#icons kat elliot

[editfandom]

kat elliott icons.

[azucarera-art]

Kat 💚✨

[shitedits]

Wendell & Wild (2022)

[solsticeivy]

💜 Kat Elliot 💜

Wendell & Wild, 2022

[them-bo-dacious]

my fav sun/moon lesbians <3

i beg someone to start writing fics about them... or i will. this is a threat.

[animegirlsicons]

Kat Elliott icons

Like/reblog if you save or use

© @batgirlbarbg

[glitchylaptop]

، • ୨ ࣪ ⊹ 💀 . . ݁ ٬٬ ࣪ ،

Kat Elliot

Icons

Lesbian with spooky/grunge theme

Requested by: @ghostlyplacetobe

No tag f/o and me/id/irl pls! Kin tag are ok!

DNI banner by: @/ghostlyplacetobe

[pridewishes]

♔ || KAT ELLIOT ICONS

250x250 || lesbian || bordered circle

like / rb + credit + read dni if using

requested by @tulipjammies !!

[scribe-of-maat]

Wendell & Wild was AMAZING. Kat Elliot is officially a Halloween icon.

[bunnelbaby]

🦇✨ Spooky Regressor Kat Elliot icons (please reblog if you save)! ✨🦇

[trulyinspiringmovies]

Wendell & Wild

“Wendell & Wild” felt like it would be a match made in heaven, but ends up being overstuffed with half-baked ideas.

Kat Elliot was only eight years old when her parents died. Five years later, she’s out of juvey and still blames herself. She’s enrolled in an all-girls Catholic school as part of a program to give juvenile delinquents a second chance. There, she receives a mark on her hand and is told by two demons named Wendell and Wild that they can bring her parents back. All she has to do is summon them into the mortal world.

Henry Selick is arguably the main reason why I love horror and the macabre. He made “James And The Giant Peach”, which was one of my favorite movies to watch in my elementary school library. He’s made the iconic “The Nightmare Before Christmas”, which I’ve raved about in my review. He’s also made, one of my favorite movies of all time, “Coraline”, which was one of the first movies I ever reviewed. Combining him with one of my current favorite horror directors, Jordan Peele, felt like a dream come true. It’s the horror claymation I loved as a child mixing with the social commentary horror that I’ve come to love as an adult. Unfortunately, “Wendell & Wild” was disappointing to me. Let’s talk about the demons, Wendell and Wild. They’re voiced by Keegan-Michael Key and Jordan Peele. Any chance at hearing Key & Peele again is welcome by me, but in this movie, they’re just not funny. It really felt like they weren’t allowed to inject their own humor into this because it’s a bunch of basic kids’ movie tropes. Kat is a fine character, but she isn’t very reactive to situations. She just kind of goes with the flow and doesn’t question all that much. She’s learning that demons and zombies are real and she doesn’t really seem to mind all that much. Her muted character is really at its worse when she finally gets to talk to her parents again and it doesn’t really feel all too special. It’s cool that Raúl had some casual trans representation in the movie, but other than that fact, he’s only there to do whatever the plot needs him to do in order to progress the story forward. The rest of the characters were bland as well. There’s this group of three girls that are all there to be supportive and don’t really add to the story at all. The main girl has some plot relevance, but she has her entire character arc off-screen, so she felt pointless too. There’s this Van Helsing-type character in a wheelchair who feels like he has an interesting backstory, but it’s never explored. His inclusion boils down to needing him to resolve the final conflict. I could go on, but this is the movie’s main weakness. There are too many half-baked characters that don’t really get explored all too much. Some of them look like they just finalized the rough drafts of their character design. Couple that with the fact that things just happen for no reason other than to progress the plot and you have a movie that ends up being unengaging, even when you want it to be. It’s such a shame too since claymation is an art form I absolutely adore and I try to support it whenever I can. But you can’t just have great claymation without a good story. Otherwise, all that hard work and effort go to waste because people won’t want to check the movie out.

