#i mean this is magnus we're talking about

[countdown-til-sanders-take-over]

So hows it going 😀

TMAGP 7 is a WILD ride

[iwannascreameurekaa]

Percy Jackson fans who refuse to read trials of Apollo kinda piss me off

I've only heard a few reasons on my people don't want to read TOA but most of the reasons are honestly stupid... and bullshit so

! Might have TOA spoilers !

reason one: Lester is annoying

no shit he's Apollo that's his whole character development thing usually when a character starts off bad that means they're going to evolve into a better person that's basic writing

reason two: caleo

valid tbh but really you just gotta Manipulate yourself into believing that Rick was 100% writing them as friends idk

but also they're only in a last part of the first book, the second, and basically no where else

reason three: the one and only Jason Grace scene

did I say spoilers? Cause there's gonna be spoilers here!! So you don't want to read a five book series because one of those books contain the death of a character who you didn't even particularly like until their death? Most of the fanbase disliked or even hated Jason before the burning maze and I see loads of hate towards him today but we're not getting into that rn we're talking about TOA so here's my solution if you don't want to read a characters death scene: don't read any Percy jackson book. There are plenty of people who die during any Riordan book so stop whining about one. If you don't want to read the book that's fine but saying your reason for not reading is because someone dies is stupid. Do I need to name all the people that have died throughought the series?

reason four: Percy's not in the book

It is completely valid if your favorite character is Percy and you want him to show up more but that mf has 5+ books from his pov and is also in multiple other books. He's in four out of five of the hero's of Olympus series he's in the first TOA book he's in Magnus chase too so grow up he's not going to be in every book

I think the only other reason I've seen is that they can't afford to buy the books which is completely valid you're fine

but I think that sums up my little rant

Edit: spelling, added something to the caleo part 👍

[shizucheese]

Okay okay okay, I need everyone to listen to me about this.

I know I kinda talked about this before in a reblog to someone else's post, but the idea has been rotating in my brain ever since and I feel like it needs to be further explored. A lot of people have been talking about the differences between TMA and TMP, and memeing about how people can actually quit the OIAR (which btw, I'll believe when I actually see it, by which I mean if we're able to get through the entire series without Teddy either coming back or turning up dead or otherwise facing "You can quit but you can never leave" levels of repercussions) but like nobody, from what I've seen, has been talking about what imo is the pretty glaringly obvious element at play here. So let's talk about the spider in the room, shall we? What do we know about the Magnus Institute in TMA?

People came there to give statements regarding their spooky experiences, including people who had doubts about doing so (because they weren't sure if the Institute was reputable, because they weren't sure if they believed what they had experienced, because they served a different entity so what reason would they have to do something for The Eye, etc).

The head archivist would ultimately become the Archivist, an Avatar of the Eye.

The Archivist's abilities included enabling statement givers to give their statements without going off track or leaving out details (we even see what happens when it's not the Archivist taking the statement), and being able to compel people to tell them things against their will, from statements to their darkest secrets.

You couldn't quit, at least not without gouging your eyes out.

The Magnus Institute was a part of the Eye.

Or was it? Because the other thing we know about the Magnus Institute is that the Web was using it as part of its plan to break free from the TMA world and gain access to the other worlds out there. How much of the compulsion aspects of the Institute-- people being drawn to the Institute to give statements, the Archivist's ability to draw statements and secrets out of people, people's inability to quit the Institute--was actually because of the Web? Where does the Eye's "compulsion to seek out knowledge even if it could be bad/ harmful" end and the Web's "not being in control of your own actions" begin? Was the Archivist--at least in the form Gertrude and John took--really purely an Avatar of the Eye? Or were they an Avatar of a mix between The Eye and the Web, much like how Martin, if he were to ever become a full fledged Avatar, likely would have been a mix of the Eye and the Lonely, just like his domain in S5 was? After all, Jonah was an Eye Avatar, was he not? And as far as we saw, he never needed to compel information out of people. He just Knew it (and used it to torment people).

One of the themes I've been playing around with in my TMA fanfictions since I first finished the podcast for the first time last winter is how the course of history would be different in the alternate worlds, where the Web wasn't interfering--at least not on the same scale, or for the same reasons--since it had already gotten what it wanted at the end of TMA. And I think that's exactly what we're seeing a version of in Protocol. I think the OIAR is what it looks like when it's entirely the Eye at play, with 0 interference from the Web. The Eye is all about having your secrets exposed, being watched, being followed. The tape recorders--something that would need to be turned off and on (controlled) in order to record something--were a tool of the Web. Now we're "witnessing" the events of the podcast through the audio from security cameras and other things that are constantly running; constantly seeing and listening without needing to be turned on and off. The statements aren't being given by people who somehow found their way to the institute and were on some level or another compelled to tell their tales. They're journal entries detailing a person's private thoughts. They're letters meant only for the eyes of the recipient, sharing secrets not meant for anyone else. They're recorded therapy sessions.

And the statements that are related to the Eye? The ones read in John's voice? They're forum and blog posts, which not only makes them the only ones whose sources didn't have the same expectation of privacy as the others, also ties them to the Web, since computers and websites were previously established as being associated with it.

[cartierre]

QUEEN'S GAMBIT | cl16

SOCIAL MEDIA!AU charles leclerc x latina!chess player!reader (fc: alexa demie)

part two: giuoco piano

♡ liked by charles_leclerc, anyataylorjoy, netflix and 61,230 others

tagged: anyataylorjoy, netflix

yourusername it has been an absolute pleasure and honour to help my fellow latina anyataylorjoy on set for netflix's new series 'the queen's gambit' as a professional chess player. it's available on the 23th of october, only on netflix.

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user1 so we're all here because of the dating rumour, huh? ⤷ user2 kind of mad her whole content is just chess. girl i wanna know how you look ⤷ user3 just google her she's a literal grandmaster, i'm sure she has wikipedia with some pictures

user4 'fellow latina' she's latina?? omg now i know i have a chance with charles ⤷ user5 charles expanded his taste in women and i'm here for it

anyataylorjoy the most fun i had on a set in a long time! ⤷ yourusername <3

♡ liked by charles_leclerc, magnus_carlsen and 34,492 others

yourusername i guess someone's eager to learn how to play chess. magnus_carlsen feel threatened because he's serious competition. (for context; magnus carlsen is the currently best ranked male chess player)

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magnus_carlsen i'm going to feel threatened once i see his rankings ⤷ yourusername don't tell him i said that, but i fear there's no hope for him

user6 confirmed: charles dates y/n to have a chess teacher for free ⤷ user7 i mean honestly chess players aren't known to be pretty ⤷ user8 ??????????

user9 charles liking every post, yet y/n not tagging him or mentioning his name is so funny. like bffr we know you're dating just admit it ⤷ user10 it's giving saying 'my ex' instead of their name like we all know who you're talking about

♡ liked by yourusername, charles_leclerc and 123,207 others

tagged: yourusername

sportsillustrated Meet the grandmaster Y/N Y/L/N in an exclusive interview about chess, representation and working on set for Netflix' new series 'The Queen's Gambit' in our November issue 2020!

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yourusername it was such an honour and privilege to work with you! i'm thankful to have had a chance to bring some awareness to chess, its greatness as well as some issues as a poc and woman in the sport! comment liked by charles_leclerc

user11 you're telling me THIS is the girl charles BAGGED?? ⤷ user12 absolutely gagged because why does charles lowkey look crusty now that i know his girlfriend is this gorgeous

♡ liked by charles_leclerc, anyataylorjoy, samohtsangster and 62,049 others

tagged: netflix

yourusername such a fun night at the premiere of 'the queen's gambit'! thank you so much for the invite netflix. an unforgettable night for sure!

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user13 just confirm you're dating charles already we're getting sick and tired of this game ⤷ user14 fr they're so obvious. she's wearing red, she gets picked up by a ferrari, the hands??!!

user15 it's been enough soft launching i need a hard launch

anyataylorjoy looking absolutely gorgeous! ⤷ yourusername my favourite colour <3

♡ liked by 29,301 people

tagged: yourusername, charles_leclerc

f1wagupdates for the first time, y/n y/l/n has been spotted attending the first gp of the new season in bahrain. she's been seen arriving to the paddock next to charles leclerc.

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user16 i'm at a point where i don't even give a fuck wheter or not they officially confirmed their relationship. i'm deciding that it's canon from now on ⤷ user17 fr their relationship has been rumoured about since june last year, we're tired.

user18 this is enough confirmation i need, they're dating.

user19 she's the definition of minimal effort maximum beauty ⤷ user20 still shocked she's dating charles. no offence, he isn't ugly but girl she's multiple levels above him for sure!

♡ liked by charles_leclerc, pierregasly, carlossainz55 and 129,301 others

tagged: charles_leclerc

yourusername confirmation enough?

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[shatterdome-underscore]

As long as we're talking about names in the Magnus Protocol vs the Magnus Archives, I don't think I've seen anyone point out that Alice was Daisy's legal name, and now we have someone named Alice who presumably chose that name. I don't think it really means anything but I do like the parallel

[statementends]

Remember all, Magnus Protocol Premiere is out on the 22nd for Patreon subscribers and certain levels of Kickstarter backers which means not everyone will have access until January. I remember the community being remarkably good about Wednesday Spoilers back in the day.

