#i think 2020 might be my only year without a viral post.

[starswallowingsea]

its may and i still havent made a viral post this year. losing my game

[afr0-thunder]

[Poor Chronicles Pt. 7]

Similar to yesterday, but some additions. An idiot who looks like a fat ass gerbil would say, “These segments all sound the same…”. You mean a routine, you dumb fat fuck. It’s the poor chronicles, not Wolf of Wall Street remake. I CAN do other things, but I’m done with bars, events, festivals, etc… for the most part. I obviously attended a football game recently…but for my community. I don’t hate time outside of the house, I actually receive great interactions. At bars and because I live in a large, crowded city with many daily visitors. Not the point, I love that personally, but don’t invite it. Also, bar culture is weird and rapey. Not performing for rapists for $20, so they get a perspective on how not to get rejected or not be creepy. Where are your fathers? Not like mine taught me, regardless of his skill. Not spiteful on my account, just don’t believe in copying

Back to this routine. I am poor, not broke like you. Poor = Comfortability lack. Broke = Reckless spending resulting in short funds. What am I required (keyword) to do besides earn an income, eat, sleep, hygiene… I get all the interaction I need at work and on my walking adventures. I don’t like traveling, near or far (anymore). I do not like anything not in Chicago. Do I miss places I’ve visited? Yes. But I love home…MORE! A routine of necessities should not require you to do unnecessary things like leaving the house to waste money. I know where I’ll find my favorite people. Not sure when, but not losing my mind over it. If I don’t? Even though I know I will, I’m prepared to be alone forever and just be wealthy and never seek a partner. Won’t accept less. I know I will find my partners beforehand. Will wait as long as it takes. Takes too long? Even though I know it wont, prepared to reduce partner numbers because my enemies think tracking my life and social media is “funny”, hoping that my life goes as I don’t want it to. Every necessary piece of information leaves out something important if you are without it. In other words, you will be the only person “missing out”. Like I said, prepared to be wealthy and alone to watch others who wanted this outcome, be broke.

Today was nice. Had a dying urge to scream aloud at work, “BAH! BAH! BAH! BAH! BAH! Nut in my coochie!”. I’ve been supporting Sexyy Red and Latto since about 2020 and am thrilled to see them on the “Peaches and Eggplants” Remix. AND ITS GOOD! Sometimes remixes don’t do so well and I’m glad this one is viral. Glad Latto is international and Sexyy Red has went mainstream in the past year. Hits for both! I walked to DuSable Lake Shore Drive again on break, but this time I passed the Water Tower. The architecture is great on Michigan Avenue. I talked to one of my new coworkers. I found out he was just released from jail. I didn’t know we hired felons, but I couldn’t tell. He seems alright, but most people only like me for a short period of time. It is what it is. The architecture gives me great ideas, but I hate to take inspiration from others so I’ll probably just come up with something on my own. Also, left with 8 packs of ramen noodles. I might have some for Friday. I stopped getting other flavors to make this lifestyle hard to maintain for enemies. Eating 2 packs as I type. (Update: Will not make it past tomorrow)

If my posts “all sound the same”. Consider they are GENUINE INTERESTS. Maybe CONSISTENT…or you’re just an idiot and can’t see the difference through a recurring THEME (look that up).

In short, I don’t need much money to provide for myself, so you won’t catch me seeking too much of it right now. You can spend your money on experiences. I live in the greatest, a very large and largely populated city, I am not yearning for these things. I have much to experience and it wont include going outside of my routine unless (and even then) it pertains to making a greater income. I don’t discuss with others for no charge. I don’t charge, but I speak millions. If it doesn’t increase my pay, I have nothing to say. Quote THAT!

- MH (2023)

[freewillacquired]

About the Muses: Nemesis / Matt Addison

[Bio and other information below the cut!]

Type of Character & Fandom/Source Material: Canon characters from the movies Resident Evil (2002), Resident Evil: Apocalypse (2004), and sometimes I also write Nemesis from the remake of Resident Evil 3 (2020). Technically, they are the same person, with Nemesis being what Matt becomes after being infected with the T-virus and after Umbrella experiments on him. I’ve been writing them for 6 years, I’ve developed them a great deal, and they are near and dear to my heart. =) I know Nemmy looks very scary, but give him a chance!

FC: Eric Mabius (Matt) and Nemesis as himself, lol.

Race: Matt is human. Nemesis is a virally-mutated human, more specifically, he is a T(Tyrant) Type creature created through T-virus infection, NE(Nemesis)-α Type parasite infection, and radical experimental surgery. He is also called a B.O.W. (Bio-Organic Weapon).

Age: Early 30s

Sexual/Romantic Orientation: Heteroromantic/heterosexual, but inexperienced, and as Nemesis the logistics are... more than just a little bit dicey haha.

Occupation: Matt originally wanted to work for the F.B.I., but got kicked out of Quantico for not following various rules and restrictions. He was an environmental and animal rights activist in his spare time, and he’s worked at a bookstore and for various activist organizations.

Family: Parents; sister, Lisa; black Labrador, Pickles (all pre-Raccoon City Incident... if it’s after, they’re all likely deceased)

Potentially Triggering Material in Threads: Oh man, this is going to be a long list, haha. Death, horror, blood, gore, medical equipment and procedures, body horror, mutation, force/non-consensual experimentation and surgery, sedation, torture, viral infection, tentacles, gun and explosion violence, war, military themes, pandemic and apocalypse themes, animal harm/death, loss of autonomy/identity, rage, depression, PTSD, environmental and political activism, zombies... I’m sure there’s more but that’s all I can think of, heh.

Negative Personality Traits: Matt is stubborn, impulsive, headstrong, distrusting, and sometimes a bit naïve. Nemesis has a short temper, he can get violent very quickly, he’s moody, and he’s just as stubborn and headstrong, heh.

Positive Personality Traits: Matt is kindhearted, sweet, empathetic, funny, dorky, brave, passionate, protective, and willing to fight for those without a voice or who are weaker than him. Nemesis is loyal to those who treat him well, just as brave and protective, and can honestly be a big, soft, mutated puppy if you let him, haha. He can be surprisingly affectionate with someone he knows isn’t afraid of him.

Backgrounds: Since I already have some other posts set up, I’m going to link to those if you want more info about my personal interpretations of them. I work largely off of the Anderson movies’ canon, unless I am writing in a video game verse.

More Detail and Headcanons: Matt Addison

More Detail and Headcanons: Nemesis

Info Directory

For those familiar with the games and the Anderson movies: The above links will give you a general idea of how I write these muses, but for the most part, they are canon more to the movies. Matt only exists in the movies anyway, but I do still use him as the origin of Nemesis even when writing in the video game verse. I do not follow the novelizations of the movies with regard to how Nemesis views himself as separate from Matt. That might be true very early on after he regains his mental autonomy, but Nemmy quickly reinternalizes his past as Matt and considers himself as one and the same person. One thing I do change with Nemesis is that in the movies he has no tentacles and in the game he only has them growing out of one arm before he mutates to his third form. I change this to have him with tentacles right from his first form, in both movie and game verses, and these tentacle grow out of his upper back and shoulders, not his arm. I treat the tentacles as “viral appendages,” meaning the T-virus has created them using Matt’s cells, and they are controlled by the semi-sentient virus. Nemesis can will them to do things and can hold them back from doing something he doesn’t want, but very often they act of their own free will. I do also use a “hive mind” type approach to the T-virus, so Nemesis can sense other virally-infected people and creatures around him, and he can tell the difference between a zombie, a mutation, and a carrier like Alice, for example. He can also form telepathic links to carrier individuals, especially Alice, by touching them.

For those not familiar with the Resident Evil franchise at all: Resident Evil is a detailed, complex, long-running video game and movie franchise that is honestly much too involved for me to explain here, haha. Basically what you need to know about it and these muses in a nutshell is... in the RE “world,” there is a commercial empire known as the Umbrella Corporation that is the quintessential evil corporate entity that has its hands in every aspect of life with their products and socioeconomic/political influences. They were conducting illegal viral weaponry research for military applications. Basically, they engineered custom viruses for sale to countries for use as biological weapons against their enemies. This was done in “Hive” laboratories, which were many-leveled, underground research facilities. One such Hive under a place called Raccoon City (think very much like a fictional New York City type place) had an incident where the virus was released, it went into lockdown, and the paramilitary sanitation team that was sent down by Umbrella to figure out what happened suffered dire consequences. From there, the infection traveled up into Raccoon City, and a zombie outbreak situation quickly unfolded overnight. It was not successfully contained, and the virus proceeded to spread all over the world, eventually resulting in many different variants and types of zombie mutations for people and animals alike. An apocalypse occurred, whereby the world began to dry up and turn to desert, food was scarce, and the last remaining humans left alive lived in protected communities or traveled in convoys in search of supplies. Matt... was investigating what became of his sister, who worked at the Hive underneath Raccoon City. He was swept up by the team that was sent in to investigate the lockdown. He and another Umbrella Operative, Alice, were the only two to make it out alive, but they were captured by Umbrella scientists and experimented on. Matt was placed in the “Nemesis” program, a military project designing living “tank” soldiers that could be deployed into a zone too dangerous for humans, could take a lot of damage without dying, and would obediently follow any orders given. As a result, Matt was horrifically mutated and altered surgically, his consciousness was overridden, and he was made into an intelligent but fully controllable soldier for Umbrella. It was not until Alice, ordered to fight him, damaged him enough to short circuit the control chip in his mind that Nemesis regained his mental identity as Matt. Phew! That’s the short version, haha, but if you have any questions, you can always ask me! =)

Potential Starter Ideas:

Available rp verses can be found here! Some of those might give you ideas on where you muse might fit into the timelines of mine.

Basically there are two major themes with Matt and Nemesis: illegal military experimentation and suppression of the truth to the civilian public... and standard zombie apocalypse, heh. So if your muse can fit into one of those two categories, our muses can probably fit into a story together.

Fun facts:

Before becoming Nemesis, Matt was vegan. now he has to consume fresh meat every so often to survive. He hates it.

Matt used to love gardening and had a pretty good green thumb.

Matt loves photography, especially nature photography. He had an extensive collection of manual cameras, lenses, and tripods before everything happened.

Matt’s a nature person, so he loves hiking, biking, swimming, camping, you name it.

Nemesis’ favorite food is cookies. Specifically, chocolate chip cookies. They don’t do anything for him anymore since his body only wants meat, but they still taste damn good.

[thoughts-on-bangtan]

Hi, I know you’re a fan of namjoon so I wanted to ask your thoughts on this ring thing? I’m kinda new and assumed all these namjoon is married with kids stuff were a joke. But some people seem to totally believe that. I mean where he’d get the time to see a partner and kids is beyond me but who knows? Anyways I was looking at some of their recent pics and he doesn’t wear it all the time - which if it was a couples ring - wouldn’t he? I thought maybe he would only wear it if they were appearing on Run or Korean shows, but he didn’t have it on for either of the new shows they’ve been on recently, as they may not have been as widely watched. I mean I guess it’s none of our business - but I’m trying to rip of my delulu hat for making me think Seokjin gave it to him 🙈

Hi anon, I hope you don’t mind that I’ll combine my answer for you with my answer to another ask since I feel like they fall into the same kind of category, as in people taking things too far and/or blowing things out of proportion. And, coincidentally, both have something to do with rings.

I’ll start with your question though and give you another example that followed a very similar trajectory as the omg namjoon is married with kids because ring narrative/theory. Some months ago, Namjoon posted a few pictures on twitter and among them was a picture of him with another guy wearing a green sweater. His face though was covered. At first ARMY didn’t think much of it, but then, eventually, someone started a joke that “remember that sweater Joon wore for BV4? The guy is wearing the same one, what if that's his boyfriend?” and it went viral.

It started out completely harmless with hundreds of positive and funny tweets made in good humor, no one taking it that seriously knowing that we’d never find out even if it were true. But, as the jokes started to simmer down, everyone had their laugh, the next wave came in and this one decided that this isn’t a joke at all but serious matter. Quickly this harmless fun turned into a witch hunt of “ARMY” trying to figure out who the guy might be, if he is Namjoon’s mysterious friend that once sent him a coffee truck with custom drawn designs on it, perhaps the same one with whom Namjoon already once posted a picture sitting on this garden porch swing type thing, some even trying to prove that the guy is either Seokjin (in which case, what would be the need to cover his face?) or Florist Isaac whom they met during that one RUN episode.

So, very quickly a few idiots turned harmless fun into something almost malicious and got into fights with ARMY who were trying to tell them to stop.

The ring thing followed a similar story. It was once a harmless joke based on the fact that Namjoon wants to have kids one day, so some made jokes about what if he’s already married but we just didn’t know etc. But very quickly that got out of hand as well, going as far as people claiming the little girl in his pictures which he posted around his birthday or something is his daughter (even though it was said it’s probably the child actress from BTS WORLD) and that him making jokes (during a BangtanB while trying on glasses before their MOTS7 press con) about his child being able to read/write hangul at a very young age wasn’t jokes at all but solid proof of the fact that he is married with a child (despite the fact that he would’ve had to have gotten married and his wife pregnant not long after their debut for the timeline to even work out somehow which makes it seem even more ridiculous). This even went as far as people spamming the comments during this vlives with questions about it, flooded his selcas on twitter with questions and “jokes” and, again, attacked anyone who told them to stop.

