me lose my grip for a moment. A cool lament, calmly wrenching, right off it was sucking out my bone marrow and I wasn’t able to name why. (Well, except, obviously, that the twin unit of, “You know the greatest films of all time were never made,” and “You know the greatest loves of all time are over now,” is pure, not from concentrate, peak embarrassing & devastating & all the more embarrassing for being so devastating Swiftian lyricism.) Finally, weeks after the release, out walking the streets of Los Angeles midday, masked and fractious, lower back sticky, brain a little mean, buying a soda at the gas station just to talk to someone, it came to me that “the 1” is a spiritual sequel to Red’s drum-heavy forever banger “Holy Ground”. The Taylor of “Holy Ground” reminisces frantically about a lost love, some near-miss from youth. That drumbeat is a racing heart. The animating nervousness of “Holy Ground”, the way you can almost hear the narrator’s limbs flapping wildly against her body when she says that she’s dancing, has from the beginning marked this song to me as a story of looking back on some sort of formless and magical teenaged queer encounter. “Holy Ground” is looking at a precious memory like it’s a firefly in cupped hands—small and special and easy to lose—being not entirely certain what the memory means, since whatever it was that happened back then, you never really talked it out. “Holy Ground” is about a love that for all its vitality did not work out, but it is appreciative rather than sad. “But sometimes I wonder how you think about it now,” Taylor sings, “and I see your face in every crowd.”

“But we were something, don’t you think so?” asks “the 1”, imploring an ex to confirm her version of events, to agree that she’s remembering it right. Taylor has not ever struggled in her work with place and the self and matching the two against one another on the wriggling timeline of the human life. I was there I was there I was there. The question here is something else. Not was it real, but was it real to you, and do you remember now what that was like. Do you remember who I was then? What we were? The truth as it pertains to the heart of another is guesswork at best, and a troublesome kind. Memories break and bend, or weren’t even recorded right to begin with, every brain a dirty liar, and for two separate, imperfect creatures to share the responsibility of preserving one history together is a disaster. The hard facts then are grounding. Essential. “I thought I saw you at the bus stop / I didn’t though”. Everyone has past romances that they still ask questions about, yes—I am not practicing my virulent heterophobia today—but none of my queer friends are without at least one were-we-or-weren’t-we in their past, a clinch with another that was incandescent and unnameable, long over but dangling forever there loose outside the neat boxes of friend or lover. To be a queer person is to exist already beyond and without the organizing structures of heterosexuality, and this can be difficult, dangerous, but in liminality there is freedom, and in years of painstakingly debating whether I wanted to be or bang so many various somebodys I have, along the way, put the pieces of myself in the order they fit best. So then there are loves where you aren’t sure if that’s technically what it was, if it’s what they’d call it, too. Or loves that were undeniably real, only we were too busy back then with trying to turn into ourselves to keep it. And loves from the very start, from walking together on colt legs, exuberant and unprepared, and the memory is a blessing, and the memory is guilt.

“the 1”, to the ear, is softer and slinkier than “Holy Ground”, but the lyrics are dismantling. “Holy Ground” says, “And darling, it was good / Never looking down”. Full of longing, but cheerful and sure. “the 1” is older, resigned. On “the 1” Taylor mourns a love not only because it has ended, but because she can sense, from the safety of time’s remove, that it was a love which deserved better, could have been better, if things had been only a little different, if they’d felt brave enough to try just a little more. In this version of nostalgia, the golden haze of “Holy Ground” is ribboned by a vaporous shame, a regret. The song relates a story of a love that is farther out of reach and meant more than what the little girl of “Holy Ground” could have dreamt. “In my defense I have none / for digging up the grave another time / but it would’ve been fun / if you would’ve been the one”.

#taylor swift #folklore

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thoughtfulpaperback · 3 years

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Charmed 03 x 13 SPOILER REVIEW!!!!

GENERAL THOUGHTS

Okay it's Saturday, but that episode felt like too much emotionally. They better not make this a Kat moment with Jordan and not bring my man back because I will riot. Overall this was an emotionally heavy episode entertainment wise it was a solid 8/10. But overall kind of frustrating for me for a number of reasons which I will go into in my dislikes section.

DISLIKES

1) Stop Torturing Black Male Characters!!! Also they really had Jordan pull a Galvin.

Now, just as I did with Galvin season 1. I take issue with the whole leaving right when the gal is the most emotionally attached. It’s really cruel of the writers. With both Jordan and Galvin, I can see how the events they went through would have them needing a moment. I do. Unlike with Galvin, I feel it was totally unwarranted with Jordan. I mean to say that Galvin up until the event that caused his trauma, hadn’t really been that involved in the magical world or faced anything that scary. So I can totally see how what happened caused a break without putting him through the wringer continually. I just feel that this event shouldn’t be the breaking point. What I mean by that is that the writers shouldn’t have done it. Not that Jordan shouldn’t have felt the way he did. I would have preferred him taking a break before having to deal with the tomb. In some ways, this felt like a Detective Morris moment (Torture the mortal black man until he breaks and can’t take it) more than it did with Galvin and I always hated how the writers treated Darryl. I think its because of the fact Jordan has been thrown into one crisis to another (my man has almost died multiple times) continually. I love Jordan and because we’ve seen him so much outside of a romance arch (unlike Galvin) I’ve grown attached and I hate to see him so beaten down that he has to leave. I think he would have been valid and in character for him to need time for himself before the tomb. I don’t think they should have put him through it to send him away. Well I have hope he will be back soon so I am not going to fret, but I can still say my piece over the unnecessary torture of POC characters.

Though if they replace Jordan screen time with Antonio screen time I will freak out because that would be wrong y’all. I’m not talking about shipping wise! It would just be a real misstep if they “replace” screen time devoted to a black man to a light skinned Latino. Colorism is real y’all and I get enough of it in my novelas, don’t need it in Charmed anymore than it has appeared in the past.

2) Are we done with showing Abby’s abuse now?

If there is one thing I hate it is showing abuse on screen. I hate seeing it, I find it triggering as someone whose sibling was thrown in the trunk of a car while the adults laughed. I don’t think abuse justifies Abby’s actions either, in that showing how she was abused doesn’t make me dislike her past actions any less. Nothing will change my mind on those. Same with hearing Abby’s good intentions behind her good deeds.

Listen, I don’t think Abby is all bad. But villainous actions are still villainous. She has done some good and it wasn’t all selfish, but that doesn’t mean the heinous stuff she did was any less heinous. Whatever the writers choose to do with Abby, as long as they have her put the work into redeeming herself, then I’m cool. they seem to want to do that with her and have started her on that journey. So we shall see if they pull it off.

3) They really giving the Bisexual the unrequited love twice over

This show isn’t good to the LBGTQ+ community like it likes to make itself out to be. I don’t think Abby’s interest in Mel is a threat to the Ruby x Mel thing since last episode they seemed to seal Mel and Ruby as a solid couple at least for now. But I don’t think we need competing queer ships. I felt the mess that was melko versus jada x mel, was unnecessary and I don’t want to see a repeat. At the same time I think it is awful to sort of give the bisexual character the crappiest luck when it comes to being rejected twice. Technically, Mel hasn’t outright rejected her, but not bringing it up is like the nice way of rejecting her and letting her keep some sense of dignity after having her secrets violated.

4) This episode was really the Abby show in a lot of ways.

