#ilia underwing

[onenicebugperday]

Little lichen man. I found him in northwestern Michigan.

Very nice Ilia underwing caterpillar!

[dumpstercryptid]

some entomologist, observing a large moth on a tree somewhere: [whispering] we're married now

[whatnext10]

The Ilia Underwing is a Beautiful Summer Moth

Ilia Underwing This little beauty was taking her afternoon siesta on the wall of my dog house one afternoon. I was busy doing chores when I first noticed her, so taking some time out to get her photo was a welcome distraction. She is an ilia underwing moth (Catocala ilia), which is one of the more colorful moths we get around here. They’re nocturnal, so many people never get to see them. During…

[beardedmrbean]

China underwent rare scrutiny of its human rights record at the United Nations on Tuesday.

The Universal Periodic Review (UPR), which all UN member states must undergo every five years, focused on Xinjiang, a remote region where China has incarcerated more than 1 million Uyghurs and other Muslim minorities and is accused of crimes against humanity.

The political situation in Hong Kong, where Beijing has imposed a strict set of "security" laws, was also taken into consideration. 

More than 160 countries addressed the hearing in Geneva, Switzerland, and each only had 45 seconds to speak.

China once again denied any allegations of human rights abuses.

"We embarked on a path of human rights development that is in keeping with the trend of the times and appropriate to China's national conditions and scored historic achievements in this process," China's UN Ambassador Chen Xu said through an interpreter at the meeting.

Uyghur and Tibetan groups each held small protests outside the UN offices in Geneva.

Western countries slam Beijing

Canada's representative to the UN, Leslie Norton, called on China to end "all forms of enforced disappearances targeting human rights defenders, ethnic minorities and Falun Gong practitioners" and to repeal the controversial security law in Hong Kong.

Danish UN ambassador Ib Petersen called on Beijing to implement UN recommendations in Xinjiang and to "release writers, bloggers, journalists, human rights defenders and others arbitrarily detained for exercising their right to freedom of expression, and guarantee this right, including in Hong Kong."

Meanwhile, Czech ambassador Vaclav Balek also urged China to "end the criminalization of religious and peaceful civil expression by ethnic and religious groups — including Muslim, Uyghurs and Buddhists, Tibetans and Mongolians — under the pretext of protecting state security" and "stop cross-border kidnappings and intimidating Chinese citizens living abroad."

Germany, Japan and Ireland also called for better protections of minorities in Xinjiang and Tibet.

Praise for China

Diplomats told Reuters news agency that China had pressured its supporters to fill up their allotted speaking time with praise.

First secretary Ilia Barmin of Russia's diplomatic mission advised China "to consistently improve the understanding and capacity of citizens to use standard spoken and written Chinese in Xinjiang."

South Africa's political affairs counselor Frankye Bronwen Levy called on China to strengthen laws against domestic violence that were introduced eight years ago.

The Indian representative, meanwhile, urged Beijing to "continue taking steps to ensure fullest enjoyment of basic human rights by its people, through inclusive and sustainable development."

Some African countries like Ethiopia and Cameroon lauded China's efforts on human rights.

Eritrea's representative for instance urged China to "to comprehensively promote ethnic unity and progress."

Iran also praised China's "national action plan for human rights," while Bolivia commended China's efforts against deforestation.

[kitkatopinions]

When Blake had Sun by her side she was strong willed, capable, and motivated while fighting for what she believes in. Now that she's with Yang? She's like a totally different character and not in a good way.

I think there were a couple of contributing factors in the big Blake change.

One of them was definitely the relationship with Yang. People have pointed out that Yang underwent some changes too, they leaned into her more aggressive hotheaded tendencies and made her more 'butch' than she was before, and made her concern for her family secondary at best and near non-existent at worst, and meanwhile Blake got meek and cutesy and shorter than she had been and in need of saving more often than not. I'm not trying to say that they shouldn't have gone with the bees as a ship, but the way they did it, it almost feels like they felt like they had to change them to conform to some standard queer girl couple stereotype, and Blake suffered the most from the change.

