#idk what the approach even is

[a-dope-fiend]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[kaiserouo]

i cannot express enough how much i absolutely HATE him

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[luck-of-the-drawings]

my TWO FAVORITE THINGS IN THE WORLD, VAMPIRES N COWBOYS... deacon keller is SUCH a fun character, hes charming and funny but ALSO formidable and STRONG when he feels he needsta be. i hope him and arthur can get a chance to talk more and be better friends. l ike really good friend s. . like. like really good f. hangon i gotta go i think i hauve rabies.

[grecoromanyaoi]

hm i was wondering. do u prefer british or american humor (as represented thru comedy shows/movies)? (feel free to elaborate in the tags and/or reblog for sample size)

[rinbylin]

li xiangyi, yin, and femininity

we all know that li xiangyi is a character of fractured identities. and li lianhua is an unreliable narrator to his own story. these make him not the most straightforward character to study. but I've believed in treating li lianhua as a part of li xiangyi, rather than separates. and there must be a common thread that ties all of him together. thus, I offer what I have found to be the most useful lens to use to view him as a cohesive whole, regardless as li xiangyi, li lianhua, or any other identity he may reinvent into: his 阴 yin qualities. (yin of yinyang)

this framework suggested by the drama's text itself has helped clarify to me his strengths, weaknesses, motivations, and struggles. by identifying this constant, too, makes it so much easier talking about what has changed in him.

[to the, hopefully growing, boli lhl hivemind @markiafc @ananeiah]

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there are some notes on the concept of yinyang and chinese conceptualisation of gender I have to preface with.

[disclaimer: of course, I'm not even trying to cover a tip of what experts have extensively studied and debated in a depth it deserves. all I'm doing is try to parse the broad, fundamental ideas that are needed to explain my blorbos through my own spotty brain filter. so there bound to be nuances I've overlooked or some degree of my own interpretation. pretentious but needs to be done.]

阴 yin and 阳 yang are concepts characterised by passiveness, darkness, gentleness, femininity etc, and proactivity, light, toughness, masculinity etc respectively. a very key and handy concept to have in mind is their relationship to each other - which I'll not attempt at explaining better than literal scholars have:

Yin and yang exist only in relation to one another internally as the way warmth-coldness only exist relative to one another. Furthermore, when using yin-yang as an organizational schema, achieving balancing harmony is always the goal, not domination nor subordination of one to the other. [x]

while yin and yang can be symbols of femininity and masculinity, it doesn't mean all female are yin and all male are yang. it's certainly not a strict 1-to-1 equation. the concept of gender in chinese context is more social than biological. this suggests room for fluidity, and shaping of identities, often through social rituals as one journeys through life. it also means that there can be femininity in the masculine, and vice versa - in fact, that's only healthy because you need a good balance of the two worlds. no one part is better than the other. if you think of the two components as relative to each other, they are always interacting and affecting each other, rather than being strict and inert binaries. simply put, it needs to be kept in mind that there are greater nuances in applying yin and yang to the definitions of gender, and to avoid at all cost a simplification of this framework into a binary.

sure, the show has implied that lxy's powers and energy are yin-coded. but femininity is only one of the multiple attributes of yin. so how are we extending lxy's yin to femininity specifically? it's in the text that substantiates and qualifies lxy as feminine. dead women being used as proxies to his character. being literally dressed as a woman in order to put himself into their shoes and feel what they've felt. adopting a name that happens to be very, very feminine - 莲花 lianhua (lit. lotus flower) (it must be caveated that chinese names are NOT gendered. but there are just some names that are more feminine than others.) him coming to lead a life revolving around traditionally feminine, domestic things as li lianhua. him having interactions with the women around him like he's in his own element - no pressure and tension at all, unlike with all the other men.

as such, I'm more willing to use yin and femininity interchangeably in discussing lxy (while it's not necessarily applicable to every point that will be mentioned albeit there being some degree of implied association). and it's for the sake of elucidating what I feel is an intention or very plausible reading of the canon text in parsing feminine experiences in lxy's character. and thus, his queerness.

one last note is that taoism is going be mentioned quite a bit as well because of how much it as a philosophy honours the yin quality. its key tenets include valuing passiveness and inaction as a form of action, and submitting to the nature of things. and we will see how those come up in lxy's life too. (though I'm not gonna attempt to deep dive into it here beyond broad strokes of it.)

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a huge part of li xiangyi's yin actually manifests in him being a passive person. this applies not just to li lianhua, but also li xiangyi. I know. ok wait hear me out. the idea of yinyang is after all components that can change and are relational to each other: thus, there were points in li xiangyi's life when he was less passive than other points, but they ultimately don't match up to the degree of aggression displayed by other men around him. so relative to their display of proactivity and aggression, he can be considered as passive. the best example is that of shan gudao proposing to launch an offensive on jinyuan alliance, while lxy - as much as he was arrogant about it - was standing his ground on not taking action in favour of peace.

it has already showed up in his childhood as well. he wasn't a particularly competitive child: 从来都没有谁要和你争 nobody has ever thought of competing with you over anything, he told sgd as he recalled of their times growing up. it was in fact sgd who was desperate to control and override lxy's presence. baby lxy did not hesitate at all over giving up on winning in favour of protecting his only rare few close relationships left in the world (given how hard-earned relationships are when they're non-familial !!!!). as much as I resent the one-dimensional writing of sgd, he has served as a very strong marker to highlight on lxy's yin.

