#if my main project isn't as good as i think it should be then i will go insane

[orcelito]

ok ive straight up made a copy of my full ITNL doc, and i think im just gonna go thru and reread there and make edits as i go should i see any need

doing a full ITNL revamp as i get back into the groove for writing it

[kasagia]

Right Hand - Epilogue

Pairing: Na-Baron Feyd-Rautha Harkonnen x fem!exBeneGesserit! reader Summary: Your future with your baron. Your dream future. Your long-won future. Warning: 18+; violence; blood; Feyd Rautha; death; fight; brutality; smut; It's very hard for me to end this one… Feyd-Rautha Harkonnen's Masterlist ~•♤♤♤•~ Main Masterlist ~•♤♤♤•~ PART VI ~•♤♤♤•~

"Count Rabban." You nod when you pass Feyd's brother on your way to the throne room. To your surprise, the man stops and bows to you, which makes you frown at his extraordinary and strange behaviour.

"Lady Y/N. My congratulations." The man says, stunning you for a while. Your heartbeat accelerates when you wonder how the hell he could tell that you are pregnant.

"Um... thank you." You answer uncertainly and look at Feyd. He tightens up at his brother's words; you can see that he is clearly furious at his brother's comment. What the fuck was going on here?

"You should go, brother. We still have a lot of rats to hunt down." Fed says this and puts his hand at the bottom of your back, pushing you towards the throne room, as if he wanted to walk away from Rabban as soon as possible.

"Of course. I'm surprised you won't join me, but if I were you, I'd keep an eye on my woman too. After all, pregnancy is a real blessing for us.” You froze at his words. You look stunned at Feyd, who seems to be getting more and more… nervous. You frown, confused by everything that is happening around you. Since when in hell have these two been civil towards each other?

"Obviously. Just go." Feyd hastens him and practically pushes you into the throne room. He shuts the door behind you with a loud bang, not allowing any servants or guards to follow you.

He doesn't give you a second glance. He goes straight to the Arrakis projection and starts explaining to you the recent actions he took while you were... unconscious. However, you can't focus on what he's saying; your thoughts are still revolving around what Rabban said, so at some point during his long speech, you simply interrupt him and blurt out:

"Pregnancy? Who the hell is pregnant?"

There is a long silence in the room after your question. You think this is the first time you've seen Feyd-Rautha… embarrassed. And as much as it's a new and strange sight, you want to know what the hell is going on. So you walk up to him and grab his chin tightly, forcing him to look you in the eyes.

"I could have mentioned that you were with my heir to mobilise our troops to march to the desert and stop the great families from... complaining about me searching for you instead of focusing on killing Muad'Dib." You blink a few times, staring at him in shock when you hear this.

Your hand falls between you, letting go of his chin, which you can tell he's mildly happy about. You frown, trying to imagine him telling all the great houses that you were pregnant with his child.

Which actually isn't far from the truth now…

"I… Why the fuck am I not even surprised? Anything else besides this fake pregnancy?" You ask, shifting your gaze from him to the map of the desert, where the points of stationing units, the movement of soldiers, observed points, and recently conquered objects were marked.

"I couldn't say that you were just my concubine. They wouldn't take me seriously..." He starts, eyeing you carefully, having no idea what you were going to do. Just in case, he puts his hand on his belt, ready to activate his shield at any moment. Although he doubted anything could actually protect him from your anger.

"What the hell did you tell them?" You ask, annoyed, turning to face him. He takes a step back, pretending to move something on the map, but really wanting to be as far away from you as possible when he gives you this message.

"That you are my fiancée." He repeats calmly, taking your exasperated sigh and rubbing of your temple as a good sign. At least you're not attacking him with a blade. Wouldn't the idea of marrying him be as... repulsive to you as it used to be?

"You announced to the great families that I am your fiancée AND that we are going to have a child? And they believed you?"

"Yes, why not?" He asks, furrowing his hairless eyebrows at your surprise, slightly offended that you thought it was such impossible thing to happen.

"Because the very idea of you proposing to me is ridiculous and unrealistic." Your eyes widen as you see him move to kneel in front of you. You grab his elbow tightly, not letting him move even an inch, as you shut down his attempt to propose to you. "Do NOT do this now. How could you? And behind my back..."

"I can ask you the same question. Why did you literally stab me with a blade and leave me bleeding on the ship so you could play 'How to Destroy the Atreides House', risking your life, and worse, without me? I should punish you for that, little witch."

You stare at each other defiantly, each insisting that the other is wrong and carries more fault. However, the more you think about it, the more you come to the conclusion that maybe he was right. You both did shitty things. And it is possible that you will make even more of them in the future.

"Call it even?" You finally ask, deciding to let it go this time. After all, you had smaller things to worry about. Arrakis. Emperor. Irulan. Maybe he will finally tell you what happened during your... not necessarily voluntary absence.

"Only this time." He nods, cupping your cheek in his hand. He seals your deal with a kiss, his tongue slipping into your mouth and joining yours in a mad dance as Feyd steals the air from your lungs.

You moan into his mouth, cradling his cheeks in your hands and bringing his face closer to yours as his hands rest on your hips. He manoeuvres you across the room, making you both approach the large throne. You break your kiss as he pushes you onto the stone seat.

"So... what's now?" You ask, placing your hands on his shoulders as he leans on the armrests of the throne, leaning over you.

"Now... I'm going to lock you here, and I am not going to let you go out until we create this heir of ours." He mumbles against your neck, placing feathery kisses there. You sigh softly, running your nails over his bald head.

"Of all the possible excuses, you had to come up with this one?" You ask, trying to maintain what little control you have as the pads of his cold fingers lazily stroke your collarbones. He squeezes your breast, earning a small gasp from you, and he chuckles contentedly, biting into your neck. He reluctantly pulls away from your neck and rests his forehead against yours, taking a moment to look into your eyes.

"I wish you could have seen their faces." He whispers hoarsely, making you shiver, and kisses you again. His plump lips take their time caressing yours as he enjoys the kiss, finally having all the time in the world to bask in your warmth, scent, and taste.

You smile into the kiss, distracted by his proximity. It seems unreal that the two of you can just enjoy each other without worrying about other things, without any urgent matters to attend to, enemies to kill, or evil plans to carry out. It was weird. Pleasantly weird. But you had been under the pressure of something for too long to just enjoy this peaceful, blissful moment without trying to find an excuse to stop him.

So when his hand goes under your skirt and lazily caresses your thigh, you place your hands on his chest and gently push him away from you. You look at him for a moment as he furrows his hairless eyebrows, trying to understand why you're doing this.

"Me too. But as much as I want to fool around with you, I think that we should focus on diplomacy and policy for a while. It wouldn't be in Giedi Prime's interest to create heirs before we establish government, and... can you stop undressing me?" You ask as his fingers begin to untie the bodice of your dress, realising that you were only pushing him away for the sake of politics and to solve Giedi Prime's issue first, which he obviously didn't want to do now.

"I have been covering the policy for the past few weeks. Now, I have more important things to worry about. Like how to untie those damn strings with one hand."

"But... the council..." You try, sighing as his mouth attacks your neck again as he loosens the ties of your dress, exposing your breasts to him.

"They will wait." He mumbles as he moves from your neck to your collarbones, his fingers teasing your nipples. You sigh, biting your bottom lip as he explores every little bit of your skin. "I have a little fantasy that I want to fulfill with you, little witch…" He purrs against your breasts. You hold your breath as he suddenly grips your hips tightly and lifts you up. He sits down on the throne and settles you on his lap, completely removing your dress and throwing it behind him. He licks his lips, staring at your naked form, and you blush under his watchful gaze. Bastard…

"But… oh, Feyd…" You moan as he leans towards you and takes one of your nipples into his mouth. You dig your nails into his shoulders. Sitting astride him and stabilising herself on his lap. His other hand slides from your chest down your stomach to your core as he teases your overstimulated pussy. He chuckles against your breast, only intensifying your sensations as he discovers how wet you already are for him.

"Yes… that's right, my right hand. Allow me to repay you for your faithful service to your new Baron." You kiss him hard, passionately, tugging at his clothes and stripping him off of them roughly, wanting to feel his abalaster, muscled chest as quickly as possible.

He doesn't do anything to help you. He just teases you, getting you so aroused and excited that you can't even dream of interrupting him again. Instead, you take and take everything it has to offer you. And it's a pleasantly blissful change.

"Marry me." He whispers in your ear when you lie wrapped in sheets in his bedroom after a fairly intense session.

You sigh and roll your eyes at him. He had been trying to convince you to marry him for a week, and as pleasant as the idea seemed, you were well aware that it wasn't that easy. He couldn't just choose a wife, and moreover, a woman without a family name or fortune.

"You know it's not that easy. I have neither titles nor a significant family name. I am only your right hand. The Council will never support this idea." You sigh, snuggling into him. He huffs, offended by your response, but wraps his arms around you anyway and holds you tightly to his chest. As if to at least make sure that you wouldn't be able to leave him even though you didn't agree to marry him.

"Have I ever asked anyone for their opinion? Have I ever cared about the opinion of these old people?"

"No. But you should. You are a baron now. Marrying me would make you weaker in their eyes. Besides, being your concubine absolutely suits me." You speak even though you don't know who you're trying to fool. Yourself, him, or both of you.

However, you don't take into account that he knows you perfectly. He grabs your chin with two fingers and forces you to look into his icy blue eyes. You shiver as his piercing gaze reaches almost to your soul.

"It is not. I know it well. You never wanted to be just a concubine. That's why you didn't want to accept my courtship for a long time. I don't want you as my concubine; I want you as my wife. I need a strong baroness by my side—one that will be just as terrifying as me. You can't refuse me now. Not after what we went through to be here. I know you don't care about the opinions of anyone in our council, so tell me why you don't want to become my wife, little witch?"

You look at him for a long moment, wondering how much you can tell him from what you saw in your visions. He senses your hesitation and gently pushes you off of him and moves to get out of bed, but you stop him by wrapping your arms around him. You rest your chin on his shoulder and whisper into his ear.

"I … I had visions … visions in which our marriage ended terribly … and I don't want it to happen. Not after how long we fought for each other." You say that and press a kiss on his earlobe. You hug his back, ready for him to walk away from you in anger, but instead, he places his hand on yours and squeezes it tightly.

"Haven't you been the one who did not believe in the prophecies and fate? Who believed that we create our destiny ourselves?"

"Yes, but..."

"Then marry me." He interrupts you and turns to look at you. He cups your cheeks in his hands, forcing you to look into his eyes. "I promise, I won't hurt you. Never. Not me. I promise to protect you against everything that will come and to be by your side for good and bad. I promise you all of myself and everything I am. I promise to go back to our bed and keep you in it even after the worst quarrel in the world, because I am nothing without you by my side, and I prefer to argue and fight you forever than not to have you with me. I... I just want you."

His words tug at your heart. You know he's not effusive, that he doesn't like talking about his feelings, and this is a very rare moment when he shows you his weaknesses. And you really appreciate it, but you can't help but have doubts.

"But what if..." He doesn't let you finish your sentence. He cuts you off with a kiss, caressing your lips with his, preventing you from making any protest.

He places his hands on your waist and holds you tightly close to him, ignoring your attempts to speak. He pushes you onto the bed and looms over you, still kissing you. Not until he's sure he's taken any air from your lungs.

You inhale quickly, flushed as he strokes the pad of his thumb over your cheekbone, drinking in the appearance of you beneath him: flushed, dishevelled with beautifully swollen lips.

"Marry me." He whispers, pressing a short kiss to your lips. "Marry me." He repeats against your cheek. "Marry me." Another feathery kiss, this time on your earlobe. You shiver as his hot whisper reaches your ear. "Marry me." A kiss on your neck. "Marry me." A kiss on your collarbone. "Marry me." A kiss in the valley of your breasts. "Marry me." A kiss on your stomach. "Marry me." A kiss on your pussy crying with need.

You sigh, scratching your nails against his scalp as he keeps whispering the words against your clit, working towards your orgasm as if you're going to say yes and accept his proposal the moment he takes you over the edge. At first, you find his attempts absurd, but with every second, every kiss, and every whispered request, you realise how much you want to just say yes and let him do whatever he wants with you.

You wrap your legs around him, digging your heels into his back and pulling him closer to you. His hand wraps around yours in a tight grip as his tongue works tirelessly to please you. You don't know how he keeps whispering his request, but you know when your eyes meet for a moment that you can't respond with anything other than...

"Yes."

You growl as he stops all his movements and lifts his head to look at you. You tighten your legs around him, willing him to move back into place, but he stays firmly above you.

"Feyd..." You complain, but he silences you with a quick kiss, so quick that you don't even get a good taste of yourself on his tongue.

"Later, impatient needy witch." He scolds you. In retaliation, you reach for his nipple and pinch it, making him growl. He squeezes your hips and leans in to leave a hickey on your neck.

"You made me this way." You complain, propping yourself up on your elbows and pressing your lips to his, stealing a kiss from him with a giggle. He pushes you back onto the bed, your head bobbing, and he smiles, showing you his black teeth.

"And I plan to do much more to you when you're my wife. So, will you marry me, little witch?"

"Why doesn't this sound like a question but a threat?" You ask, smirking, not yet giving him the answer he wants to hear. You can barely contain your chuckle, watching as he furrows his hairless eyebrows at you in irritation.

"I've been asking you for a week, it's your fault my tone changes from day to day when you keep me waiting."

"Don't you know that the best things are worth waiting for?"

"They are. And I've been waiting for you for years. So maybe you can finally end tihis? Can you do this for me, my right hand? Will you be my baroness?" He asks you, stroking your cheek, giving you his full attention as he waits for your response. But you just can't help yourself from teasing him a little bit more.

"Such a high promotion… people will think I slept with you to get it." You joke stupidly, enjoying your small victory, when he rolls his eyes at you in annoyance. You're lucky his daggers were abandoned halfway from the door to the bed... otherwise you would have ended up with a dagger at your throat long ago. Not that he would ever hurt you. Just to scare you a little.

"Y/N..." He growls at you and nuzzles your temple. You place your hand on his neck and pull him into a gentle kiss, lazily brushing your lips against his. A low murmur escapes his throat as he pulls you closer to him.

He's practically lying on top of you, keeping his body weight on his arms but letting you feel every inch of him against yours. You enjoy this newfound intimacy with him. This closeness, sense of security, love, deep adoration, and peace. So how can you say no to him when he prolongs every second of your kiss, tries to maintain contact with your body as long as possible, and treats you with a tenderness he has never shown to anyone before?

"Yes... yes, I will marry you." You whisper, smiling as you watch his reaction. He doesn't believe you at first, trying to make sure you're not joking with him again, and when he makes sure that you have no intention to take back your words, he leans in, crushing his lips against yours.

You smile throughout the kiss, even as he pinches your sides, his form of punishment for teasing him for so long. He bites your lip, just enough for him to taste your metallic blood on his tongue, sealing the deal between the two of you. You take his hint and bite his lip yourself, drawing blood from him.

"About damn time." He murmurs against your lips, letting you take a few breaths before trapping your lips in a needy kiss again.

Such a moment of bliss and tenderness between you is very much needed. Especially after recent events. However, you know that you won't be able to enjoy peace with him for long. But as long as you both had each other's backs, you could face the world. And soon you will have one more little human to protect.

You stand in your blood-red wedding dress, staring at your reflection in the mirror. Baroness of Giedi Prime. Never in your wildest dreams would you have thought you would come this far, especially not when you boarded a Harkonnen ship in fear to escape the Bene Gesserit and your destiny. The destinies you were meant to fulfil... just a little differently than the Reverend Mothers would have wanted.

"The essence of the bride hunt is that she runs away from her groom. She is not supposed to be waiting in their chamber for him. I didn't expect you to make it so easy for me to catch you. This isn't like you." Feyd grumbles, suddenly finding himself behind you. You sigh as he wraps his arms around you, pressing your back against his chest. You take his hand in yours and squeeze, resting your head on his shoulder. You can't help but smile as your black and gold wedding rings reflect in the mirror. "You've ruined my fun, wife. And I should consider leaving the veil outside our bedroom door as an insult and your lack of faith in my abilities to find you."

"I didn't feel like running away from you today. You could say you've had your fair share of bride hunting over the years I've been here." He chuckles against your neck, placing a few small kisses there.

"So clever. My baroness. My wife." He purrs, marking your neck, releasing one of his hands from your grip, and removing the ruby necklace from around your neck.

"I have a gift for you." You tell him before he starts stripping you out of your wedding dress. Black diamonds woven into your dress create beautiful, embroidered red flowers, and the sleeves and neckline of the dress are decorated with lace, of course, also in the colour of blood. You think Feyd sacrificed a few slaves on purpose to show the seamstresses... the perfect colour for your wedding dress.

As beautiful as the dress was, you'd also rather have it lying on the floor. However, you need to tell him something important before he starts your wedding night.

