#i will use coloured pencils to finish it

[pommegrantaire]

everything's all right, just hold on tight

[d34thsp3llz]

[awaaaaan]

i love hatsune miku BUT..!! rin is my favourite to draw :3

[homoeroticvillain]

1 year redraw that i am not happy with 👍

[fingertipsmp3]

Unfortunately I absolutely fucked up one of my nails today but also I made my grandma a tote bag for her birthday so I think overall it’s going well

[sysig]

Real gamers have RGB skin (Patreon)

Bonus:

[youmustfixyourheartt]

new achivement: I NO LONGER HATE ACRYLIC PAINTING LETS GO

[quarriart]

lil Chifuyu sketch before bed

[benotafraiid]

Self portrait: I find amanita virosa in the woods

[dandunn]

cant reply to the post but TYSM for responding!!! that makes so much sense now bc the acrylics i used when i was younger were crappy and thin bc i had the cheap ones haha. made sense bc i was young and didnt need high quality paints but it put me off acrylics for so long !! but your reply makes me excited to try again with better quality paint!! will def be checking that brand out bc it is available here thank you so much! :]

Haha np, i was the same way starting out with acrylics. Theyre one of the mediums where quality can vary WILDLY comparing on what brand you get i think. Some of the cheaper ones i have are barely any better than poster paint. Whereas you can use a cheaper gouache and it'll be at least useable (in my experience anyway).

Good luck and have fun 😊👍

[vinceaddams]

Any tips on learning to make buttonholes? I've been putting it off for.... *checks notes* like three years.... but better late than never and all that. I don't have any fancy machines so I gotta do it by hand but that seems right up your alley.

Thanks!

It IS up my alley, yes, I do most of my buttonholes by hand!

I'm actually part way through filming an 18th century buttonhole tutorial, but I expect it'll be a few more weeks before I finish that and put it on the youtubes, so in the meantime here's the very very short version. (The long version is looking like it'll probably be about 40 minutes maybe, judging by how much script I've written compared to my last video?)

Mark your line, a bit longer than your button is wide. I usually use a graphite mechanical pencil on light fabrics, and a light coloured pencil crayon on dark ones. (I have fabric pencils too, but they're much softer and leave a thicker line.) You may want to baste the layers together around all the marked buttonholes if you're working on something big and the layers are shifty and slippery. I'm not basting here because this is just a pants placket.

Do a little running stitch (or perhaps a running backstitch) in fine thread around the line at the width you want the finished buttonhole to be. This holds the layers of fabric together and acts as a nice little guide for when you do the buttonhole stitches.

Cut along the marked line using a buttonhole cutter, or a woodworking chisel. Glossy magazines are the best surface to put underneath your work as you push down, and you can give it a little tap with a rubber mallet if it's not going through all the way.

I'm aware that there are some people who cut their buttonholes open using seam rippers, and if any of them are reading this please know that that is abhorrent behaviour and I need you to stop it immediately. Stop it.

Go get a buttonhole cutter for 10 bucks and your life will be better for it. Or go to the nearest hardware store and get a little woodworking chisel. This includes machine buttonholes, use the buttonhole cutter on them too. If you continue to cut open buttonholes with a seam ripper after reading this you are personally responsible for at least 3 of the grey hairs on my head.

Do a whipstitch around the cut edges, to help prevent fraying while you work and to keep all those threads out of the way. (For my everyday shirts I usually do a machine buttonhole instead of this step, and then just hand stitch over it, because it's a bit faster and a lot sturdier on the thin fabrics.)

I like to mark out my button locations at this point, because I can mark them through the holes without the buttonhole stitches getting in the way.

For the actual buttonhole stitches it's really nice if you have silk buttonhole twist, but I usually use those little balls of DMC cotton pearl/perle because it's cheap and a good weight. NOT stranded embroidery floss, no separate strands! It's got to be one smooth twisted thing!

Here's a comparison pic between silk buttonhole twist (left) and cotton pearl (right). Both can make nice looking buttonholes, but the silk is a bit nicer to work with and the knots line up more smoothly.