But on top of that, I think that a lot of the change came about from how wildly they mishandled the Faunus-racism arc and their desire to get distance from it. They always did use Blake as a mouthpiece, whether it was in the early seasons when she was calling out Weiss but letting her get away with never apologizing or when it was season five and they used her to say their 'faunus on faunus crime' bit where she told the Faunus that they should be helping their oppressors fight off the bad civil rights group. So it really isn't surprising that when they were trying to make everyone forget about their mess ups and move on and see Adam as nothing but an abuser, they made Blake suddenly not care about or bring up Faunus rights at all, never mention her parents, Ilia, or Sun ever again, and made her suddenly 'the perfect palatable abuse victim.'

Even in V5 when Blake was wrong (because the writers were being awful, I have a hard time blaming the character for how the writers misused her,) she still cared and she was still passionate and would talk about the injustice of how the Faunus had gotten shuffled off to Menagerie. But they couldn't have Blake still care about the issues and be willing to fight the powers that be in V6 onwards, because that would remind everyone of how the writers screwed up the Faunus-racism thing. And meanwhile, she has to be 'the perfect palatable abuse victim' to make Adam look as bad as possible so that everyone will unquestioningly hate Adam and forget about how misused the Faunus and the White Fang and he were. So if Blake is a sad, flinching, wide-eyed, meek person who can't stand up for herself, fans will say "see what Adam did to her!" And not "Why did the writers make the only pro-Faunus rights group featured in the story a group of evil terrorists that our heroes must fight." Fans will say "Poor Blake went through so much at Adam's hands, how can anyone say such a vile abusive monster ought to have been portrayed differently?" And they won't say "Why did Blake's abuser have to be a leader in a pro-Faunus rights activist group and why did he have to have a cattle brand on his face indicating the hate crime he suffered?"

Blake stopped showing the 'less palatable' side affects that could be traced to her abuse, like a hot temper and her obsessive tendencies and her difficulties getting close to people and her more cynical side, and it's just a little hard to not think that it was purposefully taken from her to make her more palatable and pitiable so that more people forget about the injustices Blake and her people have suffered, and instead more people would think her only problem only ever was Adam, and focus more on how he hurt her than how the society they weren't interested in dissecting and putting effort into had hurt her and they'd focus more on Blake personally getting better and not in the society itself getting better. Whether or not this was done intentionally, this is how Blake's transformation feels. And just to clarify, I'm not saying that Blake's journey as an abuse victim and her path to getting better wasn't important. I think it was very important, but the writers actually haven't done a real 'Blake heals' story first off and as I've pointed out she actively feels less healthy now than she did in the first five seasons, and second off, it clearly wasn't the only important part of Blake's story and the rest mattered too. But they wrote out Blake's care for the Faunus and her activism, and heavily emphasized her role as an abuse victim while changing everything about her character to make her closer to Snow White from the 1937 Disney movie than she was to her V1-5 self.

So yeah, I think the relationship with Yang was definitely a contributing factor, but I think their attempts to move on from and deflect from their mishandling of the Faunus-racism allegory was also a really big contribution to Blake's character change.

[thanktrusova]

american media: its effects on the teenage prodigy

For those who don't know, one of my favorite skaters is Alysa Liu.

Alysa is a 2x US national champion, junior and senior world bronze medalist, and 2022 Olympian.

But, one thing about her is when you look her up, one of the subheadings on her wikipedia is "2021–22 season: International senior debut, Beijing Olympics, World Championships, and retirement".

What happened to her? What was so troubling about the 2021/22 season that caused this all to happen at once, and at the age of 16?

From my limited research but somewhat extensive knowledge, the one thing I can connect this early retirement to is the American media.

Before I start, I just want to preface that I am very glad they retired on their own terms, and not due to injury or something worse. Though I do miss them.

-

Alysa was 13 when she won her first senior national title in January 2019, the youngest female to win US nationals as of today. She defended her title the next year, winning back-to-back nationals at only 14 years old.

Also in the 2019/2020 season, they had their international junior debut. During this, they became the first woman to complete a triple axel and quadruple jump in competition, as well as achieving the status of the first non-Russian girl to win a Grand Prix event for around 20 competitions. They went on to win bronze at the World Junior Championships in March 2020.

