#impact review

[tinartss]

daily struggles of professor kaveh

+ i like to imagine that he was reading whatever the architectural version of the perchance essay is

[portalmonsterrr]

after the interdarshan championship

a little WIP because im having a bit of a bad day I just couldnt resist drawing pleading eyes emoji kaveh with those desert foxes

[fandom]

Genshin Impact Characters

BREAKING: Paimon still hungry, still looking for treasure.

Albedo +6

Zhongli -1

Childe -1

Xiao +1

Kaeya -2

Diluc

Arataki Itto +16

Venti -4

Scaramouche +16

Kaedehara Kazuha +1

Thoma +17

Aether -3

Tighnari

Kamisato Ayato

Yae Miko +25

Lumine -8

Gorou +8

Raiden Shogun +2

Hu Tao -7

Pantalone

Cyno

Shenhe

Ganyu -8

Paimon -8

Il Dottore

Shikanoin Heizou

Arlecchino

Beidou -14

Klee -10

Ningguang -13

Chongyun -18

Eula -2

Kujou Sara +15

Pierro

Mona -9

Yelan

Keqing -16

Il Capitano

Xingqiu -21

Qiqi -11

Xinyan -3

Dainsleif -15

Sangonomiya Kokomi -1

Rosaria -7

Bennett -23

Yanfei -11

Columbina

Sandrone

Alhaitham

Yoimiya -31

The number in italics indicates how many spots a name moved up or down from the previous year. Bolded names weren’t on the list last year.

[samijen]

GAOMON sent me the PD1161 pen display to review!

You can check out my full review at https://youtu.be/u1EviqPKPXA

[suga-with-a-cup-of-tae]

i was searching through Google Maps and typed in "Snezhnaya," and lo and behold, there was a river with that same exact name. The reviews though...

These are just hilarious LMAO

[falling-star-cygnus]

❗4GGRAVATE NATION❗ come get y'all's food, i have another headcanon :D [semi-supported by canon, once again]

anyway, i was rewatching Alhaitham's trailer bc of a fanfic i read, and i realized that he's probably the most flexible out of all of them. -> think about it:

Tighnari and Kaveh both use weapons that require a lot of arm strength [even if Kaveh levitates his with Mehrak, he's still got those creaky old man artist joints] which somewhat limits the range of motion in the shoulder area that doesn't nix Tighnari from being quick on his feet, just for the record, i am aware of his acrobatic abilities. But a lot of his gameplay is focused on footwork and jumping

Cyno, on the other hand, despite having a weapon that allows for more of a lithe build- fights like a claymore user. He's a very heavy hitter, and his attacks focus more on relentless force rather than the precision of other polearm characters which is kinda cool if you look back at Kaveh, who DOES fight with precision despite having a claymore

and then you have Alhaitham, who in his original gameplay would arc almost completely into the splits to kick his sword down [i'm still so distraught that they lowered his leg, BRING IT BACK-] it is impressive that he can kick his sword whilst in a mid-air flip though, and still maintains a very aerial style of combat -> also, he can teleport- why don't more people talk about that?

Kaveh comes home to find Alhaitham sitting on their divan, reading one of his books like usual His hands are full of blueprints, with his charcoal balanced precariously on top, but he manages to close the door and start towards his room to set his stuff down. The charcoal hits the ground Alhaitham, glancing down at it: ...hm? Kaveh, pausing; ah- shit, Alhaitham can you grab that for me? My hands are full. Alhaitham, looking back down at his book: Yes, I can see that. Regardless of his 'disinterest', he shifts as if to stand up. And then doesn't. Alhaitham arches over the backrest of the divan to pat at the floor until his fingers brush the charcoal. He places it back onto Kaveh's stack and settles back into his book Kaveh: ....you could have just stood up- Alhaitham: I could've not grabbed it at all.