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I've harped on it several times before but this is the time I finally get to explain it proper: my own theory is that li xiangyi became an unparalleled swordsmaster because of his yin/feminine quality, not in spite of it. an interesting point that had been out in the open unclaimed until it was brought up in our friend group is that, li xiangyi does not actually fit anybody's conventional image of a 武林盟主 wulin mengzhu (ie. ruler of wulin). it would most likely have been some burly, muscular, ultra-masculine dude. even if they don't look like the demonic monk, it should be someone more like di feisheng. but. it's li xiangyi, the boyish, delicate-looking kid, who came to the top. (no wonder people - mostly men - love or love to bully hate him like weak men hate powerful women??)

"why didn't they cast someone who looks more like a wulin mengzhu (read: traditionally manly)?" no, no that's precisely the point. nobody said wulin mengzhu have to look manly. and also who is to define the manliness required to be in a place of authority? (or in my other meta, we would ask, who is to define anybody gets to have the authority over anyone else at all?)

by taoist ideal, gentleness is the most refined form of strength. li xiangyi has been haunting and distracting me in my chinese calligraphy practices lately because I'm thinking about how this must be the closest to what it felt like lxy becoming the best swordsman in jianghu. (so pretentiously brainrotten of me, I know, BUT IT'S REAL and I'm suffering.) mastering a chinese art is essentially about mastering a delicate balance between force and gentleness; being able to draw force from softness 柔中带刚 and an ability to maintain this balance. a beginner will instinctively hold a brush for the first time with brute, unrefined force. some fairly reputable contemporary calligraphers, according to my teacher, can be seen as being either too soft or too forceful - but are still able to pass off as good enough. it's then, the master of masters who will have the sophistication of a firm yet flexible control of the brush with the appropriate use of gentleness/laxness that produces a harmony of strokes. this idea extends to any other sort of chinese craft or practice including traditional chinese medicine, and I believe, swordsmanship too. I'm taking a fucking leap of faith here to say this because I practise NO sort of (chinese) martial arts, I must caveat. (someone who does may want to say something...) but theoretically that should be how it works.

it is not for no rhyme or reason, or *handwaves* that lxy emerged to the top AND is almost undefeatable. among a competitive, forceful (ie. yang) wulin, li xiangyi stood out with a power and energy defined by yin (ie. gentleness and stability) that led him to create his signature 扬州慢 yangzhouman. it is characterised by 慢 slowness (my calligraphy teacher says to us all the time to take it slow), and also described by dfs as 中正绵长 - which I would best describe by painting a picture of a steady and stable stream. these precisely speak of the essence of a mastery of gentleness as strength to me.

conversely, dfs's way in mastering power is very largely premised on taking action because he literally had no other choice in the environment he grew up in. both of them develop in opposite ways. it was the case of gentleness for lxy clearly because he grew up in a safe, nurturing environment that had allowed him to be slow and steady at his own pace, drawing on his natural gifts.

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now top of the wulin world at 17, li xiangyi founds sigu sect. li xiangyi, the boy before becoming menzhu and li xiangyi the leader of sigu sect are not the same.

how then did a (relatively) passive boy like lxy end up founding sigu sect. this lxy is the one who was fostered into competition - though not in an abusive, twisted way. in fact he was raised in a rather taoist way by his shifu: to be honest with yourself and respect your opponent. so he honoured whatever powers he had been bestowed with by nature. he gives into it. even so, at another level, I just have a sense that shifu and shiniang's competitive marital spat had an insidious effect on the boys...though the detrimental effect was more on sgd than lxy. baby lxy feels like a sweet-natured kid who was just in his own zone, you know - some (aka sgd) would say, too much of him even, to have not realised what was wrong at all with his shixiong for years.

that's not all of course. I've always gotten the vibes that his attitude behind forming sigu sect felt more like, this is what all the good men of jianghu do and I will have to do it now especially that I'm the best. it didn't feel particularly personal to me, but rather what would have been expected of him by the social climate of wulin jianghu (eg. lxy saying to 光耀师门 bring honour to his teacher). it's definitely not an expectation from his shifu, who explicitly told him that he was never expected to become a noble figure of any sort, but just to be alive and contented. as concluded by the man himself as li lianhua: "有些人入了江湖是为了立心，而有的人入江湖为的是立命。我却不知道自己真正想要的是什么。some people enter jianghu for the cultivation of the mind, others for a cultivation of a meaningful life. but I never knew what I truly wanted." he was ultimately, unwittingly a passive player in his own story of becoming the great sigu sect leader.

(at this point, as a side note, I do wonder if there were any other similar sects or alliances that function the same as sigu sect that came before it. because I'm damn well sure there must be something, as likely as there must have been generations of wulin legends who came before lxy. but of course, this is not what the story is concerned with at all and I'm ok with that.)

it's crucial to point out that, even despite this being the phase of his yang in the display of taking action and enacting firmness, lxy had still done sigu sect with the sole purpose and manner of upkeeping peace and order (in the way of the pro-universal love, anti-aggression mohist 侠 xia leader of the people). he's still very characterised by yin in my books, especially when vis-à-vis to sgd.

a li xiangyi full of himself and made himself too useful to the people was only bound for a great asteroidal fall, in the concept of 物极必反 - or in taoist lexicon 反者道之动 (ie. anything that has reached its limit will only start developing in the opposite direction). if you think you're above all, you can only go down.

