#i really don't want this to be a sunk cost

[centrally-unplanned]

For some object-level discourse I haven't been following the events in depth like I sometimes do (dealing with health woes & other priorities rn), but the Israeli escalation in Lebanon seems like some classic sunk cost times. As is I think decently well-established, the pager plan went off half-cocked; they were gonna be found out, it was now-or-never, so they pulled the trigger. And then you "have" to follow-up, right? That was the plan after all. Can't waste all that Mossad budget. So despite the plan of "hit Hezbollah so hard their will breaks" is some Bomber Harris Bullshit that has not and will not work, they went ahead.

Though I will credit that capabilities degradation seems to have been severe. As mentioned before, if this was say Ukraine against Russia or the Taliban against the US, fighting a struggle for your political existence, I would still have Opinions but I would be much more understanding. Since Israel's plan is generally Forever War I don't value it here, but tactical wins are what they are and you can see how "this plan is operationally really good" compensates for its dubious strategic value in the mind of those calling the shots.

From a wider lens I view the escalation as a domestic political move. Israel is just out of cards when it comes to Gaza - neither side really wants a cease-fire, Israel is running out of targets to blow up, and the governing coalition is a fractured mess. Since every crisis is an opportunity, to keep momentum going "eliminate Hezbollah" is the kind of pivot one would envision, really rejuvenate things. And "returning Israelis' to their homes in the north" is the kind of thing that both appeases a rebellious faction and also compensates for their near-total failure to rescue hostages, the goal Israel decided to crucify itself by committing to. You can't get a win in the south, you pivot to the north; politics is weird that way!

No real read on how effective it will be - I actually wouldn't be shocked if it works a bit. Maybe fair to say the strategic goal is just cover, like you have to say you have one right? They might not believe it themselves.

[heartsmending]

An Update (Vent)

So I learned that no one on the dev team knows how to draw character sprites or design custom tilesets in MV. Least of all, me. And I signed up for the job title back when we were using VX Ace.

I tried purchasing every MV-compliant DLC under the sun, but I was completely lost as to how to install it. I wanted to scream, I wanted to cry my eyes out, I wanted to piss on Ronald Reagan's grave.

3 other people have MV, but no one knows how to design characters in it. So as of 2 days ago, the team is officially without a Sprites and Tilesets artist.

This game is going to never see the light of day if I can't find anyone who can actually draw everything out pixel by pixel. And I can't even blame anyone in my team. Too many shades of one color is just not worth the psychic damage.

I'd ask you to pray for us, but something bad happens to me every time someone does.

- Vanessa

[madegeeky]

I'm playing Alan Wake 1 and I swear to fuck I'm going to super glue this man's fucking gun to his hand.

There's only so many times a man can lose a gun when it's fucking important to have a gun before it goes from unlucky to contrived and we're definitely past that point.

[thesean]

[shidoukanae]

Daniel/Ellie sketchpage!!!

Been becoming more and more fond of them as a ship recently and wanted to try drawing the greedy merchant gal and the mischievous do-good dragon guy!!

All the dragon guy/human gal ships in this story are really full of chemistry and these two are no exception. They've barely got any meaningful interactions between them and yet somehow they're still oozing with cute feels between them. Really makes me root for them to become an established relationship, especially since the creator handles both characters really, REALLY well already and i wanna see what they're like when they both reciprocate interest in each other :Dc

[gender-euphowrya]

it still baffles me how cults get founded like i'm watching this documentary about a guy who claimed he'd met aliens who were actually the creators of earth and humanity and they took him to their planet and he met jesus muhammad buddha and moses there

like i know they prey on very vulnerable people who are more prone to manipulation but man. how do you believe That gfkdhkjgdf

[keeps-ache]

game wants my email to play, i give it my email. i don't play game, because it was kind of eh anyway. they send me emails, because i gave them my email. i ignore them. they send me more emails. i ignore them. they send me email with a subject title that is essentially 'hey free stuff !!!!'. i boot up game. game wants to update. i know this takes forever so i do other stuff in the meantime. it doesn't finish updating for 3 hours. my computer is lagging. my music is bugging. my stylus is trying to fake another death. it's finally done updating !! i hit 'play'. loading screen for 30+ minutes and i can't listen to my music now because i don't have the option to turn off game's music on the loading screen. my everything is so slow. so so slow. but also.. despite all this................. free stuff.........

[fingertipsmp3]

I love when I open the guidelines for next week's assignments and it literally makes no sense. I don't mind this

[1337wtfomgbbq]

The moment a show or movie series manages to loose the appeal and you are rudely shaken out of your fan stupor... it's so fucking surreal.

[megaderping]

I feel like when people compare Akechi to Light Yagami, they fundamentally misunderstand his character. Their similarities really end at their designs, and Light is the kind of person Akechi would despise. Light Yagami lives a pretty privileged life at the start of Death Note. He has a stable home, with two parents and a sister who care about him. He's a successful student. There isn't really inherent tragedy to his life. The whole reason he starts using the Death Note is a mix of curiosity and a jaded worldview, and when it works it empowers him, very quickly goes to his head, as he believes he is one who can be a god of a "new world" once the shock of his initial kills wears off. While his first kill was to help someone, that altruism didn't last. He is in charge of his choices, while Ryuk mostly vibes and maybe eggs him on a little. Fundamentally, Light has something Akechi lacks: agency, and a comfortable life he took for granted. Meanwhile, Akechi is someone who lived on the bottom rung of Japanese society. His very existence is shameful there, between his mother being a sex worker, his status as an illegitimate/"throw away" child, and his mother's suicide. Years languishing in a foster system that is notoriously inhumane, in a country where 90% of the adoptions are grown men for inheritance and patriarchal reasons, while very few children in the system find permanent homes. When Akechi awakens his power, he approaches Shido not because he wants to kill people but for a stupid revenge plan cooked up by a traumatized child who's been nudged along by a malevolent god. He wants to build Shido up so that at the height of his power, he can expose him for the monster he really is, while another part of him genuinely wants to be useful to Shido, as Cogkechi later calls out. His feelings are a mess of contradictions, and so it's no surprise that Shido was able to mold him into his assassin at only 15 years old. It's also worth noting that Akechi only approaches Shido with his ability to cause psychotic breakdowns. Shido is the one who teaches and instructs him to do shutdowns. He's still complicit, very sunk cost with his revenge plan, but as I spoke of here, even if he wanted to quit, he couldn't alone. Shido's cleaner and control of the law and ability to effortlessly turn him in would render the Metaverse his only safe haven. I think people look at 11/20 Akechi and Akechi in the early parts of the engine room and assume that's just his "true self," when in reality it's another mask. Royal makes it very clear because in Rank 7, he outright warns Joker of what's to come via a pool metaphor and offers an out (though he's MUCH happier if you don't take it/stick to your principles), and in Rank 8, he goes on that big "I hate you" speech... while Sunset Bridge is playing. Y'know, the song that plays at the end of most confidants to reaffirm bonds. So when he smiles as he shoots what he assumes to be Joker, that doesn't mean he's genuinely happy. More likely, he's an emotional clusterfuck, given he also is disoriented enough to namedrop "Shido-san" over the phone, and in the subsequent meeting with Shido, tells him not to kill the Phantom Thieves and that Morgana is "just a cat." Yes, he says they'll make them fear for the rest of their lives, but remember, he's talking to Shido. The things he says are likely all incredibly calculated to sound appealing to Shido. And when you consider that he planned to utterly destroy Shido's reputation after the election, the "delay" makes even more sense.

Later, Akechi goes on about how the people he induced shutdowns on were deserving of their fates, but I don't think he believes it so much as it's the only way he could convince himself that it was worth it, and given how much society failed him, and given how many of the people he targeted were likely rivals/competitors or rich fucks, I think he'd be less inclined to assume good faith. Kunikazu Okumura was not an innocent little victim, after all. He was one of the people who requested breakdowns and shutdowns the most. I think Akechi enjoyed killing him not because of how it'd hurt Haru, but because of catharsis. Because Okumura is just as monstrous as Shido, so why should he feel remorse? However, I don't believe he feels the same about Wakaba, as when he discusses her with Shido, he mentions how her fate was because she refused to willingly work for him. It's another justification, but I personally think Wakaba's death was the most painful for him because he was effectively making Futaba just like him. That's why I think his reaction to Sae threatening Sojiro's custody was genuine. Anyway, evil grinning Akechi is just another mask, as I said. Keep in mind, this is someone who laments not meeting Joker years ago, someone who Morgana outright points out is lying about his hatred. And that's the thing. Light Yagami, while a really fascinating character, is not someone who had all this childhood suffering or lack of agency. He does not regret his actions in the slightest and goes down due to his own hubris in both the anime and the manga. While you can argue that Ryuk set him up by dropping the Death Note, Light was the one who picked it up and chose to use it. Any nudging from Ryuk didn't coerce Light into doing it because Light seized the opportunity. No, if Light Yagami is like anyone in Persona 5, it's Masayoshi Shido, not Goro Akechi. Both believe they are god/god's chosen, that they are the ones who will reshape the world to their ideals, and to be frank, both use and abuse women to serve their own purposes. Goro Akechi goes down sacrificing himself for the Thieves and pleading with them to stop his father and again in Maruki's reality when he refuses to let Joker accept a gilded prison of a world for his sake when he knows better than anyone what it's like to have no true freedom. If you max his confidant, you see him in the postcredits, leaving his survival entirely possible, and I think it works because at the end of the day, Akechi was meant to be a victim and a foil. Light is a villain protagonist and a cautionary tale. Though its his POV we follow, he isn't someone we're meant to root for, but I definitely don't think enjoying the character is a bad thing at all. He's really interesting! I just think that a lot of the Akechi and Light comparisons are surface level at best.