While there were interesting developments and reveals (by which I mean obvious, but welcomed ones), this episode was basically for the Abby lovers and in a way the Abby haters to convince them that they are wrong about her. And I just didn’t need it. I don’t think Abby haters will ever not hate her and I think dedicating an entire episode to defending her only fuels them further. I think they should have further explored Abby’s past and issues in small doses spread out through this season. I don’t want to be told she is redeemable, I want to come to that conclusion on my own by watching her behavior. I think the show always messes up when it comes to developing concepts over time. Abby has been a series of missteps from the writers in my opinion, but I think with this episode they are trying to come back from those, but I think it wasn’t done as well as it could have been and the way they did it may only further the whole Abby hate train, not take away from it.

LIKES

1) We finally doing the whole Perfecti are the big bads

You all know that my biggest issue with Charmed in it’s previous seasons is always the bait and switch with villans. I hope, since we are 13 episodes in and it has been pretty obvious that the Perfecti are going to be a big problem, that the rest of the season will be dedicated to taking them down and dealing with any trouble they cause. technically they haven’t been around long, but I hope that the writers focus down on this now and we don’t get anymore bait and switches saved for the last two episodes. I like these guys as the bad guys it’s a classic storyline and I am not against the classics.

2) Teaser for more Celeste

Now I know lots of people felt like she would be the big bad and all elders are scum kinda of stuff. And I mean there is still time and we may get baited and switched again this season. But I actually like Celeste. I didn’t at first because I generally don’t trust older white females who ignore consent because their intentions are good. But I like having a remnant of elder knowledge around. I thought she was dead, because the last time we saw her Mel suggested that by taking the time thing she would start to age rapidly. But whatever! I choose to ignore it if the writers are choosing to ignore it.

I still don’t feel that Harry’s need to be mortal is pressing. It should take a backseat to the bigger issues at hand in my opinion, but I won’t say no to seeing what knowledge Celeste has having been the one to create Whitelighters.

EPISODE HIGHLIGHTS

Perfecti think Abby is chaoatic and think Jordan is guilty by association

Abby accepting her fate and just saying well sucks for Jordan

Macy’s “ If she wants hostile...”

“Even in a tomb built before the dawn of time a black man still gets imprisoned for something he didn’t do”

Abby’s feelings for Mel confirmed in a violation of her privacy via truth serum

Abby’s mother’s testimony

Abby saying she will give Macy’s powers back

Jordan leaving to recuperate his mental health

#charmed cw #Charmed #charmed 2018 #charmed reboot #cw charmed #mel vera #Maggie Vera #macy vaugn #abigael caine #jordan chase

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bccrsk · 5 years

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#protectAdora2020

Felt cute, thought I'd post this analysis I wrote a while ago, but I held off because of screenshots, but now I'm too busy to do that soooo.......have fun reading :D -----

The tragedies of Adora's character are rooted in the concepts of identity and choice and what it means to love and accept yourself. You can even say Adora's identity crisis closely parallels that of say, a young queer person from an oppressive background struggling to embrace their sexuality and who they are.

One of the first facets of Adora's identity is chipped away when she realizes the Horde is evil. She has a rude awakening that the people she knew, the people she looked up to, her family, have all been lying to her. Everything she'd known in her life up to this point was a lie. Because she loves Catra so profoundly, she assumes when she tells Catra the 'truth' that she will turn tail and run away with Adora. When Catra does not and reveals that she knew all along what the Horde was doing, it rips another piece of her identity away. In her mind, her best friend isn't who she thought, and it hurts. In Promise, she gets a glimmer of hope, but their trauma and memories tear them apart because Light Hope wanted Adora to let go of Catra. To activate the Heart, you can't have a heart. Even then, Adora's never fully let go. Note that Adora had no choice but to grow up in the Horde— it's all she's ever known yet her dedication to morals and ideals are so powerful she's able to defect without thinking of the person she loves the most. "I had no choice— I couldn't go back," she says. Ironically, this is one of the few times Adora actually did make a choice, and in her mind, later on, it blew up in her face.

Another piece of Adora's identity is broken away when she learns the truth about her origins: she is not of Etheria; Adora had a family, and she was taken from them without choice. Learning this devastates her for two reasons: 1) people have lied to her again, and 2) she feels robbed of a life that could have been because she never wanted to be a hero. We see this in how she tries intimidating Shadow Weaver— "Tell me the truth, for once." One thing that sticks out in this scene is when SW says, "or perhaps you would have preferred the comfort of lies." SW raised Adora, and she knows how dedicated Adora was to the Horde when she did not see the truth. Adora saw how Catra was treated and yet did not believe the Horde was evil again because, in the Horde, you don't get to form an opinion or identity— you are a soldier and nothing more. The only foundation to build herself on was a higher purpose/goal, which was to free Etheria from the Princesses. So yea, when Shadow Weaver tells her the truth and when Light Hope confirms that SW was, for once, not lying, she's at a loss. The few times people actually tell her the truth are plagued with drastic consequences. She's so demoralized that she chooses to venture to the Crimson Waste, a place known for being barren, deadly and somewhere no one visits willingly. When Huntara betrayed her, Adora was so devastated because it was finally her chance to get answers for herself— to not have to rely on others to reveal her destiny. Then she gets kidnapped, it all goes to shit, and everyone is sad (aka me).

Adora learning she had been robbed of a chance for a happy life devastates her. You can see this clearly when she screams at Light Hope, "Don't I get a choice?" to which Light Hope responds— "You do not get to choose. You are chosen." Recall when Mara says, "I never wanted to be a hero,"—Adora, at this point, is in the exact same boat. She never wanted to be a hero; she was living up to expectations thrust upon her. She was doing what people thought she should be doing. None of this was her choice. She never wanted to leave Catra. She never asked for this. Catra describes Adora as "earnest, naive, ridiculously easy to manipulate," and the fact that Catra herself pointed this out shows just how well anyone who really knows Adora can work her. Adora's impulsive nature is also positively reinforced throughout the series— she finds the sword, defects and is rewarded with new friends, a new home, and a life she never dreamed she could have.

Adora's abuse had such lasting impact because it preyed on her naivety and dedication to her morals and ideals; she must do this to serve the greater good, she must be useful or else what good is she? It damaged her psyche so negatively that even Razz comments, "You ran into the woods and asked the first old lady you saw what you should do." Ironically enough, when she punches Catra in the portal, she says, "You made your choice— now live with it!" When you really think about it, though, did they really get to make any choices based on what they wanted? Yes, Adora chose to defect, yes Catra pulled the lever. But is that what they wanted? Earlier on in the portal episode, she comments, "Catra, this can't be what you wanted!" The thing is, even Adora doesn't know what she wants at this point; Adora is doing what she thinks she should be doing because Light Hope bent the truth. Which brings me to...

The final piece of her identity that's chipped away is when she learns the truth about the Heart of Etheria— that she was not chosen to be a savior but to be the key to a superweapon whose sole purpose is destroying worlds in the name of 'peace.' This piece shattering comes to a head when she, for the first time, defies her predetermined destiny. She essentially breaks her sense of duty because, in Mara's words, "you can save the world we love." This is intentional; Mara could have said, "you can save Etheria!" but she instead chose to go for the heart. It's because of this love, not factions, or artificial ideals that she's able to overpower all the magic on Etheria.

While this may seem extreme given that she's lost in the past against less threatening enemies, it actually makes perfect sense. When Mara tells Adora the truth about the Heart, she says Adora "will be more powerful than they ever planned." We get the first hint of this on Beast Island when she overpowers her fears and insecurities to save her friends, who she loves. The second glimpse we get of this is when she overwhelms Light Hope and even gives Light Hope enough strength to defy her own programming— all because Light Hope loved Mara. And when she awakens the She-Ra within, it will be because she loves you-know-who (NOT VOLDEMORT).

