#i need to look over this tomorrow

[pain-in-the-butler]

A compilation of art for my Dadbastian fanfic Coattails that I commissioned from the incredibly talented @tomoyoo! They went above and beyond with the details... Each picture feels as cozy and warm as a storybook, right? I'm so delighted with how they turned out!! Thank you for making each one so beautiful! 🥹🥹🥹

[feroluce]

So I'm well aware this is probably a case of "it isn't that deep" but I love looking at all the fiddly little accessories and bits and bobs of Hoyo designs and trying to justify them. Sampo's is particularly funny, because. What even is all that dkkxjdkd

His outfit has so many straps wrapped around him, like they're restraining or holding something in to keep it from bursting at the seams, and not all of them look like they're even connected to anything! But I'd like to think they are useful in certain situations, like if Sampo takes a hit out in the Fragmentum from one of the monsters.

He's hurt, his arm is bleeding, but he is ALMOST done, he just needs a couple more things to fulfill his quota to Natasha and he doesn't want to turn around and go back now. So Sampo frees a strap from his shirt, winds it around his arm above the cut, pulls it tight with his free hand and his teeth. He'll treat it properly in a minute, once he's done scavenging.

There's also the strange chains that resemble snake spines. Given how they're way longer in his splash art and the way they wind around-

I'd like to think they can extend somehow, and Sampo can use them to scale heights. Firefly clocks him as a covert fighter without even being within 20 feet of him, so it would make sense for Sampo to have ways to get around that don't involve usual/obvious methods, like stairs. Think assassin skill sets.

He's also the only one known to be able to get between the Underground and the overworld, and while he's pretty tight-lipped about his method, having some sort of device to help traverse vertical heights is probably insanely helpful there.

And the little metal ornaments across the backs of his wrists! You can see it a bit better in his reference sheet (everyone say thanks @/dragaliareferencearchive!) as opposed to his splash art-

they aren't flat, they stick up a bit off his arms. And so I wonder if Gepard has ever gone to arrest Sampo, and found that they interfere with his handcuffs haha

The ornaments don't match, the one on his right wrist is actually shorter and doesn't extend down to the back of his hand. Which probably doesn't make it nearly as annoying for handcuffs as the left one, but it would make sense for Sampo to have them like that, since he seems to be right-handed! I think a certain proficiency in being ambidextrous is necessary to dual wield daggers like he does, but. Sampo uses his right hand to

hold his blade in his splash art

throw his blade in his skill

play/show off with his dagger in his idle

lob smoke bombs in his technique

cross over his heart when he bows

and to flip his bangs during the cutscene where he saves the trailblazers from Bronya

So a shorter guard on his right hand would help him keep his wrist's flexibility to be able to do all that unimpeded (loving the thought now that Sampo is naturally right-handed and still better with it, but he practiced constantly with his left until he could do things passably ambidextrous).

I also love them because I wonder if they're in the perfect place to help block a hit, along with the chain wrapped around his left forearm.

Like I love the image of a hired killer soundlessly sneaking up behind Sampo in some shady dark alley, knife sloooooowly raising, and then all at once, they strike!

And instead of feeling the blade sink into his back, they get the unpleasant resonating of metal-on-metal shivering up their arm and rattling their bones, because Sampo has turned around at the last second and raised his crossed his arms to let the knife glance off the guards on his wrists.

And the mercenary is left to realize that oh, they are fucked.

[thiscatiscreepy]

[ID: a digital coloured sketch of Raphaella la Cognizi as a bird-like creature, from waist up and in profile view. The picture is in brown and orange tones. Her head resembles the head of a barn owl, with wide, glowing yellow eyes, a small bump where a human's nose would be, and feathery "ears". Her mouth is slightly open, showing a beak instead of teeth. She looks like she's smiling deviously. Her neck is long, with long feathers that resemble light brown hair. One of her hands is visible, it is bird-like, with two opposing thumbs, each on either side of the hand. She has big claws. She is hunched and appears to be interested in something off-screen. Her big brown wing is open and covers up the rest of her body. End ID]

What if Raph was fucked up and kinda scary

[dizzybizz]

marcille dungeon meshi?