[steddieas-shegoes]

no more waiting

for @steddielovemonth day four prompt ‘love is being willing to wait for them’

a fix-it for these: steve pov | eddie pov  

rated m | 1,094 words | cw: post breakup, implied sexual content | tags: getting back together, angst with a happy ending, mutual pining

🩶🩶🩶🩶🩶🩶🩶🩶🩶🩶🩶🩶🩶🩶🩶

Steve should’ve called him Tuesday when the news broke.

And then he should’ve called him Wednesday when he ran into Wayne at the store and he said Eddie was coming home for a bit.

By the time Thursday afternoon came around, he didn’t need to call him. He was standing at Steve’s front door.

“Eddie.”

“Steve.”

It was stilted, more awkward than they’d ever been, even when they “broke up.”

“You just get into town?” Steve asked as if he didn’t know.

“Yeah,” Eddie answered as if he didn’t already find out that Wayne had told Steve his exact travel plans.

“You wanna come in?” Steve asked like he’d die if Eddie said no.

“Yeah, please.” Eddie replied, just short of begging.

Eddie knew where to go, knew how to act like this was his home just like he had for nearly a year before leaving. Before Steve insisted he leave.

He settled on the couch, leaving room for Steve to sit close, but not touching.

Touching would be too much, too painful.

“You saw?” He finally asked, picking at the hole in his jeans.

“Yeah.” Steve reached over to pull Eddie’s fingers away from the string hanging off his pants. He didn’t let go as he spoke. “I’m proud of you.”

Eddie’s eyes bounced between his own, searching for the hint of a lie, jealousy, anything that might give him an excuse to stay away. But as he expected, as he hoped, none of that was in Steve’s eyes.

“It doesn’t mean shit to me,” Eddie admitted.

Steve’s brows furrowed in confusion, his body tensing at the unexpected hostility in Eddie’s tone.

“None of it means a fucking thing to me without you.”

“Eds-“

“I know what we said, I know. But I can’t do it anymore. The first person I wanted to call was you. The first thing I wanted to do was fuck you into the mattress of my bunk on the bus. There’s no world where I can be a rock star without you standing there with me.” Eddie looked down at their joined hands. “I don’t care what it means for me. I don’t care what it means for the band. I don’t care if I have to give it all up tomorrow. I just want you.”

"I won't let you give it up, not now. You finally made it, Eds," Steve pulled one hand away to wipe at his eyes, equal parts happy to hear that Eddie still wanted him and sad that he couldn't have him. "I can't let you live to regret me. I couldn't wake up one day knowing that you blame me for keeping you back."

"Then come with me! Don't keep me back!" Eddie was crying as much as Steve, eyes red like he'd already been crying before he got to Steve's house. "You're keeping yourself back. What are you gonna do when the kids go? They don't wanna stay here, so they'll spread out and you'll still be here. You'll have wasted years being here for them. What about being there for you? What about letting them be there for each other and calling them up once in a while like I do? Like Robin and Nancy do? You don't owe anyone here anything, especially not if it costs you your happiness."

Steve had heard it all before from everyone, even Dustin, even Hopper, but it never really sunk in. It wasn't really now, either, but he was at least trying to think through it.

It made sense, but it always had made sense. It's just that what made the most sense was being here for the people who needed him.

"Do you really think those kids would be upset if you tried to be happy? Do you think they would rather you stay here and be miserable?"

"No." That answer was easy. The kids would never want him to be miserable. Nobody in their group would.

"Then be happy, Stevie. Be happy with me. I'd do anything to keep you happy," Eddie begged, lifting his hands to kiss his knuckles. "I want you to do this with me. I wanna sing to you every night, sweetheart."

"What if you get tired of singing to me every night?"

Eddie shook his head, smiling fondly at the man in front of him. "I can't imagine a life where I'd ever get tired of seeing the way your cheeks turn pink and you get that goofy smile on your face when I look at you from the stage. But if it did, then you can come right back here or go to Robin or anyone, because everyone loves you and wants the best for you."

Steve knew that, always had known that deep down.

"So the guys are just cool with me tagging along?"

"The guys will be thrilled to not have me pouting 22 hours of the day. They'll welcome you with open arms."

Now was when they could seal it with a kiss, maybe even let themselves get carried away, strip off their clothes, hurry through months of yearning in a few minutes. They could take it to the bedroom, or the shower, or the floor if they wanted to risk a sore back. They could leave marks that would take days to fade, and laugh about the way Eddie always, always makes the same whimpering noise when he gets inside Steve. They could, but they don't.

Steve leans his head against Eddie's shoulder and Eddie cups the back of his head, lets his fingers twist in his hair. They both let out a sob, recognition of how much they missed each other, how stupid they were for thinking being apart was better for either of them, finally sinking in.

"I'm sorry." Steve breathed against Eddie's neck, shaky and unsure.

"I'm sorry, too."

They stayed curled up on the couch together for hours, until Dustin showed up yelling about Steve not answering his phone. They hadn't even heard it ring, so wrapped up in their own bubble.

Eddie shooed him away, told him they'd be by to see him later, and surprisingly, Dustin left.

Only then did they manage to get up and go to Steve's bedroom, undressing as they went, lips never far from skin, as they got reacquainted with the taste and feel of each other.

Later ended up being the next morning, but luckily, Dustin didn't say a damn word when they both showed up at his door holding hands and beaming more at each other than at him.

[lavenderfilledcoffin]

since ur looking for requestss 👀👀

We need jealous human sebby, and lIkE coMfort him in the end of it huehuehue (idkk I want more human seb content 🤧)

pwetttyyy pleasee and thank you :D

misunderstanding

noun

failure to interpret or understand something correctly

☆ i tried to follow what you requested, and i hope this is sufficient—but, as always, i wanted to add stuff in. sorry!

?cw: poorly depicted panic attack

•*¨*•.¸¸♪✧•*¨*•.¸¸

Sebastian secretly admired you from afar for around three months until he finally worked up the courage to talk to you.

It was chance, so he says. He called it love at first sight, and you found it cute.

Sebastian is conventionally attractive, sure, but his heart is made of pure gold. You got the best of both worlds, who were you to complain?

The day that you said you would be Sebastian's significant other; his heart practically jumped in joy.

It was the start of a beautiful relationship that continued to blossom throughout the years, and the two of you couldn't be any happier.

Plenty of stay-at-home movie dates, along with the occasional restaurant date when he had a little too much money to splurge.

"Hey, [Name]?" You turn your attention towards your boyfriend who's resting his head on the side of the bed.

"Yes, Seb?" A smile is evident in your voice, which makes him look up into your eyes.

"Can you do... y'know..." He sheepishly smiles, averting his gaze from yours out of embarrassment.

You know exactly what he's talking about.

You scoot your legs off of the bed where Sebastian is. Carefully, you slip your legs off of the bed and over his shoulders, pressing your thighs against his neck.

He immediately relaxed, sighing happily. "Thank you..."

You didn't reply, you just ran your fingers through his hair. It was noticeably softer, but still messy as usual.

"Did you use my hair products?" You leaned down, your chest touched the back of his head while you buried your face into his hair.

"The scent suits you." You ruffled his hair before sitting back up.

"S... Shut up." His embarrassed tone makes you grin devilishly.

You playfully and dramatically gasp, acting offended. "That's not nice."

"Wha—?!" He looked up, meeting your gaze.

"Oh, nothing." The grin on your face said otherwise, but he wasn't going to question it any further.

Just as Sebastian was getting comfortable, your alarm went off, which caused him to jump.

