I’m fascinated by the previous ask’s mention of anime “or the Vulcan equivalent” since anime is literally just Japanese animation would Vulcan animation have a distinctive enough style to warrant a distinct name? What is the Vulcan cultures’ views on animation as an art form (in your opinion).
I don't know enough about animation or art as like an evolving discipline as it relates to society/culture to say much about it in an intelligent way but the newest Dungeon Meshi Extra makes me think about it in a purely 'what would be fun' way
Vulcans also have an incredibly long lifespan so it'd be funny if Vulcans were used to listening to stories that are much longer than other species. [See: Tuvok singing his children a 348 verse story as a lullaby and his children loving it]
You know those soap operas that go on for like decades? Vulcan soap operas are going on for CENTURIES.
I think a lot of the most popular stories on Vulcan center around enlightment or war. In fact I think a lot of Vulcan is probably dedicated to those topics - I headcanon that there are multiple museums and monuments about the many wars Vulcan fought with a heavy emphasis on the great toll it took on their people and how awful these actions were. They almost blew up everything with nukes! But then logic saved them...I believe this is also a common thread in stories that aren't about war - being saved by logic.
A woman almost falls for charlatan...but logic saves her. A man almost kills his brother...but logic stills his hand. Etc Etc.
A Vulcan author could probably write thousands of books in their lifetime, depending on the age they started. I think having an author with hundreds of books is fairly common and Vulcans are often a bit anxious about reading very good authors of other species...what if they die before they finish writing??
Television shows having like 40 seasons isn't that rare and I think their method of storytelling would probably have to differ from ours in order to facilitate that. That's interesting, isn't it?? I wonder about Vulcan media that isn't Surak's teachings. Like, Tuvok says he likes to read - what's he read about?
In 'Riddles' Neelix mentions a "Proto-Vulcan Drama" called 'Clash on the Fire Plains' which has 23 parts. Tuvok apparently has this in book form in his quarters but he's often reading things off his PADD which I assume are also Vulcan literature.
It seems that a lot of Vulcan stories we hear about are meant to teach some sort of lesson even if they are also entertaining.
When it comes to ongoing media (EX: Television show) I think they'd probably follow a series of arcs and situations with the same characters learning and growing. If you start watching season 82 of a Vulcan program then go back to season 7 it's like a whole new set of characters but they just changed because of their experiences. (As your Vulcan friend will rant to you). It gets a bit ridiculous but it's a bit fun too~
I headcanon that Vulcans in Starfleet will often get together to watch popular Vulcan tv shows' new episodes...alleviates some missing home. Others join in and soon we're seeing tv shows from all over the universe! Surprisingly, Vulcan and Klingon programs are fairly similar in the aspect of 'a lot of battle focused shows which teach lessons' but the exact lessons differ, of course.
Oh I bet Vulcan tv shows would also have so much intrigue and drama about clans and marriage and propriety etc which Klingons would love.
Klingon: So T'Eyanra is going off with Sarun? Even though she was made aware that Sertik is ill and might be plagued with fever?
Vulcan: Yes. And do not forget - Sarun's clan changed the water rights of her own, though she does not know this yet.
Klingon: -settling in- Sarun's clan is without honor! That knave... -gasp- and the Ektinslahrah ritual is tonight!
Vulcan: -also settling in- Indeed.
Oh god this was about anime wasn't it? Well just apply all that stuff I said to anime somehow...Vulcan anime is like one piece's length and death note's complexity but with a shocking amount of painstaking slice of life. I think animation would be taken as seriously on Vulcan as it is on Earth - I can't think of anything that'd make them take it more or less seriously?
I picture Betazoid animation would have a heavy emphasis on showing feeling though - like visibly as an ever present cloud behind the characters' heads and you have to know what all the colors mean.
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I have been so used to hearing L's dub voice in my head (whenever i read fics) and also whenever I watch clips that it genuinely shocked me when i heard the "I am L" scene in japanese and how different they sounded alongside the implications in the attitude of their characters.