In all of this, watching it happen from the sidelines as someone whose bias is Namjoon, I was confused why these particular rings (which I don’t even think were the same ones each time) caused such a reaction. The members have all worn so many different rings over the years, on all fingers, sometimes even like eight at the same time, and yet it wasn’t until 2020 and their KBS interview after their first BBH100 #1 that things went bonkers. All because Namjoon decided to take the ring off before they started filming or something.

In all of this I see two things that make me wonder:

When would he have the time to find a girl (since same sex marriage is not a thing in Korea) with whom he would have enough time to befriend her, trust her (considering who Namjoon is, that one is a major thing), fall in love, date and be together for a few years, and then get married? From Seokjin we know they have maybe two or three days off a month and work at least ten hours a day on their BH regulated schedules. Add to that the time they spend in the studio working on music outside of schedules, gym time, a few hours of sleep, and perhaps a few scarce hours of free time to (in Namjoon’s case) go to a museum or ride his bike, does that really leave enough time for romance (with an outsider) that leads to marriage (and a child)?

Is age 26 at the height of their career really the time for marriage? Even more so when you are someone like Namjoon, the leader of the world’s biggest group with more responsibilities than we can likely imagine as outsiders. Sure, he said he wants kids, but he can still have those in his thirties, he can also get married in his thirties, after all, life does not end once you hit thirty despite what some teens believe.

Lastly, I actually think that if it were true, Namjoon, or really anyone from the hyung line, would be the ones who wouldn’t have to hide it, at least not when compared to the maknaes. You could argue that “it would threaten their career” but would it really? Perhaps if the ring were from a man (some namjinists did make jokes that it’s like his promise ring from Seokjin or whatever, but it was all in good fun, nothing more than that), then yes, but connected to a woman? That one member from EXO also came out and said he’s getting married because his fiancé was pregnant and all it did was cause a few fansites to close and a handful of people to “protest” in front of the SM building. 

Little correction about my comments about that EXO member, though even with this my point still stands:

From anon: Re: your last post about namjoon’s rings! I agree with everything you said but just a small correction. I’m not an EXO stan but it wasn’t just a a few “protests” or fansites closing. From what I read online, he his fiancée and later wife, and his child were harassed, threatened and stalked to the point where he enlisted early just to give his family some relief. We all know there are people like this in every fandom and I know BTS would be aware of these things, so they’ll be extra careful.

Would there be delulus like this who’d go crazy if Namjoon were to say “ARMY, I’m (getting) married”? Of course. Would it ruin BTS’ career? I seriously doubt it. Do I think Namjoon would actually come out and say it if it were the case? No, but not because it’s bad idol etiquette or because BH wouldn’t allow him, but because people are insane and who knows what they would do.

It’s the same with times when people argue “I wish X ML members would just say he has a girlfriend so the ship wars would end” without taking into consideration the girl’s safety and the fact that a partner different than the one X member is shipped with has never been that big of an obstacle for some before. Just create a conspiracy theory about the company forcing this upon them and voila problem solved. We’ve seen that before when the tattoo scandal happened, and people thought JK might be dating that tattoo artist and therefore it would mean he isn’t in a relationship with Jimin or Tae.

Whatever happens in the members private lives, it is safer for all parties involved if it stays private, even more so if their romantic partners were non-idols, or non-celebrities, or another member.

Now onto the second ring question:

From anon: I am a young army and I am slowly losing my bearings. I've seen Vlive S, H and V. Many say it was a Tk*ok day (?) And all three emphasized it, and the V even wore the friendship ring for Jungkook. Is it true? I don't understand anything about it, I don't see it. After the last BTS interview on TV, I thought Vmin are best friends, not Tk*ok. I thought V said he didn't want Tk*ok and yet he was so happy during Vlive because it was Tk*ok day? Help!

Now this one, I was curious if we’d get an ask about this, even more since, if you’re a reader of our blog, you likely already know what I’m going to say.

Let’s start where you usually do—at the beginning. The day of the vlive coincided with what T*ek*okers have decided on is T*ek*ok Day, based on how supposedly some years ago this was the day Tae and JK named their subunit like this. I tried to find where exactly this happened, as in in which piece of official content, but I couldn’t find anything except for a screenshot. Anyone have a clue or a link?

Side note: T*ek*okers love using the “ship” naming as proof that not only are they real but also proudly showing it off by giving themselves a name but continently forget that they are not the only ones who gave themselves subunit names. After all Jimin and Namjoon named themselves MiniMoni, or Yoongi and Jimin who are MiniMini, Namjoon and Seokjin calling themselves RJRJ last year, or that one vlive with JK, Jimin and Seokjin where they also put together their names the way you build ship names. At the end of that vlive Tae, thanks to come prompting from the chat, named their trio vsope, so does that mean they are a romantic ship now too?

If you were watching that vlive as it was happening, and decided to look at the chat, then you know what was happening. For those who did not, basically the chat was flooded with comments about T*ek*ok Day, asking where JK is whom Tae loves, where his boyfriend JK is, congratulating Tae for T*ek*ok Day etc. Basically shippers took their shipping into a space where it doesn’t belong, into a space where the members can see it, and therefore purposefully broke one of the shipping rules (I even saw some tweet about how they were proud of themselves for literally spamming the chat with T*ek*ok comments which is so wrong, and I mean that regardless of which ship we talk about). In between those were the usual other comments like speak English or say hello to XYZ or say XYZ in whatever language, and very few comments that actually reacted to what the members were doing on screen. Like when Tae said he didn’t shave, instead of telling him that it’s fine, which it is, it’s his face after all, some decided to tell him he should shave more often, basically telling him what to do, which he saw and read out. Great job.

But all the madness came to a “climax” when Hobi was reading comments and among some other ones read out T*ek*ok, just the word not the T*ek*ok Day ones, and unfortunately we all knew he wasn’t reading out the Korean word for Thailand, which sounds the same though it is spelled a little differently. In that moment all hell broke loose. Focus cams of Tae’s facial expression in that moment went viral among shippers, most of course claiming he looked so happy, while other non-shippers claimed he didn’t look happy at all. It’s a micro moment so I won’t get into it, who knows what Tae thought in that moment and what his facial expression meant and if it even had any connection to the word and Hobi reading it out loud at all.

Because he read that comment, Hobi was basically crowned the new leader of the T*ek*ok shippers (I thought that role already went to Jimin?) and twitter basically had a meltdown.

As for the ring, I know this is something a lot of ships have, with romantic connotations according to their shippers, so I was curious how these rings supposedly look like in T*ek*ok’s case and if they even match the ring that Tae wore in the vlive. If it would, fine, if not, well…

If it’s not clear from the picture, the “supposed couple” or friendship rings are very delicate and thin, and sure enough I did find a lot of pictures in which both Tae and JK wore them, usually at different times, I will admit that. But the ring Tae wore during their vlive recently was much thicker and had some kind of design on it, therefore it’s a completely different one. Sorry. Why he wore it, if he bought it for himself or received it from someone, what emotional connotation to may or may not have, those are things we won’t know anything about unless he would tell us, so there's no point in speculating.

“Many say it was a Tk*ok day (?) And all three emphasized it” now this is curious to me since I watched the vlive as it was happening, and I didn’t see that at any point in the vlive. Sure, Hobi read that one comment, but if 95% of comments were about that, I wasn’t even surprised by it. Perhaps he thought that it would get people to stop? Perhaps he just read whatever comments his eyes landed on? Perhaps something else entirely? We have no way of knowing it so there is no point in trying to fixate on it. But besides that, they were talking about many other things and having fun making their smoothies, decorating them and just having a good time together with each other and with ARMY. 

So, this way of presenting the vlive basically comes down to shipper perception, confirmation bias, and simply, almost, rewriting history.

Rings do not determine who your best friend is (according to a quick google search, wearing a ring on your index finger simply means friendship or self-esteem/authority), after all many of the members have rings either from each other or ones that match, like Namjoon buying Jimin a Cartier ring for his birthday a few years ago which Jimin proudly wore since it’s really pretty, or pink and blue rings (there are several different ones, actually) that Namjoon has worn with Seokjin in the past (which fits into the Namjinist pink and blue agenda), or the rings Jimin and JK have together according to their shippers, and many more. Jimin and Tae have a whole plethora of matching jewelry in form of necklaces, rings, bracelets, even contact lenses (as in wearing one of each pair to match each other), some which were chosen by their stylists and others they bought themselves for themselves (which are all conveniently “forgotten” by those who ship either big ML ship). Though we’ve seen that even with clothes given by their stylists they were still the ones to choose their own accessories, like Namjoon choosing a pair of glasses from a whole box of different ones, or the members choosing rings from two big boxes before going on stage.

Tae himself said, on multiple occasions across multiple years, that Jimin is his best friend, even his one and only best friend, and that he’s the one he likes most which he even proclaimed on national TV. As long as Tae doesn’t say that this has changed in the last, what, two weeks and suddenly JK is officially his new best friend, those who claim otherwise are basically nothing but shippers pushing a narrative that willfully ignores Tae’s own words. Just like they ignore and twist his Weverse comment about how T*ek*okers should get out of their imagination. What doesn’t fit is ignored or adjusted until it does fit.

Lastly, sure enough, Tae really was happy during that vlive but I’m fairly certain (though neither you, them or I will ever know for sure, we’re not in Tae’s head) it had absolutely no connection to T*ek*ok Day, something shippers created and not Tae and JK themselves, seeing as Tae has been in a very good and happy mood for a few months now. Whatever makes him so happy, I truly hope it’ll continue making him happy and I wish shippers (and solo stans) would stop trying to force a reason (which fits them) upon his emotions.

I know it’s easy to get confused by how loud shippers are online, especially as young ARMY (in this case both ARMY who are young age wise but also young in the sense of being new to the fandom), but shipper opinions, in many cases, are just noise, and also noise twisted and skewed a certain way to suit them. If you kept to OT7 spaces on the day of that vlive, no one really paid attention to the ring, most were annoyed by and furious at the shamelessness of the shippers in the comments, and tried to just focus on how fun the vlive was instead.

[a-miss-inside]

WEAR A MASK

Okay, so I’m toodling through my usual haunts, looking for an image to use for tomorrow’s first caption when I come across an image (that I refuse to reblog or repost) that says “The Madness Ends When We All Say NO!” and shows someone tossing aside their face mask.  A reblogger posts the following in support (I think... I’ll get to that).

=======

CDC COVID-19 Survival Rates

Age 0-19 — 99.997%

Age 20-49 — 99.98%

Age 50-69 — 99.5%

Age 70+ — 94.6%

Source: https://www.cdc.gov/coronavirus/2019-ncov/hcp/planning-scenarios.html#table-1

via https://tallahasseereports.com/2020/09/26/cdc-releases-updated-covid-19-fatality-rate-data/

For comparison:

Influenza and pneumonia deaths

Number of deaths: 59,120

Deaths per 100,000 population: 18.1

Cause of death rank: 8

=========

And there, my captioning brain shuts off and my basic logic kicks in.  Where to start...

I guess I should point out that these numbers only work for the USA.  If you’re like most people in the world and don’t live in the United States, the exact data won’t apply to you.  But this is about logic, critical thinking, and reasonable responses to uncaring forces of nature, not the effects in your individual locale.

Also, this isn’t (really) about politics.  Do you prefer protectionism over globalization?  Social safety nets over increasing job creation?  Strong federal governments over more responsive local governments?  A viral infection is a threat from the basic natural world, not the political one.  This is about logic, critical thinking, and reasonable responses to uncaring forces of nature, not an individual’s beliefs about the proper application of government.

So... those two sets of numbers above are not the same.  The CDC rates are for survival of COVID-19 while the flu rates are for deaths.  That means the two sets can’t be directly compared without going through extra steps.  Someone is hoping that most people won’t notice or bother to go through those steps and just go with the poster’s point, that COVID-19 is no big deal.  But let’s do those steps for fun.

Converting the COVID Survival Rates to Death Rates give us this:

Age 0-19 — 0.003%

Age 20-49 — 0.02%

Age 50-69 — 0.5%

Age 70+ — 5.4%

I checked the CDC source link and found that yes, that is scenario 5, the best guess model for fatalities, and my numbers are right.  Also, the source listed the data as rates dead, not survival.  That means that someone converted the numbers at the top to a less useful form on purpose, so thanks for that.

We’re still not at the Number Comparison Stage yet, though.  I need to convert the fatality rates to totals dead in order to compare it to the flu numbers given.  The US Census for 2010 had a break down by age group, but the groups were 0-17, 18-44, 45-64, and 65 and over.  Not an exact match to our fatality rates, but once the scale of horror shows up here, you’ll see that those differences won’t matter much.  Also, the census numbers are from 2010, not 2020 (we don’t have those numbers yet), so my figures will be low-balled anyway.  The population and deaths break down like this:

=====

Group     Population         Dead

0-17       75,000,000         2,250

18-44   113,000,000        22,600

45-64    82,000,000       410,000

65+       41,000,000    2,214,000

===       ========     =========

All       311,000,000    2,648,850

=====

Now we have a comparison!  Assuming we all throw our masks away and breathe deep, we get 59,120 deaths from the flu versus 2,648,850 deaths from COVID-19.