"Relax, I need to get up anyway." You were about to move your legs, but he wrapped his arms around them.

"You can't go. Nope. You're staying right here." Aw...

"Mmh... Seb. I'm sorry, I really have to go."

He whined but released your legs with a frustrated huff. "Don't pout. I'll be home in an hour, okay?"

You leaned down, pressing a sweet kiss to his lips.

Sebastian really didn't want you to go, but it must be important if you ignored his plea.

With a barely audible whine, he pulled away. "Well..." He looked off to the side, then back to you. "Have fun?"

"I'll try to." You pressed a kiss to his forehead, leaving the room to go put your shoes on.

Sebastian just sat there, wondering what you were going to do.

He knew it was wrong, and an invasion of your privacy, but he just had to see where you were going.

With a deep breath, he stood up, grabbing his keys after putting shoes on.

After you left, he ran out the door and entered his car as quickly as possible.

As his car roared to life, he quickly strapped his seatbelt around him, put the car in first gear, and drove off in an attempt to catch up to you.

He trusted you, so why was he having doubts? The thoughts made him groan, putting his car in third gear.

The drive had taken around twelve minutes, and you arrived at a restaurant.

Sebastian was immediately suspicious. He parked his car down the block, making sure to avoid being seen by you at all costs.

He opted to watch from afar, not daring to risk going inside.

You were seated at a table, when he saw who the other person was, his heart sunk.

A handsome man wearing a suit that screamed filthy rich.

If he was dressed so nicely, then why were you dressed so casually?

He couldn't keep his eyes off of him, what business did he have being there with his significant other?

Only then did he see the man handing you a small, sage green velvet box.

He couldn't bear to watch any further, the implications made him nauseous, and he needed to think.

The drive back home felt surreal.

How would he explain what he saw?

Did he even want to know?

Home. The word felt foreign. Maybe he just hadn't processed what he saw properly.

A nap would surely fix everything.

The world around him felt as if it was crumbling, he didn't feel real.

He stepped into your shared room, shakily walking to the bed.

He hadn't felt this feeling since his junior year of high school. A panic attack? Surely that's what it was called.

Jealousy is a dangerous feeling, isn't it?

So why did it have to be this way?

Sebastian clutched his chest, trying his best to steady his erratic breathing. Endless tears fell from his eyes, his perception of everything had been shattered.

Time felt slow, as if it had stopped entirely.

But.

Warmth. He felt warmth. What was it?

It was you. When had you gotten home? Hadn’t he just gotten back?

“Sebastian…” It sounded like you had been crying. He felt your arms tighten around his body.

He had to ignore what he had witnessed earlier, you were only human after all. Everyone needed comfort.

He weakly reached his hands up to your shoulders, gripping them and pushing you off of him.

“Why?”

“I… I come home to find you like this—it hurts.” You tried your best to keep your voice steady, “you were fine before I left so—why…?”

Not even Sebastian could tell what he was feeling, “you… I’m an idiot.” He turned his body away from you, opting to hold onto himself for support.

“Please. Talk to me. I want to help.” Your hand rests on his shoulder, but he doesn’t budge. He feels ashamed.

“That man.” His words caught you off guard. “Did you… follow me?”

He nods.

“Did you see what I was given?”

“Box.”

You sigh out of relief, which irritates Sebastian. “What do you have to be happy about?” He turns his head around, his eyes full of miserable anger.

“I wanted to save it for our anniversary dinner, but…” You pull the small sage green box out from your pocket, opening it. “I don’t want to lose you, either.”

A gold ring with small diamonds and amethyst rests comfortably between tiny silk cushions.

Oh, he fucked up, didn’t he?

“What…?”

“We’ve been together for all these years, and I want to commit everything to this. I had this ring custom made just for you.” Slowly, he was shifting back towards you.

“Sebastian Solace, w—“ He cut you off, pressing a finger to your lips.

You were about to panic, thinking it was rejection, but the gentle kiss he pressed to your lips said otherwise.

The small box fell to your side, the fluffy blankets stopped its already gentle fall, and you forgot about it momentarily.

Everything was happening too fast, it made your head feel as light as a feather.

He pulled away, a sad smile etched onto his face. “I’m sorry.”

“Don’t be. I’m sure you had your reasons.” Your words made him feel even more guilty, but you spoke up again.

“You look better when you smile.”

With that, you took his right hand into yours. For a second, you looked at every small scar on his hands.

Engineering must be rough, huh?

You retrieved the sage green box that fell out of your grip, taking out the ring.

You slid it onto his ring finger, and just as expected, it fit perfectly.

Sebastian had to hold his hand up to his face, “am I dreaming?”

“I would hope not.” You scoot closer to your now fiancée, “what about your ring?”

“It’s still being made. Should be done in a few weeks or less… Give or take.” You rest your head on his shoulder.

“It’s gorgeous. Thank you, honey.” Sebastian laid down, pulling you down with him.

The plush pillows were comfortable, but he’d rather use your chest.

That could wait for another night, though.

[daytaker]

The Demon Brothers React to Watching a Horror Movie with You

CW: discussion of gore (Satan)

I didn’t include the dateables in this one but if people want that, y’know…let me know.

Lucifer

"You frighten yourself... intentionally? Interesting."

He fails to see the appeal, quite frankly.

Not only does he not find them scary, he doesn't understand why you watch them if you do.

He's too used to playing the babysitter to take you grabbing his hand as an excuse for physical contact. He interprets it as you tapping out, so he'll pause the movie and give you an out.

Of course, if you insist on finishing the movie regardless, that's an interesting choice in and of itself.

What an opportunity to observe a tortured human psyche at work.

If you insist on holding hands at this point, he won't fight it. He is a bit more dubious than before, though. Are you really doing this because you're scared? You wouldn't happen to have any ulterior motives, would you?

He will gladly reassure you after the movie is over that you are always welcome to come to him for comfort if you're afraid in the middle of the night. You know where his room is.

Mammon

"Just so we’re clear, I ain’t afraid of no horror movies. Not even a little! Not even a teensy-tiny bit, all right? Like, seriously."

He's lying.

This isn't even headcanon stuff, this is just common knowledge.

Also common knowledge: he will insist on proving how cool and brave he is by watching a horror movie with you and protecting you from the monsters and gore onscrEEAAAUUUUGH???!!!

He wasn't scared, he was just startled.

And he's only up here on the lights fixture because he remembered one bulb was flickering earlier. There. He fixed it. He's just being responsible.

Anyway, if you're nervous and want to hold his hand, he understands. Humans are fragile as hell.

In fact, you don't need to stop at hand-holding. You can just hug hiMYEEAAGH!!!!

He's hugging you instead. He's being a good demon and taking care of his human.

Yes, he's in your lap. He thought you'd feel more secure that way.

Stop laughing!

Leviathan

"So I read that the film set for this movie was cursed by a mangaka who never got credit as an influence for the story..."

Time for some J-horror, obviously.

He read up extensively on the production before asking you to watch it with him. He figures he'll be less terrified if he has plenty of background knowledge about the film as an artistic piece to remind him that the happenings onscreen aren't real.

Instead he found a bunch of rumors about how the movie was cursed. But he'd already poured so much of his valuable time into researching it. Sunk cost fallacy: activated! You're watching this damn movie.

He's scared. He's so embarrassed to be this scared but he's scared.

When he's by himself, he doesn't mind that he spooks easily. He likes it. That's the fun of horror games and movies.

But with you here, he feels the pressure to be your emotional rock during the harrowing film-viewing process.

You can hold his hand. You know, if you want to. He gets it if that idea grosses you out, but he did wash his hands right before you got here, so...

If he gets too scared, the demon form comes out, and suddenly you have a scaly tail wrapped around your waist and webbed fingers clutching you.

He's sorry, it's just... It just happens sometimes, okay? Laugh it up, normie!

Actually, it feels kind of nice when you stroke his scales like that. If you really want to, you don't have to stop.

He is no longer watching the movie.

Satan

"This is an extremely unrealistic depiction of decapitation with a hacksaw."

There is nothing less scary than watching a horror movie with Satan, because his smart ass can't stop telling you about everything wrong with it.

The movie is starting. Are you nervous? He'll hold your hand. He has enough basic sense to at least get that part of the process right.

...That's not even close to how it looks when you disembowel a deer.

There's a lot more blood spatter than you'd expect when head wounds are involved. Apparently the special effects crew on this movie didn't do their due diligence.

Hmm, that's actually a pretty convincing amputation scene. Credit where credit is due.

Sorry, but he thinks that calling this one a "psychological thriller" is giving it a little too much credit.

Asmodeus

"Nooo! Ahhh, I can't take it, it's so scaryyy!"

