#idk why no one talks about this one; he looks really good in this one and you get the full range of facial expressions

[yuwuta]

WHEREVER YOU WANNA GO, THAT’S FINE WITH ME — MEGUMI FUSHIGURO 

cw mentioned/talks about death but not like… in a serious way 😭 this whole thing is very unserious and stupid it’s just a thought i couldn’t get out of my head, megumi being… megumi, f2l but what’s new, also inspired by some clip from a tv show i’ve seen on tt but idk the name of it, if you do pls let me know

you ask megumi you make one of those marriage pacts with you—that if neither of you are married by thirty-five, you two will get married to each other—and he just hums for a moment before asking, “do you think i’ll be better suited for marriage at thirty-five?”

“what? n—i don’t know? maybe? it just seems like an appropriate age to get married if you’re not already, that’s all,” you explain.

more humming. he blinks, “i don’t think i’ll be all that different at thirty-five.”

“well, that’s concerning,” you joke, “you’re supposed to change—grow a little bit as a person and all that, megumi. even you are capable of it.”

“i won’t want anything different out of a marriage at thirty-five than i would right now,” he corrects you, then turns to you, and with all seriousness demands, “so, state your stipulations. what do you want from me, let’s figure out of this is gonna work now.” 

you scoff, and cross your arms. “what do i want from you? that’s not how a marriage works.” 

“that’s how this friendship already works.” 

you say, megumi does; he pushes it than he should have, you say to stop, and eventually he does, and the cycle continues. he’s always stubborn, and sacrificing himself beyond necessity, and you’re always pulling his ear for it. 

“okay. fine,” you settle, straightening your posture, “i want a house. three bedrooms, so nobara and yuuji don’t have to bicker about sharing when they stay over.” 

megumi considers it, then counters with, “four. gojo needs a bedroom, too. one floor, i don’t like stairs.” 

“where the fuck are we going to find a one-level four-bedroom house? i don’t want to live in the middle of butt-fuck nowhere.” 

“we’ll find one,” he shrugs, doesn’t flinch when he promises: “or i’ll have one made for us. next: vacations.” 

“twice per year. somewhere tropical, and somewhere metropolitan.” 

“i don’t like the beach.” 

“then you don’t have to go on the beach.” 

“you’re responsible for me if i burn.” 

“i’m responsible for you either way, i’m your wife,” you taunt, “pets, next. i want dogs. two. maybe three. and a bunny.” 

“no bunnies, they’re too much work.”

“but i want a bunny, megumi.” 

“you won’t have time for a bunny,” he rolls his eyes, “and you’re gonna get pissed when it chews up the expensive couch you’re gonna make me buy, and takes a shit in the expensive fruit bowl you’re gonna con gojo out of. no bunnies.” 

you pout and frown, but megumi doesn’t budge: “no bunnies.” 

you sigh, “no bunnies, but i want the dogs.” 

“i didn’t say no to the dogs. unless you want a golden, then i’m not raising that.” 

“why not? we already have yuuji.” 

“exactly, we already have yuuji.” 

“fine. i want a king sized bed. the really big, oversized ones you get in america.” 

“done. children?” 

“you want children?”

megumi shrugs, but you swear there’s a dust of pink on his cheeks, “maybe. maybe not. if i did, no more than two.” 

and suddenly you can’t help but feel heat in your own face, hot with the image of two tiny megumis running around. 

“that’s fine with me. maybe kids, but no more than two,” you cough, “i want one of those heated driveways for the house.”

“i’ll have it built. i’ll clean and do laundry and take out the trash if you cook.”

“what about days i don’t cook?”

“then i’ll do that, too,” megumi nods, “anything else?”

“yes. if i die first, you can remarry, but you visit my grave at least twice a year, and bring peonies. and that picture of me from prom where i look really good.” 

“no.” 

you stop. you blink. “what do you mean ‘no?’ you wouldn’t visit my grave?—kinda cruel considering i birthed your up-to-two future children and raised your dogs.” 

“i won’t remarry. and i don’t want you to if i die first,” he corrects you, again, “and there’s no dying first and leaving me behind, i’m going with you.”

he doesn’t leave room for debate in his declarations: won’t, don’t; not wouldn’t, shouldn’t, couldn’t—you have to pinch yourself to stop chasing the rabbit of temptation running through your mind. 

“i don’t… think you get to decide that,” you chuckle. 