COVID-19 is not influenza.  Even if my exact numbers are off this way or that, the flu is chump change next to COVID.

The original numbers gave two other metrics, as well.  Deaths per 100,000 is a bit trickier.  My total population is 311 million.  I thought we were closer to 325 million, but oh well.  100,000 divided by 311,000,000 gives a multiplier of 0.0003215434.  Multiply the total flu deaths of 59,120 by the multiplier gives us 19.01 deaths per 100,000.  Once again, not perfect, but the scale will show why that doesn’t matter and that was just to show my math works.  2,648,850 deaths times the multiplier give us 851.72 deaths per 100,000.

COVID-19 is not influenza.  Even if my exact numbers are off this way or that, the flu is chump change next to COVID.

The final metric is Cause of Death Rank.  I Googled the CDC for causes of death and find this:

=====

Number of deaths for leading causes of death

Heart disease: 655,381

Cancer: 599,274

Accidents (unintentional injuries): 167,127

Chronic lower respiratory diseases: 159,486

Stroke (cerebrovascular diseases): 147,810

Alzheimer’s disease: 122,019

Diabetes: 84,946

Influenza and pneumonia: 59,120

Nephritis, nephrotic syndrome, and nephrosis: 51,386

Intentional self-harm (suicide): 48,344

=====

The total deaths on that list, which was from 2018, is 2,094,893 from all 10 sources.  That means my low-balled COVID death total is greater than heart attacks, cancer, car wrecks, asthma, strokes, Alzheimer’s, diabetes, flu, pneumonia, kidney failure, and suicides added together, making it Number 1 on the list by a rate of 4 to 1 over its next contender.  And before someone says something, COVID deaths numbers that are caused by a combination of one of those sources with the virus represent people who might have lived for years, even decades, more if the virus hadn’t put them over the top.  COVID is still responsible.  Also, all those numbers will spike hard, because don’t think the US hospital system can handle that kind of influx of patients.  People who might have survived a bad medical problem won’t survive when there are no ICU beds or meds left.

COVID-19 is not... any of those.  Even if my exact numbers are off this way or that, other individual sources of death (except maybe obesity, which contributes to them all) are chump change next to COVID.

Wear a mask, wash your hands, stay physically away from other people, and, for God’s sake, think about the information that gets thrown at you.  These are not “living in fear” responses or an attempt to repress the will of the people, they are reasonable precautions in the face of a uncaring force of nature.  There are real people behind every one of those numbers, people who could make a positive contribution to world around us if we don’t let them die because a mask makes our noses itch.

Additional Sources:

CDC Death Rates: https://www.cdc.gov/nchs/fastats/leading-causes-of-death.htm

US Census 2010 Brief, Table 1: https://www.census.gov/prod/cen2010/briefs/c2010br-03.pdf

[grxceblqckthxrn]

TDA characters as types of tiktokers

y’all KNOW i’m bored when i’m doing this shit lmao 

i’ll get around to doing the other TSC characters eventually TDA was just the first to come to mind also if you’re not actively on tiktok some of what i say might not make sense ahaha

also i named some tiktokers who yall can use for reference for some of them and from what i’ve seen they’re all fairly unproblematic so you should check them out!!

EMMA CARSTAIRS

okay so she’s DEFINITELY super popular and she uses her platform for good

she’s really funny and a lot of her audios go viral posts videos of her dancing saying that she cant dance but she’s actually really good at it

6M followers and growing fast 

 hypes up her boyfriend’s account ALL the time

calls out misogynistic/racist tiktokers through duets and KEEPS THEIR TAG IN THE CAPTION  

 she is not afraid of starting drama lmao

occasionally hops on POV and transition trends but its usually satire 

emma can’t act for shit lmao 

super active on tiktok and has a spam account

people are always asking her to drop the skin care routine but she doesn’t have one?? 

*pushes Zara down* “and no one’s gonna help her?? WOW some world we live in”

JULIAN BLACKTHORN

there’s no way he doesnt  have an art account lmao

a lot of his paintings go viral but 90% of his comments are 14 year old girls thirsting over him

yall know that pottery guy on tiktok?? the cute one?? (i searched up his account just for this post he’s @/daxnewman769) that’s the best way to describe him

literally all the famous tiktokers commission him

probably has like 4M followers lmao

will occasionally make about how respecting women doesn’t make you a “simp”

doesn’t get into tiktok drama tho

posts candid videos of emma and all his jealous 14 year old fans get so pressed but he shuts down anyone who says anything bad about her

sometimes does painting or drawing tutorials and he’s really good at teaching stuff lmao

CRISTINA ROSALES

omg okay so like yall know those really pretty girls on tiktok who are literal models and are always dropping tips on how to frame your face for pictures and best clothes and poses and whatever  ( @/ameliezilber is the first person that came to mind as an example)

thats her

alot of her content is just for the aesthetic

BLING EFFECT

GRWM’s all the time

10 step skin care routine 

GOOD VIBES

has a pretty decent following?? like at least 2 million

has a spam but it’s exactly the same as her main lol

also calls out problematic tiktokers but not by name

her entire account is full of body positivity and does a bunch of stuff on loving yourself

sometimes does POVs and all the comments are like “@ netflix hire her rn”

sometimes posts crack videos with emma and cute vids with mark and kieran

MARK BLACKTHORN

does a lot of reaction videos and duets

a lot of his videos go viral but he doesn’t have a huge following like maybe 800k

 everyone still knows him

gets at least twenty “are you wearing only one contact” comment about his eyes every post

he’s really funny without even realizing it 

sometimes goes inactive for weeks at a time and just forgets that tiktok exists lmao

shows off kieran and cristina ALL THE MF TIME AND EVERYONE IS SO JEALOUS LIKE HOW ARE ALL OF THEM HOT

KIERAN 

doesnt have a tiktok lmao sorry

but shows up so much on mark’s and cristina’s that a lot of people know who he is

DIANA WRAYBURN

unironically does POVs but is actually good at them??

lots of videos talking about the struggles of minorities like LGBTQ+ and POC and women

posts a lot of those vidoes that are like “what to do if you ever get kidnapped” “red flags in relationships” “most powerful parts of the body” etc

probably has like 500k followers 

at the end of the day she doesn’t really use tiktok that much tho ahaha

LIVVY BLACKTHORN:

does a little bit of everything??

posts dance videos sometimes 

omg her transitions are SO good

everyone is in love with her and she has to remind them that she’s a minor (i’m just a kid plays aggressively in the background)

posts videos that are just vibes?? like her skating at night, dancing in traffic with dru/her friends, walking through the city at night etc

lots of lip syncing videos to whatever sounds are popular and all her comments are like “i wish i looked like this” “guess im not eating today” and she gets so upset :((

she wants everyone to know that they’re perfect the way they are!!

also posts POVs sometimes and she’s not that bad at them ahaha 

probably has like 1 million followers 

doesn’t even need a spam just posts everything on her main 

shouts out her sibilings accounts all the time

overall just great energy

TY BLACKTHORN

never posts his face on his main but he does on his spam

yall know those accounts that post fun facts or psychology facts?? his is like that except he talks to explain them and everyone finds his voice SO calming 

he posts a lot of content of animals and everyone is in AWE with how good he is with them

his username is probably theanimalwhisperer or something djkfskjd

every single time he posts Kit on his account all the comments are like “OOH ICU” and “SHIP” and “ASK HIM OUT ALREADY”

he gives 0 shits about popularity on tiktok he’s just posting for fun because he likes teaching people about his interests

so he has like maybe 500k followers

lots of philosophical questions that has everyone questioning their existence

ugh i love him

KIT HERONDALE

be honest this is what y’all were waiting for 

yall know those unproblematic ppl that everyone refers to as the “king(s) of tiktok”???

yeah thats him

SO FUNNY

LIKE HIS CONTENT IS GENUINELY HILARIOUS

lots of sarcasm and satire

think @/adamkindacool  ?? (one of my favourite tiktokers lmao)

does reaction videos for those “pov: im the annoying hot cheeto girl sitting next to you in math class” videos

dark humor (not like rude humor but actual dark humor)

like “i put the baby in the oven and the pizza in the bed” type of jokes back when those were a thing

has like 4M followers but almost every single one of his posts go viral so he’s gaining fast

lots of pranks

starts a bunch of trends

any video he posts of Mina goes viral

sometimes he posts some really weird stuff that has everyone laughing so hard irl (@/benoftheweek)

he NEVER thirst traps but still gets a lot of those weird sexual fairy comments on his posts (iykyk)

TO BE CLEAR I MEAN THE FAIRY EMOJI ONES NOTHING TO DO WITH HIM BEING FAE 

reacts to the comments with a video of him just staring at the screen with the “oh to see without my eyes” or “im just sixteen” audio going on in the background which only encourages them to make more weird comments

anyways everyone loves him

any of his povs are pure jokes meant to make fun of pov’ers

posts maybe one serious tiktok every 5 months that talks about being respectful and using your platform for good

“i miss old tiktok”

posts a lot of random videos of Ty where, again, all the comments are shipping them except even more so on his account because everyone can see his heart eyes for Ty

collabs with Dru a lot and does a bunch of duets of her videos

everyone loves him bye

DRU BLACKTHORN

SO many memes

she deletes any hate in her comments bc she honestly doesnt care to respond to them and doesn’t need that kind of negativity in her life

but one time she got a “the f in women stands for funny” comment and she WENT OFF

does really dark povs sometimes that are really interesting

CLOWN MAKEUP + SCARY CLOWN TIKTOKS ( think @/avani ‘s clown make up posts

REALLY good at makeup and sometimes gets julian to do scary makeup on her for tiktoks and povs (like those ones with stitches over the mouth or skin peeling off)

huge ally!! posts a lot about minorities struggles and white privilege, and acknowledges hers

does movie reviews and stuff sometimes

“types of” videos

pulls a lot of pranks on her sibilings with livvy and sometimes with Kit

lots of body positivity + self love

calls out back-handed compliments

also has a lot of content like Livvy’s of just vibing in LA

julian and emma and mark go off at anyone who sexualize her in the comments

probably has like 650k followers

posts a couple of times a week

BONUS: 

JAIME ROSALES

lots of skateboarding videos idk he just gives me that vibe

doesn’t post that often but is super popular

like maybe 1.5M followers

really passionate about systematic racism

HATES all those privileged white boys using the “this is america” audio to pretend they’re oppressed ( this is a may 2020 thing so it probably wont make sense to anyone who sees this after lmao)

POSTS A LOT OF THIRST TRAPS LMAO 

also posts lots of videos that’s just him yelling about stuff but they’re really entertaining to watch ( like that guy sebastian @/sauceyogranny)

everyone thinks he’s super hot he always shows up in those “hottest boys on tiktok” videos except sometimes he’s just the token POC boy and it makes him mad :( 

DIEGO ROSALES

HIS ACCOUNT IS SO PRACTICAL LMAO

lots of tips 

“what to do if you’re trapped in the desert” “what to do if you’re kidnapped and stuck in the trunk”

doesnt reply to comments EVER unless it’s to clarify a point he made in the video or answer a question

has like 200k

okay thats it lmao im done bye this took me like an hour to make

i’ll get to all the other characters from the other series’ eventually 

also if yall are wondering abt the lack of f*ckbois in this post they’re coming dw

TMI CHARACTERS AS TYPES OF TIKTOKERS

TID CHARACTERS AS TYPES OF TIKTOKERS 

TLH CHARACTERS AS TYPES OF TIKTOKERS

[underachievers-please-try-harder]

Interview // Clairo

For The Guardian. Read online. 

Exuding all the effusive pride of a new parent, Claire Cottrill is showing me photos of Joanie, her rescue dog and the muse for her forthcoming album, Sling. “She’s actually really bossy,” the Massachusetts-raised artist better known as Clairo chuckles over Zoom, holding her phone close to the laptop screen so I can see the Instagram post more clearly. “But she’s so funny. We have such a special bond.”

According to a DNA test, the sandy-furred pup is mostly chow chow and great pyrenees, with a little bit of boxer and lab in the mix, which accounts for the fact she has tripled in size in the six-and-a-bit months since her adoption. “She was a little wolf baby; a peanut!” the 22-year-old singer-songwriter exclaims, mooning nostalgically over one particular image depicting the then seven-week-old puppy peeking out of some bushes.

Dog ownership might have become quite the ultimate lockdown cliche, but for Cottrill committing to a pet represented a rare opportunity to lay down some roots. Certainly, pre-pandemic she hadn’t had much chance to pursue a life of quiet domesticity; not since the autumn of 2018 at least, when the lo-fi bedroom pop of Pretty Girl went viral, just weeks after she started college in Syracuse.

Its winningly DIY video racked up more than 1.5m YouTube views pretty much overnight (it now stands at almost 75m), and Cottrill was heralded as a vital new voice, and part of a wave of creatively autonomous, emotionally articulate Gen Z artists, alongside the likes of Billie Eilish and Rex Orange County.

Cottrill’s rapid rise – not to mention her signing with the Fader label and Chance the Rapper’s management team – was not without controversy. A small but vocal subset on Reddit circulated the rumour that Cottrill was an “industry plant”, a conclusion they arrived at following their discovery that her father Geoff was previously chief marketing officer at Converse and co-founder of its affiliated recording studio Rubber Tracks. She has recently addressed the allegations directly, telling Rolling Stone, “I definitely am not blind to the fact that things have been easier for me.”

