#i think cyrus...

[dantelionwishes]

bro was speaking the gospel and i was their scribe

[riovidalharkness]

Aubrey wore a tie dye shirt for her first public appearance since the passing of her husband 💔💖

[loboazul16]

Saw that one post and this wouldnt leave my brain JKFDHFKJHSDJK

[thewhizzyhead]

how genderbending the warriors (2024) is done not for the sole sake of "bad-assery"

okay here we go feminist ramble time for our newest chick on the block: warriors. now i'll be honest, prior to listening to the album, when i first heard that the warriors main girls were originally dudes in the movie and the novel, i thought that the decision for the genderbending, in lmm's perspective, were from the following: 1.) girl power move in like a very basic meaning of the word "bad-ass" 2.) simply a twist on a cult movie about big gang bros loved by the film bros, and 3.) a way to have the schuyler sisters back together gjfkdfldf

but when i read more about warriors and its development and how lmm took inspiration from the gamergate controversies of 2014-2015 aka among the peak of gamerbro misogyny campaigns, that's when i realized that Oh Shit Is Serious - because adapting a story about a group being framed and targeted and harassed for something they are accused of doing without any substantial proof other than a man screaming "THE WARRIORS SHOT CYYYYRUUS" with 21st century misogyny campaigns in mind makes the theme of fighting back a lot more complicated and a lot more resonant, going beyond just marketing a cast you can call "badass"

take the hurricanes' quiet girls, for example. the hurricanes (concept album version) is the only gang that lets the warriors off the hook and with a stern warning: quiet girls don't make it home. here, the hurricanes berate the warriors for not saying shit or attempting to defend themselves from accusations they know well aren't true. THIS MESSAGE IN PARTICULAR is what stays and influences ajax, fox, and swan til the very end of their stories.

literally one song after this does ajax show how easily she resonated with the hurricanes' lesson by finally sticking with her gut and actually choosing to fight back against both the baseball furies AND against the sleazy undercover cop. the latter encounter is one of the instances that really solidifies the recontextualization of the story because in the OG movie, ajax (a dude) WAS the sleazy fuck up harassing a woman in a park - and now with the literal character switch, ajax goes from being just a rebellious gangbro dude bro into someone whose want to fight is warranted. such a want to fight is seen in fox seeing as fox is the first to comment on the quiet girls scene and that, in the concept album, she is the one that instigates the rumble against the police in union square - saying that she is sick of being afraid of them and their 'fuckin powder blue' colors (also notice how she is the only warrior that really does say fuck the cops i think that's cool BUT I'LL TALK ABOUT FOX MORE NEXT TIME)

to a less obvious extent, swan also gets the receiving end of this recurring theme - by the album's finale, the usually violence-averse caution-first interim leader becomes a lot fiercer in protecting her crew. but perhaps among what i consider to be the biggest recontextualized change in the feminist sense is MERCY and her motivations to join the warriors in the first place. according to the wiki, her attraction to swan and the warriors and um seeing the orphans as wimps is what led her to switch sides BUT IN THE CONCEPT ALBUM, mercy's motivation to become a warrior is deepened, rooted in admiration rather than attraction - wanting to be like those women who hold their head up high. and again, we see this in Sick of Runnin' when she takes part in the rumble, finding her bravery within their ranks as they fight back. here, mercy becomes less of a swan tagalong and more of someone that wants what the warriors have: pride.

of course now that i type this out i realize that warriors is not based solely on the feminist rhetoric as with their theme of hope amidst adversity, the story is more intersectional and rooted in community struggle and wanting for more than that. but nonetheless, i genuinely believe that the twt filmbros arguments on why the genders should not have been changed in the first place just for "woke" points is kinda like,,,very shortsighted because not only does the narrative of women narrowly escaping unwarranted accusations actually fucking fit, but the act of learning to fight back amidst all odds - be it that of disbelieving, predatory men or the power of oppressive pigs - stays resonant for women yesterday, today, and the days to come.

ultimately, warriors (2024) is not solely a tale of female badassery - rather, it is a tale of the need for such "female badassery" in the face of past and present realities, which is why it somehow fucking worked.

[lugiasroost]

in light of recent events

[chipsncookies]

Uhh so I watched thunderbolts and I rly like it, and I got this idea of redrawing one of their posters with pkmn villains 😂 (this is based solely on expressions and not story/personalities )

[jollymalt]

reese and cyrus!