★★★

Watched on October 30th, 2022

[crackedfm]

🩸 crackedfm ; a selective multimuse indie,       featuring oc & canon muses from       fandoms such as: got/asoiaf, criminal minds,       scream, umbrella academy & more!       as written & loved by dani. twenty-one plus.

low to medium activity ✦ minimalist ✦ runs on a queue (most times)

i can also be found at: harringtonfm, mayfieldfm, satanicpanicfm, jockfm & flayedfm. 

current featured muses: tba.

oc info can be found in the muses tab; canon character info can be found under the cut.

icons & theme by sugar.

viserys targaryen, harry lloyd 

loras tyrell, finn jones

edric dayne, aramis knight

klaus hargreeves, robert sheehan

viktor hargreeves, elliot page

remus lupin, timothee chalamet

theo crain, kate siegal

dani clayton, victoria pedretti

nick nelson, kit connor

bonnie bennett, kat graham

sabrina spellman, kiernan shipka

abby arcane, crystal reed

tatum riley, rose mcgowan

stu macher, matthew lilliard

billy loomis, skeet ulrich

dr. spencer reid, matthew grey gubler

[natromanxoff]

Queen + Adam Lambert live at the First Direct Arena in Leeds, UK - January 20, 2015

(x)

• The band performs to a crowd of 13,000 in Leeds.

(x)

“[…] On Tuesday evening, Lambert performed with gusto and, whilst alluding to Mercury and his influence (Lambert claiming during the performance that without Mercury 'I wouldn't know what I was f**king doing'), did not impersonate the late singer. Rather, he evoked all the characteristics which made Mercury a legendary showman: involving the audience, revelling in the attention and drawing focus to his fellow band members during their solo moments. Yet he still retained his own unique and highly professional manner throughout.

It is evident, 25 years after Mercury's death, that May and Taylor still miss Mercury's presence both as their friend and lead singer, with many tributes paid to him throughout the show. May performed a solo rendition of 'Love of My Life' and encouraged the crowd to participate, as Mercury often did, before the song ended with one of Mercury's performances projected on stage. Taylor later sang a touching rendition of 'These Are the Days of Our Lives' whilst images of the band, excluding the now retired John Deacon, flashed up on screens around the stage.

In many respects, this is what makes Queen great: their ability to perform both crowd pleasing anthems and heartfelt tributes to love and loss. Lambert, who may have outdone Mercury on the effeminacy scale with his performance of 'Killer Queen', also demonstrated his ability to perform in a more sombre yet still appealing fashion whilst singing 'Save Me' and 'Who Wants to Live Forever?'.

Mercury is irreplaceable but Lambert has the voice and the style to ensure his legacy lives on. May and Taylor remain at the top of their game and appeared to be greatly enjoying themselves and, more importantly, so were the audience. Ultimately, it was a flawless performance which sensitively paid tribute to Mercury's legacy. It showed how May and Taylor are still outstanding musicians, truly justifying Lambert's assessment of his two older band mates as 'rock icons'.”

- Elinor Cosgrave, Contactmusic

By Elliot Mitchell and Danny Payne.

“[…] I Want It All, Radio GaGa, Crazy Little Thing Called Love all fit Lambert's vocals like a glove and as the crowd embraces him his charisma shines through.

But it is when Mercury makes two singing appearances on film singing Love of My Life and a Bohemian Rhapsody duet with the newbie that he completely steals the show from beyond the grave.

It almost unfairly leaves Lambert to cope with the consequences but he cleverly addresses the problem proclaiming “I love him just as much as you guys”.

Inevitably the show concludes with We Are The Champions and Lambert wears a crown – symbolically not quite as big as the one Mercury used to wear – but still a crown.

If The Show Must Go On then this killer Queen will certainly rock you.”

- Paul Jeeves, Express

“There was a point in the first half hour of last night’s two-hour show where I realised my face was hurting. It was then I realised that I’d been grinning non-stop since Brian May started thrashing out the opening chords of “One Vision”. […]”

“[…] Right at the end of the show, Brian May turned the spotlight on Adam, asking “What do you think of the new member?” At least a full minute of rapturous applause rained down. It was great to see, yet again, a stage full of world-class musicians with nothing but respect for one another, selflessly pushing each other forward to take a bow. Sheer class.”

- Mark Gilroy

By Mark Gilroy.

By Diana Kat.