I've actually only used the silk for one garment ever, but am going to try to do it more often on my nicer things. I find the cotton holds up well enough to daily wear though, despite being not ideal. The buttonholes are never the first part of my garments to wear out.

I cut a piece of about one arm's length more or less, depending on the size of buttonhole. For any hole longer than about 4cm I use 2 threads, one to do each side, because the end gets very frayed and scruffy by the time you've put it through the fabric that many times.

I wax about 2cm of the tip (Not the entire thread. I wax the outlining/overcasting thread but not the buttonhole thread itself.) to make it stick in the fabric better when I start off the thread. I don't tend to tie it, I just do a couple of stabstitches or backstitches and it holds well. (I'm generally very thorough with tying off my threads when it comes to hand sewing, but a buttonhole is basically a long row of knots, so it's pretty sturdy.)

Put the needle through underneath, with the tip coming up right along that little outline you sewed earlier. And I personally like to take the ends that are already in my hand and wrap them around the tip of the needle like so, but a lot of people loop the other end up around the other way, so here's a link to a buttonhole video with that method. Try both and see which one you prefer, the resulting knot is the same either way.

Sometimes I can pull the thread from the end near the needle and have the stitch look nice, but often I grab it closer to the base and give it a little wiggle to nestle it into place. This is more necessary with the cotton than it is with the silk.

The knot should be on top of the cut edge of the fabric, not in front of it.

You can put your stitches further apart than I do if you want, they'll still work if they've got little gaps in between them.

Keep going up that edge and when you get to the end you can either flip immediately to the other side and start back down again, or you can do a bar tack. (You can also fan out the stitches around the end if you want, but I don't like to anymore because I think the rectangular ends look nicer.)

Here's a bar tack vs. no bar tack sample. They just make it look more sharp, and they reinforce the ends.

For a bar tack do a few long stitches across the entire end.

And then do buttonhole stitches on top of those long stitches. I also like to snag a tiny bit of the fabric underneath.

Then stick the needle down into the fabric right where you ended that last stitch on the corner of the bar tack, so you don't pull that corner out of shape, and then just go back to making buttonhole stitches down the other side.

Then do the second bar tack once you get back to the end.

To finish off my thread I make it sticky with a bit more beeswax, waxing it as close to the fabric as I can get, and then bring it through to the back and pull it underneath the stitches down one side and trim it off.

In my experience it stays put perfectly well this way without tying it off.

Voila! An beautiful buttonholes!

If you want keyhole ones you can clip or punch a little rounded bit at one end of the cut and fan your stitches out around that and only do the bar tack at one end, like I did on my 1830's dressing gown.

(I won't do that style in my video though, because they're not 18th century.)

Do samples before doing them on a garment! Do as many practice ones as you need to, it takes a while for them to get good! Mine did not look this nice 10 years ago.

Your first one will probably look pretty bad, but your hundredth will be much better!

Edit: Video finished!

And here's the blog post, which is mostly a slightly longer version of this post.

[miru667]

The whole Once-ler family is working full tilt!

Here's my full piece for the VK Onceler Zine! I was very lucky to get to be a part of it...🥹 I used concept art as my inspiration this time: [link] Keep reading below for my process vid and all my director's commentary!

Thank you for being curious! Here's a video of my WIPs:

Deadlines were TIGHT for this zine! We were given only 2 months (compared to the 6 months I had on the previous onceler zine), so to make sure I could finish on time, I decided to do only base colours and lighting, with almost no shading anywhere. Still, trying to balance all the colours took the longest for me, as you can see in the vid. xP

Also idk if anyone noticed, but for the face I chose to use an already existing onceler doodle: [link] Why? Well, why not! I really liked that doodle and I didn't want it to go to waste. 😆

Things that I enjoyed sneaking in:

-the golden spiral! Vaguely, at least! At the very least I hope your eyes can follow the order of thneed production, from the fallen tree at the window to the tuft harvesting to the thread spinning, to knitting the thneed and then drawing up plans for bigger and better things, and then ending with him pulling on his iconic glove to show he's going to take control now

-15 cents, a nail, and a great great great grandfather snail, as well as a tin pail since that's where you're supposed to deposit your payment

-combining things from the 2012 movie and concept art, the 1972 movie, and the 1971 book (e.g. that funny wrench he uses to fix pipes)

-Miss O'Schmunce-ler! You can see from the vid that I added the bracelet pretty late, because it was a late decision to have a Miss O'Schumunce-ler somewhere. I chose her to be the one picking up the pencil in the end, since she's pretty good with a pencil in the movie hehe. You guys can pretend the arms holding the phone is Miss Funce-ler.