[ccycloneblogging]

@toastiemations-00

He's in Gay Baby Jail now. And thanks for the screenshot, bestie~

[dinnerbug]

erm chat if Cyrus Borg made Pixal. does. does that make him like. Zane's father in law. i dont know how im supposed to react to this thought

Do you think if Cyrus Borg died Pixal would inherit his riches. She is surely the favourite child.

Did Zane marry into money. I have SO many questions

i dont care if theyre actually married or not they are to me. my happy autistic couple

[sparring-spirals]

Still emotional about Fy'ra Rai and Opal, actually. Thought dump time bc i. dont have the energy to cut this down effectively.

Because at that point in the episode, Opal is doomed. Not in the fun little "oh things are getting worse ;)" kind of way we'd been experiencing leading up to the fight, or even IN the fight. At that point in the fight, Cyrus is dead. Dorian and Dariax have their minds twisted, bodies clambering away from the fight. Morrighan has felt, firsthand, just how far gone Opal is, holes in her mind, her friend broken. The heartbreaking sentence of. "You can always come back." understands that she is gone already. She's lost already. Opal has forgotten Ted. Opal has forgotten herself.

So at that point in the fight, we know Opal is doomed. Us as the audience, the cast, the characters. Aabria is running through each of the other crownkeepers and it is more of a goodbye than a round of combat. Defying the Spider Queen invites death, with zero hesitation- Cyrus's body as physical evidence of that. The terms were very clearly set: You leave Opal, you let her be lost. Or you die. (Leaving Opal anyway).

and Fy'ra Rai then. Grasps the crown, understands intimately that she can break it off and it will kill Opal. (I will free you, if you want me to. We would lose you but you would not be taken). And asks, what do you want me to do. What do you want.

and Opal says, I want you to leave. (I want you to live.) and Fy'ra Rai functionally says. No. Sorry. That's not one of the options.

If you wanted to go. I will do that (your blood on my hands). If you want me to stay, I will. But I'm not going to leave you.

There was the point where Fy'ra Rai broke into the communication and I felt my insides sink because. Look. Lets be real, Aabria had already demonstrated the stakes here. The gesture would not be rewarded for the gesture alone. The Spider Queen's terms were: You leave Opal. Or you die.

And Fy'ra Rai said: no.

I don't think I'm overstepping to assume that if Fy'ra Rai had failed the intimidation check, she would have died. This entire thing hits me so hard because I think Anjali knew that too. I think Fy'ra Rai knew that too. Yes, Fy'ra Rai convinced a Betrayer God to negotiate. She carved a third option out of a non-negotiable situation. She knew what would happen if she failed and did it anyway, with no fear, no regret, no waver in her resolve. She had lost enough sisters. She wasn't going to lose anymore, no matter the personal cost. That's part of why it succeeded, I'm sure, but.

Just. Fuck me. The amount of resolve. The amount of love. The amount of conviction. "I am. A protector." You know your friend- your sister- is doomed. So no more negotiating away from that. You step to her side and you grasp her hand and say- doom me with her.

And in some, sideways way, this saves you both, at least for a little while.

Because this story is a tragedy. This ending is a sad one. We know this already. But think about- Opal, under Lolth's bidding, alone in the dark. Think about Fy'ra Rai, alive, intimately aware that she had failed to protect yet another sister.

And think about what we got, instead: the two of them, in deep darkness, danger encroaching- holding hands. Someone they love at their side. A champion. And her champion.

This is still a sad story. But it's not the same one. Fy'ra Rai stared down a Betrayer God and made her change her mind. She stared down a Betrayer God, and her love and conviction changed the nature of the story. It shouldn't have been able to. But she did.

Fy'ra Rai chose to doom 2 people instead of one, and the sheer strength of her love and will managed to save them both, at least for a little while. Isn't it funny how that works? Isn't it devastating? Isn't it. fucking incredible?

[hazeldragonblossoms]

aita for trying to summon a god to resurrect my wife?

i (142m) recently lost my wife (139f) to terminal illness. we were married for nearly 127 years, and were survivors of a disaster that destroyed our home city and killed nearly everyone in it. she was my best friend, the love of my life, and the light of my world. i’ve spent months trying to move on, but the pain of losing her has only grown stronger since her death, with my grief eventually leading me to quit my job and travel in the hopes of finding something else to live for. i will be upfront in admitting that, in the process of quitting, i blew up the school i worked at (no one was hurt), almost killed my assistant (he’s fine), and released a bunch of monsters from the abandoned gated community i had contained them in a few decades prior (long story).

anyway, during my travels i came across a relic that contained immense necromantic power, but i quickly realized that i would be unable to utilize it for my purposes on my own, as my wife had been dead for several months by that time and was well past the point of resurrection by conventional means. long story short, i decided to harness the power of the same god that caused the disaster that destroyed my and my wife’s former home.

as it turns out, my former boss (????m) picked up a kid (13x) off the street around the same time this was happening, and tasked my brother (also 142m, we’re twins) with teaching them magic. i won’t bore you with the details, but this thirteen year old now keeps following me around and fucking up my plans to reunite with my true love, which i’m frankly tired of.

