For the Laicion nation (aka, me and three other people)
I had this illustration commissioned (a big thank you to @lunehowls) for my werewolf AU Laicion fic (still a WIP).
The general pitch is as follows :
AU in which Laios never got to meet his sister again, putting his life on a whole other path, a more desperate one. A military deserter with barely a coin to his name, Laios hitches a ride on a boat to one of the elven continents, where he learns about magical tattoos that binds one’s soul to a wolf’s, effectively making them artificial werewolves. Illegal magic be damned, this feels like the answer to… everything.
In the process, he learns about the existence of an illegal fighting ring in one of the elven cities, where beastmen gladiators gather. Freshly tattooed and without anywhere else to go to, Laios decides to head there, where he meets Lycion, an elf and artificial werewolf gladiator. If they first bond over a simple shared meal, by spending time together (sharing the same room in the barracks, maybe the same bed? gasp) they find that they have a lot in common, notably a shared distaste for the body they were born in, a dysphoria partially remedied by becoming a werewolf.
They bond :)
NB: I commissioned another piece, go take a look :D
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Ok, I think I have a pretty good idea of why a lot of Akechi's dialogue is... like that.
So, even before his confidant truly started, I noticed that he has a real knack for directing the flow of a conversation. This is very fitting for someone who is both a detective and skilled at interviews - when there is a topic and a goal, Akechi is in his element.
All this to say, he's actually kind of controlling when it comes to conversational flow. He probes for information, or turns the conversation around to a particular topic, usually the Phantom Thieves. He manages to take a few of Joker's dialogue options and spin them so they sound mildly incriminating in the context he's placed them in - the only way to truly get around this is to pick answers that feign indifference, and even then, that's more than a bit telling. He's clearly very good at this kind of thing.
But then, we get conversations where either Joker does something he didn't expect, or else he doesn't have a particular goal in mind - and the conversation stutters. In the first instance, Joker does something (a particularly egregious example is putting his glasses on him and fluffing his hair in rank 3) which both leaves him wrong-footed and no longer in perfect control of the situation. He just kind of... freezes, for awhile. It's hilarious. He has no idea how to respond.
He picks up control again in the phone call afterwards, having chosen to play into it, turning this "fooling the crowds" into a kind of game or secret between them. Nice save.
But in instances where there isn't an obvious topic and the goal is somewhat nebulous, for instance, that one Leblanc scene, it becomes pretty apparent that Akechi doesn't have the right "script" to go off of. Again, it's particularly notable in that scene, because I'm fairly sure he didn't have any specific reason to be at Leblanc, other than him looking for a quiet spot now that public opinion has turned on him. And because there isn't anything specific he's digging for, he kind of just ends up throwing things at the wall to see what will stick. Probing for any kind of recognizable reaction that he can jump on and work with, and that just doesn't really happen in this scene.
He references Sae, a woman in a respectable position, to Sojiro, but instead of that netting a welcome, it earns his ire, given Sae's recent actions against him. He then tries to greet Joker, his... rival? friend? enemy? person who at least seems to somewhat enjoy spending time with him? But Joker's responses are somewhat short, and Akechi practically wilts. He tries to commiserate by oversharing. He tries to involve Futaba and reaches out for the only topic of interest he can think of around "young people". He compliments the coffee. He compliments Joker. He tries to invoke that connection between them. None of it is really sticking, nor does it serve as a jumping off point for him to steer the conversation, or even really start one.
So, he basically just ends up having a one-sided chat with himself and then leaves. Hilarious. Also a little sad, if I'm being honest. It's really giving "guy with no friends who only knows how to speak to adults" energy. If there's no specific purpose to the exchange, or he is not in control of its direction, he seems to be kind of out of his depth. He succeeds only in being a little awkward and confusing, more than anything.
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Jamil's Healer class in @dirtspouse's Jamidia fic, Star Courier!
"In the end, the adventurer's father dies and the Star Courier still only has seven stars, but the story is about letting go and becoming your own person and doing things for yourself." - Light Party (Vivarium) by en passant (corinthian)
Please read it, it's SO cute!!!! 😭
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really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.
in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:
its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,
oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.
he shows so so much but at the same time reveals so little.
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okay some people genuinely really need to accept that the ONLY "queer coding" in saiki k is when they make gay jokes. there is NO other intentional queer coding, and i think people dont understand that claiming rep where it isnt there is much much more harmful than you think it is... just headcanon! its fun! you guys act like youre going to fucking die if you ship/hc something not canon, so you convince everyone that everything you say is canon ☠️ its literally insane
theres a HUGE difference between a headcanon or ship having what YOU see as canon backing, and a hc or ship that is actually implied or canon...
the only ship that you could argue is implied in saiki k is terusai, thats literally it, you could potentially make an argument that yumekai could be reciprocated towards the end, satoumiya, or MAYBE mikosai, but im pretty sure thats it...
nonbinary saiki is one of my personal favorite headcanons (one of the only ones i pretty much ALWAYS have in mind when talking or writing about him, it's practically a given) and i think it has pretty good canon backing, but its not ACTUALLY implied.
hes FAIRLY certain that his biological sex is male, and all evidence points to that, but he doesnt know and specifically says that he doesnt know what his true gender is... he clearly has absolutely zero discomfort with masculinity OR femininity, doesnt know or care about his gender, and is comfortable with either sex... he seems very happy to just be either...
seems like pretty solid evidence, but you also have to realize that there is literally zero chance that the author intended for saiki to be read as nonbinary, or trans in any way, this was literally just an excuse for plot and to have a reason to take advantage of his shapeshifting to do crossdressing/genderbend chapters ☠️ i love to see it as him being nonbinary and i think it has a lot of backing, but its not canon or even "implied" at all.
theres a lot of other examples of this kind of thing in this fandom, like theres a lot of people who claim that kubokai are queer coded (its usually just a joke when people say things like "hehe my ship is so canon" but im talking about like... people who see yumekai and go "um 🤨 this is LITERALLY homophobic because erm um kubokai are basically canon and queer coded and you shipping one of them with a WOMAN is HOMOPHOBIC" lmfao) and i am actually just not even sure where this comes from because they dont have anything that can even be twisted into romantic subtext, theyre just a popular ship because they have a good friendship. which is great! but theyre like the LAST thing i wouldve expected people to claim as implied or canon. they are absolutely not. the only thing i can even think of that might make people think that is saiki saying they look gay in that one chapter ☠️
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