"You have? I did not expect it. I have nothing in return for you. I can always…"

"You will not bring me the heads of your concubines on a gold platter. We agreed that they would become my servants and that would remain so." You interrupt him before he can propose it to you again. You watch him take a breath before he speaks again. You place your finger on his lips, silencing him, knowing full well what he wanted to say. "I don't want anyone's head. It's enough for me that you hung Atreides' head like some kind of decorative horn in the throne room. By the way, we'll have to take it off when the Emperor's delegation arrives."

"Again, you're spoiling my fun, wife." He grumbles, offended, but doesn't let go of you from his embrace. He rests his chin on your shoulder and looks at the two of you in the mirror. He plays with the bandage on your hand and smiles, remembering how he pierced your joined hands with a dagger a few hours ago. You were his. His baroness. His woman. "What do you have for me?" He asks, nuzzling your temple before pressing a kiss to your earlobe.

Your eyes meet in the mirror as you take his hands in yours. You gently slide them down from your collarbones, over your chest, and into your belly. You press his hands so he can feel the tiny pregnancy bump through the fabric of your dress.

You watch his reaction carefully, biting your lip as you try not to smile at his shocked look. His fingers press further against your stomach, as if to make sure what he feels is real. He tenses when he realises it's true.

"You are… how long?"

"A few weeks."

"A few weeks?" He asks, both surprised and offended that you kept him in the dark for so long. You frown at him and turn to look at him properly and not through the mirror.

"I wanted to make sure she is okay and grows properly."

"She?" You frown when you hear the disappointed tone with which he receives this information. You feel the anger boiling inside you, all the joy and excitement leaving you as you realise this isn't what he expected. That he expected you to give him the Kwisatz Haderach first.

"Yes... is that a problem?" You ask him, furious. He realises what it might have sounded like to you. He sighs, looking away from you and focusing on the wall behind you. He clenches his fists and takes a few breaths, trying to calm down and not think about how you could ever accuse him of discriminating against your unborn child based on gender.

"NO. Not at all. I don't care about the sex, as long as it's healthy. I just... thought we were going to have a boy first." You shudder slightly, remembering what Atreides had shown you on Arrakis—the future that would await you at the hands of your own son. But it was different then.

You did everything to prevent your future from being like this: you confessed your love to Feyd first, you made sure that you showed him the same devotion as he showed to you, and you made sure that your firstborn would be a daughter. However, there was still a small seed of fear in you. After all, Feyd killed his mother, so how could you be sure that, ironically, your potential son wouldn't do the same?

"What's wrong?" Feyd asks, cupping your chin between his two fingers. You flinch, but you don't move away from him.

You place your hand on his, holding it in a tight grip as you steady your breathing, not even noticing that you had found yourself in such a state of panic. You close your eyes and focus on your breathing, the beating of your heart, and the feeling of Feyd's hand in yours as you try to calm down.

"I… had… visions."

"Of course. Visions." He replies mockingly and removes his hand from your grip. He takes a few steps back, looking at you with reproach and bitterness in his blue eyes, which now resemble the ocean in a dangerous storm. "I thought that by defeating Atreides, we were done with visions, fate, destiny and especially with hiding important information from each other. But I guess I was wrong after all. Well, so do you. You can take the Bene Gesserit out of the order, but you can't take the order out of the Bene Gesserit."

"Feyd… it's not like that." You say this as you reach for him, but he pulls away from you before your fingertip can touch his skin. It hurts you that he thinks you have any connection to these witches, but you can't say you're surprised by his behaviour or that it's unreasonable. You just couldn't tell him what you saw without worrying about him getting paranoid.

"So what's it like?! You're not hiding anything from me? You don't make decisions completely by yourself? I understand that you want to be your own boss and make your own decisions, but you're my wife! What would you do if the roles were reversed? What if I hid from you what you hid from me?!"

"Feyd..." You try again, but this time he pulls away from you as if your touch would burn him. Before you can say anything, he storms out of the room, slamming the door behind him with such force that you're sure everyone in Giedi Prime heard it.

You sigh in defeat and lean your head against the wall. You hiss as the crown on your head prevents you from leaning back comfortably. You yank it out of your elaborately styled hairstyle and throw it across the room, not even flinching when the jewels shatter on the floor.

"Don't worry my sweethearts, everything will be fine. Dad's a little mad at me, but he's right. Even if he acts like an overgrown, spoiled little baby. I promise you that I will do everything to make us happy. All four of us." You whisper, wondering how the hell you're supposed to deal with your angry husband. This is not what your wedding night should be like. But was anything in the two of you's lives as it should have been?

"I'm having a little déjà vu, aren't you?" You ask, leaning on the doorframe of his private training room as his 'toy' falls dead under the blow he received from the furious man which now is your husband.

You're reminded of how you found him here in a similar condition a few months ago. Only then were you just his right-hand man, and he showed no... visible signs of interest in you. And now you were his wife and pregnant. And thousands of other things happened along the way.

"Leave." He growls at you and plunges his blade into the dead man several times. You sigh, throwing the towel you brought for him to the nearest chair and pulling out your own dagger.

"Fight with me." You request, looking at him carefully. He stops in his process of punching holes in the dead man's body, changing it into a sieve, and he looks at you in shock.

"You are with child." He responds emotionlessly, going back to abusing the prisoner's body.

"And? I haven't been pregnant that long that I can't kick your ass." You can see that this comment irritates him by the way he plunges the dagger deeper into the man's flesh. He clenches his jaw tightly, trying his hardest not to snap at you. After all, you were pregnant. He had to be gentle with you.

"Get out of here, woman. I won't fight you in this condition." He replies firmly, turning his back to you and walking to the table to pour himself some water.

You take a closer look at the muscles in his back; his body is painted red with the blood of the people he killed in his rampage. You purse your lips, shaking your head.

You sneak up on him and press the blade to his throat as he drinks. His Adam's apple bobs at the feeling of your cold steel against his neck. He turns his head to give you an annoyed look, as if you were a cat that had scratched him with its claws.

"Y/N..." He mutters menacingly, clenching his hands into fists. You lean in, lips brushing his earlobe and biting it after you whisper back:

"Feyd."

The low growl is all the warning you get. He pushes you away from him and reaches for his blade. You block his attack, your steels colliding with each other in a distinctive clanging sound. He doesn't move to attack first, watching you carefully and blocking your every attack as you try to leave a small scratch on his skin. You're furious that he's holding himself back and that he's making sure his blade doesn't even touch your skin, which is exposed by your regular combat gear.

You growl as you manage to break through his defences and stab him in the shoulder. He screams in anger and finally starts attacking you. You gasp, blocking his blows every now and then, and for obvious reasons, he doesn't hit you from the waist down. You're starting to get tired, but the adrenaline coursing through your veins and your own pride won't let you stop your fight. Feyd notices it, though. And he decides to end it.

He drops his blade and grabs your arms tightly. He pushes you against the wall, pinning you against it with his body. You both breathe quickly, staring wordlessly into each other's eyes as you press the dagger to his neck. His black blood drips from his shoulder onto the floor, the only sound in the empty room apart from your ragged breaths.

"I love you. Don't ever doubt that." You whisper and lean forward, capturing his lips in a furious kiss. His fingers dig into your arms even more, surely leaving small bruises in the shape of his fingertips as he uses his body to block you from making any movement.

You moan, pressing the dagger harder against his throat as he bites your lower lip. Feyd growls, and with a quick, confident movement, he grabs the gun from your hand and throws it across the room, unknowingly hitting the dead man's body.

You moan as his hands land on your hips. He lifts you up, rubbing his length against your pussy and biting your chin. You growl, digging your nail into his neck and wrapping your legs around his hips, gasping as you become wetter with each of his light thrusts into your clothed core.

"If I knew that all I had to do to get you like this was to argue with you, I would have done it the moment you chose that disgusting cake for our wedding."

"The cake was delicious, it's not my fault you're such a picky pain in the ass." You mumble back and bite into his neck. He moans softly, grabbing your hair in a tight grip.

"I quite like being a pain in your ass." He says this and grabs your hips. You wrap your arms around him and hold on to him as he carries you through the halls of the Harkonnen stronghold. You hide your face in the crook of his neck, trying to ignore the curious glances from the servants and passersby who look away as soon as they meet Feyd's hostile gaze. "I wish I had the opportunity to get you out of that dress. You looked beautiful at our wedding."

"I won't wear that dress again just because you decided to do your monthly sulk today. It took the maids an hour to put me in it." You grumble as he opens the door to your chambers.

"Do not worry honey. I'll undress you. And I will dress you up. And I'll undress you again. I have all the time in the world, my wife."

"And here I thought you'd rather spend your time differently than dressing me like a doll. More… active and enjoyable." You giggle as he places you on the bed at your remark. His fingers wander under your black linen shirt as he unhurriedly undresses you.

"Do you doubt that I have the time, skill, and stamina for both?" He proves his point by leaving a few hickeys on your neck. You smirk, wrapping your arms around him and pulling him closer to you. You wonder since when he has so much power over you (and you over him) that it only takes a few hours for you to reconcile.

Either you've come a long and successful way in developing your relationship, or you're simply getting too old for constant drama and want to finally have a moment of peace. But you weren't complaining if every little fight you had would end with you acting like idiots in love with each other again at the end of the day.

You sigh, drawing patterns on your husband's head. His arms tighten around you as you move, as if he's afraid you'll try to get away from him.

"As much as I like this, I must remind you that you have other responsibilities as a baron besides holding me."

"Possible. But holding my pregnant wife is my most important duty, to which I choose to devote myself completely today. Especially since you are getting closer to giving birth. The birth of twins, I would like to point out." He mumbles, pressing a kiss and rubbing his nose against your bump, and nuzzling into you.

"It's just childbirth, not a fight on Arrakis against the Fremen." You joke, rubbing his back. He purrs, snuggling even closer into you, making sure his arm wraps protectively around your belly.

"I'd be a lot more confident about your safety if you went to fight those rats instead."

"Said the man cuddled up to his pregnant wife." You try to ease his concern just a little. But you know your husband very well. Enough to know that he's stubborn as hell to give in so easily and forget about his fears.

"Does it bother you that I'm forming a bond with my unborn heirs?"

"No. Not at all."

"So let me continue, little witch, or I will silence you." You laugh, fully aware of his ways of shutting you up. He rolls his eyes at you, stands up, and kisses you, making you giggle even more. He breaks the kiss and presses his lips against your forehead before returning to his position as your protector.

"I'll be alright. We're okay. All three of us." You assure him and place your hand on his cheek, caressing it tenderly.

"I should punish you for hiding something so important from me again." He brings up the fact that… I missed telling him that yes, you are pregnant, but with twins. A girl, as you said, and a boy.

"That was months ago. Besides, there are many things I told you. Like my visions and everything. And I didn't get an award for it, so you can say we're even."

You defend yourself, and he just chuckles. A rare thing. But it seemed that with you and in the solitude of your shared quarters, (yes, he refused to have separate bedrooms. Something about how he had waited too long for you to spend even a night without you in his bed now anyway.) he did it a lot more often.

"You're way too smart, little witch. If you didn't love me, you would dethrone me in a week."

"Maybe even less." You banter with him with a smirk. You squeal as he tickles you, feigning outrage at your insult. You grab his hand in a tight grip and stop him.

You both freeze when your stomach suddenly bulges in one place. Feyd looks worriedly from you to your belly and hesitantly reaches up with one finger to stroke the small bulge. It disappears as quickly as he touches it. You giggle, realising that one of the kids must have stuck out its leg.

"I will teach them to fight. Both of them. They will be great leaders. One will get Arrakis and Lankiveil and the other will get Giedi Prime. They will support each other and fight for each other. They will get everything."

"Everything we didn't have."

"Yes." Feyd says thoughtfully, examining your belly. He presses his mouth there and cups your belly with his hands. You giggle when you suddenly get kicked by one of the twins, and you pull him towards you to hug you again.

"To be honest, I expected the first thing you would do was make them fight the snakes to prove their strength."

"I'm not my uncle."

"I know." You say and press a kiss to the top of his head. "You're… so much more. Someone much better than anyone ever wanted or thought you were. Never doubt it."

He nods and hugs you tighter. You sigh, happy with how close he is to you and the way he holds you. You could assure him that everything was fine, but the truth was that you were afraid of what the future would bring. If you were wrong... no. You couldn't think like that. You had Feyd by your side. And that was all that really mattered.

"We should name the girl Katerina."

"Katerina? Why?" You ask, turning your gaze towards him and frowning. The last thing you would expect him to do was to think about names for your children.

"I have a good feeling." He replies with a shrug and pulls you closer to him. You know him too well not to know he's up to something. However, you decide not to ask him about it. After all, each of you deserves to have your little secrets. Something you both learned to respect.

"Well, since you've already named the girl, I want to name the boy." He smiles and kisses the corner of your mouth at your request.

"And what do you want to name our son?"

"Feydor."

"Feydor? Why?"

"I have a good feeling." You answer him the same way. He rolls his eyes, but he doesn't ask you anything either. He hugs you tighter and presses his lips against your forehead. It's nice to have him so close to me and feel almost... normal.

Even if your normal was completely different from what was generally perceived as one.

"Your son got lost in the halls of Giedi Prime, the guards and harpies barely found him." Feyd grumbles as he enters the war room. You look up from the papers and watch as your husband slumps onto the sofa with a glass in his hand.

"My son?"

"Our son." He corrects himself, knowing full well better than to raise your ire with such a simple mistake.

"Are you blaming me? Need I remind you because of who Katerina almost killed the heir of Caladan last week because she was bragging about her fighting skills by actually fighting that boy in the arena?" You reproach him. He rolls his eyes and puts his half-full glass on the table next to him, not protesting or arguing with you. "I thought so. So don't blame me for teaching our son my tricks when you teach yours to our daughter."

"I can't believe how easily you turned me into an obedient husband." He complains, standing up and walking over to you. He rests his chin on your head and looks over the conquest plans you've made, glancing at the reports from the front that Rabban sent you.

"It wasn't that difficult at all." You banter with him and cup his chin. You kiss him, enjoying the softness of his lips. He cups your cheek in his hand and deepens it, moaning into your mouth.

You stop when you hear giggling coming from the secret corridor leading to the room. You raise an eyebrow and listen, realising that it's your twins trying to sneak up on you two.

"These kids are going to kill us both."

"We won't give up without a fight, my Baron." You whisper, standing up silently, making no sound as you two establish a 'plan of attack' on your children.

"Oh we certainly won't, my Baroness." He agrees with you with a smile. You answer him with your own, your teeth as black as his.

A moment later, the laughter of your two children echoes throughout the Harkonnen stronghold as you go on a little chase through the secret corridors.

The dagger that Feyd gave you hangs as a decoration in the war room. The steel is old but in good condition, although it is chipped in several places. Or rather, melted under the influence of the blood and wounds you inflicted. You never decided to repair it. It was a reminder of what you went through. All the way from being Feyd's right hand to the Baroness. His wife. The mothers of your two children.

Any visions of the future you had were good. Maybe not perfect, but what would your life be without a little bit of struggle? You and Feyd have proven that you can overcome any obstacle, enemy, or anything that could tear you apart. You were above fate and destiny.

And you will fight for your family with everything you have. Against every Bene Gesserit and everyone who wanted to hurt you or separate you. Being Feyd's right hand has prepared you perfectly for this.

