#image editing UK

[softzenia]

How UK Photo Editing Services Can Transform Your Images

In the current era of information, a picture is worth a thousand words. Whether you’re a novice online merchant or a seasoned photographer, it’s impossible to overstate the significance of outstanding visuals. Photo editing services uk provide a realm of limitless imagination. We will explore how these services can improve your visual game. UK Photo Editing Services Exquisite aesthetics result…

[k-i-l-l-e-r-b-e-e-6-9]

𝔏𝔬𝔫𝔡𝔬𝔫 ℭ𝔢𝔪𝔢𝔱𝔢𝔯𝔶 𝔚𝔞𝔩𝔨𝔦𝔫𝔤 𝔦𝔫 𝔱𝔥𝔢 ℜ𝔞𝔦𝔫 

𝔖𝔬𝔲𝔯𝔠𝔢: 𝔖𝔞𝔫𝔭𝔬 𝔖𝔱𝔯𝔬𝔩𝔩

[justajsworkshop]

I'm sorry but you give me british vibes for some reason

YOU HAVE FATALLY WOUNDED ME, ANON. (/lh) the british—the english, specifically—are the one people who i endlessly and shameless shit on. if you're english, i'm sorry, but also look at your history. like... you should know why. this gave me a laugh tho. ty.

[savebylou]

.

[revcleo]

People from the UK Media are refusing to cover this protest because it doesn't fit their narrative about trans children, but teenage trans activists have been occupying the department for education headquarters here in the UK.

They previously have occupied the department for healthcare for four days and it wouldn't be surprising for this protest to last the same amount of time.

Image is from Trans Kids Deserve Better, and is of several protest banners in front of the department of education, with people holding them in the alcoves behind them.

Edit: Please check the recent comments on reblogs for upto date information on helping these kids! They want to see as many people as possible!

They got some coverage!

https://www.itv.com/news/2024-08-30/trans-youth-occupy-department-of-education-for-entire-week

[doyoulikethissong-poll]

The Cranberries - Zombie 1994

"Zombie" is a protest song by Irish alternative rockband the Cranberries. It was written by the lead singer, Dolores O'Riordan, about the young victims of a bombing in Warrington, England, during the Troubles in Northern Ireland. The song was released on 19 September 1994 as the lead single from the Cranberries' second studio album, No Need to Argue. While the record label feared releasing a too controversial and politically charged song as a single, "Zombie" reached number 1 on the charts of Australia, Belgium, Denmark, Germany, and Iceland, and spent nine consecutive weeks at number 1 on the French SNEP Top 100. It reached number 2 on the Ö3 Austria Top 40, where it stayed for eight weeks. The song did not chart on the US Billboard Hot 100 chart as it wasn't released as a single there, but it reached number 1 on the US Billboard Alternative Airplay chart. Listeners of the Australian radio station Triple J voted it number 1 on the 1994 Triple J Hottest 100 chart, and it won the Best Song Award at the 1995 MTV Europe Music Awards.

The Troubles were a conflict in Northern Ireland from the late 1960s to 1998. The Provisional Irish Republican Army (IRA), an Irish republican paramilitary organisation, waged an armed campaign to end British rule in Northern Ireland and unite the region with the Republic of Ireland. Republican and Unionist paramilitaries killed more than 3,500 people, many from thousands of bomb attacks. One of the bombings happened on 30 March 1993, as two IRA improvised explosive devices hidden in litter bins were detonated in a shopping street in Warrington, England. Two people; Johnathan Ball, aged 3, and Tim Parry, aged 12, were killed in the attack. 56 people were injured. Ball died at the scene of the bombing as a result of his shrapnel-inflicted injuries, and five days later, Parry lost his life in a hospital as a result of head injuries. O'Riordan decided to write a song that reflected upon the event and the children's deaths after visiting the town: "We were on a tour bus and I was near the location where it happened, so it really struck me hard – I remember being devastated about the innocent children being pulled into that kind of thing. So I suppose that's why I was saying, 'It's not me' – that even though I'm Irish it wasn't me, I didn't do it. Because being Irish, it was quite hard, especially in the UK when there was so much tension." The song was re-popularised in 2023 after it was played after Ireland games at the 2023 Rugby World Cup. It was picked up by fans of the Irish team, with videos of fans singing the song in chorus accumulating hundreds of thousands of views on social media. This offended other Irishmen, who identified it as an "anti-IRA" anthem, and said that that the lyrics failed to consider their experience during the Troubles.