We're all excited but we must not ruin it for other fans! Talk in private discords and in person, but don't post spoilers or clips to social media!

I know the majority of us are beholding bait but we should try to keep our compulsion to share our knowledge to ourselves for now. 👁️

[dinogoofymutated]

OK!! some notes on episode 9 because I have a LOT to say

WHAT THE FUCK.

Ok first of all, I kinda loved this episode. The character dynamics between everyone was so good! Although I wish we got to see Jean and Storm talk about Madelyne and Nathan, because as far as I know she has no idea. I mean, surely they had to have a conversation about it, because why is there suddenly no baby in the house? But still.

I know we're supposed to be mad at Roberto Right now, but I just can't. It's obvious that he didn't really understand the extent of which going to war on magneto's side would entail. We can see that through the genuine feelings he was showing while fighting Jubilee. He didn't want to fight her, he regretted it the moment he started, but he didn't think that she would fight him back either. Roberto isn't exactly an X-men veteran, so I don't think he fully realized that he was in over his head. And Jubilee? Her heartbreaking "what about me?" FUCK. OH. MY HEART. Roberto really wasn't thinking about the full situation when he sided with Magnus.

The Jean and Cable fight has me heartbroken. Because we know from seeing the fight with Madelyne that sinister is just using Cable’s anger and polarizing it. And the fact that he doesn't see Jean as his mom, but Jean has all the memories from Madelyne? Hell she spoke about how she can remember the pregnancy and I'm sure she still has some feelings about Cable as a son. Also, I really fuckimg hope the ending of that scene doesn't mean she's dead (again) because to be honest I'd be really pissed off.

It was kinda sexy getting to see Cable's powers tho

And the fucking ending??? THE FUCKING ENDING??? FUCK. I really want to know what Rogue was thinking while watching a member of her family literally HAVE HIS BONES REMOVED. Is she still going to choose magneto after this? Is she going to place the blame on Logan for fighting in the first place? Imagine when storm finds out, after she had already expressed her emotions about permanent power loss. UGH.

I need to write some Logan fluff after this this is bulllshit.

-an added note, I kinda feel for the professor in this one. Hell yeah I'm mad at him, but the pain he's been going through kinda hits my heart. The scene where he wakes up, looks to the other side of his bed to find Lillandra obviously not there, and the difference between having the ability to walk and loosing it? :( and he really seems to be going through it emotionally. He was absolutely thinking only about the idealistic life he thought he was leaving his students but in the end he completely fucked it up. Sorry buddy, but maybe do that once the fight has been finished next time.

[squircatlies]

I somehow haven't seen anyone talking about it, but what is our point of view in tmagp exactly?

In tma it was the tapes obviously, in tmagp by the sound of the system powering on and off it would be logical to assume we're listening through the office computers (ignoring the fact that most, especially older computers don't have a microphone built-in and I highly doubt the government would spend money on external ones if they're not necessary for the job), but that would only allow us to hear whatever's happening in the proximity of the haunted pcs. This wouldn't be ideal as it would tether us to this one specific location.

So perhaps more technology can potentially serve as our pov in the future? Of course that would include other computers and phones, but also things like security cameras and smart appliances. I know that new tech was unusable with the statements in tma, but it might not be entirely the same in tmagp.

And if we could listen through other devices, would it be possible for Martin to cut into a podcast Alice was listening to with a spooky story? Could Jon interrupt the morning news to give Sam the latest update on spelunking progress in the ruins of the Magnus Institute? Just imagine Gwen trying to eat breakfast while her toaster is describing how it feels to rot from the inside in a stupidly pretentious voice, that may or may not belong to Jonah.

Edit: I forgot we got to hear their conversations from outside the office already while making the original post, meaning the part about various pieces of technology being able to listen in is already confirmed in cannon.

Also I see everyone suggesting we're seeing the story from Freddie's pov and I can't disagree, however that only leaves us with more questions. Like what exactly is Freddie? I don't believe for a second that it's just a program for collecting data. We have no idea who actually created it and for what purpose. What more can it do? Is it alive or conscious somehow? Who or what does it serve? What is its ultimate goal?

[ikkosu]

REWIND / CHROMEDOME

(adopting gn!human reader)

a/n : been wanting a cute fluffy request I hope I wrote them uh satisfactorily 😭😭 I actually enjoyed writing about baby and cdrw maybe I’ll write more scenarios with this little family ughhh so cute

"Alright folks, we're leaving in thirty minutes!" Rodimus's voice echoed through the speaker.

"It's either you get on or get off the ship forever— Er, ah...oh what's that? We're not allowed to leave when— Damn it. Apologies, there's been a restatement by Ultra Magnus declaring it's illegal, you guessed it, for whatever reasons I'm not bothered enough to care. Blah, blah blah. Oh, shut it drift. Anyways, latecomers are welcomed in the brig. Buckle up in thirty! Rodimus out."

Rewind swivelled his gaze from the rock nestled on the grass, then to the ship, hovering not too far from where he's crouching. "Huh, guess I'm taking a detour." Then, his camera skims over the verdant fields of rolling hills. Red lights, blinking. "Won't hurt, would it?"

The LL had a short break stopping on Earth, mostly for refuelling, fresh air, stretching limbs,,,totally not because Brainstorm blew up the left wing again and The Science Team had to patch things up discreetly

Seriously, where is HR when you need it?

And, obviously, the Archivist is not missing the opportunity to explore, of course. It's earth! Home to,,,well,,,,the most complex (derogatory) kinds in the cosmos. And, this rock he's been examining? It's an extraterrestrial mineral. Figments of rocks from asteroids, comets, and the like originating outside of the Earth. Crazy, huh.

Better keep that for safekeeping.

Aside from, ah, well wandering where he's able to film stuff, occasionally animals and cows of the like, it's more like a need, at the moment, for a bit of (lets put this gently) space away from his conjunx — since, he's been acting like an ass of late.

Ahem, going behind his, ahem back to doing ahem Mnemosurgery....again.

It's not even an 'again' anymore, it's just borderline often

Why does he even bother to listen? You can't break old habits, as Ratchet would say. They'd break themselves before they could ever stop.

"So that's it? You're just going to ignore me like that?" Footsteps pattered behind him

Rewind huffs, walking faster. "Took you long enough to figure it out, genius."

He groans. "Oh for— Primus sake, Rewind, come on. Don't do this. We can talk."

"Oh sure, sure! Talk." He threw his hands up, whirling around to face his conjux. "That's what you always say, promising me like you're going to get your eyes gorged out if you didn't. What else, tell Red Alert to stop being paranoid and Whirl, a psychopathic ass?"

Chromedome palms his face. Primus, this apology isn't going well as he expected it to. "Look, I messed up. I breached a trust you had in me. I shouldn't have done it. That was very... inconsiderate....of me..."

"What is this, eight grade? Spelling bee on who's responsible?"

"That's not the point! You can't just—"

And, so it begins. The bickering. The blaming. Hand pointing. Arguments ablaze, never listening. Voice raising — just the tip of the iceberg, not even close to it's full potential.

"I bet my words doesn't mean anything to you now, does it?"

"It's does, Rewind. It does!"

"Hey! Stay there! Don't even come any closer or I swear to Primus I'll—"

A cry gurgled out amidst the bushes.

The Mnemosurgeon stiffens. He looking around for the source of the cry when he notices conjux was staring at him. "What?"

"Wow. Wow. Low blow, Chrome dome." Rewind puffs and presses his fists on his hips. " Low blow. I didn't think you'd do this. You're gonna resort to mocking me, now?"

He sputters. " You think that was me?"

"Yeah, blame it on the cows. Blame it on 'em like you do when avoid all responsibility."

"What's even a cow? Oh, for—" Then suddenly he lets out a surprised sound, dropping to crouch next to a bush. Rewind doesn't bother to look. Why would he? He's busy sulking and he wants that Mnemo-no-to-the-o to see it. Though, his audials tuned into a rustle of leaves when—

"There! Primus, Rewind look at this."

Said Archivist was still sulking, arms crossed, looking away. "Nuh, uh."

"Don't you nuh uh me." CD chuffs and figured actions were bigger than words so he scooped up the bundle of blankets and shoved it up his face. "Well? Still got film for this?"

Rewind takes a moment to register the visage.It was, if he knew his terms correctly, a human child. No, wait. A baby. It's the size of a sparkling but....smaller. And, significantly softer.

Most of all, it's crying. Coolant— er, tears streaming down the side of it's cheek. Gently, his servos curled around the scoop, nestling it softly against his chassis. He felt a kind of pull in is spark. Something fond pulsing. Chromedome loosened, looking away. What's the point? The mask already hid his smile.

"Seems pretty far from it's residential zone." Chromedome peers across the horizon searching for even the most recognizable specks of rooftops.

Nope, nothing.

Just rolls and rolls of green foliage.

"Hey there little fella." The Archivist coos, digit caressing the cheek to soothe it. The baby sniffled then blink, lifting up it's tiny fingers to bap his index. "What's a baby doing here of all places?Aren't human, uh, carrier, sires are very protective of their offsprings?"

