#interested in agere go//mens content

[hg-aneh]

omgg i love your style, is beautifull how you draw Aziraphale and Crowley, but, omg will you draw more of chibi Crowley pls? (just if you want) ITS JUST SO CUTE 😭💕

[littlefaething]

hello! I have many different names, but the one you can call me when in doubt is cleo!

This blog is a place for me to post about agere imagines, agere content, and my own journey with being a regressor!

I will also post vent content. If that doesn’t interest you/triggers you, all vents will be tagged with #vent #faevents #agere vent for your filtering preferences.

Key things you should know about me:

I’m 21 years old

I am polygender (they/she) and hate being called ma’am but don’t mind being called feminine pet names (e.g. princess, babygirl, etc.) (I prefer it 🥰)

I’m plus size (not that it should really matter)

I have ADHD, ASD, OCD, GAD, Major Depressive Disorder, Dermatillomania, Seasonal Affectiveness Disorder, cPTSD, Social Anxiety Disorder, and synesthesia

I’m bisexual and write about both men and women as daddy caregivers (women can be daddies, too!)

Now, recall that I said I go by many names. Here’s why:

I discovered I was autistic about a year ago. Since then, things have really changed for me. I’ve started to realize that things I’ve done in the past are actually just autistic traits, such as masking. I’m extremely high masking and would often attach names to certain “masks” I would put on around certain people. This habit has been going on for some time now and has persisted even into my regression journey, which only started becoming a huge deal over the past few months. I ended up associating different regression states/headspaces with names/temperaments, so that’s why I go by many names.

I’ll introduce them to you in a moment, but I want to clarify something right off the bat: I DO NOT HAVE DID. Dissociative Identity Disorder is a very different disorder that I am very passionate about advocating for, and I DO NOT want anyone to misconstrue my situation for something as complex as that. I’m simply on the spectrum, used to be a theatre kid, and have masked 95% of my entire life. Regardless of which name I sign off as, it’s still me, but please be aware that each name has a different age and temperament attached to it (that’s why I’m doing this in the first place.) Talking to me in my little space like I’m an adult can be very triggering.

Cleo 🍯🥀👻🐈‍⬛

Cleo is me when I’m big (so me writing this post). Posts signed off/on as Cleo indicate being an adult or mostly big. Posts will have appropriate grammar as I have a hyperfixation on it lol.

I (and the other headspaces) have a huge disconnect from our humanity/human bodies, so we don’t feel human. As the name of this blog suggests, I feel like a fairy or some kind of fae creature. Weird, I know, but a lot of people with autism have this same struggle.

I’ll make a get to know me post(s) in the future

Fae 🫧🌼🦋🍃

When I’m positively triggered into age regressing

Age range changes a lot but more likely to be a younger little

Jinn 🌙🐦‍⬛🍄🖤

When I’m negatively triggered into age regressing

Age range changes a lot especially depending on how triggered I am

Jinn does most of the venting

Sephie 🐶🌸🍬🧸

When I’m very little or even nonverbal

Probably won’t post too much when in my Sephie headspace, but if I do, it’ll probably just be images

I won’t respond to any comments in this headspace as I’m too young

(Short for Persephone)

That’s it!

I’ll make a trigger list eventually and tag it here.

Oh and also: it’s a shame I have to even say this, but DNI if you are racist, sexist, transphobic, terf, homophobic, antisemitic, Islamophobic, Zionist, ableist, view age regression in a s3xually expl!cit/n.sfw manner, or any other bigotry not mentioned here. It’s not hard to respect others, so if you can’t do that as a bare minimum, then I don’t want you here.

THIS BLOG IS SFW 13+!

Don’t make me uncomfy.

banner by nkitti!

[claws-n-cards]

The Introductory Post

"Bienvenue, mon amis! De name's Gambit, but ya'll can call me Remy if ya want." The man introduces himself with a charming smile and a wave of his hand.

"... 'm Logan. People know me as Wolverine." The shorter of the two seems a lot rougher around the edges, looking almost menacing compared to his companion.