The music video, directed by Samuel Bayer, was filmed in Belfast, Northern Ireland, in the heart of the Troubles with real footage, and in Dublin. To record video footage of murals, children and British Army soldiers on patrol, he had a false pretext, with a cover story about making a documentary about the peace-keeping efforts in Ireland. Bayer stated that a shot in the video where an SA80 rifle is pointed directly at the camera is a suspicious British soldier asking him to leave, and that the IRA were keeping a close look at the shoot, given "the British Army come in with fake film crews, getting people on camera.” While "Zombie" received heavy rotation on MTV Europe and was A-listed on Germany's VIVA, the music video was banned by the BBC because of its "violent images", and by the RTÉ, Ireland's national broadcaster. Instead, both the BBC and the RTÉ opted to broadcast an edited version focusing on footage of the band in a live performance, a version that the Cranberries essentially disowned. Despite their efforts to maintain the original video "out of view from the public", some of the initial footage prevailed, with scenes of children holding guns. In March 2003, on the eve of the outbreak of the Iraq War, the British Government and the Independent Television Commission issued a statement saying ITC's Programme Code would temporarily remove from broadcast songs and music videos featuring "sensitive material", including "Zombie". Numerous media groups complied with the decision to avoid "offending public feeling", along with MTV Europe. Since it violated the ITC guidelines, "Zombie" was placed on a blacklist of songs, targeting its official music video. The censorship was lifted once the war had ended. In April 2020, it became the first song by an Irish group to surpass one billion views on Youtube.

"Zombie" received a total of 91% yes votes!

[fakezircon]

It's Done!

Three months of work from start to finish! All so I could finally present to the world:

Pocket, Minecraft Edition:

Some standard rambles and fun progress images under the cut :)

So, I started this project in early August, mostly as something I could do during downtime of a then upcoming trip.

I had seen some absolutely amazing art pieces by @royalnaym which kinda gave me the idea that minecraft rendered in pixel art has a pretty interesting while still very recognizable look. At the same time I came across @groupcritpowerdynamics 's speedrun pastel pieces and those really inspired me to try depicting my favourite game in one of my favourite mediums!

In the middle of August 6th, while in the middle of packing for my trip to the UK, I decided I wanted to do this and I wanted to have it to work on during the trip, so I loaded up minecraft and went looking for a screenshot worthy of immortalization. Unfortunately I couldn't find exactly what I was looking for so I made a brand new world and started looking around for the right vibes.

I knew I wanted a lone tree, and that if I ended up including the hot bar I wanted some hearts and food missing, so after running around for a few minutes I decided I would just do it myself and planted a sapling to serve as my centrepiece.

I gotta say I think the resemblance is striking!

And now as promised, the progress gif: mind the slight flashing, I did take these in all manner of different places including but not limited to: a plane, a handful of buses, and a small inn on the shores of England (not in that order).

It's pretty neat to me that you can see how different tones of lighting affect the perceived colour of the thread, I definitely noticed it more on this piece verses other larger stitch projects.

[goodomenshq]

📚The Good Omens graphic novel Kickstarter mega post 📚

As we enter the last hours of the Good Omens graphic novel Kickstarter, here’s a recap of ALL the items you can get and how to get them. We’ll also answer some of the main questions you’ve had.

Get yours here!

*

TIERS

THE HUMAN TIER (£25 GBP) includes one copy of the Good Omens graphic novel. All of the stretch goal embellishments (foiling, ribbon, foreword, afterword, extra pages, etc) cover every level (including early bird). Every backer also gets a bookmark. This also includes the foreword and afterword by Michael Sheen, David Tennant, and Jon Hamm.