I'm going to take a brief tangent, now—think about where Adora was raised: the Horde. Now think about how she left everything behind because she realizes the Horde is evil and found the Sword of Protection— aka a First One's artifact. Now think about how she left everything behind to become She-Ra for the 'greater good.' Think about Adora's reaction when she found out she was a First One. Now think about how the First Ones turned out to be not such good people after all. Next, go ahead and think about how Adora is going to grapple with the fact that the ideologies of the place she was born and the place she was raised in completely clash with her own. Though we know She-Ra isn't actually a nefarious being, Adora does not. In Adora's mind, if the First Ones made the Sword and the Sword is She-Ra, then that means She-Ra, Adora, was the villain all along. To top it off, in the Horde, she was always in the spotlight, a centerpiece made for greatness, just like when she was She-Ra. You'll bring peace and order to Etheria, Adora— you are Etheria's champion, Adora, but by the way, when we mean peace, we totally mean destroying everything. That's not gonna ruin anything, right?

Does this hurt yet? Cause it's about to get worse! Now combine everything you just read with Adora's hero complex— everything is my fault. She needs to feel useful to feel like she's worth existing, but what happens when two core parts of her identity are the reasons why there's so much turmoil on Etheria? What happens when, though obviously untrue, she feels like she does make everything worse? Remember when Light Hope told her that her friends get hurt whenever she's around? Remember when Glimmer first called her a heartless destroyer in the pilot? Remember how that came full circle, and Glimmer later blamed Adora for Angella's death? Yea, it's not going to be good, chief. And she sacrificed everything and everyone for the Sword— in a way, the Sword represents Adora, and she willingly destroys it to save everyone else. Adora breaks herself to save the world. Mara, Adora—it all ends the same. Hurts, doesn't it?

So now that the sword is broken, her relationship with Catra seems irreparable, and Glimmer's been taken by an ominous alien warlord, what should she do? You can tell her spirit is at its lowest point by the composition of the scene: she's alone and small in a dark void, with nothing but broken pieces at her feet. She stares at these broken pieces with heartbreak; this is all a metaphor for her current state of mind and how she is processing everything. She is also realizing, or will realize, that all of this heartache that she's suffered in the name of the 'greater good' was for a lie; she sacrificed everything, gave up her heart, for a lie.

When she sees Bow afterward, she seemingly hardens her resolve. At this point, however, this resolve is a facade— Adora is terrified, she no longer has a purpose, She-Ra is gone. How is she going to be useful without the sword? She's going to save the universe, but how? In S1E9, when she had to rescue Bow and Glimmer from the Horde, Angella asks her, "How are you going to do that?" In the season four finale, Bow expresses the same doubt— 'what are we gonna do?' When Angella asked her, the first thing Adora did was put on a brave face. Then, however, we see the beginnings of a breakdown; she buries her face in her hands and begins sobbing silently. Of course, the other princesses unite, and they save the day.

Adora's identity is completely shattered at this point except for one thing: her attachments. Her love. And while Adora herself thinks some of these attachments are broken, the truth is that they aren't. Glimmer obviously still cares. Catra has always cared— it's why she went to such extremes. Her attachments, her heart will become her new compass— not her ideals. When she tries leaving everyone for the greater good, Swift Wind reminds Adora that her friends need her, that they've always needed her. Then she has a moment— she says, "I didn't choose to become She-Ra to fulfill some destiny. My attachments, my friends, are a part of who I am." This will come full circle, especially because of her fight with Glimmer, a fresh wound. Adora's self-worth is tied to what she can do for others, their expectations and Glimmer blaming Adora for her mother's death takes a significant toll on her self-esteem. At this point, Adora (and her hero complex) is probably thinking that this is all her fault and she needs to fix it, which is what she tries doing in Hero, only to learn that Etheria is a weapon, etc.

There's good news, though; the only way now is up. Adora will only pick herself back up, will only awaken her She-Ra powers within when she chooses to believe in herself and when she chooses what she fights for. Razz will have a big part in this since she always seems to come to Adora at some of her lowest points. S1E3 will come full circle because Razz tells Adora that she must decide for herself what is right. And an essential piece of Adora coming to believe in herself and deciding what she fights for will be Catra. In essence, she's the only person that truly knew Adora before she became She-Ra, and Adora, no matter how messed up their relationship grew, loves Catra with all her heart. The tragedy behind their relationship is that their love is so strong— but the actual thread holding it together was (hehe)...shadow weaved. They were torn apart by lies and misunderstandings and the tragic Scapegoat vs. Golden Child dynamic.

To conclude, Adora's character arc is so tragic because it deals with the fallout and consequences of a life-altering identity crisis. For many people in the LGBT+ community, that is a very relatable thing. I'd also like to add that Catra's journey parallels Adora's in how facets of her identity heavily influenced by the Horde are chipped away piece by piece until, again, Catra makes a choice of her own to save Glimmer. In the past, Adora and Catra were always brought back to each other, not by free will, but external influences. They were torn apart by deception, manipulation, misunderstandings. Now that their hearts are broken in such a way that each half finally fits with the other, now that the infected pieces of the past are gone, they'll learn the truth. Adora and Catra will find their way home when they both choose each other because of love and trust, and when they acknowledge that love. This new bond, this promise, won't be out of survival; this promise will be out of true love, out of two halves of a heart finding their way home and becoming whole again.

It's beautiful and compelling storytelling not just for individual characters on parallel journeys to self-actualization and finally believing in themselves and their own choices, but for showing two young women on the cusp of adulthood—both who were abused in different ways that molded their worldview, who have different skill sets, who complement each other like light and darkness—learning to love themselves and recognize their love for one another. Like fire and ice, night and day, good and evil, neither can exist without the other. They are a core part of each other's identity. And the fact that the finale episode is most likely called "Heart"? Can it get any more obvious?

Also, fuck Shadow Weaver.

#spop #leave my dumb jock alone #adora protection squad #catradora #protect these dumb gays #protect adora 2020 #shera #adora #meta #DEPRESSION #ANXIETY #SADNESS #catra #yeetshadowweaver2020 #character analysis

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nymphadoratonqs · 4 years

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heheh of cOURSE I'm asking 002 for nymohadora tonks😍💖💖💖😂with that beautiful username change of yours!!!!!

AAAA i’m finally making my 15 year-old self’s dream come true and unashamedly becoming nympahdora tonks in my spare time 😂

002 | Give me a character & I will tell you

• How I feel about this character:

As you can probably tell, she’s my favourite. 😍 I mean, I love Remus Lupin and I will protect him with all I’ve got, but Tonks is my main girl and it’s time I’ve let the world know all about it! haha

• All the people I ship romantically with this character:

Mainly Fleur and Remus! But, as I said when I talked about Fleur, I don’t think those are necessarily mutually exclusive. I think there are multiple possibilities and I truly believe people can love more than one person at a time, and that sometimes monogamy and a bourgeois family unit are not the way to go to make someone truly happy.

• My non-romantic OTP for this character:

Tonks and Charlie are my friendship OTP! My headcanon is that they were friends at Hogwarts and had a great time taunting one another over their House’s Quidditch matches. In the best “queers band up together” spirit, I think they would have had some experiences to share since I see both their mums as fairly conservative in their own ways, too.