"Me and my buddy here for a little 'social exercise,' as Cyclops called it. Boils down to us gettin' acquainted wit' ya'll and helpin' take care 'a de lil' ones. If dat piques your interest, come talk wit' us! We don' bite."

He glances down at Logan, and smirks. "Usually."

⨂ ⋆⋅ ───────────

[OOC: Hi there, and welcome! My name is Damien, I'm the person running this blog. This is an X-Men agere roleplay ask blog (bit of a mouthful lol), where you get to talk with caregivers Wolverine and Gambit about anything you want through the askbox! Don't be afraid to send stuff in!!]

[My main agere blog is @sleepyboy-stuff; you can go there if you're looking for non-roleplay agere content :D]

⨂ ⋆⋅ ───────────

Currently taken anon tags:

🤡, 🐾

[melllzy]

｡･:*:･ﾟ★,｡･:*:･ﾟ☆　　 ｡･:*:･ﾟ★,｡･:*:･ﾟ☆｡･:*:･ﾟ★,｡･:*:･ﾟ☆　　 ｡･:*:･ﾟ★,｡･:*:･ﾟ☆

Hii I'm Melllzy but I just go by Mel 😋 💫🪐

DNI‼️: Proshipper or anyone who ships incest,Adult x child, NSFW or kinks, Adults can interact as long as its not weird or sexual as I am a minor!!!

☆~~~~~~~☆~~~~~~~~☆~~~~~~~♡~~~~~~~~♡~~~~~~~♡~~~~~~◇~~~~~~~◇~~~~~~~~◇

Anyway I should tell you guys what I like(*≧▽≦)

So far my Specials intrest are pokemon being the longest and x men being one of my new special interests for a year❗

I do like horror even when little so I'm heavily into horror films and games such as Dbd,cof(cry of fear shortened),sally face,mortal kombat(if u count that as horror :3) fnaf and tcsm(the texas chainsaw massacre)

My love for horror could be one of my special interests since I seen alot of horror movies as a young child and loved them lolz 😪

As for my other interest I enjoy video games like!💫

.zelda games .Pokemon .Minecraft .Acnh .Spyo .stardew Valley .Kirby. Mario .Splatoon .Mortal komabt and random mobile apps I find that look fun!

(。≖ˇ∀ˇ≖。)I play roblox to!! But I only play catalogue avatar and adopt meヽ(´Д｀ヽ

ﾟ+*:ꔫ:*﹤　　﹥*:ꔫ:*+ﾟﾟ+*:ꔫ:*﹤　　﹥*:ꔫ:*+ﾟﾟ+*:ꔫ:*﹤　　﹥*:ꔫ:*+ﾟﾟ+*:ꔫ:*﹤　　

Shows ee!!💓 I loovee mlp and bluey and of course pokemon!! I do occasionally watch anime likes sailor moon but I go more towards shows like scooby do,octonauts,wild kratts,yo gaba gaba,Adventure time,X men 97,X men the animated series and doc Mcstuffins ヾ(=｀ω´=)ノ”

I also like shows that are more adultery and have violence and nsfw themes like •The boys •Supernatural •Metalocalypse •Arcane •Bojack horseman •Dandadan •Outer banks.. most of these shows have Alot of gkre violence and content that has nsfw themes making them explicit and not always appropriate for age regressors to watch .....😣

.・゜゜・　　・゜゜・．.・゜゜・　　・゜゜・．.・゜゜・　　・゜゜・．.・゜゜・　　

Now getting on to the actual agere stuff hehe...😓 my age range is 5-3 but I can get younger depending on the situation but sometimes I can go up to 6-8 but thats pretty rare...I am a flip more regressor lean I don't have a caregiver nor am I caring for anyone but I don't, mind being alone since it's relaxing!! (*≧▽≦)

Anyway good bye anyone whose reading this and good morning,good afternoon or goodnight wherever you are byezz!!!(ヽ≧▽≦ヽ)💓💚🧡💖

✧･ﾟ: *✧･ﾟ:* 　　 *:･ﾟ✧*:･ﾟ✧✧･ﾟ: *✧･ﾟ:* 　　 *:･ﾟ✧*:･ﾟ✧✧･ﾟ: *✧･ﾟ:* 　　 *:･ﾟ✧*:･ﾟ✧

[drunkenclown555]

⚠⚠⚠⚠⚠⚠⚠⚠⚠⚠⚠⚠⚠⚠⚠⚠⚠⚠⚠

>This is my intro, beware

> Hi I'm Tachanka/Tank/Chank! (I also use sooo many nicknames)

> I'm 19!