*

THE SERPENT TIER (£40 GBP) includes one copy of the Good Omens graphic novel, a dust jacket* featuring an alt cover by Frank Quitely and Loot Pack #1*, which is full of goodies. *Stretch goals have added to these items, full info below.

The alt cover dust jacket is now reversible, with the other side featuring this by Rachael Stott in b&w.

✔️Serpent gets the dust jacket for your graphic novel.

✖ It does not have a print of this image. The colour version is available as an add on.

Loot Pack #1 originally featured 2 x Colleen Doran prints (including a brand new piece), a postcard and bookmark. Fans have unlocked additional Colleen prints, some colouring pages, as well as *many* prints from other artists… You have unlocked prints from Rachael Stott (different to the alt cover image), Sarah Graley, David Aja, Mark Buckingham, Tanya Roberts, Paul Kidby, Alice Oseman and Anna Morozova, as well as the Frank Quitely cover as a print.

We’ve been asked a lot about Alice Oseman's prints, so to clarify: if you back the Serpent Tier or above, you will get Alice's print featuring Aziraphale, as well as the newly commissioned Crowley to complete the pair.

*

THE HELLHOUND TIER (£120 GBP) includes the prior tiers + Loot Pack #2, ft. Crowley and Aziraphale enamel pins, stickers, and a pack of the Good Omens trading cards. These will be playable. Tier backers can also get rare cards in their order at random.

*

THE WITCHFINDER TIER (£200 GBP) has all of this, plus an exquisite map by Julien Labit. Dimensions will be approximately 594 x 841 mm.

*

THE DEMON TIER (£320 GBP) is a creative punch from head to toe, with five additional enamel pins (including Dog), some snazzy socks, and two creator themed notebooks, one for your inner Pratchett, the other for your inner Gaiman.

*

THE HORSEMEN TIER (£500 GBP) is the Demon Tier + A3 Giclee print from the graphic novel, signed by Colleen Doran, plus the exclusive Beelzebub enamel pin, and Neil Gaiman and Terry Pratchett collector's enamel pin set.

*

THE OBSIDIAN TIER (£3k) builds on the Horsemen Tier with copies of the new, limited Obsidian editions (GO illustrated edition, graphic novel & William the Antichrist), signed by Neil Gaiman & artists, and a one-of-a-kind trading card by Colleen Doran.

*

For booksellers, we have two options: The Small Bookshop Tier (10 copies) and The Bookshop Tier (20 copies), both of which offer a 50% trade discount. There are also add ons of 10 and 20 copies for shops looking to order more.

*

ADD ONS

The campaign itself ends at 11.59pm UK time on 31 August, so there’s still time to get your pledges in. Let’s move onto the add ons via Kickstarter...

How do you add more to your pledge? This link on Kickstarter should help. You effectively re-select the tier you’ve chosen, and then it will take you to the add on section. This works even if your tier is sold out, or was time sensitive (Nightingale).

Unlike tiers, you are not limited to one choice with add ons. You can get additional copies of the graphic novel, mugs, slipcases, the graphic novel oversized edition, and more. Rachael Stott's Eternal Encounter print is available also.

*

A.Z. FELL & CO ADD ONS. Includes: Bookmark, mug, socks, tote bag. The bookmark is different / higher end than those included with every copy of the graphic novel.

*

TRADING CARDS. You can get a trading card booster pack. These will have at least six cards. The Hellhound Tier is where to get the larger, playable base pack. Base packs will be available down the road via the new merch store, but cheapest via the Kickstarter.

*

ENAMEL PIN ADD ONS We have two pairs of Aziraphale and Crowley pins (£10 per set). We also have mystery packs of three available (£12). You can see the full pin information and designs so far at http://goodomenshq.com.

*

While pins #005 onwards will be part of the mystery packs, they may pop up at events or in flash sales of specific items. We will give fans as much notice as possible when these exciting events will happen.

*

BOOKSHOP ADD ONS. Bookshops who have backed either of the retail tiers will be able to add packs of 10 or 20 additional books onto their pledge. These tiers must be delivered to a bookshop address. These are also at 50% trade discount.