-a thneed, a seed, and a (grickle grass) weed on the floor. The thneed is just the first of many that will soon create a giant pile. The seed lies forgotten in the corner. The weed is foreshadowing the future.

-hinting that Lorax and Once-ler were actually good friends, like they were in the Lorax musical stageplay. 🥺 I kept this part of the script in my mind for this piece:

This was aftermath Once-ler talking to the Lorax, reminiscing on their good times...and also being stupid and inconsiderate because the Lorax was in fact there all along as his friend, trying to warn him of what was going to happen. 😔

So in my zine piece we're witnessing a peaceful time before all the real biggering really starts. I like to think that in this scene, the Lorax had been sitting on the Once-ler's lap, holding his gloves for him and having a nice chat together with maybe some harmless bickering, but then the Once-ler gets a phone call so he cuts their convo short and rolls his chair over to the window to answer it. Putting business over friendship as usual, of course. Inspo for the lap sitting comes from this fanart by Emi that I love: [link]

What else...the parts that I'm proud of the most are the stool (I spent 2 days just drawing this stool), the curtains, the fact that I was able to include every truffula colour, and the Once-ler's pose. I was close to giving up on that pose because I had no idea how to draw it but I'm glad that I tried again. I wanted to show him at ease during a stage in his life that we never got to see much: the happier and more innocent days of his biggering when he only had a small shop. 😊

That's all, I think! Thanks for reading if you did! Once again it was an honour to be part of this zine!!

[thepeachboys]

Sarabande, May 2024

As soon as I saw this image, I knew I had to draw it. It's as close as Sistine Chapel's perfection as it can get. The pathos! The hair moving! The hands!

I wanted to use pastel pencils, but I haven't got enough purples and hot pinks (I will soon fix this shortcoming of mine)

So I settled for graphite, kept changing styles and disliked all of them, until I finished the leather jacket and realized it wasn't as bad as I thought.

[the colour version is here]

[sizzleissues]

Been sketching some girls — did you know I read this entire manga in a day?

Idk what it is but I love sketchbooking at the moment. I don’t really ascribe to making full pieces in sketchbooks, I see some peoples sketchbooks and the amount of gorgeous effort they put into them astonishes me. Mine are mostly pencil sketches of characters I like and then the ‘I guess i should study human form’ and then more funny little guys. The only other medium I use is oil pastel which doesn’t fit silly character doodles. Maybe I should practice markers and colour pencils? I really would like to spice up my sketchbooks. I only really do finished pieces digitally XD

[kaciebello]

Too many voicemails

Masterlist Delivery Express ✿ Summary: The reader sees an opportunity to run an untapped market in Hogwarts.  Howlers are the worst thing that can be delivered. Warnings: disturbance in the library, one (1) use of horny joke, no use of y/n Authors note: English is not my first language, so I apologize for any mistakes beforehand. I want to spread this into a one-shot series. They took away my yellow colouring of the text ┬─┬ノ(ಠ_ಠノ). I will riot. Proofread by me and me only (Ｔ▽Ｔ) • Previously: Wrong address, • Next part: Message cannot be sent word count: 1.1k

Notes to deliver: 679

A box with neatly placed envelopes slammed on the table making all the boys look up and then up to the familiar girl with a yellow bow in her hair. She received a few looks from the other kids in the library which she apologetically smiled at.

“What you got there?” Asked Lorenzo, leaning to see inside the box.

“Howlers.”

“Howlers?”

“Howlers.” A definitive nod from the girl. Leaning on the table over all the boys. They all look from their homework, waiting for her to continue but she does not.