> Feeling?: Evil and deranged

> My main pronouns are he/him and xe/xim, my other ones can be found here (Also, dont use xey/xem or they/them pronouns for me)

> I am taken, dont fucking flirt with me

> Selectively sharing Hank McCoy gachikoi

> My art acc @violentclown555

> My hoarding acc is @mashashoard

> My sys acc is @dark-carnival-sys

> THIS ACCOUNT IS NOT FULLY SAFE!!! I reblog triggering content! Unfortunately this is where all my follows and likes come from but if I interact any agere accs/content please know they come from @poorweelamb and to go there for sfw/regression related interactions!

> Heres my strawpage! [potential eyestrain warning]

[Click read more for more info + interests + fandoms + byf + dni]

> I am Finnish + Indigenous Karelian! I also "Live in a field" according to my city slicker fiance

> I speak English, Swedish, some Finnish, and I am miserably failing at learning Karelian

> I'm a transsexual male butch otter, I collect xenos+neos and I'm impla/xum and bordergender!

> I'm Autistic, Schizophrenic, have ADHD, PPD+BPD+DPD, DID, (C)PTSD, OCD, and I'm Developmentally and Physically Disabled (abridged ailment list)

> I was raised and still am Asatroende, I am an animist and also sometimes call myself a [norse] pagan.

> I'm nonhuman, physically and spiritually. I have many nonhuman identities but the most important ones are; Undead, Deity (chaos/creation), Shapeshifter, Changeling/Bortbyting (Skogstroll), Canine/Dog, and of course (THE main) Huldra/Rå/Faerie

> Antiship + ⚠️🔐 + ❌🔪 + 🔆💚 + MAD pride

> SPECIAL INTERESTS !!!

> X-MEN!!!!!

> TEAM FORTRESS 2!

> SIMS 2! (Mainly Strangetown)

> Art, OC creation and Music (Longest interest)

> Prison / gulag tattoos

> Fanfiction and reading

> Clowns and Juggalos

> Queer vexillology and coining

> Nordic mythology and folklore

> Science and history

> HYPERFIXATIONS !!!

> Tornadoes!!!!!

> Natural disasters and phenomena!

> Slashers + horror movies

> Collage art and fashion

> War and military history

> Folklore, folk music, traditional clothing and dance!

> GUNSSSSS, WEAPONSSSSS WOOOOOOOOOOOOOO

> BYF below

- I will block you if you call me Swedish, even if its a joke. You get two strikes then you're out.

- Disrespect towards my religious beliefs and/or nonhumanity will get you blocked.

- I respect others as long as they respect me.

- I am severely mentally ill and have episodes sometimes (manic, psychotic, paranoid, and depressive mainly).

- I hate people who call themselves "misandrists" and I will block those who do, idgaf, 99% of them are just bigots hiding their bigotry by going "well men suck so its fine", I know what you are.

- I reclaim slurs but randomly calling me ones (especially ones targeting my disability/intelligence) will make me violently dislike you

> DNI below

- Anti-anti / Proship / Comship / "Fiction doesn't affect reality"

- Racists / Antisemites / Zionisтs / Nazi sympathizers / "Dont See Race" losers / Xenophobes in general

- TERFS / Truscum / Transmeds / Transphobes / Transmisogynists / Transandrophobes / TMA/TME nonsense / Intersexists / Exorsexists / So on so forth

- Reality checkers / Fakeclaimers / Tulpas / Syscourse / Endos (especially the ones who go out of their way to harass other systems for not liking them. I believe endos are very repressed traumagenic systems.)