Chromedome doesn't know what to say, he's not Ratchet or Percy, but he's sure as hell relieved their argument took a turn into park. "Misplacement, maybe."

"...How do you misplace a baby in a bush?"

"Things like that can happen, you know."

"If anything, it seemed like it's deliberately thrown in there. Look! It's even wrapped in a blanket."

He held it up for the Mnemosurgeon to see who, in turn, simply shrugged.

"Yeah. To keep it warm."

"Until someone finds them."

Chromedome narrows his optics. He's got a bad feeling about this. "Rewind. What are you trying to say?"

"What I'm trying to say is that this child is deliberately left here to be found. We can't just leave it out here—"

"Are you saying we should steal it?''

"I'm not saying we should- ugh yes! I'm saying we should steal it—"

"You're kidnapping children now?"

Ratchet cuts through both of their comms, immediately barraging them, "Are you two idiots done squabbling with whatever stupid problem you have or are we gonna have to wait another fraggin' hour until you both make up and kiss?"

They had to take the baby, much to CD's dismay.

Ultra Magnus was losing his mind. What do you mean you found a baby in a ditch, in a bush, in a field of all places?! Even worse, literally miles and miles away from the nearest habitual region!

Purely, coincidental. He'll have to look in his files for crimes like this lest another is let loose for havoc. The young are the future for society! Something Cybertron is severely lacking in

Unacceptable. Simply unacceptable. Oh, and by the way, you're both going in the brig. You're late.

"Chromedome stalled me."

"Here, we go again."

Everyone is busy cooing and taking turns prodding the bab, and can someone please keep whirl away from the child he's armed, (with the exception of Megatron, the medics and UM) who didn't, mostly for the fear of passing diseases to it, mostly stood far with unimpressed looks on their faces.

First Aid, though, eventually took matters into his own hand,,, by taking it into his own hands and putting it in a glass box (shut up Brainstorm we're not using your stupid Polyhex Quadrilateral Box or whatever) to scan it's vitals and conditions

Everyone was outside, peering through the glass, prodding, helms jut at odd angles to see through the crowd — while the medics delicately assessed its condition.

Ratchet had to explain poor Rewind that not everyone wants children and not every parents are deserving of it so. He's seen this a lot in human culture.

"So they abandon babies just for the fun of it?!"

Well, he's got a point. Most of it at least. "Rewind.... no."

When they were done ensuring the baby is in optimal condition, Ratchet comes up to the, er couple, if he had to put it that way and crossed his arms, a brow raised.

"Do you trust yourselves enough to look after the child?"

"Might as well." CD sighs. ".... I've got enough responsibility on my plate, already."

"Nobody forced you to go back and take it." Rewind mutters.

Ratchet held up a servo to cut off another argument brewing. " I'm going to put this out clear."

A digit points to them. Ratchet grits his dentas and every word that spooled out of his vocalizer, more intense.

"You both are going to have to put your differences aside. You're going to resolve that problem of yours, and resolve it clean — not in front of the child, but behind. Go hide in a broom closet for all i care. Mutilate or incapacitate each other's limbs, if it helps. Fight all you want, kill each other if you have to. But this baby? This baby? You're going to give this child the most loving, caring family it can have. You hear?"

Shenanigans ensue.

Obviously, given they're Cybertronians, human anatomy isnt a topic they're very well versed with. Rewind does know a thing or two. But consulting videos are not really the best way to go when neither of them have the tools to feed the baby

Percy and Nautica (because he doesnt trust brainstorm) are tasked with concocting the milk formula. They're seen tinkering away in the lab, barring the other scientist against a let-me-in charade. Lab doors are locked and padlocked with a specific colde — suck it BS.

All elements, minerals and resources as such are to be provided Rodimus (begrudingly), then fact-checked by the medics, very, very carefully.

They're like guts deep in space and very far from earth. A quantum jump to said planet, in case of an emergency, can affect the only organic living onboard.

Moreover, Ratchet doesn't trust CDRW to learn the stuff themselves, so he holds five hour long sessions daily on how to provide sufficient needs for the baby. You know, handling them, playing with them, learning their gestures, mannerisms,,,etc

CD loves holding baby by the armpit, and especially loves it when he does that, baby tries to bap his face, squealing and babbling, trying to reach him— he finds that his chassis always melts a little.

Rewind, on the other hands, adores cradling baby in a blanket. He likes how warm and soft it is against his arms. And how easily it his to nestle baby under his chin as he walks.

He is the most affectionate from the two. And definitely records everything. Soccer mom-esque, cheering loud whenever baby does something' monumental, for instance, blabbering dada coherently. But also the most rigid. Like, lattice structured rigid.

''Rewind you watch snuff films you hypocrite, a Sunday cartoon getting a liiiiittle violent is nothing compared to the archives you go through." Rodimus wags the CD in front of the Archivist, an upturned pleading pout, pulling his features. He looked comical hunching to regard the smaller Archivist with baby nestled under his chin.

It was an obvious ploy to fiddle with the baby. Everyone's trying to get a nab of their little squeals, these days. Why wouldn't they?

Those adorable fats for cheeks, soft and cuddly, crawling around the habsuite like a cretin, gumming on everything they could find.

Skids managed dodging through the vents after a successful glimpse of peek-a-boo (Rewind forbids physical touch. He's not risking any disease that can be transferred.)

He slinked down and baby immediately latched onto his pedes, babbling for an upsie. It took him a while, and much restraint, not to take it through the vents

Swerve almost poisoned baby with the engex again because, in his own words, what's a little harm in trying new things?

He's now locked up in the brig, banned from touching baby ever .

This entire crew is a hazard and Rewind wasn't having it.

"Is this the same captain known for illegal conduct of meteor surfing?"

"....Oh, shut it."

Chromedome's not very affectionate but is less-rigid when it comes to baby. He's the type to cave in when they want something. Sweets? Oh, you want sweets? He doesn't care if the Lost Light is miles away from the nearest planet. He's going there and he's going now.

Stop him and he'll plunge those long, needle-like nails into mecha's skull, their ancestors could see Primus's aft whole again.

Hoards like,,,,around fifty satchels of sweets. It was only until Ambulon had a private chat with the Mnemosurgeon, that, yes, the baby is going to die eating that much.

So, he offered safer alternatives if baby wanted something sweet. Boiled potatoes, ripe avocados and fruits could help. (They'll have to frequent the nearest planets)

CD is like the most cynical ass ever to exist so Rewind find himself with an existential crises, staring off into a wall, when baby would scrunch up their face, the way CD does when he's displeased.

"That mask stays on."

"But I didn't even—"

"It stays on."

But he also finds, a little begrudingly, that CD is a lot more understandable these days. Mostly always cradling baby and humoring the little cretin . Arguments are close to nill. He barely has to raise his voice

Cybertronians naturally have harsh edges, given they're metal (duh), so their rooms would be congruent in terms of features as well. Not exactly a pleasant thought when an organic is dawdling about.

So to be safe, in their habsuite, Chromedome installed padded cushions everywhere. Even the ceiling is padded, mecha's kibbles are also padded (much to Rodimus's chagrin)

And, every inch and crevice of that room is filled with scribbles. (Scribbles only Swerve can decipher, but he's busy lounging in the brig so there's that.)

Red Alert, during a habsuite check, once blacked out inside the room because he didn't recognize the new change. It was so pastel-ish, bright and soft, he justs goes away

Chromedome finds the poor mech on the ground, baby on top with their crayons, assaulting said mecha's face while squealing at the teal green against stark red paint

"A new paint job, huh."

"Chromedome, get the poor guy up for Primus's sake!"

Baby is limited to the Library and Med-bay (as per Rewind's request). Library because Megatron is there and they know for a fact he's more trustworthy with the baby than anyone. And, Med-bay because, well, medics

But obviously, baby is like, a little cretin who thinks rules are a no-go and said social construct a danger to society. And, by who's declaration? Rodimus. It's Rodimus.

Rewind is going to murder that speedster of a captain

So , it's a given mech's will see CD scampering across the halls upon spotting baby dangling off a goddamn beam. Or, hanging off someone's shoulder, (said bot doesn't know, because baby is so small, the sensors didn't pick up), then sees the mnemosurgeon slumping onto the ground in relief, passed out for a minute

What's baby doing there?!

Rip CD's spark rate.

And, since they've got to play the part of a happy family, Rewind has to sleep in the same berth as his conjux. Not that they didn't ever

After the reveal (CD going behind his back doing unethical things w/ his fingers) Rewind was obviously displeased so they sported separate berths. Now? They'll manage squeezing in the same bed.

Rewind tried to act all huffy about it, glancing to one side, as though he doesn't want to be there. He does. He's just sulking.

Chromedome silently stares at the ceiling. Baby is between them, chewing on a miniature Rung figure (that Rung gave because, somehow, it calms the little thing)

Baby notices the silence and wants attention, so they bap their hands on the surface when both mechs weren't listening. And does it again for the fifth time. CD sighs and decides to humor baby, a little.

"It's past bed-time." He says quietly, patting their head

With a squeal, baby plays with CD's servo and curls it over their head. He scoops the little bundle up into his arms and loosened up a little.