“of course i do,” megumi grins, uncrosses his legs and leans over. he reaches a hand to the back of your head and pushes it forward until your foreheads meet gently; and as if the affection wasn’t shocking enough, he continues, “where you go, i go. that’s marriage, right?” 

he widens his smile a bit, before letting you go, leaning back into his seat again with crossed arms like nothing happened, and you’re left staring, blinking, breathing shallowly like prey that narrowly escaped being caught.

you don’t speak, so megumi does, “i have one more thing.” 

and slowly, you unthaw enough to let out a questioning hum. megumi tilts his head before telling you, “i want your last name.” 

“what? you—you would change your name?” you stutter, “but fushiguro is so pretty! and it’s your mom’s name, so few people get their mother’s names.” 

“yeah. this way, our up-to-two children get their mother’s names, too.” 

“i—okay… yeah, i guess they do,” you gape, then pout, “wait, what if i wanted to be mrs. fushiguro?” 

“tough luck,” he grins, “you get everything else.” 

you get me, instead, is what’s left unsaid. 

“okay, fine. sounds like a deal to me.” 

“great. we can’t have a spring wedding because gojo and toji will sneeze obnoxiously loudly, and we can’t have a summer wedding because the anniversary will conflict with our tropical vacation, and nobara will kill us if it’s too close to her birthday,” he says, standing up from the couch to head to the kitchen, “so i’ll see you at the courthouse in september.” 

you nod reflexively, sinking back into the couch with a satisfied smile. it’s a while before your brain processes his words, and when it finally does, you spring up in a fluster, “october? megumi, i said when when we’re thirty-five and if neither of us are already married! megumi? megumi fushiguro, come back here!” 

[twost3ps]

Since ya doing au and made Emily Michael and Adam's daughter what about an au where Charlie is Lucifer and Adam's daughter just curious how that would come out of your artistic mind. Love ur art is PEAK bro

AWWW thank you so much!!!! AUSGEHYSGEUSGSUWBSBS

But totes I’ve had thought of this b4. Thank you for giving this prompt so I had an excuse to draw and write it out!!!

An au where Adam and Lucifer are Charlie’s dad… umm well there are a couple of ways this could go….

But the first that comes to mind is the one where Adam falls with Lucifer and they have Charlie. Idk if either Lucifer seahorses it and has the baby or if Adam is the one that carries. Idk first man sure, but yk maybe god was like: hey idk what genitals to slap on this guy so let’s do both and gave him both. When Lilith’s gender was determined, it was a flip of a coin. Adam could have just been the mother if it landed on the other side lol. Or maybe if he falls, god strips him of his title as a man, like Lilith, and swaps his genitals. So basically intersex Adam.

Either way, silly girl Charlie, here ya go! (I don't draw her enough)

Even as Adam's kid, I don't actually think Charlie changes all that much. Personality wise, at least. She is very much like her dad lucifur- a silly lovable dreamer- but some of Adam still leaks through, obviously. She's definitely a mommy's girl, and in this case, I'd like to think Adam is the mom figure. So instead of taking liliths more regal and more elegant choices of fashion and way of goinh, she takes on more of a punk and grunge look with a mix of her original style and a bit more agression.

For her looks I think she'd have dirty blonde hair and it would be short (it's my preference, lol), and her clothes are a bit more... punk? She dresses much more losely imo , def because of Adam. She keeps her horns out for the fun of it and her emo face still kinda stays with her, especially after Adam praising her for her look when she was in that phase. She does some sick eyeliner and eyshadow. She HAS to play an instrument so she knows the bass and strangly enough the keytar. I also think she's a bit chubbier because she maybe shared her dad's appetite idk.

But overall, she is still a sweet girl with a dream to help sinners. She's just way more assertive and quick tempered.

I won't lie, I got inspired by one of my friends' relationships with her dad and both lovingly insult each other to death. They talk about how much they "hate" eachother, but everyone clearly understands that both would die for one another for sure, especially Adam.

He may say something like. "Oh Charlie? Yeah if it were up to me I'd sell her for a new guitar" right infront of her but she's laughing so hard as Adam holds her close in a side hug because she knows he's joking.

Idk how to explain it but ifkyk, they lovingly talk bad about eachother but somehow it makes you understand that they really do love eachother as parent and child.