this manifests during the next time he took action - and it was one so forceful that it overpowered even his opponent, dfs who ended up being the passive, receiving party in this case - was in initiating the battle at donghai 10 years ago... and gee oh boy. it didn't end well - for both of them, but even more so for lxy. (dfs was like 'tis but a scratch (shrugs)' as compared to him being ripped off his tendons by jiao liqiao like nezha did to the dragon prince. truth is he had to go into a 10-year healing retreat served by his entourage. :p) ok, I digress.

xiao zijin was quick to attribute sigu sect's fall to lxy's arrogance - in turn setting the stage for lxy's 10 years of self-hatred and the framing of lxy as a villain? irresponsible figure? by jianghu. (god forbid girls do anything! ok for legal reasons, this a joke.) lxy lost his mind in ways I believe he never had in his life there and then upon seeing his shixiong dead. so, you could say he led the jianghu world to ruins out of love (using this term loosely). but it feels inaccurate to say it's due to arrogance. he did not do that out of self-importance or ego, especially when the revenge for sgd was a collective decision made by sigu sect as we know from the flashback. so when llh pinned all fault on himself for being arrogant in the past, it is with caution to take his words because that's the unreliable narrator in him speaking.

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anyway, it's precisely li xiangyi that is capable of bouncing back from such a fatal crisis, equipped with his yin and a mastery that gave him the power of flexibility.

it's extremely vital to re-establish that literally the only thing that was keeping li xiangyi alive, physically, as li lianhua is yangzhouman. (monk wuliao literally said that to lxy even though he did facilitate in saving him.) it's the yangzhouman that was drawn from lxy's mastery of yin. without yangzhouman, li xiangyi would not even have the chance to become li lianhua and undergo any needed process of transformation. without li xiangyi, there would have been no yangzhouman. no li xiangyi, no li lianhua, get it?

the point is not to deny the change li xiangyi wants to make and has made. but to acknowledge that change isn't about complete erasure and destruction. something from you survives. something in you had kept you alive to have you come so far, regardless of all the bad bits that you want to denounce of. you've always been worth it.

bringing back the thing about his new name: the distinction must be made that he did not pick it because it was feminine but it just so happened a feminine name had resonated with him. (read: he didn't necessarily identify as a woman but identified with femininity. at least within the parameters of canon text.)

he also made an interesting choice to retain his surname for someone who was desperate to sever ties from his past. hmm. or maybe he wasn't that desperate? when li lianhua says li xiangyi is dead, I believe it meant that li xiangyi the sigumen menzhu is dead rather than li xiangyi as an entirety. li lianhua is a returning to the path lxy could have gone if he did not establish sigu sect, the path that shifu wanted him to take. when he walked to the doors of sigu sect in the aftermath, nothing was actually stopping him from going back (people were still around and alive, instead of all dead people, you know)... except for himself. taking that action would have been too much for him. so he went with the flow of life giving him a chance at rebirth and walked away. there, inaction as a form of action.

zhan yunfei and qiao wanmian have said to li lianhua, oh that doesn't sound like li xiangyi at all. but has it been considered that, maybe it was sigu sect's lxy who wasn't the real lxy? sigu sect lxy was one big performance of the values of masculinity and heteronormativity that llh had came to an awareness of, and eventually struggle with again and resist against in the final year of his life. there had only been some glimpses of his true nature allowed (validated by fang duobing talking about lxy at his altar).

imho, most flashbacks of lxy during that period felt impersonal and more like a template of a hero expected to marry his girl at 18. going through all the motions and steps of a normative life even before he was old enough to grasp and explore his own identity and what it meant in the world. no wonder he denounced so much of what he had done as lxy including liking girls. walking away then also meant a walk away from those duties and expectations. li lianhua is li xiangyi liberated from masculine duties and heteronormative performance.

in doing that, he had the opportunity for the first time in his life to explore what he truly wanted, at least within the parameters of what he could afford to do at that point. he could go on to build a domestic, feminine life within the space of jianghu (as I've established here). it's a kind of feminine lifestyle that doesn't quite exist in mainstream society - being a woman there meant to stay put in a domestic space without much room to move socially. nor did it exist in wulin jianghu because even the women there like shi-guniang and jlq were expected to be masculine, aggressive, competitive. so building a mobile home in the space of jianghu is his way of defining the life he wants and can have. li lianhua is the extension of femininity in li xiangyi - and one that can be free.

it's also worth talking about in my opinion what is one of the most important and a favourite dihua moment: when dfs said to lxy that his greatest weakness was to like being a hero. and a swordsman should be without weaknesses. I'm forever wrapped up in how many layers this can be read in. was he mad at lxy for liking to be a hero or having weaknesses, or both? if the former, it was dfs criticising, based on lxy's public reputation, lxy's oversized illusions about being a hero - a figure of masculinity with an unrealistic sense to uphold noble goals eg. saving the world etc. that is actually perfectly logical coming from dfs, the straightforward, no-nonsense, morally neutral guy with no illusions about heroism (in this case, he feels more like a yin). but at the same time, we should understand that lxy's motivations behind the donghai battle are more personal than noble. if any, it was actually the opposite of noble - it was like he was acting out of the role of a caretaker of his family, and at a cost of the peace and order of jianghu he was set on guarding(!!) dfs also knew that lxy was there just for his shixiong. and so, dfs, who happens to be the epitome of yang, can be read as a symbol of masculinity disapproving of lxy for being sentimental and emotional; for having the "feminine" desires to simply want to defend his family (not saying those are exclusively feminine traits but they have been conventionally associated as feminine). I think both layers of reading are correct and should work together to contribute to the complexity of their characters. (we can see how it contributes to lxy and dfs being the perfect yinyang halves to each other, which I will come back to briefly touch on later.)