He's not scared. Not even a little.

He's not even grossed out.

But he thinks that seeming terrified is cuter than seeming mildly amused and a little bored.

So before you start watching, he makes sure to lay down some ground rules.

If he's scared, he gets to hold your hand. If you're scared, you get to hold his hand.

If he's scared, he gets to hug you. If you're scared, you get to hug him.

If nothing scary is happening for more than five minutes, he's allowed to request a kiss. Just to keep you both from getting bored.

Why are sex scenes in slashers so awful? Even before the stabbing starts. They're just so... blah. It's disappointing every time.

Ahhh! There's the killer! He's so scared! He's going to hide his face in your neck and cling to you for dear life!

Beelzebub

"What's wrong? Why do you look so sick?"

Bro will eat nonchalantly through the most brutal and gut-wrenching scenes of gore, entirely unaffected.

And he will.

He will do that, right in front of you, and not even have the decency to understand why you have to go vomit.

He doesn't really get most horror films. But occasionally something will resonate strongly with him and he will become very quiet and potentially fairly upset for awhile.

If something reminds him too much of Lilith or her death, for example.

But even if that happens, he won't stop eating.

Belphegor

"Wake me up if something interesting starts happening."

Another one who is entirely unaffected by horror.

Nothing is more horrifying than living as himself in this fucked up world.

He's very annoyed whenever Mammon or Levi watches anything horror-related because their screaming makes it hard to sleep.

He doesn't mind if you scream though.

He can fall asleep to the sound of you screaming.

Take that however you wish.

[manicpixiefelix]

he wanted to be in love (but you got in the way) // epilogue

{ head, heart, hand. masterpost }

Summary: Oliver is haunted by what he's done to get his happy ending in Felix's arms. His guilt is only made worse when he meets the first member of your family to actually remind him of you. Unfortunately, he does not find it to get better from there.

{ context; please read he wanted to be in love (but you got in the way) first }

Need to Know: They/Them. Explicitly NB Reader. FWB!Reader/Felix. Reader is from a well off family but has pretty much been adopted by the Cattons. YOU ARE ALREADY DEAD IN THIS ONE, but you do get to haunt the narrative. congratulations?

Warnings: discussions of death/overdose, lots of guilt, manipulative oliver, felix being upset, vaguely unhealthy oliver/felix, lotsa angst, oliver quick reckoning with the sunk-cost fallacy.

A/N: 6828 words. first, i don't usually do part 2s when i say something is a oneshot, so this is a rare occurrence. secondly im sorry this is almost 7k there's something wrong with my brain i think. thirdly bro, bro, listen to me; ANGST. HURT NO COMFORT. HURT NO COMFORT. it's soft in the middle THE SOFTNESS IS A LIE. ITS GONNA HURT ALL THE WAY DOWN (apart from nana i love her nd i hope you will too)

TAGLIST IN COMMENTS!! // TAGLIST ALWAYS OPEN ! (just message or comment to be added)

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One hour and fifty three minutes.

Rounded up, because all things considered, he should round it up, that's two hours.

Two hours. Like the blink of an eye in the scope of a whole life. But a very long time when you sit and count it out.

One hundred and twenty minutes. Seven thousand, two hundred seconds. He's always counting two hours, seeing exactly how long it feels like, how he can fill that amount of time. Seconds pass like a steady heartbeat.

He can do a lot in two hours.

Oliver tries to occupy himself nowadays more than ever, and really tries not to be alone, but it's hard. Farleigh left for Oxford. Venetia, before she decided to backpack across Europe and find herself, wouldn't let anyone touch her anymore.

Oliver doesn't like leaving Felix alone, but sometimes he has to be. You're laying cold in a family crypt somewhere next to a grandfather you never knew, and while Elspeth and Sir James don't comment on it, they both scowled when your parents sprung the announcement on everyone at the funeral.

Felix spends a lot of time alone at the edge of the maze. He's making a fairy garden where you had waited. Sometimes he'll drive into town without telling anyone, and come back with quaint, second-hand miniatures to add. It's beautiful, shining with greens and golds when the setting sun hits it just right.

So Oliver finds time to occupy himself, when he's alone and all he can think about is you sitting by the maze. You laying by the maze. You alive when he'd run from the maze. And the two hours that followed.

Sometimes he leans out of his window and shouts to the gardeners so far away they look like ants; even at this distance, his voice carries, and he sees them turn, search for him, ask if he's okay. He is, and he apologises, and he think about how far his voice carries.

On occasion, out of the blue, he'll lift Felix up when he hugs him, able to get his feet off the ground as Felix wriggles and clutches him out of surprise. Of course Felix lifts him with ease in return, spins him around, but that's not the point. Oliver is stronger than he looks; he wonders if he could lift you, could carry you far, if he could have dragged you if it had come to it.

Some nights he wakes up in a fright, your rapid heart rate beneath his fingers and he swears he could hear you whispering for help amid your shallow breathing. Please. Pleading. Begging. You were alive when he'd left you. He presses two finger to Felix's pulse point beside him, and tries to calm his breathing, to focus on Felix's slow, steady heartbeat.

And some days he sneaks into the computer room and curses how long webpages take to load when he looks up statistics on overdoses. Symptoms. Niche forums where he can learn what it felt like from survivors. People luckier than you. Their words, their stories, the recollections of those horrifying sensations stick with him, even as he diligently erases any trace of his browsing history.

And he thinks about how fucking long two hours is.

"Nan's coming over later," Felix tells Oliver idly one Sunday afternoon, "we're having tea of you'd like to join us." They're laying out in the grass, Oliver in the grass finding shapes in the clouds, Felix on his side, chewing on the stick of a lollypop he'd finished an hour ago and gently tracing abstract patterns on Oliver's chest.

"I thought you said your granny haunted Saltburn," when Oliver looks at Felix, he still can't help the way his heartrate picks up. Felix Catton touching him in the most gentle, caring way; he'd never stop feeling lucky for getting here, and never forget what he did to earn it.

Felix's gaze moves with his fingertips, up Oliver's warm, bare chest, twisting two fingers in the delicate chain around his throat. He looks pensive; but shakes his head after a beat.

"Different nan," he says distractedly, plastic straw trapped between his teeth. He tugs the chain experimentally, like he's forgotten it's attached to Oliver at all. He's in his head again; Felix is always in his head nowadays, but there's still often echoes of who he was, echoes of what Oliver has fallen for in the first place.

And he's finding himself falling more and more for this version of Felix too. So he tell himself that it was all worth it.

"Love," all these pet names - Love, Darling, Sweetheart - because if he slips up, tries to call him Fi, Oliver knows he'll only get ice in return, "is everything okay?" Oliver carefully reaches up to cover Felix's large, warm hand by his throat with his own. Felix meets his gaze, and gives a faint smile, an attempt to reassure him when he says he's fine. It doesn't work, but Oliver lets it go, and lets Felix tug him in by his chain for a kiss.

"Tea sounds lovely," Oliver murmurs against his lips.

There's something about this visit has Felix alive and buzzing the he way he hasn't in a very long time. Still he's quiet, but his eyes are bright as he follows behind the staff members setting up tea and biscuits in the garden. He goes through all the DVDs the family has and picks out a stack he thinks would be suitable, making sure they're all perfectly stacked by the DVD player. Oliver floats along behind him, and simply allows himself to admire Felix's energy.

Still, Felix finally takes a moment to breathe right as it becomes noon, and decides to have a bath to freshen up before his guest's arrival; two hours before she'd be here, Felix reminds him.

Two hours.

Oliver feels drawn to his own room. He doesn't allow himself to be alone in Saltburn often anymore, doesn't like the thoughts that crop up when he does. Perhaps it's a kind of punishment, a painful reminder, penance for what he's done.

There's a scrap of paper that he keeps tucked in a book in his nightstand, his own handwriting stuffed amongst a collection of Edgar Allan Poe's short stories, words he'd clung to and scribbled out the minute he'd gotten the chance so he'd never forget them exactly.

From the coroner's report, according to Duncan and Sir James. Time of Death; around 2am. Cause; narcotics overdose, and there were signs of alcohol poisoning.

On the back, he'd written '12:07'.

"Mum and dad both say it was a tragic accident," Felix's voice in the dead of night, the night they'd gotten the full report, riddled with guilt and unspilled tears, betrays his disbelief regarding the sentiment. Felix doesn't talk about how his last words to you were shouted with anger. Felix doesn't talk about how your last words to him were a desperate plea for him through tears. Felix doesn't think that it was an accident; only Oliver knows that he's almost right, just not in the way he thinks. Or dreads. But he has to bite his tongue on the truth, and let the man he loves live with this unjust guilt.