*

OBSIDIAN ADD ONS. While the Obsidian Tier collects all three books, you can add the Obsidian Edition of the Good Omens illustrated edition, the Good Omens graphic novel, or William the Antichrist - signed by Neil - to pledges at any level.

*

Add ons are available for every tier level. Add ons will also be available after the Kickstarter, however will be cheapest via the campaign. We know a lot of people have been asking, so if 31 August is too short notice, worry not!

*

FAQ

Q: Will the graphic novel be available after the Kickstarter finishes? A: Yes. It will be available via PledgeManager, and subsequently on goodomenshq.com when that becomes the wider merch store.

Q: Will tiers be available after the Kickstarter finishes? A: Yes. Some will be available for an additional time on PledgeManager to allow those who couldn’t access the Kickstarter for a variety of reasons. This will go live at some point after the project finishes.

Q: Will the add ons be available after the Kickstarter finishes? A: Yes. Though Kickstarter will be the cheapest way to get the add ons, these will be made more widely available at a slight price increase after the campaign ends.

Q: I couldn’t back the Kickstarter due to payment issues. Can I use Paypal / other methods? A: We believe PledgeManager will be able to integrate the wider payment methods, including Paypal, for those who couldn’t back with a card. This is TBC. Longer term, this will be an option on goodomenshq.com when it opens as the official merch store.

Q: Shipping is charged after. Why do we not have the final numbers yet? A: We’ve been working across the campaign to bring estimates down further; the page will have new numbers as we have them pre-31 Aug, however we will be working over the coming months to get the best price for backers worldwide once the weights are locked in. Our goal is to get the best value for supporters and not overcharge by locking in this early.

Q: If it will all be available later, what difference is there in backing the Kickstarter? A: All backers get an individual discount code for the Good Omens HQ merch store when it opens in the future, so you can get money off further items. We’ve got some fun things that we’re planning to do via backer updates post-campaign too. More on that… later. You’ll still get plenty of ineffable joy either way though!

Q: Is there anywhere I can sign up for updates? A: Yes! Good Omens HQ will have a mailing list. You can sign up here.

Get yours here!

[softzenia]

Photo Editing Services in the United Kingdom: The Key to Stunning Images

Your brand’s images in the digital age are its voice and should speak to your target demographic. You know the importance of good photography, graphic design, and marketing whether you own an online store or not. For this purpose, professional photo editing services UK are invaluable. This blog will take you on a visual journey into photo editing, revealing the techniques behind stunning…

[destiel-news-channel]

[Image ID: The Destiel confession meme edited so that Dean answers 'It's the UK general election! Go out and vote!' to Cas' 'I love you'. /End ID]

[dduane]

The Young Wizards series turns 40!

...And yes, we're having a sale to celebrate. But that can wait. :)

I'm sitting here looking at the date and considering how amazing it is that, despite the changes in the publishing world, anything can stay in print nonstop for forty years.

But this book has. Here's how it started:

...Well, not how it started. It started with three things:

A newbie YA writer being deeply annoyed with a non-newbie one for (as she thought) stripping their teenage characters of their agency without good reason.

A suddenly-appearing joke involving two terms or concepts that wouldn't normally appear together: the 1950s young-readers' series of careers books with titles that always began So You Want To Be A..., and the word "wizard."

And the idea immediately springing from that juxtaposition. What if there was such a book? Not a careers book, but a book that told you how to be a wizard—maybe some kind of manual? One that would tell you the truth about the magic underlying the universe, and how to get your hands on it... assuming you felt you could promise the things that power would demand of you, and survive the Ordeal that would follow?

Six or seven months after that confluence of events, there was a novel with that joke-line as its title. A month or so after that, the novel was bought. So You Want To Be A Wizard came out as a Fall 1983 book, as you can see from the Locus Magazine ad above (from back when Locus was only a paper zine). The first reviews were encouraging.

And by the middle of 1984, the publishers were asking, "So, what's next?" A question I'm still busy answering.