Cyno and Alhaitham get caught up in a fight with some Eremites on their way back from a ruin exploration or smth [idk i have a headache] It's a pretty evenly matched battle for most of it, but one of them manages to pin Alhaitham with his blade. Cyno makes to help him, but is quickly blocked by another enemy Cyno, scowling: Alhaitham-! The scribe dismisses his blade in a flurry of golden sparks, only to wrap his thighs around his foe's neck and twist to have the advantage- now having the Eremite pinned, he resummons his weapon Both Cyno and his opponent freeze mid-clash Cyno's Enemy: ...you wish that was you, huh- The general mahamatra attacks twice as viciously

Alhaitham had gone to Tighnari for some minor medical assistance, having been closer to him than the Birmastan [and also just generally not trust it more than his friend] Tighnari had suggested that he rest a little bit before heading back home, to which the scribe easily agreed and settled down on his friend's couch for small nap When the fox goes to wake him before it gets too late to safely travel back, Alhaitham blearily stretches backwards over the armrest until he's nearly in half- sighing a little as it works out a few kinks in the small of his back Tighnari blatantly stares Alhaitham, pausing as he works his boots back on: ...Everything ok? The fox covers the lower part of his face and offers no more than a thumbs up

[emypony]

New off the press!! Emy flavored Sentihua!! Come get it while it's hot!!

Summary:

A certain Valkyrie grows restless day by day, wondering why her heart still feels heavy despite succeeding in her lifelong mission of saving humanity. You would think someone like Fu Hua would have figured it all out by now, but there's still some leftover feelings the former celestial was never able to make sense of- crushes. Faced with the impending realization that this particular affection isn't going to go away anytime soon, Hua is forced to deal with this unknown territory all by herself. Her job isn't made any easier considering the fact that the subject of her feelings was none other than the Herrscher of Sentience, and so she is left at the mercy of fate to deal with conveying her feelings to Senti, potentially without making a fool of herself in the process.

[dkettchen]

SCIENCE IS ON IT! The kids will be ok 🙏

(They're even calling to stop the ban while they're doing this and on the same side as the rest of us in that "[they too believe that] clinicians, patients and families should make decisions about treatment on the best available evidence, not politicians."!)

[balkanradfem]

I've been reading 'The Climate Book' from Greta Thunberg, and I have to talk about it. I've never seen a book written so brilliantly and desperately, pleading for awareness, for action, for survival. I thought I was aware of the climate change, but there was a vast amount of information I did not know. I'll start from the ones I did.

I knew that the climate has already changed, and will continue to change until a lot of animal species will go extinct, and a big amount of human beings will suffer, end up impoverish, misplaced, in starvation, or dead. I knew the culprits were the companies that refused to stop taking down forests, burning fossil fuels, promoting lifestyles of consumerism, over-consumption, generated the amount of waste that the planet could not safely consume or store. I also knew that one of the biggest pollutants were big oil, animal and plant agriculture, fast fashion industry, travel industry, and the capitalistic system that enabled 1% of humanity to own and over-consume 90% of the resources available to us. Knowing this made me feel powerless, because even as I boycott all of it, I can't do much else, and I'm not enough to stop what is going on. I am merely a drop in the ocean - which is what Greta points out as well. But, Greta doesn't think we're powerless.

This book is incredible in the sense that it goes over and beyond to think practically. It doesn't despair, it doesn't panic, it doesn't think any other way but how to practically and effectively bring change, what are the options and possibilities, what is true and what is propaganda, how to avoid millions of deaths and extinctions that are sure to come, if we do nothing. Greta has analyzed all action that is 'being done', and found out most of it was fraud, cheating, lying. All of the governments and companies who were bragging about reduced emissions, or offsetting emissions, have simply found ways to outsource them and to emit them in another, poorer country. The amount of emissions has actually increased.