The water starts loudly draining for the tub, and Oliver isn't sure how long he's been sitting on the edge of his bed with his eyes squeezed so tightly shut, but he scrambles to stuff the page back into the book, and toss it back into it's drawer. He can smile again, and admire whatever outfit Felix chooses for the rest of the day, and pretend like he doesn't feel your rapid heartbeat or hear your shallow breathing every time he touches that paper, like he had the night he left you.

With the hour drawing ever closer to two, Felix keeps checking his watch. The minute he deems it to be time, he gives up all pretence of small talk - which had been another thing severely lacking as of late - and snatches Oliver's hand, pulling him through the house. They even outstripped Duncan and the footmen by the door when there comes a firm knock. Its the only time Oliver has ever seen any of the Cattons open the doors for themselves.

And it's not Felix's grandmother.

"Hi, nan," Felix sounds so genuinely happy as he hugs the older woman at the door with a warm smile and your eyes.

Oliver feels like he's frozen, like he's seeing a ghost. Out of the corner of his eyes, he sees Duncan actually standing aside, giving Felix and your grandmother a quietly fond smile.

"I swear you get taller every time I see you, oh, my lovely boy," she says with a warm laugh that sounds so damn familiar, "or maybe I've been shrinking, you get to my age and people tend to do that," and Felix laughs, actually fucking laughs. Oliver realises it's been a long time since he'd heard Felix give a proper laugh like that. As the hug ends, Felix let's her tuck her arm in his as she continues, "just you wait, one day you'll only be six-foot tall." Another laugh, and Oliver can see how genuine and broad he's smiling, how his eyes shine when their gazes meet. She's surprisingly sprightly for her age, it seems. Oliver recognises your grandmother from your funeral, but hadn't made the connection at the time, so he's surprised when Felix goes to introduce him and her eyes sparkle with recognised.

"Nan, I don't know if you've been properly introduced, but this is -"

"Your Darling, Oliver," and it's said with such warmth; her hug feels almost like home, "you strange, little thing," she laughs, "it's called a hug; are you not a hugger? I should have asked," but she doesn't apologise, nor does she let go for a few more beats. Oliver gives into this moment, closes his eyes tightly and hugs her back.

"Our Darling Oliver," Felix echoes with such admiration, and when Oliver opens his eyes, it's the first time since you'd passed where his gaze has held only the love and pride Oliver had been craving since he'd first laid eyes on him.

Once Nana - she'd insisted Oliver call her that too - lets him go, she tucks her arm in his, and is waving Felix over to her other side, briskly asking where tea was to be held. Duncan leads the way and she fawns over him too, apparently downright overflowing with love for Saltburn and everyone and everything in it. She talks more than she doesn't, but considering who Oliver is and who Felix has become, that suits them both just fine.

It's been too long since they've had tea together, she insists, and doesn't talk about why exactly that would be. She doesn't bring you up, not while you were all making your way through the house, but once she's settled outside, she takes a moment. The way she looks at Oliver in this moment makes him queasy; the smile, that look in her eyes, the way her gaze takes all of him in. A woman, whose time is so precious to her, taking her time to make him feel seen. Felix is quiet, intrigued by the exchange.

Your phantom heart beats beneath Oliver's fingertips.

"You're Y/N's grandma," Oliver says quietly, breaking the tension. Present tense still, they all play pretend. She smiles, and finally leans back. The moment is broken; Felix pours them each a cup of tea. Nana takes a jammy dodger and looks over the gardens with a smile.

"Of course, dear," she says sincerely, taking a bite of the biscuit, but being so eager to talk that she spoke through half a mouthful, "and when they were thirteen they told me I was Felix's grandmother too, because they'd overheard Felix's mum talking about how she hoped they'd get married some day." Felix snorted a laugh at that, turning pink around the ears as he prepared everyone's tea, as if on autopilot.

"Does that -" Oliver begins awkwardly, but he tries to smile, "do you think in time, they would have ask the same of you about me?"

"Considering how they spoke about you," there's a twinkle in your Nan's eyes as she turns back to him, smile knowing, "there's absolutely no doubt in my mind, my dear." All you had ever done was love him; love him and stand in the way of the love he desperately craved.

Oliver watches his tea for a long while, spinning the ornate cup on its matching saucer, while your Nana almost immediately picked hers up and took a tentative sip. Watching out of the corner of his eyes, Oliver notes the way her face goes on a journey of emotions, from pleased, to confused, to a sudden realisation as she looks to her cup.

"I should have asked you how you liked your tea," Felix realises too late, apology in his voice as Nana puts her cup down with a forlorn, yet fond look.

"No, darling, it's nice to know you know how my grandchild liked their tea," and she holds her cup delicately, looking into it's warm, brown depths, "just the same as I always made it for both of us when they were much, much younger."

"I am so sorry to ask," Oliver hears himself blurt out, unable to help himself, "but how does all this love just skip a generation?" It comes out far worse than he intends it to; he means to ask how someone so loving as you come from parents so uncaring, yet how did either of those parents turn out the way they did when the woman in front of him was clearly bursting with just as much love as you had been. Thankfully, instead of being offended, your grandmother laughs.

"My daughter is a wonderful, intelligent, compassionate, impressive woman," she begins, but sighs with unmistakable disappointment, "but my late husband was never capable of even trying to be a father over pursuing his own interests, and it's one of the few traits she actually inherited from him," she shook her head, "and she went on to fall in love with a man who loved her but suffered from that exact same defect," after a beat, she looked up with a warm, reassuring smile, "it's why I love Y/N so fiercely, and so hard," her grin turns soft and adoring, looking between the two boys before her, "the only way my daughter has ever disappointed me is as a mother, but I will never be disappointed in Y/N as my grandchild."

Oliver knows there's tears in his eyes, and Felix has ducked his head. Immediately Nan begins apologising, realising she'd set both of them off. Despite this, Oliver tries to wave her away, insisting it's fine, before he asks about her; he's heard bits and pieces he thinks, but Y/N had always been so cagey about their family. Honestly he's surprised that your grandmother knows so much about him when he feels like he's barely heard about her.

Despite turning out to be an incredibly decorated artist, with paintings selling for more than Oliver's pretty sure his own family's house is worth, your Nana is quick to downplay her own successes, simply insisting that it took decades of hard work. Again, he sees you in her eyes.

"We've got a few up around the house," Felix adds, "most of them actually from before we even met Y/N," and your Nana gives him a shove, as if flustered and embarrassed by the idea. But Felix is beaming, happy to be showing off her accomplishments, just as he always took joy in celebrating you; "there's one in your room."

"What?" Oliver asked, and your grandmother also seemed surprised, though touched by the thought.

"It used to be their room, actually, but Ollie moved in there, so Y/N was staying with me," he explains a little awkwardly, wanting to skim around as many implications as he could. Thankfully she doesn't comment. All she asks is which one. Felix and Oliver both think about the room; Felix about the few pieces of art on the walls, Oliver about your time of death in the drawer. You were alive when he left you -

"That one of the stars, and that person smoking; I think you actually gave it to them as a gift," he frowns for a beat, "for when they turned seventeen, I think?"

Oh, Oliver knows that one. It's enchanting, blues so deep, so rich it's like you could swim in them, stars that seemed to actually glow on the canvas, and the hazy, dark outline of the window in the foreground, and part of a figure against the windowsill, lit cigarette the lone spot of fire, of red or orange, that makes everything else warmer for it.

"That one really surprised me actually," Nana admits, giving Felix a shrew smile, though he only seems confused, "did they ever tell you anything about it?"

"Said you painted it for them; pretty sure I remember them crying about it," he says fondly, reminiscing, "one of the best gifts they ever got, I'm not lying, they say it every year. It's beautiful." Then, as if recalling what she'd actually said, he looks at her curiously, "surprised you?"

Her smile widened into something both knowing, and endeared.

"I asked them to send me a photo, a postcard, their very best drawing, anything, as long as it was their favourite place in the world - do you really not recognise it?" The tea and biscuits are gone by now, the tea portion of their afternoon is coming to a close. Felix shook his head, almost looking like a lost child, as if he was aware there was something he was supposed to be understanding but couldn't quite get it, "Felix, my dear boy, they sent me a photo of you; that's their dorm room window from boarding school."

Felix looks winded, and a bit like he's about to cry.

"Oh you two were impossibly sweet," she reaches over and holds his hand tightly, looking over to Oliver earnestly, "you take care of this dear boy and his heart, you hear me?"

"Yes," Oliver all but trips over his words to agree, "of course, nan." And she gives him a pleased grin.