“What are you doing with all of these?” Asks Draco, chewing on the end of his pencil. The girl just rolls her eyes.

“Delivering them, what else.” Her answer made Draco roll his eyes and pretends to return to his DADA homework. She just smiles. Lorenzo moves a bit so she can squeeze next to him.

“And you think bringing them to the library is a good idea?” Hissed Blasie, clearly not in the mood to get in trouble with the librarian. She just gives him a tight lip smile and titles her head to a side. 

“Where else?” She asks and puts her legs over Lorenzo's lap otherwise she risks falling from the bench. She just lifted her hand in stop motion before he could say anything else.

“I am just here to give Lorenzo Charms notes, I am not delivering anything to you,” She says and pulls out the said notes from her bag. Lorenzo's smile widens and grabs it from her. Theodor gives her a pointed look before trying to snatch the notes from Lorenzo, unsuccessfully. Lorenzo and the girl sway a bit but they manage to keep themself on the bench.

“Why does he get that privilege, hm?” He asks them. Pointing to the notes that are now lifted above Lorenzo's head. Draco tilted his head so he could read the visible portion before writing down whatever he could make out.

“ Because I like-” “ Because Lorenzo helps her with broom riding.” Cuts her off Mattheo, who was now going through the many howlers sitting in the box. Although seems like he hasn't found anything interesting. Draco looks at her with a raised eyebrow. ‘ you can't ride the boom?’ leaves him amused. To her, it seemed like he was mocking her for not being able to ride the broom like the rest of them. Completely ignoring, in her mind, that they are all quidditch players. She just huffs and crosses her arms.

“Hey, you know what? If they all went off, we could easily sneak into the restricted section.” Says Mattheo completely oblivious to what he just revealed. The girl gets up and stands next to him, inching the box away from him slowly.

“How about we don't.” She says, not trusting the boy to not do without thinking. “ plus I think like 15 of these are from one girl, all to one boy. I'm gonna be honest I don't think I wanna hear that.” She finishes and pats Mattheo on the back

“I'm here for you if you need oral support- moral support, I mean moral support.” Says Mattheo, pulling her to a side hug.

“Just say you're horny and go.” Tells him Blasie with a disgusted face. Theodor just shakes his head at his antics. Mattheo just shrugs and lets go of the girl, unbored by their reactions. Going back to his seat. A book flies past them and they barely have time to dodge it.

“I swear, it's gonna kill someone one day.” Says Lorenzo looking at the books flying by.

“Like you haven't summoned like 5 books for the 3 hours we were here.” Argues Draco. Lorenzo did not even bother to react, instead talking to the girl.

“ What do you think it's in them?” He says and reaches for one of the envelopes. Snatching it before the girl could stop him. Opening it, it slipped from his hand and started floating above the table. The group watched like hawks. 

The envelope stayed silent for some time, terrible singing after that. A horrible attempt at the song ‘I Will Always Love You’ had the boys scrambling to shut the envelope up. Matheo managed to lay down on it and silenced it. Some people were looking at them, some with curiosity, some with annoyance. If looks could kill, there would be an empty table at the library right now.

Mattheo pulls it out from beneath him, thinking it is over. Once the envelope is free, it starts to sing again. Panic among all of them. Lorenzo almost knocked over the box but the girl luckily caught it. Blaise, seeming the one who was holding their shared brain cell, pulled out his wanted and set the envelope on fire. Again receiving some looks. Even the librarian was making her way up to stairs to check the commotion.

They all watched it burn, sinking into their seat in relief, before quickly spewing the ashes away. The girl quickly sat and squished herself next to Lorenzo and pretended to help him with his homework. The other followed her lead so that the librarian would not suspect it was them. None of them wanted to be kicked out of the library.

After some time, the air seemed less stuffed and they all felt like they could breathe again. Without much more time, the girl gets up and hurriedly takes the box in her hands.

“I'll go before you guys decide to cause trouble again.” She says giving them a judging look.

“ Hey don't blame all of us! We didn't collectively open the howler!” Defends Theodor. and points accusing Lorenzo, who looked shocked and offended his friend was throwing him under the bus.