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for 10 years he lived a life of seclusion and staying-in-his-own-lane a taoist would be proud of. he knew he was dying and has always been ok with dying, as he claimed. but did he want to die? to think of it, it was the opposite. because in those 10 years when he could have 100% just taken action to take his own life, he didn't. in fact, he lived on and took care of himself in the way shifu wanted him to. he had simply preferred letting nature run its course. if bicha didn't take him, he wasn't gonna do anything. but if he died one day very soon, he would be ok with it too. sure, he was maybe banking on a lead to sgd's whereabouts to appear during his last years alive but that clearly wasn't the only thing on his mind for NINE years because he didn't actively go out seeking for that either. this is basically him telling dfs that he would just lie in the sun and wait for the sweet release of death, if dfs were to force him to fight. not even the mortal threat from dfs was enough to move him into action of fighting back or killing himself.

time and again, lxy as llh was dragged into fdb's cases but not only that, he also maintained an impersonal distance with them. it's starkly different from the usual (wuxia) hero archetypes (for eg. fdb) who would be more impassioned and personally invested in the plight of the victims- or unlike most seemingly aloof protagonists who would somehow grow emotionally invested over time. one of the many things I love about llh is that he never tries a second time to persuade people out of their decisions he finds unwise (eg. him just wanting to move on in response to the girls in 女宅 insisting on staying behind with their slave master at first.) he will not interfere in other people's choices made in their own lives. it's not his business. he didn't even want to be there, to be honest.

however as the story progresses, more and more people - especially men, his past, and the leads to the truth came back to demand and taunt him into doing something. they vary from well-meaning people without any harm intended such as fdb intruding upon his private space completely uninvited and qwm wanting him back; to dfs merely seeking him as a mean to an end initially (eg. I only need him to live long enough to have one last fight); and finally, on the other end of the spectrum, outright aggressive and hostile people like sgd and xzj who wanted him to die. under all this pressure, he tried his best to deflect, but he does waver especially when it comes to matters concerning the people he cares about aka his obsession wish of 10 years of looking for sgd's remains that had lied low until fdb entered his life, and then later on taking revenge for his shifu.

looking for sgd became his final bid at taking action. he was operating on a slim chance of getting some emotional closure from finding out his shixiong is dead for real, yes. what a good plan. but objectively unnecessary. or surprise! uhhh...finding out his beloved shixiong is actually alive and would strangle him for one corn chip? AND OH NO IT GOT WORSE- uncovering a devastating truth about his shifu's death that he could have totally gone on with life fine without knowing if he had continued not caring.

but it is sometimes just impossible not to care - it is only human to care. and he is human, not an icon in the image of a hero. so he took a chance, once more, and it killed him in unprecedented ways. it's donghai all over again. things in life don't go as planned. you fuck around and it fucks you back. finding out the truth behind his shifu's death and his family background from the past did nothing for him as li lianhua living in the present.

it's no wonder that this lxy decisively relinquishes the desire to take action in the end. he goes back to letting nature run its course. and this time, stands firmly to it despite everyone begging him otherwise. wangchuan flower could only give him a recovery (or survival?) rate of 30%. there's a 70% chance of failure and even in the 30% he was not sure what he was to become. in comparison, dfs took a 10% chance game of survival in a heartbeat, and it pushed him to new heights. that's how they differ: he thrives by taking risks and action while lxy the other way round. so, something like that has happened before and he wants none of it again.

-

he leaves lotus tower, only taking his horse and a sack - relinquishing almost every other material belonging he had - and sets off on a journey. before xzj interrupted...where to was he going?? I wonder. we don't know for sure, I think? and are we allowed to know? that makes the scene he had with xzj an understated inflection point in the very last part of his journey. yes, he was already on his way to...maybe die? but not necessarily. you don't have to travel distances with your belongings for that, right? or speak to dfs personally about not wanting to fight? (borrowing one of @ananeiah's takes.) regardless, he was definitely leaving behind jianghu - not only wulin jianghu (he already did that 10 years ago), but also the jianghu space he had carved out in the last 10 years.

what sparked the decision to jump off the cliff in him was dfs's words from the night of their wedding 10th donghai anniversary: 横扫天下容易，断相夷太剑不易 conquering the world is easy, breaking xiangyi sword is not. in the original context, dfs was talking about defeating lxy being harder than conquering the world. but when it came to this scene, it was to lxy about forsaking the very last worldly possessions he had after already giving up on lotus tower and hulijing (including releasing his horse), especially his only connection left to swordsman lxy.

perhaps it had dawned on him that, wanting things at all was bad for him. in the last 10 years, he lived a life of seclusion, wanting very little. but he had still wanted things. there were still things he couldn't let go of that had led him to this state. despite having lived on an identity inspired by a buddhist teaching for 10 years, maybe it was only at this point that he was finally the closest to reaching an understanding of it. (I wish I was knowledgeable enough right now to dive into the possible buddhist reading here but alas. I'll leave it to our resident expert @markiafc)

it doesn't quite matter in the end where he was going after all. what mattered was that he literally went where the water took him and we're not supposed to know where it ends. I'm not seeing this in a bad and pessimistic way though. I think the relief in all this is that he had tried his best to within his abilities. also it's a form of enlightenment in relinquishing a desire, an obsession, a need to take any more action in order to live well. thus his ending felt to me relatively tender, empowering, and kind - albeit bittersweet and heartaching - than other possible kinds of ending, in a story where it was very possible for him to have died under the knives of his opponents or bicha at any moment, outside of his control.

