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feferika · 2 years

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No one asked this, but here is an analysis of one of my favorite One Piece arcs strictly from a literature and film fanatic standpoint...

PART ONE: TRILLER BARK

Thriller Bark is the first favorite! Because it shows some of the unknown literary prowess of Oda sensei that many people probably would overlook (simply from it being so obscure with the references).

Now, the first obvious reference that this arc brings up is Frankenstein by Mary Shelley.

We know just from a glance that all of these monsters are not quite what they seem from their stitched up appearances. Unlike the stereotypical take on Frankenstein’s monster of the bolts and thunder, we have the truly gruesome amalgamations and chimera-esc creatures truly rising up to greet us.

While these creatures are very comical in appearance, there are also extremely horrific looking moments with them.

Much like Victor Frankenstein, Hogback and Moria do not truly comprehend how their monsters can affect other people. Entire lives are being uprooted for the sake of these monsters that are mutilated for the sake of science and their own personal goals.

We see some of this through the unhinged use of Cindry’s creation which very much mimics the Bride of Frankenstein’s story in many ways.

While she is not solely created for the same purposes as the Bride of Frankenstein, she is still created for the sole desire of another person.

Her disjointed personality shines through in her actions that are very disparate from the original person. Simply put, they are not the same person at all despite having the same appearance. The entire essence of the original Cindry is lost in this creation and becomes a purely physical satisfaction.

These are also highly comparable to the 1932 film White Zombie for the smitten notions and the morally unacceptable actions of the lead character who sought to empower the women for his own. Which is also where we possible gain Cindry’s overall design from.

While many of the overall aesthetic of the arc is reflective of stories like Dracula by Bram Stoker and its many iterations in media, it is also fair to say it is overall taken from inspiration of all of the classic monster films and their aesthetics.

The Post-Thriller Bark moments with Dracule Mihawk, Perona, and Zoro merely expand upon this notion and further solidifies these references

For heaven’s sake, his name is basically Dracula! Anyways, I digress...

Now, let’s take a step back for a moment and analyze Hogback’s name for a moment. Hogback is a geographical term to signify an odd strata formation generally in mountains.

The name was probably chosen for the rough and jagged appearance, much like the person and his creations. Since these formations look much like the stitching of the creations, I find it a very fulfilling name for our doctor.

So, what about Gecko Moria’s name? What makes his name so unique?

Well, many of us who have seen the Lord of the Rings may remember a place called the “Mines of Moria.” However, many of us may not be aware of the origin of the name Moria itself.

So, J.R.R. Tolkien was a fan of many older forms of literature and is known for his work in transcribing many words for the Oxford English Dictionary (OED) from older forms of English that we would not be privy to today without his and others’ efforts.

One of the literary works that Tolkien took inspiration from was a Norwegian story called Soria Moria Castle (or Soria Moria slott). Now, I have read this story before and I absolutely adore it, but many of us may have never read it. So, I will briefly explain it.

The main character, Halvor, is a good for nothing son who longed for something else in life. He was led astray by a man to set out at sea and is LOST. He gets off his boat and finds a castle.

Hmm. Strange. I think I remember Luffy and the Strawhat crew getting lost at sea and stumbling upon a mysterious castle through the ghost and fog.

Anyways, many things happen as Halvor is in this mysterious castle.

First, Halvor is warned about a three headed troll living on this land.

Second, Halvor is asked to wield a sword.

Third, a marriage deal is offered to Halvor with multiple women involved.

Fourth, there is a time where the parents of Halvor find their own son unrecognizable until a series of events later.

The story continues with more series of events with weddings and travel using magic, but what is important is that many other elements of the story shine through in this One Piece arc.

So, while many can chalk this arc up as being purely classic monster aesthetic, there is clearly more going on here than we first realized.

So, now we know why the name Moria is relevant. But what about Gecko?

In Japanese, Gecko means “Moonlight.” Which that alone feels fitting for a man that revels in the shadows for his malicious intentions.

Now, it would be folly of me to chalk all of these references up to solely one Norwegian folktale since many of these comparisons can be shared with the story The Island of Doctor Moreau by H. G. Wells.

This is a story of a shipwrecked man who details the actions of the doctor on the island who creates human hybrid amalgamations using animals.

Many of the animal amalgamations mentioned in the story are also featured in this comic itself. For instance, the character recounts how he looked upon creatures that resembled “swine” much like our beloved Lola’s monster form. There is also mention of an ape-man, rabbits, sloth-creatures, hyena-man, etc...

BUT MORE IMPORTANTLY! He mentions a leopard-man! Even a puma-man!

HE ALSO MENTIONS... DARE I SAY IT... DOG-MAN!

Anyways, it’s mostly about the animal-human hybrids. That’s what you need to gather from that story.

So, what about some of the other characters? Ones like our precious Ghost Princess Perona?