Largely though, Cottrill has sought to prove her detractors wrong through the quality of her compositions. First came Diary 001, an esoteric, six-track set mining skeletal hip-hop and the wipe-clean grooves of PC Music-inspired pop. That was followed in August 2019 by Immunity, the full-length debut she co-produced with ex-Vampire Weekend man Rostam Batmanglij. More revelatory than Diary 001, it detailed a suicide attempt (Alewife) and her struggles with juvenile rheumatoid arthritis (I Wouldn’t Ask You) with striking candour. Sonically, it paired tender, electronics-tinged introspection with swooning guitar-pop. Sofia, which now boasts 280m streams on Spotify, catapulted Cottrill into another league of fame entirely, leading to collaborations with Charli XCX, Mura Masa and Arlo Parks, plus arena tours in support of Khalid and Tame Impala.

Cottrill was busy with the latter when Covid hit the US. On hearing the news, she headed straight to Atlanta, Georgia, to see out lockdown with family, a period of isolation originally scheduled to last a fortnight but which went on for eight months.

Just how intense was it spending the best part of a year holed up with her parents? “It was awesome,” she insists, now back at the Brooklyn apartment she shares with fellow musicians and former college pals Claud and Josh Mehling. “My older sister came home as well. And I found it interesting that no matter how much you’ve progressed as an adult in your own life, the family roles revert back to exactly how it was as a kid.”

First and foremost, enforced confinement provided the opportunity for Cottrill to deepen her relationship with her mother.

“The conversations I had with my mom about motherhood, and the things she sacrificed for us, are really important to me,” she says. “Also, it’s like you don’t actually know who your mother is before she’s Mom, before she’s Wife, because there isn’t a huge documentation of who she was as an individual. And I realised that I might be in the period of my life now where I’m in my individual phase: before I am Mom, before I am Wife, or whatever I end up being. It was a bit scary to recognise that I could eventually have a family, and then this whole identity that I’ve had on my own for a long time can, in some ways, disappear.”

These existential ideas form the basis of Cottrill’s much-anticipated second album. Recorded in the autumn of 2020 at Allaire Studios – situated on a mountain top in upstate New York – Sling finds Jack Antonoff co-producing. Perhaps more significantly, the record also features backing vocals from Lorde – on Reaper as well as the lead single Blouse – an alliance that led to Cottrill returning the favour on the New Zealander’s latest, Solar Power.

“I met Lorde [when I was] on FaceTime with Jack,” she says of the link-up. “He was like: ‘Hey, I’m with a friend, can we say hi?’, and it was Lorde. And I freaked out, of course, but she’s the nicest person ever.

“We talked a lot about how cool it was in the Laurel Canyon era, where people would secretly do background vocals on each other’s music – like Joni Mitchell with Carole King – rather than as a way to benefit the business side of things. Back then it was just like: ‘I love your voice: will you lend your talent to my song?’ So that’s what I asked her, and I was just lucky enough that she wanted me on hers as well.”

The legacy of Laurel Canyon looms over Sling, which swaps the sparse electronic flourishes of Immunity for lush, acoustic folk, often embellished with swooning vocal harmonies, delicate strings and the warm swell of brass. Reference points for the record included Hejira-era Mitchell, the Carpenters and Harry Nilsson, alongside less obvious touchpoints, such as cult jazz musician Blossom Dearie. Most influential, perhaps, was Innocence & Despair by the Langley Schools Music Project, which features a choir of 1970s school kids covering hits of the day, and has since been hailed as a significant piece of outsider art.

“To me, that record merged my two worlds for Sling,” Cottrill explains. “I wanted that warm 70s feeling, but also I was thinking so much about kids, and especially the clumsy, sweet kid that Joanie embodies.”

There is a darker side to the record too, as Cottrill grapples with the reality of life navigating an industry that she memorably describes – on Bambi – as “a universe designed against my own beliefs”. On Blouse she describes her experiences being sexualised by record execs, while on Management she parodies the industry’s fascination with youth in lines like “She’s only 22”.

“[The attitude is] ‘There’s a lot more that we can squeeze out of her before she’s done.’ Because I think that what this industry does a lot is drain young women of everything until they’re not youthful any more.”

For Cottrill, as much as Sling is an album, it is a document of her endeavours to reassess what it is she wants from life. And adopting Joanie was only the first step: in two weeks’ time she plans to move into the house she recently purchased, in a tiny Massachusetts town in close proximity to both the Berkshire and Catskill mountains.

“It’s so awful that it took something like lockdown happening for me to reevaluate how I wanted to move forward. But it’s now about putting my mental health first, because I deserve to have nice things that I do care about. [Things] outside of music, like a house and a dog.”

As we say goodbye, I get another glimpse of Joanie, who has been snoozing throughout the interview. Sprawled on the floor at the end of Cottrill’s bed, blissfully unaware of her significance in our conversations, it’s a pretty fitting encapsulation of the pace of life that Cottrill has finally embraced.

[elwingflight]

Coronavirus: Information & Guidelines

What you can do now, and what to prepare for

There seems to be a lack of what-to-do suggestions on tumblr beyond handwashing, so I thought I’d put something together. I’ve never actually encouraged people to reblog something of mine before, but this might be the time. To be clear: I am not personally a public health expert of any kind. Both my parents are (epidemiology/global health degrees, worked for CDC) and I’ve run this by them. My information is coming from disease researchers on twitter and official public health guidelines online. Sources at the end of the post. This is mostly directed at people in countries where COVID-19 has been reported (I’m in the U.S.), but is not *yet* widespread in the community. Written Mar. 1st 2020, last updated 3/9 (shorter, helpful twitter thread here, helpful NPR article here)

General Info

Firstly, a lot of politicians are *still* trying to sugarcoat things, but it should be clear by now that the new coronavirus is spreading widely and will continue to do so. Because of the incubation period, and in the U.S. at least the delay in testing, the number of cases is almost certainly going to increase rapidly in the near future no matter what we do now. Official government sources are helpful, but its also good to look at what experts on viral epidemics who aren’t directly government-affiliated are saying. Their agenda is purely informing the public in the most constructive way possible, without politics getting in the way.

Two key points- COVID-19 can have a long incubation period (the time from when you catch the virus to when you start showing symptoms) and most people don’t get severe symptoms. Some are entirely asymptomatic, but most people get typical flu-like symptoms. Specifically, the early symptoms to watch out for are a fever and dry cough (meaning, a stuffy nose is probably just a regular cold). Its possible but unlikely to transmit the virus while asymptomatic, most transmission happens when you have heavier symptoms.

The most vulnerable people are the elderly (~ over 60) and those with preexisting health conditions (i.e. cardiovascular disease, respiratory condition, diabetes), or a simultaneous infection with something else (NOT kids in particular!) So far the mortality rate has been about 1-2% (compared to 0.1% for the general winter flu - yes, this really is worse). However, that might be an overestimate, both because people with mild cases aren’t getting tested (the denominator should be bigger), and because the early situation in Wuhan, where a lot of our numbers come from, was especially bad in regards to availability of healthcare.

This is an emotional, difficult situation. Don’t panic. The world didn’t end in 1918, and its not going to end now. But it is very serious, and we need to be thinking about it rationally, not pretending everything is just going to be okay, or uselessly pointing blame. Take care of your mental health, and check in with each other. Epidemics test our generosity and selflessness. Those qualities are needed right now, but don’t neglect yourself either.

What You Can Do Now

There is stuff everyone can do both to prevent yourself from getting infected, and to prepare if you do. ***The big picture to keep in mind is that the biggest risk of epidemics is that they overwhelm our system, especially our healthcare system. What I mean by this is that our society is built to deal with a certain volume of things happening at once- people buying groceries, getting sick, etc. If we suddenly all rush to do something, we overburden these systems and they won’t be there for the people who need them most. Therefore our goal is to slow down the spread of disease, buying time and lowering the overall burden on these systems. This is called “flattening the curve”. It looks like this, and I cannot stress how important this is.***

A very helpful thread on preparedness

Staying Healthy

Like similar viruses (think colds and flu), COVID-19 is mostly transmitted from person to person, usually by close contact but sometimes from an infected surface. More here.

Wash your hands. Everyone has heard this one- 20 seconds, soap all over your hands, wash the soap off. If you can’t wash your hands use an alcohol-based hand sanitizer (at least 60% alcohol). But handwashing is absolutely better. Also- cough into your elbow/shoulder, not your hand, and avoid shaking hands- try elbow bumps or maybe a polite nod instead! If you’re handwashing so much that you’re hands are threatening to crack and bleed though, consider washing more strategically or using hand sanitizer instead.

In combination with hand-washing- stop touching your face, especially while out! This takes practice, everyone does it all the time without thinking. A good practice is to avoid touching your face while out, then wash your hands thoroughly as soon as you get home.

Similarly, avoid touching surfaces as much as possible! Particularly bad are door handles, elevator buttons, that kind of thing. The virus can probably (based on studies of related viruses) last a while on these. Regular gloves can help a bit. Use a tissue then throw it away, use your elbow, etc.

Do Not buy face masks! There’s mixed evidence on whether they’re at all helpful when used by the general public to prevent catching a virus, but actual medical professionals who need them are facing shortages (that’s probably part of why so many healthcare workers got sick in Wuhan), so our buying them up is really bad. The only times you should be wearing them is if you yourself are sick (they do help then!) or if you’re looking after a sick person. Seek instruction in that case in how to use them properly. (Thread on why buying those fancy masks is not good).

If COVID-19 is in your community, try to stay 6 feet from people, which basically means going places as little as possible. See below.

Planning Ahead

Its also a good idea to prepare in case you need to self-quarantine. Self-quarantine is necessary if you’ve potentially been exposed to COVID-19, or if you’re sick but not enough to need to go to the hospital. Follow local guidelines- if there’s lots of transmission in your area, nonessential workers will probably be advised to stay home as much as possible.

If you’re able, get medication now. Don’t go crazy and buy out the drug store, just a reasonable amount. Try to get at least a month’s worth of any prescription medications. This can be hard at least in the U.S. - your doctor may well be able to prescribe more, but insurance companies and drug stores can be terrible. I’ve found trying a different drugstore can sometimes help. Try your best. They may also be reluctant to prescribe more to avoid causing shortages. Idk what the right answer is here.

Don’t go crazy and buy out the store, but start getting a little extra shelf-stable or frozen food. Even some root vegetables that will last a few weeks. You want enough for 2 weeks in case of self-quarantine, but you do NOT want to empty out stores. Panic buying is definitely a stress on the system. Just add a few extra things each time you shop. Don’t forget about pets. You can always eat the food and replenish it over time.

Make a plan with your family/community. If someone gets sick or needs to self-quarantine, is there a corner of the house they can stay in? Who can take care of them? etc. I haven’t focused on plans for schools/religious communities/workplaces etc but those are very important too! This is one place where keeping an eye on local and national news is important. In the U.S., for example, school systems are planning ways to make food available to kids if they’re not going to school.

If COVID-19 is starting to spread in your community, think about how else you can be a good community member. Cancelling nonessential doctor’s appointments, surgeries etc may be very important, for example. If schools are closed, can you help out neighbors with childcare? Do you have a cleaner who may need to be payed in advance if there’s a quarantine?

If You Might Be Sick/Need to Quarantine

See likely symptoms above. Remember, normal colds still exist, and if you go to the doctor for every one of those you will overwhelm the system.

Don’t just go to a hospital! Call ahead to your doctor/clinic/hospital and get instructions on what to do. Getting healthcare workers sick is something we really want to avoid. That said, DO get tested as soon as possible, and act as if you are contagious. The health coverage situation is the U.S. is not yet clear (and ofc its not something the current admin is eager to clarify). Hopefully testing will be covered financially by the government, but I can’t promise that at this time.

In the meantime, stay home and quarantined if you show any symptoms of illness if you possibly, possibly can. This is especially difficult in the U.S. if you don’t have sick leave/childcare, but please. Do your utmost.

Look after yourself. Skype/google hangouts/etc is great for keeping connected. Have some chocolate/chicken broth/other sick foods ready.

The Big Picture

Coronavirus/COVID-19 has not been declared a pandemic yet, but it probably will be before long. This is almost certainly going to get worse before it gets better. We don’t yet know if warmer weather will slow its spread, and a vaccine will probably take about 1-1.5 years to be developed and tested. As I mentioned before, the best thing we can do to keep the world working, minimize mortality, etc is to slow the spread as much as we can, and minimize the strain on the system. Hospitals are going to be overwhelmed. There aren’t infinite unoccupied beds or ventilators, or people to operate them, and supply chains could get disrupted. Thinking about these things is scary, and it will take time to adjust to what’s happening. Start that process now, and help everyone you know reach the point where they’re able to act, not panic. Another reassuring thing- if we slow the spread of COVID-19, in addition to fewer total people getting sick, you will soon have people who are recovered and almost certainly immune. These people will be invaluable as helpers in their communities.

Now that the practical stuff is out of the way, I want to say from a U.S. perspective that yes, our lack of social welfare other countries take for granted is going to hurt us. Lack of access to childcare, no guaranteed paid sick leave, and of course expensive healthcare are massive problems that will make it much harder to limit disease transmission. Help each other in any way you can, and vote for candidates that support implementing these policies! And of course, watch out for propaganda of all kinds, whether its using the virus as an excuse for racism, calls to delay elections, etc. So far my biggest concern is a lack of willingness to admit how serious this is, but we can do this. Lets put extra pressure on politicians to be honest and change policies to actually help people. But, yes, lets also stay united. We need each other now (just, you know, 6 feet apart).