• My unpopular opinion about this character:

Where do I begin? 😂 I disagree with a lot of people in the fandom, especially other fellow Wolfstar shippers, about a great load of things when it comes to Tonks and Remadora. I don’t see her as a manipulative person who “forced Remus into a relationship he didn’t want to be in”, as I’ve seen people put it before, and I think that there’s a misogynistic and a biphobic tone to that interpretation of her character.

It’s also unfair to Remus to assume that he could be conned into a relationship because she was shown as the one who pursued him (and because of that scene in HBP where they argue about it in front of Molly), or that she “hooked him by getting pregnant” (!!!!). The way I see their relationship, Tonks saw through Remus’ deep insecurities and self-loathing and called him out on his bullshit. The “too old, too poor, too dangerous” speech is the essence of his character to me. He really thinks he’s not good enough for her, and that he would be harming Tonks by being in a relationship with her, as much as he wanted it. This only gets confirmed later on in DH when Harry calls him out for wanting to ditch his wife and unborn child to go on a mission. To me, that is Remus trying to cover his urge to punish himself for having gotten something he wanted and didn’t think he deserved by denying himself love and a family. It’s almost a suicidal move (no one can convince me he wouldn’t be out there jumping in front of hexes if he had gone out to fight with the trio), and I don’t think he was thinking clearly/coldly when he decided to leave.

I mean, no one concludes that Sirius is deep down a murderer who was just dying to go out there and off Peter when he went after him and ended up getting all those Muggles killed (even if he wasn’t the one who exploded them) – which was a very bad decision he made while highly emotional and, arguably, out of his mind. So why would a big chunk of the fandom collectively decide that Remus didn’t love Tonks and was just dying to break free of that “forced relationship” when he’s the one to make a decision out of fear, anguish and guilt that stems from his own self-hate? (Misogyny, that’s why.)

• One thing I wish would happen / had happened with this character in canon:

I really fucking wish she would have lived. There was no good narrative reason for her to die, only shock value, and honestly fuck that.

• my OTP

This one is hard! I do think that Remadora had great potential. I truly think that they could have worked through their issues with time and therapy (which I can dream about because everyone deserves time and therapy to help them have a better life) because I think she would have brought out the best in him. Tonks is a bright, clever, skilled and overall badass person. She’s also kind and loving (hello, Hufflepuff) and FUN and Remus is a Marauder, ffs! I can see him slowly learning that he deserves to be loved, and feeling freer and freer to be himself around her. They could have been so happy together, and having them both die in the end was shit. I’m still bitter about that.

BUT here’s the catch: no woman has to stick with a man while he takes his (well deserved) time to work through his issues. Tonks doesn’t have to be his Manic Pixie Dream Chick and lovingly guide him to a land of stable mental health where he can be the partner she deserves.

And that’s where Flonks comes into the picture. Fleur may have her issues (like every human being on the planet does), but they wouldn’t get in the way of them making each other happy. I think they are both awesome witches (brave and bright and talented) and they would make a great Auror & Curse Breaker team. They could build each other up and have an amazing life filled with love and gay things and I would absolutely love that.

• a headcanon fact:

Throughout the years, the idea of Tonks being non-binary has grown on me. With the ability to morph your body, having to stick to what society expects from a female or a male body to look like and what that means to your own gender identity doesn’t seem like something Tonks would ignore, to me. As someone who’s seen rebelling against what’s expected from her (which, in canon, sounds a lot like “Not Like Other Girls Syndrom”, but I digress), I can see it as something she would want to explore about herself.

Still, I think I still would have a lot more to learn before I could write a story that featured this headcanon. As a cis person, I believe I’m at a point where I still need to hear a lot more, rather than speak myself when it comes about gender non-conforming.

Oh, and by the way, I was gifted a Flonks fic that features NB Tonks this year for Femme Fest and I really loved what Isa did with the headcanon. It was so meaningful for the story and it also shook me a bit out of my comfort zone in the best of ways. I really really recommend it!

#watch me lose folllowers over the remadora talk lmao #nymphadora tonks #flonks #remadora #headcanons #character asks

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rosethornewrites · 4 years

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Fic: The Rebellion of Adrien Agreste, ch. 11

Characters: Adrien Agreste | Chat Noir, Gabriel Agreste | Papillon | Hawk Moth, Lila Rossi, Jagged Stone, Plagg, Marinette Dupain-Cheng | Ladybug, Luka Couffaine, Penny Rolling, Anarka Couffaine, Rose Lavillant, Juleka Couffaine, Kagami Tsurugi, Alya Césaire, Chloé Bourgeois, Wayhem, Nadja Chamack, Nathalie Sancoeur, Sabine Cheng, Tom Dupain, Tikki, Fang, Principal Damocles, Caline Bustier, Ms. Mendeleiev, original minor character, Alec Cataldi, Lila Rossi’s Mother, Sabrina Raincomprix, Roger Raincomprix, Mylène Haprèle, Le Gorille | Adrien Agreste’s Bodyguard, Nino Lahiffe, Nooroo

Tags: Lila Rossi salt, Fake/Pretend Relationship, Teenage Rebellion, Swearing, Bad Parent Gabriel Agreste, Crack Treated Seriously, Lila Rossi’s Lies Are Exposed, Cuddling & Snuggling, Luka Couffaine Needs a Hug, Paparazzi, Parentification, Marinette Dupain-Cheng Needs a Hug, Gabriel Agreste Needs an Aneurism, Uncle Jagged Stone, we’re all queer here, the spirit of punk is sometimes just being allowed to be yourself, Kagami Finds Her Groove, punk rock fashion, Savage Kagami, Marinette protection squad, Good Parent Sabine Cheng, Good Parent Tom Dupain, Protective Kagami Tsurugi, Protective Luka Couffaine, Bisexual Marinette Dupain-Cheng, Pansexual Luka Couffaine, Sharing a Bed, Pet Names, LGBTQ Character, LGBTQ Themes, Instagram, Bullying, Social Media, Anxiety, Makeover, Hugs, will cure your acne, Face Punching, Bad Ass Juleka Couffaine, Rumors, Protective Juleka Couffaine, Protective Adrien Agreste, Lawyers, Hijinks & Shenanigans, Holding Hands, accountability, mental health, Jagged Stone’s well-paid pet shark, How to Make the Evening News, Sexy eyeliner for days, one fish two fish Lila is a screwed fish, How to have fun and piss Gabriel off, Fuckery, sweet litigious karma, Alya sugar, lawyer shark doo doo doo doo doo doo, Schadenfreude, Bad Ass Alya Césaire, Gaslighting, abuse denormalization, Jagged likes his lawyers like he likes his pets: toothy af, Blood in the Water, Everything you didn’t know you wanted and some things you did, Gabriel Agreste is shark bait, Denial, Consequences, Principal Damocles salt, caline bustier salt, the impotence of Gabriel Agreste, snarky Nooroo, lies and the lying liars who tell them, Lila’s brain is a narcissistic hellscape, Lila’s mind is built like an Escher piece, Alec Cataldi salt, Adrien Sugar, wholesome salt, Fu Salt, Kwami Shenanigans, Nooroo is a little shit

Summary: Snuggles and Pastries: An Interlude

Notes: Jagged ships it.

AO3 link

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Adrien woke to find that he’d moved close enough to Luka in the night that they were snuggling, one of Luka’s arms over his chest, and Adrien’s head tucked against his chest. Their legs were tangled together. He’d never experienced this sort of thing before.

And it was wonderful.

Luka was warm and soft, and while Adrien was worried he’d be offended or embarrassed, he wasn’t inclined to move.

He was halfway back asleep when Luka’s phone alarm went off, and the other boy stirred.