She has also interviewed the world leaders, and people responsible and suffering from climate change - and these are the results: Nobody feels responsible, nobody feels as if it's their turn to change, to reduce, to do anything to help it. Even interviewing people whose livelihood was taken away from them due to climate change, who have lost their living environments already, their trees and animals and fields and fertility and soil, when asked if they would be willing to work ecologically from now on, with reduced or low emissions, their answer was 'Why should we? It's not fair, they took from us and enjoyed, while we suffered. We won't stop until we have what they have. We deserve it.'

With this information, Greta has found a truth of how humans influence each other - we imitate. If we see someone else doing something, or having something we find desirable, we also want it. We look at ourselves in relation to other people that surround us, we take responsibility according to what others around do, and we hold ourselves accountable only as much as others do. And this is why we have a power that goes beyond individual action, beyond simply lowering our own emissions and boycotting companies that are responsible for pollution - we are able to influence others. We're able to influence the media, which forms public opinions, and using the media, force into action those who benefit from polluting the planet.

What I didn't know, and this book taught me, was that from the times humans started to hunt, they didn't only have a great effect on the environment, they were the absolute leading agent on it. Soon after hunting the megafauna into extinction, the environment started to change not just because we affected it, but because we directed it to. We caused the extinction of many species throughout the past, by hunting, taking wild spaces for our own use, polluting water sources, changing the climate, spreading predatory species,  like cats and rats, and we didn't stop there. We changed the landscapes of forests and fields, into human-used agricultural land that was effectively deadened for the purpose of wildlife. We domesticated, and then farmed animals, to such extreme degree, that right now what is left of the wildlife, is mere 12-15% of all animals out there. More than 80% of current animals by weight living on earth, are put there by animal agriculture, meant for human consumption. That is absolutely insane. We did the same with the wildlife environment as well – there is now only 3% of the forests on earth, that are still considered intact. We changed the landscape, not only slightly, but by erasing most of it, making it unusable to animals, insects or wild plants, appropriated only for agriculture, grazing, and human-only environments. And, we dug up and released so much carbon into the air, it is coming close to the amount that we had on the earth, at the time of dinosaur extinction, which wiped out a third of the planet's species. And we keep doing it, even knowing what will happen, knowing that every single time this happened in the past, it created mass extinction.

I wasn't aware how serious and extreme the changes we made were. Knowing what is going out, makes it very clear why we have a crisis, it would be crazy to expect not to have one. These changes were not reported, nobody was asked to approve of them, there were no regulations or limits, no environmental studies on consequences, and it keeps going. We keep increasing the demand for agriculture and animal products, increasing our consumption even though we are running out of the natural resources used to create the products. And it is not our fault. Most of the food and meat created by destroying this land, will go to waste, for the profit of the corporations. The world will keep living in starvation, despite so much of natural life getting destroyed for food, despite the climate crisis being caused, partly by our food production.

This doesn't mean we can't sustainably feed ourselves anymore, it just means we can't do it the way we're used to. It just tells us we need to use more resilient and less land and water consuming food. Plant based diets demand less soil and emit less carbon, gardening reduces the amount of agricultural space needed to feed us, supporting and protecting wildlife wherever it's still thriving, will save both soil, animal species, and biodiversity that is very quickly fading from the planet.

I've also learned that even as we're close to the tipping point, but haven't reached it yet. Whatever we do right now that stops us from reaching it, will mean the difference between life and death to the future generations of people, animals, and plants. If we manage to make changes now, to stop the ice from melting past the tipping point, we can save millions of lives, that would end in certain death otherwise. If we can create policies that are not volountary but binding, we have a chance to save livable land, animal and plant species, biodiversity, and human quality of life. It's not too late to act, in fact, this is the vital time to act, and we're the only ones who can do it.

And the way you can act is not just by reducing waste, reducing the amount of energy you consume, reducing animal-products in your food and refusing to waste and throw away usable goods, but by being public about it. By making it clear it's a positive improvement on your life, on your quality of life, that it's both moral and enjoyable, both inspiring and encouraging others to do the same. Some of us have bigger impact on others than we might know, and if we start doing it and visibly enjoying it, there are others who will follow.