This bout of success caused eyes of every American media outlet to be focused on young Alysa. They started deeming her as an American prodigy, the only hope to have an Olympic medal in Ladies' Single Skating at Beijing 2022. This was still two years away from the Winter Olympics, and she was only 14.

The next year, 2021, Alysa underwent a growth spurt, which, obviously, is normal for a 15 year old girl. Because of this, she lost her triple axel and quadruple lutz jumps, causing American media to forget her, or worse, doubt and even berate her. If she can't beat the Russians at the next Olympics, who can? The media gave up hope on her and did not care about the effects of doing so.

Cut to the 2021/2022 season, Alysa's international senior debut. She officially secured the third spot for US ladies at the Olympics, and performed average at her Grand Prix assignments, placing fourth at both. She had to withdraw from US Nationals due to COVID, but still managed to petition for a spot on the 2022 Olympic team thanks to her performance history. Once again, she was America's "only hope" for a spot on that podium.

Overall, she placed 7th, the highest out of the three American female skaters. She claimed she was pleased with her performances, and that she was just happy to be in Beijing. A little over a month later, she won bronze at the 2022 World Championships, being the first American woman to medal since 2016.

Months later, they announced their retirement, and have not (publicly) skated competitively or professionally since.

They also archived all social media.

While other reasons can be argued for this happening, the main one is the pressure put on Alysa at such a young age to be the saving grace of American figure skating.

I know you're wondering, has the media learned and changed?

And as an answer, I will point you in the direction of 18 year old Ilia Malinin, who media has dubbed "heaven-sent for US figure skating", or even tell you to keep an eye on 15 year old Isabeau Levito, "America's new hope".

[calicostorms]

Redacted Favorite Butterflies* (1/3)

*The lepidoptera order includes skippers, butterflies, and moths.

If I don't do a character and you'd like me to, shoot me an ask and I will :]

Shaw pack + Solaire clan:

David: The common checkered skipper, a small and especially common skipper that he’s fond of. It often feeds on things in his yard and he’s taken to planting aster plants in his backyard so they’ll show up

Asher: California Dogface, the state insect of California! It’s quite rare so he’s only seen one once, but often brags about it to David, who has yet to see one himself

Milo: He loves the lorquin’s admiral butterfly- it’s common in California but he likes any time he sees it. He’s never said as much but the reason he likes it so much is how dramatic and brightly colored it looks

Sam: Ilia underwing- while not a California native they can occasionally be found there. A tad more common in the southeast where I headcanon he’s from, so it probably reminds him of that a bit!

Vincent: Pipevine swallowtail, a California native butterfly that’s recently been reintroduced in middle to upper California. He likes them because they look like a night sky!

[cygnus-is-tired]

Saw a cool caterpillar, its belly’s pink!!

I could be wrong but after some googling it appears to be an ilia underwing moth. The adults look like this

[necro-mantis]

[raideo]

An Ilia underwing came to visit me today! The thing was huge and beautiful 😍🤩

[moth-a-day]

ilia underwing moth

Img credit: bugguid.net

[onenicebugperday]

Do you have a favorite threat display pose from a bug? I know its bad if the animal is stressed but also so many mantis ones are just so pretty and silly (up go the arms!), it makes me wonder what other bugs have got goin on

I do love mantid threat displays! My favorite species (Idolomantis diabolica) has a beautiful threat display:

Ahhh I’m scared! Photo by also_sprach_susscrofa

But there are a lot that are super fun, especially the ones with false eyes on the wings. The katydid Pterochroza ocellata comes to mind:

Neat :) Photo by paulcools

Honorable mention to the ilia underwing moth caterpillar who, when threatened, flips onto its back to reveal a startlingly purple/pink belly!

Very “don’t eat me.” Photo by hannahwojo

[need1etail]

There was a moth in my fridge . . .

