#i'm so sorry it's been on my mind

[hex-wittebane]

Okay, I know we're all pretty much dead set on Evelyn carrying the surname Clawthorne, BUT I think it would be 10x funnier if it wasn't her surname. She probably has some lame or super weird surname that turns heads when it's read aloud, but nothing like "Clawthorne".

"Wittebane" sounds too human, and it ties Caleb back to the human realm, emotionally, I'm not convinced that someone on the Isles would hear the surname "Wittebane" and cry "human" because we see some "human"/"normal" surnames (Park, Blight, Porter, etc.). And it's not like the name Caleb would make someone cry "human" either. We've seen some "human"/"normal" names on the Isles too (Evelyn, Gwyndolin, Lilith, Augustus, Harvey, etc.). So, in reality Caleb would have no reason to change his full name. But he probably would change one of them and I think he's pull the surname "Clawthorne" right out of his ass when asked what his surname is.

We all want Evelyn to be the Clawthorne we're looking for so badly, but I think it's on brand for a Wittebane to lie and use a made-up name. Caleb doesn't say a single word, we've seen him. We all also agree that Fanon!Caleb has "I can fix him" mentality when he looks at Philip, so it'd really be on brand for Caleb to have a fake name for no reason at all.

It'd be hilarious if Caleb, not only haunted the narrative since the 1600s, but was the Clawthorne, the first Clawthorne. The one who started that family.

Thank you for coming to my TED Talk.

[arttsuka]

So, @wolfythewitch 's gravity fowls au...

[bixels]

tarpit site.

[anewp0tat0]

Happy Fathers Day, I'm finally on time for something!!! I don't have that much flavor this time though folks. just sweetness. that's it. hope that's cool, never too bad.

if you think this is anything but platonic then no, plz. away

[ruporas]

feast (ID in alt)

[nikoisme]

experimenting with a mordred design :D

[wispscribbles]

why are you and your drawings so cool 😭🙏

afdsasdfasg thank you !! irl ppl would laugh at me being called cool lol - Have a ghoap as thanks <33

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[mulletmitsuya]

Toman Groupchat

Warnings: swearing, the topic of sex is brought up a lot, mentions of the r word (i don't actually say it i just say "r word"), gayness, mentions of depression, mentions of suicide, teenage boys. also snuck in a lot of personal headcanons so that might not be your thing

Desc: Mikey lost his V-card

Mikey: just had the sex

Mikey: it's not all that, tbh

Mikey: i didn't like it

Mikey: i was quite indifferent to the situation actually

Mitsuya: that's great 👍

Smiley: you're the last one to lose your v-card and you come back with a report like this?😒

Smiley: we want details

Draken: whose we?

Mitsuya: no we don't

Chifuyu: it must have been difficult tackling the whole issue with you being 5'3 and all

Mikey: you're an inch taller than me😐

Chifuyu: "taller" being the key word

Baji: what didn't you like about the sex?

Baji: i think sex is great

Kazutora: i think it's super nice until you get in over your head and freak out about your performance so you end up having a panic attack and she just leaves

Smiley: LMAOOOOOO

Draken: that's actually kinda sad, you good?

Kazutora: no? i'll never emotionally recover. never again

Baji: maybe it should be with someone you trust and have been friends with for a number of years. maybe even your best friend who would do anything for you. that's just my opinion tho

Draken: just tell him ffs. anything but this

Kazutora: i have no girl friends?? the only women i know who're affiliated with this friendgroup are hina (taken), emma (mikey's sister and also taken), and yuzuha (gay)

Baji: why does it have to be a girl

Mikey: bro

Hakkai: 💀

Smiley: mention homosexuality once and here Hakkai comes

Hakkai: 😐

Kazutora: Baji i know you're gay and i support your lgbtq+ lifestyle but i'm not into dicks like you are man

Baji: what about assholes

Mitsuya: what's the point of this, like just ask him out atp

Mikey: you'd let KAZUTORA top???? insane

Kazutora: what's wrong with me topping? also who am i topping??

Smiley: well you're a twink so you're obviously a bottom

Chifuyu: Kazutora are you actually just gonna ignore what everyone else is saying

Kazutora: aren't you guys talking to Baji?

Draken: are you stupid or what

Kazutora: i'm really confused rn can we just to back to talking about Mikey

Mikey: yes actually. i've decided that i don't like sex and won't be doing it again

Chifuyu: bad day for Takemitchy

Takemitchy: what?

Chifuyu: well since you ride his dick so much

Takemitchy: HUH

Takemitchy: i've never done that with Mikey-kun tho??? i'm with Hina? also I'm straight so I don't understand what you mean by that 😥

Chifuyu: i don't actually mean-

Chifuyu: nvm

Baji: are we allowed to call people the r word anymore

Angry: no it's a slur

Baji: you're probably mad because people said it to you huh? lmao

Angry: yes

Baji: oh

Smiley: i didn't even mean it Angry it was just that one time

Angry: several, one times. but okay

Angry: i still love you

Smiley: can you not say that in front of our friends like idk what to do rn cause i can't say it back so it looks embarssing for you

Angry: 😕

Smiley: ...

Angry: ☹️

Smiley: i love you too

Angry: thank you

Chifuyu: very rare Smiley human decency moment

Draken: you guys are such weird siblings but that was great to watch. character development in a matter of seconds

Smiley: you should all kill yourselves

Mikey: man i really want to

Mikey: that was a literal joke before you guys get weird

Draken: you've actively tried to kill yourself tho

Mikey: yeah but like i won't do it anymore

Baji: we must just, believe you?