A few sources

In general, the Guardian is a great, free, reliable source of news. In the U.S., NPR (website as well as radio) is another great source. The Washington Post and Seattle Times have made their coronavirus-related coverage open access, not sure about other national newspapers.

twitter thread from World Health Organization (WHO)

U.S. Center for Disease Control and Prevention (CDC) COVID-19 homepage (not being updated in some ways it should be, like total # of tests)

A reality check from some non-Governmental experts (basically, what governments don’t want to say yet, which is that this virus is going to spread, and the goal now is to infect as few people as possible, as slowly as possible. Read this.)

Why you should act now, not when things get bad in your area (we’re always operating on outdated information)

If you want the latest technical info, The Lancet (major medical journal group) has all of their content compiled here, open access.

I can do my best to answer questions (i.e. ask my dad) but those or other reliable, readily find-able sources should have you pretty well covered. Do let me know if anything on here is wrong or needs to be updated! Stay safe, stay positive, we can do this.

[inkintheinternet]

Vaccines that Spread: Corona Chronicle 8

By Arjuwan Lakkdawala

Ink in the Internet

There has been much talk about humans taking vaccines, without a doubt vaccines have through the years saved millions of lives. According to the CDC (Center for Disease Control) There are vaccines for 17 dangerous or deadly diseases. Perhaps the list hasn’t been updated because till the time I posted this article Covid 19 or its vaccine hadn’t been added to the list.

This is my 8th Chronicle about the pandemic, I thought I was done by the 7th. Thanks to widespread awareness especially about hygiene, masks, and social distancing, though it is shameful that humans needed an unprecedented pandemic to get them to wash their hands properly.

As a news observer I found everything is going in the right direction in combating this pandemic, but the debate and confusion surrounding vaccines got me to write again.

I stand by vaccines that have been properly tested and not made out of some rush, which might not make them as effective and safe as they should be.

To understand vaccines and their significance I thought it’s important to understand that vaccines exist naturally and the artificial lab made vaccines are only trying to imitate nature.

One example is the chicken pox, if you get it, you are automatically vaccinated against it so you never get it again.

The antivenom is different but still a brilliant example of how antibodies form to fight toxins.

Horses, or sheep, because they have robust immune systems are injected with a small amount of venom, and then the anti-bodies through bleeding are purified and harvested to make antivenom.

This method was first developed by French scientist Albert Calmette in 1895, and it hasn’t changed much.

A July 2020 paper by Scott L. Nuismer and James J. Bull on the Nature Ecology and Evolution website, speaks of

“vaccines that spread”

It goes to the root of the risk by zoonotic infectious diseases sporadically spilling over and causing epidemics.

The report says SARS-Cov-2 is just a recent example of how ineffective the world is at controlling infectious diseases.

Instead of vaccinating humans after an epidemic or pandemic, I think the report’s prevention method of self-disseminating vaccines is a better approach.

The idea is to make contagious vaccines, it can be made to spread through animals either by injecting them with the vaccin, which is infectious like a virus, or by applying the vaccine on an animal – bat for example and it spreads the vaccine as it comes into contact with other animals.

However, this aspiring concept is not without challenges as stated in the report. According to www.nature.com There are about 1,400 known species of human pathogens and they make up less than 1% of the microbial species on the planet, so predicting which of these is likely mutate to become an infectious disease to humans could require infinite research.

The report by Scott L. Nuismer and James J. Bull says using the self-disseminating vaccine to eradicate known viruses like the rabies, would still be a hard task, as the virus circulates between different animal reservoir species. But because effective wildlife vaccines exist. Achieving self-dissemination would be a good way to start in making its vaccine viral for distribution among different animal groups.

Copyright ©Arjuwan Lakkdawala 2021

Arjuwan Lakkdawala is an Author , Science Communicator, and Journalist. @Spellrainia Twitter Instagram

[sole-cuore-amore-e-droga]

Czech Republic brings their language back to Rotterdam 2021

Reviews coming in a little too into rehearsal period? Honestly don’t care, I’m happy I have caught on with quite the speed right now (only to lose it soon after I guess), because the last two actually came out on two days in a row, hah! Up next is Czech Republic to be talked about, let’s go.

ARTIST & ENTRY INFO

Joining the trend of Czech-Men-Surprisingly-Looking-Like-How-They-Are-In-Their-30s, here comes one Ben da Silva Cristóvão (aka Ben Cristovao, aka Benny Cristo), and his Angolan father explains why is his original surname so funkily Portuguese. Mans went to the finals of the Czechoslovakian version of Pop Idol in the same year Czech Republic finished with 0 in the semifinal and ended their Eurovision career for a brief moment in time (thanks for the fact linkage, Euromovidas). Since then he has quite significantly exploded in their music scene, releasing material after material, performing as a supporting act to Mr. Worldwide himself, and doing all kinds of concerts back in the day. Most of his material is in Czech, so like for TIX, Eurovision is an opportunity for him to present himself better in English, somehow.

As his Eurovision entry, “Omaga”, is MOSTLY in English. Until the miracle strikes and you hear two lines in Czech - that is right, Czech Republic having lines in Czech on their entry is a miracle in the regard that we last heard Czech Republic sing in Czech on their very debut in 2007, when the entire song was in that language. It did not give them fruitful results, but that’s not language’s fault. Now say what you will about 2021 having had that potential to kill languages that we have heard in 2020 (Slovenian, Amharic...), but 2021 is quite the greater kind of thing in that regard that we have, because of Czech Republic and the entry I’ll write a writeup for next, Denmark. "Omaga” is a clubby-ish pop song with guitar influences, something that Benny himself has never really done before stylistically, because from his repertoir, he does kinda have something somewhat laidback and toned down more than those upbeat energetic kinda stuffs, but if that is not usually his style, then he has got to be a master of many styles, lol. Lyrics are about a man wanting to woo some girl who is tired of his stupid things but she really makes him happy and he is stunned by her beauty so much he can’t help but go “omaga” “oh my God” at her constantly. Benny did that one thing about “Kemama” to “Omaga”, which is simplifying an otherwise already easy-ish phrase into a somewhat made up but catchy word (in “Kemama”’s case it was something along the lines of “OK mama”), but does that matter in the end? It’s the music that does, in this case.

REVIEW

And in this case the music is reeeeeaaaaally THAT good.

It’s an instant turn on, if not from the lowkey minuscule-tropical beginning, then it gets going from the verses on, which features some insane catchy bass chops(?) and engaging fast singing from Benny.

I also love how differently does he sing the second and third choruses from the first one, like, he goes higher on some words (“happy you’re here” and “beautiful”), and the post-chorus chorus?? The repetition of “oooooh-my-GOOOOD, oh my Gooood” is just working me the right way?????

And the Czech lines are pure magic. Whenever I hear them, my mood is made, the time feels like it freezes, I just feel smitten by the fact that it exists. Now will it be the first entry with Czech lyrics to make it? I dunno, you decide, and I trust you, even if foolishly.

I don’t know what is it with these lyrics and what was it with “Kemama”, but it’s one of those songs dying to be turned into a dance sensation, like, a song viral on TikTok thanks to a dance challenge. You can make so many simplistic moves to whatever he’s singing.

Also the music video is pretty fantastic. Full of movie references I both recognize on spot, and don’t! For instance, this is also a movie reference, and also I’ve seen this piece of music video clip material as a ČT exclusive backstage preview of whatever they were filming for Benny.

this is very relatable. whole world IS crazy

Literally quite a lot of things in the song are perfect, and so are about the rest of my top 5, maybe even top 6. Switzerland has a great second pre-chorus among many moments, Malta has a perfect combination of the chaos within itself, San Marino is a fantastic pop song with a cool little feature verse, Italy has THAT bridge, Lithuania has the unexpected good vibes. Czech Republic is just perfect for me for the most part, without a specific moment, because there are a lot of specific moments. Good vibes all around.

Though at first I thought he was singing “you’ve been hung too long, I’ve been hung too long” (it’s “home” instead in these words). *-* doesn’t help that the “why don’t you let me have it” line sounds like Benny’s asking for sexual favours that are constantly rejected against his favour. Go simp somewhere else :P

Approval factor: SAY YES SAY YES SAY YES (- Ben & Tan) Follow-up factor: Stellar! ČT had to give up their future televised NF project due to drop outs of their previous HoD for 2020, but even then, his good pals are making sure that Czech still retain a really good maintained interest in Eurovision with their songs and all. And they gave up the NF itself to have Benny Cristo to participate for the second year in a row, with an internal song, and all is fine and dandy. “Kemama” and “Omaga” are two kickass songs in a row. Qualification factor: I really want to be optimistic about the chances of this guy. I really do. I just really want to shrug off the deadpan reactions from the press center that he was constantly getting. But what if there is no hope, and his rather lackluster looking performances are what we getting live. The visuals don’t please me a lot, with the wide shots towards the arena and not much more focus on Benny, and I would absolutely hope he’s gonna do well vocally... but... I was at first really sure he would, because he’s energetic and electrifying. Now? Might be swallowed over the competition + hopeless-ish acts performing way better than him on the night + he’s on 3rd, and while Manizha will escape that, Benny could get sadly torpedoed. Hope it’s not the case :(

INTERNAL CORNER

There were some nice moments to talk about, but they’re mostly few and far in between, BUT there was this one livestream that stood out to me in a weird way - ESCZ, the thing that is in charge of Czech Republic’s Eurovision ordeals ever since like 2018, had an Instagram livestream with Benny to talk about his Eurovision related details, that among 3 songs shortlisted they’ve chosen one, that some sort of a preview will allow a singles only early peek into the entry, and so on.

There’s also this, which made me think that Omaga’s certainly qualifying.

Just... wow. And the last higher notes he’ll certainly attempt to pull off in Rotterdam as seen in rehearsals, so I cross my fingers nothing goes awry with that.

ANY LAST WORDS?

Please Eurovision Gods, for the love of Verka and Conchita and whoever else, GIVE THIS SONG A QUALIFICATION. During the season the Czech Republic managed to slide into my top 3 and take that 3rd place spot from San Marino (yeah San Marino in my top 3 who’d’ve thought??), and that alone tells me that it is such a good song, and one of those that would seriously break me if I lost it in the semis. Please. Don’t let Benny flop. He doesn’t deserve that. Not even an ounce of that.

Or else he’ll come to haunt your nightmares after the night of the semi like this

[strangenewfriends]

During a pivotal year of his solo career, Harry Styles has notched another monumental achievement: his first No. 1 single on the Billboard Hot 100 chart.

As “Watermelon Sugar,” the standout track from Styles’ sophomore solo LP Fine Line, lifts 7-1 on this week’s Hot 100 tally, Styles tops the chart for the first time, after previously reaching a No. 2 peak as a member of One Direction. After starting his solo career with his classic rock influences on his sleeve, Styles has become a fixture at pop radio in 2020, with both “Watermelon Sugar” and “Adore You” becoming ubiquitous top 10 hits this year.

How shocking is the ascent of “Watermelon Sugar”? And what could the song mean for Styles’ future at the Grammy Awards? Billboard staffers answer these questions and more below.

1. On a scale of 1-10, how surprised are you that “Watermelon Sugar” is the song to finally give Harry Styles his first Hot 100 chart-topper?

Andrew Unterberger: Three months ago, it would've been a 10 for sure. Types of songs that don't usually go to No. 1 in 2020: fourth official singles, songs that have already dropped off the Hot 100 for multiple months after debuting, rock (or at least rock-based pop) songs. "Watermelon Sugar" was each of 'em, and even as recently as last week, I'd have been, like, an 8 about it going all the way to No. 1 -- even with a viral video, good audio-only streaming numbers and huge radio support, it seemed to have hit a ceiling outside the top 5. But a concentrated fan campaign and some good chart timing have put it over the top, and maybe I shouldn't be so surprised by that in 2020 after all.

Jason Lipshutz: I’d give it a 7 -- not because of any deficiency or quirk with the song, but because of its circuitous route to the top of the Hot 100 chart. Styles performed “Watermelon Sugar” for the first time on Saturday Night Live on Nov. 16, 2019, and released music videos for three other Fine Line songs before finally returning to it in May. That’s an incredibly slow burn -- to provide some context, “Watermelon Sugar” was released the same weekend as the ill-fated Charlie’s Angels reboot! -- and an unlikely path to pop ubiquity, to say the least.

Joe Lynch: I guess 9? It's super catchy and easy to get into, but it's just not the vibe of most 2019-2020 Hot 100 toppers – although given that Taylor Swift's "Cardigan" cozied up to the top slot last week, perhaps we're at a point in the pandemic where people are specifically turning to something that's a far cry from the top 40 norm for a break in monotony.

Lyndsey Havens: I'd say a 6. Three years ago (and still today) I thought that "Sign of the Times" could have and should have topped the chart, and then I thought that "Adore You" might finally do the trick. But people do say "third time's the charm" for a reason, and it makes sense that, after two strong top 10 singles, the continual growth of Fine Line well into 2020 and the strong promotional push, that this summer-ready, breezy pop-rock track has claimed the chart's top spot.