As for Adam and Lucifurs relationship, I genuinely dunno. I kinda want them to be a bit strained because even after the fall, Adam is still loyal to heaven. He's not lilith, who wants freedom - Adam likes security, and even if rule under heaven is restrictive, atleast hes safe. Charlie, to Adam, is one of the only good things that ever came out of the fall, and he would fall again and again just so she could be his. Like Lilith, Charlie is mainly parented by Adam, but it's because Charlie was the only shining light Adam had down in hell. Overtime Adam and Lucifur possibly heal and truly get together, but when Charlie was really young, they were not an item at all.

Then there are other options of Charlie being Lucifur and Adam's baby-

Charlie is born under an angel Adam and fallen lucifur and Adam decides to take Charlie and raise her in heaven

Adam is in no way related to Charlie, but one way or meets her and kinda just adopts her. Lucifur doesn't know why but Adam stakes claim ig

There are more potential ones but I'm not really a writer or an idea maker lol. IM NOT THAT CREATINVE SJVDEHBSBS But I think that this is just a great concept lolol a bit harder to work with than the secret royal family stuff but still fun to think about overall

I might come back to this one day o3o

[secretdonderwolk]

hello tender stroopwafel gate anon here. popping back in to say that you nailed their chemistry on the head!! yesss they are not husband coded because they ARE husbands. there’s something so deeply intimate between them, the way they move think talk laugh the same, the way they simply exist in this absolute harmony, the way they gravitate towards each other always. soulmatism is slapping us all in the face tbh.

anyway back to that day, the one thing that’s somehow most husband-y to me is how max keeps complimenting daniel every .5 second. calling daniel’s ugly ass first stroopwafel “a whole artwork”?? even when daniel pronounced the damn word stroopwafel max went “that’s very good”??? the patience the uplifting tone the encouragement?? like my hubby is a bit silly but i love him so much and i’ll hype him up to the end of the universe. and yes you’re right he kept looking around grinning like an idiot like 🔫I SAID LIVE LAUGH LOVE DANIEL🔫 it’s the little things like these that makes me wonder how can anyone look at them and go oh that’s 100% platonic frfr

stroopwafel video......we meet again..............i think that's the thing that i like the most about the daniel/max dynamic is that there is something very genuine and real and '''old''' there. like that's history!!! you can tell they 're incredibly comfortable with each other and just enjoy.....existing in the same space....all the pretense gone all the trying hadand the figuring each other out, it's not necessary anymore... my big hc about max is that he enjoys a certain type of buzzing around him. just wants to be in a house with people, finds comfort in the sound of someone turning the tap on, walking around, having interaction without pressure etc and i think daniel gave and gives him that! home away from home. just a nice buzzing that max can tune into when he wants to! no because max always hyping daniel up is soooo important to me. daniel's so gorgeous so beautiful so fast so funny such a beautiful smile.... and it's funny because obviously we know daniel wants/needs to be showered with praise but i don't think that's why max does it even? like idk max does not strike me as someone who goes out of his way to people please to put it lightly lmao not even for daniel so it's just..... that's what i mean they match each other's wants and needs because it matches their own wants and needs... max likes complimenting people daniel likes compliments... daniel likes a grateful audience who fully buys what he's selling max enjoys being in the audience and and buying into what someone's selling... something really fun about their dynamic is they're doing it for each other as much as they're doing it for themselves you know? it's jus that that's a really really good match

[mal3vol3nt]

What are ur thoughts on natla?

i definitely have…. thoughts lol

but let’s start with the positives first i guess

i really liked the special effects and cgi. i thought the bending looked pretty neat, particularly the earth and fire bending (which isn’t surprising considering hollywood has spent decades improving the realism behind fire and explosion effects). the water and air bending looked cool too, but definitely didn’t look as realistic in my opinion. which isn’t a bad thing. it didn’t break my submersion or anything. tbh i thought the air and water bending looked more like they came straight out of a really enhanced video game

i liked what they did with the 41st division plot line. having that division be the crew on zuko’s ship was a really nice change from the original and humanized zuko’s character even more in my opinion. though i find it hard to believe that ozai would’ve allowed a freshly banished zuko to travel in such close quarters with a division he literally saved (something something about soldier loyalty wavering and army coups blah blah blah)