Rewind swivels to find baby nuzzling his conjux, both deeply asleep. Something soft thrums in his spark, and while he’d rather bash his conjux’s a skull with a hammer, he can’t deny the lovely visage of him cuddling their child. So, he scoots over a little, resting his helm on CD's shoulder. He doesn't flinch when a servo lands on his shoulder plate, pulling him close.

Maybe, it wasn’t so bad.

[macabresymphonies]

Are we dealing with alchemists looking for The Philosopher's Stone?

(I will be referencing partially to the ARG, most importantly to the so called Klaus sheet that has german version on categories the OIAR team is using, and some light spoiler to The Magnus Archives, so beware).

We're four episodes in and cross-referencing each episode so far, there seems to be few things that connect most of them:

an orchestrator

a medium

an obsession

a transformation

Each episode so far mentions some type of third party being involved in the incident: Harriet Winstead mentions a "consultant" that was supposed to help her see Arthur, RedCanary mentions getting harrased by an anonymous stalker, Daria commissions Ink5oul for a tattoo, Dr Samuel Webber mentions seeing his dead wife "Maddie" who stops him from tampering with the transformation (could be a hallucination, but could also be somebody using his delirioum to impersonate her) and today we've got a mention of a "giftgiver" who gave The Violinist the Violin.

Additionally each incident mentions some type of specific medium the characters came into contact with: The Box, The Violin, The Ink (cross referenced in Klaus sheet from the ARG), The Garden (as in plants in the garden). The exception being the Harriet, but we don't know yet what "caused" ressurection of Arthur. This is important, because in TMA items and "mediums" weren't actually all that common, it was very often stressed that relics were medium for the fears to use directly (with people only doing their bidding), not to be handled by others as a medium.

Lastly each episode talks obsession and/or transformation and oh boy, let me tell you about bunch of guys historically obsessed with tranforming stuff through different mediums:

"It's not very suprising, alchemical symbols are everywhere throughout the podcast!" you might say. True, but let's take into consideration, what excactly is a goal of an alchemist? Well the answer is quite simple and there is actually three of them. The Three Goals of Alchemy are:

To turn base metals into noble ones

To discover the recipe for a Philosopher's Stone

To find the Elixir of Life that gives eternal youth and defies death

All of them refer to some type of recipie of method, so where are the recipies? Under our own noses. The recipies are the DPHW catalogue and the database Freddie is sending the incident reports to is an alchemical cookbook! Each entry is categorized something like that:

CAT$$$R&&#### - theme (specification) -/- subtheme [medium]

Some specifications:

$ - are a conbination of numbers 1, 2 and 3. They do not always appear in threes, sometimes it's just 3, sometimes 12 (as in 1 and 2) so forth. These has been widely theorized to be related to the The Tria Prima, a group of three materials which occupy a position of prominence in alchemy: Sulphur(🜍), Mercury(☿) and Salt(🜔) or as they are also characterized Soul, Mind and Body. If we assign each of them a number with 1 being Soul, 2 being Mind and 3 being body, they so far align with the main "components" of each incident or realms they deal in.

R - either appears or not, it was theorized this is a RANK and that previous files were simply misfiled by Sam, but to me it also could be REGIA as in Aqua Regia (🜆) where we are to assume the R was added to the previous element (Aqua (🜄) + Regia (R)). The meaning behind assigning some some incidents the rank of regia has yet to be explained though.

& - these are letters C, BC, B, AB, A and S signifying a rank (or rang in the Klaus sheet) . Lets ignore that S for a second, but they seem to be stages and half stages, well there can't possibly a concept of four stages in alchemy? Let me introduce you to the Magnum Opus (Great Work). Basically each alchemical project went through four stages: nigredo (black), albedo (white), citrinitas (yellow) and rubedo (red) with rubedo specifically signifying a great discovery was made and Magnum Opus was a success, but it does not necessairly mean an alchemical goal was reached.

To summarize, numbers one C-A signify stage of the project, with S, that appears once on mostly redacted cell in the Klaus sheet, signifying that not only the final stage was reached, but the project has been a success.

This could mean a finished Magnum Opus is out there, developed in the field of the Soul and related to the mysterous Mr. B.

# - these numbers are still a mystery, I do have some theories myself, but to summaries I think they are grades and some type of combination (I think it's either 9999, 0000 (as in all 10s) or perhaps 7777 (7 being the most important alchemical number)). Basically a specific combination could imply the specific discovery could be categorized as a Philosopher's Stone. What that could mean for the narrative? We will see, but I suspect it's an alchemical equivalent to an eldritch nuke in this universe.

Last thing to support my theory, the OIAR logo. The lion and the unicorn are obviously symbols for the United Kingdom, as this is a government office, and the words undearneath are "we will not falter" (probably reference to the paranormal incidents they deal with) the rest though?

Alchemical symbols for Salt, Mercucry and Sulphur are right there, all encompassed by an upside-down version of The Philosopher's Stone symbol; The Greatest Magnum Opus:

As to what the Magnum Opus are in TMAGP, each incident has an item associated with it, I noticed that the characters do not get corrupted by people directly this season, but through the use of items like ink, instruments, plants.

[bonzos-number-1-fan]

Putting the CAT# Back in the Bag: The Flaws With Person/Place/Object

Hi, I’m bonzos-number-1-fan You might know me from such theories as; "Theory of Fears; or, Zur Furchtlehre", "What R# Means: The ABCs of Fear" or, "Padlocks, How Do They Even Work?".

I’m back with another essay about this show. Today’s subject is a little different from previous ones. Rather than explaining what I think something in this show is, I’ll be explaining what I think it isn’t. What I’m going to be talking about is the very popular theory that CAT1/2/3 means the supernatural aspect is a Person/Place/Object.

Because I’m talking about other people’s ideas here I do want to start off by saying I understand why this theory is attractive and I don’t think anyone is stupid or anything for believing it. I just personally think there are angles from which it doesn’t work and that the sum of them makes it fairly certain to be untrue. I could be very wrong about that, and my other theories, or I could be very right. I don’t think either scenario matters much. This essay isn’t about being right but about talking about a big thing in the community. I just happen to not believe this one and people have signalled interest in hearing why.

So with all that out of the way I’m going to start by establishing the terminology being used. Then I’ll break down what this theory is positing and follow it up with the ways I think it does and doesn’t work. That’s basically it but with 16 episodes and supplemental material to cover it’s still not going to be terribly short. 

Huge thanks to @brettanomycroft for proof reading/editing this madness.

Spoilers for The Magnus Protocol up to and including episode 16.

What is a CAT#?

A CAT# is the first 4-5 characters of an OIAR's incident report header. While these are not often referenced in the main body of the show, each incident we hear is accompanied by one in the show's description and transcript. As an example this is the case number for the first incident of episode 1.

CAT1RBC5257-12052022-09012024 Reanimation (Partial) -/- Regret [Email]

The first line is the case number. CAT1 is this incident's CAT#. The RBC (R#/Rank) and 5257 (DPHW) have been topics I've discussed in essays I linked at the start. The second line is the header and is formatted “Section (Subsection) -/- Crosslink [Format]”. CAT#s is all we're concerning ourselves with today but I will be using this terminology going forward.

Now we know what they look like, what is it we know about them? Well, not much at all. From the show itself we know there are CAT1s, CAT2s, CAT3s and CAT23s. From the Klaus excel sheet that was found as part of the ARG (and can be found here) we also know there are CAT12s and CAT13s. With that information we can say with some certainty that CAT1, CAT2, and CAT3 are non-mutually exclusive groupings. It's very likely not a linear scale of some description—i.e CAT23 isn't between CAT2 and CAT3—because CAT13 doesn't fit such a scale. Which means that where there are two numbers in a CAT# that incident likely fits both groups rather than being a new group. This also strongly implies that an incident could be CAT123 although we have yet to see that demonstrated.

We also know that CAT is short for "Category". In the Klaus sheet these numbers are located in the "Kategorie" column. "Kategorie" being German for "category". This unfortunately doesn't tell us anything we didn't already know. CAT#s denote some form of grouping.

There is only one other fact we know about CAT#s and that's this:

ALICE Right, so, after each entry there's four numbers. That’s the DPHW. So, “dolls comma watching” is… 1157. Then you cross reference with the table here, that would be a 2-C, and then you type that into the box here, along with date of incident if there is one and today’s date.

Which is not a lot to go on at all but it does raise an important question. How is a CAT# assigned? There are two major assumptions you could make here. The first is the “objective method” and that it’s a factor of either the section, subject, DPHW or a combination thereof. This means that they are pre-assigned in the same way that DPHWs are. This method has an inherent trait in that it means every header manifests as the same sort of thing. While it’s not a problem to say that every Doll (Watching) is the same— that could just be the rules of the setting—it does make CAT# itself somewhat redundant. The terminology of the headers will often describe something inherent about the CAT#. We have a CAT3 case that’s Dice (Bone) -/- Fate but dice are objects so why would you need to restate that?

The second is the “subjective method” in which the assessor chooses the CAT# based on the incident itself. The subjective method has a larger assumption built into it in that they know what CAT#s are. They don’t know what DPHW is and have shown no indication of knowing what CAT# is either. So I’d say it’s less likely that CAT#s are subjective rather than objective. However, for the purposes of this essay I will assume that both are as likely to be true as each other and will refer to them both. Different cases show different flaws when one of these is true over the other, so both will get discussed.