Stephen Daw: I'm clocking in at a solid 5 — it's surprising (to me, at least) that it took Harry Styles this long to log his first No. 1, but as soon as I heard "Watermelon Sugar," I was confident that, if a song off of Fine Line was going to reach the top of the Hot 100, it would be this one.

2. The success of Styles’ second album, Fine Line, has been one of the biggest stories in mainstream pop this year -- the album is still in the top 10 of the Billboard 200 chart eight months after its release. Why do you think Styles’ sophomore solo LP has resonated so well this year?

Andrew Unterberger: I wish I knew -- as do record company folks around the world, I imagine. It's a very good album and Harry is an extremely likeable star, but nothing about an album that feels largely like a tribute to '70s pop-rock and post-peak Paul McCartney would've struck me as an album to take him to that next level of stardom. He's just a star -- one with a big-enough gravitational pull to bend the mainstream to him -- and I won't underestimate him so easily again.

Jason Lipshutz: In 2020, artists like Dua Lipa, Lady Gaga, Selena Gomez and 5 Seconds of Summer have all released top-notch pop full-lengths... but I have returned to Fine Line more than any of them. Part of that has to do with its sense of uplift and enthusiasm during a particularly trying year -- shout-out to “Treat People With Kindness” for snapping me out of some grade-A funks -- but Fine Line’s songs are stronger than those of Styles’ self-titled debut, the pacing is immaculate, the hits are far more effective and Styles is more comfortable in his own, ‘70s-pop-channeling skin. Fine Line is part throwback, part comfort food, part magnetic artistic presence, and remains an excellent front-to-back listen.

Joe Lynch: I think he's in a great spot in his career: not only has his 1D fan base embraced his maturing sound (which, to be fair, isn't a tough sell – this is very accessible pop-rock), but his gender-bending, classic rock-worshiping fashionista persona has expanded his listenership beyond the realm of card-carrying Directioners. Plus, it's an album that's crafted to last: this is meticulous studio pop that mostly eschews the tiresome trends and tricks most producers feel obligated to slap on a recording to make it feel “contemporary.” Fine Line occupies its own lane instead of competing against two-or-three new sound-alike albums a month.

Lyndsey Havens: Harry is the "perfect" pop star: his One Direction past earned him a built-in (and very dedicated) fan base, he’s mysterious enough but generous with his content, queen Stevie Nicks has become his number one fan, and, of course, he delivered an album filled with fantastic pop-rock hits and ballads. When Harry Styles arrived, fans had to adjust to Styles' sonic pivot. But by the time he delivered Fine Line, both Styles and his fans had matured -- and those pop-rock roots he planted years prior were in bloom. There was no adjustment period, and in my opinion, that allowed Fine Line to be immediately and repeatedly consumed.

Stephen Daw: There's a lot to be said for Harry's massive, mobilized fan base, and for his status as a burgeoning pop auteur in the modern era. But I think both of those facts only help uplift the fact that Fine Line is simply a great album. The songs aren't pigeonholed into one specific sound, yet they retain this classic, pop-rock finish to them that passes the minivan test; there's something for parents and kids in all of these songs.

3. Styles’ other Fine Line hit, “Adore You,” peaked at No. 6 earlier this year, and comes in at No. 12 this week. Are you a “Watermelon Sugar” person or an “Adore You” person?

Andrew Unterberger: I think "Adore You" is the better song, but I'm glad that "Watermelon Sugar" was the song to get him to No. 1. "Adore You" was the dead-center top 40 single -- and even "Falling" could've caught some post-"Someone You Loved" radio spillover -- but "Watermelon Sugar" is just pure Harry. He couldn't have asked for a better, more validating single to affirm his superstardom.

Jason Lipshutz: Hard to pick one, but give me “Watermelon Sugar” for the higher sing-along quality. Watching Styles perform Fine Line in its entirety at the Forum in Los Angeles last December included an arena of fans shouting “Watermelon sugar, HIGH!” -- and this was before the song was a chart-conquering hit. I suspect “Watermelon Sugar” is going to be a euphoric live staple in the coming years, which gives it the edge for me.

Joe Lynch: Definitely "Watermelon Sugar,“ a perfect, laid-back summer jam that gently uplifts without ever demanding attention. "Adore You" is solid but tailored for a specific topic, whereas "Watermelon Sugar" is the kind of softly buoyant treat that floats well in a variety of contexts.

Lyndsey Havens: I find it interesting that the two songs off Fine Line to stick around the chart's upper echelon are a bit similar-sounding. One of my favorite things about Styles is the risks he'll take, best evidenced by his debut solo single "Sign of the Times,” but also by Fine Line tracks like "Lights Up," "Falling" and "To Be So Lonely." But that's exactly what makes me a Harry Styles fan -- he's no one trick pony (insert joke about him heading in more than one direction), and while "Adore You" and "Watermelon Sugar" may not showcase his range, they've both become Styles standards for me. But to finally answer the question, I have to go with "Adore You" for the lyrics alone. I mean.... how can you compete, or argue, when he pleads like that?

Stephen Daw: They're both excellent songs, but if I had to pick, I'm partial to "Adore You." Sonically, the groovy bass line and stylized guitar riffs hit me right where I live. Lyrically, I respond a lot more to the "strawberry lipstick state of mind" than I do to something that "tastes like strawberries on a summer evening." But they both have strawberries in there, so it's a win either way!

4. Styles is now the second member of One Direction to score a solo No. 1, following Zayn with “Pillowtalk.” If you had to choose one of the other members -- Niall Horan, Liam Payne, Louis Tomlinson -- to someday score a No. 1 single, who would you put your money on?

Andrew Unterberger: Can't say the prospects for any of them reaching the Hot 100's peak are looking particularly robust right now, but if I had to choose one, I guess I'd say Liam. He has connections throughout the pop world that could result in him finding his way onto the right collab -- with buddy Post Malone, perhaps -- to find his way back to the top. Rooting for Louis, though! Go Louis!

Jason Lipshutz: I’m going to zag a little and go with Liam Payne, who scored an unexpected top 10 hit with the Quavo team-up “Strip That Down” and has been trying to recapture that magic in the years since. Payne’s solo debut didn’t offer any other standout singles, but he’s proven capable of headlining a rhythmic pop single that sticks around at radio, and I wouldn’t be shocked if he does so again over the next few years.

Joe Lynch: That's a tough question, because I could see Liam or Louis hopping on a track as a featured artist that goes all the way to the top. But if we're talking primary credited artist, it's gotta be Niall Horan, who has demonstrated probably the most solid catalog and sonic cohesion thus far of those three. Not saying it seems likely, but then again, when Fine Line dropped, who thought "Watermelon Sugar" would sweeten up the top spot on the Hot 100?

Lyndsey Havens: Justice for Niall's "No Judgement"! I played that song a lot when it first came out. But I actually think it's a smarter financial move to bet on Liam Payne, considering his strategy of collaboration. He's worked with Zedd, Quavo and Alesso, among others, and I wouldn't be all that surprised if in another year or so he lands on a track -- or a remix -- that shoots to No. 1 for the star power alone.

Stephen Daw: While Liam is the only other member to get one of his songs into the Top 10 of the Hot 100, I'm putting my chips down on Niall. Heartbreak Weather turned out to be a pretty fun record, and I remain convinced that "Black and White" is going to have a second life (much like "Watermelon Sugar”)!

5. Finish this sentence: at next year’s Grammy Awards, Harry Styles’ “Watermelon Sugar” will __________.

Andrew Unterberger: ...be shut out. It may score Harry his first nomination or two -- either solo or with 1D -- but considering how the Recording Academy has given him the cold shoulder so far, and seeing how overlooked he was even among this year's VMAs nods, I don’t know if I see him taking home his first Gramophone for it. (Uh-oh, looks like I'm easily underestimating him again -- never mind, I say the song sweeps.)

Jason Lipshutz: ...be nominated for record of the year, and Fine Line will be nominated for album of the year, and justice will have finally been served to Styles, who has yet to garner a single nomination over the course of his career. Will either win? It’s too early to say, but I like Fine Line’s chances at this point.

Joe Lynch: ...sow seeds of discontent; the Grammys will continue to ignore Harry Styles, and the fans will unleash their exasperation on Twitter with the machine gun-rapidity of a cartoon character spitting out watermelon seeds.

Stephen Daw: ...probably get nominated for record of the year. It would be worthy of a spot in the song of the year and best pop solo performance categories as well, but something tells me that if one of his songs were to be nominated for those categories, "Adore You" stands a better chance. While it would be great to see Harry win, if he were nominated in this category, he'd likely be going up against the likes of Dua Lipa, Taylor Swift, Lady Gaga, The Weeknd and/or Megan Thee Stallion, and I just don't think he'd be able to clinch the ROTY win with that kind of competition.

Lyndsey Havens: ...still taste like strawberries on a summer evenin’.

[grandhotelabyss]

My Year in Books, 2020

Introduction

I don’t want to waste your time, dear reader, with a list of all the books I read in 2020—you can track that on my Goodreads, if you care—nor even a list of all the books I wrote about on my site. But I would like to take the occasion of New Year’s Eve to revisit some of my favorites. Please click below for the list. Happy New Year!

1. Jane Austen, Sense and Sensibility

Reading old books can help us understand the present better than reading new books, which are often too caught up in today’s doxa to offer a true perspective on today’s world. Austen’s first major novel is a good example; what can help us understand class and gender better than this 19th-century narrative? As I wrote:

Marianne Dashwood (or Lily Briscoe or Sula Peace) has triumphed: today, she issues defenses of desire on podcasts and Patreon and posts pictures of her swollen ankle and putrid tonsils for the fetishists among her OnlyFans subscribers. If Elinor still functions as her conscience, she does so in the administrative bureaus of the corporation and university—human resources, diversity and equity—where her job is to intercept and interdict threats to the untrammeled unfolding of Marianne’s consciousness. This metamorphosis has undoubtedly liberated the individual from the stifling convention of bourgeois domesticity, but is the place where it has installed her now, where she must sell soul and body by algorithm just to stay alive, any less a prison?

I thought I’d get cancelled for that one, but nobody seemed to notice. Here’s another chance, cancel crew!

2. Giovanni Boccaccio, The Decameron

Like everyone else and for obvious reasons, I read The Decameron in 2020, but it didn’t make much of an impression, besides its historical interest. This might be the problem:

The late medieval personae and settings are different from the postmodern ones: clergy in place of technocrats, princes in place of corporations, and a network of land and sea routes where fiberoptic cables now run. But Boccaccio himself, in writing a comic prose work that has, according to the scholar Robert Harrison, been called “a mercantile epic,” did much to prepare the way for our world.

I’m sure this is a mix of presentism and philistinism talking, but a literary culture divided between Dante and Boccaccio would seem to have something wrong with it. The best writers earlier and later—Homer and Sophocles, Shakespeare and Joyce—seem capable of synthesizing what in Dante’s divine comedy and Boccaccio’s human comedy are held forcibly, artificially apart. 

3. James Miller, The Passion of Michel Foucault

I review a scandalous biography of the theorist who may or may not have made our contemporary world:

His identification of a new oppressed class, and his observation of oppressive power structures working in precisely those institutions meant in the modern period to correct the “barbarities” of ages past with their torture chambers and ships of fools, would change the western left forever. The “abnormal” subject (rather than the worker) was now the protagonist of history, power (rather than exploitation) the mechanism of oppression, and modern scientific and liberal institutions (rather than capitalist economics) the enemy. Foucault’s anti-psychiatry stance is now in abeyance—a recent viral Tweet promised that “under socialism all men will be sent to therapy,” an old chestnut of Stalinist terror that redefines political dissent as mental illness in an instance of exactly the thinking Foucault meant to challenge. But the drift of his thought, toward the emancipation of western reason’s underside, still defines for many what it means to be on the left today. If the left once promised, per the Internationale, “reason in revolt,” Foucault offered unreason in revolt.

4. Plato, The Republic

A much misunderstood book, in my view:

Socrates clearly describes the defects of the soul’s non-rational divisions; by contrast, reason, ordained as it is to apprehend the perfection of the idea, is presumably faultless. Yet I would suggest that Socrates’s forgetting that divine inspiration is the source of poiesis, even as he utters poetry in praise of reason, is a flaw. If the fault of the soul’s appetitive part is an insatiable quest for more and more physical satisfaction, and if the fault of the soul’s spirited part is a desire for victory or conquest without limit, then might we not theorize a parallel danger in the soul’s rational part? And doesn’t Socrates exemplify this danger when he follows the autonomous logic of his argument past all experience, including the poet’s experience of divine inspiration?

What if we took up the hint and patterned contemporary novels on Platonic dialogues?