- Anti-therian / Furry hunters

- Pro-Russia losers + Pro-America losers + Pro-Isяaэl losers

- Radinclus / Radqueer / TransIDs / Exclus / I'll probably block you if you interact with annoying discourse

- Anti Neopronouns / Anti Xenogenders/ Anti Tucute / Anti MOGAI / Anti LIOM / Anti nonhuman / Anti kin / Anti MAD / Anti regression

- Constantly engage with discourse (ex. queer discourse, syscourse, ship discourse, fandom discourse, slur discourse, ect. ect.)

[letterboxd]

Writer’s Block.

Shirley director Josephine Decker talks to Ella Kemp about novelist Shirley Jackson’s aspirational qualities, Elisabeth Moss’s voice, and the Pixar film that changed everything for her.

Actor, director, writer and editor Josephine Decker has done for American cinema what Alice did for Wonderland. She burst onto the landscape and turned everything inside out, tunneling further into new worlds and disrupting the rules of everyone living there.

With four features to her name so far, Decker has fast become a leading voice in independent American cinema. There was the psychological thriller Butter on the Latch (2013), the erotic fever dream Thou Wast Mild And Lovely (2014), and the hurricane of a coming-of-ager, Madeline’s Madeline (2018). Now with Shirley, Decker turns to the biopic—but this is no paint-by-numbers adaptation of someone’s Wikipedia page. The script, written by Sarah Gubbins (I Love Dick) is adapted from the novel by Susan Scarf Merrell. Some of Shirley is true, some not.

Shirley casts Elisabeth Moss as the eponymous horror author, Shirley Jackson, whose famously disturbing 1948 short story The Lottery caused a sensation when it was first published in the New Yorker. Michael Stuhlbarg appears alongside Moss as Jackson’s professor husband Stanley Edgar Hyman, with Odessa Young and Logan Lerman as Rose and Fred Nemser, academic newlyweds who come to stay in Shirley and Stanley’s gothic home for a spell, while Shirley is wrestling with how to write her (very real) second novel, Hangsaman.

These actors matter, as the first couple—the Hollywood household names—welcome the second pair—fresh-faced rising stars—into their dangerous orbit of wordy brilliance and ruthless scrutiny. The results, knotty, seductive and disorienting, are electric.

Produced by Christine Vachon and Martin Scorsese, Shirley carries hints of Decker’s background in performance art, particularly in Moss’s highly physical performance. Film nuts are still getting to grips with Decker’s singular style, but once you’re in, there’s no way of climbing back out. “Decker finds a way to embody the strange, insoluble, unnerving energy of Jackson’s prose in a film that fittingly always seems to be building to a catastrophic rupture,” writes Jake Cole.

“I am ready to declare her one of the best modern filmmakers,” writes Letterboxd member Brian Formo, while Vshefali praises how “Josephine Decker is able to paint a picture of the inside of a woman’s brain so beautifully”. It’s true: Decker is concerned with what makes us tick, but also how the mechanics of that ticking work when nobody’s looking, when everything else has moved on and all that you’re left with are your own loud thoughts.

If you’re based in the US, you can watch Shirley via our virtual screening room—we’re donating 100 percent of our proceeds to Firelight Media.

Elisabeth Moss as Shirley Jackson in ‘Shirley’.

In the adaptation from the novel, what key elements did you and Sarah Gubbins want to remain true in terms of Shirley Jackson’s story? Josephine Decker: We were just really interested in making sure these characters felt like full, rounded individuals. For Shirley and Rose, it was about how they met and entwined. We wanted to really feel their separateness and their togetherness. We spent the most time on how to allow you to really feel each of them deeply, because it’s a hard thing to have a dual-protagonist movie.

What was it about Shirley Jackson that attracted you to her? I came on after it was already scripted. The character is just so witty, and kind of cruel, and complicated and messy. I had loved Sarah’s work on I Love Dick, I thought that Kathryn Hahn’s performance was one of the great female performances of the last twenty years. She just writes such great characters, so it was exciting to be able to dive into the Shirley that she had created. Also, the real Shirley Jackson is such a complicated and fascinating person—I was and am obsessed with her writing. She does in writing a thing that I’m trying to do in cinema, so it was exciting to get to know her work that well.