the scene of kyoshi possessing aang and getting rid of the fire nation soldiers on her island was honestly… amazing to watch. one thing about me is i LOVE watching the avatars go full avatar mode and give it to people, so that scene had me jumping in my seat cause she looked so damn cool (but i also have other thoughts about that scene and everything that led up to it that aren’t entirely positive lmao so not a complete win)

the casting for aang made me so happy. it’s no secret that aang is my baby, so if they did him dirty in casting i wouldn’t have even made it past episode 1, but gordon actually did such a good job with what he was given and i really wish the writing would have given him the chance to actually be aang. cause he has aang’s adorableness and goofiness (that we see from bts) so idk why it wasn’t utilized, but this isn’t the section for me to start talking about that

aang sending zuko away on the boat after the blue spirit rescue was everything. idk but it was done so gently and in a way that was just so aang that it makes me wanna scream

koh the face stealer. i don’t even think i gotta explain this one, but they did good with koh

so now lemme talk about what i didn’t really fw about this live adaptation. the negatives, if you will

(disclaimer: i have no issue with adaptations straying away from the original source material to make some changes or add some twists. in fact, i love it when they do. but the changes should add to the story and characters, not take away from them!! and that’s a short lil synopsis of my issues with this show)

them getting rid of sokka’s sexism. the reason the show got rid of this was because the creatives didn’t understand that the og show never presented sokka’s sexism as a good thing. he was constantly and immediately humbled when he said something stupid, and his thought process made sense for his character because he’s a boy who has never ventured outside his tribe. all he knows are the gender roles within his own culture and we see that throughout the show as he mets other people, he starts to realize that way of thinking is wrong. them removing this aspect of his character also got rid of the tension between him and katara. sokka undermines katara a lot in the og and it’s clear that that kind of underestimation is one of the fuels firing the burning anger within her. and it’s that anger, provoked by sokka’s sexism, that leads her to releasing the avatar and driving the whole show in motion. because they got rid of this, sokka and katara don’t really have any huge issue to work through, so they had to add in this weak older sibling vs little sibling conflict instead. katara blowing up because he treats her like a little kid does NOT have the same punch as her blowing up because he treats her like she’s incapable. and it also muddies the real dynamic between the two considering they’re both constantly taking care of each other due to them BOTH having to grow up quickly

sokka and suki’s development was done DIRTYYYY. again, because they got rid of his sexism, they had nothing for suki to challenge. he never questioned her legitimacy as a warrior. instead, he was immediately impressed and felt a lil insecure at how skilled she was. and she just immediately liked him cause he’s attractive ig. the whole sequence of them training together (which he didn’t even wear the kyoshi warrior outfit during DINT GET ME STARTED-) is literally just a few long minutes of them stopping to catch their breaths every couple seconds cause they’re so insanely attracted to each other. that’s all it is. suki thinks he’s cute and eyes him up and down (????? literally why), and sokka does absolutely nothing but stand there to attract her to him. SUKI??? the insanely talented warrior who humbles him multiple times, and who sokka literally begs on hands and knees to train under so he can work for her respect, was watered down to “pretty girl who likes pretty boy”

katara. literally just katara. what did they do to my girl? HOW DO YOU MAKE THE KATARA OF THE SOUTHERN WATER TRIBE BORING?? first off, water bending is not a struggle for her?? aang just gives her a very confusing pep talk where he says basically nothing, and suddenly she’s able to make a perfect water sphere without even really trying. nevermind the fact that before aang got there and spewed nonsense at her, she could barely make a ripple in the water let alone pick it up. she was also just handed the waterbending scroll—literally handed—and got insanely good off of that. no master needed, she just picked it all up no problem. the og show makes it clear that while the scrolls can teach you the basics, they do not compare to a real master. in the og, katara fights tooth and nail to get her hands on the scroll and then to later get a master. she’s so determined and works so hard to perfect her element that when she finally reaches mastery level, it feels like a reward. it feels right. but in this show, she literally doesn’t have to work hard AT ALL and only needs to hear a few encouraging words from other characters to become a master. there’s no real development in her skill. one day, she can barely make a ripple. the next? she’s sending ice spears at pakku like it’s nobody’s business. where was the development? it wasn’t there. and because she’s so good at water bending already, she has no real motivation or purpose. she’s not driven by her desperate want to learn how to waterbend under a master. she doesn’t have any real reason to be driven by anger cause what is she so angry of? sokka doesn’t undermine her. she’s already insanely talented at bending with no real training. sure, pakku won’t let her fight but that’s a stupid conflict. a stupid conflict that’s the result of them making her too skilled for a master. cause instead of her frustrated that he won’t teach her, she wastes time trying to get him to let her fight in the upcoming battle. but why does she need his permission to do that in the first place? it’s not like he’s gonna try stopping her? he and everyone else will be too busy trying not to die to care if she’s out there slicing people with ice. so really, katara is just there. she has no drive, no personality, no reason. and it feels insane to even be saying that about katara cause she’s literally katara. but natla fucked up with her and i am not about to forgive them for that

