June's character in Dangerous Romance is
A student teacher?!
Damn it!
I was rooting for lesbians not a mentor!
Guess I gotta wait until 23.5. Third time is the charm with them.
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I think it’s really funny how Tim had at least one parent besides Bruce (who was not explicitly his parent for the longest time) for most of his time as Robin and yet nobody contests that he has been Bruce’s son, Dick’s brother, etc. since far before his actual adoption. But with Duke it’s a whole debate every time.
“Duke’s parents are still alive so it’s disrespectful” Tim’s stepmom was alive but unable to take care of Tim, when he was adopted by Bruce. Is it disrespectful to her to say Tim is Bruce’s son? Or does this argument only apply to Duke?
“Bruce didn’t adopt Duke, he was just his guardian” Do you know who else Bruce also didn’t adopt for his entire childhood? Or is Dick no longer Bruce’s son in any way whatsoever?
“Dick actually called Tim his brother” Jason’s included Duke as one of his brothers.
“Some people don’t like anything post-flashpoint” Those same people usually include Kate Kane.
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Post-TBOB Billford Thoughts
🔻 Long-winded rambling, run-on sentences, and TBOB Spoilers under the cut 🔻
Billford is so interesting to me because it's so easy to see how things COULD'VE worked in some alternate dimension. There's a world where Bill isn't so broken and doesn't prioritize endless distractions over genuine happiness. There's a world where Stanford was broken enough to join Bill (in fact, I feel it's implied that this was one of the possible futures for Ford that Bill saw when he was summoned).
There were moments after they met where I genuinely believe Ford could've helped Bill, or at least helped him help himself. Bill opening up to Ford as much as he could about destroying his home dimension sticks out to me so much because Bill can't even handle admitting his feelings about the "Second Dimension Incident" to HIMSELF. After that exchange, there is no doubt in my mind that Bill genuinely connected with and cared about Ford, probably more than he had with anyone outside of his long-dead family. And maybe in some other universe that could've been enough to inspire some amount of self-reflection and change.
With how much Ford worshipped Bill, and how desperate for connection and notoriety he was, it's not difficult to imagine him joining Bill. I think that if Bill was honest about his intentions and all potential positive influences in Ford's life (Stanley, Fiddleford) were never a factor or were gone for good, Ford would've happily joined him. Ford always aspired for greatness, but his hero complex really only began after Bill's betrayal was revealed. With the added context of his perspective in TBOB especially, it reads to me as his way of self-aggrandizing his pain, painting his personal vendetta as something purely altruistic both to others and to himself. I find it very telling that Ford refused to burn his research or dismantle the portal entirely after it's true purpose was revealed, deciding instead to destroy Bill. He prioritized his desire for greatness over doing whatever was necessary to protect the world. Bill could have easily twisted that desire into something that aligned with his goals under different circumstances.
But in canon, none of that matters, because there is no way for them to work as partners, or even as friends, ever again. After everything Bill put him and his family through in his desperation to hold onto Ford and his plans, there is no way Ford could ever forgive him. And he shouldn't. Even if the Theraprism worked perfectly and Bill was fully redeemed, I don't think there's anything the Bill we know could do or say that would convince the Ford we know to give him a second chance. Even if there was, Bill doesn't and will never deserve a second chance from Ford.
So when I say I ship Billford I'm not saying "these two as presented in canon could have a relationship again and I'd like it if that happened", I'm saying "I believe there are several 'what-if' scenarios where they could've worked, and those scenarios fascinate me".
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little hatchling and Feldspar ::]
rambles in the tags as per usual
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I FORGOT TO THROW OUT AFTER THE EPISODE RELEASED NOOOOOOOOOOOOOOOOO
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heel asuka. you agree
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Tisoquirrel.....sigh
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a pet headcanon of mine is that after they're done with the sigil removal, emira expands her horizons and starts studying the psychological side of healing, pulling in some resources from the human realm and combining it with boiling isles methods (i imagine the field of psychology in the boiling isles, while existent, was often pushed aside as just a lesser branch of the healing coven back when belos was in charge. i do imagine there's often magic like the memory tweezers involved)
and i imagine she ends up focusing in on like, art therapy and self-expression, because she knows how important that can be, after having her individuality stifled so hard when she was young
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Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship
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Sometimes I worry that I bring up disabled woman of color protagonist with disabled woman mentor for why I like Batgirl 2000 so much. Like, am I being too reductive? Too 'diversity points' ticky box about it?
But I know I do the same with a work having well-written queer characters too. That I am super excited about Tim being canonically queer. And it doesn't feel reductive for that aspect, so...
Disability isn't just a a random trait painted on top of everything else in Batgirl 2000; Cass's language disability is intricately structured into the story. You do not get her story without it. She would be a completely different character without it.