So, this is the end. It feels strange to part with this story (it's the first time I feel this way). At first it was supposed to be just a oneshot, but thanks to your comments and involvement in the story, this miniseries was created. Thank you all for every comment, heart and all the love for this story. Thank you!!!!! (And I hope you will stay longer, for another mini-series with Feyd. ;D) Thank you so much again!! 😊🥰🩵🩵🩵🖤🩵🖤🩵🖤🩵🖤🩵🖤🩵🖤🩵🖤🩵🩵🩵 ~ Kasagia

Taglist: (I REALLLLY hope that everyone who wanted to be here is here...😅 I;m sorry if I missed someone <3) @skymoonandstardust @prettybubblesintheair @thegabbyh @himesuedi @wo-ming-bai @beebeechaos @mamawiggers1980 @moonsoulk @avidreader73 @heartarianagran @dreamlandcreations @ancientbeing10 @lovereadingfanfic @jeansjoie @workof-a-rr-t @aixicl @ladyredstar1991 @evangelineimagine @hobobobo-fett56 @happyant3 @marsflys @aaaaaamond @kamcrazy123 @k1swass @yum-yahgurt @tyns13 @oh-you-mean-me @menari @tyns13 @vaf24 @dacreshoney @emrennoll-blog @tian-monique @slightlypossessed @celestialadrift @lauramooij05 @flaps200 @chixnugg22 @aaaaaamond @marvelfangirl04 @sw33tsnow @emeraldsgirl @imyourbubblegumpop @tempt-ress @harkonnin @k1swass @alana4610 @cloudroomblog @lotus-888 @lowlyloved @spoolsofgreenspoolsofblack @w3ird11 @kythefangirl25 @hobobobo-fett56 @nj452896 @oneandonlybbygrl @noirecatt @iloved1lfs0 @mamawiggers1980 @lololfixu @barnes70stark @obsessedvibee @aaaaaamond @workof-a-rr-t  @oneandonlybbygrl @alexa4040 @lowlyloved @toertchen @em-100 @caintheking @justarandomflowerchildofthenight @hrtifyeren @psychoffin @avidreader73

[theminecraftbee]

why hbomb94 should be the next new hermit: no listen this isn't just me being ridiculous listen listen--

okay but like. after today i am ON THIS TRAIN. i am FULLY CONVINCED that hbomb94 would be one of the BEST POSSIBLE CANDIDATES for "new hermit for hermitcraft". and please, just listen to my case for this:

so, after today, i'm fully convinced hbomb is a perfect vibes match for many hermits. he gets along well! he's actually pretty good at staying at hermitcraft levels of pg in videos (like, not swearing--he makes like, the catmaid jokes, but that's nothing worse than whatever ren gets up to on a given day). he's also relatively chill, already friends with a lot of the hermits, and connects well with them on a content creation level. like, he's excited for them, he slots into the bits well, the bits he brings to the table are picked up easily by the other hermits.

and the thing is... okay i KNOW hbomb isn't a huge base builder. i watched vault hunters smp too. but the thing is... he doesn't have to be! you see, there's a certain hermit niche they haven't invited a new hermit into in a while, and that's the niche that someone like joe hills or zedaph (or i'd argue etho or cubfan) occupies. it's the 'weird' niche. i don't think hbomb would be a builder hermit. i don't think he'd be a redstoner either. what he'd be good at is things like... hermits helping hermits! building minigames! have you seen hbomb actually, half of what he did on dsmp or on his main youtube is building minigames and escape rooms. he'd have good vibes! he'd show up to all the events! he'd probably RUN some events!

what he'd be is a new chill, friendly niche hermit, and i think we need more of those? more of the hermits who WON'T be building megabases, but WILL be building games, helping collect resources, and inventing new strange things to do. yes, sure, once again: i know hbomb isn't a builder, and next to someone like joel, that probably puts him out of contention, but... the last two hermits they invited were builders. they need a hype guy. an event guy. another team player. the escape rooms would be ENRICHMENT. it would be wonderful.

plus, i don't think he'd ever stop being a delightful audience insert about the other hermit projects. plus plus, i think he and scar and cub would definitely do a catmaid bit we'd all regret. plus plus plus i think he could do his rant about how weird beetroot is and the hermits would appreciate him for it.

as such i actually think hbomb slots in BEST of the visitors from today as a new hermit. (this is also in part because the empires crew tends to prefer much shorter seasons on their servers than hermitcraft has if they don't want to get bored and the hermits have pretty definitively decided they don't like short seasons. it's also a vibe check. skizz for hermitcraft fans, i am shaking your hand and saluting you, my guy who can't build and your guy who can't build should be hermits who join for similar reasons, we are friends.)

anyway will this actually happen? probably not. but like. listen. for the first time since hbomb hermit adoption arc started this feels VIABLE and i feel the need to make my case for why i want him on because the moment the season rolls over and we start speculating about new hermits this is the guy who has my vote please do you understand now please he'd be so fun--

[lbcreations-blog]

Holy Mother Of Many

Summary: You are the wife of God himself. You both made many amazing angelic children such as Lucifer and Sera, one day in many of the galaxys and cosmos problems occurred, so you set out to fix the problems while intrusting your husband with your children. But what you didn't know was when leaving many bad things would happen, making hardly any good come out of it.

Female mother reader

All plotonic

proofread

Words: 1121

Masterlist

You had a relationship with the holy father God himself. You were his devine wife, the holy mother of all creations. You were together since the start of everything.

You had many devine children, one of your favorites being little Lucifer. Just seeing him when he was a baby, you knew he would have a similar personality to you. Sadly, you never got to find out due to you having to leave to do other things like glaxeys and cosmos to look after. Before you left, you instructed your husband to look after both of your creations. You then left the home you loved.

Oh, how would you regret that decision.

??? Years later

You were now working on a glaxey in your main form (which is like atleast 300ft tall) when you realized you should really take a vacay and see your husband again and all your angelic children, I mean it has been many many many many many many many years.

A few mins later, you arrived in front of heavens gates in your smol form (7 ft tall). About to walk in, you saw a blonde male at a podium. "Oh greetings, mister!" You said to the man. "Welcome to heaven ma'am! May I please get your name." The man said to you.

"Name? Why do you need my name?" You asked. "Well-" "St Peter, let me deal with this," Sera interrupted Peter and told him so while flying down from somewhere. "Yes, Sera," St Peter said, then flying away. "Wait, Sera?" You said, "Hello mother, " Sera said softly, smiling. You quickly hugged her. "Oh, Sera, my darling daughter!" You said.

You moved slightly backward so you can have eye contact with her. "Oh, sweety, you're all grown up! Im so sorry that i haven't been here!" You told Sera. "It's alright, mother," she told you. "Anyway, what's up with the whole name thing? And where's Luci? And all my other beautiful children?" You asked her.

"Let's go and talk about this somewhere else," Sera said as she telaported you both into what you assumed was her office. "Take a seat, mother," Sera told you. You listened to your daughter and sat down on the comfortable seat.

"You see Mother when you left. Father decided to sleep once i and some of the others were old enough, and he is still sleeping. When he first fell asleep, some of the oldest ones and I made a project called Earth, and we made these creatures called humans. And well... Lucifer destroyed it with childish actions. He brought evil into earth, and in turn, he created his own doman fill of that evil. He lives there, ruling the doman of evil." Sera told you.

"WHAT⁉️"

TIME SKIP

"You know what, I'm going down there to check on him," you told Sera. "But mother," Sera began "no don't even think about it, Sera," you said, getting up. "Yes, mother," Sera said, making a portal in front of the hotel for you. "I'll talk to you more once i return," you said, entering the portal. "Yes, mother," she said not trying to upset you anymore.

"I wonder why Sera telaported me in front of a hotel." You sighed. "Oh well, he's probably in there. I can sense my boy," you said, walking up to the door.

You knocked on the door, and a few minutes later, a pink and white spider looking guy opened it and looked at you in shock. "Hey uh Vaggie there is an angel at the door!" The guy said toward what you saw to be an ex angel, going by her aura, wings, and lack of halo, at least.

"Oh shoot, I'll go get Charlie you let her get comfy," Vaggie said to the pink and white spider guy. "But isn't she busy with something important with Alastor?" The guy asked. "Oh, right! I guess I'll get Lucifer and be nice to her Angel!" Vaggie said, running up the hotel stairs. You smiled at the mention of Lucifer, You were so excited to see your son.

You now sat on the couch, which the man named Angel kindly led you to sit on and wait. While waiting, who you now learned was named Angel dust tried making small talk with you. But it did not really end up well he seemed to be nervous for some reason, but you decided not to overlook it in some way.

After a few minutes of waiting, a portal finally opened. Lucifer walked into the hotel lobby and made eye contact with you. You immediately telaported to him and tightly hugged him. "Oh Luci, my son. I'm so happy to see you again!" You told him.

"Mom? What are you doing here?" Lucifer asked you. "To see you ofcourse" You told him, holding his rosy cheeks and looking down at him. "I would have came much much earlier if I knew what happened to you all those years ago, but I intrusted your now excuse of a father to you and your siblings."

"Are you alright, though? I'm aware the... Fall. Was, alot," "Of course im alright Mom, i have a daughter now. " Your smile increased at that information. "I have a granddaughter?!" You asked Lucifer, squishing his rosy cheeks even more. "Indeed you do, mom," Lucifer told you. "Oh my word, im a grandmother! That's crazy so where is she?" You asked him.

"Well... she just walked through the doors right now. " You looked behind you seeing the splitting image of your son in a female form. You smiled cheek to cheek upon seeing this just seeing her. You knew the both had at least a similar personality.

"Dad, why is there an angel here?" His daughter asked. "Charlie, this is your grandmother." "It's nice to meet you, my granddaughter." "It's nice to meet you too. My name is Charlie, but you already know that, i have one question, though: how come i did not see you in heaven?" Charlie asked.

"Well, i was busy with a lot of work at that moment," you told her. "Oh! uhm! Can I tell you about this project im working on!?" Charlie asked you. "Sure ofcourse go ahead. I'd love to hear of such" Charlie bounced up upon hearing that and started walking you through the hotel with your son that Vaggie girl and what you sensed to be a smiling fellow behind he did not speak yet though.

You needed to wake up your husband and scoled him for his passed actions and Sera as well, but for now, you would enjoy the company of the Hazbin Hotel.

Taglist: @fatherlesschild2 @whitewingsh @iheartpieck @i-yuki @ilovemyths2003

Taglist ask area

-L.B Creations

[catskets]

From Desires to Demo: How to Write a Good Demo for your Visual Novel

I'm deciding I want to expand on some topics in longer, fuller-length posts based on points I made in this general VN development post.

There is a problem that players have expressed to me about visual novel demos, especially in horror/romance/yandere circles these days: they are not demos at all. Rather, they feel like introductions to the characters and the setting, and nothing happens at all. No one wants to have to go find out everything good about your game by going to your Tumblr and going through 10+ months of asks to get themselves hyped up for your game. Most people are not going to do that. They will instead play your demo and go "this isn't enough for me to come back to" and never think about it again.

How, then, do you get people playing your demo and being excited for the full game? This is my personal guide on how to make a compelling visual novel demo.

In case you've never heard of me, I'm Kat, also known as catsket. I have a Bachelor of Fine Arts in Game Design. I've been making games for nearly 5 years, and I've been doing visual novels more "professionally" for 2. You may know me for Art Without Blood, 10:16, God is in the Radio, or Fatal Focus. I'm here to help you make your first visual novel, or, perhaps, improve on what you've already made.

What is the purpose of a demo?

A demo is short or a demonstration. Your job is to demonstrate a portion of your game to players. In more "traditional" games, a demo typically takes place in a very tightly-constricted space that is meant to show off how the game feels. Maybe this is the first few levels of a platformer that showcases the general atmosphere and gameplay of the game.

We aren't making action and adventure games in explorable spaces. We are making visual novels. Most visual novel demos just showcase a small portion of the game, maybe the first few scenes.

What your demo should have is this:

A general vibe for your game. You're writing a psychological horror game. Give me a taste of that! Show me a bit of the gore, a bit of the horror.

A sense of urgency. A lot of demos I've played and discarded have been discarded because the game itself does not give me a motivation

An established plot. What is going to happen in the future? Why am I in this world?

In general, think of your game as the back cover of a book. That's where the hook that draws you in to read it. Just give me a proper taste of your game!

There are cases in traditional games where things are hidden from the player in demos (let's all remember MGS2) and where things are changed in from the demo to the final product. That's perfectly okay! You are not obligated to update your demo unless you find gamebreaking bugs and other issues. If things change from the demo to the final product, let your players be surprised and intrigued by these changes!

I can make this a list of do's and don'ts:

Before writing your demo...

Do: Outline, plan, and everything else.

Unless you're blessed by Mnemosyne herself, you need to outline where your story is going to go.

When starting a project, I write a 1-2 page document that has this information:

Name of the game

The target audience

The genre and moods

A paragraph summary of the game

1-2 sentences describing main characters and their roles

Write a short scene that captures the essence of the game

Write a basic outline. You don't need to fit everything in and outline it all, but give yourself an idea. A beginning, a middle, a climax, and an end. Some people just write the start and the finish, and then the middle gets all muddled and convoluted.

While writing your demo....

Do: Make it clear how the choices will impact the game

Visual novels are a medium where player choices affect the game. Make sure those choices actually matter. They don't all have to, of course. They might matter later in the game, but you should at least try to write an example of how a choice may matter.

For example, in Art Without Blood's new demo, certain choices mean you meet the characters in a different order and experience different sides of them.

Having a certain amount of a sanity stat will cause characters to give you some flavor text.

Here's a very simple idea: if you're running your game on a "love points" or other points system, you can make it so if player gets 10 points with love interest, get a different scene. It shows that your choices are impactful. Just let players have a taste of the consequences of their actions.

Don't: Character dump.

Many demos I have played were just character dumps. This means using the demo just to introduce to us the characters but not giving them room to truly show their personalities or their attachments to the problem.

For example, I played a game recently that had the player complaining about their living situation, showing us the characters in the same living complex, showed off the yandere, and then had the player deal with an annoying, evil boss. That sounds like lots of games, right? And that doesn't sound very fun, does it?

Do: Ground the player in the world

Try to immerse your player character in your world. I want to read like I'm part of it. What is our purpose? If we are a stranger, how can you immerse us in a world so far removed from ours?

Do it slowly, and do it with necessity. You don't necessarily want an exposition dump either.

Establish the world, establish the conflict, establish why they got into this conflict, and leave us off with a reason to come back.

Don't: Make your players have to visit other sites to get important information

Your ask blogs or other social medias should contain supplemental material that keeps players engaged, but it should not be a place where you should go "well, actually, in the demo, x y and z should have happened but it didn't."

Try not to spoil your game on your socials. What's the point of playing if I can just read it all on your blog?

I should learn about the plot and the characters from the game itself. I should not have to get a sense from your blog about a character because they were so dry in the demo.

Obviously, this isn't to say you need to include everything about a character in your demo. But we need to get a sense of personality. I shouldn't have to go to Tumblr to find that personality.

Do: Ask for help

Making a game on your own, especially for the first time, is scary. It's okay to ask for help. It's okay to get people to help you out with parts you aren't so familiar with. It doesn't make you any less of a developer. A lot of people need some degree of help. There is nothing wrong with that.

Don't: Start your marketing until you know you can finish the demo

I've seen lots of demos that have been in the works for years. It can be disappointing for fans and demotivating for the developer to have an idea, tell the world, and then not see a demo for a long time. This is especially the case when money is involved, but it's still irresponsible to promise a product and never deliver it. Be honest about the status of projects and your life.

Do: Outline content warnings properly

It is up to the player to decide if they think they're capable and ready to play your game. Make sure to outline your content warnings. Cover the basics, and feel free to leave an extended warnings list in your game or on your game page for specifics.

Content warnings are usually things like blood/violence, profanity, sexual content, etc. Trigger warnings typically get into specific things, like suicide, dentists, or religious trauma. Think of content warnings like the ERSB.

Put a splash screen before the game starts that showcase the content warnings and a place to find trigger warnings.

Don't: Pull back punches with what your characters are capable of

It's fiction. It doesn't necessarily mean you support your characters being crazy stalkers. Know the audience you want to write for, and don't feel a need to cower. Let them be filthy. Let them get their hands deep into someone's chest cavity and rip a body apart.

What I'm trying to say is you really shouldn't tone down what you think your characters are capable of because you're afraid of making fans sad or upset because pookie isn't acting the way they thought pookie acted in their head. It's your character. You're commanding the story. You are choosing where it goes, not fans. Just because you have an audience doesn't mean you need to tone it down to be more palpable to others.

Once your demo is released...

Do: Keep a balance

Making games is very, very hard. And the world is very, very harsh. It is okay to let your fans know about delays or potential cancellations, such as through the devlogs on itch.io for your game, in your community spaces, or on your blog. Please be honest. If you do not think that, after a demo's release, you can continue on the project, make it clear that it has been cancelled or on hiatus.

People will be understanding. The world sucks, and it sucks the life out of us. People are more forgiving if you are honest with the status of your game, rather than leaving it in a perpetual limbo.

Don't: Think that the popularity of your demo constitutes how "good" your game is.

Your demo may not do well. That could be a number of factors. Maybe your marketing didn't hit where you think it should have. Maybe you posted it at the same time as another game. Not your fault. The full release may do better. Don't let the numbers be the reason you give up.

Do: Network!

Get to know fellow developers in the space so you can learn from one another and get more ideas for improving your own games.

Don't: Use developers.

Use a developer's resources. You should not be making friends with other devs if your desire is to try and become friends with big people. That's a parasocial relationship, buddy!

Do: Tell your fans the course of action

Do you have a development timeline set up? Writing multiple days? Give fans a general outline that you planned before writing your demo. It's okay to miss things as long as you're honest. But a timeline will help you hold accountability for yourself.

Don't: Charge for it.

I've seen at least 3 games take the "I'm going to charge for a demo" route in an effort to sway children from playing the game. This is going to sway everyone. Especially if players have not seen a complete + finished product from you, they will not be buying an unfinished game. There are other ways to hide your games from children, such as using itch.io's adult content filters and applying them to your projects.

Main takeaway: Be honest.

I say this a lot throughout this post, but it's because it pushes on a particular trend I see in beginner visual novel developers. There's this desire to create, but there is also the desire for fandom centered around what characters and world spawn from your creations. To maintain that fandom, you need to create. You need to be consistent. It may be harsh, but it's the reality.