What is Person/Place/Object?

Person/Place/Object is the theory that the three single digit CAT#s stand for Person, Place, and Object respectively. Combinations of these digits represent that an incident falls into each category. A CAT1 incident indicates that the supernatural element of an incident is a person in some respect, while a CAT23 would indicate both a place and an object.

As I have mentioned this isn’t a theory with a single theorist or origin to point to. As such this theory isn’t a monolith and there is variation in how these categories are presented from theory to theory. Sometimes “Person” is literal and other times it includes any sentient thing, “places” aren’t always strictly physical locations, and the narrative framing of what “objects” are may shift. As such I will be taking the broadest interpretation of these categories as their definitions. 

People will include animals and other sentient beings. Places will include metaphysical locations. Objects won’t need to be physical in nature. This is both the fairest I can be to all theories and also the strongest I can make this theory. The broader I can make these definitions, the more different ideas can be represented and the more wiggle room the CAT#s get.

What I’ll do next is run through all the incidents the show has mentioned and explain them as I see it. We’ll start with the ones that fit this theory well because they require little explanation. Then when that’s established we’ll talk about the places I think this theory falls down.

Which Incidents fit well?

CAT1:

CAT1RBC5257 Reanimation (Partial) -/- Regret: There is something like a zombie in this incident. That’s something like a person and so fits well. 

CAT1RB4824 Injury (Needles) -/- Intimidation: Needles is definitely a person, no question there.

CAT1RB2275 Mascot (Kids) -/- Murder: Bonzo walks, “talks”, and probably thinks. He’s a person.

CAT1B4728 Mascot (Kids) -/- Frenzy: Bonzo is still doing that stuff so is still a person.

CAT1RB4426 Transformation (Snake) -/-Horde: There was a person and they turned into snakes. Snakes count as people here too. Given the amount of snakes this is the most CAT1 CAT1. 

CAT1RB-6451 Hunt (Aristocratic) -/- Compulsion: Lady M is the most person on this list.

CAT1RB1565 Tattoo (Influencer) -/- Cardiac: Definitely involves a person doing something supernatural.

CAT2:

CAT2C8175 Infection (Full Body) -/- Arboreal: This incident takes place in a time and space bending garden. Makes perfect sense for CAT2.

CAT2RB2377 Disappearance (Undetermined) -/- Invitation: A spooky theatre is a location for sure. 

CAT3:

CAT3RBC1567 Transformation (Full) -/- Dysmorphic: In this instance the object in question is the tattoo. Which I think is really stretching the definition of “object” but I’m still going to give it to the theory.

CAT3C7494 Collection (Blood) -/- Musical: A magical violin is definitely an object.

CAT3RB3354 Dice (Bone) -/- Fate: Bone dice are inarguably objects. 

CAT3RB4622 Gambling (Application) -/- Murder: It’s another stretch to call an app an object but, again, happy to give it to the theory.

CAT23:

CAT23RAB2155 Transformation (Eyes) -/- Trespass: In this incident’s case the location is the Magnus Institute and the object is the box RedCanary stole. I think there are some problems with this one but there is enough to get through.

Which Incidents Don't?

CAT1:

CAT1RBC5257 Reanimation (Partial) -/- Regret: You’re not misremembering, I did say this fit well. Because on the surface it really does make sense, but I think if you push just a little it makes very little sense. Why? Because any category you want to place this in is easily justified in the incident itself. There is a zombie-esque thing but also a Frankenstein-esque figure for CAT1. CAT 2 would be the location of the graveyard itself. It was chosen by the presumed creator of this zombie-like creature and is depicted similar to the one in Marked, a CAT23 incident. If this theory is correct and the Marked graveyard is supernatural I can’t see a reason to discount that possibility here. CAT3 fits too because the presumed creation method is that they were Frankenstein-ed which does require some sort of surgical apparatus. But whichever choice you make you’ve not really clarified the incident at all. 

This issue is further seen in the methodology of assigning CAT#s.Objectively it has the same problem all objective assignments do. Reanimation implies there is going to be a reanimated person so restating that doesn’t add much. If we look at the subjective method then this is chosen largely at random. There isn’t enough of an indication in this incident to clearly state which CAT this is. So it’s neither helped in the assessment of the incident and doesn’t provide anything for response because all choices are justifiable. 

CAT1RB4426 Transformation (Snake) -/- Horde:  Not misremembering here either. There is a problem with this one in that it’s demonstrated to be an infection. This makes the source of the affliction basically unknowable. The source could qualify it for other CATs but the larger issue here is that what CAT1 means here and what it means elsewhere are not that comparable. Needles, Bonzo, and Lady M are all sentient and independent. The afflicted we see in this case are normal people until they get very rapidly sick, summon a portal to the snake dimension in their throats, and die. Which leaves CAT1 translating to “something in the rough shape of a person” which is a really wide range of interpretations. Which is something I feel has little practical utility in either assessing or responding to these incidents. 

CAT1RB1565 Tattoo (Influencer) -/- Cardiac: Still not misremembering. While you can say that Ink5oul or Madame E are the person in this instance there is a major conflict here with CAT3RBC1567 Transformation (Full) -/- Dysmorphic. If Daria’s transformation was CAT3 because tattoos are objects then there is no reasonable justification that this isn’t at least CAT13. It’s the same person, doing the same thing, to a very similar result but in a different CAT. The headers are entirely different, and so this/that may be misfiled, but it highlights a problem with Daria’s incident. If the incident with the Tattoo header isn’t an object then tattoos are probably not objects under this scheme. 

If this is objective then this is always a person, or on people, which makes a great deal of sense. However if that’s the case then the objective method for Daria’s case sort of falls apart because there wasn’t really a secondary object there. Additionally, because all incidents with that case’s header being objects is a huge stretch. So if this incident, or that incident, is misfiled it doesn’t really matter. In either case (or even if both of them are misfiled), it largely disproves that tattoos are objects, creating a larger issue with that theory as it affects more than just this case. Subjectively as far as we’re aware Sam filed all three of the Ink5oul incidents. So he chose an object in Daria’s case but then opted against it here despite there being no real reason to that we can see. You could say that now Ink5oul has been in it more, he thinks Ink5oul has some sort of supernatural power themselves which makes them a CAT1; that would still make this CAT13 as episode 11 was CAT23.

CAT2:

CAT2RC1157 Dolls (Watching): This is a big one in my opinion. It’s not only the first incident we’re told about, but it's both Sam’s and our first exposure to an explanation of the OIAR’s filing system. It’s also one I see ignored in most of the posts that posit the Person/Place/Object theory. That is understandable as we don’t hear the incident itself but we do hear enough of it to show that there is a flaw in the theory. 

What we hear about this incident is entirely focused on the doll itself and questions about its nature. It’s a split between Dolls (Watching) and Dolls (Human Skin) with the former being chosen as the latter is only implied. Dolls themselves are objects which would make this CAT3, and if the doll is sentient a CAT1. However, this is placed in CAT2 indicating that it's actually caused by the location in some respect. In order for that to make sense you have to make 3 major assumptions. Assumption 1: despite no indication in the conversation about this incident suggesting anything outside of the doll being strange there was actually a “haunted house”. Assumption 2: despite there being sections far more descriptive of locations—i.e Architecture—Dolls is more suited to this incident. Assumption 3: despite this being Sam’s/the audience’s first exposure to this system it leaves out the real source of the incident when, narratively, this is an explanation of it. Those are some fairly major assumptions to make to justify a theory.

This also has issues with either method of assigning CAT#s. If CAT# is objective then every Dolls (Watching) is actually a location. Unlike with something like Reanimation (Partial) that doesn't make much sense as dolls themselves are objects. In the subjective method, Alice assigned this as a location but their discussion of it centred solely on an object and she didn't explain to Sam why she did it.

CAT2RC3338 Agglomeration (Miscellany) -/- Congregation: This might be my favourite example of issues I have with this theory. To explain it we’ll look at this from both the objective and subjective methods while taking into account outside knowledge of the show from an audience perspective.

Everyone I’ve seen posit this theory attributes CAT2 to Hilltop here.They do this solely because of TMA. There is nothing in this episode that makes Hilltop out to be anything special in any way. But because Hilltop is special in TMA the audience is primed to view this location as special. It may very well be but there is no reason to think that. In fact, I’d argue there's reason to think otherwise based on this episode, but that is a little off topic for this essay. However from an objective perspective it can’t take Hilltop into account because not every header of this sort will take place in Hilltop. They could only manifest at special locations but that seems like a stretch. If it is true, why does this unique combination of words not include a word that describes it as a location? Subjectively it could be a misfile. Celia would be the only person who knows what Hilltop is in TMA— assuming some of the theories on her are correct—but that doesn’t make Hilltop important in and of itself. It also means she ignored large parts of this incident when filing it just to focus on that element. As this case is the one Alice uses to teach Celia the system with, then this also relies on Alice knowing or not correcting Celia. In either scenario this case is full of people of definite supernatural quality, lacks a location of supernatural quality, but has 100s of objects of dubious supernatural quality. Something doesn’t make sense here if this theory is correct. 