The way she struggles with learning to read & write is one of the best uses of the "return to status quo" issue superhero comics are bound by I've ever seen. Cass is an incredibly skilled fighter, who is in a field where that's important. She's also a teenager. She has something she's good at, and something she's bad at, and it pisses her off. It frustrates her. She wants to be good at this, but it's hard for her in ways it isn't hard for most people, so she keeps cycling through get inspired to try, try, get too frustrated, give up, get inspired to try again.
I grew up with undiagnosed ADHD. I don't struggle with the exact same thing Cass does, but the way she struggles was incredibly familiar.
I also grew up with asthma; I'm never going to run across rooftops the way the Bats do. The way Barbara Gordon used to. She doesn't, anymore, she has a different physical disability than I do, but it gives us some things in common, and Oracle is one of the most terrifying vigilantes in DC, not just Gotham.
Babs' paraplegism isn't as obviously central to Batgirl 2000, no one brings it up directly much, but she's also a supporting character, not the protagonist. And the art takes it into account for panel layout, for her posing and actions. And you know it's underlying a lot of her mentorship with Cass; understanding her frustration, encouraging her to find value in herself outside a narrow field, fighting Bruce to give Cass a full life, where vigilantism is one aspect of it, not the entire thing.
Batgirl 2000 is so fucking good, you guys, and I don't think I've ever seen anything else like it.
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yakou furio's character is so tragic to me. i wanna meme about how they used the fridged wife trope but other than that it's like. he lost his family and later all of his coworkers and just. existed alone for years.
looking at the state the submarine and especially his bedroom was in, with everything being a mess and all the cigarette butts in his bed, yakou was clearly depressed. he wouldn't even take on any interesting cases to fulfill his passion as a detective because he was so afraid of the peacekeepers. instead he just kept his head down. surviving but not actually living.
and then he finally gets some new detectives to work at his agency and the first thing he can do is fail to save most of them from dying horribly. but the five that yakou did manage to save latch onto him and he starts getting into a leader role! even if his new coworkers are all rowdy and get into trouble they still respect him as a leader and look up to him.
the detectives keep picking fights with the peacekeepers that yakou has been trying so hard to dodge. and usually the resolution is kind of messed up because the victims die but the detectives prove themselves capable of handling the peacekeepers! they're helping people! for the first time in a while, yakou comes toe to toe with peacekeepers willingly, to help his new friends. he realizes that he is able to stand up against amaterasu corp, with the help of the others.
but by the time he realizes this, the stage has already been set. the letter from yomi turned his grief into anger and a thirst for vengeance. although yomi gave him the information and opportunity, yakou was ultimately the one who chose to murder the man who murdered his wife.
yakou has already rebuilt his life after his wife's death. the detectives at his agency look up to him and he would do anything for them. it would never be the same as the life he had with his wife but yakou had the chance to turn over a new leaf with a new found family who cares about him.
but instead, yakou plans a murder. he needs to die, over and over, in order to access the man he wants to kill and he accepts it. he needs to trick two kids, who look up to him and who he cares for, into becoming his accomplices to the murder and he accepts it. in the wake of forcing his detectives to witness his murder, he needs leave them in a lab filled with peacekeepers who want to kill them and he accepts it.
and it's not that he doesn't care about his detectives. yuma and halara disobeyed his orders and assaulted several peacekeepers, and he was willing to be arrested himself before throwing his employees under the bus. yuma and fubuki were implicated in terrorism and yakou and the others solve the case for them, then prepare to fight an army of peacekeepers to protect yuma.
for his murder plan, yakou only needs desuhiko and fubuki's powers. but he brings halara and vivia along as well because they would be able to protect the two younger detectives and fight their way out of the lab after yakou dies. he enacts his plan on a day that yuma wasn't around because he won't be able to help fight peacekeepers, so it's better to just keep him out of this mess. he covers up his murder-suicide to protect his detective's feelings, but also because they would be implicated as his accomplices if his plan was revealed.
and yakou probably expected that the other detectives would be fine. if they'd left him behind to die, the other detectives probably would have been able to either fight their way out or hide out in the lab a bit longer and figured out a good plan to escape. if yakou had his way, he would have gotten his revenge and his detectives would have gone home grief-stricken, but unharmed and forever unaware of their roles in his death.
but yakou doesn't account for the fact that the other detectives would try to save his life. yuma doesn't run after the hitman and escape the peacekeepers, he stays behind to beg yomi to help yakou. fubuki uses up all her energy to rewind time to try to prevent yakou's death instead of helping the others escape the lab. halara, vivia, and desuhiko not only have to fight off peacekeepers, but they also have to carry yakou to a hiding spot to give first aid. and instead of calmly planning their next move, everyone is desperate to solve the case so there would be any chance of getting yakou to a hospital as quickly as possible.