THE WAY I JUMPED UP IN MY CHAIR WITH GLEE OMG I LOVE HER BUT I SCARED MY CAT AND GOT MY DAD ASKING IF I WAS OKAY FROM DOWNSTAIRS anyways early marcille is very funny to me and i love her <333

[seaofreverie]

Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)

[lizardthelizard]

listen...LISTEN!!!!!!! I don't CARE that Lister's lines are only here for the sake of the gag! I don't CARE that they're actively making fun of him! Rimmer having at least two friends (or, at the very least, two people he kind-of-gets-along-with-well-enough) that he meets with every Thursday is SO important to me.

[betasuppe]

It didn't take much for me to be absolutely stupid in love with you♡~

[plusultraetc]

oh how the poor sleeping habits tables have turned

[friedno]

to be fair i warned y'all earlier that I was drawing these guys again LMAO expect more later!! i hope for a big dump of a bunch of cleaned up doodles I've done up till now but. we'll see how it goes!!!!

[seekingthestars]

she's beauty she's grace she's Miss Eevee Cosplay 3.0

[sapphire-weapon]

update: i am Unwell

[snepfeathers]

augh. I am feeling...out of sorts.

[ratatatastic]

"Who's idea was it to put the cone on your head for the parade? Was that all you?" "Zach Eisenberg [Director, Executive Operations]—I think is his name—he takes care of us a lot at Amerant Bank Arena. I don't know his exact role with the team but he's just kind-of always around, and helps us out. He's friends with Brooks [Koepka.] I think he helps Brooks when he comes to the games. Anyways he found a pylon or I think I might have told him—I was pretty drunk at the time but I think I told him to go get a py—'if you could find a pylon, find one!' 'Cuz they sprung that speech on me, kind-of, last second, you know, five minutes before I was supposed to go up there. I'm like, 'What the fuck am I gonna say?' So I had him go grab the pylon and I grabbed it on the side of the stage right before I was gonna do my speech. And luckily all the clips are of that, you know, me telling him to go fuck himself... 'cuz the rest of my speech was terrible. There's really nothing to it! And I'm so happy that, you know, all the clips are only of that so!" "Yeah, we didn't know you said anything else! I thought that was the entire speech!" "That's all that matters!" "Exactly, exactly! I got away with it there!"

The Cam & Strick Podcast | 7.30.24 (x)

i love finding out they basically told ekky he was gonna have to do a whole speech 5 minutes before he was up while hes been drenched from rainwater and alcohol for like the past 6 hours absolutely pissed out of his mind like yeah no wonder his speech basically culminated to THANK YOU SOUTH FLORIDA AND ALSO GIVE IT UP FOR MY D PARTNER WOOOOO yeah that tracks

"But what golf tournament* were you at shortly after that? Somebody was dressed like a cone? Was that Lomberg who was dressed in like a costume? A cone costume?" "He came—Brooks came up to you—" "No, that was his buddy, that was his buddy. He was actually a Sunrise police officer. I actually saw him last night at the Zach Bryan concert! But yeah, no, that's one of his buddies. No, he was completely put to bed the day after. Right? Like he texted me—I personally didn't care, like, how many people at a hockey game are calling me a cone and telling Barkov he's got no hands like it's—you know, that's hockey. That's sports, right? So I didn't give a shit but—yeah, no, it was all in good fun. And then I got a way to get him back! It's perfect!" "But when you did see the first video of him in the box—and I remember watching that, I'm like, 'this motherfucker is rolling esctasy!' His eyes were fuckin' gigantic, he's like, 'Aaargghh.' Like, 'I can't take him, he's calling me a cone! I can't—' But that is kind-of odd that a professional athlete is gonna call you a cone and he's like a fan of yours...it's just—it was really bizarre!" "Goofy!" "Yeah..." "And his eyes were black which, you know..." "What does that mean?" "I just know what that means... and he was fucked up, you know..." "Yeah, yeah! He was definitely fucked up and he agreed that he was fucked up. And he apologised so I didn't care, obviously. And then when I was at that golf event I should've thrown a beer at his backswing or something—at the LIV event when he was actually competing? I should've fucked with him but I couldn't do it... I couldn't—I couldn't find the courage to throw something at him..." "So did he reach out to you like that night? And say, 'Hey, dude... I was just joking, you know...'" "'I took some pills and...'"