What things in her work would you like to emulate? You fall from a real place into an imaginary place without really realising it. She’s very good at sliding you into the character’s mind. It’s a witchy thing that makes her writing feel really exciting, that I haven’t seen that much on screen. I feel like in American cinema there’s this clear line between reality and what’s in your mind, but I think with Shirley that line is very unclear. That’s something I love, that I really pursue in my work and get excited by.

I definitely felt that with Madeline’s Madeline as well, it all feels very slippery. Totally.

Shirley is the first feature you’ve directed from another person’s script. How was that experience? It took me a minute to get inside of the world. I’m generally pretty process-oriented, but this film was different. There’s usually a thing that happens as you’re writing, I find I’m writing as an excuse to get the words that are in my head out. So to come from words and try to see the images was a very different experience, but also really exciting. With Sarah’s writing, it was interesting how the space was so important, this house was such a major character in the film. Because it’s such a dialogue-driven script, I worked a lot with the actors in rehearsals. I guess maybe some directors would tell you what to do, and you would start, and you would do that, but I didn’t even realise that would have been an option, so I was like, “Well, we have to make the blocking together” because I was also really adamant that I didn’t want the dialogue to be static.

It was important to me to sculpt some of the dialogue scenes into movement scenes. It was fun to find the dance of the film and allow the actors to choose their own way through the dialogue. They’re all such geniuses. When we would do rehearsals with Lizzie and Michael, it was so fast, they’re so good at working things out themselves. It was just exciting to let them find their own space and then obviously weigh in when I felt like an outside eye was helpful. I feel like a lot of what I’m realising as a director is if you choose the right collaborators, it’s just about getting out of the way!

How would you describe the relationship between Shirley and Rose? It feels thorny—it reminded me of Phantom Thread in terms of the toxicity. Generally, Shirley’s own work is about these two female characters who are really different—one is a dark, misanthropic genius, but angry, and the other one is a very light-hearted open spirit who is generous and good at baking and making men happy. I think in her biography there was this idea that these two kinds of women were different aspects of Shirley’s own mind, that she was like both of them. So it was about how different Shirley and Rose are at the beginning, and then that their coming together is such a collision, but then they discover they have a lot to learn from each other and they’re more similar than they realized.

It was about making sure we could understand their motivations. Especially Rose—she could have been a lighter, less-complex character, but I think I felt really committed, and Odessa did an incredible job, to make her a really full human with her own aspirations. And in the novel too, she has her own world going on. So it’s about making sure her goals are still clear, and then that by the end of the film maybe she has new goals, or maybe she realizes that everything she’d been tidying up her life to get in order—get a husband, have a baby—are maybe a little bit at odds with the deeper thing she’s searching for. But they are really slippery characters.

Josephine Decker on the set used for the Jackson-Hyman house in ‘Shirley’.

You mentioned the importance of the house. I spoke to Kitty Green recently about The Assistant and you share the same composer, Tamar-kali, and sound designer, Leslie Shatz, on your films. Both scores are amazing; on Shirley I’m thinking of the cellos and the violins but then also the creaky floorboards in the sound design. How do you think music and sound help build this world? They’re huge tools. I always think sound design can really bring a new element, especially to a film like this where there’s a slide into a surreal realm, into the mind sometimes. So finding a sound that hints that the things you’re witnessing are a little unreal is exciting. Leslie did a lot of playing. He jokes that when we first met I told him to go to town, and then he just went to town and was like, “I hope I went to the right town!” We had a lot of fun. We tried to really use sounds that weren’t too electronic, stuff that felt like it could have been made with the sound effects that would have been available then. Sound is a huge storyteller, I think it’s more impactful than film. I also think Lizzie’s voice is a train that pushes you through the film, in that you understand where she is with the writing by how confident or how confused that voice is.

What was the first film that made you want to be a filmmaker? Monsters Inc., that one’s easy. I had a real revelation in college while watching it. I’d seen it before, it was my second time, but I just laughed like a little baby. I just have so much fun in these Pixar movies, my best friend in college was watching with me and I was giggling and sitting four feet from the television, and she was just like, “You really like this and I think you should do this and this would be a combination of everything you’ve been doing.” It was helpful to have a friend there to tell me that. I haven’t started making movies like that yet, but maybe someday. My next movie [The Sky Is Everywhere] is a YA film, so if I just keep going younger and younger…

Related content

A list of Shirley Jackson-related titles on Letterboxd.