There's been a lot of water under the wizardly bridge since. In SYWTBAW's case, this involved a couple/few publishers, a surprising number of covers, a fair number of awards here and there; and lots more books. (I always knew there'd be more, but how many more continues to surprise me. Which is a bit funny, considering how much stuff that universe has going on in it.)

So here we are at forty, and looking ahead to The Big Five-Oh with some interest. More books? Absolutely. Young Wizards #11 is in progress at the moment, and YW #12 is in the late concept stages. More covers for So You Want To Be A Wizard? Seems inevitable. A TV series, perhaps? (shrug) Stranger things have happened: we'll keep our fingers (or other manipulatory instrumentalities) crossed. The New Millennium Editions in translation? and in international paperback? Working on that right now. The sky's the limit.*

And meanwhile, to celebrate, just for today we'll have a sale. (Except in the UK. To our British friends, the usual sad apology: the expensive bureaucracy of Brexit has made it impossible for us to sell directly to you any more. Details here, with our apologies.)

As has been mentioned before, changes are afoot at Ebooks Direct, so this kind of sale won't be happening again for the foreseeable future. (In fact I thought we were all done with them already. But the number 40 suggested one last opportunity that wouldn't be recurring, so I thought, "Aah, what the heck? Let's.")

New things first! Today, to mark this occasion, we're introducing the "All The Wizardry" Bundle. This is Ebook Direct's entire inventory of Young Wizards works; the contents of the bundle are listed on its product page. The $29.99 price listed there is for today only, to celebrate SYWTBAW's birthday, and will go up as of 23:59 Hawai'ian time tonight. As always, should you ever lose your ebooks or need to change reading platforms, we'll change your formats as necessary, or replace the books, for free.

Just click here, or on the image below, for the "All The Wizardry" Bundle. (Please ignore the category listings under the "Pay Using..." icons on the product page: they plainly think they're in a different universe. Kind of an occupational hazard around here...)

The other, older kind of sale folks will have seen here is on the "I Want Everything You've Got" Bundle, which is the whole Ebooks Direct store—obviously including all the Young Wizards books as well: more than 2.5 million words in 36 DRM-free ebooks. Just for today, in honor of the birthday book, we're dropping the whole-store price to USD $40.00. This, too, will go away just before midnight Hawai'ian time tonight... and it will never be lower. So if you want everything we've got at that price, don't wait around.

Make sure you use this link or the one associated with the image to get the baked-in discount at checkout. (If it fails to display correctly, use the discount code "40FOR40" in the checkout's "discount code or gift code" field.)

Meanwhile? Onward into the next decade. The new A Day at the Crossings novel unfortunately won't make it out before the end of 2023; other work in-house currently has taken priority. But as for early 2024... stay tuned.

And for those of you who're Young Wizards readers, and have kept this book, and its sequels, alive for pushing half a century?

Thank you, again and always!

*Though actually, it's not, is it? As the proverb has it, "Wizardry doesn't stop at atmosphere's edge..."

[i-want-my-iwtv]

Anne Rice’s gothic bestselling novel! Pre-order of this illustrated Limited Edition opens soon! 18 May 2pm UK time

www.booksillustrated.com

We have another great reveal to share with you. It is a stunning illustration of Claudia and Madeleine the dollmaker. Anne Yvonne Gilbert has created a beautiful and menacing image showing the fury Claudia feels at being trapped in the body of a child while she begs Louis to make a vampire of Madeleine.

^Louis and Claudia observe this amazing scene on visiting Europe in search of the Old World vampires. 'A beautiful thing it was, though, a splendid animal—a stallion, and pure white'

[fuckyeahgoodomens]

Good Omens graphic novel update: March 2024

Happy March. We bumped into the one and only Maggie Service at an event earlier this month, and here she is with some enamel friends of ours:

It turns out, her words, not ours, that they’re not only good for the aesthetic, but handy for covering accidental food stains. Here she is showing off the gorgeous Aziraphale and Crowley pins to the crowd.

Anyway, we have a bumper one for you this month, and an important update on timings. Let’s get to it.