(side note: this kid also won a fighting competition that hasn’t been won by someone from our school since i attended. i need to remind you, they are thirteen. i’m not certain they’d ever used magic before my boss picked them up, so i have no idea how this possibly could have happened, or when they had the time to even attend the fights since they’ve seemingly dedicated the majority of their time to fucking me over for no good reason.)

my ex-boss seems to think that summoning this being is a “bad idea” and could “destroy the world,” but 1. i’m doing it in my already ruined hometown and 2. i think that the world is a small price to pay to have my wife back. it’s not like it’s worth much without her in it, anyway.

edit: shut up about the fucking giant tree it’s an unrelated current event. you can’t prove that i actually did anything to him, and it’s rude to accuse people baselessly

[eternalmomentss]

Rewatching EXU Prime and Kymal and I am fucking inconsolable.

[subwaylesbians]

masai condescendingly referring to cleon as “miss”, and then a moment later cleon using it as an honorific when referring to cyrus, is such a slick way of acknowledging his hypocrisy without so much as breaking the flow of her argument

[palskippah]

Hi!

I love the Gay Dads AU so much pipipi

There's some thoughts and more drawings under the cut (and there's some mpreg wa)

-I'm not sure how the au works, but it gives me the impression that Ballister was Nimona's dad and then there came Ambrosius as a stepdad, or either they both adopted her and Nimona just took better to Ballister. But I'd go with the first option (unless there's a 'canon' option, in which case please if someone knows pipipi tell me)

-I love them so much you have no idea :'''v this is the sorta AU I create 😭 I'm having a lot of fun pipipi

-Also it makes me kinda sad that some of the drawings where Ambrosius is with Nimona he's got a >:c face on, like he doesn't know what he's doing which is very on brand for new parents but pipipi I want them to get along

-Nimona didn't talk much when she was little but one day she started talking full sentences with a big vocabulary, and then never shut up again.

>Not sure if she never talks in the drawings ND Stevenson did of this AU because she's very young or she just doesn't want to.

-Nimona loves Ballister the most and feels the most comfort in his hug, but she has more fun with Ambrosius

[Here's the mpreg YIPII]

-If they had Cyrus (the fankid I made for comic Goldenheart) it'd still be very much an accident and Nimona would be small (under four), and not very happy about it.

-She's definitely jealous and becomes very clingy to Ballister, which he finds adorable when he's not exhausted.

(The idea here was Ambrosius asking whether she'd like a brother or a sister, since she's having a sibling, but I think I phrased it wrong sjdks)

>Ballister and Ambrosius do their best for her to not feel left out, but when Cyrus' born she's not as jealous as they thought, and it seems that she actually likes him (but she doesn't let him touch any of her sea animal toys)

-Also Nimona wasn't told that her little brother was being born that day until later when Meredith was looking after her.

>She was being her toddler self and accidentally giving Ballister a more stressful time

-There's a video of a little kid with his newborn sister (I assume) in his arms and he says 'she doesn't have any arms 😦', so imagine that Nimona thought the same thing and given that Cyrus' hair is black too, she thought that her baby brother looked just like her dad 😭

-Also here's the two babies bc I love them, thinking that they'd be the sort of siblings with a small age gap that fight a lot but also love each other a lot

>Cyrus gets the smallest slice of cake, the glass with less soda, the ugliest fork in the house, and also Nimona's full support if he ever needs it.

>Also

Nimona: My pronouns are she/they Cyrus: And my pronouns are he/they The nonbinary siblings (imagine the wall of fire text)

>Also imagining them both adult or at least teenagers, where Cyrus' much taller than Nimona and her just stomping her foot in his direction and him squealing away (bc his sister is scary even if she's three apples tall)

That's it! :D

[satsuha]

i don't think anyone's uploaded them yet, so i went and uploaded all the voiced banters from the octopath 5th anniversary live stage performance!

the CC subs in the videos are straight from the in-game localization, so some dialogue doesn't exactly match with what the actors are saying. i might try to add a more literal translation sometime but it will. take me time

anyway, link here! the list of banters included is below

[nightlightzone]

They could not stop me from drawing stupid Cyrus Borg art even if they tried