Adrien felt him grope for the phone and the alarm silenced… but Luka didn’t move further, just settled back with a soft sigh.

Adrien figured it was only a matter of time before Luka woke further and pushed him away. He felt selfish as he stayed still and tried to enjoy the closeness.

Nino had once called him “touch-starved,” referring to how he liked being close to people, and he wasn’t wrong; having been starved of people and with an unaffectionate father did that, apparently. He craved it. An arm around the shoulder, hugs… anything, really. This, though, was a special sort of torture—accidental instead of on purpose, the sensation without the meaning.

“Why so tense?”

Luka’s voice was so unexpected Adrien couldn’t stop himself from jerking back, gasping.

“Shit.” Luka propped himself up on one elbow. “Didn’t mean to startle you. You okay?”

Adrien nodded. “Y-yeah. Sorry. I guess I snuggle in my sleep.”

That got a soft chuckle. “You aren’t the only one. Don’t worry about it.”

“I know, but…” he sighed. “I don’t want to cross your boundaries.”

“Hey, I like cuddling. It doesn’t have to mean anything sexual unless the participants want it to.” Luka smiled. “And anyway, it’ll give everyone the idea we want them to have.”

Adrien nodded. “Yeah. I just hope I’m not inconveniencing you. I mean… I know you’re interested in Mari, and if you’re fake-dating me, you can’t real-date her.”

Luka sighed softly. “Marinette’s heart is elsewhere, Adrien. And she may never see me the way I see her. And, anyway, I want to help you.”

“I know… but last night you said Mari does what you do—hides her feelings,” Adrien bit his lip. “I just… let me know if anything bothers you. Your feelings matter, too.”

The soft look Luka gave him made his heart flutter a bit.

“Thanks, mon étoile,” Luka murmured, pulling him into a warm hug. “It’s… not easy, but I’ll work on letting you know.”

This snuggling was real, and Adrien let himself relax, snaking one arm around Luka. He was drifting off again when Luka’s phone alarm went off again.

“Secondary alarm,” Luka told him. “We’ll have to get up if Jagged’s going to have time to do your kohl.”

Adrien grumbled, but grudgingly extracted his limbs from Luka’s. “Do you think it’s okay to wear the jeans I wore yesterday for photos?”

“Probably not. Wear one of the distressed pairs—it’ll piss your dad off more, you wearing clothes with holes in them.”

That got a giggle from the blond. “‘We are not paupers, Adrien. You will dress appropriately,’” he mocked, using an approximation of Gabriel’s voice. “That’ll be perfect for the media frenzy.”

After they’d gotten video of the three of them jamming and posted it to social media, Jagged had sent hotel staff to get pajamas for the two of them. Fortunately Chloé hadn’t started pounding on the door until after those were delivered, so they had all ignored her. Adrien hasn’t been ready to face her, or to put Luka through that. She could see him in the morning like the rest of Paris.

It didn’t take either of them long to dress, and then an espresso-chugging Jagged demonstrated on himself how to apply kohl before doing it for Adrien.

“Decided less is more for you,” the rocker said. “Just enough to make your eyes pop. Makes you look like… I dunno. Otherworldly or whatever.”

In the mirror, Adrien could see what he meant. The kohl lining his eyes contrasted the green in a way that made them almost gem-like, giving him a fey appearance.

“I like it,” he said. “Should I wear the leather today, or the hoodie?”

“We want to sneak you into school, so the hoodie might be better,” Luka said. “So we don’t get intercepted.”

Jagged grinned. “You’ll both be in the limo and we’ll pull right up to the school. The leather gives a bigger statement.”

Adrien pulled on the leather.

“And we’re picking up Marinette, as well,” Penny added. “I’ve called her, and asked her if she’ll dress up for effect.”

“Are you sure?” Adrien asked. “Father might go after her.”

“He does, he has me to contend with,” Jagged muttered. “And anyway, we gotta get you in some of her designs. Even if your bullshit underage contract—which I bet wouldn’t hold up in court given the fact that it was forced on you by your shithead dad—says you can’t model for anyone else, Instagram isn’t a modeling gig.”

Luka patted his shoulder. “And she wants to, anyway. You know how stubborn Marinette can be.”

Adrien smiled, thinking about that. “She really is. It’s endearing.”

“Sometimes. Other times you just want to help her, but she won’t let you.”

He felt his smile fade, reminded of what Lila had done, how Marinette had shouldered it all herself.

“Yeah,” he said finally. “Definitely. She does do that.”

Luka offered a wry smile. “We’ll help her. And we know Jagged and Penny will too.”

“Damn straight,” Jagged said. “And we best get going.”

Adrien blinked. “Um… Shouldn’t M. Dupain and Mme. Cheng also be part of this?”

“Penny called them earlier, while you two were still cuddling, and they are. They got part-timers who’ll cover while they go to the collége with us. Lawyer’s at the bakery already. Tom and Sabine have breakfast waiting for us, even.”

Jagged chuckled. “Oh, and I’ll send you lot the picture I took later. Cute as hell, you two are. Might be good for Instagram, eh?”

Adrien felt his cheeks heat, and Luka had a blush that he was sure matched his own.

“Anyway, Penny’s waiting in the limo with Fang. Got André to clear the route through the hotel to the limo, so we’re good.”

He handed each of them a pair of sunglasses—replicas of the ones Marinette made for him. “Ready to do this in style?”

They made it to the bakery without issue, and were joined by Marinette, Tom, Sabine, and a stern-looking woman in a skirt suit.

Marinette was wearing ripped fuchsia leggings and a pair of black high-waisted shorts with two rows of silver buttons. Her top was a crop-top, a long-sleeve black fishnet over a pink sleeveless shell that matched the leggings. All were obviously her own design.

She blushed when she saw Adrien and Luka staring. “Um, I designed this but hadn’t had a reason to wear it yet. Though I put the rips in the leggings last night before bed. Figured it was more rock ‘n roll, and I can make another pair later.”

“Definitely,” Jagged told her.

Tom handed out pastries from a large box while Marinette passed around coffee. Jagged showed Sabine how to pet Fang—who was pleased with the attention.

“Kagami’s meeting us in front of the collége, too,” Marinette told them. “We’ll be able to greet her and then she’ll confirm our story to the press.”

Jagged turned to Luka. “After your public goodbye to your boyfriend, the limo’ll take you home. Anarka knows what’s going on, too. Been harassing the paparazzi—she’s good at that. Bet she’s run some of ’em off.”

Luka nodded, then pulled Adrien and Marinette in for a hug. “We can do this.”

A flash surprised them, and Sabine lowered her phone. “You do. And we have your backs, kids.”

Adrien took a bite of his pain au chocolat, glad Marinette had thought to bring his favorite breakfast. He was ready for this—as ready as he could be.

It was time to meet the press.

#miraculous ladybug #miraculous fanfiction #ml salt #miraculous salt #my fanfiction #The Rebellion of Adrien Agreste #adrien agreste #jagged stone #uncle jagged #luka couffaine #lukadrien #sabine cheng #tom dupain #kagami tsurugi #anarka couffaine #gabriel agreste #gabriel agreste’s a+ parenting #lila salt #marinette dupain cheng

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marlahey · 4 years

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@rochey1010 going back and forth in long-winded replies seems like unnecessary effort for both of us so I hope you don’t mind another text post as I fully articulate my thoughts. as I’ve said before, you’re obviously entitled to your own opinions, but you’ve now seemed to make a lot of assumptions about me a fan/viewer/general consumer of media that I feel like I should clear up. you’ve also made some further claims about the show I’d like to pick up for discussion. If you want to speak further please feel free to respond but of course don’t feel obligated. This’ll be the last public post/reply I make and we can go back to ignoring each other in the tags!