aang. i could scream. natla aang is not aang. it’s literally identity theft. where is the joy? the whimsy? the child-like qualities that make aang aang? he’s so fucking serious all the damn time. he’s 12 years old, freshly out the ice, and already behaving like he’s been at this avatar gig his whole life. he doesn’t play around or get easily distracted like he does in the early books of the show. every pitstop they make on their way to the northern water tribe isn’t the result of aang wanting to have some fun, but because people are literally telling him “hey, you should go to *insert location* because they need help and you’re the avatar”. in fact, their whole reason for going to the northern water tribe isn’t because he or katara need to learn water bending (she’s already so good and he just doesn’t feel like learning??), but because kyoshi took his hand and explained to him that something bad was about to happen and he needed to be there. literally every decision he makes is the result of someone repeating exposition we already know and telling him what he needs to do. the show literally walks the audience through everything that happens. it literally even explains to us countless times that aang is a really goofy kid who likes playing airball with his friends, but we never see it?? he never goofs. he hardly even smiles im not gonna lie. he just introduces himself as a super goofy person and we’re supposed to just take his word for it. why is he already so intense, man? not even book 3 aang was that damn serious all the time. them eliminating his joy and optimism and childishness literally makes him a shell of a character and it PISSES ME OFF. not to mention his dialogue is written like he’s always on the brink of breaking out into song. no shit i thought this show was a musical for a good few seconds cause i fully expected him to start singing when he was venting to appa 😭

aang’s “running away” scene. don’t piss me off. this show was so afraid of giving their characters any actual flaws that they got rid of one of aang’s biggest sources of guilt: him intentionally running away from the air temple. no instead, he was just clearing his head up in the sky “where everything makes more sense” and just happened to get trapped in a storm

kyoshi yelling at aang. this one goes hand in hand with the previous one, but i’m giving it it’s own bullet point. in this scene, she yells at him for running away and tells him that he better not ever do something like that again because now the world’s gone to shit and needs its avatar more than ever, essentially placing blame on him for 1) something that literally isn’t even his fault—unless they get rid of roku admitting his involvement in the war beginning—and 2) didn’t even happen?? aang didn’t run away in this version of the story. he just went on a ride with appa and got caught up in a storm. so why is kyoshi acting like it was intentional when the show makes it clear that it wasn’t?

the death of the moon spirit. the plot point about kuruk’s knife was so stupid LMAO i’m sorry it was pointless to me. and why did nobody do anything while zhao was attempting to murder the moon spirit. everyone just stood there 🧍 like hello??? more importantly, why didn’t aang do anything?? in the cartoon, he tries talking zhao down and zhao plays along like it worked, setting the moon spirit back down into the spirit water before killing it anyways. in this version, zhao never pretends like he isn’t about to kill the koi fish. and nobody makes a move to do anything until after it happens im crying 😭

aang becoming the ocean spirit. my main gripe with this scene is that it’s framed in a way that’s all about vengeance and just pure rage more than anything. but aang becoming the ocean spirit has always been, to me at least, a depiction of grief. it’s pain that the ocean spirit is expressing as it washes away the fn soldiers and ships. it’s done in a way that is, yes brutal, but also graceful and conscious. the ocean spirit is mindful of what it’s doing. it’s intentional and emotional. it’s not just striking anything and everyone out of pure rage, which is how this scene was choreographed and shot in my opinion

[prettyboysdontlookatexplosions]

i need a german style word for the emotion i personally get when someone who presents themselves as someone with discerning taste in contrast to Various So And Sos Over There stans something deeply unserious and doesn’t catch that it’s messing with their brand. this is a post about how i can’t stop thinking about how sean and amanda the ringer big picture podcast think that the social network is the best movie of the 2010s - not their personal favorite movie of the 2010s but the best one. better than all the other movies. no other did as good a job at movieing as the social network - and specifically how i cannot believe amanda is so mad about the emily blunt role in oppenheimer but apparently gives a pass to TSN casting brenda song as the most Bitches Be Crazy character of all time