one major theme of rain code is that despite tragedies that may have happened in the past, people can work together with those they care about to live a better life in the future. and yakou could have had that. his wife's death should have stayed in the past, and he should have continued to mentor the other detectives, solving mysteries together and enjoying each other's companies.
but yakou couldn't let the past stay in the past. he had every chance to not go through with his murder. he has new people he loves, but he manipulates them and puts them in danger in order to get back at the person who killed the last person he loved. his victory was a pyrrhic one. he got his revenge but in return, he destroyed himself and his detectives' trust in him. he enjoyed his revenge momentarily before dying and leaving his new family, who he used their love and trust for him to his advantage, to pick up the pieces.
yakou furio had lost everything in the past. but in trying to pursue it he destroyed everything he had in the present. that's the tragedy of his character to me.
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im gonna say I'm fully in support of Lan not being the overwhelming source of Rand's mental illness in the show actually
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ok nvm i'll elaborate right now
i think one of the many weird choices in the finale was to make belos possess raine out of all people. one, because it really comes out of the blue. when has belos ever shown any interest of raine? like, i'm sure he must be aware of raine's record of plotting against the establishment, but he never deals with them himself. instead he sends a plethora of other people to do it for him (darius, eberwolf, kikimora, terra). if anything, it is terra that has a bone to pick with them. and in a parallel work where raine got more to do, i believe terra and raine's dynamic would've been something really interesting to explore. kinda like the relationship between atreus and odin in GOW ragnarok, like this "okay i know you hate me and all that i stand for, but i see potential in you so i'll take you under my wing and prove to you that i am worth of your time and loyalty" kinda thing, which is a banger dynamic btw.
but the second part is that there are two way more attractive options. the first one, immediately on demand, is darius. ofc it would take some canon time of developing that dynamic between belos and darius (it pains me that it doesn't exist), but it would make sense that belos would keep a close eye on darius. after all, he was mentored and was a good friend of the previous golden guard, and it's implied in various scenes (mostly ASIAS) that he knows enough about hunter's "ancestors" to praise him when he doesn't follow orders, and ultimately play the long-con to betray belos. he may even be aware in some sense of belos killing the previous golden guard, or even the existence of the grimwalkers. in that case, it would make sense that belos would have built some resentment towards him that ultimately shows in the choice to possess, corrupt and kill his puppeteer-ed body. but then, there's an even better option here, and a character that belos has hide a long-time resentment against: lilith.
look, if belos remembers luz from all those years ago, then he abso-fucking-lutely remembers lilith as well. and in a sense you can interpret the actions in canon as him trying to exert his personal vendetta against her: keep her close in the emperor's coven, trying to get her sister to join and get branded with a sigil with the promise that he'll cure her from her curse, all this while knowing that she would eventually betray him and join luz's side. we know belos kept her close for a reason and he knows the extent of her abilities, her history and relationship with eda, and her weaknesses as well. belos possessing lilith, then, would not only be the definitive "fuck you" to her, but could've also been an effective way to provoke eda emotionally and lead her to abandon her hideout to confront him. and honestly, from the way belos acts in that scene in FTF, his reaction to finding the best candidate to possess would make so much more sense if it was lilith and not raine.
but like, aren't lilith and raine just... insanely similar characters in the show's narrative? both are figures of eda's past, who loved each other sincerely back in simpler times, and through plot-related actions (raine's reason is much better narratively though, IMO) abandoned eda and joined the opposing side, climbing the ranks through their powerful abilities until becoming important figures in the coven circle. trying to think about the things i'd change in canon to make raeda a better couple involve making them go through similar plot beats that eda and lilith have gone through: an emotional, powerful moment where raine has to choose between their position of power and eda's wellbeing, actual tension between them (resentment and guilt from eda's side, frustration and confusion from raine's side), situations where they are forced to colaborate and their chemistry can still come through but still their dynamic is permeated by those lingering wounds... like, all of those things are stuff that already happened in canon, between eda and lilith. there's even that moment in king's tide where eda has the same somber moment with raine and lilith before executing their sabotage:
to me, it event seems like lilith got a lot of attention and development with eda in S1 and early S2 and then her character got sidelined when raine started to appear, and simultaneously: how raine's backstory and conflict of interest with eda are pretty much an afterthought but they still get to be a key player in the plot through late S2 and S3. i'm really sorry that economic character construction has to work this way, but that's how it is: you don't get to give eda a sister and a significant other and then make those two characters the same one. you have to commit to just one and integrate all aspects onto them.
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what if i gave megatron a newspark..
they like music and would like to become a medic one day, like ratchet !!
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hey do you think Athena (ace attorney) would be an Epic The Musical fan. Does she listen to Warrior Of The Mind and somehow rope Simon into singing Odysseus’ parts
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