Well i love Eliott/Lola's friendship and i have an upcoming post on that as i said in other posts. I love lola too but i'm sorry i didn't just start watching this show because lola was invented and there's a w/w love story. I've been here for seasons and carried over from OG. I have investment in eliott for personal reasons (mental health) and elu because duh. Their stories have been long running too as i said. And you don't have to be a main to set up a plot/arc. The things between them have been set up since S3 with minute par minute talk, S4 and Idriss, S5 and the cheating perspective, and now S6 and Lola friendship. That is intentional. Do you think it's a coincidence that Lucas talked about pansexuality and eliott having more choice in S5 and suddenly Eliott has a friendship with a girl. That lucas abandonment issues haven't been resolved and are now coming to the forefront because of this friendship? That max has stated that Eliott feels he can save someone from a darkness he himself went through, that eliott himself was sorta saved from the shadows by Lucas. That neils/david specifically stated that this character can help someone even though he has bipolar disorder. That with Eliott's arc there is a focus on his SKAM. That we now have new info about it serving the season. If you understand writing. These things aren't put there for fun. They are there to imply/hint/foreshadow events actions to come. That there is a character now on the show with Lola basically female eliott. Do you think these are all coincidences. This plot we are seeing has slowly been set up not just since S3 but actually heavily developed starting in S5. And that if you now go back and watch S5 you see our main players being set up for this plot e.g dasille relationship, daphne's ED, Eliott and his individuality, Elu trust/insecurity issues, Eliott's art and it tying into seasonal themes, Lola herself and her outlier persona etc. I don't know whether you are but there are many fans have migrated over from espana just for this season. But you have to understand there is a long term fanbase here that love Eliott, are invested in him and have been waiting for more of his insight. We are now getting that and we will talk about him. He's a hugely popular character as is Lucas and their love. I love both and i will talk about both. Sometimes i won't talk much About lola and talk more about eliott, sometimes i'll connect them and discuss their relationship, sometimes i'll make a post about just about lola, daphne, tiff, benny, movie references as i have. But this is my blog and i'll post what i want to post. You don't have to read any of this stuff. The tag is a big place, just scroll by. As for the theories- just theories. And in my theories i believe these characters are going to make mistakes, fail and grow e.g. lola self Destructing again but being her own hero by the end, eliott and lola being dragged down like lucas said but showing the strength of their friendship by the end, lucas being proven right but also proven wrong by the end. Like i said specific dialogue now being used is not just there to fill the script e.g. "and i have lucas. I can't lose this" "i think one of you may bring the other down" and eliott is heading for a rock bottom as is lola. Again just my thoughts. 👍

While I find it odd that you seem to be gatekeeping the skam france fan community, to be clear I have seen the entirety of three iterations: og, france, and austin. I believe I started OG during s2 or 3, and have seen Fr and Aus from the beginning. I’m not as interested in other versions as I’m very familiar with the plots/characters by now. I’m partial to france as a bilingual canadian as it’s nice to exercise that part of my brain; I’ve also studied/lived there briefly and have some very close friends from france so that amplifies my enjoyment. I’m also bisexual, so I also find this ‘only here for lola + w/w’ when you yourself admit to being emotionally invested in the show’s most dominant queer ship dichotomy very awkward. to be honest, I think many skam’s fandoms tend to fixate on the esak ship and their season. friends have seen other iterations and confirmed this for me. it happened with elu as expected so I was really unsurprised when maya was introduced and fandom immediately put a lot of their investment into shipping two characters of the same gender. nearly every fandom in general does this: teen wolf, glee, supernatural to name a few – even harry potter. I’m not really a fan of the romantic subplot in lola’s season. she is not elliot 2.0 for so many reasons; she’s her own person and she doesn’t need a romantic partner to be a compelling character with a compelling story. that being said, I liked elu’s season. I particularly love maxence’s elliot; he’s my favourite even. I was thrilled to see him onscreen however briefly after S3 every time he appeared. now he’s finally his own person outside of his relationship with lucas and I couldn’t be more pleased to see that. I’m not sure how idriss and elliot reconnecting after the attempted kiss falling out plays into lucas’ insecurity or their relationship. it’s perhaps a reminder of his bipolar disorder or the fact that he clearly had friends/relationships before lucas, but I’m not sure how it’s relevant to the season at hand. the biphobia discussion with arthur preceeding lola’s introduction as the new main is not proof that lucas’ supposed abandonment issues are founded in any way, or that he even still has them when we meet her. by insisting on it, you’re perpetuating the harmful idea that any bi or pan person will be tempted to cheat or leave (physically or emotionally) when presented with literally any person whose gender opposes their current partner. this is something that skam fr had literally left unaddressed for so long even with representation in alexia and elliot, and I was so thrilled when it finally came up. it’s very uncomfortable that you’re now using that important conversation as apparent proof that lucas will be abandoned or betrayed, inadvertently or not, by his pansexual boyfriend. I know that daphné was meant to be s6′s main and skam fr wasn’t given the rights by og’s creator. so it makes sense that she/her relationship/struggles feature heavily in her sister’s season. I’m personally thrilled cause I love her and lula is a wonderful actress. that being said, not everything is foreshadowing. not every single interaction or conversation will return to further plot or character. sometimes storylines are just resolved or dropped and awareness raised is just awareness raised. sometimes it’s wonderful and sometimes less so. I understand writing. I’m saying this as a literal former english teacher (ignoring capitalization for aesthetic lol) and assistant in film/tv post-production with an MA in media studies. “Lucas, you have nothing to worry about, it’s not like that between us.” “I know, he explained it to me.” I’m not sure how much clearer the literal show can be about this issue. spoiler or not, it’s been made abundantly clear that lola and elliot are not romantically involved. even more importantly and I’ve said this on my blog before, you’re allowed to have intimacy with someone without forcing it into a defined familial or romantic relationship. it doesn’t mean that someone’s partner should necessarily feel threatened or abandoned and says a lot more about that person’s insecurity than either individual in the friendship. we’ve also already discussed how much I dislike this turn for lucas’ character as elliot’s apparent MH saviour so it’s not worth repeating again. as for elliot saving lola, well he literally did that already. I’m not sure what you mean by lucas ‘being proven right and proven wrong’ by the end, but you’re obviously adamant that something will happen. I have also seen maxence’s interview a few times. I’ll not argue with the ‘lucas saved elliot from that shadow’ because it literally came from the actor’s mouth, but maxence doesn’t say he can save anyone else from their struggles, but help them and I think that’s a really important distinction. this whole saving idea doesn’t seem healthy at all, especially as lola and elliot grapple with their mental health. it seems like people want to see a ‘rock bottom’ (whatever that means) for them both and it makes me a little uncomfortable. addiction and MH struggles should not have to reach a breaking point in order to be considered resolved or cathartic; they don’t even have to be resolved, because they’re not a plot device. they’re a reality for so many people. the show does a good job of not romanticizing them but some of the things I see in the tag are just... yikes. as for his ‘dark’ side and the less than happy elu moments, I’d argue that maxence may have meant literally punching out what’s his face to save lola and the subsequent argument(s) with lucas, since that interview came out just before ep 4. but there’s still several eps to go so I could be totally wrong. who knows. it’s your right to theorize on your own blog of course and it’s not my intention to be mean. I’m just trying to further the discourse in a respectful way. I do feel that you may put a little too much stock in what’s literally said/seen and assuming a lot in the unseen gaps, rather than considering a broader context. to wrap up though, lucas is free to have this (however hurtful) fear, just as you’re free to believe it’ll for sure come to pass. I dread seeing either lola or elliot spiral out, but as 2020 has taught me, I very rarely get what I want lol. thank you @cakepleasee for helping me sort out my thoughts!