CAT2RBC3366 Architecture (Liminal) -/- Hunger: This one is interesting because it shows a flaw not in the theory per se but in the methodology as a whole if the theory is correct. If CAT# is what the theory says it is why is this just CAT2? It being CAT2 at all is redundant when its header describes a location but in this incident we see it’s populated by supernatural creatures. I call them Uncannybals—as should you—and they’re monsters living in the shadow realm. That seems like very important information to include. So it should be CAT12 as there are both people and a place. The OIAR methodology already has the problem that you can’t include multiple headers but CAT#s, if they worked like this, could be used to alleviate that issue. The way it’s implemented here just makes it virtually pointless to include at all.

CAT3:

CAT3RBC1567 Transformation (Full) -/- Dysmorphic: This was largely already covered. So simply put if Transformation (Full) -/- Dysmorphic is an object because of the tattoo, and Tattoo (Corpse) -/- Compulsion is an object because of the tattoo, but Tattoo (Influencer) -/- Cardiac isn’t an object despite being virtually identical to this case then CAT3 doesn't mean object. 

The method problems are the same as above too. Now this case is the one most likely of the three to be misfiled. So you could say that Daria's case is misfiled and would actually be CAT1 if filed correctly. Tattoos aren’t objects, this case is a mistake. Then you could explain that Marked is CAT23 because corpses are objects (so 13 if he was alive). Objectively this header always being CAT3 still poses problems because we know there are Transformations that don’t require objects. Which brings us back to the problem of “why are the headers so bad at describing these things?”. If it’s subjective Sam decided that object instead of person made more sense here. Seemingly based on the fact that there is a tattoo. Later on he changed his mind about this but choosing it in the first place seems like a stretch. If he knew what these things meant in order to choose them, object seems like a very unobvious choice. 

CAT23:

CAT23RC5246 Tattoo (Corpse) -/- Compulsion: This one is fairly clear to me. I’m going to be very generous and suggest that the corpse here is the object based on the above. The reason this one is a problem is that there wasn’t a location here. I’ve seen people say that it must be the graveyard but that’s confirmation bias IMO. It wasn’t a large feature of the episode, didn’t do anything coastal graveyards don’t do, and had no overt supernatural properties to it. I don’t personally think anyone would categorise this as CAT23 based on the incident alone but because CAT23 people will justify it to fit. That’s not inherently a problem because sometimes you have to make assumptions but given all of the above I don’t think that assumption is a reasonable one to make. 

Objectively all compelling corpse tattoos are found in magical graveyards—or morgues, tombs, goth bars, and other corpse hangouts—and I think we can all agree that’s sort of wack. Subjectively Sam decided the graveyard was magic despite there being nothing to suggest that.

Klaus’ CAT#s:

This is a bit of a special section. I briefly mention Klaus in the intro but I didn’t mention that some of the incidents we’ve heard have been found on the Klaus sheet. The canonicity of these aren’t 100% and I would say the show takes precedent so this is supplemental rather than definitive. I think I’ve more than shown that this theory doesn’t hold up. This is more of an academic exercise.

The big thing to know here is that Kluas’ cases lack headers entirely but that some Klaus cases have notes and it’s these notes attached. It’s only one’s with those notes I’m interested in for this because of how they relate to things we’ve heard. One case is CAT3RBC1567 with the note “tinte”. CAT3RBC1567 is Daria’s case and “tinte” is German for “ink”. So this is very likely that case. There are 4 other cases with that note and they’re two CAT1s, a CAT3, and a CAT13. So even if Daria’s case is misfiled not all of those are the correct CAT# for that assumption. There are also two CAT1s and a CAT2 marked “Herr B”, which is “Mr B” in English. These aren’t tied to a Bonzo case we’ve heard yet but one of them does take place in Bland Theme Park, Somerset. That’s not definitively Bonzo but it’s a good hint at it. 

Additionally there are 6 CAT2 cases that have the note “Katzen LOL” or “Cats LOL” which you’d expect to be CAT1s if there are cats involved. In a similar vein there are one CAT1 and five CAT2s marked “Kreigsvolk” which is literally “War People” but more likely “Army” or “Soldiers”. Again, you’d expect more CAT1s if CAT1 is people.

I’m not saying any of the above is the backbone of my reasoning here but these are things that are showing up in the show and they do seem to be pointing the same direction as what I’m saying. Ignoring them entirely I think the theory doesn’t hold up but with them I think it’s very clear.

Conclusion

I don’t have much of a wrap up here. Anyone who’s been reading my posts for a while has known that I’ve never thought this theory worked. It’s not something I ever get too deep into because I’m also obviously happy for people to have ideas I disagree with, as am I happy for them to disagree with my ideas. That’s just healthy theorising. I’d been considering writing this for a while though but was mostly held back by not wanting to come across as some sort of arbiter of what is and isn’t correct, and didn’t want to seem like I was calling anyone out specifically. However a few people now said they wanted to see this and there are enough instances of parallel thought on this theory that it’s impossible for me to really single people out now. So here we are. 

Just to reiterate for people that did/do believe this theory I don’t think anyone was stupid and/or wrong for thinking it. I hope if the above has convinced you that I’m right about it that you’re not dissuaded from making and sharing future theories. I’ve have 3 or 4 terrible CAT# theories and a few R# theories too. My current ideas on DPHW and R# might be awfully wrong in the long run and that’ll be okay.

That’s me anyway, hope this was at the very least an interesting read if it didn’t manage to be a convincing one. Bonzo! Bonzo!! Bonzo!!!

[akalikai]

TMAGP EP 27 REACTION (SPOILERS)

Istg my dumbass keeps forgetting when Thursdays are until @notachamealeon reminds me that a tmagp ep dropped

Sam is being bitchy akhskajd literally is this bc he's still feeling good about himself after him and Celia had GASP heterosexual intercourse???

Poor Gwen having to pick up the slack she really is trying her best I love my girl.

"I've got a SPECIAL list for her" hey Gwen that's kind of fucking gay of you-

OH ITS GRANDPA LOOK AT THAT GRANDPA IS BACK

...why is there no explanation? Like why is there nothing about what this is related to, like a prelude or introduction? Augustus just...started talking??

"Than to light within them that muses' fire of inspiration" it might just be a metaphor but whenever the older cases related to the institute or the experiment bring up fire, I become a bit wary

Okay so the institute in the universe seems to be founded for the sake these alchemic experiments as opposed to Jonah Magnus creating it to serve The Eye in TMAverse

Just for anyone that wants to know, Chartism was a working-class movement for political reform in the UK during the 1830s to 1850s. That's what the second journal entry is referencing

Okay the single coachman reminds of one of Jonah Magnus's livers in his regency era harem who got fucked over by a Lukas, I think it was something about the coachman entirely turning his head 180 degrees to face backwards the entire drive or something.

Oh okay so coachman is part of the coach. Lovely.

Okay so we're focusing on the growler? And I think it's because the coachman and the coach attachment is probably due to alchemy of some sort?

Oh great. The cab ate the man. Wonderful.

BOYLE???? AS IN ROBERT BOYLE???? Wait no can't be him he died in the 1600s I remember that from AP Chemistry

Oh my god he convinced his own colleague to go into the growler dude this is giving Jonah Magnus it REALLY is

WAIT. SHUT THE FUCK UP. "operated by me status as founder" SHUT THE FUCK UP I JUST SAID ITS GIVING JONAH MAGNUS

APOLLO REALLY FUCKING HOT ME WITH THE GIFT OF PROPHECY WHAT THE FUCK

Alice my wife hating prime ministers is just So Real also with how viciously she hates the prime minister I would have thought my girl was Desi too since I hate India's prime mini-

I'm gonna shut up

TRANS CONFIRMATION I MEAN WE KNEW BUT YESSSS ALICE CANONICALLY TRANS

Dyhard is SO endgame LOOK AT THEM

"Magnus guy" SHUT THE FUCK UP NO WAY OH my GOD

What is happening. Someone please come pick me up I'm scared why are we talking about sex

Oh Sam. I think it's kind of obvious that Celia does find this like a casual relationship. Kind of like "well if it goes well, it goes well. If not, whatever" He's definitely taking it more seriously than her.

I do also think she's kinda lying when she says Jack's her only first priority bc it's very clear the Magnus stuff is very much a priority too

HILLTOP CENTRE???? RIGHT THATS WHERE THE OUTREACH CENTRE WAS

And also oh god Alice being here is gonna make things awkward isn't it.

MORE MAGNUSSING

Celia is really trying to find the Archivist that she knows but I don't think she's going to get that, not in this universe at least.

Alice joining the scooby doo gang! All we need is Gwen and we got the full team!

Edit: HOW DID I MISS THAT TREVOR FUCKING HERBERT IS THE PRIME MINISTER OH MY GOD

[ollieofthebeholder]

I realize this is going to be a very unpopular opinion, but: I don't think Chester and Norris are Jon and Martin. Not from the original TMA, anyway.