PledgeManager

First of all, we were due to launch the PledgeManager with this month’s update, but there’s a few last minute hurdles we need to get through and so we’re pushing it back a few final weeks just to ensure all the is are dotted, and ts are crossed. We’ll now be launching this on Thursday 18th of April, in the late afternoon UK-time, to ensure that all team hands are on deck for the move into this next phase. 

We’ve got a bunch of FAQs ready for the launch, and we’ll have a PledgeManager-specific update to coincide with it going live where we’ll lay out everything as clearly as possible. We appreciate your patience on this.

Rather than hold back the PledgeManager-adjacent information to the new launch date, however, we’ll still share with you some of the new things that will be available!

In terms of new additions: you wanted more  ̶d̶u̶c̶k̶s̶ items? You’ve got them! We’ve got two new notebooks: one featuring lots of ineffable artwork from the graphic novel, and one featuring the much-loved ducks.

We’ve also got two new mugs: one for Tadfield visitors, and another for… duck lovers.

We’ve got a big sticker set bringing together lots of the art from this campaign. And, we’ve got a new enamel pin pair: these gorgeous Crowley and Aziraphale wings that together make a little love heart. You can either wear them both, or split them with your own best angel.

These will be available to purchase like the Aziraphale and Crowley pin pairs - not tied to the mystery packs.  

Tier updates

While some elements of the campaign are facing delays, other elements are hurtling forward at full velocity. Fans of the very cute, brace yourselves: here is Sarah Graley’s print for the loot box:

We’ve got some more map previews from Julien Labit, capturing Tadfield, heaven, hell, and many, many places in between:

And, we’re excited to unveil Alice Oseman’s Crowley illustrations for Loot Box #1, completing the pair alongside her Aziraphale sketches from when she watched Good Omens years ago:

On the add on front, here’s our Good Omens slipcase that can be added to pledges, to keep your graphic novels nice and  ̶a̶c̶c̶u̶r̶a̶t̶e̶ cosy:

We are quite into pins, you may have noticed. Here’s some more that will be available in the mystery packs:

Moving up to the Obsidian levels, here are some of the sample art pieces from William the Antichrist, illustrated by fantasy artist Mike Nash featuring Crawleigh, and the Citroen 2CV. We’re excited to see these new editions come to life:

Evolution of Eden

We thought it would be interesting to show the evolution of the graphic novel itself. We’ve found it glorious watching Colleen’s artwork arrive in each new stage, and so here’s a sample of the stages of Colleen’s first image, in the Garden of Eden, from pencil sketch, through ink, to the finished page:

And another, from its initial concept sketch, through to this celestial delight:

Lots happening, the lay of the year changing a little, but still full to the brim with Good Omens.

Until next time.

[beaniegaebie]

i don't really have any solid conclusions about this yet but i noticed A Thing in a rewatch and i haven't found it mentioned elsewhere yet so here we go

(apologies for the appalling image quality you're about to see, i can't screenshot easily rn pls bear with)

OKAY so in the scene where crowley confronts gabriel about "shut up and die", something about the arrangement of book stacks caught my eye a little

the majority of the books are angled so that we mostly just see the page edges and not the spines clearly, EXCEPT for a particularly shiny and familiar colour combo right here-

but nothing too weird going on there, i thought, crowley coloured books in a bookshop so what? right up until i registered crowley's line when we get a closer look-

hhhhmmmmMMmmmm yes yes "everything just the way you wanted" huh, very interesting considering that we know how much thought goes into props huh

and for most of the shots we get of crowley in this position those freaking books are just quietly nestled right there in the corner-

look at that god damn framing i fuckin see you, you glorious bastards

so i paused to see if i could figure out what the hell was up with those fuckers and this is when i absolutely lost my mind, your honour

A and C you say?? in crowley colours???? framed like this?????? localised entirely within your kitchen???

anyway long story short they're two books from an Agatha Christie Crime Collection set (24 volumes, three stories per volume) and guess whats on the mfing front covers I'm-

(its a rant for another post but when paired with this other set of initials spotted in s2 i want to scream actually)