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if you've come so far in this post, congratulations! but also a reveal is that... you're not immune to the dihua propaganda threaded throughout this post. :P

as mentioned, other men like sgd and xzj in lxy's life were incredibly hostile to him. their yang nature overwhelmingly powers his yin. but dfs is different. dfs is the yang counterpart that fits perfectly to his yin.

dfs's yang is one that contains yin, that mirrors lxy's balance of yang in yin. it was suggested in text they are yinyang-coded meant to complement each other, given that whenever wangchuan flower's yin vs yang properties were discussed, the two men were always spoken about in the same breath. more importantly, as with the above few analyses of dfs's words playing a big role in shaping of lxy's choices with multiple meanings - as well as their day-to-day interactions - we can see that they constantly play off each other.

dfs's yang energy has been used to help lxy prolong his life (though not saving him entirely), while lxy has used his yin energy to save dfs and subsequently helped him attain his breakthrough. dfs has also helped lxy in his breakthrough of yin but not in the same way as dfs's cultivation of his combative powers, and rather, it's for lxy an understanding of his own path to take in life - a cultivation of the mind (both times 10 years before and after). given how significant dfs is in the shaping of lxy's realisation of the yin path - alike his shifu has, it's no wonder that they were the only two people lxy had imagined in his last sword dance of a farewell to jianghu.

with each of them coming together to form the perfect yin-yang model, they're a harmony of yin and yang representing the cosmos. what I also love is that they didn't start out as a perfect fit, but only towards the end of the story was the harmonisation completed, which makes sense for two components that are always in a flux influencing each other. the fact that they were number 1 and 2 of wulin, and being the only ones capable of understanding each other in a level nobody else could... it all reinforces the cosmic sense of their relationship. they're the halves to a whole, fitting in a specific way nobody else can.

(I mean. technically this is going into the space of extrapolation based on a tangential interpretation of canon text, so do take it with a pinch of salt. but of course this pinch of salt can do wonders for a shipper's feast... :P and this certainly could have been a meta of its own expanding on dfs's side of the analysis, but this is it for now in this context.)

-

to think of it, li xiangyi has actually died more than that one time that turned him into li lianhua. first was a death of him as a nanyin royalty - I resent having to bring up nanyin like it should hold any weight to the narrative as far as I'm concerned, but the point being that he had a completely different (familial-based) life before that still stands. then he had a rebirth as li xiangyi, disciple and swordsman to his shifu and shiniang, and later died again when li xiangyi the sigu sect leader took over. lxy the sigu sect leader died at sea in the battle 10 years ago and came back as li lianhua. (just like nezha, died after battling at east sea and rebirthed from the lotus) li lianhua then dies by the end of the drama.

there can be a myriad of interpretations as to what exactly happened to him, including the possibility that he's still alive. regardless, we can agree that li lianhua as an identity has ran its course, and he had to evolve again. but into what form?

in the line of thought of yin and femininity, and how his transformation has been in an increasing degree of presentation of femininity - even way back when I was watching the show, I had the idea of him living socially as a woman post-li lianhua. I don't know what he would be realistically doing or what could be practical for him in such an identity. but conceptually it was sensible and compelling to me before diving deeper into the details. (I have more elaboration to do on this that I won't be talking about here publicly but it is in the same strain of idea as this other comparative meta I wrote.)

I think the next possible identity lxy can assume - alive in the material realm or not - is one that will be beyond a material being. a nameless entity. once you've gone through the phases of life - from not knowing to knowing, and perfecting knowledge, then to the surpassing of knowledge - you surpass all worldly existence, and become one with the cosmos.

I end this off with an excerpt from Tao Te Ching's Chapter 41 (I'm not pretending to have read the whole book ok but I couldn't resist including this):

明道若昧，进道若退，夷道若纇 [...] 道隐无名 The bright path seems dim; Going forward seems like retreat; The easy way seems hard [...] The Tao is hidden and without name. (x)

the character translated into "easy" is the same 夷 yi of li xiangyi's name. somehow this seems to encapsulate the journey of his life: one that seems blessed and smooth-sailing but ending up to be rocky and turbulent. but at the end of the day, after all that he had been through, he will become hidden and without name.

[maegalkarven]

I just thought of the most hilarious next protagonist of Baldur's Gate saga.

(Note what most of the outcomes used as background info here come from the characters' "good" endings. Proceed with caution.)

A child of Durge and Gortash, killed inside their parent's womb when Durge denied Bhaal, resurrected alongside them by Jergal.

A child any of The Dead Three can lay a claim on because they are:

A child of previous chosen of Bane

A child of Bhaalspawn, a bhaalspawn themselves, albeit striped of that when Bhaal took his essence from Durge, killing them instantly.

DIED before even being born, so clearly Myrkul's subject.

Resurrected by Jergal, so there's ties to that as well.

Can be compelled to follow any of The Dead Three paths, or try to play them and set them against each other, or follow Jergal, or forge their own path.

Essentially a child with no fate.

Can look either as Durge (and be any race Durge presented as) or as Gortash.