#skam france #skam fr #elu #lola lecomte #elliot demaury #whew this is a whole ass novel

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novantinuum · 5 years

Text

Bi the Way...

Fandom: Steven Universe

Rating: Teen

Words: 2.8K~

Pairings: Steven/Connie

Summary: Connie has a question, and also something to say.

Or: the one where Connie comes out as bisexual :D Set post Steven Universe: The Movie.

You can find the AO3 link in the reblogs! (I have to omit it from the original post these days to ensure this will show up in the tags.) If you enjoyed this, I’d greatly appreciate your support through reblogs here, or kudos on AO3 as well.

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Bi the Way...

Outside the familiar coziness of Steven’s bedroom, the late autumn rain pours steadily, the choppy waters of the Atlantic crashing onto shore with a ferociousness Connie hasn’t seen for a number of months. Historically, Beach City has been blessed to be host to consistently good weather. But even the most consistently stable meteorological systems aren’t immune to the odd unexpected shake-up. It’s a necessity to clear the air with a great thunderous clap, sometimes. It relieves pressure that’s built up long term amongst the clouds. It leaves the atmosphere noticeably cleaner, the dirt below sparkling with that fresh scent that comes about after torrents of cool rain.

On this particular afternoon, she’s found that this is a lesson that holds just as true for people as it does the weather.

It begins with a stray comment, as things often do.

They’re watching TV, the two of them, tangled together on his bed. About once a week they’ll try to have one of these cuddle sessions, just some time alone together to relax and enjoy each other’s company in private. Working alongside a myriad of Gems to aid in the restructuring of an entire society can be excruciatingly stressful at points, and so can rigorous AP classes and the eye-rolling drudgery of high school drama. There’s no placing a hierarchy on these things for them, no matter their outward difficulty or importance, they’re all just... the challenges in life they have to win. And on occasion, they’re the challenges they need a quiet break from. Both of them are no stranger to throwing themselves at a problem and working endlessly towards a solution until they hit rock bottom and crash, but over the years they’ve started to recognize this tendency for the bad habit it is. It’s okay to take 'me' time, Connie’s constantly reminding Steven (and herself) whenever she catches him about to stubbornly sneak away to the galaxy warp with clear stress lines rimming his eyes. And without fail he’ll groan halfheartedly, knowing he’s been caught red-handed, and retire to his room to relax with a book or a board game or a few rounds of Lonely Blade: Resurgence instead.

Today’s workaholic distraction is a marathon of old Under the Knife episodes. It’s been a while since they’ve binged through this show, and when Steven brought it up and she started to feel super nostalgic about it, in a flash their entertainment for the afternoon was selected.

“Gosh, I honestly forgot how good this is,” he says in the middle of an episode, nudging her arm with his elbow. “The satirical nonsense, the passion, the drama? Eh?”

“Yeah, it’s pretty pulpy,” she giggles, nudging him right back. Then, directed at the unhearing characters on screen: “Ughh, Marigold, come on, just go out with him already! We all know you like him!”

“I can’t believe they kept this a slow burn for five entire seasons,” he comments, pursing his lips. “They’re literally perfect for each other!”

Connie throws her arms down against the mattress, palms stretched wide open. “I know, right?? Adrien’s like, a total dreamboat of a man.”

“Yeah, he is pretty cute,” Steven says, an unmistakable blush coloring his face and ears.

Connie pauses upon hearing this, gazing at her boyfriend thoughtfully with a soft smile as he continues to watch this old episode with the same level of investment he exhibited upon its first airing. He props his chin in the cradle of his hands, which of course only further exaggerates the curve of his chubby cheeks. His eyes are blown wide with youthful endeavor, the TV’s glow glinting against his irises in a myriad of continuously shifting colors. He is pretty cute, she thinks, his own adorably smitten words echoing through her mind. And then that blush...

There’s a question she’s had for quite a while but has never asked. Something she’s suspected of him, but had no concrete proof of. The reason? Even if they’re best friends, and now— boyfriend and girlfriend on top of that— the idea of asking him something like this just felt too... what’s the word... invasive. Not that there’s anything wrong with discussing this sort of stuff, no, no, of course not! That’s definitely not what she means. But talking about something as important as this, she just knows it would turn into an in-depth conversation, as most worldly topics tend to do with Steven Universe, and it’s only inevitable this conversation would eventually turn back on her. On why she cared to ask in the first place. And that answer was... well, straightforward, but something she’s not sure she’s ready to broadcast. As if she’s taken command of but a single fragment of Garnet’s future vision, in her restless mind she’s already mapped out what feels like every possible response he could have to her. Most of them are no more than anxiety laced fabrications, things he would never ever dare think of with his upbringing, but believe her when she says she’s been burdened with considering every possible outcome in great, excruciating length.

Now that she knows for sure there’s a strong chance he’s the same way, however... that narrows down these possibilities significantly.

Connie threads her fingers together, gathering the courage.

Come on, you. It’s just Steven. No script, no planning, just... say it!

She opens her mouth to speak before her anxiety laden mind can beg to differ.

“By the way, I’ve been meaning to ask- do you like girls and guys?”

Steven glances away from the television set to meet her curiosity head on. “Oh, you mean like, romantically?”

Running in automatic, she nods in confirmation. Here she goes. The answer to both her spoken question, and the question of which river of possibility this conversation will careen down.

He grins, scratching at the side of his neck. “Uh, yeah. Yeah, I guess I do! But I think I could like anyone, really. Guys, gals, none of the above. Doesn’t matter to me. That’s... okay, yes?”

“Silly, of course it’s okay! You don’t need my permission to like who you like. I just asked because I-“ Her heart pounds as she pauses briefly, focusing on the nervous jitters, but not in fear. Not anymore. Instead, that soft fluttering in her heart is nothing less than sheer exhilaration. She parts her lips once more, bravely speaking her inner truth into reality for the first time in her life. “I’m like that too. I... I’m bisexual.”

Her boyfriend’s whole expression lights up so bright she may as well be looking at a newborn star.

“Oh, really? That’s awesome!” he says, throwing an arm around her shoulder to side hug her. (Knowing him, his keen empathetic ability likely led him to sense the internal battle she waltzed through just to state this out loud.)

The forgotten soap opera continues to play in the background as Connie gives a bashful laugh.

“Hehe, glad you think so. You’re actually, um... the first person I’ve ever said that out loud to,” she says, blushing.

Steven looks as if he’s about to say something in response, but then he pauses— fades into a silence that’s deliberate and measured— as he gazes back at her. Drinks in the moment. Wonders how he could be so lucky to hold her trust like this, or how— heck, he could be thinking anything, she has no idea! Unlike him she can only catch small glimpses into how he feels, the truth woven like gossamer threads through his words and actions, but in this one hallowed moment she doesn’t need to guess. The spark of affection dancing within his dark eyes is soft, perhaps softer than he’s ever looked at her before.