[scobbe]

Thank you I just googled that and she was an Ilia Beloved or Wife Underwing

I think I’m in love

[spiritcompanionship-archive]

Ilia, have you ever attended school? Or an equivalent in your realm? Do you have any classmates you keep in touch with?💖💖💖

“Technically the training that I underwent was in a school type setting. And I do still keep in touch with quite a few people there. At least those that I have had the pleasure of befriending.”

- Ilia

[hypeathon]

RWBY Animators Spotlight # 5: Asha Bishi & Kim Newman

Previous Animators Spotlight Posts:

Joel Mann & Harley Dwortz

Ian Kedward & Millivette Gonzalez

Dillon Gu & Austin Hardwicke

Honorable Mentions

So far in previous Spotlight posts, quite a bit of time has been spent touching on certain animators that have been part of RWBY’s production since the first couple of volumes. And though I’ve referred to a handful of newer names in the web-series’s production, there are more who have become more involved that also deserve a mention. This post will be dedicated to two of those animators, one who joined the production in volume 3 and the other who joined in volume 4.

Asha Bishi

I said before that Volume 3′s production had arguably as big on an overhaul as volume 4. And while that’s true, let’s not dismiss what changes occurred in the latter. Whereas the third volume’s production underwent changes in terms of establishing and adjusting phases, teams, and positions, much of the changes during volume 4 were in terms of the animation process itself. Contrary to what some might think, Rooster Teeth had always used Autodesk Maya, albeit for just modeling characters at first. But volume 4 was when Maya replaced Poser Pro as the main tool for animation. As a result, various assets had to be rebuilt from scratch and new plug-ins and approaches to using the software were considered. This led to a challenge for the animation team, especially with the schedule cutting things close between RTX 2016 and the volume 4 premiere on October 22nd of the same year. But veteran animators and newcomers for volume 4 had tackled those challenges.  Asha Bishi, a newcomer during volume 4, would be among them.

Like any animator who starts small when involved in the show, Asha’s first scene in volume 4 was one of team RNJR’s various trekking scenes in chapter 2, where they talk about Shion village and Jaune’s trips with his family. This scene, as faint as it is, is where her way of animating in the show can be identified. Asha usually makes character animations feel snappy yet lively through facial expressions or body language while still maintaining who the character is, as seen in the way Jaune’s eyes embarrassingly shift around in her scene. 

Eventually, her snappy way of animating dialogue-oriented scenes would prove to compliment the fight scenes she would be assigned with. One of her first bits of action-oriented animation were Ren and Nora’s successfully-cathartic attempt at pinning down and killing off the Nuckelavee. What sticks out in her shots the most is the way Ren indifferently yanks his father’s dagger off of the Grimm’s flank as he walks towards and defiantly deals with the Nuckelavee’s sudden attempt to intimidate him. We would then start to see Asha’s skills at animating fight scenes develop further within the volume 5 character shorts, namely Weiss’s. Some have referred to Weiss’s way of fighting in her character short as more of dancing than fighting. Whether or not that’s ultimately meant as a compliment or a criticism, some of those moments are simply due to Asha applying her forte; snappy character acting. The way Weiss swiftly unleashes fire dust, lunges at the beowulves and decapitates a couple of them with twirls and a sense of grace but cockiness are all intentional.

Now I bring up the matter of how Asha does character acting in both dialogue and action scenes, but there is one character who probably brings the most in her style, and that’s Blake Belladonna. But how exactly does a character as serious and emotionally withdrawn as Blake bring the most in Asha’s animations?

The moment where Blake ditches her bow has been widely deemed as a positive note for Blake’s character within RWBY’s fandom. But believe it or not, it’s also been a great moment within the animation team, and it’s not hard to see why. With faunus characters, what could’ve been misinterpreted as certain characters having ears and tails as prop, can now be seen as genuinely-nuanced behavioral traits. Blake as a result has been able to communicate more openly with her ears and thus adds a range of emotion and secondary action animation. Believe it or not, much of how Blake and her mom, Kali’s ears move are generally reflective of how a real cat’s ears would shift depending on their mood. 