Mikey: i know that's hard to do because i lie all the time but yes

Draken: not a convincing argument but nice try

Mitsuya: terrible try actually. Mikey should we be worried?

Mikey: miss me with that gay shit, i'm fine

Mitsuya: i hate you guys so much

Draken: not me tho cause i'm your og

Mitsuya: 😐

Mitsuya: yeah i guess

Draken: 🤞

Draken: i'm gonna go out with my girlfriend now

Draken: also Mikey you're probably asexual. or you haven't found the right one to do it with yet idk

Mikey: what's asexual

Draken: google it

Mikey: Ken-chin c'mon i'm having a crisis rn

Draken: basically low or very little sexual attraction to others

Draken: there's a whole spectrum to it tho so you should probably do some research because that was an extremely watered down explanation

Draken: i'm ace too if that helps

Baji: Emma's a whole ass slut so how does she deal with that

Smiley: imagine bagging Ryuguji Ken with his sexy ass and he doesn't wanna smash. tragic

Draken: first of all, Baji i'll fucking kill you, never say that about Emma again

Draken: and fuck you Smiley

Angry: are you traumatized because of living in a sex orientated/obsessed environment so you eventually began to detest any affiliation with the act?

Draken: yes actually

Angry: i see

Mikey: i just don't like it. i'm not traumatized like Ken-chin :(

Draken: it's whatever

Baji: calm down i didn't call Emma a slut as an insult i just mean it as a describing word because she likes fucking

Baji: i've known her longer than you and she's been fucking since she knew what the thing was

Mikey: i probably should have addressed that as an older brother or something

Mikey: yk, cause i take care of my family

Baji: now she takes care of you with your chronically depressed ass

Mikey: 😒

Kazutora: is Emma also traumatized? like the opposite of Draken?

Mikey: wait should i ask?? her mom did abandon her and she did grow up without a father figure so like maybe i should talk to her

Smiley: you didn't have to dish out her problems like that 💀

Baji: she's got the Sano slut genes because wasn't Shinichiro falling in love with different people everyday? then your dad was impregnating people all the time. skipped Mikey tho

Draken: not everything is trauma related. also Emma just likes sex. it's not a huge deal breaker and if it was she would tell me and we'd talk about it

Mikey: what about having kids?

Draken: stop asking me this shit we'll do that when we're ready

Smiley: it's crazy how Draken is one of the healthiest people here. always reacting sensibly to situations and dealing with his trauma normally. he's such a good guy. hate him

Draken: love you too

Mikey: did he deal with it all that healthily if he beats people to a pulp most of the time

Draken: i stopped doing that

Baji: why though, you were an actual unit

Baji: wasted talent. i still beat people up

Draken: Emma said to

Mikey: fair

Smiley: Mitsuya could be on Draken's level too but something went wrong along the way cause he's a boy liker

Mitsuya: 🖕

[wahwahmoment]

good morning wyllstarion nation

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[bleue-flora]

Wait... Dream was born on August 12, 1999 and Dream was arrested in the Disc Finale on January 20, 2021 soo... wait, wait, wait, that means he was only 21 when he was imprisoned for life in a small lava covered box!... Did I do that math right? 21?! Man was barely able to drink legally in the United States and they gave him a life sentence in a boiling cell with nothing but lava, raw potatoes, a clock, and some books?!... oh my god...

[flowerakatsuka]

smoke break & a familiar customer

more fanart of @brofightiscancelled & @awittlebabbyboy's postgrad plan au! no matter what, i'll always be obsessed with kara and had to draw his au design. he's so cutes and weighed down by so much regret, i'm absolutely captivated by him.

also, since a certain someone rides a moped, i hope it's alright if they stop by his mechanic shop. 👉👈

[somnimagus]

did some vesperia chibis, i always forget how happy i get drawing these guys. i love them dearly

[id in alt text]

[emdotcom]

The Mario movie thing is so funny to me. Here, look at this:

Sonic movies (1, 2, & w/ 3 on the way) come out, does INCREDIBLE in box office, decimates Marvel films, who previously had a stranglehold

Nintendo sees this, wants a piece of that pie, buckles down to make a Mario movie Incorrect order of events, as pointed out here! Mario movie announced before the public knew about Sonic movie.

(Potentially because the previous Mario movie was so out there, did poorly, & was disliked by fans & then promptly forgotten,) they pair with Illumination, a studio that is largely known for making very sterile films

Btw, is it just me that finds it weird that there is no mention from Nintendo or online of the previous movie, in all this? Maybe I'm the only one who remembers this film idk

They announce casting. Everyone immediately boos because they cast Chris Pratt as Mario.

Immediate outrage, as Charles Martinet, the voice of Mario for DECADES, was not cast in his claim to fame roll

There is a (unsourced) rumor that a test screening for the film was met with disappointment, making Nintendo unhappy

Slightly corroborating this, Nintendo buys Dynamo Pictures, to make Nintendo Pictures, with the intent to make future movies in-house

Anticipation for the movie likens it to other sterile animated movies of the last 10 years, like the Minions movies

Trailer comes out.

People continue to boo Chris Pratt, a bad cast for a beloved character who is putting 0 effort into his voice, in comparison to all other VAs putting in 110%

Chris Pratt goes to bed "depressed," at seeing the response I was incorrect, that is an older article, about when he was thanking his wife for providing a healthy child, to which people drew immediate parallels to his ex-wife's son, who has many health complications & needed many surgeries.

But with your help, we can make him being depressed after media backlash reality!

Lol, &, may I say, lmao.