ANYWAY back to the books, through an absolutely unhinged comparison of the formatting of gold text blobs i reckon the two we have here are:

(on top) The Pale Horse; The Big Four, The Secret Adversary

(on bottom) 4:50 From Paddington, Lord Edgeware Dies, Murder in Mesopotamia

(I'm fairly confident but if anyone has a better image to confirm/correct this pls do)

now here is where I'll need a bunch of help from some Christie-heads out there bc I haven't read any of these and I've only seen the tv adaptation of one of them, so i dont know for sure if these are like A Clue, or A Cool Thing, or if I've just fully brainrotted myself into a fun lil corner here? wa-hoo

but here's some initial stuff that jumped out at me after skimming the basics:

(some of) the titles: Pale Horse/Big Four - death's horse ofc, the four horsemen mayb? the them+adam?? ; Mesopotamia is a very biblical choice bbz ; 4:50 From Paddington- azi likes trains i guess? idk that one's tenuous lmao ; honestly no idea with the other two but Secret Adversary feels a tad ominous

iirc Big Four just has kind of an unusual history, it was initially twelve short stories that she later compiled into one, and it was published fairly soon after christie's mysterious disappearance/reappearance

in Big Four, poirot fakes his death at one point and doesnt even let hastings in on it and I'm hoping sure its totally irrelevant to the ineffable bois

part of the Pale Horse story is a group of assassins that basically try to pass off all their murders as being actually caused by like ✨satanic powers✨ which is interesting

christie knew a fUCkton about poisonings thats why she wrote so many into her work and, while i don't believe the poison coffee theory myself, it sure is an interesting link with how cyanide is associated with almond smell/flavour and that metatron chooses almond syrup in particular

(ALSO random side note that is mostly meaningless but I've worked in a good few uk coffee shops and have never worked anywhere that stocks almond syrup; almond milk yes, hazelnut syrup yes, but never almond syrup...? prob just the places i worked though lmao)

EDIT forgotten point: I've seen some speculation that the bently's plate reading "CURTAIN" could be a reference to poirot's last story, along side that alternate scene of crowley ordering the sherry for "miss marple", its just one too many agatha christie references for my melted brain to handle and I'm SUS

so this is where i run out of idea steam and hand it over to you lot because i have no clue what this could mean, if it even means anything other than a cool set feature

is there something here actually or am i yelling into the void just for fun?

who knows, who cares!

[kayas-kosmos]

Because of what's happening on Twitter...

I've made a little diagram to demonstrate why billionaires and the ultra-wealthy are bad for society.

(Text in Image)

"If we view society as a body, every sector is like a different organ within the body that serves a function and works in harmony with other organs to maintain balance. Every part of the body is important for the whole thing to function."

"The ultra-wealthy want you to believe they are the beating heart and thinking mind of the society – they are the innovators who create our jobs and their brilliance drives society forward. They deserve to be at the top of society because they have earned that. Without them, the body won’t function because they are the most important part."

"In reality, they are more like a malignant tumour, sucking all of the blood (resources) away from everything else (people and the planet) to fuel its own infinite growth, depriving the rest of the body and slowly killing it. Workers create all of the innovation and keep things running, the ultra-wealthy take all the credit."

------------------------------------------------------------------------

This is a public domain image so feel free to pinch it for whatever.

Elon Musk has put the careers of thousands of small business owners who depend on Twitter (myself included) in jeopardy by completely running it into the ground. Before this, Mark Zuckerberg had already been doing the same when he started pursuing Metaverse, making Instagram and Facebook much more unusable for artists. Do I really need to go into other examples of CEOs and very normalised practise of wage theft?

Meanwhile, the UK currently has the richest Prime Minister in its history. What is this man doing with this wealth? Continuing the Tory legacy of austerity in order to line his pockets and the pockets of his crony friends. This has resulted in a devastating cost of living crisis that continues to ravage the country as people's energy bills skyrocket out of control.

