1, 7, 29 for the ask thing!
aaaaa sorry for getting back to this a bit late, had a busy weekend. BUT!!
1. Who was your first ever OC? Do you still “use” them? How have they evolved over time?
I think that still comes down to Melinoe, who started out as a self-insert when I first read PJatO and later found out that there actually was a child of Hades(debatable) and Persephone. She's changed a lot over the years with the historical stuff I accumulated overtime, both about her specifically and in regards to historical context/accuracy. I guess the design change shown here is evident of that.
7. What are your favourite relationships between your OCs? (romantic or platonic!)
Okay SO
For the original story Mel is a merry prankster to the protagonist, Chryso(themis). She aides in her escape but isn't always clear about her intentions/motives for helping. On the other side of that is Mel's sibling-ish rivalry with Athena, and some sort of (non)girl best friends/I know you only vaguely but am somewhat intrigued thing she has going on with Iris. It's in the early stages and Mel/Iris is intended as romantic but idk how much room it will take up in the eventual story.
29. What was your first fandom you were in? Did you make any art/fanfic for it?
I guess, embarassingly but few escape it, that was h**** p*****. I was a good reader for my age so I picked those books up when i was around 7/8 but only read them through once (at least from what I remember) and out of order lol. I wasn't really old enough to have a sense of fandom, but I did write sorta in-universe letters to characters on this old typewriter that my parents had in my attic bedroom. My cousin once wrote one in a similar way (which I still appreciate very much).
I don't have serious nostalgia for it. The setting kept coming back when I started reading books like Charlie Bone (which A Certain Author has accused of plagiarism? sorta? it's a good series but I only read the first two books because the rest didn't get translated), Miss Peregrine, Fablehaven (similar case to Charlie Bone, didn't get translated further on), Percy Jackson, and many more books that I somewhat remember but can't recall the title of (in english). For these I did make art. There's a crudely drawn map of Bloor Academy that I remember vividly (it did not make any architectural sense, but that's ten-year-olds for ya!). I might actually see if I can find the books somewhere and actually finish reading it.
Regardless, A Certain Book Series was maybe my first step into a supernatural-elements-as-part-of-daily-life obsession, but not much more than that, in the end.
I think the first fandom I was active in in terms of art making was when Heathers got big on here. I vibed with both the movie and musical at the time. Grew out of it a bit, but it holds a good place in my heart. The musical maybe less than the movie, and I really have to revisit it again now that I'm sorta grown out of my own teen-angst days lol. It was a very fun time, for as long as it lasted. I still have some people pop up on my dash from those days. One of the authors of my fav Heathers fic actually has a wip in Yellowjackets. Time is a circle.
Thanks for the asks Ollie!
Writer/Artist asks
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seeing some people's reaction to weird gamer men oversexualizing kiriko is "mauga is right there, half naked, with serveral pin-up sprays" and while i do agree to an extent, i do feel like alot of people are kind of ignoring like. the racial element of mauga's sexualization, like i like mauga, he's hot, but the second i saw him in the short story, i wasn't a big fan of the whole "big savage brown indigenious guy" and it feels like very few people are pointing that out.
RIGHT LIKE. we cannot fix "gamer men fixate on fictional asian girls to a violent degree, usually in a racist way or enabling racist tropes already present in the character" with "gamer girls fixate on fictional brown men to a violent degree in a racist way or enabling racist tropes present in the character" like you guys are part of the same problemmmmmmm youre doing the same thinggg its not better because youre doing it to men like.
i think some people only want to see the kiriko problem as misogyny and while im not going to even pretend that ISNT a massive part of it, theres still like. a reason kiriko and d.va and mei are fascinations for these dudes. there is a pointed difference between the way these three get spoken about compared to their white counterparts (and their dark-skinned counterparts too - look at the responses to illari for a really easy comparison to how kiriko is treated). their ~exoticism~ as asian women is part of the appeal. even if you dont just wanna take the way dudes online treat them (like making a joke that shes "obvious pornbait" for speaking japanese and using JSL) as evidence of that, look at their marketing. kirikos whole thing is atheleisure traditional, shes got her Mystical Japanese Spiritualism Ninja Powers and her magic doggy and they constantly put her in japanese and korean fashion, and dva has been constantly crossing over with korean merch companies. i cant help but notice theres no brazilian IP crossovers or merch launches for lucio, or any attempt to Sell Peru To Gamers for illari. they couldnt even pick a town in Samoa to name maugas map after. these people wouldn't buy that stuff because it's not fetishized in the same way asia is.
but like. a lot of the people trying to Gotcha these racist dudes with an asian fetish just whip out their favourite racist tropes instead and its a really bad look. like you guys dont wanna examine how your examples of The Characters Its Okay To Hypersexualize are all brown? even the people who wanna fuck cassidy dont talk about him like this. or like. fuck if you want a good comparison for mauga lets look at roadhog. big half-naked tank who theyve been playing up a sexual energy/comic relief duology on since day one with racially insensitive cosmetic options. nobody treats it like its completely normal to talk about him that way. the dev team isnt pushing pinups of him out. he isnt flexing his boobs in trailers. hes a white dude*, so he gets the bare minimum dignity of being treated normally. incidentially hot, maybe, but for the most part his character is sold on being cool , funny and scary. mauga is being sold 50% on being a Sexy Rogue Love Interest and 50% on. releasing late. they put in so little effort for him to be anything else despite hyping him up as suuuper significant to the lore and a major gamechanger its almost embarrassing to watch. (this is why that short annoyed me so much for anyone keeping track).
