Now and Then Day
This sideblog began after watching Get Back nagged and nagged at me until finally I started to look closer at context relative to the Beatles discography and suddenly started experiencing these WAIT WHAT moments every day as what I thought I knew got turned inside out. The appeal was in looking at something you knew like the back of your hand from another direction and seeing/hearing something new you hadn’t seen/heard before. But I had no idea we’d get another song to add to the mix in 2023.
I knew Now and Then day would be an experience. I thought I’d have to wait the whole day before listening. But I got lucky and found a few minutes to listen to Now and Then when it was first released this morning. And inexplicably clicked to hear the remastered Love Me Do instead. I cannot explain my brain.
I then tried to start Now and Then and noped out before 15 seconds in. Too overwhelming. Not the right time. I was too rushed and needed more space to mentally prepare for it.
I caught NPR covering the Now and Then release today on my drive home. They had a Lennon biographer (I didn’t catch the name) reviewing the song. He said the song recalls John’s more delicate tunes like Beautiful Boys (sic) and mentioned John started the song in 1970.
Say what?!
Here I was late last night trying to nail down a better date for John’s demo than “late 70s”. Meanwhile, biographers are just here on national public radio pushing lies. Did he have ChatGPT write his comments?
Oh yeah, they also said it was created with AI no qualifier.🤦♀️
They played a few snippets of the song including one new piece not in the doc but refrained from playing it in full. It was mostly wrong Beatles facts all segment.
Trying the song a second time hours later, I got through it in one piece but was feeling abit 🥴 about it as a song itself. Having just listened to the original demo was probably a mistake, and I could hear all the seams and feeling the Frankenstein song effect.
Third attempt sounded more together, with the seams not quite as noticeable. I was prepared for the changes, the layering bits from other songs, and noted highlights of the instrumentals: the strings, George’s guitar bits, and Ringo’s flourishes. I love Paul coming through on the future tense certainty of “I will love you” (is that I Will?). Ringo’s shimmering effect choice (is it tams?) is such an entrancing closer. Giles’ score and Beatles recycled bits do mend the seams well once I stop thinking about them too much.
On fourth listen, my biggest notes are questioning why Paul’s harmony with John isn’t more distinct. He shows a lot of restraint here but maybe too much? Did Get Back get to him in other ways than the most obvious? Is he just self-conscious about his own voice? Or is it the limitation of the tech when it comes to harmony mixing?
The strings were what I was most worried about, but their entrance at the 1:15 mark really kicks it up a notch to transition into the singalong. Other standouts are 1:40 with George’s flourish and 2:29 peak with the guitar solo.
Lyrically, it’s the conditional and if I make it through it’s all because of you that haunts in layers of meaning both grim and cathartic that reverberate through time and space.
If John makes it through emotionally to 1980 and has a comeback? Congrats, bud you did it. But he’s stopped physically through no fault of his own. There’s the obvious mourning of that lost potential even 40 years later.
If this song this voice this message of John’s makes it through to 2023 and reaches the public? Well, success there, Paul’s tenacity saw it through with help from many friends. John’s voice and song lives on through Paul’s wish to conjure him by his side. On the Day of the Dead no less. I was reminded of the concept of tulpas today and was knocked back on my heels by the thought.
If John as an artist and Beatles as a band make it through so fans are still listening in 2023? This doubles as a bit of a fan love letter, and thank you for 60 years. Released on the day Beatlemania first appeared in black and white.
But then there’s also a reflector on this. Some original Beatles fans have aged with Paul and Ringo and others have not and aren’t here to share this like John and George. There’s grief and mourning from those still here about those lost, and the song acts as a catharsis. A kind of thank you to the band for being there for fans in good times and bad. The symbiosis of fame between a band and its fans across the decades.
It’s a lot.
I spent some time looking at the youtube comments on the song. Some original fans but many second and even third generation fans. And quite a few stories about a loved one who loved the band and recently passed away like this one:
And this:
But also in there are stories of catharsis and healing.
And many memories of the joy that Beatles music has brought to people’s lives. We all have these stories of how their songs weave into our own life. But it’s the joy that I keep coming back to as the secret sauce to the band’s earliest days. I often think of those early songs more in terms of feeling then anything, and it starts with the first single.
I love the Love Me Do remastering. That harmonica sounds so crisp. The bluegrassy harmonies have never sounded better. The ones on ple-ee-ee-ease still give me chills. Ringo’s drums moved forward in the mix to appreciate that driving beat just a bit more. I can hear the bass too. I can’t wait to hear what the other early Red album tracks sound like.
But next to Now and Then, I’m also looking at the lyrics like I never did before. Why give it another glance? Written by a 16 year old kid, it always sounded a bit juvenile and simple. But suddenly next to Now and Then, there’s a weight to it I never heard before.
Love, love me do
You know I love you
I’ll always be true
So please, love me do
It sounds like a promise. Now and Then is fulfillment of that always. It’s no longer just the whim of a kid. But rather the beginning of 7 decade devotional: To John, to the band, to fans, and reflected back again. The love is reciprocal from all sides.
How’s that for a WAIT WHAT moment? Paul turning the least likely song inside out and backwards. And he didn’t even add a lyrical middle eight.
28 notes
·
View notes
share your character playlists with us we beg
aslkjglsdfg most of mine are on private because. they're so subject to change at a drop of a hat and also I constantly fear judgement but >w> since it's something someone's actually interested innnnnn
I can unprivate some and share a few with you haha
These are my One Piece ones o3o I'm very happy with Law's, Sanji's, and my Lawlu one, but the other two 🤔 well, they're still just vibes and all of them are stillgetting rearranged regularly asdlkjglkdfsg
Sanji - (❤️ ω ❤️)
Zoro - En Guarde
Zosan - i'll kick you in the front cause i've always got your back
Luffy - Sunshine
Law - Moonlight
Lawlu - Too Many Captains on the Ship
(Also, here's a few general vibe playlists I really like and blatantly browse for songs that Vibe Right! this is how i find new music idk what to tell you Sanji Lawlu Law)
Here's a few other ones I've made that I like for other fandoms that are more stable than the One Piece ones.
I really like my Obey Me playlists for Belphie, my MC in game 1 and my MC in game 2, despite having to leave that fandom for predatory-gacha-gaming-and-it's-addiction reasons.
(Venti from Genshin also has one despite me leaving the fandom for exactly the same reason)
For Touchstarved, I've made this Leander playlist public before- but since you're asking. Here's a second one I've had hidden this entire time lmfao. May become privated again at some point; who knows where my anxiety will lead me.
Sylvain is the only FE3H boi I've made a playlist for and it kinda says all. I love him. He's an angst pit.
BG3 gets one for Astarion and one for Tav(... Tavier. my Tav lmao). As well as a combo one that is literally just a mashup of the two that I'm not going to bother linking.
Ichimatsu from Oso-san and Nagito from Danganronpa both have xReader playlists that are entirely self indulgent.
Lastly, because this link storm is becoming chaotically long, here's three vibe ones I'm pretty happy with; one for Hypnos from the Hades game, one for Wally from Welcome Home, and one for Tendou from Haikyuu.
I have. So many more. They're literally spilling out my pockets asdlkjglksdjgd but these are the most stable and favourite ones of mine.
Let me know if any of the links don't work and uh
Sorry you opened the gates to the dam alkjlkjkfglsdjg >w>;;
7 notes
·
View notes