My diagram is pretty basic and lacks nuance, there's definitely more I could elaborate on with this comparison but I really don't have time. I just want people to get the basic point of how billionaires view themselves vs what function they actually serve. I'm also not here to debate whether some organs are more important than others since I'm not a doctor, that's not really the point here. And no, I don't care if people think I'm being harsh by comparing billionaires to a tumour. If they don't want to be compared to one they should stop acting like one. Jeff Bezos could end world hunger right now and chooses not to.

Also, I know a lot of people are going to come at me with the argument that billionaires give away massive amounts of money. First off, people like Jeff Bezos only give large sums of money to charity a.) for the sake of improving their public image and b.) because giving to charity allows them to write it off in their taxes. Also, charities in of themselves have a lot of problems, but that's a blog post for another day. Mutual Aid is a better way to help people directly. Really, the ultra wealthy need to be taxed, of course they do everything within their power to avoid taxes.

Also:

"Earning a lot of money" and "holding onto a lot of money" are two different things. You cannot be a multi-millionaire unless you hold onto that money. If you give away massive chunks of it to enrich society, you cease to be a billionaire.

Oh and this is worth a watch, too.

Furthermore:

Also before the inevitable great man comments:

Being a billionaire is a moral failing. Nobody needs that much money.

[Slight edit here - I made the assertion that a billionaire could not spend all of their money in their lifetime, but as someone in the comments pointed out it's very easy for them to completely waste billions in no time. Elon Musk and Mark Zuckerberg have shown that].

Anyway, if you would like to see more anti-Capitalist art from me, I am currently working on a webcomic called "Flowerpunk" - a story about a group of anarchists who are trying to save the city of Wyrdon from a supernatural plague known as "the rot." The comic heavily discusses disaster Capitalism and how the rich will use mass death and destruction as an opportunity to further line their pockets.

I also like to do little anti-Capitalist doodles relating to this project, which I plan to make into posters at some point.

Please consider donating a Ko-Fi also if you would like to help support this project. I am really struggling at the moment because I've basically lost a massive chunk of my client base due to this Twitter implosion and also because of the AI BS that has made it impossible for me to get any reach nowadays. The last year or so has been an absolute nightmare for my career because of all of this.

Thank you all for your continued support! Hopefully I can re-establish my audience here on Tumblr and wherever else I decide to go.

[doyoulikethissong-poll]

Aaliyah - Try Again 2000

"Try Again" is an R&B, electro, dance-pop, and trip hop song by American singer Aaliyah for the soundtrack to the 2000 film Romeo Must Die, which she starred in. After its initial release, it appeared as a bonus track on international editions of Aaliyah's eponymous third and final studio album (2001). The song was written by Static Major and Timbaland, while production was handled by the latter. The intro contains an interpolation from Eric B. & Rakim's song "I Know You Got Soul" (1987).

The song received critical acclaim from music critics for its innovative futuristic production. In retrospective reviews, critics have credited the song for helping "smuggle the innovative techniques of electronic dance music onto the American pop charts". In 2001, Aaliyah earned a Grammy Award nomination for Best Female R&B Vocal Performance for the song. In the US, it peaked atop the Billboard Hot 100, becoming the first single to reach number one based solely on airplay, as it was not commercially released in the US. Internationally, "Try Again" peaked within the top ten in Australia, Belgium, Canada, Denmark, Germany, Iceland, the Netherlands, Norway, Portugal, Switzerland, and the UK.

Romeo Must Die grossed US$18.6 million in its first weekend, reaching number two at the box office. In addition to acting, Aaliyah served as an executive producer of the film soundtrack, to which she contributed four songs. Her co-star Jet Li and producer Timbaland appear in the music video, which won Best Female Video and Best Video from a Film at the 2000 MTV Video Music Awards. The video also was nominated for Best R&B Clip and Maximum Vision Video at the 2000 Billboard Music Video Awards. It was directed by Wayne Isham, while choreography was orchestrated by Fatima Robinson. In 2001, the video earned a nomination for Outstanding Music Video at the NAACP Image Awards. Throughout the years, critics have praised the video for its fashion and choreography, with many deeming Aaliyah's look iconic.

"Try Again" received a total of 63,6% yes votes!