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Sonia and Manic: Constantly calling Sonic bro, mentioning the triplet thing, and reminiscing proudly
Tails: Standing in the back of the van, politely but awkwardly waiting for all hell to break loose when Sonic properly introduces him as L’il bro.
Tbh, Tails doesn't think about it whatsoever, it's not on even on his radar. He and Sonic are brothers and Sonic loves him and Tails knows that more than anything - even if they're too macho and full of teenage pride to say that out loud nowadays.
His own insecurities come from himself and his own perceived worth: his usefulness to keep Sonic toe-to-toe with Eggman; how Sonic views him as an asset and how Tails can improve, he's never satisfied with himself long-term; and Tails desperate desire to prove his worth and be good enough so that Sonic never doubts his lil' bro's competency. (As is tradition, none of this he tells Sonic)
Tails really does idolize his brother and puts him on a high pedestal, problem is that Sonic's never gotten knocked off. So it's grown and grown as the years went by.
But I digress, Tails neither expects nor needs to hear Sonic call him his brother, because it's all unsaid. They've been together thick and thin, through cyclones and thunderstorms and tsunamis and everything else. He's secure in his relationship with Sonic and they were brothers even before Sonic started to talk.
However....
For Manic and Sonia, it's the only connection they have, they need that validation, because otherwise it's just a stranger with their brother's necklace and their mother's love.
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btw the take of “Dazai is very remorseful of those he’s killed and his history in the PM (which is why he’s a good person, actually)” is a take that literally spits in his, as well as the whole of BSD’s, face. in this essay i will
its a bad idea to try to make this post right now because MAN disorganized thinking and speech is kicking my ass currently. so heres your warning. but i must speak. the truth deserves to be spoken
first i want to make it clear that the take itself is not inherently wrong or ““problematic”“ (please bear with me accurate and precise words are not in my vocab rn). because i mean... who fucking knows with Dazai and his feelings. he COULD be remorseful of all that. or he could not. i mean more evidence points to the lack of remorse than feeling remorseful, but this post is not about that.
what then makes this take so Bad is when its argued for the SOLE purpose of trying to defend him and convince people that he’s a good person actually and deserves to be where he is.
whether or not Dazai feels remorse for everything he’s done literally doesn’t matter. and trying to put so much importance on this also flies over the point of so much of BSD and its characters. its not a prominent point brought up ever BECAUSE it does not matter. its not supposed to matter. and the watcher/reader must recognize that this is deliberate to help you come to the point that is trying to be made with so many characters.
the message that is trying to be broadcasted is: "it's not about who you are, but about what you choose to do". its about your actions in the present moment. what you are choosing to do NOW is what matters.
and hes choosing to work for the good side and help people. “but that’s only because Oda told him to--” NOPE DOESN’T MATTER! the reasoning does not matter. the motivations for the actions are not supposed to matter. its the actions themselves.
Oda himself’s whole deal was this. the one person that Dazai at that time saw as unarguably a good person. he was choosing not to ever murder people again. not because he felt bad or any remorse for having taken those lives, but because he literally just wanted to become an author. that’s it. that was his sole reasoning. that seems like an absurd motivation to anyone not him, and that’s what makes him such a good character and good guy. he was not trying to atone for his past. he just wanted to be able to write a book.
did this reasoning make Oda’s choice of refraining from killing any less sincere? no, it didn’t! it was still 100% authentic and everyone could see that.
the first major arc of BSD as a whole was about this message. Kyouka, who had been working as an assassin for the PM and had so far killed 35 people, decided “hey, i don’t want to kill anyone anymore actually”, and with the help of Atsushi made the decision that she’d help people from then on and would try not to resort to violence and hurt people again.
then again in season 2 after Dazai encouraged her to not let her past define her, she made the decision to use the last bit of freedom she thought she would ever have to save Yokohama from being destroyed by the Moby Dick.
the antagonists in BSD are the antagonists because they are continually choosing to cause harm in the present moment. even if they were good or neutral in the past. they are doing harm NOW which makes them a problem.
STORMBRINGER SPOILERS
in Stormbringer Chuuya makes the choice to give up what he and everyone else thought was his last hope of finding out for sure whether or not he’s truly human, because it doesn’t really matter as long as he’s continuing to live as himself. he’s Chuuya because he can strap Dazai to a lamppost and spin him until he gets sick. he’s Chuuya because he gets to have tea with Kouyou. he’s Chuuya because he visits The Flags’ graves every so often.
STORMBRINGER SPOILERS END
ok im tired but i think you get the point.
change da world
my final message. Goodb ye
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