This book has taught me immense amount of science behind the climate crisis, and gave me incentive to do more than just live and feel helpless, I need to do more. I recommend this book to anyone wanting to learn more, and wanting to act more. I will be from now on, writing more about ecology and preserving the planet, and how to do it. If we're the directors of where this planet is going, we have to be so intentionally, with knowledge, wisdom and awareness of what we are doing. We can do good, and humans have been doing good, any time there's been wisdom, awareness and intention in how we're shaping the environment. And if anyone wants the book in the audio form, send me a message and I will give it to you.

[whenthedeeppurplefalls]

Just saw the worst take on who’s Lila. What a disappointment to read such a shallow take on my favorite game of all time

[cometrose]

how do you feel about the eyes being a window to the soul and Zhongli's eyes not being shown in flashback?

oh now we are getting into videogame analysis.

The first it could represent his "unchanging expression" during the Archon War. It is was rumored that during the war, Morax did not show emotion and was rather "cold and unfeeling" and his judgements were "rational and dispassionate". He wore an emotionless mask and his stone-cold expression did not change until the war ended and not seeing his eyes is a simple representation of Morax's behavior. There are no eyes, because there is no emotion, there is barely a face (he is blank as stone) so its just very clever visual symbolism.

On the other hand, it could suggest there is more to Zhongli than meets the eye. As you said eyes are windows to the soul, and from a narrative point eye symbolism is powerful tool in literature. The most common usage for eye symbolism is to represent wisdom, knowledge, truth, perception or control.

Not seeing Zhongli's eyes means there is something the writer's are deliberately hiding. It could mean his true nature, has not been revealed to us. It doesn't necessarily means his physical eyes have changed but rather the Morax of the past presented himself differently than the Morax of today.

Zhongli's true origins are unknown we have no idea where he came from, what he truly is and the truth of many of his contracts (the tsaritsa, celestia, khaenriah just to name a few). We have known Zhongli for so long, but do we actually know anything about him? Not seeing Zhongli's eyes means there is even more to his identity that has not been revealed to the traveler. His true soul, identity, or purpose have not been revealed, we have not seen him for all that he is.

I have my own theories about Zhongli's true origin (why is the third act of liyue archon quest a new star approaches hmmmm) but if you look through some of the Liyue books or character stories you will notice there is a lot of mention about Zhongli's eyes.

In Rex Incognito, Rex Lapis' disguises as a woman with "eyes shone a brilliant amber" or a rugged worker with "eyes shone like amber from the mountain mines in the light of the setting sun" and a noble young man with "his golden eyes smiling."

In Moonlit Bamboo Forest, the main character meets a woman that "didn't appear to be an adeptus, apart from the piercing gaze of her golden eyes."

Even Tubby, you know the teapot adeptus that takes care of your teapot? In the story quest for the teapot she mentions a "golden-eyed adeptus" explained the limits of adeptal power in teapot to her. First of all Ping mentions in part I of the same quest that Rex Lapis blessed the adepti with "illumination" that allows them perform sub-space creation and form teapots. So the adeptus is clearly him.

In the description for the Euphonium Unbound: Winding, the teapot furnishing that allows you to play music "According to Tubby, a certain adepti with black hair and golden eyes wanted to temporarily change the melody echoing in the Realm Within to match the aesthetic of the tea on the table when he was having a small gathering with his friends in the Realm Within."

These are just the descriptions I can remember off the top of my head. Like many characters have gold eyes but Zhongli alone has so many many references to his eyes. Whenever genshin wants to describe Zhongli without saying his name they just say a person with "golden/amber eyes". Hell there was literally some Millelith soldier that knew Rex Lapis wasn't dead because he saw some guy with golden eyes walk past him.

