Splatoon 3 hero mode spoilers past this point!
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Am I the only one who feels really fucked up by like, log four's lore? It's really horrifying how it's described. Like, imagine being the scientists, so desperate to see the sky, that your ambitions end up snuffing out humanity for good. But that's not all! The log goes absolutely out of the way to let us know that anyone who survived the initial disaster died soon after.
Imagine being a child during all this. Perhaps your name is Rhea, and you don't exactly know what the sky is like, but you're excited for the big day of the rocket launch because your parents are. But then everything goes wrong. There's so much screaming and fear, then silence. You emerge from the rubble not knowing what happened or where your family is. And now you can't do anything but wander the ruins of humanity, scared, alone, and soon to be very hungry.
Or maybe you're Marcus - somehow, you got out unscathed say for some scratches when your apartment collapsed. But, you've got a problem; you're trapped. The walls caved in in such a way that you have plenty of air, but no hope of escape. You can only scream for help, struggle, pace and eventual lay down in what you realize is your tomb.
Hell, maybe you're even one of the luckier ones. You're Salem, and you don't really care that much about the launch. You were having a wonderful afternoon nap when you were awoken by a horrible noise - and following soon after it, a cacophony of screaming and crashing. You scramble to your window to be met with the sight of the sky falling in on itself into darkness. As your freeze response hits, you have just enough time to comprehend what's happening and despair over the loss of humanity before your house is hit and you die instantly.
There are theoretically infinite scenarios to describe the last humans of splatoon's earth and their experiences. Those pinned under rubble, realizing everyone they know is dead, or those injured horribly but still struggling to live. Something about the way that they specifically described the disaster really makes it real to me. It's upsetting in a very compelling way. Like - all that was left of humanity died! And given the time span of the event, there were almost certainly children and elders and others who were even more helpless than everyone else. That's fucked up.
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It's actually so hilariously hypocritical of Zuko to scoff at Aang when he talks about not taking revenge and not wanting to kill, when he went out of the way to try to save Zhao right after the man nearly succeeded in killing him. And also spared Zhao's life during their little Agni Kai. He repeatedly refused revenge and murder. I hope Aang finds out about it one day and gets his ass.
It honestly almost seems like he became MORE pro murder post-redemption, which is funny, but it's more like he'a pro righteous murder as long as someone else does it. Not him.
Notably he's all "Aang you have to kill my dad" but he didn't actually kill Ozai when he had the opportunity. He's all "it's the Avatar's destiny!" but come on. that was an excuse. He just didn't want to do it. Which is understandable, even though he knows Ozai deserves it, it would still be extremely traumatic for him to kill his father. So he passes it off to Aang. And then berates Aang for not wanting to kill his dad, the exact thing he didn't want to do, like a loser.
And fittingly, only time he seriously tries to murder someone was when he hired Combustion Man to kill Aang in peak desperation and even that was "someone else should do it. I don't have to be there or think about it. I didn't technically kill him someone else did"
(You can also argue that him being so passionate about helping with the righteous murder of people who were agents of the genocide is driven by a sense of guilt too, which is why he's so extra about it. It probably is. On top of that, I think he very much dragged his own mom issues into helping Katara specifically)
So yeah I also hope Aang finds out about his opportunity to kill his dad and roasts him like he deserves. Man who says murder is okay really means "it's okay if you do it".
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Okay so inspired by nothing in particular (it's inspired by reading the notes on the ace swag final poll, fun stuff in there), I have been thinking about being Cringe. Cause like, you enter a fandom, and usually, you find out shortly that somebody else hates that fandom. There is no fandom niche enough that it's not Weird to somebody, and there's no fandom mainstream enough that it's not Annoying to somebody else. And given the fact that some people do hatred recreationally, there's often going to be somebody mad enough about your fandom that they're going to go on diatribes about how your fandom is bad and actually harmful and destroying the fabric of civilization, etc. They're gonna pull out anything negative and blow it up until it's the size of the skyline and attack you for liking this negative thing.
Fun times, we've all seen it.
And the thing is, there's an impulse to have this happen and immediately find somebody else to point to and say, yeah, well, I might be weird, but at least I'm not THAT guy. I might read YA, but at least I'm not a Furry— those guys are sexual deviants! I might be into actual play podcasts, but at least I'm not into mcyt— those guys are all harmful and my guy is fine. I might be into danmei, but at least I'm not into bandom— rpf is so gross. I might be a furry, but at least I'm not into mainstream romance novels— senseless drivel aimed at middle class white women. Y'know. Immediately find someone to punch down on.