[lexihowardhoney]

sometimes i think y'all see jules as the biggest evil and hate her for no reason, while no one blames never rue for doing shits like adddicting all her sobierty to jules, having a fucking suitcase full of drugs, putting pressure on jules that all her (rues) sobriety depends on her (jules). i wonder if you hate with the same energy maddy, cassie, fucking elliot or cal (i dont even fucking know why this bitch has fans, but ig this is because when you're white and gay, and have backstory, which is taking place in 80's, you're starting being fans facourite) for doing fucked-up things as much as jules, because i think you don't and this is weird af.

and before some people start writing: but- but- jules cheating on rue 🥺🥺

all characters in this show are mentally unstable and do abnormal things. why you didnt make hate train because rue in almost every episode fighting physically with her mum? why cassie still has apologists? btw after season 1 tumblr was weird place because everyone praised kat for being feminist icon, when literally her whole story in first season was based on that the best way for teenagers to getting some money is doing porn (poor writing)

and no, i dont hate these characters. i dont hate rue. i dont hate maddy. and point of this post is not that i want all of you to love jules and other shits, i just want say: if you hate jules, but see any other character in euphoria as perfect, innocent baby, who is just lost, then stfu

[healthiffy]

Big mouth season 8: Release Date, Cast, Trailer, where to watch & more?

If you’re a fan of animation comedy shows that tackle the awkwardness and challenges of adolescence in a hilarious and relatable way, then you’re probably familiar with the hit series “Big Mouth.” This Netflix original has garnered a dedicated fanbase since its premiere in 2017, and many are eagerly awaiting the release of Big Mouth Season 8. In this blog post, we’ll explore the latest updates on the upcoming season, including the release date, cast, trailer, and where you can watch it. So, grab your hormone monsters and take a dive into the world of Big Mouth!

Table of Contents

Will there be big mouth season 8?

When is big mouth season 8 coming out?

big mouth season 8 Cast?

Big Mouth Season 8 Trailer?

where to watch Big Mouth Season 8?

Will there be big mouth season 8?

Bid farewell to the hormone monsters as we embark on the last journey of the Emmy-nominated series, Big Mouth. Change can be a frightening prospect for growing tweens, and the young main characters of this beloved show will surely be devastated to learn that the highly anticipated eighth season will mark its final installment.

When is big mouth season 8 coming out?

Big Mouth Season 8 is set to grace our screens on Netflix in late 2024. Stay tuned as Healthiffy will provide updates as soon as the official release date is announced.

big mouth season 8 Cast?

The cast of Big Mouth Season 8 remains unchanged, as per our current knowledge, with no recasts being announced by Netflix. Nick Kroll, the co-creator of the show and renowned talent from The Addams Family and Sing, will return to portray various characters, including Nick Birch, Maurice the Hormone Monster, Coach Steve, Lola Skumpy, and more. Joining him will be the incomparable John Mulaney as Andrew Glouberman, Nick’s erstwhile best friend, and Jessi Klein as Jessi Glaser, adding her unique flair to the mix.

One of the key reasons behind the enduring popularity of Big Mouth is its vast ensemble cast, comprising a colorful range of characters. Season 8 will see the return of cherished actors and their respective roles, including:

Jazon Mantzoukas as Jay Bilzerian.

Ayo Edibiri as Missy Foreman-Greenwald.

Fred Armisen as both Elliot Birch and Bob the Hormone Monster.

Maya Rudolph, lending her versatile voice to Connie the Hormone Monstress, Diane Birch, and other captivating characters.

Jordan Peele, known for his work in The Twilight Zone and Key & Peele, portraying the ghost of iconic jazz singer Duke Ellington, as well as other notable figures like Freddie Mercury and David Bowie.

Andrew Rannells as Matthew, adding his signature panache to the series.

Big Mouth boasts a talented supporting cast, enhancing the depth of the show’s universe. Gina Rodriguez will return as Gina Alvarez, while Chloe Fineman will continue to captivate as Nick’s older sister, Leah. Although it remains uncertain whether there will be any recasts among the supporting cast in the upcoming season, it is a possibility. Notably, Fineman took over the role of Leah from Kat Dennings in Season 5.

Big Mouth Season 8 Trailer?

As fans eagerly anticipate the release of Big Mouth Season 8, the first question on everyone’s minds is: To get a glimpse of Trailer? Unfortunately, Big Mouth Season 8 Trailer have not been released yet.

where to watch Big Mouth Season 8?