5. Umberto Eco, Foucault’s Pendulum

I have mixed to negative feelings about this cult classic, but I had fun introducing its conspiracy-laden plot with some paranoia of my own:

Finally, canvassing the Wikipedia entry on the novel before I read it, I found that among the endless occult paraphernalia Eco packed into the text was “[a]n obscure one-time reference to the fictional Cthulhu cult through a quote from The Satanic Rituals—‘I’a Cthulhu! I’a S’ha-t’n!’. The words closed a ritual composed by Michael Aquino.” Aquino was a high-ranking Satanist and a psychological warfare expert for the U.S. military; he co-wrote the notorious Pentagon position paper “From PSYOP to MindWar: The Psychology of Victory”. Understandably, he recurs again and again in the annals of American conspiracy theory: the politically paranoid on the right abominate him for his Satanism, while those on the left loathe his anticommunist and militarist commitments. Through a vector I’m not at liberty to disclose, I am only two of the proverbial degrees of separation away from Aquino, though I have obviously never met him or had anything to do with him or even discussed him with anyone who has. I imagine conspiracy theorists will promulgate this curious fact widely on the Internet to discredit me whenever I finally become as famous as I deserve to be, considering that I am one of America’s great writers. (Megalomania and paranoia: like horse and carriage.) 

And no, I still won’t tell you how I’m connected to Michael Aquino.

6. Thomas Mann, Mario and the Magician

Writing on this classic semi-anti-fascist novella, I wondered whether “anti-” is always the solution:

It is an old problem: how not to become what we behold, how not to transform into one’s enemy—how to be sure anti-fascism doesn’t become fully indistinct from fascism itself. Given our psychology, with its tendencies toward projective and dichotomous thinking, and given political realities, which often make violent confrontation seem fated, this may be an insoluble problem. Perhaps every anti-[X] is doomed by the occult law of similarities to become [X]; perhaps our time is better spent in simply not being [X] rather than defining ourselves against and therefore by [X]. 

7. Cormac McCarthy, The Orchard Keeper

I took the opportunity of McCarthy’s preternaturally eloquent first novel to clarify a point of political economy:

As I insist on reminding everyone from time to time, even at the risk of repeating myself, Lenin argues in Imperialism, the Highest Stage of Capitalism (a book I don’t claim to understand in every particular) that the monopolization of capital is the necessary and final stage of history before communism. Monopoly represents “a new social order, a transitional one from complete free competition to complete socialisation”—i.e., let the corporations do the work of centralizing production so that the biggest corporate body of all, the state, can easily assume the economy’s commanding heights. Marxism, therefore, is not really a challenger to neoliberalism but only the loyal opposition. Hence the chief theme of McCarthy’s corpus: how the inherent flaws of humanity and nature, those organic defaults that make the marketplace a necessary evil in both serving and curbing self-interest, immeasurably worsen when magnified to the scale of organized planetary warfare in the very name of their correction by rationality—or, as a pair of unorthodox Marxists called it, the dialectic of enlightenment.

Conclusion

Speaking of the economy, though, my most important literary event of 2020 was the publication of my novella, The Quarantine of St. Sebastian House, my attempt to turn contingent crisis into permanent art. With that, I leave you. Let’s hope the poet had it wrong when he said, “Nothing changes on New Year’s Day.”

[godzilla-kong-ellen]

Godzilla Kong ellen teljes film (𝟐𝟎𝟐𝟏-𝐇𝐔) magyarul ☑️

👓 Godzilla Kong ellen 2021 Teljes Film Magyarul 👓

Nézd meg most📺 ▶️▶️▶  https://tinyurl.com/2xynr7g4

Mind tudtuk, hogy egyszer megtörténik. Világunk szörnyei nem kerülhetik el egymást. A legnagyobbaknak előbb-utóbb szembe kell találkozniuk, hogy összemérjék az erejüket. De ahol King Kong és Godzilla csatázik, ott senki más nincs biztonságban.

felszabadított: 2021-03-24 Runtime: 0 percek Műfaj: Akció, Sci-Fi Csillag: Alexander Skarsgård, Millie Bobby Brown, Kyle Chandler, Rebecca Hall, Brian Tyree Henry Rendező: Terry Rossio, Eric McLeod, Ronald R. Reiss, Sarah Halley Finn, Owen Paterson

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its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie. It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see ~Tenet more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe. Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Interstellar actually. (Interstellar had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria: “Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”). I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially. I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on. Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around. Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong. ~Tenet is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views. John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role. Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing. The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular. Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home. And so to the first of my significant gripes with ~Tenet. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to: the ear-splitting volume of the sound: 2020 movie audiences are going to be suffering from ‘~Tenetis’! (LOL); the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?); a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears. Overall, watching this with subtitles at a special showing might be advisable! OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “~Tenet” there are McGuffins nested in McGuffins. So much of this is casually waved away as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv! There are also gaps in the storyline that jar. The word “~Tenet”? What does it mean. Is it just a password? I’m none the wiser. The manic pace of ~Tenet and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “Interstellar”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat. It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years. This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie. Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery! However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale. So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up. (For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.) As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: ~Tenet’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that ~Tenet invites you to the fantastic storytelling by Christopher Nolan. Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie. The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan. Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well. In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition. Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement. (4/5) & (8.5/10) for those that care about number scores. At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (Interstellar) The movie is so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the movie because she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting. The music wasn’t unique and distinct as the music of Interstellar for example and I think this movie needed the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level. If there was something I’d say that I didn’t like it in the movie would it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance. I think this kind of movie that gets better with a second and third watch. I honestly don’t quite know where to begin with ~Tenet. I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). ~After nearly three hours, I came away from ~Tenet not knowing myself, my mind reduced to nothing more than piles of ash. Was there time travel involved? Hmm, there was definitely something about time inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. ~Tenet is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly

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Its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie. It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see Black Box more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe. Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Black Box actually. (Black Box had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria: “Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”). I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially. I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on. Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around. Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong. Black Box is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views. John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role. Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing. The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular. Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home. And so to the first of my significant gripes with Black Box. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to: the ear-splitting volume of the sound: “”&G2&”” movie audiences are going to be suffering from ‘Black Boxis’! (LOL); the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?); a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears. Overall, watching this with subtitles at a special showing might be advisable! OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “Black Box” there are McGuffins nested in McGuffins. So much of this is casually waved away as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv! There are also gaps in the storyline that jar. The word “Black Box”? What does it mean. Is it just a password? I’m none the wiser. The manic pace of Black Box and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “Black Box”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat. It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years. This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie. Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery! However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale. So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up. (For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.) As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: Black Box’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that Black Box invites you to the fantastic storytelling by Christopher Nolan. Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie. The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan. Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well. In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition. Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement. (4/5) & (8.5/10) for those that care about number scores. At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (Black Box) The movie is so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the movie because she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting. The music wasn’t unique and distinct as the music of Black Box for example and I think this movie needed the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level. If there was something I’d say that I didn’t like it in the movie would it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance. I think this kind of movie that gets better with a second and third watch. I honestly don’t quite know where to begin with Black Box. I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). After nearly three hours, I came away from Black Box not knowing myself, my mind reduced to nothing more than piles of ash. Was there time travel involved? Hmm, there was definitely something about time inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. Black Box is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly inventive action set-pieces. This time around however, Nolan has finally managed to ‘out-Nolan’ himself: the palindromic plot, whilst creatively ambitious, is simply far too complicated for its own good. Black Box is overlong, overstuffed, pretentious and too exhausting to comprehend in its entirety — it makes Inception and Black Box look like Peppa Pig by comparison. I’m aware of the technical wizardry and creative mastery in this film and lord knows I’ll have to watch this again. For those who want a puzzle, Black Box at least provides a unique cinematic experience. But to actually enjoy solving it Nolan wants you to work very very hard.

[kingstylesdaily]

Five Burning Questions: Harry Styles Earns His First Hot 100 No. 1 With 'Watermelon Sugar'

During a pivotal year of his solo career, Harry Styles has notched another monumental achievement: his first No. 1 single on the Billboard Hot 100 chart.

As “Watermelon Sugar,” the standout track from Styles’ sophomore solo LP Fine Line, lifts 7-1 on this week’s Hot 100 tally, Styles tops the chart for the first time, after previously reaching a No. 2 peak as a member of One Direction. After starting his solo career with his classic rock influences on his sleeve, Styles has become a fixture at pop radio in 2020, with both “Watermelon Sugar” and “Adore You” becoming ubiquitous top 10 hits this year.

How shocking is the ascent of “Watermelon Sugar”? And what could the song mean for Styles’ future at the Grammy Awards? Billboard staffers answer these questions and more below.

1. On a scale of 1-10, how surprised are you that “Watermelon Sugar” is the song to finally give Harry Styles his first Hot 100 chart-topper?

Andrew Unterberger: Three months ago, it would've been a 10 for sure. Types of songs that don't usually go to No. 1 in 2020: fourth official singles, songs that have already dropped off the Hot 100 for multiple months after debuting, rock (or at least rock-based pop) songs. "Watermelon Sugar" was each of 'em, and even as recently as last week, I'd have been, like, an 8 about it going all the way to No. 1 -- even with a viral video, good audio-only streaming numbers and huge radio support, it seemed to have hit a ceiling outside the top 5. But a concentrated fan campaign and some good chart timing have put it over the top, and maybe I shouldn't be so surprised by that in 2020 after all.

Jason Lipshutz: I’d give it a 7 -- not because of any deficiency or quirk with the song, but because of its circuitous route to the top of the Hot 100 chart. Styles performed “Watermelon Sugar” for the first time on Saturday Night Live on Nov. 16, 2019, and released music videos for three other Fine Line songs before finally returning to it in May. That’s an incredibly slow burn -- to provide some context, “Watermelon Sugar” was released the same weekend as the ill-fated Charlie’s Angels reboot! -- and an unlikely path to pop ubiquity, to say the least.  

Joe Lynch: I guess 9? It's super catchy and easy to get into, but it's just not the vibe of most 2019-2020 Hot 100 toppers – although given that Taylor Swift's "Cardigan" cozied up to the top slot last week, perhaps we're at a point in the pandemic where people are specifically turning to something that's a far cry from the top 40 norm for a break in monotony.

Lyndsey Havens: I'd say a 6. Three years ago (and still today) I thought that "Sign of the Times" could have and should have topped the chart, and then I thought that "Adore You" might finally do the trick. But people do say "third time's the charm" for a reason, and it makes sense that, after two strong top 10 singles, the continual growth of Fine Line well into 2020 and the strong promotional push, that this summer-ready, breezy pop-rock track has claimed the chart's top spot.

Stephen Daw: I'm clocking in at a solid 5 — it's surprising (to me, at least) that it took Harry Styles this long to log his first No. 1, but as soon as I heard "Watermelon Sugar," I was confident that, if a song off of Fine Line was going to reach the top of the Hot 100, it would be this one.                               

2. The success of Styles’ second album, Fine Line, has been one of the biggest stories in mainstream pop this year -- the album is still in the top 10 of the Billboard 200 chart eight months after its release. Why do you think Styles’ sophomore solo LP has resonated so well this year?

Andrew Unterberger: I wish I knew -- as do record company folks around the world, I imagine. It's a very good album and Harry is an extremely likeable star, but nothing about an album that feels largely like a tribute to '70s pop-rock and post-peak Paul McCartney would've struck me as an album to take him to that next level of stardom. He's just a star -- one with a big-enough gravitational pull to bend the mainstream to him -- and I won't underestimate him so easily again.

Jason Lipshutz: In 2020, artists like Dua Lipa, Lady Gaga, Selena Gomez and 5 Seconds of Summer have all released top-notch pop full-lengths... but I have returned to Fine Line more than any of them. Part of that has to do with its sense of uplift and enthusiasm during a particularly trying year -- shout-out to “Treat People With Kindness” for snapping me out of some grade-A funks -- but Fine Line’s songs are stronger than those of Styles’ self-titled debut, the pacing is immaculate, the hits are far more effective and Styles is more comfortable in his own, ‘70s-pop-channeling skin. Fine Line is part throwback, part comfort food, part magnetic artistic presence, and remains an excellent front-to-back listen.                                

Joe Lynch: I think he's in a great spot in his career: not only has his 1D fan base embraced his maturing sound (which, to be fair, isn't a tough sell – this is very accessible pop-rock), but his gender-bending, classic rock-worshiping fashionista persona has expanded his listenership beyond the realm of card-carrying Directioners. Plus, it's an album that's crafted to last: this is meticulous studio pop that mostly eschews the tiresome trends and tricks most producers feel obligated to slap on a recording to make it feel “contemporary.” Fine Line occupies its own lane instead of competing against two-or-three new sound-alike albums a month.

Lyndsey Havens: Harry is the "perfect" pop star: his One Direction past earned him a built-in (and very dedicated) fan base, he’s mysterious enough but generous with his content, queen Stevie Nicks has become his number one fan, and, of course, he delivered an album filled with fantastic pop-rock hits and ballads. When Harry Styles arrived, fans had to adjust to Styles' sonic pivot. But by the time he delivered Fine Line, both Styles and his fans had matured -- and those pop-rock roots he planted years prior were in bloom. There was no adjustment period, and in my opinion, that allowed Fine Line to be immediately and repeatedly consumed.

Stephen Daw: There's a lot to be said for Harry's massive, mobilized fan base, and for his status as a burgeoning pop auteur in the modern era. But I think both of those facts only help uplift the fact that Fine Line is simply a great album. The songs aren't pigeonholed into one specific sound, yet they retain this classic, pop-rock finish to them that passes the minivan test; there's something for parents and kids in all of these songs.                                

3. Styles’ other Fine Line hit, “Adore You,” peaked at No. 6 earlier this year, and comes in at No. 12 this week. Are you a “Watermelon Sugar” person or an “Adore You” person?