Life is hard, and a large majority of us are NOT doing this for a living. Life will get in the way. It always has, it always will.

That's why it's good to practice integrity. Know yourself and your limits. Take steps back and be willing to be open + honest.

Fans won't be happy if you keep saying a game is delayed and show little to no work. Posting unrelated artwork and spending months answering Tumblr asks instead of making a game will eventually run you in the mud without anyone to enjoy what you have the potential to create.

Live up to your promises, and if you can't, be honest. Your community will support you as long as you're open.

[mythologyolympics]

Ancient World Dashboard Simulator

🐢 aristotlestortoise Follow

I'm so sick of these philosophers waving dead chickens around to prove their point like that's not contributing to unnecessary food waste when children are starving in Gaul

🦷 diogenessimp Follow

and who says they didn't eat the chicken afterwards you presumptuous garum sipper

besides how would that benefit a starving child in gaul diogenes did that in athens thats like 6000 stadia away from gaul

🐢 aristotlestortoise Follow

As if donating a day-old chicken that had been used as a prop isn't a hazard for food poisoning or something geez

How about you bring in a live chicken and demonstrate your point with that and then donate it to a godsdamned farmer who can do something with it

🦷 diogenessimp Follow

look neither of us understands diogenes whole school of thought as well as he does and if he thinks using poultry for props is the best choice then imma trust he knows what he's talking about

🦣 giantwoolybones

do you guys know that you are arguing about a dead chicken

24,874 notes

👨‍👦 corophilus

not to be an art critic on main or anything but has this sculptor ever heard of a dynamic pose

#a boy this age would be moving!!

3 Notes

✊ p-o-p-u-l-a-r-i-s Follow

The people just don't seem to care about how Caligula keeps beginning new construction projects with public funds. People are homeless and starving and he puts up a new theater in the middle of the city as if we need that.

Now he's claiming to be a god?? Plus there's rumors he has sex with his horse.

It's very important that you contact the members of the senate to let them know the people are ready to rise up if they don't depose Caligula. We should get organized and flood the streets.

🎽 crixusstan

I see you not reblogging this. Come on, this should have 200k notes

14,381 Notes

💸 achaemenid Follow

Dude, this invention of the coin is so iconic. Cyrus is gonna go down in history for this one. I mean that in a good way.

🪙 lydianmetallurgy Follow

Sorry but Cyrus stole the entire concept of the coin from us and I'm sick of people acting like we didn't have contributions to make to advancements in science and culture just because we were conquered by your stupid empire. Cyrus is a tyrant and just wants to gather as much power as he can.

🦁 daniyye

Cyrus let my people go back to our homeland, so he's all right by me

#by the rivers of Babylon we sat and wept when we remembered Zion #now we don't have to do that anymore!!

18 Notes

🥇 gladiatorheadtohead Follow

Remember, you're voting for who you think would win the fight, not who you like the best.

24 Notes

🐺 lyca

just left my den and there's just 2 human babies lying on the ground all alone

wtf do i do

🐺 lyca

so i happen to already be lactating so i guess... i just have 2 more cubs now?

🐺 lyca

guys these babies are so cute. i think they're going to do great things one day

#personal #do not reblog i mean it this time 6 Notes

🍆 miletus-leather Follow

The best sex toy shop in Miletus. Come see our selection!

🦌 artemisbow Follow

I'm not one to harsh on a small business trying to make it but I've been to this shop and women are an afterthought here. You'd think the only people interested in dildos were men the way they act here.

🍆 miletus-leather Follow

Women should be weaving and taking care of their children, not coming into our sex shop.

😈 hermescock Follow

K

🐐 blessedsatir

U

64 Notes

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 琅琊榜/Nirvana in Fire.

Nirvana in Fire is a 2015 historical series best described as either a complicated succession drama set in the premodern Chinese imperial palace, or the story of a man who didn't die a decade ago and has decided to make it everyone else's problem.

And really, I almost feel silly giving my glib little summary, because Nirvana in Fire is so well-known of a property. It's a classic for a reason, and that reason is that it's legitimately very good. This show is what happens when you adapt a solid story, get a bunch of very talented actors, and throw a huge amount of money at it. It's incredibly popular and highly acclaimed, and it earned all of the hype.

Still, while I bet there are few people adjacent to c-drama stuff who've never heard of Nirvana in Fire, I'm sure there are plenty who haven't watched it. After all, it looks like one of those slow, serious shows with a lot of ponderous talking and no joy. If that's the impression you've been given, I could imagine looking at the 54-episode commitment and saying, I don't need that in my life.

I am here to tell you you're wrong. It is a banger of a show. It's tense. It's funny. It's heartbreaking. It’s exceptionally clever. It’s jaw-droppingly stupid. It’s romantic. It’s tragic. It has smart plots and bizarre subplots. And that's not even touching the thing with the yeti.

So in case you're one of those people who's heard of Nirvana in Fire, but has put off watching it for one reason or another, I'm here with five reasons I think you should try it.

1. Epic Shit

Did you like the Lord of the Rings? More specifically, did you really like the second Peter Jackson film? Great, then you're all set for this.

I guess I could have called this Game of Thrones without the dragons, but that's not actually the vibe at all. Game of Thrones is much more sensational and salacious, with all the blood and butts and what-not. The Tolkien comparison is more apt, I think, because Nirvana in Fire is equally about as wholesome as you can get in a property where dudes are still getting stabbed all the time.

This is a show about vengeance. And yeah, justice for the fallen, sure, that's fine too. But mostly it's about a bunch of good people joining forces to make sure the bastards who did wrong pay, with their lives as necesary.

The problem, though, is that these bastards are incredibly powerful, which means that a pure brute-force approach isn't going to work. Accordingly, this quickly becomes a story about the power of smart teamwork to exact retribution on some people who can (and did!) legally get away with murder -- and our heroes are some of the people with their necks most on the line if anything goes wrong.

Don't let the Middle Earth comparison fool you into thinking this is all epic swordfights. It's not. (I mean, for one thing, as well-funded as this project is, it doesn't have Peter Jackson Money.) The vast majority of the tension in the show comes from dialogue and slow, terrible realizations. The fight scenes are almost a relief from the nail-biting intensity of intimate conversations about getting a letter from somebody's ex-wife or returning a book.

All told, the show has that incredible almost-RPG vibe of going through all the little subquests and cutscenes you find along the way to defeat the final boss. The plot carefully unravels a multi-tendriled mystery told to you by people in incredible costumes. It doesn't get much more epic than that.

(Nirvana in Fire is also a cautionary tale about how you should be very careful with who gets invited to your birthday party.)

2. A chronically ill protagonist

Okay, right in the first episode, it is established that the main character has three whole completely different names and an old nickname. I'm going to call him Mei Changsu for the duration of this rec post, but let the record show that I could just have easily gone with one of the other three.

What you learn in that same first episode is that Mei Changsu used to be a palace insider, the cocky son of a noble family, only now nearly everyone he used to know thinks he's dead. Also, he's not far off from being actually dead -- he has an unspecified terminal condition that's mostly managed, provided he stays in his little mountain hideaway with his handsome doctor bestie and doesn't return to his old stomping ground and start kicking over hornets' nests.

So guess what he's about to do.

I have to make a note of how brilliant the casting is here: Hu Ge is an action actor! He is a kickpuncher of a man! And I think it's great that you can sort of see his frustration, as well as Mei Changsu's, at having to spend the whole series wrapped in countless layers of fabric and/or lying in bed while everyone around him gets to be the badass action heroes.

Mei Changsu's not faking it, either -- he's actually dying. He expends his energy where he thinks it's necessary, and sometimes that means he has to spend the following week in bed. He's constantly frustrated with himself for what he can't do anymore. He's racing a clock, and that clock is his own failing body. If he dies, the only hope anyone here has for justice dies with him.

He gets two love interests that the show treats pretty much equally. One's a lady general who wasn't even a love interest in the book. The other's the handsome prince who was initially going to be his textual romantic partner in same book, until the author hopped genres from danmei to general historical drama. I can't even call this a love triangle, because there's no competition. He just gets a wife and a husband -- in that he gets neither, because circumstances and his own illness keep him distant from them. He lies to both of then about his condition (among other things). He wants to be with them both and knows he can't be with either. And they in turn have to learn to accept what of him they can and can't have.

(Also, Nihuang (her) and Jingyan (him) are both incredibly gorgeous, which is exactly what bisexual genius Mei Changsu deserves.)

Obviously this isn't a perfect representation of life with chronic illness, largely because Mei Changsu is an incredily wealthy man who lives in a universe with what's basically magic medicine. However, I've seen the story's treatment of him and his condition resonate with a lot of chronically ill viewers, so even with the fantasy layer on it, there's definitely something there.

3. Dave

I have already told the story of how Meng Zhi became "Dave," but long story short, he's such a Dave that I legitimately forget his character's real name. He embodies Daveness. He's The Ultimate Dave.

Dave is an excellent fighter, a loyal friend -- and a terrible liar. He's possbly the only straightforward character in the entire show. When he's asked to be duplicitous, he's comically bad at it. Dave will never do a heel turn. I was misled at first by his semi-evil facial hair, but I have seen the error of my ways. Dave is pure lawful good.

And the reason I list Dave as such a selling point is that having a Dave means you always know what's going on. This is because Dave never knows what's going on, and he has no ego about that, so he asks questions, and other characters have to explain to him what just happened, and that is how you figure out what's going on.

It's an incredibly smart move on the drama's part, because some of the (very fun) schemes are so complicated that there's no way for you, the viewer, to understand them just by watching. Without the internal monologues and omniscent narration of a book, the machinations are opaque. You need things explained -- but why would the schemers explain their schemes? Well, Dave needs some exposition, so here you go.

So if you're worried that you might be left feeling stupid by a show where so many sneaky people are hatching so many complex plans, worry not! Like the good man he is, Dave has your back.

4. A Million Amazing Antagonists

If you like bad guys, this is a show for you. This show has brilliant bad guys all the way down. It has bad guys at every turn. It has bad guys for every taste. Welcome to Big Liang's Big Bad Guy Emporium, where we guarantee you'll walk out of here with a bad guy you like, or your money back!

(And yes, this set of pictures is also to say that their costume budget was entirely well-spent.)

Without getting too far into spoilers, I will say that the basic situation underlying the whole series is this: The emperor has done a lot of bad things, and he has enlisted a bunch of people's help in hiding those bad things, so much so that many of those other people have done even more bad things the emperor didn't even know about -- and then everyone has gone to great lengths to cover those up as well. Our protagonists spend the whole series unraveling this colossal shitshow and bringing people to task for their crimes.

So really, if you're going to spend 54 episodes taking down the baddies, they've got to be baddies you love to see taken down. And these are -- in part because all of them have crystal-clear, rock-solid motivations for their actions. Nobody here is a moustache-twirling comic-book-villain baddie. They're all bad for reasons that are very understandable in their individual contexts. And not a single one of them is going to go down without a fight.

5. World's Best Mom

(Sidebar: The fact that four out of five of my reasons to watch the show are individual or groups of characters should be your strongest indicator that this is an intensely character-driven story.)

This is not a Dead Mom Show. Okay, some moms are dead, but mostly this is a Moms Are Alive And Often Cause Problems Show, which is a lot of what makes the palace drama so delicious. But there is one Good Mom who stands out above all the rest: Consort Jing.

Played with perfect grace and devastating politeness by the stunning Liu Mintao, Consort Jing is a skilled doctor and excellent baker who starts the show with a low-level status among the women of the palace. She swallows down all kinds of mistreatment because she's not in a place to oppose it -- and when she can retaliate, it must only be through soft power. She loves her jock son with all her heart, but because of both their relatively poor positions in the hierarchy, she doesn't get to see him all that much. She wants to be an asset to him, while all the time she has to fear becoming a liability.

She is also the smartest person in any room that she's in, unless she's in a room with Mei Changsu, and even then it may be a tie.

There are lots of great characters in the show that I could have highlighted here, and plenty of them are women, but Consort Jing in particular never ceases to impress me. She is trapped in a gilded cage, married to a man who [lengthy list of spoilers that are traumatic to her in particular], and held hostage by how every time she even looks like she's out of line, it puts both her and her boy in danger. She's the most vulnerable of any of our good guys. Kind of like Wang Zhi, she's got to be clever or she's dead.

Consort Jing is not part of Mei Changsu's original plan. She figures out his plan and makes herself part of it -- and entirely remotely, as she and he aren't even in the same room until episode 40 or so. She puts herself in great danger to make sure he succeeds, not because it will necessarily do her any good, but because Jingyan needs him. This woman has been captain of the Mei Changsu/Jingyan ship for like twenty years already.

Oh, and did I mention her outfits?

I love you, Consort Mom.

Are you ready to watch it yet?

Get it on Viki! Get it on YouTube! Get it on YouTube but in a different playlist! (And also maybe get it on Amazon? Not in my region, but maybe in yours.)

I will warn you that it does take off running -- I think I saw someone say it introduces nineteen characters in the first episode? I was worried that I'd be too innundated by situations and flashbacks and names to be able to follow. By the second or third episode, though, I was rolling with it. So if you feel like you're struggling at the beginning, stick with it a bit. See if you don't feel it start to click.

...Man, reading over this post has left me going, oh, but I missed that! and that! and that guy! And yeah, the truth is that there are just so many great things about the show that limiting myself to only five (and being limited to only thirty images) was tough. I'm sure that people reblogging will add their own must-see elements.

Truly, this is a show that deserves its reputation. It may not be for everyone, but if this is the kind of thing that you like, it is a shining example of that thing.

Besides, you have to love a production where everyone was clearly having just a whole lot of fun being big ol' costumed dorks.

[mymarifae]

every time someone says "an should have been vbs's leader" or "saki should have been leo/need's leader" i want to . slam my head through concrete. oh you missed the point so bad

1. the "leader" thing is kind of really fucking insignificant outside of where each group's story begins and promo materials. it doesn't mean one character is the "main character" of the group. project sekai doesn't HAVE a main character in the first place it's not that kind of story. each individual character is equally important to not only their group's story but the over-arching story of the whole game

2. leo/need's story begins with ichika because she is ultimately the one that brings them all back together. not saki. it is ichika's determination and frankly stubbornness that gets through to shiho and honami. like, saki was literally ready to give up on reconnecting with honami! (out of love and respect for her choices but like) if she was the focus leo/need would have been honami-less!! but ichika refuses to let it go. much like she refused to let go of their friendships throughout all of middle school.

when the story begins, we see ichika burnt out and hopeless. but that's only after years of trying and trying and trying and trying again to reconnect with shiho and later honami. this fandom does not understand ichika's character well . she's not meek and she doesn't back down easily she's not some like... fumbling "girlflop" she's incredibly driven and strong-willed. she lost some of that due to depression and isolation but as of leo/need's most recent arc ender she has pretty much regained her fiery spirit. she's leo/need's lead singer and MC for a reason

3. vivid bad squad's story opens with kohane because she's the only one who hasn't grown up/partially grown up on vivid street. if an or akito had been the "leader" we would have lost the magic of getting to know vivid street and its people and unique culture. it's all average every day life for them, but kohane is experiencing it all for the first time. it's only through her eyes that the audience can understand just how very special vivid street is

4. one more thing: you could say that the "leaders" represent the themes of each group and the general direction of their story arcs. vivid bad squad, among several other things, is all about improvement and growth and overcoming challenges and creating something new and finding a place to call home within a community. who better to represent that but the socially anxious newbie who never felt like she belongs anywhere and would never do anything with her life?

leo/need is about love and the ability to endure all hardships and preserve that love . it's about having a heart big enough to hope for the impossible and the willpower to make it reality. ichika, in all her hard-headed stubborn painfully persistent glory, is perfect for that.

similarly, mafuyu isn't nightcord's leader because nightcord is ultimately about healing. hope. finding a way to make life worth living again. these aren't paths he would have chosen on his own. he gave up on himself a long time ago. as did ena and mizuki, in their own ways. the best person to represent hope is the one who refuses to give up on anyone and stubbornly believes she can save them all

wonderlands x showtime is about moving forward to a brighter future and not letting the past keep you shackled in place. it's also about having lofty dreams and the selfishness to pursue those dreams. both of these things are why emu Isn't wxs's leader; she lacks that selfishness (i'm not using this word in a negative sense btw; i think being selfish can be a good thing. and sometimes being selfless is a bad one) tsukasa (and rui) has, and she often clings to the past.

and as far as more more jump and all their own themes of hope and never giving up go, of course their leader has to be minori. she brought three disillusioned, jaded ex-idols hope and reignited their passion! she's the walking embodiment of hope itself

[fuckyeahizzyhands]

Con O'Neill interview with Awards Radar's Steven Prusakowski 😭😭😭❤❤❤

SP: Busy time of year, but, you know, starting to slow down in just enough to hang out with the family and do all the cooking for, like 48 hours and then.

Con: Are you the main cook in the house?