The last possibility bringing unique encounters and dialogues and character never knowing they can use being Lord Gortash's child to their advantage or ppl they meet were their father's enemies and they need to dash.

Having ties to different fractions depending on who Durge romanced or if Durge not romanced anyone.

Being raised in Underdark if their parent ended up with Minthara.

Same with unascended Astarion, + lots of acquainted spawns in the Underdark.

Being raised in Hell if their parent went to Avernus with Karlach.

Being raised either in Waterdeep if Gale is their stepfather or with Duke freaking Ravengard as a step- grandfather.

Having ties with Selunites if Shadowheart is a woman they call mother.

Being raised in the nature and having Druids call them their own if Durge and Halsin were involved.

Being raised amongst githianki revolution if Lae'zel was their parent's choice of heart. Having their mother leading a rebellion against a god.

Having lots of unique content regarding that.

Possible companions include:

Arabella

Mol

Yenna

That girl who was kidnapped and eaten by auntie Ethel.

Mayrina's child.

A child of lady Janneth and Oscar.

One or several of Jaheira's grandchildren.

[skitskatdacat63]

Ye olde cat boys....

(I'm working on a bigger piece rn, so I colored this sketch in the meantime :DD)

I realized this is basically a more realized version of a sketch from really early boy king days:

[femmesandhoney]

some of yall come into radical feminist spaces where many are just rad-aligned or feminists in general and then weirdly assume every woman you speak to must all subscribe to every radical ideology ever made just because they agree with radical feminism as if people on radblr aren't all at various stages of agreement and disagreement with radical feminism and label themselves many things besides radfem. if you come for women on here for not being "radical" enough for you despite knowing this i think you're just looking to stir up problems for no reason tbh

[ourhouseishaunted]

people acting as if laios can Do No Wrong and infantilizing him because he is autistic are annoying as hell. especially because laios belongs to my favorite genre of character: "person who desperately wants friends and deep relationships because they're lonely, and while part of their problems stem from people not wanting to understand them and refusing to meet them where they are, they also genuinely come across in a way where you Completely Understand why others can get turned off from them"

[ambagel]

Wait hold on, in his anniversary video Barbatos mentions the mc being the brother's attendant?

But in the other videos, it's implied that they don't remember the mc leaving (which is actually something im very disappointed about and really hope isnt the case in the actual story)

In these two specifically, it seems like they aren't aware of the mc's presence in the past/alternate timeline/whatever it is. The only other person who seems like they know is Lucifer

Which also lines up with the end of lesson 40, where he's the only one who says welcome back? So like?? Do only him and Barbatos know? Did they not tell anyone?? Diavolo would probably know as well but I haven't seen anything to show that yet. Anyways I don't really like where this is going, I would really prefer they not make everyone forget the mc disappeared

[mortysmith]

rick becomes super into multiversal travel after prime introduces him to it, very hyperfocused on it and the opportunities it presents (like how the gotron episode establishes that rick can get carried away unless someone reels him in). diane might initially be supportive of this but as rick's appearances around the house become more shoddy, she gets fed up and they separate. after a much more complex deterioration of their relationship obviously rick considers this a win at the time, since he's now free to dick around and do whatever he wants, essentially adopts prime's life philosophy and hangs around him. him and prime would eventually have some sort of falling out, which leaves rick extremely bitter and annoyed. he ends up spending most of his life alone, still living by his pop nihilistic ideals because he thinks this is what he wants. eventually he'd still end up squatting in prime's dimension and realizes that he actually Prefers this family life. his infatuation with prime could develop into resentment when he realizes that he essentially robbed rick of a comfortable, idealistic life

[squishosaur]

hey man. i'm just saying. why would we put inexperienced teenagers with over-inflated egos and obvious emotional issues into combat classes and make them claw their way to the top of their dorms and expect things to just run smoothly. who actually thought this

[chirpsythismorning]

Noah saying, "I don't think Mike likes Will back" doesn’t equate to him not knowing about byler being endgame, and here's why.

Noah and a majority of the main cast have been given a rough idea of how the show will end, broadly in terms of the entire story, but also more specifically in terms of their personal character arcs.

Actors are out here acting. This is nothing new.

Any of the the main cast insisting they have no idea how the show ends at all, are lying. This is because their safest bet is playing dumb.

There's nothing safe about them revealing they know how the show ends, least of all to an audience that is dying for any spoiler they can get their hands on. It just puts them in a position to have to think very carefully about everything they say, which is something they already have to do regardless.

It's a lot easier to just say you don't know, because then you can give vague answers or even just flat out lie and get away with it, as opposed to saying you know and then having everyone take whatever you say as gospel since you admitted to knowing what's coming.

David is pretty much the only actor who goes around explicitly saying that he knows how the show ends, which is something he's been doing consistently since s2 premiered back in November of 2017.

Something David has also mentioned on a few occasions since then, is how much input the Duffer's let him put into his character. He's literally praised them for having a collaborative process, because it allows him to play Hopper more authentically.

And so yes, I do think it's safe to assume that the Duffer's extend this approach to their other cast-members as well, at least among the main cast-members. I do not at all think this is some exclusive treatment only David gets, because this seems like more just something the Duffer's do out of respect to the actors. How else can they expect them to portray their character accurately if they don't know what they're going through or what their motives are or what's right for them going forward?

We obviously won't know all the details about who knew what at what times or how long they've known certain things, until they themselves come out and reveal after the fact, if they even do it at all.

Still, I do think that when it comes to byler actually happening, it's going to be very satisfying for fans who saw it coming.