Now, none of this is to say that Asha is the only animator who does this, but you’ll definitely see a difference in some scenes in volumes 4 and 5 where Blake barely moves her ears at all and scenes where she moves them a lot. When Blake’s ears are expressed lively, there’s a good chance Asha did it. Besides Blake and Kali, this also extends to other characters, faunus or not, like Sun and his tail (these are the actual shots she did), Sienna’s ears and Weiss’s ponytail. Of course, she still animates well-emoted scenes for other characters in-between, such as Yang and Weiss’s reunion.

There are two Japanese animators Asha Bishi can be compared to when it comes to the way she animates, Hirotoshi Takaya and Akira Hamaguchi. The former has utilized a swift way to express character movement in various anime projects since the 90s. Some of the works Takaya has animated for include the Magical girl anime Mysterious Thief Saint Tail (a TV series that fell into obscurity in anime compared to other shows of the same genre), the Shonen anime Kekkaishi, and the TV anime adaptation of the Japanese role-playing game, Tales of the Abyss. The latter animator I referred to, Akira Hamaguchi, often sprinkles a bit of frame modulation in his works, meaning he will go from animating on 1s to animating in 2s or 3s or vice-versa. Between that and his character animations having a sometimes swiftly and bouncy feel, Hamaguchi’s scenes have their own sense of liveliness to them.

Here are the list of scenes confirmed/presumed to have been worked on by Asha Bishi:

Most of team RNJR walking scene - Vol 4, Ch 2

Most of opening scene with Blake on ship - Vol 4, Ch 3

Some of Blake and Sun’s dialogue on ship - Vol 4, Ch 3

Yang coming up to her room and eavesdropping on Taiyang, Oobleck and Port’s conversation - Vol 4, Ch 4

Blake seeing her parents again - Vol 4, Ch 5

Blake, Sun, and Ghira confronting with Corsec and Fennec until Ghira asks, “Know what?” - Vol 4, Ch 5

Team RNJR walking until Ruby says, “I don’t know! I lived in a small area. I’ve never been this far away from home!” - Vol 4, Ch 6

Team RNJR stopping in Oniyuri and unleashing their weapons as Ren senses Tyrian - Vol 4, Ch 6

Weiss and Jacque arguing until he smacks her - Vol 4, Ch 7

Jacque stripping Weiss of her heiress title - Vol 4, Ch 7

Blake and Ghira’s talk from when Ghira says, “And you pulled yourself out”, to the end of the scene - Vol 4, Ch 8

Team RNJR and Qrow’s conversation from when Qrow says, “Look, I had the same questions”, to him saying, “Like I said, the schools are an important part of stopping Salem.” - Vol 4, Ch 8

Yang and Taiyang taking a break from sparring from Taiyang petting Zwei to Yang sitting up from the ground - Vol 4, Ch 9

First few shots of Blake and Sun chasing Ilia - Vol 4, Ch 9

Nora falling from the tower to pummel the horse part of the Nuckelavee Grimm and Ren killing it off - Vol 4, Ch 12

Oscar meets Qrow - Vol 4, Ch 12

Weiss landing in front of Schnee emblem statue and striking a sweep of fire at the summoned Beowulves - Vol 5 Weiss Character short

Weiss maintaining focus after seeing more Beowulves summoned, then lunges and strikes down three Beowulves - Vol 5 Weiss Character Short

And here is Asha Bishi’s most recent demo reel:

Kim Newman

A couple of times before, I briefly teased mentioning about a certain animator gaining a lot of attention. And that animator I referred to was Kim Newman. Kim has developed a positive reputation within the fandom during the middle of volume 5′s run for very specific reasons, but more on that later. For now, let’s dive into when she got her start on production of the series.

As stated before, every animator who has worked on RWBY, regardless of how good they’ve gotten in the eyes of the fandom, had to get their start on smaller scenes somewhere and Kim Newman was no exception. During her first few weeks working at Rooster Teeth during the production of volume 3, she provided bits-and-pieces of both the Team JNPR vs Team BRNZ fight and the Team SSSN vs Team NDGO fight, with her very first animations being Nora showing off her semblance for the first time, Sage and Dew clashing, Gwen’s knives dropping on Scarlet and Sun’s drop-kick on Octavia. Judging by these shots alone, one probably wouldn’t easily tell this was Kim, given how back then most animators who had been working on the show up to that point were getting their sea legs with constructing full-fledged fights. but small signs of her approach to animating scenes can be seen, such as how the camera distorts a bit when Gwen’s knives fall toward Scarlet.