Like really long story short. Eye symbolism is super important to Zhongli and a key part of his characterization. It is clear that no matter what form he takes it seems his eyes stay the same. Which is super interesting for shapeshifter characters. Shapeshifters usually change everything about themselves unless it very important to them so for Zhongli to hold onto a part of himself could suggest so many things. It could also just be a limitation of his transformation.

ANYWAY to hide Zhongli's eyes in his flashbacks even though we have seen the eyes of all the other archons and then to make his signature description his "golden eyes" is so interesting. Why make his signature feature his eyes then not show us his eyes!! What is the reason!

And again the first answer isn't exclusive at the same time, because his eyes are so important Zhongli not showing his eyes in flashbacks could mean that back then he was hiding a part of himself. Now that he is free from the title of Rex Lapis he can show his eyes freely without care, he is free from the contract of protecting humanity he doesn't have to wear an emotionless mask anymore so his beautiful eyes are on display.

Though interestingly in his museum collaboration we got to see Morax's eyes and in his archon outfit and all. However that could've taken place after the war and is also a fun little collab so like *shrugs shoulder* who knows!

[anime-grimmy-art]

It’s this time of the year again, folks. Time to wrap up the art Ive made in the last 12 months in another Year in Review! I’ve noticed that this is my fifth Year in Review in a row, so I’ll be making an extra post looking back on the progress in those last 5 years!

I've got a lot to say about this year, but purely art wise, I've gone all when it comes to comics, damn! I've kinda found a format that is messy, and therefore more time efficient, yet still looks good. I even made 2 animatics and lotsa shorts/reels! All that on top of opening coms twice, and, oh yeah, MAKING A WHOLE ASS 4MIN ANIMATION ON MY OWN.

How is my hand still alive.

2023 has been….interesting, to say the least. The first half year I was working on my thesis project, aka making an animated short all on my own (in the art department), which makes it honestly surprising how much I managed to churn out between animating. Trigun rly did have me in a choke hold.

Summer was a bit more spotty, esp. with me not being able to draw anything during August as I was writing my thesis (and doing commissions). And towards the end of the year, Kingdom Hearts tried to save me, but alas, Genshin Impact has finally sunk its teeth into me and dragged me to the bottom of the rabbit hole. It all started with me watching a story summary and lore videos while I was sick after my thesis and I was too intrigued to not dig deeper and well, first I fell in love with Kaeya and then the ships started dropping in left and right.

I’m not gonna lie, the last few months have been weird. I finished my masters in October, and have been on job hunt since, sadly without success so far. I’m existing in this weird limbo of still not grasping I’m not a student anymore after 18 years in education, not really being able to accept I’m an adult, yet desperately trying to find something so I can make a routine, cos rn Im too scared to build a rhythm as I know I’ll have a so much harder time readjusting again. It’s left me in a weird emotional state, where most of the time I feel fine, but when it counts, there’s just, nothing. No joy at getting my diploma, no anticipation to finally go to a convention again, neither any sadness hearing my grandfather died. It frustrates me that it extends to my art as well, there’s excitement over ideas and concepts, but no motivation to pick up the pencil, which makes me either not finish art at all or making so many shortcuts and just ending up with sth not satisfactory to me since it’s not the idea I sought after.

Tho, not everything is doom and gloom. I DID finish a whole ass short animation and got my masters degree, that IS sth to be proud of. Also, while Im struggling at drawing, I’ve also kinda started integrating my shortcuts into my style and some stuff I’ve thrown together actually turns out real good nowadays. Also, and this might be a bit of a weird one, I’m so fucking happy to know I can still enjoy gay ships. I’ve been a bit uncertain over the last few years because when I was around 16-18, I had a real big yaoi phase, which mostly came from the fact so much stuff came out that tickled my brain in the right way (Free, Haikyuu, etc.). But over the years, my enthusiasm died down, and I even started to resent some ships because it’s all some fandoms produced. I often found myself liking a hetero ship more than the popular gay ship, which really made me not wanna stick around because I did not care for most fanart and you can only go through a tag with art you don’t care about so long before you lose interest. I think in retrospect that it rly had nothing to do with the ships being gay ships but rather cos the fans just shoved it in your face when you didn’t care (and shipping culture nowadays also can get real scary). But I’m so happy to see I can still get obsessed with a ship and it’s all thanks to Haikaveh/Kavetham. It really just needed the right flavour for me to dig in again. And oh my god, I FINALLY like a ship with a SHIT TON of art and fanfictions, no more scrounging the crumbs from the bottom of the barrel. 