In the first place, there's been so much emphasis put on the fact that you don't have to listen to TMA to get TMAGP that I feel like hinging a major plot twist on...something you'd have had to listen to the entirety of TMA to fully understand would be kind of unfair. And they've been calling it a "side-quel", not a "sequel". Besides, the whole beauty of MAG 200 was the ambiguity of the ending, and I can't see Jonny or Alex being keen to give a definite answer now. As they've said, "the text is the text".

In universe, the timing doesn't add up, either. The Eyepocalypse began October of 2018, and while obviously time didn't mean anything after that, I think Jonny said he'd envisioned it as being six to eight months between MAG 160 and MAG 200. Something like that. Either way, we're talking 2019 sometime that...whatever happened, happened. Alice said the voices only started "about a year ago", and the time stamps on the forum thread from TMAGP 001 were all dated 2022. Even if that was a thread that just got locked a couple hours before Chester read it to Sam, it still means the talking started around 2021 at the earliest. You could make an argument that they needed time to recover even a little of themselves, but two years?

I think it's more likely that they were someone involved in The Magnus Institute of this world. That maybe they were part of some study and...didn't come out of it well. That something happened to them relatively recently and they're trying to reach out to someone who can help them, who can fix it.

I dunno. I guess we'll find out. I just feel like it's too early to pin any one theory down as confirmed, and I am worried that if too many older fans get too hung up on the idea of it being JMart - of this being "somewhere else" - and then it turns out not to be them at all, there's going to be a massive fandom outcry about something that never existed outside of people's heads.

[skamenglishsubs]

Subtext and Culture, Young Royals, Season 2, Episode 1

Season 2 picks up after the Christmas break, it is now early January 2021, and Wilhelm is asleep, dreaming of Simon...

Cinematography: The show does a slow transition from Wilhelm's sex dream by changing the colours from the soft golden light of his dream, to the harsh early January daylight, and by letting the sound of a vacuum cleaner pierce the signature [dreamy electronic music] of his dream.

Subtext: We're seeing Wilhelm move like a ghost through the palace, ignoring everyone, even his mother. He's still angry with her, and they haven't really talked all break.

Blink and you miss it: It's hard to make out, but Erik's silver cigarette case is also inscribed with Sällskapet - The Society, the ultra-douche nobility club.

Cinematography: Just like last season was bookended by a fourth wall break, here comes the opening montage and a very angry Wilhelm staring into the camera.

Subtext: The August montage tells us a bunch of things. He's been spending Christmas break alone at school since he doesn't really have a family to spend it with, and his eating disorder/body dysmorphia sure isn't getting better.

Culture: Simon is playing the song Aldrig Igen by Cherrie, which is about leaving someone who has hurt you. The repeating refrain goes: "Never gonna happen again. I don't want to feel like that."

Culture: Minimum age for getting your driver's license in Sweden is 18. It's getting more and more rare for people to get their driver's license as soon as possible, because it's simply not a necessity for most. When I went to high school last century (in the 90's), about half the class got theirs at that time. These days less than a third get theirs that early.

Subtext: Although Felice didn't really have a plot of her own this season, I'm glad to see that she learned something last season and keeps ignoring her annoying, prattling, mom. That her friend Sara got into the Manor House is much more important than whatever horsey-horse blah her mom is whining about.

Subtext: Madison hands Sara a crystal, of course she's into that. But I'm not crunchy enough to figure out what the hell she means by "among other things". Help. Anyone? What is that even? Amethyst?

Subtext: "Native Americans and other indigenous peoples have burned sage for centuries as part of a spiritual ritual to cleanse a person or space, and to promote healing and wisdom." Thank you Google for that explanation. And of course it's something Madison would do.

Lost in translation: The English translation of their chanting didn't quite capture everything. A literal translation would be "Fine girls, deep pockets, worship our fine pussies!" But fina flickor is an expression that means well-mannered upper-class girls, djupa fickor is a Swedish idiom that means being rich, and these two fragments both rhymes with and alliterates with fina fittor, except the latter is extremely vulgar, which creates an interesting juxtaposition of contrasting tone. Btw, my high school Swedish teacher was the best teacher I've ever had, and I know he would be so fucking proud of me right now if he could see me writing this! Tack, Magnus.

Subtext: And here comes the first mention of this season's main theme; traditions, upholding them, breaking them, examining them... Interestingly enough it's Felice who suggests breaking it, while all the other girls insist that Sara has to continue the tradition. And boy, does she ever. At least the fire department didn't show up...

Subtext: The real reason August didn't join Vincent or Nils on their expensive Christmas vacation to the Seychelles is of course that he can't afford it. But his dismissive joke also just point to his own eating disorder problems. August, get help.

Subtext: When Simon insta-stalks Marcus we get to see a bit of his personality. Apparently, Marcus likes camping, fishing, hiking, horses, and his Volvo. The 850 is a classic 90's station wagon, and although it's pretty unusual for 18-year-olds to own a car in Sweden, something like that checks out and it's probably his car.

Subtext: Vincent is such an ass, and I love every second of it. He has zero respect for the younger students, he doesn't give a shit that Wilhelm is royal.

Subtext: Wilhelm is being an assertive bitch to August here and insists on him addressing him in third person, as if they weren't familiar...

Blink and you miss it: ...which makes Nils and Vincent laugh, and Vincent makes a mocking salute to Wilhelm.

Subtext: But in the end, August is the prefect, so they do as he says and allow the first-years to join the party, even though they have no idea why August is letting Wilhelm get away with it.

Cinematography: This season also does a lot of mirroring where scenes in this season look like scenes in the first season. This particular one mirrors the one where Simon appears at the initiation party for Wilhelm and catches his eye, except it's a lot more sad this time.

Subtext: Oh look, The Theme™ pops up again, and Simon is of course not a fan of keeping the shitty traditions that forced Sara to do something stupid, so that he had to rush to school to check up on her.

Subtext: Wilhelm is an awkward idiot around Simon. He really has no idea how to reconnect with him.

Cinematography: Again, we're mirroring the initiation party in s1 where Simon excuses himself, but this time Wilhelm doesn't chase after him.

Subtext: I'm sorry what now? Nils is not straight? That came out of fucking nowhere, but ok, let's roll with it! Also, whoever subtitled this is obviously familiar with Tinder, but not with Grindr. Nils says that he saw Marcus on Grindr, not that they matched, because that's not how Grindr works.

Subtext: The main theme of the entire show is about social class, if you haven't figured this out by now. Nils is firmly in team upper-class, and tells Wilhelm how he's supposed to handle dating: Only date or hook up with people from your own class, or with people who know how to keep everything discreet, private, and down-low.

Subtext: Wilhelm looks around in confusion, because he expected Simon to be singing in the choir. Where the hell is Simon?

Subtext: Meanwhile, Simon is late and on the bus with his friends on Team Rebound, who are giving him advice that's gonna turn out to be pretty crap.

Culture: Padel is so middle class, Vincent is right! Padel surged in popularity in Sweden in 2021 for some weird reason, and tons of padel courts popped up all over the country. However, the hype completely crashed in 2022, so most of those places are now facing bankruptcy and people actually talk about padeldöden - padel death, so the sport is kind of a joke right now.

Subtext: Wilhelm puts on the most fake smile ever and says hi to Alexander who is back at school. They were all correct when they said that Alexander really wouldn't get punished for getting caught with the drugs, his parents simply bribed the school to hush it down, but their treatment of Alexander will backfire spectacularly on Wilhelm later in the season.

Subtext: The show is doing a bit of exposition here, but it's also reminding us of who knows what about the sex tape, and why Wilhelm hasn't told Simon that he knows who did it. One more thing that will backfire spectacularly.

Subtext: And in a quick throwaway comment we learn that the late prince Erik had a thing with a porn model, and that the royal court successfully swept that whole thing under the carpet, as they do.

Subtext: The rest of the girls thoughtlessly let Sara pick up the tab for their coffee, which is nothing to them, but for Sara it's half her savings. She's treating them without protest, but doesn't buy anything for herself because she simply can't afford it.

Subtext: Don't sit next to him, don't talk to him, pretend he doesn't exist! Simon is really trying to follow the advice of his friends.

Cinematography: Oh look, a mirroring of the scary movie scene where they touch hands in season 1. Except this time Simon jerks his hand away.

Subtext: The Theme! This time it's Wilhelm who's on team fuck the traditions, although he's doing it just to undermine August.

Lost in translation: Vincent actually uses the word kladdiga - sticky, smudgy - about their hands, which in Swedish implies they're all toddlers who should sit down and shut up while the adults are talking.

Subtext: No, Wilhelm really didn't stick up for anyone last season, he threw Alexander under the bus, and he threw Simon under the bus, so we're just heaping on the guilt now.

Subtext: And we're doing some more exposition to remind everyone about who knows what about the sex tape. Here Sara finds out that August knows that Wilhelm knows it was him, and he's blaming her for telling him, even though she hasn't told anyone. Not even Simon, speaking about things that will backfire spectacularly.

Subtext: Sara's plotline is gaining steam, much like she did after touching August, if you know what I mean, eh, eh, eh? She knows he's a piece of shit, she knows he's a bad person that she can't trust, but she also thinks he's hot as fuck and this obviously causes quite a lot of conflicting emotions in her.

Subtext: No, Wilhelm truly doesn't realize this. He's been trying to get close to Simon in order to get him back, but he still hasn't got a damn clue as to why Simon is keeping his distance.