L's sub voice holds a natural polite tone normal for the japanese whilst maintaining an air of professionalism and authority. His tone does not sound "condescending" too when he told the task force about how they would've died if he was kira. It was respectful although you can hear the slight disappointment in his voice, as if he's trying not to let it shown out of tact.
Additionally, the way jpn sub! L spoke the "Let's show Kira that we're willing to risk our lives, because justice will prevail." scene sounds encouraging to say the least. He was clearly driven by personal reasons ("But I will win in the end.") but even so, he was speaking in a "we" sense, like he was giving the task force some acknowledgement for their efforts and then pushing them to do better in the investigation.
The dubbed version of this scene, on the other hand, gives a feeling that L like meeting and working with the task force is more of a "chore" rather than of extra help. The perpetually tired tone of dub!L made the "Please don't give out your names so casually." scene translate to "Gosh, they're so stupid." It's both mockery and a warning. Atleast, that's how I interpreted it.
He lets his authority known by the task force without coating it. For example, the "I want to show kira that we're all risking our lives if that's what it takes, because justice will prevail no matter what" scene is very authoritative. Note on the emphasis on "I WANT," like L's telling the team "Yes, we will but under MY orders."
Now this isn't a hate on the death note dub version. I loved the dubbed voice for L and i do believe it also fits him. You could say I was just surprised at how a slight change of tone and delivery could change a scene so much.
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LIAR YOU TOTALLY WATCHED ONE SEQUEL!!! 😉💜
https://www.tumblr.com/wellhalesbells/736050291745652736/friendraichu-jackironsides
HAHAHAHA, I should clarify that I just mean for super hero-y ones. I mostly watch the first one and rarely watch the second (or anything after...... or remakes, lol), I think the only Marvel one I've seen in recent history is Thor: Ragnarok. Actually, the Spider-man franchise pretty much encapsulates how I interact with Marvel properties: I saw the first trilogy because it was new and exciting at the time, then they remade it too fast and I refused to pay for something I just saw, that was so recent in my memory from the release date I could still remember exact scenes from it (THERE WERE ONLY FIVE YEARS BETWEEN SPIDER-MAN 3 AND THE REBOOT - THAT IS NOT ENOUGH TIME FOR ME TO GIVE A SHIT ABOUT THAT AGAIN. HOW IS THAT ENOUGH TIME FOR ANYONE TO GIVE A SHIT ABOUT THAT AGAIN???), then I watched the first Tom Holland one (fourteen years I can vibe with) and nothing that followed because that's generally when the gimmicks and cameos start in lieu of good story-telling, or they make it dark and gritty because that's the only way to ground this superhuman, right (I assume a random white guy: "Should we fridge a lady? Yeah, we should probably fridge a lady"). The first one generally at least tries to have a soul because they have to introduce the character and make you care about them but many of the ones that follow (the few I've seen from when the MCU was just starting out and I had hope *coughs*Iron Man 2, Thor 2, etc.*coughs*) are just cash grabs that don't try because you already love this character and there they are, right there, so money please!
Meg 2 however..... EPIC, NO NOTES. It knows if I was a shark girl, I was probably a dinosaur girl and it gambled correctly. That's what you're watching this for? Have three sharks and an unnecessary (probably stupid expensive) dinosaur intro that is nearly completely irrelevant to the story but that you will also not want to live without and for an extra special bonus: oblivious husbands and their brilliant daughter. Like. You got me nailed, my dude. Will watch every subsequent sequel, no questions asked.
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Benoit Blanc would be a much more powerful protagonist if white people at large were capable of taking in and internalizing the structure of his character
the reasons he is such a good detective are antithetical to what it means to be a well-off cis white man: he is observant, he is curious, he is compassionate, he cares about the details and the story, he has no interest in maintaining a group’s status quo because his true interests are the concepts of Justice™️ and Truth™️
what most white audiences see is a detective with a keen eye and a funny southern accent but will never be able to recognize the attributes that often do not accompany privilege
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