SP: I am the main cook.

Con: Yeah. So am I. I love it.

SP: I love it, too.

Con: It's my go to place.

SP: Yeah.

Con: Because when I left school, I trained to be a chef.

SP: Oh, wow.

Con: Briefly. Another story.Okay, let's rock and roll.

SP: Well, that passion never leaves you, I think. I think once you start, especially when someone enjoys and says, hey, I really liked your food.I hear from my daughter's friends or their parents, she loved your pasta or whatever it was, I'm like, okay, now I'm...

Con: It's the best feeling, isn't it?

SP: It is. It's wonderful.

Con: And just that kind of inherent, nurturing thing of just going into the kitchen empty handed and coming out with a meal for people is really rewarding. And I love it. It's intoxicating. I absolutely love it.

SP: Same here.

Con: Because I travel so much, I don't always get a place with a kitchen. And that's why I always try and get an apartment when I'm filming because it just gives me a place to be in my head that isn't about work.

SP: Yeah. Yeah. Well, I can talk cooking forever, but-

Con: But we should.

SP: I know we're short on time and I have a ton of questions and I won't get to all of them. So let's just jump into the series and maybe we could pick it back up. Sorry to interrupt, but I love the series. I love your character and your performance.

Con: Thank you.

SP: It's a stellar, and there's so much to Izzy that we see on the surface, but there's so much more to him beneath. How was this character originally pitched you and what did you initially want to bring to him?

Con: The thing about this character was he wasn't in the pilot. So when I spoke to David about it, there was nothing written. So he explained it in very broad terms. But then I quite like specifics when I'm choosing projects. And kind of... he brought up Salieri from Amadeus, and I really hooked into that. Now, I don't know whether we went that way with it in the end, but it was a really good hook for me because Salieri is that guy with a mission who is on the surface wanting, but is underneath something else. And I think initially, Izzy was that, but then we exploded him in several other ways and Salieri diminished to something else. But it was a good hook for me

initially to get in by thinking about Salieri.

SP: Yeah, I like it. I could see that for sure. And to start the season two. So going into that, he's a shadow of himself from this feared, intense, strong man to a broken man. And what was it like taking this character and exposing that humanity and starting to peel away some of that shield.

Con: I mean... David had spoken to me before we started shooting and explained most of the hulk to me, and I'd always played Izzy as a man who was in love but didn't know he was in love. And for me, the key into this season was a. the design, but more importantly, was the Taika's performance. To see a man that I love to be that broken and to be that vicious because of the heartbreak, it was profound for me to see what he did with Blackbeard, and it did break my heart a little bit. So the emotional journey was quite clear that at the end of the day, all hatred of Stede had left him, and all he wanted to do is fix Blackbeard, and he risks his life to do that. He literally puts himself on the line for that because, like always. And what I loved about what David and the writers did was they didn't remove Izzy from season one in season two, he's still there. And what Izzy does is about the crew. He puts his life on the line because Blackbeard is killing his crew, and he risks it all for that. But it breaks him seeing the the man he loves so fragile and broken and angry, it breaks him. So, It wasn't an easy job. It was quite a lonely job. It was quite a difficult job because it was going down that path that I knew inevitably we were going to go down. But I thought it was beautifully written. So most of what I needed to do was on the page, to be honest-

SP: -I'm sorry-

Con: I just had to throw myself into it.

SP: Excellent. And then with Izzy being broken and literally broken, he loses his leg, which is symbolic of much more. It leads to one of the most touching moments of the series, a note with four words: For The New Unicorn. What did that mean to you, and what does that mean to the character?

Con: You know, I've been talking a lot last couple of days - because I'm allowed to now - and, you know, this season is about Izzy coming out. In many ways, he comes out, but that moment, that rest, that beautiful piece of writing again, the writing, where the crew embrace him, and it just releases him. It releases him from his own concept of who he is. It releases him from his own concept of who he has to

be to be a first mate and a brilliant first mate. It released him of concept that he's alone. None of this would have been possible to Izzy pre season one, none of it. And in many ways, it's Stede that brings this into his life. Because before Stede, Izzy never thought of his relationship with Blackbeard as a loving relationship. He never thought of it as being in love. He only realizes he's in love with Blackbeard when he sees Blackbeard lose Stede. That's the only... The reveal is he's heartbroken because the man he loves is broken, and he doesn't know what to do with any of that. He's not emotionally capable. And the crew giving him the letter and calling him the new unicorn and releasing him from all the stuff that he'd done, all that pain that he'd suffered and anger that he'd raged upon them, it's a really accepting moment. So... yeah, I'm waffling a bit now, but it meant a lot, and it was a very beautiful moment to play. And I thought Andy, who directed it, directed it so...Andy was a real shoulder for me to lean on in those scenes, because a lot of those early scenes I'm shooting on my own. And it's quite difficult to play an emotional narrative when you're on your own, because it tends to just be one tone. And he was wonderful, and Alyssa and Alex and all. They were all wonderful in helping me gauge those moments, as were the rest of the cast. But, yeah, that moment touched me enormously.

SP: You know, you have this love triangle that is never really spoken, but it's there.

Con: Yeah

SP: Then it kind of shifts - it's almost like a love square. It's Ed, Blackbeard, Izzy and Stede. And where the love, you know, crosses, it's all... or the hatred is at sometimes, but then it evolves...

Con: Absolutely.

SP: It's so complex.

Con: I mean we all're in contemporary language. We always associate love with romance. That isn't the case here. The love that Blackbeard and Izzy have for each other is deep, man. It's deep, and it's rooted in years of working together, loving each other, saving each other's lives, being constant. This is probably the only constant they both had in their lives, is Blackbeard is Izzy, Izzy is Blackbeard, and then they have this buffoon come in and steal Blackbeard's heart. It's not that Blackbeard falls in love with someone else. Blackbeard falls in love with this guy. This Izzy just can't comprehend, and it's a constant. And then once, I think once Blackbeard hands him the gun, everything changes. And Blackbeard says, kill yourself. Everything changes. And then there's an openness to Stede and Blackbeard that brings him to that place of acceptance-

SP: -It's great to watch also. I'm sorry. Go ahead.

Con: No, that. I mean, I'll waffle again. I'll waffle a lot, because that's what I do. But the more I think about that relationship, the more I go down all these different avenues of what it could have been, and what it could never have been, and what it is and what it wasn't. And as you say, it's layered and complex, and I'm honored to have been able to get to play with those actors, and especially with Taika, who's a profoundly good actor - everyone talks about Taika's director and writer - the man's a fucking great actor to work opposite, and he's... he's exquisite. So, yeah, I could only go where I went because the writers and Taika. Really.

SP: That's great. I... of course, we have to touch upon the end of the season and the end of Izzy, unfortunately, which I'm hoping is not. I'm hoping David has something up his sleeve. But what was your reaction when you learned it and how emotional was shooting that final scene? Because that final scene says a lot between...

Con: It was a... listen, I've been around a long time. The writing was on the wall when I started to read the scripts, and David had kind of hinted at it anyway when we went out for the famous dinner where he told me what the plan was, and I was gutted because I loved playing him so much. But, yeah, narratively, yeah, it makes sense. And I have complete faith, respect, love, admiration for David Jenkins, and whatever he thinks or wants to happen in season three will be the right thing if he gets season three, which I, whether I'm involved in it or not, I really hope he gets it, because he deserves it. And the show deserves it. The show deserves its triangle. It deserves it. But, yeah, it took a few days to sink in, and then I was fine. I was incredibly tired by that time. And I was lonely, as... really lonely because I was so far away from home filming all these scenes, and I tended to isolate when I was filming because of the nature of the work. So when I wasn't filming, I was sword training, or I was working out, or I was learning to walk on that fucking leg, or I was whatever whatever whatever. So I found myself isolating a lot. And in a way, it was a relief to be released from it. The final scene David had sent to me several weeks earlier. And I prepped, as I always do, and I prepped and I prepped and we were going to shoot at the beginning of the last week, and then it got shifted to the middle of the last week, and then it got shifted to the morning of the last day, and then it was shifted to the last thing we were going to shoot in the entire season. And there's always a dark cloud around those scenes because you never quite know how it's going to play. And there's a lot of pressure. And it being the last thing we were going to shoot, put more pressure on. And we were on the ship, which is a huge set, hundreds of crew members, the cast, everyone who could possibly be there was there. And I was getting quite unsettled by the amount of cacophony of noise and people. And then we rigged it all up, and it was still just [noise]. And then suddenly it was just me and Taika and just saying goodbye to a character we both fell in love with. And it was... it was a, I'm saying 'profound' a lot, but it was a profound experience doing that scene because everything else disappeared. It was just me and him. It was just Izzy and Blackbeard. And it was a lovely lovely moment.

SP: It was painful, but-

Con: It was lovely to be held by-

SP: -beautiful to watch.

Con: Yeah. Thank you. I mean, it's lovely to be held by another actor just... creatively and likewise with me to him. And David had a playlist playing and it was... elegant to do. It was nice to do. It was a nice, fitting ending to that chapter of this character. And I'll always be grateful that they shot it in that way.

SP: I do have to wrap. I just want to say before we do, I really enjoyed your rendition of La Vie En Rose. fantastic.

Con: Thank you.

SP: That's beautiful. And I appreciate all the work you did in the series, and I hope we see you again. And hopefully maybe you'll have a cooking show too, along the way, because I'd love to see what you make in that kitchen.

Con: Come on and let's bake together. Oh, I can't bake. I'll cook. It's lovely l ovely talking to you, Stephen.

SP: Great talking to you as well. Have a great day.

Con: Thank you. Bye bye.

SP: Thank you.

[rayclubs]

Which tf2 merc do you think gets mischaracterized the least?

Good question! Let's do a rating.

In my opinion, there are three aspects to characterizing someone.

Facts - you have to get basic character backstory right. This includes all objective canon truths, events, and, well, facts about said character.

Behavior - you need to understand how the character acts, how their interpersonal relationships function, what they're like in their day-to-day life. This is the nitty-gritty of fanfic and fanart, this is dialogue, line-to-line characterization.

Integrity - you need to understand the character's core beliefs and principles, what their values are and how they view the world around them. This isn't something you can easily quote or point to as a mistake in fanfic, it's more of an overall idea of a character.

Each of these is going to be worth up to three points, with zero for terrible characterization that gets everything wrong. This would ideally total to nine points. I'll be awarding an additional bonus point for character interpretation that doesn't make me scream "he would not fucking say that". Let's go.

Scout:

His backstory is fairly simple. He has an absent father, half a dozen siblings, and a crush on his boss who doesn't reciprocate. People mostly get this right, except they also call him a virgin despite the fact he canonically lands the fried chicken queen, and seems to do it with ease. 2/3.

His behavior is also mostly portrayed accurately, in that he's loud, obnoxious, self-absorbed, and can be kind of a dick, though not completely without endearing qualities. The fandom is, admittedly, guilty of making him more insecure and self-conscious than he actually is, to amp up the drama. 2/3.

His core values, however, are completely off. The main interpretations I see of him are "depressed Scout", "homophobic Scout", and "baby Scout", neither of which is true to his character. This is a grown man with a force-a-nature complex. The homophobia is just projection and internalized prejudice, but that phenomena is too complicated for me to dissect here. I talked about it before and might make another post later. Anyway, 0/3.

Scout does not get a bonus point. He would not fucking say "poggers" but he would say "daddy-o".

Overall characterization score: 4/10

Soldier:

Very little is known about Soldier's backstory so there isn't really any room to be wrong about it. What we do know is also vague and unreliable, so it's open to interpretation. Given how little room for error there is, I'll give him a 3/3.

His behavior is completely off in most cases, often shown to either be overly aggressive or so dumb you start to question how this man functions in his day-to-day life. Canon Soldier has plenty of endearingly stupid moments but a lot of them can be read as deadpan jokes on the character's part, and many turn out to be secretly clever moments, such as him infiltrating the robot base with a goofy cardboard disguise. Likewise, canon Soldier has plenty of aggressive and mean moments, but he's not cruel and very clearly not a threat to his teammates, which isn't captured at all in fanworks that decide to go that way. 0/3.

Soldier's core ideals are mostly captured well, as in - yeah, he calls people communist as an insult in fanfics. I feel like he should mention God more often than he does in fanon, it's, like, one of the two ideologically meaningful things he ever talks about. The importance of "America" as a concept to him is mostly preserved but left unexplored. 2/3.

Soldier does not get a bonus point, he would not fucking say [homophobic slur] yet here we fucking are.

Overall characterization score: 5/10

Pyro:

His backstory is nonexistent yet people still fuck it up. His technical knowledge is clearly extensive and impressive, as shown by the complexity of his weaponry - which, mind you, looks HAND MADE - but people treat him as if he's altogether incompetent and maniacally stupid all the time always. He also ran an engineering company for hell knows how long and people just forget about it because they're allergic to adults or something. God this pisses me off so much. I mean for fuck's sake, people act like his full job description is "Pyromaniac" and not "Pyrotechnician". I'm so tired. 0/3.

His day-to-day characterization and dialogue is also completely off. People treat him as if he's INCAPABLE of communication, make him obsess over childish things he's only shown a moderate liking to in a manner that's borderline creepy and insulting, and take away his whole entire agency in everything he ever does. I will literally not give y'all a single point, you do my man Pyro so dirty. 0/3.

His ideology is complex and vague in canon, and I don't blame people for getting confused by such things as Pyrovision, but FOR THE LOVE OF GOD. In my time on Ao3 I've seen animal Pyro, cryptid Pyro, monster Pyro, alien Pyro, evil mindless maniac Pyro, incompetent baby Pyro, nonbinary Pyro (HENCE MY PROBLEM WITH THE HEADCANON, do you see how it looks next to all these other interpretations?) but I've rarely, if ever, seen competent adult Pyro with actual hopes and dreams and agency. 0/3.

Pyro does not get a bonus point because he would not fucking say "uwu" but he would say "fuck", let Pyro say fuck.

Overall characterization score: 0/10 are you fucking surprised

Demoman:

Oh poor lad what have they done to you. So, Demo's backstory is arguably the most detailed and fleshed-out in the entire canon. Too bad nobody fucking read it. Admittedly, in the recent years I've seen people mostly manage to remember he has several jobs and is overall a competent and successful man, but it's rarely - if ever - explored, I've seen exactly one fic where the author bothered to explore what one of his other jobs might be (and it was not a good fic for many other reasons, don't ask me for a link), and it honestly feels like people don't want to dwell on it? Like, they mostly mention it to fill a quota, y'know? Here, I'm not racist, I've acknowledged one of this character's achievements, leave me alone. Also the subject of him being fucking adopted as a kid never comes up. 0/3.

His day-to-day characterization suffers a lot because people think alcoholism is the most morally repugnant thing that can ever happen to a human being. This man honestly barely even has a presence in the fics he's in. Are you wondering where Demo is? Well, he wasn't there! He was BUSY! He couldn't come! There is a handful of writers who bother to write his actual inner monologue and point of view, and this point goes out to them only. Also there was a pretty good Boots and Bombs fic in which Demo was a dick to Soldier but then got better, and it stuck with me. 1/3.

His core character is fucked up by fandom because he's either all flaws or not allowed to have any flaws, and there's no in-between. Ever since I joined the fandom I've seen a lot of critique floating around, and people mostly seem to listen and realize they've been mistreating the man for long enough, but it created a whole separate problem of Perfect Demoman which is bland and boring. People don't want to write an offensive caricature but don't feel like fleshing him out either, so they just make him great at everything and never let him fail and grown in ways that are meaningful. Except that one fic I mentioned earlier, but I've already awarded a point for that. 0/3.

Demo does not get a bonus point. I couldn't find a meaningful example of bad dialogue because, like I said, he has no presence in any of the fics he's in. He would fucking say something.

Overall characterization score: 1/10 and honestly it's too generous on my part.

Heavy:

Okay so Heavy's backstory really confuses people. I've got like a dozen asks in my inbox when I called his father a revolutionary AND a counter-revolutionary. Wait till I call him a royalist, it'll blow your tits clean off. I don't feel like explaining the history of the communist regime in the USSR on this post, let's just say people are mostly faithful to canon but don't really "get" Heavy. 2/3.

His day-to-day characterization is plain bad. He's treated like a mother hen to the mercs when he's more of a stoic friend with a mean streak and a crude sense of humor. I think the main problem is the dialogue, people just can't give him the dignity of speaking in an intelligent manner. It's honestly also pretty bad in the comics. 1/3.

His core ideals are fine, if oversimplified. He's not a complicated man, he loves his family, his guns and his doctor. People rarely give him any more depth than that but it's not offensive to his character or anything. I feel like he should have more political opinions than people give him. I also feel like people make him way more protective of Zhanna's romantic pursuits, to a creepy degree. I mean, yes, he's annoyed by her marrying Soldier, and seems horrified for a brief second, but it's not like he's against it or anything, he's just kinda surprised? Anyway, 2/3.

Heavy does not get a bonus point because he would not fucking say "da". Pizda.

Overall characterization score: 5/10

Engineer:

Yeah people mostly get him. He's got 11 Ph. Ds. Some treat him like he grew up as an actual cowboy or something but most remember he's a nerd. I'd actually give all the points here because Engie's backstory is NOT complicated. 3/3.

His dialogue and day-to-day characterization is also okay, though people really mellow him down a lot. I had a bit in one of my fics where he said something like "let's teach those sumbitches how the real killin' is done" and like three different people commented on it saying they liked or were surprised by his mean energy. It's not even that mean, I think it kinda shows my problem with his interpretation. 2/3.

I asked about mischaracterization once and a lot of people replied "Engie is the most mischaracterized because people treat him like he's good but he's actually evil" which I think pretty much covers it? It's hard to write someone who is not implicitly strictly good or strictly evil. Engie treads this balance really well, I'm actually convinced his demeanor is not a facade, he is nice at times and mean when he wants to be. Fanon Engie can only be one of two things and neither is right. 0/3.

Engie gets a bonus point as an exception. I actually can't tell why, people just have his voice on-point. Is his accent and manner of speaking really that easy for you? I struggle to write him a lot. I think he should say "bitch" more.

Overall characterization score: 6/10

Medic:

People focus on the fact he lost his medical license more than on the fact he HAD a medical license in the first place. Other than that he really doesn't have a backstory. I dislike that people try to give him a sad one, I think he grew up loved and maybe even a little spoiled, but I can't fault others for not following my headcanons, so. 2/3.

His dialogue is the WORST because it's written phonetically. His goofy yet self-confident energy isn't captured well at all. The best I can put this is "people wife him" but it sounds kinda mysogynistic so really I'm at a loss. Submissivepilled breedablemaxxer. 0/3.

His core values are also all over the place. The complicated thing about writing Medic is that he actually doesn't come with pre-packaged drama. His backstory is vague, his demeanor is optimistic, his vibes are fun, and the worst thing that happened to him in canon was working with the classics for a bit - people amp it up to squeeze hurt out of it, which is fine, but not many people actually like going there. Thing is, fanfic writers aren't that good at writing drama when it hasn't been established before. They have to warp his character, make him edgy, self-conscious, or plain mad evil without redeeming qualities. I remember really struggling with my big Medic fic because I wanted it to be dramatic but had to put a lot of work into actually building up the emotion, because Medic is fine. He's fine. He's alright. He's fine. He's doing well. 0/3.

Medic does NOT get a bonus point, he would not fucking say "babygirl" and I'm not even sure if he would say "yass queen slay" I'm SORRY

Overall characterization score: 2/10

Sniper:

People mostly get his backstory right, probably because it's the most well-explained in the comics and it gets the most "screentime". It's also literally a Superman parody which is funny and memorable in concept. 3/3.

People can't find a good balance between stoic professionalism and social anxiety. I think Sniper is actually pretty simple, in that he's a little self-conscious which pushes him to actively better himself as a professional, but also makes him a little awkward so he comes across as standoffish and a little mean. He's a solid bloke that's balanced and feels real. Fandom has to go for the extreme every goddamn time with him. It sucks. 0/3.

People kind of get his drama, his relationship with his family and whatnot - mostly because a lot of us losers can relate, I bet - but, again, go for the extreme in making him anxious, whiny, and sad as a wet kitten. Unless it's a porn fic in which case he's an absolute freak that growls at people. I don't know what it is about Sniper that makes him so difficult to characterize. Manic pixie dream boy. Dark and moody lover love me like no other. 0/3.

Sniper does NOT get a bonus point because he doesn't say "cunt" nearly as often as he should. Also send me asks about my Sniper takes I want to stir up some shit.

Overall characterization score: 3/10.

Spy:

The only piece of his backstory we actually know is that he fathered the blight of the earth that is Scout TF2. 3/3.

His obnoxious and insufferable demeanor is mostly captured well. A lot of his portrayals aren't nearly as classy as people think they are, but that's because most authors are themselves proletarian, myself included, which is fine. Not many make the effort to pepper his speech with French words it would actually be natural for him to say, and blame it on the nonsensical complexity of the French language, but I'm not buying it as an excuse. 2/3.

His core values are off in regards to Scout - he's often portrayed as soft, mellow, overbearing, and critical of Scout's love life to either a comical or an uncomfortable degree. His fandom portrayal often also lacks the self-confidence he's demonstrated in the comics. Spy is not above strangling a man with a chain that holds the shackles around his ankles, he wouldn't consider it a blow to his dignity to fuck any of his coworkers either, come on. He's also funny and goofy but the fandom tends to neglect that. 1/3.

Spy does not get a bonus point because he would not say "perchance" but he would say "your mother".

Overall characterization score: 6/10

The final scores are:

Spy - 6/10

Engineer - 6/10

Heavy - 5/10

Soldier - 5/10

Scout - 4/10

Sniper - 3/10

Medic - 2/10

Demoman - 1/10

Pyro - 0/10

There we go! Pyro is the most mischaracterized, Demoman is a close second, and nobody is characterized well. Cheers!

[pixelheartthrob]

Elise & the Duke

Elise's relationship with her father isn't discussed very much. I think it's actually one of the most interesting aspects about 06.

In a flashback, he's shown telling a young Elise "Don't cry" and "Become a strong queen who doesn't cry no matter what happens" in response to her grieving over her mother's death, which is...not great. A child should be allowed to grieve over their deceased parent. Although the Duke means well and says this because he genuinely believes strong leaders never cry (which is far from the truth), that doesn't make what he's doing okay. It doesn't matter that he's saying it in a soft and gentle tone, either. To a child, it's likely gonna seem like a dismissal of their feelings (which it is). This also shows that he was telling Elise to never cry before he used her as a vessel to seal Iblis.

Another thing I find interesting is that Elise says "I understand everything my parents said to me now." It could imply that Elise's mother held the same sentiment as the Duke, but we don't know for sure.

Now, onto the Solaris Project. Some time before the project began, the Duke told Elise that Solaris' power would allow them to travel through time and rectify past mistakes. The main reason the Duke began the project was so Elise could see her late mother again. Once again, good intentions, but the Duke experimenting with supernatural forces beyond his understanding cost him his life and hurt many people, perhaps his daughter most of all.

So long story short, the project goes wrong and the Duke is fatally wounded in an explosion but shortly before his death, he sealed the Flames of Disaster in Elise and pretty much left her clean up his mess. She was cursed to never shed a single tear, had to rule an entire kingdom at a young age, is relentlessly pursued and kidnapped by a madman who wants to harness her power, and when she makes a single friend, he gets murdered right before her eyes by the creature that her father experimented on all those years ago. Elise is suffering the consequences for her father's actions.

And how does Elise feel about her father after all this? She still loves him deeply. She doesn't express any anger towards him or angst about the way he treated her, or that he inadvertently caused her suffering, even though she has every right to do so. You get the sense that she doesn't realize her father's "love" was actually quite abusive, which is just really tragic. At the start of the game, Elise lacks confidence, is unsure of what she can do in her situation, and even blames herself for the things that are happening. Her attitude gradually changes when she meets Sonic, who encourages her to be more proactive and truly enjoy life instead of being restricted by her role as a princess.

Yet people get on Elise's case for breaking down once at the tail end of the game over the fact that she'd lose the memories of her only friend and would be separated from him?

Elise doesn't mean what she said in this moment, and blows out Solaris' flame to save the world seconds later. She had to bottle up her emotions for a decade and now has to say goodbye to the person whom she grew to love over the course of their adventure. Her reaction here is more than justified.

Elise is such a good character 🤍

[spaceorphan18]

THE LADY WHISTLEDOWN PAPERS : 1X01 - A DIAMOND OF THE FIRST WATER (PART 4)

Hi! Welcome back to The Lady Whistledown Papers, where I’m taking an in-depth look at Penelope Featherington and Colin Bridgerton’s character arcs and romance within the show Bridgerton!

For previous issues, follow tag : The Lady Whistledown Papers

Alright, finally wrapping up the first episode but it ends with some really good stuff!

Dinner

I'm kind of amused that I've managed to ignore the main Simon/Daphne plot as long as I've could... But here we are at a Bridgerton family dinner where we get to see the family dynamics on brilliant display as Violet arranged all of this so Simon and Daphne could hang out.

Fascinatingly, the first subject of talk is the identity of Lady Whistledown, and it's a fun little conversation as they start guessing who it could possibly be. Colin, hilariously, suggests it could be a man -- only to rightfully be shotdown by Eloise because how dare he. Colin isn't even going to know who Lady Whistledown is when he's sleeping with her, so boy really does not have the highest of deduction skills.

Hyacinth, of all people, will get the closest when she guesses Lady Featherington. It's amusing that she's consistently used as a sort of prophet. I'm looking forward to seeing what kind of role she plays throughout the show.

Most of this scene is dedicated to Simon and Daphne... falling in love? idk. What I do like about it, though is something I enjoy in general about Bridgerton as a whole -- the fact that it does rather well with sibling dynamics. There are a lot of personalities at that table, and it's kind of cool to see how they can be all similar and all different at the same time.

Colin remains chatting and laughing with Benedict. We don't really get enough of a conversation to be able to really comment but, it does look like they're having a great conversation. We don't get a whole lot of reaction from Colin as to the whole Simon/Daphne thing so -- I don't really have much to say on that front either, but it'll be interesting tracking it through the season.

Dance

I never noticed they are in a boat -- so... this is on an island? What is even going on? What ball is this again? Do I really need to watch ALL of Season 1 for this project?

You know, we don't get a ton of Colin and Benedict stuff throughout the years, but they often are having fun in the background while Anthony is brooding up front.

Alright, so, LET'S GET INTO MY FAVORITE MOMENT OF THE EPISODE!

I really should have gone back and watched the previous scenes to figure out where exactly they are but I didn't, ah well. It looks like more like a festival of sorts more than a ball, which I think is pretty cool because the actual ballrooms start to feel the same after awhile.

Anyway... we have Pen just kind of standing by herself looking lonely. Interestingly, she does look like she's looking for someone? But she says she wasn't expecting him, so I wonder if she's just glancing around in Lady Whistledown mode?

The way she jumps and immediately lights up when she sees him. She's shocked to see him, but so delighted that he has sought her out. And it's interesting to note that he goes looking for her first thing -- granted it's for information -- but still he does seek her out at every social gathering. ;) No, but this is important. In both their interactions now, he has come to her. She may be the one with the crush, but she's not following him around like a love-sick puppy.

I should have mentioned it before, but in both instances he has called her 'Pen'. Not Miss Featherington (Which would have been appropriate) not Penelope. Just Pen. It speaks to their level of familiarity and established relationship. It also isn't appropriate for an unmarried man and woman of no relation to call each other by their first names, let alone a nickname. Episode 1 and they're already breaking rules.

It's the same with the little bow they give each other. It's such an after thought, such a -- oh right, we're outside and have to adhere to society rules where men and women greet each other in a certain way, but they do so halfheartedly. They don't really care about what society wants when they're around each other.

Penelope exclaims that she didn't know he'd be there (an interesting comment - I wonder why not) and then he says 'sorry to disappoint'. And that's a telling comment. It's self deprecating humor. He's not used to anyone wanting or needing him around and/or preferring Anthony or Benedict instead. But also, he (probably) assumes that she'd probably prefer Eloise to join her over him.

But her lighting up when she sees him doesn't really go unnoticed -- subconsciously anyway. It's infectious when you have someone who is genuinely excited to see you -- especially when you're used to being the one that is not being sought after. And he is genuinely happy to see her, too -- even if he's asking about Marina, he still has a warm smile for her. They both latch on to the genuine affection they have for the other one.

Colin asks about Marina, and the way Pen's face just falls when he does so. :( She realizes that he had an ulterior motive when coming to speak to her, and that guts her a little. (as a note - it's implied a little earlier in the episode that Marina is pregnant. It's not officially said - but they get into it more in episode 2. Obviously, that's important to this plot...)

Pen explains that Marina's illness is why Portia isn't around and why Lord Featherington is chaperoning. Colin grins at this -- I can only imagine how hilarious he finds it that Lord Featherington has to be (semi-)involved in his daughters' lives. I haven't really spoken much about him yet, but at best, you could claim that Lord Featherington was a neglectful father. He doesn't really interact with any of his daughters, nor does he seem to care all that much. I have to imagine that Colin, at least a little bit understands this, hence it's so amusing that he's there now.

Pen then is excited to show off her dress. It's not yellow! It's still a girlish pink with hints of blue (foreshadowing through clothes? maybe?). She still looks like a child a bit, but she doesn't stand out so much. She can blend in a bit more, and not feel as if everyone is making fun of her for her clothes.

In a way, the 'not yellow enough' comment was a little self deprecating, too. As the two of them have that in common -- that they both feel unseen and unwanted in society.

She's also trying to get his attention -- trying to get him to check her out. It's awkward and cute and I love how excited she is in her attempt. The thing is, he does notice! We don't really see his reaction to her comment -- but if you look you can tell that he is grinning back at her as they talk.

And then Cressida comes along and spoils their moment. So. Here's the thing I've noticed already about Cressida. Lady Featherington and Lady Cowper are friends. Sorta. They mean girl together. And as we learn in season 3, Lady Cowper has instilled this kind of ruthlessness into Cressida as a way of survival.

I also wonder -- did Cressida spend time with the Featherington girls? It's interesting that Lady Cowper is always around, but we don't see Cressida at the house. I wonder where she is and what she's doing. I will say -- I don't think Cressida is friends at all with Prudence or Phillipa. All three aren't very nice -- but Cressida is much shaper and pointed with her unkindness, while Prudence and Phillipa are just kind of dumb. And I can see Cressida poking fun at them as much as she does with Penelope.

Here's the thing. I want to joke how ridiculous it is that no one seems to notice that Pen is deeply pining for Colin. She is so open about her feelings but the thing is, no one really seems to notice her and that's why no one ever calls her out on it.

Except, I like to believe that Cressida does.

There's no real reason for Cressida to interject herself into their conversation other than she wants to be mean for the sake of it. I don't think she has any real interest in Colin other than his name and the fact that dancing with him would put a mark on her dance card.

Pen interjects on Cressida's attempt and that's when Cressida's claws come out. Cressida's mother (as we'll learn) has taught her to see any other woman as a form of competition. Pen was making a comment because she and Colin are friends and in a way already more than friends. They have a solid, established relationship. Cressida is looking at Colin as a way to achieve a goal. And Pen is getting in the way of that.

So Cressida does what she has been taught and tries to eliminate any kind of competition. And some of it is trashing on someone the ton already trashes on but it's also digging the knife in a little deeper, because I do think Cressida knows that Pen isn't just talking to some guy at a party, she's talking to a guy she likes and has feelings for.

Cressida probably over heard her, too, that Penelope was happy about her dress choice. So what does she do? Dump water (?) over the front of her dress. Not only was Penelope having a moment of confidence but Cressida's cruelty takes that away as she embarrasses Pen. But also she claims to not have not even seen Penelope there. Obviously she did, but it adds to the fact that Pen is often seen as wallpaper, nothing to really take note of.

Colin's face during all of this though! Because here's the thing. Here's the THING and why I love Colin. He probably wouldn't have really entertained Cressida as a dance partner unless he had to. That's... a whole other thing. But the minute she started cutting in front of Pen. The minute she pulls this stunt on his very good friend, it's over.

Cruelty is not part of Colin's nature, and seeing other people mean is an automatic turn off for him. But more than that, Cressida just trashed someone he does care about, and that is unacceptable. Look how hard his face is in this moment - he's pissed off at her for what she did.

And then just look at the way his face softens as he turns his attention to Pen. It's caring and gentle and he's looking out for her right from the beginning!

But I mean, also, what he does is so calculated and is such a badass moment. He beats Cressida at her own game. Not only does he completely deny her a dance, he decides that Penelope is the more worthy choice and snatches her up (as a mess as she is at the moment). He doesn't spare Cressida a second look. He'd dance with Penelope anyway, he doesn't need an excuse, but to play society's games as a way to punch back at Cressida for being mean to Pen -- is just so ballsy. He may not be a huge fan of the rules, but he knows how to play them and when it matters.

I also should note that Colin has a sort of hero complex, too, that comes into play. He likes to be the one to help people, to save people, and what he's doing is saving Pen from humiliation. He does genuinely care for her. But he also won't let someone be trashed because for the sake of it.

And I mean... we should take note of this moment -- because it's going to haunt Cressida for a long, long time. You just fucked with Lady Whistledown in front of her husband, Cressida. Your days are numbered.

And, I mean, look at the utter shock on Pen's face as he reaches for her hand. His kindness is why she loves him, and this just adds another moment to that pile. No one else really looks out for her. No one else really sees her. No one else would really stand up to Cressida and put her first. It's no wonder she's gone for him.