[usareiis]

Lost my original post of this from the other day but I genuinely don't understand how Black Butler discourse ever shifted into the does Sebastian ~really~ like Ciel or is Ciel just dinner line of conversation that is pervasive as it is because Sebastian is the one that has absorbed his whole existence into Ciel's. Sebastian's face is what Ciel wants Sebastian's whole purpose is doing things for Ciel Sebastian's every hell of a butler yes my lord speech is about how he's Ciel's and Ciel is the one going around saying shit like whatever Sebastian is just my pawn 💅

[hauntingblue]

Them doing a photo lineup of the mugis for the battle and when it's Robin's turn she just turns and does a blue eyed stare at the camera 😭😭

Look at her 😭😭

[no1ryomafan]

I have said this before but me being self proclaimed number 1 Ryoma fan and that being possibly literal-bc even if this bro had fans before me I might’ve simply done the most for him by talking about him so much + being the first to write fics that are in depth studies on his trauma across canons-I gotta say if there’s one other character I rotate a lot that isn’t him it’s probably Kei. (Shocking it’s not Hayato even if I do think about him too- but it’s usually associated with Ryoma bc gays 🗿)

I’m not even exaggerating when I say Kei would be my favorite and only isn’t because she doesn’t exist in many other canons yet my brain rotates the endless possibilities of how to incorporate her. I’ve already written a fic where she’s in shin vs neo verse which worked surprisingly well but I’ve been thinking how universally she could appear in other things. (Whether it be fitting her into a idea of a possible Go team in New or just a new canon completely) I think what I’ve narrow it down to is that she could be like- in Michirus role? Like she’s the supporting female who isn’t a pilot but helps out the real occasionally which I think would align very well especially with the original manga role she has of being Hayato’s assistant. And even if Hayato isn’t grandpa mode yet he still very much is in Saotomes position at that point. Not sure if she’d Hayato’s biological kid to further parallel Saotome and Michiru given well Hayato already adopts the Go team and his wife is irrelevant LOL.

I have no idea if I’ll ever write this specific idea but I’m still- rotating it cause this is such a easy way to get around “picking between Sho or Kei as the 2nd pilot” since both of them can still exist even if one doesn’t get to pilot, idm my supporting females. (Granted there could always be like- plot line where Sho gets hurt so Kei is temporary pilot but I can’t remember if Getter ever really did this since “once your hurt your ass is basically replaced” lol)

[pinkcrittertomb]

I'm sorry but zoro is so ugly to me. He's like. cool and shit but then i stay there, just looking at him and thinking "wow.....ugly man...."

[jtownraindancer]

"It's time to say good-bye."

[deus-ex-mona]

[todayisafridaynight]

just watched Taboo (Gohatto) that anon here was talkin bout and i get legal rights to talk about it on this blog because takeshi kitano (hirose) plays hijikata in the movie

[maddy-ferguson]

okay ik this has been talked before but i just got a sudden anxiety feeling regarding this and wanted to share. i hope when byler kiss it doesnt come off as awkard. idc about the other scenes, noah and finn can screw up their other scenes on the show but when they kiss and it comes off as weird and awkward in a bad way? im sorry but i cannot deal with that, that moment has to be monumental and i cannot deal with melvins mocking the scene just like how the mon*logue scene gets mocked. that is also partly why i want will's hair to be changed, sorry not sorry.

this is so funny and i'm sure it won't come off as awkward but i'm gonna have to agree on the bowl cut commentary. i find the way will stans (especially on twitter) cling to his bowl cut and defend it with their lives fascinating because you can lie to yourself all you want it literally does not look good. most of the time. in seasons 3 and 4 i mean. there's a reason people make fun of it 24/7 like why do you want him to keep flopping...