*2023 LIV Golf Team Championship (Miami) held from Oct. 20-22 in Doral

[and i suppose more context here lombo and koepka are friends and he even showed up to his cupday when he went golfing in parkland and not to mention that lombo facilitated koepka apologising to ekky so its why the whole cone costume came to be really]

theres a lot more context about this incident and the ensuing storm after it so for archival sakes here are articles about it (x)(x)(x)(x)(x) because its quite a saga but its water under the bridge and there's only so much tabloid-esque coverage thats been reignited after the ekky speech i can take about an athlete who's dumb enough to insult another guy while hes drunk off as his ass in a fucking public setting

but anyways i think its really funny that i said to myself wow thats an oddly petty thing to admit to you know the whole wanting to throw a beer at his backswing ekky... for such a good vibes sweet man who like the only thing youve particularly said about the cone novella is "we'll never be buddies" to which you quickly retracted and then went "holding ill will against somebody and pulling negativity in your body is never a good thing"

and then i remembered who he attended the liv event with and it all made sense

behind every aqua whos being a little mean there is a much worse much more evil looming presence who is encouraging them down this dark path (a gem but especially a june gem)

truly a tale as old as time

[companion-showdown]

Here's the final bracket

(maybe not final, i might need to make adjustments at some point to ensure variety of characters in the late game)

(round 4 will be posted tomorrow, or today i guess, its just gone midnight)

[ganondoodle]

sorry about that last rambling post, i didnt mean to sound like its worse than it may be, but i got no ... lense to view it through but my own, and the main reason i wrote it out anyway was bc i needed to get it out (even if posting it might be not the greatest idea) .. and bc it kinda showcases, i think, how my stories kinda write themselves, involuntarily in a way? its not like im not putting in any effort- but its like .. i cant STOP it always keeps going and even the dumbest idea stays in some form, its very hard to get everything in place bc theres so much going on all the while i am very slow at making anything, writing or drawing anything, especially anythign coherent is very hard bc not only do i get constantly distracted, i get distracted by my own thoughts suddendly skipping to a certain scene and me having to go throguh imagining in detail NO MATTER how many times i have done it before for the same scene that i already decided on how it goes, when theres a new idea it can take over my entire day bc i cant let go of it-

not trying to sound either like im the only that has that sort of problem, but i think its a big part as of why i start tso many projects without being able to finish them, or even start them bc i constantly have to fight my own thoughts from derailing into another daydream session, thinking of too much too fast than i can ever draw or even write about and not knowing what is worthwhile and what isnt (im telling you i have no idea what is good and what isnt, idk why but for all i know all things i do could be trash, or they all could be bad, maybe the one i thinnk is decent is actually worse than the things i deem not good enough and once i start to think no this isnt good enough i stop having fun making or thinking it bc im trying to do better

honestly its kind of impressive that i can get anything out at all, not to pat myself on the back there but even if i hate how long it takes me, considering how much im having to work just to start working on something at all, the fact that i could post stuff coherent enough for some people to understand AND LIKE is something i should be a little more proud of

[painless-innit-colourful]

Prophets

(1.4k words, no tws, read it here or on my ao3)

But other than the maths of the situation, there’s another nagging thought that tugs at Tubbo's attention, even as Tommy stumbles over the door jam, cursing up a storm, looking far too bouncy for his last day.