Anyways, enough lamenting. Here’s to hoping I can bite my tongue and get shit started properly in 2024, and that my brainrots may make me obsessed enough to churn out an obscene amount of fanart again.

[dezertvideogames]

What the controversy? - Genshin Impact

I don't normally make post like this, maybe I should as a mixed video game addict. I bet you've heard about the understanding outrage about the skin tones of Genshin characters. Maybe you've seen the meme pointing out that the White Pharaoh has darker skin than most of the Genshin cast. I'm here to tell you the problem is even worse.

What happened previously?

Genshin Impact has been heavily criticized by fans from all over the world for the blatant colorism in the game.

Genshin Impact is a free open world game with gacha mechanics. Characters come from a myriad of in-game regions each based off of real life ones including Western Europe, Japan, China, the Middle East, Russia, Central Europe, and the most recent region taking inspiration from Sub-Saharan Africa and Latin Nations.

This can be a very interesting approach to this kind of worldbuilding, as Genshin is not unique for this, and often makes it easy for fans to connect to the characters culturally.

Genshin's problems started to show immediately. In fact the first region's set of characters, Modstadt, based off of Central Europe has THE darkest skinned characters in the game. Kaeya and Xinyan, and one of them is a mean obnoxious black girl stereotype.

Like-

As the other regions have been added to the game, the problem has only gotten more apparent. Regions that would naturally have a few more diverse skin swatches among the cast just didn't have them. When Genshin did add darker characters they were often lighter than the average mixed person, or another variation of white skin tones, because lets be honest white people come in many colors too.

Now there isn't anything wrong with a region having diverse skin tones, especially if it's based off a real life region with a very commonly diverse population when it comes to skin tones like the United States, Brazil, Egypt, Iran, or South Africa. These places realistically are very diverse, and the people from then come in many colors.

The problem is in Genshin there are zero characters added with a darker skin tone than Xinyan, and the dark characters they claim to give us are barely darker than average Chinese person. There are very few brown skinned people, and they're all quite pale brown skin tones. Take for instance the Sumeru line-up.

When Sumeru came out fans of Genshin were outrages at the lack of darker skin tones among the middle eastern inspired characters. Since then there has been a demand for darker skin tones, and tons of criticism against Hoyoverse, but their pleas were never answered.

The Latest Region

The latest region added to Genshin Impact is Natlan. It takes inspiration from Sub-Saharan Africa, and Latin nations. Players have waited with baited breath to see if Hoyoverse finally adds some darker skinned characters. The answer?

ABSOLUTELY NOT

Natlan came out with one brown skinned character. Meaning in all the regions of Genshin Impact there is a whopping three brown skinned playable characters, and zero black people to play.

This is worse than it seems: Hoyoverse

Genshin Impact isn't Hoyoverse's only game. In fact Hoyoverse's other popular games, including Honkai Impact 3rd, Honkai Star Rail, and Zenless Zone Zero also have zero black playable characters and sparse brown skinned characters.

In fact if you are a Hoyoverse fan in general you got your first two furry characters this year, before any dark black characters.

Like-

We got blue people before black people guys

The Outlook & Excuses

Many players are choosing to quit the game, boycott purchases inside the game, or completely moving on from Hoyoverse entirely. In fact I am one of these players (sorry to my mans Zhongli ]: ). I quit when Sumeru came out because I felt very offended seeing the outlook of colorism in the games as someone who is brown toned.

