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#im so smart for this btw
fihas · 2 years
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HASHTAG GIRL PARTY
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kaiju-krew · 6 months
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stargazing⭐
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moonrosegirl · 1 month
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Before vs After
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mochasucculent · 1 year
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Gilf on gilf psychological warfare
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linkedin-offficial · 9 months
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kitty colony au anybody?
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tangramkey · 10 days
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i love my Basketbot Portal AU
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inkskinned · 2 years
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one of the things about having an unstable parent is that it can so easily ruin your future. you want to get out, but getting out takes having agency. it takes the resume and the grades and the stellar community service history.
but you have to choose your battles. you know if you sign up for an after-school activity, it'll be okay for a while, so long as the activity is parent-approved and god-fearing. over time, like all things, it will become an argument (i can't keep carting your ass to these things) or a weapon (talk to me like that again, see if you get to go to practice). sometimes, if you love the thing, it's worth it. but you also know better than to love something: that's how they get you. if you ever actually want something, it will always be the center of their attention. they will never stop threatening you with it. telling you of course i'm a good parent, i came to all of those stupid events.
you learn to balance yourself perfectly. you can either have a social life or you can have hobbies. both of these things will be under constant scrutiny. you spend too much time with her, you should be at home with family is equally paired with you're acting like this because you're addicted to what's on that goddamn screen. you cannot ever actually win, so everything falls within a barter system that you calculate before entering: do you want to learn how to drive? if so, you'll need to give up asking for a new laptop, even though yours died. maybe you can work on a computer at the library. of course, that would mean you'd be allowed to go to the library, which would mean something else has to bleed. nothing ever actually comes free.
and that bitter, horrible irony: you could be literally following their orders and it still isn't pretty. they tell you to get a job; they hate that your job keeps you late and gives you access to actual money. they tell you to do better in school; they say no child of mine needs a tutor. they want you to stop being so morose, don't you know there are people who are really suffering - but they revile the idea you might actually need therapy.
you didn't survive that fall the way other people would. you've seen other people scramble and get their way out, however they could. maybe you were made too-soft: the answer didn't come to you easily. it wasn't quick. it was brutal and nasty. some people even asked you why didn't you just work hard and escape during school? and you felt your head spinning. why didn't you? (they control your financial aid. they control your loan status. they love having that kind of thing). maybe in another life you got diagnosed sooner and got the meds you needed to actually focus and got attention from the right teachers who helped you clear hurdles to get up out of here - but for now? here?
the effort of trying. the effort of not-dying. that kind of effort was absolutely agonizing.
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Tomarry AU where Tom HATES this book he read because his favourite character dies a miserable death. So what if his favorite character was a no-named side villain? Why does it matter that he only had like seven lines (seven is Tom's favourite number anyways)? He was still gorgeous, smart and strong and beautiful — and it doesn't matter that others think he isn't all that because they would never know him— understand him like TOM DOES.
An AU where Tom has a healthy obsession with a character named Harry Potter, a no named baron's son who was the first to go against the king (MC's father, and the mc who is incidentally known as Draco Malfoy, ahem anyways); he tries to “poison” him. But he gets caught or to be more precise he ends up sacrificing himself for the common girl Hermione Granger (the female lead, I'm sorry guys but imagine the fucking drama.) who gets blamed for his transgressions.
But that is not why Tom falls for this weak villain, no — it's because he respects how this no-named orphan became a baron on his own two feet without anyone being there for him especially in a world where old money and title is everything— and he hates how he had to give his life for the MC to notice the female lead? (Harry is better looking and smarter than her anyways — Tom, in an online forum perhaps.)
Anyways, now imagine Tom dying (he hated it so yes he ends up looking for immorality anyways.) and waking up in the world he hated. Now imagine, Tom Riddle, waking up in the body of a Duke who wasn't even given a name in the novel. (He would know because he has a photographic memory, ok? It's totally not because he read it more than 14 times) and then saying fuck it and owning it.
Just think, Tom taking over the world slowly with his worldly knowledge while trying to keep Harry alive because even though he was right about Harry being smart; the guy treats his life like Draco treats his money - you get the idea.
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zleepysnails · 3 months
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good morning gang. ive been thinking about drawing the spooky month characters in my style?? instead of just trying to replicate the spooky month artstyle and. I think im gonna start drawing like this now [insert the blue cheer emoji here]
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oh yea leaving some stuff here too
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angelpuns · 23 hours
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Suddenly wishing my parents could read my mind/see inside my head so they understood I actually CAN'T do the things I say I can't do. Its not that I don't want to its that I literally cannot do them :)
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artsychanel · 10 months
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hi can i get a character who's associated with fire, has had rough beginnings due to being cast-out from society because of their appearance and struggled with their femininity, went on a journey seeking power and to become stronger, ultimately being blinded by their thirst for revenge, have killed several people and at some point got betrayed by someone close to them?