Subtext: Note that Simon going after Marcus is 100% reactive. He asked him for a ride because he needed to for Sara's sake. And now he's agreeing to karaoke night because Wilhelm just hurt him again, and because his friends have been encouraging him to go for a rebound boyfriend.

Culture: Carola Häggkvist is a very well known Swedish artist and songwriter who had her breakthrough at 17 in the 1983 Eurovision Song Contest with the song Marcus is choosing. She only came in third that time, but won the ESC in 1991 with the song Fångad av en Stormvind. Despite being wacko Christian for a while and married to Norwegian preacher Runar Søgaard, who lost his weapons license after shooting a deer from his bedroom window, she has now mended her ways and is somewhat of a gay icon in Sweden, performing at Stockholm Pride in 2013.

Culture: Främling is about meeting a stranger, falling in love, and taking a chance on this newfound love. Marcus might look like a doofus, but his song choice is pretty clever, although obvious.

Subtext: Can we just appreciate Vincent's dramatics for a second? A first-year not moving their ass off a couch he wants to sit in is apparently causing his entire world to come crashing down. The audacity! Chaos! The system is there for a reason! It provides stability! What's next? Everyone is just gonna sit around playing the bongos? Someone needs to enforce the proper order of things, because August apparently refuses to do so!

Subtext: Some nice foreshadowing here where Alexander checkmates Wilhelm.

Culture: The Swedish Royal Court is an organisation with hundreds of employees who assist the royal family in all their official duties. Here we're seeing the Queen having a late night meeting with some court officials. Although the show doesn't say, it's likely that Minou who was introduced in season 1 is the head of the press and information department, and that the new character Jan-Olof is the Marshal of the Court, which would put him in charge of planning and preparing all official events that the royal family attends.

Subtext: From the perspective of the Queen and the court, Wilhelm's outburst comes out of nowhere. He's been refusing to talk to his mother for weeks, and now he suddenly calls them up, rants about Simon being on a date with another boy, and screams that he doesn't want to become king in the future. In addition, he threatens to talk to the press himself, which makes Minou somewhat concerned to put it lightly.

[witchinatree]

magnus protocols episode 22 ramble

i managed to push the schedule around so i could listen to this episode when it came out. i am terrified. the vague posts i keep seeing are freaking me out i'm not ready at all

of course you ran away gwenny you're so right for this!!!! "watching figure" OH YEAH. WATCHING.

lena i love you but this is. insane. gwen almost died and you're like i'm so fucking disappointed.

she's still shaking :( poor gwenny :(

woah that sounds familiar "your death would be a problem" is basically what elias told jon when he was exploring the tunnels

oh that's sweet, lena is stopping her external visits!! even if she is being a bitch about it. wait mrs. kelley, she's MARRIED??? idk why that's shocking to me

hey augustus. this is a bad sign isn't it

i know big words too!! saxophone... sorry i've been dragged back into sanders sides kicking and screaming

so it's like .. brain research ???

TWO SEPERATE ANIMALS IN ONE BODY OH NO WHAT THE FUCK DOES THAT MEAN FOR US

an ocean... an ocean.... i'm so happy we're getting more ocean horror it was something i really wanted in tma. especially with like symbolism because it is deep and that is cool.

i'm gonna have to google so many things

he was so full of joy and whimsy!! oh that's not.

um!!!!! is he okay. why the fuck am i asking that he is CLEARLY not

do you remember that episode in tma where a guy like slowly crawled out of that other guy until he exploded or something, that kind of reminded me of it for a second

wtf wtf wtf wtf why is it talking why is the telegraph talking

what the hell genuine question what the hell

oh yikes it was alice who edited sam's caseload. ruh roh. HOW DID HE KNOW LMAO?????

sam you need to listen to alice i am begging you i am begging you. oh no.

alice thought he could escape the narrative and instead just doomed him for it

SHE CAN'T QUIT CAN SHE? CAN SHE? LMAO CAN SHE?

oh lord

DON'T SAY THAT SAM DON'T BRING THAT UP. POOR ALICE.

"get over it or get lost" :( sam no :(

CELIA WHAT. CELIA WHAT. WHATH HWHAHTWUAHFHWHUAHTHHWH ATHWHAHT

DO YOU EVER

DO

DO YOU EVER

VIOLNELTY SJAKNG???? TWEKAING????????? WHOOOOOOOOOOO??????????????????? I GENUINELY THOUGHT SHE WAS GONNA SAY JONAH MAGNUS. DID WE JUST ACTUALLY GET THEM MENTIONED BY NAME. CELIA I KNOW YOU KNOW. I KNOW WHAT YOU ARE CELIA RIPLEY. HOYL FHCIHGUHAF

JONATHAN SIMS AND MARTIN BLACKWOOD THEEY'RE REAL THYYYYYE'RE REAL.

[tadbitsketch]

I haven't done one of these in forever but welcome back to Sketch Rambles About MCSM Stuff at an Unreasonable Hour of the Night 🎉🎉🎉

Tonight, I'm gonna discuss one of my favorite songs from the Minecraft: Story Mode OST, "Redstone Baby," and the potential lore that it holds. And why that's very Sorengaard related.

Disclaimer: this is me interpreting silly block people. Unless otherwise stated (or in the game), it ain't actually canon. Also, I am a teenage girl. I am not versed very well in the specifics of how music theory works and how it's used in media. Also also, I wrote most of this like two months ago and completely forgot about it.

(In case you needed a reminder of how it sounds)

This song appears twice in the season 1 episode 3: when you arrive in Soren's lab area, and again in the end credits. It can also be heard through the closed secret entrance wall in the Wool World™, and it gradually becomes clearer as you approach the door to Soren's lab, where a music disc is playing the song inside.

The instrumentation of "Redstone Baby" consists of guitar, piano, and violin. It feels comforting and cozy, whilst also giving a sad, longing sort of vibe. According to a comment written 6 years ago by Antimo on the linked video, they were going for a sorta "Fallout: New Vegas" vibe when they wrote it. The song holds an air of nostalgia, of better times. An idealized dream of how the world could be.

To get to the point: it's cute, it's cozy, and it's a love song in a game where they weren't allowed to explicitly write any canon ships (if I'm remembering correctly). Also one of the few songs in this game to be given lyrics. So, of course, we're gonna talk about this. Or rather I'm gonna write about it and you're gonna read it.

The lyrics go as follows:

In a marshmallow world, you're my sweetheart.

In a marshmallow world, you're my sweetheart.

You're the bed to my rock,

The flint to my steel.

My redstone baby doll...

My redstone baby doll.

(music)

In a marshmallow world, you're my sweetheart.

In a marshmallow world, you're my sweetheart.

My sugar baby...

aaaah ladada, awoah...

The lyrics are pretty strange, right? It seems nonsensical at first, but I (and many others) believe that it has more meaning than meets the eye.

This is a love song addressed to a someone proficient with redstone. Funnily enough, Soren's old friend group did have one of those. A brilliant Redstone Engineer: Ellegaard. And quite interestingly, these two were pretty close, as is said multiple times in canon. I think Magnus mentions their little "Nerd Club," in episode 3 at some point. Another fact to back me up on this: Soren calls the song "Symphony in E" in-game on the little radio-disk-program-thing.

And for whatever reason, Soren and Ellegaard didn't stay close or end up together. There's not really a way to know for certain what went down between them. All we do know is that Soren wishes it was different.

The "marshmallow world" that is talked about in the song is Soren's perfect world. It's safe, sweet, and fluffy. I am of the opinion that it could possibly be an indirect reference to the wool world that Soren built. It's bright. It's safe. No monsters can get him there. He can just build things and be happy. In a perfect, marshmallow world, Ellegaard is with Soren.

The metaphors Soren uses here, "the bed to my rock, the flint to my steel," they're both iconic, inseparable duos: bedrock, and flint and steel. In Minecraft, bedrock is the unbreakable foundation beneath all else in the Overworld. Flint and steel is used to set things on fire, and is most often used to light Nether portals, which is way less symbolic (unless someone can find something? maybe the whole flaming heart being a metaphor for love thing?) but still iconic and the phrase has a very nice rhythm to it.

When we first hear the song, it feels like normal wishful thinking. It's more just fluff and poetry than full-on wants and desires.

But when we hear it in the end credits of episode 3... We just saw someone die after sacrificing their safety for Jesse's. The monster that they died to help kill isn't even dead. Someone we thought was dead is actually alive and doesn't remember anything. It's loud, dark, and burning. A sickening storm of death and destruction. Anything but the marshmallow world.

Without considering which of the two died, this song is already quite jarring in comparison to what was just witnessed. This "marshmallow world" that seemed somewhat close just a moment ago now feels implausible, and thus it'd be worth so much more if it were real.

I will never not love when something in a piece of media is treated as a good sign or motif or something and then it gets recontextualized and hurts ya right in the feels.

And with Redstone Baby combined with Ellegaard dying, it's just that extra brutal.

Because now it's not just, "in a perfect world, we'd be together." It's "in a perfect world, you wouldn't be dead, and we'd be together."

If only Soren wasn't so much of a coward. How differently things could've gone.