[waywardsalt]

the phantom hourglass manga is the one i care about the most out of all of the loz manga and therefore the one i am most willing to rip apart because of its relation to the game, its own problems, and the potential that was lost or thrown away for any reason at all

making this separate than the list of things i liked about the phantom hourglass manga

im not going to be too organized about this; ill go by topic and in each topic go in chronological order through the manga and everything else will probably be all over the place

im not even going to touch the story yet and just go after the art off the bat because i really believe that this manga has the weakest art of all of them. i dont know if its due to some kind of time crunch or a lack of care but its really… im not expecting any of these books to have killer art, but in ph it just feels like there was less effort with inconsistencies in some designs and either very low detail or just absent backgrounds. this feels like a mean-spirited critique since i understand that manga is difficult to create and requires a lot of effort but its just visually… worse than the loz manga that came before or after it.

some specific grievances i have with the art are things like inconsistent designs of some characters (linebeck is hard to draw and i get that but hes just… never totally consistent) and some items like weapons (the shape of bellumbeck’s sword changes during the fight for some reason) and stuff is… left out. the fire temple has basically no layout since link’s just in some flavor of void for the entire blaaz fight. one of the panels with linebeck’s ship shows it from the behind at an angle where you should see the deck but its just not there

his ship is also missing its chimney on the cover art

this is also more of an opinion thing but the way astrid looks almost nothing like her game counterpart is just… it’s a nickpick based on opinion but that is Not The Same Character.

you can absolutely tell a fantastic story with lacking art, but the reason why im criticizing this manga’s art is because its the tenth in a series of manga who, up until this point, has had consistently good art, and then it drops off with weak backgrounds and character inconsistencies.

plus, i really care about how this story is visually portrayed.

the pacing, even with half of the story cut, is also a bit of a problem. as far as i'm aware, this is the only loz manga to have significant chunks of the story cut out, and while it admittedly works well with only half of the story, it fucks with the pacing a bit. specifically, it screws over linebeck's arc, which i'll talk about more in a different section, but it also kind of glosses over the phantom sword and (obviously) loses some possible time for further character exploration and whatever. the cut from the ghost ship right to jolene right to the final boss is, while handled well, kind of abrupt.

obviously, cutting half of the damn story will make what's kept feel a little too fast, but even some of the stuff more original to the manga is paced weirdly or is just... eh.

there's a bit after neri is found where linebeck decides to stop working with link and basically ditches him and this whole thing lasts one to two goddamn pages before everything is patched up and good and... why even include it if you turn the page and oh problem fucking solved. it's even a little out of character for linebeck at that point since a few pages before he's seen getting the sands of time for link and it's... it make sense but it's a really extreme character choice and while it serves its purpose (introducing the idea of linebeck not valuing other people very much and realizing that) it's still extremely brief.

the added stuff with linebeck being a past member of the ghost ship, while fine and interesting at first glance is also a strange choice that doesn't work all that well? it works for characterization and all of that but it makes for a weird situation with linebeck's character motivation where he's a coward and after the ghost ship for the treasure on it, but if he was present on the ghost ship literally as it was fucking gutted then he would know exactly what the danger of the ship is and want to avoid it no matter what. in the game his motivation for going after the ghost ship works because he doesn't know for certain whats on that ship and has never been on it. plus, aside from character backstory and whatever, it doesnt serve much of a purpose. linebeck even makes some comments about the ship's interior and the like but it all amounts to nothing because link never actually goes into the ship anyways. it's just a weird backstory to give linebeck.

the shuffling around (and cutting of one of) the three final bosses is also weird. it makes sense for the story order the manga goes with, but it actually lowers the stakes for the bellumbeck fight (in the game literally everything is on the line but in the manga its just linebeck and they absolutely use that to their advantage but still) and mixing the ghost ship fight and bellum fights make the final encounter really brief and kind of anticlimactic in some way. it's difficult to express, but the order of the final bosses in the game makes bellum a more interesting villain and melds with linebeck's arc in a much more interesting way. it feels like there was a specific reason for that given order and for the manga to just toss that aside means it loses something.

also reserving pretty much an entire chapter for jolene is A Choice to make. there's nothing wrong with using an adaptation to flesh out a character but here you don't learn anything new about jolene she just kind of makes very little sense in her motivations when you give her more screen time but dont change her from wanting to kill linebeck for fucking off but also still liking him maybe. good for you if you like jolene since she got more time here but they did pretty much nothing interesting with her

this is something i figured out while writing this, but the manga actually does Fuck All with the actual hourglass. you could've cut the fucking thing out and it wouldn't have effected the story too much. link never goes into the temple every again and the phantom sword is just. made on request with link having no interaction with it before using it to kill bellum. the only time the phantom hourglass is actually plot relevant aside from link first getting it and then using it to gather sand is when bellum tells link to bring it to the temple and then it's used exactly once to stop time and then it's used as proof that everything happened. oshus says link needs to use it and the sand to break the curse over the temple of the ocean king and then that never actually happens the sand and the hourglass is just used once to stop time once and otherwise it might as well not be in the story it's so weird. it's also implied that oshus needs the sand to restore tetra after he returns to his own true form but they dont say anything about that after he initially mentions it so who cares. oshus also tells link that zuaz will teach him how to defeat bellum. link never meets zuaz and still beats bellum anyways.