Andrew Unterberger: I think "Adore You" is the better song, but I'm glad that "Watermelon Sugar" was the song to get him to No. 1. "Adore You" was the dead-center top 40 single -- and even "Falling" could've caught some post-"Someone You Loved" radio spillover -- but "Watermelon Sugar" is just pure Harry. He couldn't have asked for a better, more validating single to affirm his superstardom.

Jason Lipshutz: Hard to pick one, but give me “Watermelon Sugar” for the higher sing-along quality. Watching Styles perform Fine Line in its entirety at the Forum in Los Angeles last December included an arena of fans shouting “Watermelon sugar, HIGH!” -- and this was before the song was a chart-conquering hit. I suspect “Watermelon Sugar” is going to be a euphoric live staple in the coming years, which gives it the edge for me.                                

Joe Lynch: Definitely "Watermelon Sugar,“ a perfect, laid-back summer jam that gently uplifts without ever demanding attention. "Adore You" is solid but tailored for a specific topic, whereas "Watermelon Sugar" is the kind of softly buoyant treat that floats well in a variety of contexts.

Lyndsey Havens: I find it interesting that the two songs off Fine Line to stick around the chart's upper echelon are a bit similar-sounding. One of my favorite things about Styles is the risks he'll take, best evidenced by his debut solo single "Sign of the Times,” but also by Fine Line tracks like "Lights Up," "Falling" and "To Be So Lonely." But that's exactly what makes me a Harry Styles fan -- he's no one trick pony (insert joke about him heading in more than one direction), and while "Adore You" and "Watermelon Sugar" may not showcase his range, they've both become Styles standards for me. But to finally answer the question, I have to go with "Adore You" for the lyrics alone. I mean.... how can you compete, or argue, when he pleads like that?

Stephen Daw: They're both excellent songs, but if I had to pick, I'm partial to "Adore You." Sonically, the groovy bass line and stylized guitar riffs hit me right where I live. Lyrically, I respond a lot more to the "strawberry lipstick state of mind" than I do to something that "tastes like strawberries on a summer evening." But they both have strawberries in there, so it's a win either way!                                

4. Styles is now the second member of One Direction to score a solo No. 1, following Zayn with “Pillowtalk.” If you had to choose one of the other members -- Niall Horan, Liam Payne, Louis Tomlinson -- to someday score a No. 1 single, who would you put your money on?

Andrew Unterberger: Can't say the prospects for any of them reaching the Hot 100's peak are looking particularly robust right now, but if I had to choose one, I guess I'd say Liam. He has connections throughout the pop world that could result in him finding his way onto the right collab -- with buddy Post Malone, perhaps -- to find his way back to the top. Rooting for Louis, though! Go Louis!

Jason Lipshutz: I’m going to zag a little and go with Liam Payne, who scored an unexpected top 10 hit with the Quavo team-up “Strip That Down” and has been trying to recapture that magic in the years since. Payne’s solo debut didn’t offer any other standout singles, but he’s proven capable of headlining a rhythmic pop single that sticks around at radio, and I wouldn’t be shocked if he does so again over the next few years.                                

Joe Lynch: That's a tough question, because I could see Liam or Louis hopping on a track as a featured artist that goes all the way to the top. But if we're talking primary credited artist, it's gotta be Niall Horan, who has demonstrated probably the most solid catalog and sonic cohesion thus far of those three. Not saying it seems likely, but then again, when Fine Line dropped, who thought "Watermelon Sugar" would sweeten up the top spot on the Hot 100?

Lyndsey Havens: Justice for Niall's "No Judgement"! I played that song a lot when it first came out. But I actually think it's a smarter financial move to bet on Liam Payne, considering his strategy of collaboration. He's worked with Zedd, Quavo and Alesso, among others, and I wouldn't be all that surprised if in another year or so he lands on a track -- or a remix -- that shoots to No. 1 for the star power alone.

Stephen Daw: While Liam is the only other member to get one of his songs into the Top 10 of the Hot 100, I'm putting my chips down on Niall. Heartbreak Weather turned out to be a pretty fun record, and I remain convinced that "Black and White" is going to have a second life (much like "Watermelon Sugar”)!                               

5. Finish this sentence: at next year’s Grammy Awards, Harry Styles’ “Watermelon Sugar” will __________.

Andrew Unterberger: ...be shut out. It may score Harry his first nomination or two -- either solo or with 1D -- but considering how the Recording Academy has given him the cold shoulder so far, and seeing how overlooked he was even among this year's VMAs nods, I don’t know if I see him taking home his first Gramophone for it. (Uh-oh, looks like I'm easily underestimating him again -- never mind, I say the song sweeps.)

Jason Lipshutz: ...be nominated for record of the year, and Fine Line will be nominated for album of the year, and justice will have finally been served to Styles, who has yet to garner a single nomination over the course of his career. Will either win? It’s too early to say, but I like Fine Line’s chances at this point. 

Joe Lynch: ...sow seeds of discontent; the Grammys will continue to ignore Harry Styles, and the fans will unleash their exasperation on Twitter with the machine gun-rapidity of a cartoon character spitting out watermelon seeds.

Stephen Daw: ...probably get nominated for record of the year. It would be worthy of a spot in the song of the year and best pop solo performance categories as well, but something tells me that if one of his songs were to be nominated for those categories, "Adore You" stands a better chance. While it would be great to see Harry win, if he were nominated in this category, he'd likely be going up against the likes of Dua Lipa, Taylor Swift, Lady Gaga, The Weeknd and/or Megan Thee Stallion, and I just don't think he'd be able to clinch the ROTY win with that kind of competition.

Lyndsey Havens: ...still taste like strawberries on a summer evenin’.               

source: Billboard

[recentanimenews]

Bookshelf Briefs 12/1/20

Cutie and the Beast, Vol. 1 | By Yuhi Azumi| Seven Seas – This looked cute, and gave off a very My Love Story!! vibe, but I was wary of the fact that one of the leads is in his late twenties and the other is a senior in high school. That said, unlike a lot of other romance titles from Japan that adore this sort of couple, the manga makes their age difference the main conflict. He’s a famous pro wrestler, and getting involved with a girl her age, even if she is eighteen, would be career-killing. On the other hand… these two have fallen hard for each other almost at first sight, and can’t stop texting, calling, meeting up, etc. Now, how this will play out I’m not sure. Pretty sure they’ll get together, but I bet his career does take a big hit. Nice to see the manga address it, though. – Sean Gaffney

How Do We Relationship?, Vol. 1 | By Tamifull | Viz Media – “Opposites attract” is a common enough trope, but it is utilized to great effect and with notable complexity in How Do We Relationship?. The manga follows two young women in college as they begin dating each other—the somewhat shy and innocent Miwa and the much more boisterous and experienced Saeko. Navigating a new relationship is rarely easy and a romance between two women has additional sets of challenges, as Saeko in particular is very aware. While Miwa and Saeko’s deepening feelings are obviously core to the story, their relationships with friends and classmates play critical roles as well. One of the things that impressed me the most about the first volume of How Do We Relationship? was just how believable and realistic all of these different relationships were. The characterization of the leads is wonderfully nuanced, too. I’m really looking forward to reading more of the series. – Ash Brown

Komi Can’t Communicate, Vol. 9 | By Tomohito Oda | Viz Media – Most of this Komi volume revolves around Valentine’s Day, which as always presents the author with a conundrum: how do I make them give chocolates and be the cutest couple ever without actually making them a couple or having them confess? Rest assured, though, fans of Komi and Tadano will find endless scenes to love here. My favorite may be Tadano’s sister trying to get him to admit his feelings, then being rather annoyed when he actually comes close to doing so. Fortunately, as the title suggests, Komi is not very good at communicating, so things stay the same for now. Still, I suspect we need something to shake things up. Perhaps a new love interest could magically arrive soon? – Sean Gaffney

My Hero Academia, Vol. 25 | By Kohei Horikoshi | Viz Media – Shigaraki’s backstory is as terrifying and traumatic as you might imagine—let’s just say the hands he wears aren’t just for show. So it’s back to our heroes, who are practicing how to do hero interviews (Midoriya’s goes as badly as you’d expect) and also preparing for the next round of internships. Oh yes, and celebrating Christmas, which is adorable and also has Eri Santa. As for internships, Nighteye is dead and his agency is too busy to take him in, and Best Jeanist is missing, so Bakugou’s in limbo as well. Todoroki suggests an obvious idea: all three of them could intern with the best dad ever. All of this is clearly setting up a huge battle in the upcoming books, but it’s fun to see. – Sean Gaffney

Ossan Idol!, Vol. 1 | By Ichika Kino and Mochiko Mochida | TOKYOPOP – Adapted from a light novel, Ossan Idol! is the story of Miroku Osaki, a virginal, pure of heart, and unemployed 36-year-old who has spent the last decade as a shut-in. He’s always been overweight, but once he discovers a love of dance, he starts training at a gym with Yoichi Kisaragi, who was once overweight himself. Soon, Miroku is buff, handsome, and charming and the karaoke video he accidentally uploads to the internet becomes a viral sensation. The volume concludes with a famous producer declaring he’ll turn Miroku into an idol, and not just him but Yoichi (41) and dancer pal Shiju (40), too. All in all, this is a pleasing bit of fluff that I don’t have a lot to say about either positively or negatively. I will probably check out volume two, at least, to see where the story goes. – Michelle Smith

Sadako at the End of the World | By Koma Natsumi and Koji Suzuki | Yen Press – The premise of this one-volume manga—What if the girl from The Ring ended up in a post-apocalyptic world?—made me wonder if it would be horror or melancholic like Girls’ Last Tour. It’s pretty much both. Sadako, particularly once the artist gives her a tablet to communicate with, is not as scary here, and the girls she’s with are an innocent delight. But as they meet the few remaining people in this world along the way, there’s a definite sense she’s also going back and doing what she does best to each of them. The ending tries for sort of a fourth-wall-breaking thing but I think it was simply there as the author wasn’t sure how to end it after the cast was gone. A good read overall, though. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 13 | By Kagiji Kumanomata | Viz Media After reading my brief of the last volume, I feel a need to eat my words. The combination of this new volume and the currently running anime have made me realize: yes, there is real character development here. Syalis at the start of the series was a gag character who would murder at the drop of a hat. Here, while she’s still extremely flaky, she’s doing her best to unite humans and demons, even if this means completing all the Demon Lord’s paperwork—in ONE DAY. Even better, when the Cleric waffles on about his feelings for her and the reason he ran away from the castle, Syalis points out something: who she likes is her own decision. Our Sleepy Princess is all grown up! – Sean Gaffney

Sweat and Soap, Vol. 4 | By Kintetsu Yamada | Kodansha Comics – There’s a chapter of sex here, in case you were looking for that, but for the most part this series would rather deal with the sweet tensions of a young couple in love trying to negotiate how to do that and still be attentive to the other partner’s needs. Their couple-ness is now generally known to the office, though we have not quite told the parents yet—I suspect that will be next book. More importantly, they are talking about moving in together, something that requires charts and sticky notes, because these two are organized and also adorable. And they are also still very much desiring each other as well—the sex here is hot. One of the best romance mangas to come out in 2020. – Sean Gaffney

What the Font?! – A Manga Guide to Western Typeface | By Kuniichi Ashiya| Seven Seas – This is pretty much exactly what you’d expect. A young woman is told to layout a presentation, but has never done this before. While studying Western fonts, she falls asleep… and meets personifications of many of them, both Serif and Sans. Each font has a personality, they talk about themselves and their history, and then we move on. If you’re expecting Hetalia antics, look elsewhere—there’s no plot to speak of, and the fonts are not the most riveting characters. If you do want to learn about the differences between Western typefaces, though, this is a good enough guide for you, though I suspect it works even better in Japanese. – Sean Gaffney

Whisper Me a Love Song, Vol. 1 | By Eku Takeshima | Kodansha Comics – The cover of this volume is quite striking, and it led me to believe that this would be somehow different from your standard “high school girls in love” story. Unfortunately, it really isn’t. Yori Asanagi is a talented singer who fills in with the light music club band for a performance at the entrance ceremony Himari Kino is attending. Himari promptly informs Yori she’s fallen for her at first sight and Yori believes she means it romantically (instead of merely as a fan), and instantly falls in love herself. Characterizations here are shallow, particularly for Yori’s would-be bandmates, and there’s just not much going on that’s especially interesting. The one exception is that Himari’s enthusiastic appreciation for Yori’s singing is seemingly helping her to overcome some confidence issues. I’ll give this one more volume, I think, to see how it develops. – Michelle Smith

You Are My Princess | By Hiroto Kujirada | Futekiya (digital only) – Itsumi Tachibana is a scary-looking guy who secretly loves kitties. He’s surprised when the princely student council president, Seima Takajo, confesses romantic feelings for him, and suspects he’s being made fun of. After spending more time with Takajo, however, and realizing he’s the only one Takajo allows himself to be unguarded around, Itsumi’s feelings change. Plot-wise, You Are My Princess isn’t terribly unique. The guys get together, they have sex in the final chapter, the end. What makes it special, though, is Kujirada-sensei’s clean and expressive artwork, the nonverbal storytelling, and the little moments in which Takajo drops the facade and reveals real vulnerability. And also kitties. In the end, I enjoyed this cute story and look forward to more by this creator! – Michelle Smith

By: Ash Brown