This is because we're dealing with something the Duffer's are predicting a good portion of the ga will be bitter about, with the main argument at the forefront being that Mike and Will came out of nowhere.

And so, how do you think they're going to combat that?

With the literal proof.

They have David, who has been used happily as their main scapegoat through the years, whose words are literal proof that things were planned for quite some time. We have him saying all the way back in 2017 that there are easter eggs in the first season which we won't understand until the end, how it's beautiful and surprising and it will explain why certain characters acted certain ways...

Not only that, but there's just no way people are going to be able to use the whole 'it came out of nowhere' argument (at least without looking like idiots), because we'll have the Duffer's themselves out here confirming shit like blue meets yellow in the west and other theories that were entirely intentional (as we predicted).

And because of this, I think I can guess roughly how things will go moving forward and it's honestly already panning out in some ways I expected.

Because while season 4 ends in a way that seems to be leading towards Mike and El ending up together from the perspective of the ga, there are numerous details in the subtext and just outright in the literal text that's trying to tell us this is not actually the case.

And so now the Duffers and everyone who knows are in this limbo of tricking their audience in plain sight, hoping to keep this act going for as long as they can, and that's obviously not easy to do.

What I think makes it most difficult is that they want to surprise fans, but they also want them to be satisfied and happy with the ending.

And that is why the whole Milkvan straight bait is indeed very near its end.

If they want ST to live on as a cult classic with rewatch value, they can't keep this straight bait going on into the last season.

They'll want Mike and El to definitively give off platonic elmike for s5, with byler being endgame and Willel being wonder twins.

This is why Mike and El's dynamic HAS to blatant in a way that will come across as platonic to the ga in s5. And the shift needs to be immediate, otherwise byler will not be satisfying.

I feel like a lot of bylers already predict this, which is why a lot of us assume that the milkvan breakup with happen (or be acknowledged as having already happened) as early as 5x01 or 5x02.

Honestly, I do think that Will's painting being plastered on merch recently was one of the big moments which is representative of a shift we're already seeing start to happen. We're going to continue to see milkvan be promoted as elmike, while byler is being promoted in a way that is, well byler.

What I think is most noteworthy in terms of how they're approaching this conflict going forward, is how the actors themselves have talked about it when asked.

For example, there was one Con specifically that I remember Noah attended right around when Vol 2 dropped, where he mentioned byler at least 3 times. Two times when asked and one other time unprompted.

And no one ever talks about this, but full serious you guys, it was dead silent at that con whenever he mentioned byler. There were maybe a few hoots and claps, with Noah literally looking kind of worried. It was obvious he noticed the silence the first time it got brought up, and so he felt the need to mention it a second time when asked about what he shipped and then AGAIN, with a note of defensiveness in his voice:

"Byler is just, at it's peak right now, okay, so definitely ship that--"

And while in the background, all you hear is maybe 2 bylers supporting him, otherwise, it's mostly crickets...

Let's try to remember that while Byler is a lot bigger now undoubtedly, unless you're active online, most of the ga does not see it coming. And so byler is by no means fan-service. If anything it's show-runner service.

This means Noah had literally no obligation that day to go all out with referring to byler in a positive hopeful light, nor does he still. And yet he did and he hasn't slowed down much since.

His approach makes sense. Because his character has been revealed in canon to be in love with the other, he can freely say he ships it and even take the opportunity to hype it up in an attempt to open peoples minds to it, who might not have considered it before. And he can also do this because in canon, Will assumes Mike doesn't love him back, so Noah can just co-opt Will & the ga's assumption that Mike doesn't feel the same, and get away with it, without anyone whose close-minded giving it a second glance as evidence.

If they wanted to avoid queer-bait and get people to not look at byler that way, they had the chance to. A majority of the ga didn't read byler romantically and so they could've just kept things casual by not bringing it up, nor humoring it at all.

The byler tag didn't even hit 30k followers until AFTER vol. 2 dropped! Most people were oblivious (including bylers).

Undoubtedly, Noah in particular around that time, was a big part of why people started to look deeper on their own and it's how a lot of people ended up here, now with 277k of us.

Like seriously, listen to me ya'll, Noah would NOT put himself in a position to broadcast his support for byler like this and the Duffers would probably be begging him not to, knowing he would be subject to a lot of criticism in doing so, if byler was not in fact where the story was going. Point blank, period.

His tweet "vol 2 got me shipping byler over everything' has to have been the most obvious stunt of all. He was not saying that to be quirky or to appease a few thousand people, he was saying it to wake up the hundreds of thousands that might be open to it, and who just need a push to see what's right in front of them.

Then we have Millie's approach. Her approach for a long time has been to say stuff that she thinks the audience wants to hear, that being anything pro-milkvan. And up until Vol 1, she was still mostly on board with referring to it in a super positive light.

She also insisted during s4's run that she has no clue how the show will end (lies, Millie is a good actress pls give her more credit), and this also explains why she's tended to feel somewhat comfortable lying about milkvan positively...

Though as Vol. 2 neared and ever since, a shift has started to happen, where in interviews Millie is getting a lot more into depth and real about El's personal arc. She mentioned right before Vol 2 dropped that El was insecure in her fight with Mike at the start of the season because she thought he only considered her a superhero and didn't see her as more than that.... Then more recently she has doubled down saying that she is her own superhero, having been shaped a little too much by the men in her life.