They move indoors after this, Felix quiet but lending his arm to Nana, which she takes, while she explained that usually you and Felix would visit a few times a year when they were on break, but she thought it would be best to come to Saltburn this time, given the circumstances.

"You should come see the place when you get the chance," she insisted, patting Oliver's hand.

"It's mostly where Y/N was raised before they ended up staying at Saltburn," Felix supplied with a grin, piquing Oliver interest.

"Y/N's childhood home? Oh I have to see that," he grins, and your grandmother grins brightly for a long moment.

"I'm sure Y/N would love that, they can give you the grand tour -" but her face falters, falls, as if she'd just remembered. Sombre silence, the spell is broken. "I'd love to have you around, dear," she corrects, much softer this time.

Felix lets her pick a movie, while Oliver settles himself awkwardly on the sofa. He wants to reach out to Felix, to touch his cheek, feel his boyish smile and know that it's real. But Felix isn't really even looking at him. There's something childlike about his enthusiasm here, about how he sits on his knees on the floor, watching with rapt attention as your grandmother pores over them. He practically glows as she praises his choices. When she picks one, she hands it over and he scrambles on all fours across the short floor space to the DVD player, fumbling with the case like he can't put it in fast enough. There's a softness in your grandmother's eyes as she watches the boy who has seemingly forgotten the man he is; when she looks at Oliver, its like he sees her asking how easy is he to adore, what a beautiful young man.

"You don't mind watching a movie do you, Oliver, dear?" She asks, though it's clearly an afterthought. He's already shaking his head, assuring her it's fine. Felix is already scrambling back, remote in hand. Oliver tries to make space for him on the sofa between himself and your Nana, but he seems content to sit on the floor in front of her, leaning back against the sofa with her knees gently pressed against either of his shoulders. Handing her the remote, Felix twists to give Oliver an expectant smile.

"Come here, mate," he insists, patting his lap, his legs kicked out in front of him. At Oliver's obvious confusion, Felix blinks for a few moments. It's like he's waking from a dream. His face falls, he goes to apologise, strained smile on his face, "sorry, I know that's weird, you don't have to -"

Slowly, Oliver moves from the sofa, sitting beside Felix on the floor. Your grandmother's knee is pressed gently to his back, but he's not quite sure if he's capable of relaxing enough in this moment to mind. She's playing with Felix's hair, having already started the movie.

"This is what you and Y/N would do," Oliver said softly, and rested his head on Felix's shoulder. Felix takes his hand, and laces their fingers together.

"Do you like it when people play with your hair, Oliver?" Your grandmother asks idly.

"Um, sometimes," he answers, still feeling rather awkward. He hears her chuckle warmly.

"It's okay if you don't want me to; Felix likes it so much he lets me braid it when it's long like this."

"Oh, I know Felix loves it," Oliver hears himself agree, "if he were a cat he'd be the kind to purr any time someone scratched between his little cat ears." And while both he and your grandmother share a fond laugh, he can hear Felix's smile in his words. He gives Oliver's hand a squeeze.

"I can't even argue; I wish I could purr right now."

Oliver wants to bottle this moment forever, keep it locked tight in his chest.

But the movie is a long one. One hour and fifty six minutes. Two hours rounded up. A whole two hours. Enough time to fall asleep with his head in Felix's lap the way they both said you used to. He wakes with your heartbeat in his ears, rapid, alive, left for dead.

"You okay buddy?" Felix looks at him with genuine love and concern; it's been such a long time since he'd seen that look, even with everything that had been happening, "I'm here, you're okay," he assured. Over by the television, putting the remote back, your grandmother glances over at the interaction with a warmth that makes Oliver feel queasy in this moment.

And he'll look up from the book, from his notes from the coroner's report crammed in, obscuring the end of one story while The Tell-Tale Heart begins on the other. Felix will be getting ready for bed in the other room, but he won't sleep there. He can't sleep there. Can't sleep in that bed without you, can't move the costumes from that night that hang side by side as a reminder of the hole you'd left behind in his life. Oliver will read approximately two am in his own messy handwriting, and look at the digital clock on his bedside that had read 12:07 when he'd crashed into his room and locked the door and sunk down against it. The numbers had been shining red in the darkness. On the wall behind, that starry night sky and the hint of Felix and his cigarette; a home you'll never return to hung up in the home you'll never truly leave.

He put enough coke in that bottle to kill a fucking lion. He'd given you the bottle. He'd told you he loved you. He'd left you like that.

He knew you were dying.

He'd left you alive.

Two hours.

The book snaps shut. In the silence he thinks he hears your breathing. Please, Ollie, help. Paranoia is a cruel thing, he has to tell himself; paranoia and guilt.

"Can I ask you something?" Felix joins him just as he's putting the book back in it's drawer. Oliver, heart beat racing - never as fast as the memory of yours, oh now it's all he can think about again - nods quickly. Felix sits on the end of the bed, clearly preoccupied, fussing with the buttons of his pyjama shirt. The days are getting cooler now; Oliver misses his bare skin against his, but he still feels too precarious to make such an observation.

"It's about Y/N," Felix swallows, can't meet his eyes, "about that night." Oliver feels his mouth go dry; the worst fucking night of his life. The night he doesn't know if he'll ever figure out if he regrets all he'd done.

He nods again.

"Were you the last person they spoke to?" It's like Felix is forcing himself to not shy away from this moment, giving Oliver the attention he thinks he deserves for such an important question. Then, after swallowing hard, he can't help but drop his gaze, "why," he can barely get it out, there's already a lump in his throat, "didn't they come into the maze too?" Oliver can't even give him that.

You'd been such a mess on your way to the maze, even with Oliver supporting you. Crying, furious, apologetic; you were everything at once. Even when you couldn't bring yourself to go in, everything about you had been sliding from one emotion to the next. But then it had stopped.

"I can wait for Fi here." It's the most sure that he'd seen you all night. It's when he knew. It had to be you, even if he loved you too. He'd never forget how clear your smile was, how sincere you'd urged him into the maze to follow the tail of what he thought was right. The sight of you, waiting, obedient and loyal for your master to return; "I'll be here, I promise; I'll wait."

Oliver knew before he'd even entered the maze that Felix's return to you would be too late.

In the present, Felix waits too, diligent, expectant. Oliver thinks about lying. Oliver thinks about how the truth will break his heart. Oliver thinks about how close Felix will hold him in his guilt riddled grief.

"I don't think they wanted to interrupt -" Oliver tries to start, but Felix immediately swears, hangs his head.

"Can't fucking believe I did that," he spits, "I was angry, and off my fucking face, sure, but that was fucking low, even for me," he admitted, pitching himself back on the bed, whole face scrunched up with guilt, barking out an upset fuck far louder than the others, prompting to Oliver to tentatively ask what he means. Felix took a moment, as if forcing himself to calm down, before he admits, voice low like he was sharing a secret, "I never even took Eddie into the maze," he sighed. After a beat, he conceded, "no, okay I did, but we didn't do anything - we made out a bit, but -"

"You didn't fuck you ex-boyfriend in the maze," Oliver connected the dots quickly, "but you did fuck your best friend's ex-not-girlfriend who you kind of stole from them, out of spite after kicking them out of your the bed you've been sharing all Summer?"

"Fucking hell, Ollie!" Felix sounds especially wounded when he lays it all out like that.

"Sorry," immediately, Oliver apologises, knot in his stomach when he hears Felix's pained tone. He wonders if this was what it was like for you all through the night of his birthday. Fuck, he can't think about that.

"No, but you're right," Felix admits, eyes finally opening, looking all hurt and vulnerable. Oliver lays himself down next to Felix, going the other way, both of them looking up at the ceiling. Oliver's hands rest on his chest, trying again, softer this time.

"So was a special place to them?" He gets no response other than a guilty nose from Felix, "you think that's why they wanted to wait by the entrance?"

"They wanted to wait for me," Felix says weakly, clearly in his head about that night once more, "didn't want to interrupt even as I was fucking defiling our-" but he catches himself turning bitter again, mouth snapping closed, "after everything I said that night," he mumbles, "fucking hell," he chokes out. The pain in his voice is audible. This is the sweet spot, Oliver thinks.

"I can wait for Fi here," Oliver whispers amid Felix's faint sobs.

"What?"

"You asked me what their last words were," Oliver told him as softly as he could manage; Felix sits up, eyes wide, distraught, so full of guilt and love and - "only thing they were properly coherent about; waiting for you," Oliver props himself up, reaches out to wipe a tear from Felix's cheek.

"You're not- Ollie, please tell me you're not kidding," Felix practically begs.

"I can wait for Fi here," Oliver reiterates, making sure to meet Felix's gaze as he holds his face, "'s the last thing they said- they said; I'll be here, I promise; I'll wait."

God he can see it in Felix's eyes; it's like the man's entire world crashes down around him. But he clings just as Oliver had hoped he would. As Felix holds him tightly, Oliver can't look at the glaring, red numbers of the clock on his bedside, the constant reminder of the two hours where he could have done something. Two hours and those wouldn't have been your last words.

He looks at the painting. At the stars. At Felix and his cigarette and your idea of what home looks like. The stars look just like they did that night. Just as bright. Oliver closes his eyes. Guilt twists people into shapes they don't often recognise; Oliver just holds Felix, hopes they twist into something together.

Except Oliver's guilt isn't the kind that twists, it's the kind that bites. It's like moths, eating him from the inside out. The guilt leaves him with jagged edges and thoughts he'd rather not be having; there are shades of Felix Catton that he loves, but shame and revulsion bites just behind the guilt as the months pass and he realises more and more this is not what he wanted. This is not the Felix he wanted.

Felix is like an echo, like the sun without it's warmth; he can look just the same, smile, talk, charm just the same if it was required of him, but there was something clearly missing from every interaction. Guests to Saltburn would pull his parents aside and ask if everything was alright. He is, but he is not the same as he once was.

Every day Oliver looks in the mirror and sees something grotesque behind his eyes that no-one else seems to notice. Felix Catton was meant to be the prize, the one who tossed aside everything but the best, the one who made the world fight for his attention, and feel heartbroken when he merely looked the other way. After all this, Felix Catton was not someone Oliver expected to be bored by.

Oliver Quick had lied for, lied to, betrayed the trust of, worked to gain the trust back of, loved, made fall in love with him, and literally murdered the love of his life who he also loved and was themselves also in love with Oliver while still considering Felix the love of their life, just to get a chance to spend his life by Felix fucking Catton's side. He wasn't allowed to not want this.

Felix smiles at him, says he loves him, fucks him, but it's not the dream Oliver once had. Something is always missing. No. Oliver deliberately took that thing away. But he can never admit that, nor can he ever regret that; too far gone. Oliver doesn't want to talk about the past, Felix can't being himself to talk about the future. Trapped together in the present, living lives that no longer feel like enough. Their routine becomes suffocating. Even Venetia, the few times she's stopped back at Saltburn, can barely manage a disdainful look, as if merely inconvenienced by Oliver's presence.

The growing apathy of the estate and it's occupants is exhausting. The cost of this lifestyle has long since surpassed it's value. He's even bored of being haunted. Two hours feels like fucking nothing when the days drag on the way they have been. Behind his eyelids he doesn't see you begging for help, you hiss for him to run, to get out.

He should have listened.

"Ollie, can I show you something I found?" Felix sounds bright today, and though Oliver wants to roll his eyes at the idea of anything in this house being new or novel enough to show off, he smiles back instead.

"'course Felix, what is it?"

Except Felix isn't smiling at him. Felix is looking far more serious and determined, sitting on the edge of their shared bed. Oliver immediately frowns.

"Have you been hiding something from me, Ollie?" It's a trap; a forced confession. Oliver shakes his head, plays dumb. Felix takes a deep breath, the kind that shifts his whole body, his expression remaining firm, "before I show you this thing, I want you to be honest with me; you promised you wouldn't lie to me anymore, you remember?" Oliver tries to lighten the mood, leaning against the window with a warm smile.

"Of course, my lovely Felix, no more lying," he assures, but the hairs on the back of his neck stand up with the way Felix remains quiet.

"What's seven-past-twelve mean?" Felix is watching him closely; too closely. Scrutinising his every move. It's like Oliver's been doused in ice water, even his tongue frozen in his mouth, "and what's it got to do with what happened on the night of your birthday?"

Felix doesn't even look at the night table as he opens it; his gaze is solely on Oliver. It's clear he'd done this before, pulling out the book, flicking through it's pages, and pulling the delicate, incriminating piece of paper out from where it had been safe for so many months.

"Felix, I-"

"What does twelve-oh-seven mean?"

Oliver is the deer again, trapped in Felix's accusatory gaze. For just a moment, Felix's voice drops, pleading with him for some other explanation, that Oliver wasn't somehow caught up in what happened, more closely, more malevolently than he'd ever said -

"Tell me," there's tears in his eyes, the furious kind, the ones where he's desperate to love and hope against all odds, "Oliver," he pleads through gritted teeth, "tell me you didn't know."

"Know what?" Oliver's voice is a hoarse whisper; he knows he is caught, all he has left now is borrowed time and a desperately silver tongue he doesn't know if he can rely on anymore. But Oliver's tragically weak denial is enough for Felix to all but jump to the right conclusion.

In a rush, Felix has Oliver by the collar of his shirt, pressed to the window -

"You knew they were dying and you fucking left them there."

This is the tipping point, the end of whatever good this had been. Felix could hurt him, Felix had hurt countless people on your behalf, he'd seen it himself. But Felix had always been the bleeding heart; you were the one who had to be kept on a leash. Felix could hurt him, could probably maim him for what Oliver was about to say, but he never shared your stomach for true Machiavellianism.

"Of course I knew," Oliver managed coldly, despite Felix attempting to crush all the air from him, "the amount of coke I gave them in that champagne could have killed a rhino-" it needed to be unforgiveable, the confession, so Felix would let him leave, would never want to see him again. He hadn't expected the force of Felix's rage to have the glass behind him give out.

Oliver falls from the second story window into the hedge garden below. Felix's shouting is tearing through the whole house it seemed, making his way downstairs, while Oliver tries to regain his breath and figure out if anything's broken. He's pretty sure it's not, but that doesn't mean it doesn't hurt as Felix drags him by his feet from the hedges, demanding at the top of his lungs that Oliver get the fuck out of Saltburn.

Every single person who'd been in the house comes outside to view the commotion, to see Oliver struggling to his feet, to get away from Oliver. Elspeth looks helplessly between the two boys, wondering what happened -

"Tell her what you did," Felix demanded, once more getting into Oliver's space, jabbing at his chest, "tell her what the fuck you just told me -" and Oliver's strength isn't insignificant, but Felix is in a fury, flooded with rage and adrenaline, and he grabs the back of Oliver's shirt like he's scuffing a cat, shoving him towards his mother like an offering. Oliver struggles because he feels like he has to, feels wild, feels feral, but it's the most of anything he's gotten from Felix in so long. His mouth stays shut, won't give him the satisfaction of a confession.

"He killed them," Felix doesn't even let Oliver have his power play before he grows bored. He shoves Oliver just a little, grip unyielding despite Oliver's best efforts, like he means nothing to him. Elspeth and Sir James are confused, looking between them both, but Felix isn't done with stringing Oliver up for all of Saltburn to see, "Y/N; he intentionally dosed their drink and left them to die outside the maze."

The Catton parents immediately look crestfallen; it's the first time in months Oliver's felt genuine guilt again. Oliver stops fighting. Felix lets him go. Elspeth asks him if this is true; that heartbroken hope is going to make him sick.

"Just send me away already," he drops his head.

"Oliver," Elspeth's voice is firmer this time; when he looks up, she's stepping towards him, tears in her eyes despite how hard she's clearly trying to hold herself together, "is Felix telling the truth?" Is this it? Is this the final gate to his freedom from Saltburn.

"Yes."

Elspeth slaps him so hard her ring draws blood. Oliver hadn't thought that was even possible, but his head is ringing from the collision.

"Get. Out." She hisses with absolute malice as he's hunched over, clutching his face. Felix is by his mother's side in a heartbeat, arm around her, looking at Oliver with contempt. Behind them, Sir James is ordering Duncan and the other staff members to get Oliver off of the property as quickly as possible, but the look in Elspeth's eyes is burning, "this is my family, you monster."

At first, it almost feels worth it to leave Saltburn. To leave the Cattons and their bullshit and their games behind. He thinks he knows them well enough to trust that they don't want the kind of scandal a murder on their hands would be, and for the most part, he's right.

It's not the Cattons who haunt him after Saltburn, though they may be pulling the strings. It's you. It's you sitting on Felix's bed in his dorm room reading every single detail of Michael Gavey's file with threats on your tongue. It's the casual way you talked about being able to access his academic files to change his grades if he wanted. It's you, tipsy at Saltburn, admitting that you got Eddie transferred without his consent to a university on the other side of the country after he cheated on Felix with Venetia.

There's no place for Oliver to return to at Oxford... He's not entirely surprised about that, however, there's also apparently no record of him ever attending. Any calls or enquiries he makes are shut down with the kind of immediacy that seemed reserved for shows about government conspiracies. When applications open for other universities, it seems websites shut down the minute he fills out his damn name. Nowhere in the world seems willing to consider him.

Having him audited seems like overkill. When it happens the next year, despite no employer willing to even consider him for an interview, the existential dread of his situation sets in.

Felix never had the stomach to finish the job; he'd let you haunt Oliver forever.

[ask-pjo-hoo-toa]

ᴡᴏɴᴅᴇʀʟᴀɴᴅ ~ ᴘ. ᴊᴀᴄᴋsᴏɴ

req. hiii can i please request a percy jackson x fem!reader? daughter of aphrodite, loving sunshine kind of girl, plot based off ‘wonderland’ by taylor swift?

summary. you and percy got lost in wonderland and life was never better.

warnings. use of (y/n), cussing, kinda short??

eeli0r's notes. this one was, i'll admit, a little tricky lol, but super fun! (y/n) and percy are both 17-ish. thanks @riordanness for the ask! also some parts are inspired by 6 times we almost kissed (and one time we did) by tess sharpe

june twenty-third

you and percy were best friends. you did (almost) everything together and you'd defend each other no matter the cost.

you were sitting around the campfire, having a grand ol' time. you were laughing and singing and you and percy could barely breathe because you were laughing so hard.

you know how aphrodite is with seeing people who don't know they're in love. and you know how she is when it's her daughter.

so she looked at you for a long moment before smiling down from olympus, waving a hand, and sitting back to watch the scene.

suddenly percy stopped laughing. he stared at you for a long moment, simply gawking in awe of your practically sparkling appearance, and gradually the sounds around you came to an eerie silence.

gasps from the audience. you blinked before looking up, and fluttering above your head was the hologram of a white dove.

"aphrodite," breathed percy.

chiron cleared his throat. "all hail (y/n), the daughter of the goddess of love and beauty!"

"holy shit, (n/n)," percy said, and chiron sent him a warning glance but no way in hell was his attention diverted like that. "you're...wow. wow. you're...stunning."

and he was right. you were stunning. suddenly the most beautiful person at the campfire, though percy would argue you were that already.

july seventh

percy didn't know how to tell you. you were the daughter of aphrodite, for fuck's sake, and he wasn't sure you could ever retaliate feelings for him.

there was something about you. you were so incredibly caring, so bright and smiley whenever he was around, it was hard not to catch feelings.

he asked his friends for advice, and the main thing they could give him was "don't rush into things."

as percy walked up to you, alone in the archery range, his eyes flashed with something you couldn't quite place.

he took a deep breath. "hey," he said, putting on a casual tone and a smile.

you smiled back. and fuck, you had a smile that could light up tartarus. "hi!" you greeted him.

little did he know you'd liked him since you'd met him. and when he didn't notice, you looked at him like he was the one that put the stars in the sky.

percy's stomach flipped as it sunk in what he was about to say. "soo," he started, trying to play it cool though he knew he was probably red in the face. "i just wanted to say....um....i think you're really beautiful," he blurted out. "i mean, um, i mean --- "

you cut him off. "do you mean 'you're my friend and i think you're really beautiful' or 'you're beautiful and i kinda wanna date you?'"

percy blinked. "...the latter?" he said.

your brain took a moment to process this. percy jackson. liked. you back.

you didn't see yourself as beautiful. so how could he?... he was the popular, hot son of poseidon.

and you were...what?

as if reading your mind, percy said, "you're gorgeous. loving. happy. what is there not to like?"

you opened your mouth to speak, but he spoke first. "can i be your boyfriend?" he asked.

you fidgeted. "what if i do something wrong?"

percy grinned, something like that of the cheshire cat. (we love a poet without knowing it) "then we'll talk about it, (y/n)." he threw one arm to the left side, the grin slowly fading. "wait for a second while i make a point. that is the tension that's always been there." he threw his other arm to the right side. "that is what we could be. see? that's, like, big progress.

his arms are wide; beckoning.

you took a quick glance to the left, right, behind, and close the gap. "big progress?" you say teasingly. "big grammar."

percy pokes you in the forehead. "you're not a daughter of athena. shhh."

after a long moment of gazing, percy is the one that breaks first.

his lips press against yours and you know it's always been this, this kairos, the fleeting rightness of the moment that it would happen.

the atmosphere around you seemed to change as you kissed. first a dark scene, then a cabin-like room, then a vine-covered undergrowth with a small door that might've been big enough for a rabbit.

in that moment, you decided you wanted to be like silena.

minus the dying part. that would not be fun.

the last thing --- hell, it didn't even make the list --- you wanted to do was break percy's heart. that would be just horrible; you loved him.

september eleventh

you and percy had been dating for two, three-ish months now, and it had been basically wonderland.

if there were a hundred people who loved percy jackson, you were one of those people, and vice versa.

if there was one person who loved you, it was percy jackson, and vice versa.

if no one loved either of you, both of you never existed and never would exist.

you went to the same school and made sure of that. and as your pinky hooked around percy's, followed by your whole hand, your boyfriend marvelled at the touch.

you can do this now, he reminded himself. you can reach out and touch her and she'll kiss you and you won't have to run away from her or yourself or any feelings.

life was never better in wonderland, and it could never be better when you had each other by your side.

[essektheylyss]

This was entirely tangential to this post from @utilitycaster which is why this is its own post, but the tags made me think about what feels most compelling about Liliana to me, and it's really because there's such an interesting approach to redemption in terms of the sunk cost fallacy to be had there.

There have been plenty of comparisons between Liliana and Essek, but I don't think they're really situations that can be compared. Essek had done one horrible thing (that was of relevence to the story; it is implied that he's taken other actions that he feels were wrong, but we don't know what those entail nor do the Nein care enough to ask, so per narrative convention, they do not matter for analysis) and was only still involved in it to the extent that he couldn't take it back, so to survive he had to continue covering his tracks. But he was also incentivized to otherwise act in alignment with the group that was not those on behalf of whom he had made terrible choices, because he was still living in the Dynasty, and as such wasn't actively perpetuating those actions beyond the cover up.

Liliana on the other hand is acting with the Vanguard and has been furthering if not personally committing atrocities on their behalf for a number of years, continuing to the present. Like Essek, she believes her involvement in the cause to be a difficult choice that was made for noble reasons, and now can't see a way out. But she is also relieved to be told to stay, though at the point that they discuss her leaving, she is alone and outside the immediate range of contact or oversight from the Vanguard. It seems reasonable that she could disappear with a decent headstart, and perhaps become untraceable quickly enough to be safe from anyone following. With this context, returning to the Vanguard with the intention of feeding information to the opposition feels like the riskier choice, but crucially it is the devil she knows.

I actually liken this more to Cassandra de Rolo than Essek. Cassandra was manipulated against her brother by the Briarwoods, but this was also spurred by having watched Percy seemingly leave her for dead. There are legitimate reasons why the Briarwoods, as the people who rescued her and then kept her alive for many years, are the easier option in which to place her trust. She knows what she's getting from that vantage point and how to handle it. She doesn't inherently have faith that someone she only knew as a young and helpless child, who ran from the hardships she's faced, would have the strength or willingness to do what she has found necessary for survival.

I think that Liliana's actions are more willful, not least because she was not a child nor in mortal peril when she joined the Vanguard, but she sees herself as having made difficult choices when only faced with difficult options, and I do think they have been difficult. She didn't want to leave her family; she doesn't want to hurt the young Ruidusborn under her care; she is probably genuinely sorry that innocent people were considered a necessary sacrifice for what she sees as the greater good. It is psychologically taxing to feel as though one is always picking between bad options, which is a significant contributing factor for why people buy into a sunk cost for so long. And over time, those hard decisions become easier, because you know what to expect from the outcome. Though Liliana is well aware that she might be killed for a misstep among the Vanguard, she already knows how to act to maintain their favor, but how she might be received on Exandria by those fighting the Vanguard, even with the Hells vouching for her, is anyone's guess.

This is a very real reason why people remain in cults and struggle to push back against this kind of conditioning: because the decision to leave feels more immediately perilous than the decision to stay. (On a certain level making these kinds of choices and actions habitual is a fundamental basis behind a lot of military conditioning.) And if you are acting in the interests of your own survival, but that survival comes at the cost of that of countless others who have not, in fact, made any threat or harm against you to begin with, then is the nature of your survival morally defensible?

This analysis isn't a question of whether Liliana will commit to her role as double agent and turn fully against the Vanguard, or even which one of these is a "better" story; this is about what the story might say if she doesn't. Yes, she might commit to a different path than the one she's on and make an effort to redeem herself, but it is also a perfectly coherent and interesting story if she doesn't.