all in no particular order
and make it a double, please 🙏
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funsizedshark · 3 months
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pacing around in circles muttering to myself about daniel and louis and the years between the first interview and now...... daniel telling armand "he didn't even want me in the end" after offering to get on his knees for him instead... they didn't fuck but for decades "i really thought we did" / "do you want to now?"... daniel is old and dying in a penthouse full of impossibly young beautiful immortal beings and louis still laughingly offers something that daniel thought for years he'd gotten already. and then it turns out that not only he didn't, but something in him had assumed they did have sex and never explored that further and he's gone through this entire second interview so far under that assumption because that bridge has been crossed already. except it hadn't and when louis says "do you want to now" you can see the change in his expression like for the briefest of moments he really is considering it
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flowerofthewave · 5 months
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👁️⛓️🧑‍🍼
doing some crafting + step by step images
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robinfollies · 5 months
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some design comcepts for older lily + lewis!!! my latest and greatest headcanon for them is that in the future they get gems and can do magic of their own :33 i just think it’d be neat,,, something to do with their love of magic!!!! 🥺
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ultimateloserboy · 15 days
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ok guys back to dhmis posting
i miss fluffybird so bad. the way theyre characters in a show and how its relevant to their mindsets makes me insane. they are objectified their entire lives in this constant state of being alive and sedated or controlled and unliving. sometimes they are people and sometimes they arent and when they reach clarity they’re confused because they have no past or even present to prove that theyre real. they both live their entire lives on a stage not as actors but as acts.
but theyre both artists at heart. duck is dramatic and bold and MADE for a stage while red guy is creative and artistic even though he pretends not to be. they were made to be THE performance but they aspire, as people, to just perform
a part of them deep down knows they have roles to play— but while others see them in their roles as the character, these two see the actor. theyre the only two people who can personify each other— as adults, anyway.
the way they confess to each other is specific. “i like looking at you”. its straight to the point. “I am your audience and I admire your performance.”
“in a world where we are manufactured to be entertainment to the masses— I clap for you because I see you as an artist and not a character of art like the world has deemed you.”
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plan-3-tmars · 2 months
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Approval Vs Demand in Milgram
> aka my interpretation of the clapping motif in backdraft and cat :3
We clap to show approval or appreciation, but sometimes, we also clap to make noise and put a demand on people. It's like Fuuta says, I think the clapping represents the "spectators" in both he and Kazui's lives - For Fuuta it's his fans and for Kazui it's his family, but I'll expand more on this later.
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The first time we hear clapping in backdraft is during the clip I showed you. Fuuta's fans clap for him when he arrives in the tunnel to 'serve justice', they approve of his actions. Through his shaky smile and the description of being "surrounded by the masses" though, we can gather that he might not be as comfortable in this environment as he previously let on. This big dramatic arrival may just be a persona put on to "impress those spectators"
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However, the next time we hear clapping the tone has changed. This time it's Future Fuuta watching Past Fuuta deliver the 'killing blow' to the girl. With hindsight, he knows this is the action that drives her to take her own life, and he is shown in clear distress. It's almost like he's fighting a mental battle between the demands his fans have for him to deliver justice once again, shown through their clapping, vs the added knowledge he now has that this action will land him a guilty verdict
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With Kazui, it's a bit different, as cat actually shows people psychically clapping during his wedding, though there's no sound. It's his parents, the mysterious brown haired woman and the bartender, clapping in approval of the ceremony.
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However, we know that this is all for show, quite litteraly in Kazui's head. His marriage is a performance and friends and family are the spectators. Therefore, I think the clapping during his wedding represents both approval and the perceived idea Kazui has of this being the right thing to do, lie and lead a normal life. Similarly to Fuuta, who had the idea of his cyber justice being the right thing to do, which was most likely only heightened by having an approving audience by his side.
In contrast, the clapping during the clip I showed represents a demand Kazui has come to learn to continue lying, most likely through his parents (father), and that what he wants to do, what is "yearning to be satisfied" is the wrong choice he should not choose. Kazui is implied to be drunk in this scene, staggering and clutching his aching head, and the clapping probably represents this mental battle of right and wrong, what the spectators wish and what He himself wants to do.
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He becomes increasingly distressed while trying to choose between the demand he has been taught to follow (represented by the overwhelming clapping) and what his intoxicated mind wishes to pursue (being his true self)
The similarities between the scenes where clapping is shown in both characters makes me think this is purposeful, a fun motif, and that the clapping represents approval to conform to the expectations others have set for you, and later pressure to continue doing so when you begin to falter.
For Fuuta, this started as approval from his fans towards his cyber justice, and ended in a battle between his past actions, encouraged by his demanding fans, and the hindsight he's now gained
For Kazui, it started as approval from his friends and family towards leading a normal and (traditionally) expected life, and ended in a battle between the demand he has perceived to continue being your grade A traditional husband, and the true feelings his heart wants to express.
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