But then here's the thing. As we get our fun, little Irish jig started, Colin just looks delighted as they get to the dance floor. Cressida is all but forgotten as the two of them settle into their dance together. Pen is still shaken a bit as they start, but Colin has no qualms about what he had just done. In fact, he's proud of himself. But more so -- now he and Pen can just have fun -- as they always do.

This is not the first time they've danced together (as will be alluded to in the next episode). They probably danced a bit and enjoyed themselves, and as Pen settles into it, they both just have fun together.

And the jig is something to notice as dance is important in this show. It's fun and lively but it's also still a little childish, a game. It's not serious courtship, not yet, but it's enjoyment and playfulness but it's purposeful! As this level of caring and understanding and joy are the basis for their friendship and therefore the basis of their eventual relationship.

I mean just look at these idiots not knowing that they're really falling in love with each other.

I love everything about this scene so much!!

Okay, I have to close out on this shot of Pen. Because this is important. As Simon and Daphne come in with their little scheme to fake dating, Penelope is watching. And in fact, if you notice (Nicola Coughlan confirmed it) Pen is always just right there, noticing the action that's going on. And therefore Lady Whistledown is right there.

In this shot its obvious that it's her, but I'll be keeping an eye out because she does this a lot if you're looking for her. She's almost like a Where's Waldo cartoon!!

And that's finally Episode 1!! Whoo we made it! :)

[ourtalechara]

... thoughts? (Full idea under cut)

What if someone who knows how to use vocal synths like. Made a vocaloid version of Hamilton. Assign each member of the cast a character that sings for them. It'd probably be a community project if it happened, because that's a big undertaking, but it would also be more fun as a community thing. I don't really know how to use these programs, (I have tried to make Teto say things, and technically I have succeeded in making her say things) BUT I can brainstorm casting ideas with my limited knowledge of fanon Vocaloid personalities!

As indicated by the picture above Hatsune Miku would probably take the role of Hamilton. Her being the most popular Vocaloid makes her a prime candidate for title character. Also I just like the image above with Miku's silhouette on the star with her name.

Idk who Burr would be. Flower maybe? Off the top of my head. Is there someone who it would make sense to oppose Miku in the way that Burr does? An anti-miku? Neru? Nah, I've got better plans for Neru...

You can't spell Laurens without L en. You can spell Philip without it, but that doesn't matter, he's going to be playing that role anyway. It just feels kinda natural for me, as he's pretty young and boyish, which fits Philip, and I feel it fits Laurens too. There's no Len's-relationship-to-Miku-mirrors-Laurens-relationship-to-Hamilton to this or anything, I'm pretty sure that's the case for most of these.

Lafayette is Teto this is a fact. They're both so silly and they like baguettes they're the baguette bois I need this so bad someone give me a Teto cover of guns and ships and I will love you please I feel this in my soul.

Also, I like the idea of Teto in the second act wearing a flashy red coat and debating with Miku in the cabinet. She's perfect for this role.

Mulligan/Madison? Uh. Idk. Again. Flower? Again? Maybe Fukase? I will probably form a stronger opinion on this/borrow someone else's opinion later.

The Schuyler Sisters!

I'd say MEIKO has good strong eldest sister energy fit for Angelica. Also they're both red.

For Eliza, my first instinct is to say Luka, although there's also a voice in my head saying Gumi, and there's also probably someone outside of my head who has another idea that might be better. ?

Rin has big "and Peggy" vibes.

For Washington I want to say KAITO or Guackpo, like, a tall, imposing man. KAITO would be perfect if it weren't for the fact that in most fan works I've seen, KAITO's pretty goofy, and Washington really isn't. I think that that's probably just bias though, he's not always like that. He could make a great Washington. Idk much about Guackpo but it could probably fit. He's a samurai. I don't know if that has anything to do with anything, but maybe it could.

Philip Schuyler as Neru. I initially thought of this as a joke, as Schuyler doesn't speak a word himself, and Neru has no official voicebank (I personally headcanon her as mute), but Neru as his second act counterpart, James Reynolds, could be really interesting? Neru hates Miku so much that she decides to extort her for money and ruin her career? It feels very in character for Neru to do some of this stuff in a way, it just feels right I guess.

So that's. Most of the main characters. Or all of them. Unless I'm forgetting someone. I have no ideas for side characters other than the Neru ideas. I feel like the utau default voice whose name I don't know off the top of my head should be in there somewhere. Maybe. Maybe the one with the big blue thing on her head. The young one. In positive dance time. Idk there's lots of Vocaloids and lots of characters (but there's more Vocaloids) and I need to end this post now goodbye.

[pinegreenapples]

Radiostatic Fic Recs

Do you like radiostatic? Are you looking for something good to read? Here are some of my personal favorites that I think everyone should read! As a reminder, if you don't like something listed, just don't read it! And don't bother the author or me! Staying in your lane is free! 😊

Finished works

Read 'Em and Weep

Vox and Alastor are on the cusp of a relationship but Alastor worries that he isn't enough for Vox. Val interferes. Now a series!

Get Your Thrill Just to Get At Me

Alastor experiences a rut for the first time and Vox refuses to waste good dick on a panic attack.

Hold Me Like A Grudge

This one's ABO and pretty much just smut. Suppressants fail all over the city! Guess we gotta fuck!

Put Your Fingers Back to the Keys

Alastor gets publicly summoned by Lilith and Vox searches for him.

Escape Was Just a Nod and a Casual Wave

This one's a really cool predator/prey fic where Vox chases Alastor.

Keep You Like an Oath

Alastor sneaks into V Tower and discovers Vox's video logs. It causes a revelation.

Lucidity's Fog

Vox has one final sex dream of him and Alastor together.

How to Commission a Radio Demon Body Pillow (and other assorted things)

This one is based off a tumblr ask thread about Vox having an insane amount of Alastor paraphernalia. It's funny, but it is one-sided.

Would You Download a Demon?

Alastor tells Vox and Rosie that he sold his soul. Vox does something so stupid, it's smart.

Classic and Better

Oooohhhhoooo, this bad boy is what made me start writing again. The characterization of them is so good and I love it so much. Alastor tempts Vox back into his folds and Vox follows blindly.

Once Bitten, Twice Shy

Alastor lays claim to Vox by biting him. This one is short and sweet. Now a series!

Couple's Therapy

This one was funny and sadly too short. Modern day Alastor and Vox decide to go to therapy as a joke and it actually makes them realize a thing or two.

Bambi

I love this piece. It's cute! Vox and Alastor have two different versions of Bambi-their clashing interpretations lead to an adorable misunderstanding.

Joking Matters

Vox and Alastor got married to consolidate their power and have kept their relationship a secret since.

Obligations

Vox trades for Alastor's soul but it isn't at all like how he wanted. They both cope in their own ways.

Meant to Be Yours

This one's one-sided. Vox gets rejected and takes it really badly. An excellent piece exploring his side.

Bargains

This one is also so so so good. Alastor has a rut cycle and the only person who knows is Vox. However, Alastor hates that he has a rut and takes it out on Vox. Vox just wants to know what Alastor actually wants.

Spite

This one is delicious. It's based off the first episode where Alastor says he pulled a few strings to get the commercial to air. Vox demands that he act in a porno for blackmail.

Just a Slave to Your Instincts

Vox researches deer instincts and uses it very effectively against Alastor.

That One Tuesday

Similar premise to Classic and Better but it involves more of the Hazbin cast and the main plotline of trying to redeem sinners.

Vox and the Terrible, Horrible, No-Good, Very Bad Afterlife

This one is light on the relationship but funny. Basically, every rut Alastor goes fucking nuts and takes it out on Vox. However, no one believes him and they think he's going crazy.

666: Live on Air!

An excellent series that does a good job exploring the push and pull between these two and what a relationship between them would look like with all their hang ups and miscommunications.

Seeking Solace

This story plays with Dom/Sub designations and Vox is a sub who hasn't dropped in too long. He calls Alastor to help.

Radio Made the Video Star

An excellent series exploring the arc of Alastor and Vox's first meeting, their subsequent fallout, and their re-connection as they are forced to work on a project together.

Thawing Out

Vox is in an abusive relationship with Valentino. Alastor finds him one night by accident when he's mulling over his relationship. For the first time, Alastor notices that something else might be going on at Vee Tower and he has these awful feelings about it that he can't seem to shake.

The Pitch

Vox swaggers into Alastor's radio tower to find out more about his newest pet project, he ends up limping out. Wink wonk!

Hypnosis, Live in your Bedroom!

This is inspired by the 666 hypnosis fic and it is quite good! It’s another smut piece of Alastor and Vox exploring his hypnosis.

Other Place

This piece is really sentimental. It made me cry and think about death. Basically, Alastor visits Vox on the anniversary of his mother's death and they talk through his many emotions.

This Wasn't on the Agenda

One-sided but funny! Vox and Alastor start a hissy fit in an overlord meeting about their brief sexual history together.

Staticradio Woodland Fun

This one's cutesy! Vox and Alastor are both mythical creatures experiencing rut and so they spend it with each other.

Feeling from Grace

Angel Dust comes to Alastor with some concerns about Vox’s wellbeing. Alastor manages to fuck it up, as he does all things regarding Vox and feelings.

Music on T.V. and Sex on the Radio!?

This one’s funny and sexy. After their little fight on air, Vox tracks Alastor down in his tower to have some good old fashioned fun.

Stay

Alastor can’t seem to let Vox go, even when Vox decides he can’t keep playing this game anymore.

Like Old Times

Alastor pays Vox a visit in his office after their musical spat to say hello.

Deer in the Backlights

This piece is nice in the way that it explores Vox finally getting closure from his obsession with Alastor. Val and Velvette set up a meeting for Vox and Alastor to finally fuck and get rid of their weird psychosexual tension. Vox wonders if this was really what he wanted all along.

198

This one is pure smut and it’s so delightful. Vox manages to mind break Alastor and turn him into his own personal sex toy. I also highly recommend anything by childishsadism, they write very compelling work!

Undisclosed Desires

Alastor and Vox get into another fight and Alastor finds he likes it a lot more than he thought he would.

To Be Yours

This is my own work! Alastor hears Vox open their personal frequency for the first time in years. Curious, he goes to find out why exactly Vox has chosen to break the silence.

Safe with Me

This one's good! It's a modern AU where Vox is a CEO and Alastor is a serial killer and podcaster. After separating as childhood friends, Vox and Alastor meet once again and find love with one another. Now a series!

Bluest Monday

This one is so well written and the romance between them is absolutely heart wrenching. Alastor fears losing Vox to modernity, so he finally accepts Vox’s courting in an attempt to keep the other at his side. This decision has unintended consequences neither could foresee. Now a series!

Addicted

Addicted is really good. Vox finds out he's been drugged by Val for decades and as a result has long term amnesia. He runs away and tries to reckon with a past he can't even remember.

Unfinished works

Hypnotic

This one is a rape fic. Vox hypnotizes Alastor against his will and forces him to recount his first sexual encounter as he has sex with him.

Prey of the Video Star

This one is really really good! After the battle, Vox takes Alastor back to Vee tower, determined to finally make the other his. Alastor, weakened, struggles the best that he can even as the noose tightens around his neck.

Equilibrium

Vox saves Alastor and accidentally creates a soulbond between them. This sets in motion a landslide of unexpected events between them.

The Answer is Yes

Okay, this one is extremely well written. It's a fascinating exploration of Vox and Alastor's relationship through a vignette style. It blends all sorts of memories with modern day and it's really cool. I like it a lot.

Hell’s Televisionary

This one is a really interesting take on Vox and his first few years in Hell. I’m really enjoying it! Vox is new to Hell and looking to make a name for himself. He’s also looking to reconnect with the elusive redhead that helped him when he first fell.

Rival Frequencies

Vox goes after Alastor after the extermination and patches him up. He discovers that maybe his feelings haven’t waned, and he tries to rekindle a friendship with Alastor again.

Tune On In!

This one is based off of an art post where Vox and Alastor got platonically married and details their life together.

Unraveling Emotions

Falling in love makes a sinner’s heart human again and their second death permanent. Vox has never stopped loving Alastor. Alastor makes a mistake and Vox nearly pays the price.

For my friends who liked my post, I hope this finds you!

@rae-does-stuff, @drakepad-luv-2000, @motherarts, @freakshowmemories, @bratpfanne-of-doom, @superpersonpatroleclipse , @nocakesformissedith , @coins-that-never-land , @matrixbearer2024, @dancingafterdark ,@pedi-bug , @starlightthenightwing , @unnecessarilysalty

[wishing-stones]

So it's no secret that Underverse was the main reason the plot of R&R worked. It revolved around UV, actually. I tried to be respectful to the source material and the characters. I tried to portray them as the incredibly multi-faceted, wonderfully written beings that they are.

It breaks my heart to see someone whose work inspired me to take the leap and actually attempt a multi-chapter be pushed out of the fandom for, what I understand, is 8 year old drama that has repeatedly been addressed and apologized for? I'm not sure on the details of it, but what I do know is that these kinds of dogpiling attacks that are common in fandom tie into purity culture and all of that bullshit. No one's perfect. People make mistakes. People are sometimes assholes.

People should be given the room to grow past their mistakes and not have shit that happened almost a decade ago held against them.

It's disheartening to see a creator who very obviously loves her craft pushed out because people are obsessive, to the point of legitimately needing mental help, about what someone has done every waking moment of every day since they were born.

Be fucking better. This isn't even really about Jakei (it is, kind of, but not my main point) it's about how fucking awful and brainwashed purity culture has made people. To believe that it's okay to harass and torment someone because they said something you didn't like years ago is mind-bendingly insane and asinine. How do you sit there, type out attacks against someone you don't know beyond the public persona they project, and think to yourself "yeah! I'm the good guy!"

My brother in christ, you are the fucking cyber bully. Full stop. End of fucking discussion.

Everyone who participated in this disgusting mob mentality, not just to Jakei, but to other creators, ought to be ashamed of themselves. This shit has far-reaching impact on people's lives. Finances, mental health, housing, employment... all of this could be jeopardized because someone said something you didn't like years ago. How do you look at that and think to yourself "I'm in the right"? Genuinely.

Do better. Be better.

Back to your regularly scheduled radio silence.

(Oh and before anyone comes crying to be about being a hypocrite for canceling Cat; there is a distinct difference between someone making an off-color remark and someone actively supporting and voting for violence against marginalized people, and additionally supporting extremist views on such things. It's not a matter of opinion then, it's a matter of systemic oppression.)

[tojisbbygworl]

Open House - Toji Fushiguro x Black!Reader - FFL Series

Summary: Toji was never one to go to open houses; he found them useless and a waste of time, money, and energy. Unfortunately for him, his lovely new wife was adamant on attending. Toji - 29, You - 26, Megumi - 9

Characters: Toji, Megumi, Yuuji

Words: 3,894

Tags: Family/Domestic Fluff, Established Relationship, Suggestive Content (bcs Toji can’t help himself), Toji’s a Good Dad

Disclaimer: This work is part of a Black!Reader x Toji series I started called Fushiguro Family Life. It's basically a slice of life series with you, Toji and Megumi. None of them are in order and can be read on their own unless stated otherwise.

AO3 Version

My AO3

Series Masterlist

Main Masterlist

authors note: Heyyyyyyy everybody! Very happy that I finally finished this. I love how it ended up and I hope y'all will like it as well! I hope Toji isn't unlikeable here, part of the reason it took so long. Where they live is not specified, but it is heavily based on American culture, so the way Megumi's school is set up is based off of American elementary schools. Okay, I think that's all. Enjoy!

“I can’t wait for my mom to see my project. Ms. Ieiri said I had the best one.”

“She only said that because she didn’t want you to cry like you always do, Miwa.”

Megumi snickered at Yuuji’s jab. They were on the bus finally going back home after a long school day. Him and Yuuji sat together, Yuuji doing most of the talking to the other students like usual.

“I can’t wait for the butterflies to hatch,” Yuuji said excitedly. “My dad’s gonna love them.”

“Butterflies don’t hatch, stupid.” Miwa threw a balled up piece of paper at him. “They sprout.”

“Nuh-uh!”

“Yeah-huh!”

“Hey, Megumi,” The boy looked up at the seat in front of him. Yuta Okkotsu peered down at him over the top. “Is your dad coming to see the butterflies?”

He was referring to the class project. All of 4th grade was learning about the process of metamorphosis and the school had a raffle to see which class won the opportunity to care for a bunch of caterpillars and get to see them as butterflies. Their class won and their teacher decided to showcase the butterflies at the school’s quarterly open houses.

Megumi gingerly shook his head. “Dad never comes to open houses.”

“But you were the one who watched their temperature everyday! So like, you basically made them.” Yuuji stops his argument with Miwa to interject.