Some fans of Hoyoverse have tried to defend the company by mentioning how it's an Asian game, and these are simply Asian beauty standards.

So how does Genshin Impact hold up to other anime styled Eastern games? It doesn't... AT ALL.

These pictures all come from other Eastern video game companies, including Fire Emblem, Reverse 1999, Arknights, and Dislyte.

There is no excuse for Hoyoverse.

My Video Game Suggestions

If you're a fan of free gacha games I suggest wholeheartedly Reverse 1999 and Dislyte for their diversity. Arknights is also pretty good.

When it comes to open world games there's hundreds out there, many of which Genshin itself is based off of or has been the inspiration of in the first place; like Legend of Zelda: Breath of the Wild or Palworld.

For games with anime styles the Persona series, and Fire Emblem are super fun. The Xenoblade series has very similar storytelling to Genshin Impact. There are many other series in development that plan to be similar to Genshin Impact, however most have the same hardcore flaw of zero to sparse dark skinned characters. Keeping an eye on them doesn't hurt though, as the lesson might be learnt before further updates are made.

Anyway, play Reverse 1999 if you want a free mobile game to fill the void Genshin brutally left. May Zhongli rest in peace.

I really like the writing, the animation style, the voice acting can be silly but that's because each character is voiced by native speakers of their background.

There's a tons of lesbians in the game too if that's your thing.

(PS. I judge no one who continues to play Hoyoverse games or holds hope for the future of the franchise)

[fandom]

Things We Care About

Well, Tumblr, 2022 was another big year for speaking up and supporting each other. In the past year, you took action, turned art into activism, and made your voices heard, often in support of others. We’ve analyzed your top tags and posts to determine what mattered to you in the last year.

When Ukraine was invaded, you showed your support. You continue to #stand with Ukraine, create for Ukraine, and honor Ukrainian artists caught in the crossfires.

Throughout the year, you shared many messages of body positivity and encouragement, held 5,879,971 private exchanges with @kokobot (yes, you and kokobot rlly r bestiez), and sent an inconceivable amount of anonymous, personalized messages of reassurance to each other.

You celebrated Pride with plenty of wholesome artistic offerings and showed solidarity with your peers all over the world. You stood up against the Don’t Say Gay bill in Florida and informed each other on how to vote against trans-exclusionary policies across America. When Rebel Wilson and Kit Conner were both pressured into coming out, you supported them, commiserated with them, and came to the defense of anyone who's ever been pressured to do so.

When Mahsa Amini was killed, you spoke out and posted in support of protests in Iran, learning about and spreading awareness of what women, girls, and protestors endure in the name of tradition in Iran. 

When Roe v. Wade was overturned, you shared countless resources for those affected by reproductive rights infringement in the US, again turning to art as a means to share stories and ignite action. You commemorated the victims of the Uvalde shooting, saying enough is enough when it comes to gun-related violence in America. You turned your rage into art that inspires and nudged others to make their voices heard at the US polls. 

You reminded users that the “civil rights movement isn’t as “ancient” as we’re taught in class,” that Black lives still matter, and always will matter. You celebrated Black Joy and Black Excellence, illuminating stories of resilience in the face of racial injustice. 

You celebrated your Indigenous culture and took a stand for the preservation of Indigenous lands.

You continued to be planet-conscious by sharing ideas, resources, and knowledge of mending and making, and celebrated conservation efforts along the way. 

And finally, under the continued stresses of COVID, you looked to the future with resilience, turning pain and uncertainty into hope and connection.

And that’s definitely something to be proud of. What will you stand for in 2023?

[mst3kgifs]

Well, as long as it hits Leo Sayer, I'm fine with it.

[feralnumberfive]

TUA didn't even make it into the top 100 TV shows for Tumblr's 2023 Year in Review 💀