Well, there is no REAL evidence to what she is in reference to other than the idea of ghosts, poltergeists, and spirits often being entities that mock and toy with others. For instance, most western depictions of ghosts like the three bullies in Casper or some of the small-fry ghosts in GhostBusters.

I like to think of Perona’s ghosts as more of an Inkwell Era reference.

Which is also what I pertain to most of Brook’s enchanting humor. So, think cartoons like Betty Boop and you have the general idea of what I’m talking about.

Perona is also very characteristic of the idea of women who reside over the horror media and truly reign on it. We’re talking Elvira, Vampira, Morticia Addams, etc... Horror Queens to put it simply.

But this neglects some of the later iterations known as Scream Queens which over the years have gathered a more gothic punk aesthetic such as in The Return of the Living-Dead, Underworld, or even in REPO! The Genetic Opera...

So, yes. Plenty of horror aesthetic. Which is why we are hounded by zombies and can laugh throughout the entire arc. Since, that’s what classic horrors and cheesy modern horrors are all about.

Of course, Perona’s style itself is more reminiscent of Gothic Lolita culture, but I doubt any of you need little ole ME to point that out.

Why, we have grown up with that representation in many other forms over the years in anime anyways.

It would be odder if Oda sensei DIDN’T touch upon such a cultural iconic look.

So, yes. Perona is great and I adore her. But there are more characters to talk about! Like Brook! Who I have mentioned at least twice now!

Why the name? Why the violin? Why the gentleman look? Why anything?

First, I would like to point out that a brook is a small stream. Streams are known for a multitude of meaning, such as a stream of music flowing or a stream of silly words... Brook is a skeleton man with the power of BOTH and he has a flowing way of working with his soul.

So, then there is the gentleman look. He is specifically supposed to be a man of the past and look contrarian to the people of the present. Giving him a classic gentleman look carries this effect out perfectly and further exemplifies the classic horror setting of this arc.

So, what about the violin? Violins are one of the most performed classic instruments for horror stories but also for uplifting songs because of the varied range it has for musical prowess. Plus it’s an instrument that is easy to carry around and has a long lineage of usage. Perfect for a gentleman who has been around for a long time.

Brook’s introduction brought about plenty of classic tips of the hat to how to ward off evil spirits in a multitude of cultures.

Salt is often used for repelling a variety of supernatural beings, as well as being an ill-omen when spilled.

Crosses are generally used to ward off spirits of “unholy origins” like vampires and demons. Creatures that are created against God.

Garlic is used to ward of vampires.

Omamori (amulets) are used to ward off bad omens and offer protection.

Juzu (prayer beads) and others are used to prayer for resolution to suffering.

We also see glimpses of Ofuda (slips of paper) from Usopp like this one...

The Nobori (vertical flag) that Usopp carries says “悪霊退散/akuryou taisan” which essentially means “evil spirit/demon dispersal”

Usopp and Chopper in general have a very Van Helsing appearance to hunt/ward off the monsters. Van Helsing being the Dutch monster hunter from Dracula... Anyways!

This story arc would not be complete without discussing our dear Kuma. The man with many a shrouded mystery around him and even some analysis on him that I have which may delve even further than Thriller Bark. So, at this point if you are not caught up beyond Thriller Bark, then I would stop reading from this point on...

So, yes, Kuma. The bear symbolism is all there, I do not need to cover that part. What I do what to cover though is the other part of his name. Bartholomew is a name with a multitude of meaning in this story.

We all know that Oda sensei is very clever in his usage of historical pirate names throughout the comic in a variety of means. Bartholomew is no exception in this regard. Bartholomew "Black Bart" Roberts is the pirate figure that Kuma borrows a name from and that is where the similarities between the two ends.

Instead of taking on a particular personage after the pirate, instead his imagery is more similar to one of the Apostles of God.

We know this from Kuma’s very upstanding way of talking and acting, as well as his manner of carrying around a Bible (which has multiple variants throughout the series and is an arguable discussion).

However, I would like to propose that many of the actions that occur with, around, by Kuma, etc... Are all also very synonymous with legends about the Apostle of God himself.

For instance, his physical appearance is reflective of the common depictions of Bartholomew the Apostle as a man with dark skin and curly hair. He is also a person known for being skinned alive and beheaded for his death sentence.

I believe it is also no coincidence that the cross-esc symbol is a reference to this comparison. Even the way his ability works appears like one who is warding off evil.

One could say he’s... hands on...

Anyways! I love this arc and I really hope that other people like my analysis of it and have their own thoughts to share. I do acknowledge that much of my analysis could be my own opinions and not the truth, since most of this is not confirmed by Oda sensei himself. But! I still think it is worth sharing and worth talking about because that’s what literature is all about! Talking and discussing and making your own takeaways from it!

So, try not to be horrified by my... lengthy amount of words and pictures here...