By the latter-half of volume 3, another side of Kim Newman’s animations would be seen through facial expressions. The first noteworthy example is Team RWBY in their dorm room in chapter 8, where not only do we see how she’s just as capable at character acting, but that she manages to sell Yang’s expressions through the first actual tears in the show. Not just comedic tears done in compositing or characters wiping their eyes with their hands to fake the gesture, but rather real tears. And this would be far from the last scene of that sort she’s done. Two other scenes she’s done that were even more emotional involved Ruby... witnessing both Penny and Pyrrha’s deaths. Yeah, these kinds of things she’s insisted on volunteering for, going as far as adding tears for Ruby’s reaction in the former scene when they weren’t even in the storyboards or animatic. Though what’s really worth noting is how she captures the expressions and gestures in both scenes at making Ruby feel helpless while making other characters like Pyrrha feel briefly content in her final moments before being struck. Also, fun fact: Kim had a replica of Pyrrha’s crown on her desk when animating the scene... okay, well, maybe not necessarily a fun fact. But this is all to point out how dedicated she was to mo-capping and animating her favorite character

The scenes Kim Newman animated throughout volume 3 would prove to be an signs of things to come in volumes 4 & 5 as her skills would not only improve, but she will also develop traits in her style that can be best described in one word: ‘intense’. From here on, the way she animated how fast and hard characters attacked and weapons and fists were swung would be more refined. She would also more often angle and/or distort the camera in a manner that winds up adding a sense of dynamism that would be seen among certain animators in anime. I said in part 3 of the this Spotlight series how Dillon Gu used the camera to apply a sense of speed for the character. For comparison-sake, if Dillon used the camera to help show how fast the character was going, then Kim used the camera to apply the sense of distance, to display how far one character was from the other they faced depending on the setting. This is made most evident in shots like Blake being flung to the sky  above the Water Dragon Grimm, Ruby dodging the reach of the Nuckelavee Grimm, Yang standing ground against the Ursa, and Weiss summoning her knight against the lancer.

Kim still just as much strengthened the use of the camera in her scenes as she has character acting, where strong emotions are applied both during and outside of fight scenes. Though not as gut-wrenching as the stuff she’s done in volume 3, she still couldn’t help but find herself still working on scenes where characters are emotionally crying such as with Ruby and Yang’s reunion and Yang and Raven’s verbal confrontation, the latter of which she mo-capped and animated alongside another animator, Melanie Stern. And in the case of fight scenes themselves, she makes sure to communicate to the viewer moments where a character is feeling shocked, alarmed, angry, focused or in Tyrian’s case, playful. One of the best examples of this is in chapter 10 of volume 5. When fans think of that chapter and Kim Newman in terms of fights, they think specifically of the fact Sun is using his “gun-chucks” mode for the first time in a while. And while that moment was great to watch in it’s own right, it’s her part in Blake and Ilia’s fight that arguably better captures use of intensity described earlier. Not only does it fit the setting of the inside of Blake’s being set on fire as a visual metaphor for the heat of battle, but it even effectively compliments the fueled, angered voice acting done by Cherami Leigh as Ilia, a character that served as the biggest departure of all the roles she’s voiced in anime and video games.

I mentioned earlier that Kim gained a reputation within the fandom for certain reasons during volume 5 and when I say that, I’m referring to her position. Since volume 3, Joel Mann and Dustin Matthews have most consistently been credited as the lead of the animation team. By chapter 10 of volume 5, Kim Newman was officially promoted to Assistant Lead Animator. Though she wasn’t the first to be credited for this position (that honor goes to Paula Decanini during volume 4 who is now the director of RWBY Chibi season 3), it’s this role where Kim managed to help lead the team of animators who were brought on board during volume 5. Animators like Erika Soosaar, Jason Dickol and John Yang (or “NWBY” as she aptly put it) have in response expressed enjoying their experience working with her.

