Oh! I nearly forgot, but can I ask the significance of this panel?
It comes directly after Dee explains that he can’t come and see her from the future whenever he wants. (Which is one of my favorite moments where Dee’s true eldritch horror leaks in to the story), so I assume it’s… sort of a metaphor? How Emily finds herself at the foot of something she realizes is much, much bigger than she contemplated before?
(Also, I just wanted to compliment you for this panel)
(The first time I saw it, I imagined Dee was showing her this on purpose, time traveling from sometime the same day to really show her what it would be like. An object lesson.
The second time I saw it, I started to wonder
Because Dee himself doesn’t really look aware of what is going on behind him.
And maybe, just maybe, this one moment in time has become the only moment that Dee allows himself to come back to to see Emily, the one moment where he can get lost in the crowd with every other time he came back to look. The one moment where he’s explaining why he can’t come back.
Just… Makes me sad, and I wanted to say thank you for that too, because I love these characters and the story they tell, the sweet and bitter.)
Oh!!!
(Quick test of my ability to find which chapter stuff happens in)
I love your reading of that Uluru panel!! I think I probably didn’t intend anything that deep with it; these time skip montage style chapters are pretty choppy and I’m usually trying to figure out a way to touch on all these brief scenes or moments that I don’t want to spend a whole chapter on for whatever reason, and arrange them in a way where the cuts aren’t too hideously abrupt. For visual reasons I try to contrast different locations and not put 2 dialogue heavy moments directly next to each other. Mood wise, I don’t really want to cut from something serious and angsty to something that’s a complete backflip on that. I also sometimes just feel like drawing a nice landscape and hope it achieves my aims on these fronts haha.
I think also here I was trying to move from that final sentence, “The present is more than enough”, to demonstrating them appreciating having that present together - being able to go do cool and enriching stuff, something not completely mundane but not completely fantastical either. (I mean... sightseeing within your own country is extremely normal, but going to Uluru from Melbourne... not a convenient day trip, since it’s 2000km; 25 hour solid driving, or you can fly in a few hours but I think you have to go via Sydney, so that makes it take at least twice as long I guess. Not that it's specified how long they're there for. I haven’t been myself but I’d love to one day...)
So, yeah!! More of a mechanical/compositional rationale than an intentional metaphor, but I think your reading makes complete sense and actually improves the page! (Sometimes I do intend visual metaphors... but sometimes they’re just happy accidents.)
And thanks for the compliment re the crowd of Dees!! I also love the moments I can lean into his eldritch qualities... they’re sadly few and far between but maybe that helps them be more surprising?? Definitely your first reading was what I intended, that he zigzagged back pretty quickly, probably even from within the conversation, but there is an inherent ambiguity to Dee’s time travelling where unless I take pains to spell it out, there really is no way to know when he’s come from. Even if he can be assumed to be taking every interaction chronologically, there’s no knowing how much time has passed for him between each visit. I don’t even know how to estimate how long his experience of time is, when he’s zigzagging back so densely all the time; even the number of living things on Earth any moment is an incomprehensibly mind-boggling number. That eldritch horror again!
Truth be told I hadn’t thought of him coming back to this moment and blending in with the crowd for the rest of the future ;_; but that’s so real... he could well be, the sad sack...
I had a different sillier thought from slightly misreading your question on first pass, which is that maybe he doesn’t originally know what’s going on behind him, but then later on as he’s just going about his business he goes “oh I know exactly how to punctuate that thing I said earlier!!!” and then does it as an afterthought. Oh to have the ability to add the things you wish you’d said to an earlier conversation 😂
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On the topic tho of like. The archons switching up domains, what do you think could be other interesting changes? Like. Zhongli and Eternity vs Erosion, or how contracts could be subsumed by Justice. Similarly- I think Nahida, with her domain of dreams- could honestly be really fun to play with a Freedom domain, considering the irony of a caged god of freedom to parallel Ventis current story. Alternatively- Freedom in the nation of hydro, where they’re cursed because of the flouting of the rules, and Furina is trapped in a centuries long gilded cage- like. There’s interesting things you can do!! -☁️ (hi it’s me again, I forgot to tag the previous backreading one)
oh yeah absolutely, honestly since the game is about solving problems and dealing with Situations, you could reasonable slap freedom onto any nation and find an interesting outcome. like- freedom from the shogun's dicatorial rule, freedom for ei from her own fears and isolation, freedom for nahida from her prison, freedom of knowledge in sumeru, freedom for furina in how she wants to live life, freedom as it is seen by the people of meropide choosing to remain underwater, freedom for the people of fontaine to finally be people as their ancestors wished without celestia dictating what they can and cannot do, freedom for zhongli to retire and live life at his leisure, freedom for the humans of liyue to carve their own path forward on their own two feet (i admit that's the weakest one); and now natlan will probably be freedom to coexist or freedom from violence or freedom from natlan itself since it's closed. snezhnaya, too, could be about freedom: freedom from celestia's rule, freedom from the heavenly principles (or whatever the fatui are doing); same thing for khaenri'ah and the abyss sibling. freedom from fate and to be able to decide your own destiny.
at the end of the day any plot with any conflict can include freedom as a motif, so like- yeah, freedom would be the easier to switch around.
as for the others, that would be the more interesting part i think. like you said, contracts and justice, eternity vs erosion (which is already ei's plot so zhongli wouldn't be all that new honestly), wisdom for zhongli too with the whole witnessing history thing. eternity for nahida in the way wisdom perseveres through time but also in the irony of knowledge is beholden to irminsul and knowledge in irminsul is apparently subject to erasure. stuff like that
we'll have to see how we can play around with natlan and snezhnaya. if snezhnaya is about love that could also be really interesting, as you could also feasibly slap it most of everywhere, too.
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Hi, I just played the demo and I loved it! I was wondering if you could give us an estimate of when the next update is coming?👉👈 (Or link a relevant post, if you already talked about and I just didn't scroll down far enough to see it 😆)
Also, I wanted to check, can you be in a romantic relationship with more than one character, and not just a sexual one? Because I might be in love with every single character in this game 🤭
hi, thank you! i'm glad you're enjoying the game :) i've answered the question about romancing multiple characters a couple of times in a couple of different asks but the posts all kind of link back to each other so you should be able to find all the info by. following the various links in each ask i think, starting here XD
i'm going to put the answer to your other question under a cut because some of it is quite emotional for me
i did Sort Of talk about this at the time when it happened, by which i mean that rather than making a post, i talked about it in the tags of an unrelated post i was using to distract myself (i think it was character playlists and how i'm not sure if it's a good idea to do them or not if i recall), but earlier this year while i was already going through a really rough time, my laptop died and i lost a lot of work on the game.
i knew my laptop was old and that this was possibly approaching so i made regular backups and the good news is that because i write in a separate word document and keep backups of those also i didn't actually lose any Writing. however. my twine has a problem in that every second or third game file that i publish from the build is Haunted - it contains passages i removed weeks ago, or writing that i deleted long before publishing it, that kind of weird annoying shit. (other authors have seen my files do this lmfao) and i just have to hope that the backups i make either won't be needed or aren't haunted. anyway... because hope is futile, the last backup i made was indeed haunted, and utterly useless to me as a recovery file. because it's just twine, i still have all the writing, as i mentioned... but i would have to re-code the entire chapter and put it all back together again because of how much the file did not export, which is a complicated and daunting process.
so i made a rambling explanation of this in the tags of a post and decided to take maybe a couple of days off and cool down from this specific disaster before getting into it.
i wake up the next morning to find the IF community absolutely plastered all over with Helpful Informative PSA posts about how Silly it is not to make backups and how if you just make backups you'll never have problems again and you should know better than to not make backups.
now. i'm not a catastrophist. i know for a fact that nobody was making or spreading these posts out of cruelty or a desire to make me feel bad. i also know that it's not particularly realistic to expect people who don't even know me to hunt down the source of a piece of hearsay that's like "i heard from someone that someone said that an author lost a bunch of their files and is really upset about it" to find out what the situation is and whether or not it's what they imagine. i don't even think the vast majority of people knew who it was that was the author involved, or who i am either.
but to already be going through an extremely stressful time and then lose my laptop on top of that and then be obliquely referenced by people i thought of as my peers as kind of just a big silly bumbling goose who didn't know how to manage my files and a "don't be like this person" attitude really, really hurt me. i can't express just how deeply it hurt me. one particular author was openly laughing at me and saying it was my own fault for being too stupid to make backups using a certain twine peripheral program.
so. there was a period of time where i could have found the motivation to just restart the whole chapter myself and re-code it in a frenzy because i wanted to get right back into writing it because. like a lot of authors, i LOVE writing. that's why i do this even when it's difficult. but that potential recovery was sandblasted away by the reactions of people that i thought of as my colleagues in some sense (even though i understand that they didn't do it with bad intentions, in most cases). and i hope people can understand that it greatly lengthened the amount of time i needed to spend away from the game recovering emotionally, despite being a Very Small issue to most people. i'm literally upset again just typing out this answer lmfao
however one other small piece of good news is that my laptop seemingly just lost the ability to turn itself on (because of its age) so i Think the hard drive is intact. meaning that i think i can get someone to pull all the files off it and just have them back fine once i do. the other piece of bad news is that my life is a trainwreck! and i cannot afford that right now. which is why i sort of pivoted to writing the 2000 follower celebration sidegame as a way to enjoy myself while i hurtle through hell sdjgbdfhfdgh
shortly after this thing with the laptop the house i was living in was sold out from underneath me, even though it wasn't supposed to be, and i had to find somewhere to live with my 18 year old cat, but the city i lived in had zero places that would allow cats (they're totally fine with Dogs though of course) so i had to move to an entirely new city on my own while worrying about her health. and right now i spend every fortnight desperately trying to scrape together enough to survive the next fortnight. there were entire months where i had no access to internet! it's been pretty Bad!!
so i get that people really want updates, and i'm really flattered that people do and it makes me happy that people like the game so much. but i am currently expending so much time and energy trying not to die lmfao, and i need to save up the money to get my files back around that. i truly cannot tell you when the next update will be, but i promise you that it Haunts me, probably more than you can imagine XD the sidegame will Definitely come out before it though, if that's something you're looking forward to.
thank you again for your message, and i'm sorry that i don't have good news for you. but i am trying, constantly. every day.
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Someone really said Sam would be a te//rf as if Sam isn’t literally one of the most supportive characters in the entire show...
Many LGBT+ people, from what I’ve seen, have said that Danny being half ghost can be viewed as a metaphor for being LGBT+. Sam LITERALLY supports him 24/7 and tries to encourage him to be himself
Not to mention that Sam’s entire thing is her wanting people (mostly her parents) to accept who she is which, again, could be seen as her being LGBT+. Her parents want her to be someone she isn’t while Sam is fighting to be herself
Like how can you look at this entire show, and especially Sam’s character, and ignore the evidence that Sam would be 100% supportive of trans people??
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