More than anything, Connie feels seen. Years back, long before sword training and Gem missions, long before that fateful day she discovered the beautiful temple (it looked like it could very well be a Hindu goddess, and that cultural connection alone made this slice of beach instantly familiar) hidden on the other side of the hill and decided to park herself there with a book, she’d grown used to feeling invisible. Before she bravely chose to step into this world of magic, it’s as if she forgot that she even had a choice to stand out, to openly shine as the unique, extraordinary individual she is. Admittedly, she still struggles with that to this day. But whenever she’s with him, with her Steven? It’s as if her universe explodes into a kaleidoscope of dizzying color where everything is so, so beloved and worthwhile. She’s worthwhile.

She can only hope being with her makes him feel the same way.

“I know it’s silly after everything we’ve been though,” she continues in time, still having a few things on her mind she suddenly has an exhilarating need to set free, “but I always kinda worried that people... would belittle me for it, I guess. Especially my parents. That like, there’s some upper limit to the number of unusual things about my life they’ll accept.”

“It’s not that unusual, though,” Steven says with a shrug. “I mean, Ruby and Sapphire are legally married. Sure, the Gems aren’t exactly women, but they do present that way. And then Pearl was in love with Mom, of course. Oh, and Amethyst once told me, and I quote, that ‘like a whip, I swing in every direction.’”

Connie snorts at this, and even he can’t help but laugh.

“Let’s see, what else...” he muses, peering at the ceiling thoughtfully as he continues to list the queer individuals he knows of. “Jenny, Buck, and Sour Cream are all dating each other. Mr. Smiley finally reconnected for real with his old comedy partner, and they’re dating. And my dad may not be seeing anyone but he’s always been openly pansexual.”

“Well, it’s not usual in my family,” she says glumly, nestling her chin into his bed’s comforter as the terrifying possibility of rejection hits her harder than expected. Her glance roams. On the television screen, the episode they were watching had paused automatically, a message asking if they’re still there popping up. Clearly it’s been a while since anyone’s handled the remote. She blinks past tears, shame settling at the pit of her stomach for even daring to cry them when others have gone through so much worse, and you’re lucky, what do you even have to feel lost about, and suddenly she begins to feels shameful just for feeling shame, and what cyclical, bittersweet irony is that, and what’s wrong with her, why can’t she stop obsessing over distant possibilities that likely have zero chances of coming to pass, why can’t she—

Steven breaks through her downward spiral with a gentle hand on her shoulder, rubbing away the physical evidence of her stress. She melts into his touch, forever smitten by this kind of casual intimacy they get to experience together here, alone. It’s innocent, still merely the wandering hands of two teenagers barely beginning to break the boundaries between close friendship and romance, but when words fail she’s discovered that touch can be a language of its own. And right here, right now, she knows he’s talking her down from the mountain of anxiety she’s marooned herself on. He’s leapt effortlessly into the stormy sky and cradled her in his arms, ready to float back to Earth’s surface together.

Outside, the rain continues to slap in rhythmic sheets against the deck. She shivers. Maybe it’s in reaction to the gloomy weather beyond the sliding glass door, maybe it’s despite it. She has no idea.

Steven scoots forward on his belly a bit, and rolls to his side so they can talk face to face without turning their heads. During this, his shirt rides up— ever so slightly— ambient light catching on the lower facets of his gem. The reassurance found in that beautiful, familiar smile of his is dizzying. “Well, at least no matter what happens with your family, you have more than one, huh?“ he says.

“Yeah,” she breathes shakily, eyes glistening with emotion at the metaphorical hand he’s extending with that statement.

Hopefully it’ll never have to come to that, though.

“I do think my parents will be fine with it, if I ever do tell them,” she continues, dabbing the dampness from her eyes. “Especially my mom. She works with queer patients all the time at the hospital, so she’s pretty used to stuff like that. I just... get anxious sometimes.”

“Yeah, I get that. It’s tough dealing with identity stuff.”

She hums, mind immediately harking to the years he spent doubting his own personhood. Seeking any kind of physical connection she can get, she nuzzles her cheek against his forearm, which he’s currently leaning on. They lay there like that in comfortable silence for a good while. Steven, laying on his side, one hand lazily trailing through her wavy hair, and her, curled up close to his heartbeat, hugging his free arm.

“Hey, while we’re on the topic, can I ask you something?” he asks eventually.

She nods. “Anything.”

“How’d you distinguish bi from pan, when you were figuring all this out? I know they’re pretty similar, and my dad tried to explain it a while ago when I asked, but I still don’t exactly get the nuances.”

Connie shifts to sit up, pursing her lips as she considers her words here. She’s done a lot of research into queer identity in her time, checking out books from the school library and looking up stuff online on incognito mode, but there’s probably still a ton of holes in her knowledge. “Hmm, okay... so I’m no sole authority on any of this of course, but to the best of my knowledge bi means you’re attracted to two or more genders, and pan means you’re attracted to people, but like... their gender isn’t really a factor in the way you experience that at all? I‘m pretty sure? There seems to be a lot of overlap. From what I’ve read people just sorta pick whatever feels the best to them.”

“Huh, that makes sense,” Steven says. “So picking labels is kinda like fusion, then! Whenever I fuse, we decide our own name, and it’s sorta... based on a feeling, y’know?”

“Yeah! And like, with Stevonnie... Even though Amethyst kinda inspired the name, they still had to figure out who they were as a person on their own.”

“Exactly! And then, even if two fusions are made of the same gem types, they could still have different names because they’re different people, and that’s what they choose. Anyways, that’s just what this reminded me of,” he says, glancing up at her with a bashful smile. “Honestly... I don’t actually know how I identify.”

The corner of her lips edge upwards. “That’s fine,” she reassures him with a pat, “it took me a while to sort through all this stuff.”

“I really wanna figure it out, have a word for it, but nothing’s clicked yet. For a while I thought I was pansexual like my dad, but that didn’t quite... feel right. Like—“ he too shifts to sit up, folding his feet under his legs as he continues to speak— “I love getting to kiss you, but no offense, I don’t... know if I'll ever want to have- to do anything more than that, y’know?”

She snickers at his inability to simply say the word sex. He’s seventeen now, he knows full well what that is, yet still his faux innocence on the matter remains. It’s one of his charms.

“None taken. Love and attraction is a bizarre, complicated world.”

“You can say that again.”

“Bogus.”

“Whack,” he agrees with a playful grin. Reaching for the remote, he presses play a few times to wake up their streaming site. The episode starts up right where it left off, and they continue to watch together, the air somehow feeling sweeter after her much needed release of emotion.

The satirical medical drama quickly fades into the background, though, as Steven’s hand curls around hers.

“Hey,” he says quietly, blushing. “Even if I don’t know everything about labels yet, I do know one thing for sure.”

She raises a curious brow. “What?”

“I know I love you.”

And before she can open her mouth to respond in kind, he’s kissing her cheek, swooping in like a bandit just like she did for the first time all those months ago, and her heart swells with affection for this boy. He leaves her with one kiss, then two. At the exact moment she turns her head to reciprocate— to sneak a gentle kiss to his cheek right back— he turns as well and she ends up meeting him at the lips. It’s but a quick peck, but she's almost floating. The two of them stifle a laugh as they gaze at each other, their noses almost brushing together.

“Hey, it stopped raining,” he comments then, grinning against her cheek.

She drapes her arms around his shoulders, and hugs him close. Her eyes trail to the glass sliding door. The clouds outside are still thick, but after releasing their load they’re visibly lighter now.

“Yeah,” she breathes, feeling her muscles finally relax as she sinks into her best friend’s embrace. “Yeah, I guess it finally has.”

#su #steven universe #connie maheswaran #connverse #su fanfiction #su fanfic #my writing stuff

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