SHE IS OUT HERE SAYING WHAT WE'VE BEEN SAYING FOR MONTHS (SOME YEARS)! SHE KNOWS HER CHARACTER BETTER THAN ANYONE!

Honestly, even though I understand they are trying to trick people into thinking they're clueless and so I guess I'm happy for them that they've succeeded in that, I can't help but admit I feel a little disappointed upon hearing some bylers say that they are convinced Millie doesn't know, but that Finn does and even Noah does, but that she's entirely in the dark about it and that they're okay with this I guess?

First of all, why would anyone be okay with that? Why would we be okay with Millie not having insight into where her character is going. What, do you guys think they're just going to pull up on her at the last minute like, "yeah sorry we didn't tell you sooner, but this is where your character is going to end up. anyways back to byler!...."

I don't care, it would seriously be fucked up to keep her in the dark about this because El IS important to the story and Millie, just like everyone else, deserves that closure so that she can understand her character better and therefore perform to the best of her ability. She also deserves a say somewhat in where she feels her character should go, just like David has said the Duffer's afford them.

Now lastly, when it comes to Finn, I think most assume at least he is aware of byler, and I do agree he knows, so let's start there.

Again, we don't know when they found out and so for now I don't feel like going too far into guessing the exact point and so I won't. However, I do think that Finn also as of late has had an approach that manages to somehow be very different from both Noah and Millie's, and for reasons that also make a lot of sense.

Because Finn's character is assumed to not return Will's feelings, he has to be more careful than all of them. This is arguably why he goes to the least cons out of everyone (most recently everyone attended a con in person, with Millie present over zoom even, but no Finn or Noah... seems very intentional at this point).

Why I think they need to be more strict with Finn in particular is because he's in the exact opposite situation as Noah.

His character is assumed to not return Wll's feelings, and so he can't go very far with what he reveals. What we've got up to this point is actually quite revealing enough as it is, which is why that's all we're getting for now.

What I find interesting is that Finn's approach is quite similar to David's. I know Noah is known for spoiling things, but arguably Finn is just as bad, he's just a lot more sneaky about it. He has a harder time lying, which is why I think he actually looks uncomfortable when asked milkvan questions. Not necessarily because he doesn't ship it like lots of bylers assume, but because he's having to dance around and lie outright and he probably feels bad.

His most common approach though is that he likes to make jokes and say things that could be looked at from multiple perspectives, where it could be looked at now as milkvan evidence, while simultaneously being looked at from the future as byler evidence. Him saying 'I think everyone knows how Mike feels about Eleven' was him quite literally gaslighting the audience just like Mike did with El in s4:

'I care for you so much" "I say it" "You know how I feel about you--"

But do we? Do we really? Or does the audience THINK they know, and so Finn can get away with saying something cryptic and vague like that? When really, in the future, everyone will be laughing looking back because to Finn and all the cast, it was actually abundantly obvious Mike's feelings for El were platonic and his feelings for Will were romantic.

Same for his response when asked if El and Mike would be together and happy in season 5. He dances around it, doesn't deny it, but also doesn't confirm it. Instead of just being like yes they will (which is what we're being led to assume is inevitable at the end of s4, and so he has no reason to dance around it), he starts by deflecting, talking broadly in terms of the stories overall ending, only to say he hopes they find happiness... Again his answer fits with the ga's assumptions now, but it also fits with the surprise of byler in the end as well.

Also important to note that Finn and Noah are the ones to repost about the show most out of everyone from the main cast. A LOT. In fact, they were the only main cast-members (besides Brett LOL) out of everyone to repost about the episode title name for 5x01 being released on ST day...

And it's because THIS is their character's big revelation going into the final season and they had a say in it going this direction. Even if it's what the Duffer's wanted all along, they still gave them and everyone to an extent, a say in things. And now that it's all slowly happening, they are front and center standing by that decision, because they insisted they could do it and wanted to.

I can't say for certain that things will just be smooth sailing from here on out though, by no means is everything just going to shift completely.

There is still undoubtedly this element of the Duffer's and everyone wanting to have the pleasure of tricking the audience. In an industry where everything that happens is usually expected and predictable and therefore rarely exciting, and with an audience that is always figuring stuff out before their supposed to through leaks and stuff, byler is something they have finally been able to successfully trick most of the audience to think will never happen. And that is fucking impressive when considering the heaps of evidence.

And yet still, they don't want to be yet another show that is considered to have a bad ending.

So, going forward, I think things will continue the way that they are, but we'll slowly see them be more comfortable in this element of acknowledging endgame in a way that will be easy to look back on positively when everything is all said and done.

Because if byler is endgame, IF they want people to look back and go oh Oh OH during all those moments where they misread things, but now they can see the other side of it, there needs to be more of an approach that gives Byler equal playing field and allows the ga to actually start to appreciate it and even want it and root for it. Which means buh bye predictability and heteronormativity and hello surprises and gayness (but also be open ended about it so the homophobes will stay tuned until the last second).

[spaciebabie]

does any other demiromantic (or arosepc doesnt rlly matter) feel like. extremely awful when they experience romantic attraction or is that just me.

[mixed-up-metaphors]

weird practice doodle comic thing idk 2/2

(first one is over here)

in case you are bamboozled and missed the first post this is just me ranting/rambling abt dimitri and ashe and ghosts in comic form

huzzah, the rest of the first one featuring uhhhhhhh idk lol its like the first one. But Now With A Brief Appearance From Our Special Guest, Dedue!!!!!!!!