it feels like they cut the latter half of the story but forgot that the fucking majority of linebeck's entire goddamn character arc happens in that part of the story. sure, most of the cutscenes and whatever happens in the first part and linebeck does develop a bit in the first part but he doesn't really start to change until after the ghost ship, when you get his letter and his dialogue starts to change slightly to suggest that he's starting to like link more and care about something other than the possibility of treasure. the manga cutting out the latter half of the story but still making linebeck's arc end in similar places makes his arc feel really fast and even abrupt in the manga. he goes from being fully motivated to get treasure and still kind of selfish to caring a lot for link and deciding not to wish for treasure and the time was just NOT put in to make that a smooth transition.

honestly linebeck overall got fucked in the manga more than any other character. his arc was shafted, his characterization is strange and even kind of changed from the game, he's never drawn consistently and doesn't even look great since he seems to be stuck between two styles when he's drawn, he's more shallow and generally a less interesting character, and while most of that is probably a product of having one book to cover ph, it's still a problem.

like with all of the loz manga, the extremely limited amount of space and time the story is given absolutely fucks it over so you really are stuck with telling nothing more than an abridged and seriously inferior version of the story. i dont care how good the original stuff is if it barely qualifies as a good adaptation. the story wasn't told all of the way and none of the game's strengths are kept or expanded upon. you lose the majority of the best character's arc and depth. half of the story was cut. the title item is barely used. it feels like they didn't really care about adapting phantom hourglass and just hashed out a trimmed-down version of the story to fit into 188 pages and while there was some effort put in with a bit of a unique take on linebeck but it just falls flat when everything around it feels like it wasn't given a second thought.

i'm not suggesting that the author's didn't fucking care, i don't know what the process was with this, but it just... it doesnt feel like they actually wanted to earnestly create a good adaptation of this game. i have an altered perspective on all of this because this game is my special interest and something i deeply care about and inspect the little details of and it kinda just sucks that phantom hourglass never got a good adaptation because... this game has some serious potential for a really good extended adaptation.

Unlike the other Zelda games that the other manga cover, the structure of the journey in Phantom Hourglass has an insane amount of space for fleshing out of character, exploration of new concepts or character relationships, or just.. whatever you want. Providing you cover the original story, of course. Off the bat, there's a nebulous amount of travel time between islands, which can be used by authors for character moments and interactions and just little moments that can be used to further themes or concepts. You can use the implied time overseas between islands to have some interactions between Link and Linebeck. Show the three fairies hanging out with each other. Show the whole crew becoming closer to each other as time drags on.

Linebeck's existence and function within Phantom Hourglass alone is so fucking unique and amazingly good for an extended adaptation. In most other Zelda games, the companions are pretty much glued to Link's side and follows him through dungeons, or they're characters locked in a specific place, more or less divorced from Link's quest, but Linebeck is an integral part of the plot, present for every part of it as it advances, and yet he's out doing fuck-all while Link is in dungeons. He's a great excuse for authors to add detail to islands, write new characterization for background characters, or even just give Linebeck his own b-plot running concurrently with the game's normal plot. He's important to the plot and yet doesn't touch the gameplay; he's free to do whatever you want while Link does dungeon stuff. One possible idea I've mentioned before is the idea of, while Link is in the temple of the Ocean King, is to create and explore a possible relationship between Oshus and Linebeck. Scenes of them talking can be used to flesh out Oshus as a character and to add some extra depth to Linebeck and make his arc more interesting to follow.

There is... SO MUCH you can do with Phantom Hourglass if you care enough to do it, and I'm just so frustrated that we got this solid 4/10 of a manga.

[hauntingblue]

The marines calling Roger the worst man of the world is something but considering ace renounced him and luffy kinda blindly admires him bc we don't really know much about what he has done past his travels....

[the-kipsabian]

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