And boy do I understand why you want to do that, when people are pointing at you, but I don't actually think that it's helpful.
Cause like, every fandom has a logical train of thought and reasonable human impulses behind it. You might not share those impulses— I'm not a furry I don't think, I don't really get true crime— but that doesn't mean I can't have it explained to me by a very patient person in in the writer's workshop common room and go "oh, yeah, kinda pretending to be an animal, but you're gay about it, yeah, makes sense", or "oh yeah, morbid curiosity from the safety of your headphones, it's like a horror movie but real" and nod. Like there isn't a fandom or group out there that doesn't look weird from the outside, and there isn't a fandom or group that can't be explained if someone has thought about the human psyche enough.
And that isn't to say that there isn't sometimes salient critiques for what fandoms are doing or not doing— to grab the two examples above, I have heard people talking about issues with true crime reinforcing the current fucked up justice system, or bigotry at furry cons. But a) most of the time, there is already somebody inside that community that's fighting against those issues, and you just threw them under the bus with the problem they're trying to fix b) you don't usually know the nuances of the actual conversation and problems, you saw a couple callout posts. You saying "Yeah I'm a board game nerd but at least I don't play competitive trading card cames, those guys are doing nothing but feeding the capitalist machine" is not usually helpful towards fixing the ctg scene. It's just a cheap way to score points.
Like, I assure you that the YA scene is aware of the calcification of the genre into a tighter and tighter romantic form and their dependence on going big on tik-tok to sell enough to keep publishing. They know.
You specifically saying that your fandom is better cause it's not [problems you heard about other fandom having] is not actually going to make the person who's hating on you stop hating. They already decided that you're the person they're better than and that they're punching down on, you passing the punching down on to another fandom just makes more people sad on the internet, and potentially starts yet another chain of someone punching down at someone else. The wheel grinds on, everybody gets punched.
I guess this is just kinda turning into a "why hate on the internet, what good does that do" post, which is broader than I meant it to be. But like, there's a difference between thoughtful critique of problems (complicated to do fairly but very necessary) and finding someone new to curbstomp to make yourself feel better/morally superior (look, I'm writing this on a mcyt blog, we've all seen this happen, it does not increase the joy in the world).
Like in MCYT, we all decide to punch down on [other server we hate], or RPF, or people who write kidfic, or people who write e-rated fic/art, or people doing the popular trope of the moment, and sure, it lets you feel morally superior for the moment, at the cost of slapping the guy next to you. Haven't we had enough slapping the guy next to you? There but for the grace of god (got a fun idea/watched the wrong stream/ended up in the wrong brainstorming circle/got fixated on the wrong funny guy) goes I. You're not better than another group just because you saw a couple more callout posts (usually from people inside the community trying to fix things) about them.
We are all Cringe. There is nobody who's not Cringe. Don't say that you're not Cringe because someone else is more Cringe. Stop that.
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It's been well over a week now (maybe two??) but I'm still plugging away (ever-so-slowly) at this vignette about Zara and Rook. Zara's POV is a lot of fun to write, now that I have a better sense of her character. Writing this has really solidified in my mind the kind of person she is and how she acted when she was Rook's captain and mentor. She's very calm and collected in comparison to Rook, even when under a lot of stress.
Anyways, have a little snippet that I'm proud of from today, featuring the origins of the coin trick!
Pacing back and forth across her cabin floor, she rolled the coin back and forth over her knuckles again and again. The motion was easy, almost mindless, more muscle memory than real intent. The coin trick had been her favorite way to soothe her nerves for years now. She’d picked it up out of idle curiosity after watching a street performer dining in a tavern in Bon Largo, who had chatted with her for over an hour as she fretted about something mundane, never once dropping the coin from their fingers. The same performer had later tried to steal her coin purse and ended up with nothing but a new scar for their trouble, but Zara had learned two important things from the encounter: Not to trust a warm smile and a pretty face, and that keeping her hands moving kept her mind from dwelling too much on worrisome things.
one-time tagging @space-writes because they commented on my tags about Rook learning the coin trick from Zara in one of my other snippets from this piece.
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