He’s seen this before.

With twenty-one hours and counting down until Tubbo sends his best friend to his death, Tubbo reflects on the choice he's going to make and the nagging feeling that he couldn't have prevented it. Meanwhile, Tommy is thinking eerily of the same thing. It's been a year since this stream broke my heart, and I'm going to make it everyone else's problem.

---

Seven hundred and fifty-eight. Twenty-one. Approximately thirty, but who really knows. Two.

Tubbo runs the numbers over in his head. Numbers are good. They make sense, they’re reliable: when everything else is going to shit, when he’s living in a nightmare, numbers can be relied upon to always provide the truth. So, making the last bed Tommy will ever sleep in, Tubbo runs over the numbers again.

Seven hundred and fifty-eight fitful nights since the Manberg Festival. Twenty-one hours (though creeping uncomfortably close to twenty) until Tommy dies. Approximately thirty people they’re going to save.

And two. Two people left he cares about.

His son, with his rosy cheeks and eyes so bright - as if they’ve never seen the scarring flash of a firework or been kept warm by the heat of a burning nation. His innocent, undamaged, toddler son, currently tucked away with Techno & Phil in the tundra, where he’ll be safe in the case that anything goes very wrong tomorrow. Which it won’t, because the numbers make sense.

And Tommy.

He weighs two against thirty, twenty-one against seven hundred and fifty-eight. Mathematically, the answer is simple. Save the server. 

Lose Tommy.

But it’s not so simple, is it? Tubbo is dimly aware as he checks on a stew bubbling on the stove, toes and heart numb, that he’s facing an imitation of the trolley problem. Leave the train running, and Dream and Punz kill everyone on the server. Flip the switch, and their enemies (and Tubbo’s best friend) roll right into a waiting nuclear bomb. 

Save the server. Kill your best friend.

Again.

But other than the maths of the situation, there’s another nagging thought that tugs at his attention, even as Tommy stumbles over the door jam, cursing up a storm, looking far too bouncy for his last day. Or perhaps appropriately bouncy. Tubbo wouldn’t know, but Tommy would.

He’s seen this before.

I’m going to spend the rest of my life waiting for you, he wants to say, because that’s another undeniable truth. Let not third time be the charm: even though he’ll know it can’t be true, Tubbo knows there will always be a part of him that just expects Tommy to… turn up someday. Walk ‘round a corner in the new town he might build. Come stumbling across him somewhere out there in the bright, big world.

It’s not fair: truth three. It’s not fair. None of this is fair, nothing has ever been fair to them. The steam curling off the crockpot on the stove brushes against his scar.

Right. Seven-hundred and fifty-eight.

He can’t remember when it started. Somewhere in the mess of definitely-not-painless-and-colourful sparks, wither screams and the trembling of the earth, there was a single speck of blackness in all that light. After dreaming of his second death a hundred times, he started to look into the blazing light, and found it to be masking darkness. So he reached for it. He followed it. He built weapons of mass destruction, made impenetrable fortresses, dug into the earth following the promise of oblivion. Of nothing.

There was a moment, on his arrival to the crater of the original nuke test, when he’d seen a figure at the edge of the crater. The shadow was counting.

Counting down.

After the nuke test, his nightmares changed. They’d always been full of explosions - fireworks, countries, withers - but with the advent of Project Dreamcatcher’s success, they became pseudo-apocalyptic. Tubbo had always chalked it up to obvious anxieties (he stole his own nuke for a reason, y’know) but in the past few hours, a chilling thought occurred to him that won’t leave him alone.

In some of his more recent dreams, he stands at the edge of the world, looking out over a crater that stretches farther than the horizon. There is not a speck of a living thing around, and without a doubt he is alone. Those were the nicer ones. Some of the nightmares were just loud bangs, bright flashes and a cloud of debris and poison a hundred miles high.