“Yeah, but you didn't try to stop him either, did you.” 

“ Neither did you!” Draco chimes in. She could not argue with that, she didn't try at all. Shaking her head. She adjusted the box on her hands, as it was a bit heavy. Maybe she could have charmed it to just float behind her and follow her. It would certainly make the delivery much easier.

“It's better none of you are near these, ever.” She says making sure to point at the group with her finger.

The girl picked up her box, ready to be on her way. Accio was heard from somewhere in the library and a book flew right next to her head, startling her. She jumped up and the box flew out of her hands. With horror they all watched as it landed on the floor, realizing all the howlers inside. They all turned on. 50 howlers, going on in the library at the same time. She watched in horror as all eyes were on them. The boys knew what to do. They packed their bags with unwitnessed speed and book it. Lorenzo grabs her hand, making sure she follows them.

And honestly, they were right, it was an excellent distraction, and none of them made their way to the restricted sections.

Notes to deliver: 629

Tag list:

@daisiesformylove , @klimovatereza-blog , @lafrone , @enfppixie , @rafegfs , @frogtape , @lovelyygirl8 , @catiwinky, @anyam444 , @leeleecats , @ghostgardn , @reverse-soe , @ultramarinetovelvet , @jazz-berry @iwishigotswallowed

[russellsppttemplates]

This drawing is for you (Lando Norris)

Matilda already has her love language, handing out her drawings to people

Note: english is not my first language. Look who showed up, hm? Honestly, the last two weeks have been a bit all over the place and I've been meaning to post way more than what I actually have

Thank you so much to everyone who likes and reblogs, your feedback is appreciated 🤍 and I'm taking requests so if you have any ideas or concepts you want to share, feel free to do so as I'll try to get to them the best I can!

my masterlist

Tag list: @myloverjk-blog

"Mummy?", you heard your daughter call for you, walking to her playroom since you assumed that's where she was, "yes, baby?", you made your presence known.

"Can we stop by the stationery shop when we go and pick daddy up from work, please? My colouring pencils are getting too small", she showed you a few examples, the colours you recognised from having a big presence in her drawings belonging to pencils that you were barely able to hold in your hands yourself.

"Of course, Tilly", you smiled, "speaking of which, we have to leave soon. Are you almost finished with your drawing?", you wondered, "yes, mummy, I just need to finish colouring in the sun", she mused, grabbing the tiny yellow pencil and carrying on with her work.

When she finished, she set the pencil down, stopping in the bathroom to wash her hands and heading to the door to meet you, "hold your sleeves", you nudged as she held on the hems while you put on her jacket, not wanting her to let the clothes climb up her arms and be uncomfortable.

"Let's go, mummy!", she cheered, walking downs the stairs into the garage so you could get in the car and drive to the factory.

As you were driving, your husband called, "hello, love! We're already in the car on our way to get you, we're going to stop by the shop to buy some colouring pencils for Tilly so we don't have to wait too long for you", you said, turning on the blinker once you faced the junction.

"Hi daddy!", Matilda spoke loudly, hoping her could hear her like she heard him, "How are my favourite girls today? Actually, I was calling because the meeting ended early and I'm ready whenever you want to pick me up", Lando voiced as you saw your daughter smile from her spot in the back of the car, "you can come with us to the shop, then!", she said excitedly.

"That's a great idea, love! Me and Matilda will go and pick you up first, then! We're ten, maybe fifteen minutes out, depends on how traffic is, it looks okay, though", you muttered, finding it easy so far to drive to the factory.

"Okay, I'll be waiting for you! I love you, girls! Drive safe!", he said before ending the call, Matilda clapping her hands excitedly at the prospect of seeing her father earlier than expected.

By the time you arrived at the factory, Matilda had listed all of the materials she would like to get so her drawings would be pretty. Parking the car, you got out, putting on your coat as you walked to open Matilda's door, "let's go, Matilda!", you smiled, unbuckling her belt and making sure she was cozy and warm to face the cold end of the day temperatures.