Now that we have been treated to an enticing glimpse of Season 8, the next question is: Where can we watch it? Big Mouth is a Netflix original series, so you’ll need a Netflix subscription to catch all the new episodes. Whether you prefer streaming on your TV, computer, or mobile device, Netflix offers a convenient and accessible platform to enjoy your favorite shows, including Big Mouth.

If you’re not already a Netflix subscriber, signing up is a breeze. Simply visit the Netflix website or download the Netflix app, create an account, choose a subscription plan that suits your needs, and you’ll be ready to dive into the world of Big Mouth. With its user-friendly interface and vast library of content, Netflix provides a seamless streaming experience for viewers around the world.

[ear-worthy]

Season Two Of Audio Up’s “Make It Up As We Go” Podcast Premieres

Give it up for Audio Up. They are on a roll with fiction, scripted podcasts. Earlier this week, the studio released Sonic Leap, which is the completely made-up backstory of real-life rock act Hero the Band — four Atlanta-based fraternal brothers who get sent back to 1985 to “change their future and the future of music.”

Now, it’s the season two premiere of Make It Up As We Go.

Make It Up As We Go: season two continues the gripping story of ambitious young country singer Charlotte Sayles (portrayed by singer, songwriter, actor, and series co-creator Scarlett Burke), who has now made her way into Nashville’s male-dominated country hit factory to shake things up and make her fame.

Canyon, TX songwriter Charlotte Sayles moves to Nashville and faces an uphill battle in the complex and often dysfunctional music industry. Music Row veterans Emily Turner, Marshall Tracy, and Apollo Joiner help Charlotte navigate the trials and tribulations of a young female songwriter in Music City. At the end of Season One, following a rollercoaster of rookie mistakes, writer’s block, and soul-searching, Charlotte finally breaks through and gets a song cut by Miranda Lambert. After its surprise premiere on the “Bobby Bones Show” attended by those who helped pave the way for her meteoric rise, Charlotte finds Marshall unconscious in his trailer of an apparent overdose…

Below is a brief description of the first episode.

After Charlotte’s father dies suddenly of a heart attack, Apollo, Emily, and Elliot come to Canyon to attend the funeral and rally around Charlotte. Marshall shows up and surprises everyone, clean and recovered, ready to get back to work. Emily recognizes the weight of Charlotte losing another parent, and implores her to unpack her grief by doing what she does best: writing songs. So, she offers them a space at a writing retreat in the Texas Hill Country at the world-famous Wayside Ranch. Charlotte is on the fence about the retreat, but a call from Miranda Lambert expresses condolences and encourages her to go write at Wayside. As they are packing up to leave, a tornado touches down in Marshall’s hometown outside Shreveport, so he peels off east to help his family. As the dust settles, and Charlotte is hit by the loneliness on a moonlit Texas front porch of a house that used to be a home, she starts writing “Gone in the Morning”…

Below is a description of the second episode.

Charlotte heads to Wayside Ranch in Hill Country and Marshall arrives at his childhood home, while Elliot and Apollo hatch a plan to turn Charlotte into a star. Charlotte meets Lawford Keane, the humble heartthrob and caretaker of Wayside ranch, and they hit it off immediately. Marshall’s hometown was hit hard, and although his house has barely evaded destruction, the old family demons are still on full display. At an unsightly reunion, the skeletons in the Tracy family closet are paraded through the devastated Shreveport streets. His struggling parents, their dysfunctional marriage, and the younger brother he left behind to deal with it all take a heavy emotional toll on Marshall. While he is forced to reconcile his past and present, Charlotte is tested professionally and emotionally amongst the best and brightest songwriters in Texas.

Series co-creator Scarlett Burke and Audio Up founder and CEO Jared Gutstadt, who co-created the series, both star in the show and provide original music along with acclaimed actor Garrett Hedlund, GRAMMY Award-winning producer and recording artist Shooter Jennings, music icon Nile Rodgers, Grammy-nominated artist Elle King, award-winning Nashville songwriter Liz Rose, Kat and Alex, Breland, Abby Anderson, and Chord Overstreet.

Shooter Jennings and Elizabeth Cook, who both host shows on SiriusXM’s Outlaw Country (ch. 60), have also joined the cast, with Jennings co-producing the show’s soundtrack with Audio Up’s Gutstadt.