So with all of this mentioning about her skills and position in the web-series, what Japanese animators could her style even be compared to. Some may by default compare her to Yutaka Nakamura or Norio Matsumoto since they have done some of the most popular fight scenes in very widely-known anime. But the comparison can be considered unfair as both animators have had 30 years of animation industry experience under their belts whereas Kim has only had a few. Plus the comparisons can be seen as too obvious and broad. One could argue that since she’s gone on record that her passion for animation was inspired by the Shonen boxing anime, Hajime no Ippo, then she could be compared to say, animator Yoshiyuki Ito, who did certain scenes in the series and has done character designs for various Studio Bones titles like the 2003 Fullmetal Alchemist series, Soul Eater, Star Driver, Space Dandy, Concrete Revolutio, and the spring 2018 anime, Dragon Pilot: Hisone & Masotan.

Though a more appropriate choice, the two animators that Kim Newman can be best compared to in my eyes are that of Aito Ohashi and Takahiro Shikama. With the former, Ohashi has been fairly new to the anime industry, having made a presence in the more recent Pokemon XY and Sun & Moon series and Gundam Build Fighters with angled cameras and swift animation to give a feel of how fast and how far characters are moving about in a given setting. So that’s the comparison to Ohashi. But what about Shikama? Having animated scenes for anime like Kurokami, Star Driver, Sacred Seven, & most recently, Darling in the Franxx, Shikama has a way of timing punches and kicks to either be thrown or hit hard and fast. Every hit and sword strike capture great force, combined with fierce facial expressions.  

Here are the list of scenes confirmed/presumed to have been worked on by Kim Newman:

Nora unveiling her semblance for the first time - Vol 3, Ch 2

Octavia of Team NDGO surfing and sliding across the sand - Vol 3, Ch 2

Sun drop-kicking Octavia (all of the models weren’t fleshed out yet. They just used blank, grey models or ‘proxy models’) - Vol 3, Ch 2

Gale of team NDGO dropping her knives around Scarlet - Vol 3, Ch 2

Animating part of Weiss in her and Yang’s fight against Flynt and Neon - Vol 3, Ch 5

The part where Yang launches toward and charges at Flynt’s attack (presumed) - Vol 3, Ch 5

Team RWBY in their dorm room after Yang’s match - Vol 3, Ch 8

Ruby trying to escape from Mercury - Vol 3, Ch 9

Kim Newman improvised from what the storyboards/animatic (asst. Editor, Stan Lewis’s animatics)

Ruby’s tears after seeing Penny was not originally in the storyboards

Qrow, Glynda & Cardin attacking the Atlessian Knights and Grimm - Vol 3, Ch 11

Cinder killing Pyrrha and Ruby unleashing her silver eyes - Vol 3, Ch 12

Jaune training in the forest - Vol 4, Ch 2

Blake climbing up Sun’s clones and then diving to clip the Water Dragon Grimm’s wing - Vol 4, Ch 3

Qrow vs Tyrian until Tyrian takes his weapon from him - Vol 4, Ch 7

Ren recovering from letting go of the Nuckelavee Grimm’s grip and wildly charging at it - Vol 4, Ch 12

Ruby, Jaune and Ren working together to pin down the Nuckelavee Grimm’s arms - Vol 4, Ch 12

Yang fighting the Ursa Grimm from when she charged and stopped its arm attack to before it knocks her across the forest - Vol 5 Yang character short

Weiss shooting at the Lancer Grimm - Vol 5, Ch 2

Weiss summoning the knight and having it run off the ship - Vol 5, Ch 2

Kim did most of the mo-cap for Weiss using dance moves in K-Pop as a reference

Yang, Weiss, and Ruby’s reunion - Vol 5, Ch 6

Blake and Ilia exchanging blows after the former sets the house on fire - Vol 5, Ch 10

Sun attacking Ilia - Vol 5, Ch 10

Yang and Raven’s argument - Vol 5, Ch 14

And here is Kim Newman’s most recent demo reel: