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#idk im Rambling
bunnieswithknives · 18 days
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(nature au) you said that while dale dislikes dev using a cane in the house he doesn’t really care too much, but what if dev used a cane in public? i can’t imagine dale would be okay with that at all. he’d be pissed, like confiscate the cane kind of pissed
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Originally the gag here was just going to be Dev clinging onto his dads arm for dear life while he shivers like a chihuahua but he is just. So small.. I couldnt get it to look reasonable
Bonus:
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#The horror of putting Dev in a situation where he would 100% be wearing his sunglasses#Like NOOO the perfectly construction expression of horror I was going to give him#fop nature au#fop#fairly oddparents#fop a new wish#fairly oddparents a new wish#fop dev#dev dimmadome#dale dimmadome#fop dale#fop peri#art#digital art#fanart#I cant tell if I got the tone right with this one#Theres a very careful balance I try to strike with comedy vs horror and Im not sure if I got it#I also try to keep a sort of balance when depicting characters that are just straight up awful#I dont like depicting characters as cartoonishly evil but I also dont want to make him seem overly sympathetic#or like he's 'deep down a good person' because he's straight up not#He's awful and selfish. What he's done to his son makes him deeply uncomfortable with himself#but that discomfort means absolutely nothing when he refuses to change or become a better person#and he does refuse to change. changing is hard#he still keeps hurting Dev at every turn and maybe to tries to justify it to himself as being for Devs own good#but regardless he is still refusing to listen to him and hurting him even more in the process#idk im rambling#I like to keep the abuse balanced out with these nothing little concessions on Dales part#tbh even this concession didnt come from the good of his heart he just wanted to avoid making a scene#also because the visual of Dale deciding CARRYING him everywhere is better than just letting him have his cane is very funny to me
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thefairmaidenoffandom · 5 months
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so, for all the firefighter!yuuji aus that i adore, i never see any ems!megumi, which feels like a crime
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pr0cyon-lotor · 5 days
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If I was to make and sell svsss merch or something, I'm positive my massive bias for jiuyuan and bingfan would show so hard. Like I'm literally just doodling them on my notes and I accidentally made them match
Dude I'm literally so cooked the rot consumes like a motherfucker
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littleholmes · 1 year
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I already liked the Haitanis because of their dynamic, and their history with each of the gangs is so interesting to me too, but this was the moment that catapulted Ran Haitani even further up my list of Tokyo Revengers faves.
To start, the Tenjiku arc made me see the Haitanis differently, and it started during their fight with Angry and Hakkai as Ran and Rindou’s dynamic really started to shine. We got a taste of Rindou’s resentment at being in his brother’s shadow during the start of the arc when they fought Mitsuya, but it really came out in the Angry/Hakkai fight with Rindou understanding them because of his role as the youngest but also fighting hard because he’s sick of being underestimated as the youngest.
It’s also in that battle that Ran’s role as the older bro comes out and we see how he is with Rindou when they’re not on top as the strongest and when shit gets serious. (It’s also when my appreciation of him as a character really solidified but I digress). Ran could tell Angry was dangerous and tried to stop Rindou to protect him but it was too late, his brother charged and got knocked out and he followed shortly after. Before that, even as they were fighting together, Ran’s role as the level-headed older bro showed in his fight style, taking control so Rindou can fight without trouble as headstrong as he wants because he will be there to cover his six.
Later, Ran tries to stop Rindou twice, Rindou goes down, and he screams for his brother and rushes into defense mode before he’s knocked out too. We already knew, but it’s reinforced in this arc that Ran’s highest priority is Rindou and he will take care of his brother above all else.
(Side note: I love how Wakui gives us duos who as intense and dangerous as they are, have that loyalty and heart, and I love how we see that in Ran’s concern for Rindou.)
Speaking of heart, this brings me back to the end of the Tenjiku battle when Ran closes Izana and Kakucho’s eyes.
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Rindou watched as Ran crouched over their bodies, pays his respects, and closes their eyes, and a few things struck me about this moment. It’s already a heartbreaking moment and to have this follow and to have someone like Ran pay his respects this way, it’s so poignant it made me tear up when I read it.
I also immediately had the thought that Ran’s likely done this before, and Rindou’s likely witnessed him do this before. Rindou watched him go and didn’t even question what he was about to do, which (given their status in as delinquents and their ascent as the brothers who have control of Roppongi) reinforced the thought that the two are sadly not strangers to the death of their fellow members.
Perhaps this is a ritual Rindou’s familiar with Ran doing when it comes to losing their members, perhaps Ran did this back when they lost one or both of their parents or whoever raised them before they were on their own—either way, this moment of heart and respect is something Ran felt compelled to say a few words and close their eyes and I love that he did. It helped give closure to the fight and offered a moment for all of us to take a moment too and say goodbye to Izana and Kakucho (at the time, at least we thought!)
idk I’m rambling but I love this moment in the Tenjiku arc, and appreciate that it was Ran who did it and how it highlighted how heavy this moment was for everyone involved and how these characters care about each other whether they’re brothers by blood, Tenjiku, or Toman in this delinquent life they live.
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sagethefool · 10 months
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I like the idea that Snow looked at Katniss and Peeta and gradually started seeing the first two people he betrayed. He sees the dynamic and effect they have on himself and others, and assumes Katniss must be like Lucy Gray, a songbird and performer, and Peeta must be Sejanus, loyal, soft-hearted, good Sejanus.
In reality, Katniss is more like Sejanus--she can't watch others suffer, she buries Rue when she dies and mourns her deeply, she's impulsive when it comes to doing what is right, and cares so much it hurts. Every action she takes is a decision made because she could not live with herself if she allowed others to suffer, period. I think that might be what makes her the more rebellious of the two, whether she realizes it or not. In a society that demands blood and cruelty, Katniss refuses and chooses kindness, chooses to give people a softer end, and what could be more rebellious than that? Like Sejanus, she is willing to see the suffering the Capital inflicts and say it is wrong, and then take action to correct it
It's Peeta, kind, fool-in-love Peeta, who is the upgraded Lucy Gray. He might not sing or play the guitar, but he plays the Capitol people for all they're worth just as well as any instrument Lucy Gray might have. He's clever and, yeah, a little manipulative, but never for his own personal gain. From the moment he steps into the Capital, he's plotting and planning how to keep Katniss safe, what strategies he needs to use, what words to say, because only one of them can make it home, can live, and he wants to make sure it's her. Ultimately, Peeta wants Katniss to be safe and to live in peace, just as Lucy Gray ultimately wanted to just live in freedom and peace.
And it's this misunderstanding of who they are that means Snow can't control or manipulate them. He's using the wrong tactics, threatening the wrong person. Katniss has no idea how to perform and manipulate, so much so that even the District 13 propos team struggle to make her their symbol without putting her in the middle of suffering to invoke the reactions they need from her. Peeta, on the other hand? I think if Snow had approached Peeta, threatening to hurt everyone he loves, and told him he had to appease the districts, Peeta would have managed it. But he sees Peeta as weak, simple, and, clearly, he's just been charmed by Katniss into throwing his life away for her.
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jesterjaxx · 3 months
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I think the biggest shift between canon Duncan and my own Fanon Duncan is i make him like. A real punk. With real punk ideology and shit. Especially with the "Hes an asshole but hes an asshole who cares" thing he sometimes has going on and then i made that an unremovable part of his character
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paleoleigh · 10 months
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I think it would be so funny if they ignored consistency between episodes/seasons just one time with Ed's enormous trust no one back tattoo and in s3 it's been replaced with like a smiling skull and a heart and like trust in love written on it idk what exactly but it's just. Never explained or mentioned.
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strawberri-draws · 9 months
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Working on a pjo drawing and I keep having to stop to be like 🥺 he’s just a little guy,,,,
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aurae-rori · 3 months
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I FUCKING LOVE FLAWED MORALLY GREY SELFISH PROTAGONISTS I LOVE IT WHEN THEYRE NOT PERFECT OR WHEN THEYRE HUMAN AND WHEN THEY MAKE MISTAKES!! TO ALL THE FIC AUTHORS WHO HAVE VILLAIN PROTAGONISTS OR PROTAGONISTS TRYING TO DO GOOD EVEN THOUGH THEY'RE FUCKED UP I SEE YOU AND I LOVE YOU!! I FUCKING LOVE MORALLY GREY/CHARACTERS THAT ARE HEALING FROM THEIR TRAUMA AND TRYING TO DO THE RIGHT THING BUT ARE STILL MAKING MISTAKES!!!!!!
I fucking love flawed characters with issues and who make mistakes. The more human they are, the more appealing.
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greasegotahold · 2 months
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This post started out with a point then turned into rambling abt the stage show lol
So like. at least in my irl circle and from what I heard yesterday, a lot of ppl prefer the musical to the movie. Acknowledging the bias of theatre ppl toward theatre, that's not the reason I heard most; what I heard most is that the musical stays closer to the book than the movie. Granted idk how many if any of these ppl have seen the complete novel extended cut of the movie, but even so this argument sits wonky with me
Bc the musical takes quite a few departures from the book, some p dramatic. Darry is not the gang's leader, Dally is. Randy is an ensemble part with one line; Cherry gets his ending "even if you win, nothing will change" moment. Sandy is already gone. Evie and Sylvia are gone. Steve is not a big part of Soda's life. Two Bit isn't acknowledged as an alcoholic. Johnny was only jumped a week ago, and it's not a secret who did it. Bob is the one who jumps Pony at the start and even comes up with an excuse for it. Dally doesn't give Johnny his heater, Dally commits a far more direct suicide, no sickness or court proceedings, so on and so forth.
Now I understand why we made just about all of these changes: the show is just about 2 hours as is, not counting intermission; streamlining needed to happen, for time and for clarity of storyline. I even prefer a lot of the changes (Cherry is just. Such a livelier character lmao. She's given stuff to DO. I love her in the book and movie but the stuff they added in the musical I simply love.) I bring this up just bc it. Is honestly just as different as the movie if not more so in how it departs from the source material.
Which means when ppl are saying it's closer to the book, they mean in feel.
And in many avenues; talking about the the extreme accessibility of the book as an adult with other adults, attempting to articulate my issues with the film adaptation, and then later attempting to defend the movie on those same shortcomings, I think I know why.
It's the ever-present narration. I've said it before, and I'll say it again, Ponyboy tells his story, he doesn't show. And that makes the book an extremely straightforward read, and absolutely how he can tell us so much shit that happened in so little time, but it also makes it hard to capture in a standard movie adaptation, especially when the movie also needs to trim down and streamline characters and plot points.
But what does Pony do throughout the musical? He narrates. Yes the story plays out real time, but it's still interspersed with these slowdowns where he talks to the audience, where he's narrating.
And I think that's what's really clicking so well with the musical, despite all the changes to characters and their dynamics and plot beats.
And for certain things, the impact is still there, they just changed it around. Johnny was jumped last week instead of months ago and we don't get the excerpt abt how he wound up buying his first blade, and how he would kill the next soc who tried to jump him, and Dally no longer gives him his gun, but he does give him the 6 inch switchblade when Johnny is genuinely worried his dad will kill his mom, and then shows him how to stab to kill. The circumstances are different, but we still get Dally giving Johnny a lethal weapon. The motivation changes for why Johnny carries his blade, from self defense to an explicit want to protect others, but this makes it a more direct setup for when he kills Bob to save Pony.
And a lot of the straight up original additions to the plot feel seamless. The added backstory for Cherry's parents, her dad's alcoholism and her mom's kind of just. Surrender to hopelessness and despair. Not only explains why she's so touchy about Bob drinking, but it makes the change from going along with him to stop a fight into her refusing to back down after breaking up feel justified. To be clear, I don't fault book and movie cherry for doing what she does in that scene, she's trying to keep everyone else safe, I just think that the change was set up and well executed in the musical.
Also sidenote but in Justice For Tulsa...I have so many feelings after getting to see it. The cop shining his flashlight down on Two Bit as he gets jumped, but then he just keeps on walking bc why would he care abt a greaser...Bev buying right into the boys' escalation against the greasers vs Cherry's outright rebuke and then Marcia is over here looking genuinely Physically nauseous over having to choose a side. And of course the moment where the cop beats Dally after handcuffing him, that speaks for itself.
(Sidenote, unrelated to anything, I just wanna say when I listened to the soundtrack for the first time, years since I had read the book or watched the movie, somehow I just knew when the soc boys started singing their threatening section, that they were jumping two bit. I guess I just had a faint buried memory that Two Bit was the revenge-jumping victim lol)
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dxrktopaz · 1 year
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are you a gentle dom or a rough dom?
should i expect you to pull on my leash really hard when im misbehaving? 🥰
(or the best of both worlds?)
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ok so i know huan was a special hound, blessed by oromë and what not. imagine this. imagine a ten year old equivalent of celegorm who is relatively new to the hunt of oromë. oromë is just like “you know what i like this kid” and tells him he can have a puppy from the new hound litter. *cue little celegorm bouncing off the walls, squealing like a little girl* and he picks the runt of the litter. orome is kind confused, and asks if he’s sure, but celegorm is dead set…yadda yadda underdog story (tehe). then at some point oromë is just like ok *poof* he’s the biggest dog ever, can speak 3 times, can only be killed by a werewolf.
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melted-snowperson · 1 year
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picrew chain thingy!!
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me fr vs me in my head
tags:
@thinkingaboutctommy @paldeanbooper @b0nejaangles @pancakewithamace and anyone else who wants to join!!
using: https://picrew.me/en/image_maker/644129
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bloodbywinter · 6 days
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gettin excited about cutesy potential sticker designs lately heheheheh
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bakerolivia · 3 months
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being on this platform for as long as i have, it makes me sad to see how slowly it’s dying. i remember back then even the least quality content would get 1000+ notes. now quality content barely makes it to 100 notes. no one really interacts with anyone anymore. notes used to be full on discords and were always fun to read, and users would leave cute little positivity tags… now no one even adds anything other than their reblog tags. it just makes me sad to see how slowly this site has lost everything i loved about it and made it unique.
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On Watches
I love watches. Wristwatches, pocket watches, clocks. You name it.
The way they tick, the way they measure something as elusive as time itself – it's like holding a piece of the universe on your wrist or in your pocket or on your wall.
Of course, there's always the overwhelming urge to crack them open, to break every single one apart and peer inside. To see the intricate gears, springs, and cogs.
You can't look at a watch and not immediately think about what's inside.
Right?
But yeah. Watches. Splendid shit.
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