Everyone in the factory knew you and your little one, so they would have at you, knowing they would have a difficult time at getting many words out of your little girl, usually a sweet smile, a wave and a small and quiet "hi" before she held onto your legs and hid her face there.

Lando was laughing loudly, so it was easy to know that as soon as you crossed that corner, you'd find your husband along with one of his mechanics and engineers.

Matilda smiled as she saw her daddy, releasing the grip she had on your hand, but keeping them laced until Lando and her locked eyes, "hello, my loves!", Lando said, crouching down so his daughter could finally unlace her hand from yours and run up to him, hugging him and allowing him to pick her up so she could kiss his cheek, "Hi, daddy", she whispered in his ear.

Even though there were only two other people beside her parents, she was still shy as they greeted her, "Hello!", they said as she waved, smiling before hiding her face on her father's neck.

"We'll talk about it tomorrow. Goodbye Y/N, bye-bye Matilda!", they said as they went the opposite direction, you and Lando bidding goodbye whenever you encountered someone until you were in the parking lot, ready to get in the car.

"Do you want to drive?", you asked your husband despite already knowing the answer. He hated not being in control of the situation if he could, so driving his family around was non negotiable most times, only sitting as a passenger when he was very tired.

Buckling Matilda back in her seat and kissing her forehead, you got into the car yourself as your husband drove to the usual shop where you got your daughter's art supplies and your own whenever your work required materials.

"Do you already know what you want to get, babygirl?", Lando asked as the three of you walked inside the shop. It was unusually quiet for this time of the day, and a small part of Matilda was happy because she could go up to the shelves and drawers she already knew had what she needed without having to ask her parents for help in moving along the shop.

After grabbing the supplies she needed, she took them to the young woman at the front so her parents could pay for it, "have a nice day, Matilda! I'm sure your works of art will be beautiful!", she said. You and your family were regular costumers, so they had already grown to know your name and hers, so they had managed to get in the small group of people that were not family and friends and Matilda didn't feel to shy with.

"Bye-bye, have a nice day, too!", she waved sweetly before running up to her daddy, "very good, Matilda, I'm very proud of you for that!", he said, kissing her cheek and walking along with you to the car.

.

The McLaren unit was working on full speed as you arrived, coffees and other drinks being served as guests arrived or workers carried on with their day, you opting to go to the track, along with Matilda, after the initial morning rush so you wouldn't have to deal with too many people at once.

"Do you want to to go to daddy's room or stay here?", you questioned her, "here in the lounge", she replied as you walked to one of the tables near the windows so you could be near the sunlight that had graced the weekend and be a little further away from the buzz.

"Do you want to draw with me, mummy?", she offered once she was comfortably sitting on the chair, taking her pencil case from her backpack along with the blank sheets of paper.

"Sure, love! Let me just text daddy so he knows where we are when he finishes his meeting", you smiled, grabbing your phone to text Lando before setting it down and grabbing the things you needed.

"Are you drawing daddy's car?", Matilda asked sweetly as she took a peek at your work, "I am! Do you think it's pretty?", she nodded, "but not as pretty as yours, I love your butterfly", you complimented.

As she was finishing colouring in the wings, one of the girls from the PR team came to greet you, "Y/N, Matilda! It's been a while since I saw you around!", she cheered, kissing each of your cheeks as you did the same to her before she noticed your daughter looking at her, "hello", she said in her usual quiet tone.

As you spoke with the young woman, your daughter carefully folded the paper and ripped it by the crease she had made so she could separate the small drawing from the rest of the plain paper.

"Alright, girls! I'll see you later!", she said as someone called her name, presumably with a task for her to do.

"You can have this one if you'd like", Matilda spoke, showing her the drawing, "really, babygirl? Thank you so much, I'm so flattered!", she said, accepting it and keeping it safe in her notebook, "I'll keep it here until I can get home and put it in my wall, okay?", she nodded as your little girl blushed at the attention, nodding too.

.

Because the practice session was being used as the scheduled opportunity for the reserve driver to do a few laps on the track, Oscar joined you and Matilda as you looked over the cars on track.