All Megumi could do was shrug before the bus finally reached his stop. They all waved goodbye to him as he hopped off with a few other kids. Walking down the street to his house, the smile that was on his face began to drop. While he loves his dad, he wishes he would be more involved in his schooling. On field trips he saw his friends’ parents be volunteer chaperones and whenever the school had events, like the semester kick off, their whole families would be there. His dad didn’t seem to care about those things. He only ever asked him if he did his homework, only emailed the teacher about grades, and only went to parent-teacher conferences which he despised.

His new mom, you, wasn’t really involved either. Megumi doesn’t blame you though. He’s sure you just don’t want to overstep any boundaries or make anyone uncomfortable despite his bio mom not really caring. Actually, his mom didn’t care about anything he did either. Not even his grades or behavior in school. Huh. Maybe that’s why dad divorced her.

Megumi’s got to see those butterflies no matter what it takes. He should talk to you about it. Maybe he can convince you. Because Mom and Dad aren’t going to be moved.

He sees you sitting in your car in the driveway. You usually do get home whenever Megumi does. This would be the perfect time to talk to you without his love sick dad interfering and trying to get your attention. You seemed to be eating something, so you weren’t paying attention to your surroundings. He taps on the door and you look up, frantically trying to hide your food.

When you realize it’s Megumi, you relax. You unlock your door and he opens it up. “Hey, baby,” you tell him endearingly.

He smiles widely at you. “Hey, Y/N.” He looks down at your lap to see a Chipotle bowl sitting in your lap. You were almost done with it. “You got Chipotle?”

“I had it for my lunch but I didn’t finish it,” you explain, taking another bite. “I want to eat it before your dad sees it so he doesn’t try and get any.” Megumi giggles. His dad does have a bad reputation of stealing his and your food. “You can have some, though.”

Megumi hops in the car and closes the door, taking the bowl from your hands. He eats a few bites and hands it back to you. The both of you continue to exchange the bowl, finishing it quickly. It’s when you two are at the last few bites that you speak up. “So, how was school today?”

“Really good! We got our projects back today.”

“The one where you draw the metamorphosis cycle?”

Megumi nods and swallows the food in his mouth. “Uhm, I actually wanted to talk to you about something.” You get a worried look on your face and he quickly dismisses it. “No, it’s nothing bad. I just…uhm…here.” He reaches into his book bag and pulls out a folder. In the folder, he pulls out a sheet of paper and hands it to you. Looking at it, you gasp in excitement. It was an RSVP slip for the coming open house.

“You want me to go to your open house?” You ask him happily. Megumi blushes and nods.

“Only if you want to,” he quickly says.

“Of course I do, honey!” You pulled out a pen from your purse and quickly wrote your name. And then you wrote Toji’s. Megumi’s smile dropped and he gulped. You looked over at him. “What’s wrong? Do you not want your dad to come?”

“I…I do. It’s just…dad…doesn’t want to come.”

You raised a brow. “Oh?”

Megumi scratched his head. “He thinks they’re a waste of time. He only goes to conferences and stuff.”

You get a look of realization on your face. “Oh. Is that why I never hear anything about school?” Megumi nods. You become deep in thought and your brows start to furrow. “Hmph. He won’t think that for long, Megumi. I promise.” You hand the paper back to him and he puts it in his folder, just slightly anxious about what the future may hold. But, you were very excited too. You also hand him the bowl to finish and excitedly, he takes it.

Just before his last bite, there’s a slam on his window. You and Megumi look up at the giant hand belonging to Toji. You still looked irritated.

Megumi rolls down the window. “What do you want, old man?”

“Hey, I’m still in my 20s,” he answers.

“Barely!”

“What the hell are you two doing in here, huh?” He asks. He looks down at his son’s hands. He jerks his head to the side and stares at you incredulously. “So you got Chipotle for the both of you and didn’t want to bring me any?”

You gave him a hard blink, still annoyed by what Megumi just told you. “You don’t deserve a bowl.” You say, half jokingly.

“What did I do?” He asks. You don’t answer, instead you goad Megumi to finish it and exit the car. Toji watches his son eat the last bite and smile at him, rolling the window back up and opening the door. Megumi hands Toji the trash and walks inside with his stepmother leaving his butt hurt dad in the driveway.

-

It’s past 9 when you enter Megumi’s room to check on him. You knock a few times to make sure he hears it just in case he has any headphones in. He does and you hear some shuffling before he finally shouts, “Come in!”

You open the door to the dark room with only his bed being lit up by his night light which you have sworn to secrecy to never tell his friends that he still needs it. You smile at him snuggled up in his sheets. “Did I wake you?” You ask him, already knowing the answer. Megumi shakes his head.

“Okay. Good night then.” You tell him, blowing him a kiss.

“Goodnight, Y/N,” he tells you, ready to whip out his switch that was hiding under his pillow when the door closes. “Oh, wait, Y/N?”

You enter back into the doorway. “Yes?”

Megumi hesitates to ask you, but he gathers up his courage. “Is dad really going to come to the open house this time?” he asks.

He relaxes when you give him your sweet smile. “I promise he will,” you tell him.

With that Megumi nods and turns over leaving you to close his door and head to your own room, already knowing Toji’s going to have a time trying to wake him up tomorrow. He really thinks he’s slick pretending that he doesn’t play on his switch when he should be asleep, but you can always tell when he wakes up the next day, groggy as all hell, looking like he could drop any minute.

When you finally enter your room, your darling husband is there to await you. His large body is spread across the bed, waiting for you to get in with him. He grins at you with his hands behind his head shifting his lower body down. “Hey, beautiful,” he winks at you stupidly.

Whereas any other day you would fall for his charm, you were not amused by him. You ‘hmph’ and walk to the other side of the bed where you use all your strength to throw the rest of his big body ass on the opposite side and fall into the mattress. Toji, who was finally fed up with the animosity you’ve been having towards him all day, sits up and looks at you.

“Okay, what’s the problem?” he asks. “You’ve been mad at me since we got home. You even let Megumi eat the ice cream you said I could have.” He sounded so whiny, you couldn’t help but giggle at his ridiculousness. “So you’re just being a brat for no reason?”

“No,” you finally answer. You shift your body around to face him and he wraps his arm around your torso to kiss you. “I am upset with you.”

“But why? What did I do?” he asks.

You sigh and sit yourself up on your elbow. “Megumi told me something interesting.”

Toji began to think the worst. He thought the kid had let one of his deep dark secrets slip, like when you still lived on your own and Toji would hang onto his phone like an addict just waiting on a text from you. “Oh, yeah?” He played it off.

You nodded. “He told me you don’t like coming to fun events for school. Like field trips and parties. And open houses…” you trailed off.

Toji narrowed his eyes. “Open houses are not fun. Did he bother you about that shit today?”

You slap his chest. “He did not bother me, he asked me sweetly and I said yes.”

Toji scoffs. “Well, you have fun with that-“

“And you’re coming too.”

Toji’s jaw hangs open as he looks at you in disbelief. “What do you mean I’m coming too?”

“I signed your name up on his little RSVP paper, and-“

“Babe,” he says exasperated. You glare at him, not appreciating how much of a baby he was being. Honestly, if he was any more dramatic it would give you the ick for days. “Come on,”

“Wha-, you come on!” You say disappointed. “What is wrong with you? It’s just an open house.”

Not wanting to argue with you anymore, Toji sighs and gives up. He knows there’s nothing he could say to keep him from going, and he would hate to disappoint you any more than you already are. He kisses your forehead and holds your cheek. “Okay, baby. I’m sorry. I’ll go.”

You still weren’t satisfied. You knew he was only saying that because he didn’t want to upset you anymore, not because he had a change of heart. But, you got what you wanted, there’s no point in stretching things out. So you kissed his lips and smiled at him. “Thank you, baby.”

You were ready to sleep, but of course, he took that as an invitation. He smirked at you and leaned in for another kiss which you happily gave him. Then, he took more and more from you, squeezing you closer to him. He moved his hands down your body pushing your torso into his and sticking his tongue in your mouth. You squeal and pull away giggling at him. “Babe-,”

“Shh, come here.” He whispers, attacking your neck immediately afterwards. You stifle your moan by biting your lip. You knew you were getting worn out tonight. Good thing you don’t work tomorrow morning.

-

It’s the night of the open house and the school is bustling with parents, students, and staff alike. There’s a general welcome area with information about upcoming school events, and any questions that parents may have along with snack tables. You were walking right behind Megumi who was excited. Even though he was perfectly calm and walking leisurely, you could see from the small smile on his face that he was happy.

Toji could see it too. He was walking behind the both of you, not too far away. He’d never seen Megumi more relaxed or ready to leave the house before. It was weird.

Megumi led his parents to the 4th grade corridor where he pointed out various class projects that littered the walls in front of each classroom. “Mr. Geto’s class made this really cool honeycomb project. They were all given a hexagon and drew their own bees on it.” He explained to you. You oohed and aahed at everything he pointed out. He seemed to want to tell you about all the projects his friends made as well.

Before you all got to his class at the end of the hall, you looked around for your giant of a husband and found him practically dragging his feet towards you. You glared at him which made him roll his eyes and pick up the pace. Quickly you looked at Megumi sighing in relief that he didn’t notice.

“Oh, sweetie,” you say to him when you all reach Ms. Ieiri’s room. “Did you guys not have a class project? What about the metamorphosis thing?”

Megumi grins at you. “That’s on the wall inside. Our project was really cool and special. You’ll see.”

With that, you all walked inside and took your seats. Megumi sat you all around his desk, with him getting up to talk to his friends when they arrived too. Yuuji was the most excited to see him. “Megumi!” He shouted running over to him. Megumibarely had time to get up before he was practically tackled. “You’re here!”

The pink haired boy got off of him and smiled at you while holding his arms out. “Hi, Mrs. L/N.”

Miwa rears her head out of nowhere taking the hug you were going to give Yuuji. She sticks her tongue out at him. “It’s Mrs. Fushiguro now, dummy.”

“Don’t call him dummy!” Nobara, who also just walked in, scolds.

“You should hear how she talks to me on the bus,” Yuuji interjects. Megumi, quiet as ever, is just happy to be here.

So are you. The kids are hilarious and make you giggle. But you shouldn’t be getting entertained by a bunch of children, you should be speaking with your husband. You turn to talk to him, only to see him knee deep in his phone, leaning against the chair like no one’s business.

You scoff. “You could pretend to be interested,” you lean over and whisper to him.

“Hasn’t even started yet,” he responds, not taking his eyes off the screen. You roll yours. You guess he’s right, but it’s the principle of it all.

At 8:00 on the dot, Shoko claps her hands to get everyone’s attention. “Okay everyone, we’ll be starting now so please take your seats.” You give Toji a sharp glare. He glances up at you, rolls his eyes again, and puts his phone away.

Shoko starts off with a welcome and a thank you. From then she wastes no time eager to talk about the assignments and fun projects that the kids have done. She seems like she’s rushing, and you don’t really understand why until you remember the ‘special project.’

“The children cut out, pasted, and colored in the cycle of metamorphosis which they all absolutely killed,” she starts another round of applause which everyone joined in for. Everyone except Toji.

If he looked as though he didn’t want to be there, that would be correct. He did not want to be there at all. He was looking around lazily at all the projects and Megumi’s own caught his eye every time. It was cute…but that’s all it was to him.

He really didn’t need to be here. At all. But you felt as though he did. Why? Why couldn’t it have just been you? Megumi has amazing grades, outstanding behavior, and perfect attendance. He has good friends and doesn’t get bullied, what else is there to talk about? At least, that’s how he sees it.

He’s so busy sulking that he failed to see his wife giving him a death stare. You were over his piss poor attitude and was ready to stick your foot in his ass. When Toji finally looked towards the front of the class, he saw the steam leave your ears and nostrils and gulped. You turned around and whispered into Megumi’s ear. Then, without bringing too much attention to yourself, you hit Toji’s shoulder and walk out the classroom, with him following suit.

The both of you walked a good distance from the class into the hallways where it was mostly empty. You stop to look at him and he leans against a wall. “What’s going on?” You ask him.

“What do you mean?”

“I mean why have you been so…I don’t know…disconnected tonight?” You raise your arms in frustration. “What was the point of us coming here if you’re not going to pay any attention?”

He lifts himself off the wall. “You know, that is a good question.” You fold your arms. “What is the point of bringing me here? In fact, I’m still not sure what the point of being here is either.”

“What are you talking about?”

“I’m saying that I hate coming to these things because they never talk about anything important.” He finally says. “Just things that they do for fun in class. I don’t need to know about that.”

You shake your head at him. “Why are you so disinterested in Megumi’s schooling?”

“Now you’re putting words in my mouth.” He holds his finger up at you. He thought he was making himself clear, but he’d be damned if you were going to accuse him of being a dead beat. “I care about Megumi’s education, but this other shit, cute projects and festivals, those aren’t important.”

As you try to piece together your thoughts, he finalized his opinion. “Megumi is a good student. That’s all that matters.”

Finally, you let out a sigh. “You know what, you’re right,” you start, shocking your husband. “The stuff on the side isn’t important in the grand scheme of things. But…it is important to Megumi.”

Toji opens his mouth, but quickly realizes he doesn’t have a response. “Have you looked at him at all tonight?” You ask. “Have you ever seen him so energized? He’s happy.”

Have you ever wondered why he thinks you’re so boring?” Toji jerks his head back. Where did that come from? “It’s because you’re only into the boring shit. Grades and behavior marks are boring, babe. Drawing, arts and crafts, games, music, candy, the zoo; those are all fun. And Megumi loves that, so we have to love it too.”

“I-“

“He was so excited that you were coming tonight. They have something special going on that he really didn’t want to miss. Megumi wants you here, baby. And, I bet he’ll be an angel now.”

Toji looks at the ground and thinks about what you said. You were right, Megumi was very happy tonight. And he starts to realize something; he’s only ever seen Megumi’s homework and test grades. He hadn’t seen an arts and crafts project or a drawing he made since preschool where that was all they did. Megumi thinks that- no. He knows that his father doesn’t care about that. And that thought…hurts.

He didn’t care, but he’ll start now.

“You’re right,” he tells you, even though you definitely already know. “I guess…I never liked this kind of shit when I was a kid. I didn’t really have great friends and my family never cared either.” He looks up at you. “I tried really hard to make sure Megumi didn’t grow up like I did, I think I overlooked a few things.”

“But, you’re an amazing father, baby. Megumi loves you, even though you are boring,” you jest. Toji laughs warmly and approaches you. He kisses your lips and pulls you in for an embrace.

He loves you; so much. You’re so caring and mindful of his son. He knew you would be a great stepmother. He couldn’t wait to officially give you that title when you finally said your vows only last year.

“Let’s go back before we miss the surprise.”

You gasped when Shoko finally talked about the butterfly project. They were gorgeous with orange wings and yellow tips, native to the region. They were currently inside a blue tent with the keeper. Since Megumi had the most important job as the temperature keeper, a fact that got a pat and a head rub from his father, your family, along with the Itadori’s, got to go in first.

Megumi and Yuuji couldn’t contain their excitement for a second and had to be scolded to sit down by their parents. You sat next to Toji, a butterfly landing in your locs that were currently Toji’s favorite color, Cajun Spice. One lands on Megumi’s and Yuuji’s noses, making you squeal from how cute it was and leading you to pull out your phone to take a picture. Toji pulls out his as well, snapping one of you before the butterfly has a chance to fly away. Luckily, many of them had the same idea and your hair was covered in them. You were so beautiful, they could pass for actual hair accessories. Toji took a picture of you smiling.

You all laughed when they started landing on him, the entire tent cackling when he was covered with them. His miffed face added to the atmosphere, and you took as many pictures as you could.

When it was all said and done, you all began walking back to the car. You ran to the bathroom, telling the boys not to wait up. So, it was Toji’s and Megumi walking into the parking lot.

It was quiet for a second, Toji thinking about all the ways he could make it up to his son and looking at the upcoming events flier to see one that may interest him. Suddenly, he feels a smaller body on his legs and torso. It was Megumi giving him a hug.

“Thanks for coming, dad,” he says quickly, the sound almost completely muffled by Toji’s shirt. He gets off of him just as quickly, thankful that it was too dark to see his red face. Toji thought the same.

“You’re welcome.” He says back, the both of them hopping into the car and staying quiet pretending the other doesn’t exist.

After a few minutes of silence, Megumi speaks up. “Can this please not be the only time ?” He asks his father.

Toji smiles to himself. “I promise it won’t.” With that, you finally enter the car, the 3 of you driving off happy as can be.

ending a/n: I hope you all enjoyed that! I really wanted to make it clear that Toji isn't a bad father, he does care and he cares in his own way that isn't detrimental to Megumi's being either. And, I wanted to give insight to what yours and Megumi's relationship looks like and how Toji feels about it. The next story should not take as long to come out I promise. Y'all don't understand this one was MONTHS in the making I started this series in March LMAOO! Also, I've went ahead and made a form to sign up for the taglist. It'll be open probably indefinitely as I don't see myself officially stopping the series anytime soon. If there's ever a hiatus, it'll be because I need to think of more ideas.

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