He’d imagined the moment of a crucial launch so many times. A triumphant, even victorious feeling. Check-fucking-mate.

Looking at Tommy, falling onto the sofa with a contented grunt, he can’t imagine he’ll feel that tomorrow. The ticking of the clock yanks him away from his old visions. He moves to sit beside Tommy.

Twenty hours to go.

—

Tommy remembers how it felt, last time. The weightlessness, the empty mind grasping for something tangible to hold onto and finding nothing, the feeling of being ripped apart and reassembled like a wayward toddler’s least favourite toy. 

Tommy won’t admit it, would rather march off to the prison right now than admit it, but he’s scared. This time, Wilbur won’t be there. Bastard, he thinks, grimacing, couldn’t even stay dead for me.

He remembers the last time he saw Wil; on that fucking beach with the boat and the book. He’ll never forget the look on Wilbur’s face when he started crying, that uncomfortable halfway between resolute to go without looking back and almost staying for him. Maybe if he’d started crying sooner, he would’ve stayed. Or maybe that would’ve made him leave faster.

At any rate, he doesn’t have to worry about forgetting any of it. Not while alive, at the very least. Since the revive book will be out of commission, he’s staying in limbo for a while longer than thirteen years. A thought occurs: a horrible impression that sends a shiver down his spine. He won’t have Wilbur to talk to this time, but he might well have Dream and Punz. He shuffles closer to Tubbo instinctively, pushing the thought away.

The book. The other thing he can never forget. It’s gone now, ash on the prison floor likely, but the words within will never leave him. It almost makes him laugh to remember. The last words he’ll ever get from Wilbur, and they were that.

“Tommy,” the book read. 

“Do you remember when we were dead together? I told you I knew how far away the end of the known universe was. I may have been being a little dramatic (so unlike me, I know), but my point kinda still stands. I said it was 186,000 or so days away. That’s not that many, really, already, but I was thinking about it a little while ago and I realised I had been counting in limbo days. 620 days. 

Tommy, on November 13th, something really bad is going to happen. It’s part of the reason I knew it was time for me to go home. Hopefully this is enough warning for you. Gather up the things that matter to you - your discs, your pictures, Tubbo - and get as far away as possible. Please trust me on this. Whatever’s coming - it was fuzzy even in limbo, but it’s big and it’s powerful and it’s not good and it’s going to destroy everything you know. It scares the shit out of me, a little bit, if I’m honest.

I’m sorry for leaving. I hope you understand. Stay safe, yeah?

Wilbur.”

Tommy gazes at his best friend’s face, less than a foot from his own, eyes lightly lidded as he dozes. The hand clutched in his built the rocket that’s shortly going to end his life. The boy beside him will be the harbinger of this world’s ultimate destruction.

Tommy’s proud of him, in a weird way.

Yes, Wilbur, I do remember you saying that in limbo, he wants to reply. I thought you were just trying to scare the shit out of me. Anyway, I can’t leave. I have people I have to save. Be the hero everyone always told me I was going to be. Are you proud of me? This is the only way we win. Tubbo gets to grow old with his son this way. Your father and your baby nephew get to live this way. And I don’t have to deal with any more grey hairs or aching limbs this way. I think I’m the lucky one.

Tears prick his eyes and he blinks them away as he presses his face into Tubbo’s hair - which smells very, very faintly floral - listening to his best friend breathing, pulling him back to earth for just a few more hours.

I think I saw it coming too. I think we all did. I’m sorry. I hope you understand.

Tommy closes his eyes, snuggles down into Tubbo’s arms and draws in a long, deep breath. Selfishly, on the plus side, he’ll never have to live without his best friend.

---

Taglist: @fruitpilled @zrenia @spaceheatertrash @quixoticfellows @kinda-late-but-here-though @icyisweird @boomybelovd @thatfriendlyanon @rozugold @ilexdiapason (please ask to be added if you wish :)