"I need to go to the bathroom. Do you also need to go, Tilly?", you asked your daughter, earning a head shake no, "I'm good, mummy", she said, going back to colouring in.

Excusing yourself after Oscar assured he'd keep her company, Matilda was quick to silently offer her crayons to the Australian man along with her colouring book.

"Where are Lily and Lucas?", she asked for her usual companions for the weekend. They would often be together so you and Lily could catch up while the kids entertained themselves in eachother's company.

"They stayed back home this weekend", Oscar explained, "but they told me they wish they were here. I think they're coming to Silverstone, so we will all be together then", he smiled as she gave him a small smile, too, noddinh in agreement and taking out her new glitter pens.

They start colouring and not saying much, only asking eachother to please hand them a crayon or pen the other couldn't reach or if the drawing looked good. Matilda felt understood by him, so it was no surprise that, besides her family, he was the person she felt the most comfortable with spending time in the paddock.

.

"Where's daddy taking you, little miss?", you asked as you saw Lando change the t-shirt your daughter was wearing. Under her dungarees, she now had an orange McLaren t-shirt, matching her father as he held her on his hip, "we're going to hand in drawings I made, and I didn't want to do it alone, and since you said you were feeling tired, daddy said he would take me", she smiled, kissing your cheek when you got up to kiss your husband's lips and her forehead.

"You sit tight, alright baby?", Lando urged, "me and Tilly want you to be well rested when the time comes to watch the race", he kissed your forehead. You hadn't slept that well the night before, so when Matilda had built her collection of gifts, she didn't want to tire you out more.

Leaving the hospitality, Lando walked with Matilda, asking her where she wanted to go first, "Can we find uncle Seb first? Mummy and I saw him when we arrived, but there were a lot of people near him so we said we'd see him later", she reasoned as Lando quickly searched for the retired German driver, "there he is, love", he pointed, walking in his direction.

Despite her initial confidence, Matilda felt shy as everyone's eyes landed on her and her father, cooing at the sight of them matching and the fact that little Norris had showed up, too.

"Hello, Matilda! How are you?", Sebastian asked, smiling at the duo as she retreated, hiding her face on his neck. Her backpack was open as Lando pulled the art pieces out.

"Didn't you want to give something to Sebastian, gorgeous girl?", Lando encouraged, kissing her cheek sweetly and giving her time.

"The bee one, daddy", Matilda whispered against his neck where she kept hhalf of her face hidden as Lando flickered the drawings, finding the one she meant.

"Is this for me? Thank you, Matilda, this is very nice!", Sebastian said warmly, making he little girl smile at him.

"Who's next?", Lando asked, "Charles, I made a drawing for him with a sea, because he lives in Monaco", she reasoned.

.

"And on the screens now we can see the McLaren garage this afternoon, where Lando Norris has his little one and his wife here this weekend!", Natalie said looking at the screen along with Naomi.

"That's true! Little Matilda has been in the paddock with her parents this whole weekend, and yesterday I had the privilege of seeing the cutest scene! She was hiding behind Lando's legs, but she kept holding some of the drawings until she found the people she wanted to give them to!", Naomi added, "she had one for Sebastian, for Charles, and she also shared some with the McLaren crew, too!

"And when I was interviewing Oscar this morning, Matilda walked closer to us and asked for his help to get the drawing she made of me - I have it right here, let me show you! - and this is the cutest thing ever! I have an orange suit - because of papaya, she said -, and my braids look so good with this glittery accent, see?", she showed Natalie as she nodded, "she's usually a very quiet little one, but she's an artist for sure. She takes after her mummy, so I've heard", she smiled into the camera.

"Yet, this morning, when me and the crew were deciding where to go first, we caught a father-daughter that made our hearts melt, take a look in the screens!", Natalie finished.

"Is it silly, Matilda?", Lando tried, seeing his daughter give him a full belly laugh as he drew a crocodile with rain boots, "crocodiles don't need rain boots, daddy! They can swim and walk all the same!", she giggled, delighting the people who were watching and hearing her laugh. "Well, maybe I should give him some floaties, too! Should I make him pink ones like yours?", he tried, earning another set of giggles out of his little girl.