Eve’s lists of films Written by Women and Directed by Women.

‘Shirley’ is available on Hulu and other streaming services now. With thanks to NEON.

[saleshoesggdb-blog]

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[callmemoprah]

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Failure to finish the actions apparently would contribute to risks. momo challenge victims It really is potential they have the capacity to track down the planet’s magnetic field and utilize it for example maybe a compass or a map. It isn’t simple to obtain any notable capacities.

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Though as much as now, there is no official affirmation of this game’s occurrence. ” Virtually all messages received by individuals therefore far asking them to play the Momo problem are imitation since there isn’t any connection causing the overall game. The storyline is very fantastic incase you are able to trust that.

You’re gonna have to answer a number of concerns that’ll help a company understand whether you should be the person that is suitable or never. An investigation aimed toward discovering the teen ager’s death’s states is presently examining. The on-line game was held liable to the whole lot of kids’ departure and sparked anxiety around Earth.

It is perhaps not okay to set your kid or daughter dealing with a display for long periods of time, not to regulate the things they see . however, it’s totally fine to opt for a cartoon together with them and also allow them to watch it for merely a bit at the same moment you nap or perform anything else you desire. Reassuring a child they could be obtained if they do not move along with the crowd will just help prevent them performing something that could damage them create them more uneasy. I feel that it’s almost certainly better if you google mo-mo challenge you’re ready to forewarn the kids also it’s likely to find a photo of this lady you are doing.

Individuals also have chosen into Nottinghamshire Police’s Facbook webpage to talk about his or her despair. Hence it is crucial that parents educate their children seeing on line behaviour that’s secure and sound. It’s crucial that parents retain an interest from their kids’ online activities.

Plus, the states that you explain to your parents it get rid of your loved ones and will visit your home and then a individual seeing the movie. He has the 1 child in my own family having a phone which uses whats app. In the event you have love on your children you’re most likely to war behind your children.

She asked others to simply take notice as while actively playing her cell telephone her son began to shout. The kid wants to return in the price on anything. The kid wants to come back from anything’s buy price.

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But so far as anyone was in a position to tell, not one with the happens. The match comprises rubbing against your skin with an eraser too as you possibly can whilst reciting the alphabet or a word when documenting the situation. It truly is benign and easy, in spite of the fact that there is frequently a great deal of laughing at other cost.

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Pink whale battle is absolutely an online challenge gambling app. Children who take part in video gambling are more inclined to own aggressive thoughts and thoughts. Explain there are things that happen online that some things are supposed to find a great deal of awareness also that might be misleading or frightening.

They truly are well prepared to do anything to generate dollars that are substantial. When there was a connection created between them both, a string of activities are provided for the ball player. The game is created by Dymchick1 plus they also have a mo mo package you’re going to become in a position to purchase means too.

Wonders may be done by A good deal of an individual. The game doesn’t appear to get co ordinated however it could be actually the kind of meme that is online that may easily spread one of teenagers and youngsters kiddies.

This truly will help us and helping a good deal of men and women, Bracken Webb explained. That is especially true for ladies. We have to promote selfesteem and be certain our childhood understand that they’re loved.

The Secret to Momo Challenge Victims

Use the content feature in the event that you would love to keep to utilize Youtube kids. Modify passwords for societal networking reports, mails, and also other mediums that may have vital info. For example, if your website loading period is more than a few unique websites, customers do not reunite for your website.

The performer is not around this challenge. It had been thought to be produced by Western artist Midori Hayashi who is well famous for making eccentric dolls using different animal components. It isn’t anything more than a hoax and ought to be deleted and blocked.

You’re doing an brilliant task. Around the flip side, it is in fact from the match based on the mo mo Challenge termed Momo.Exe. The game is created using Dymchick1 and also they have a mo mo package you are likely to have in a place.

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Be cautious is just a essential portion of progress. Have a peek in the roofing it’s going to soon be prone to detect, stick into the border for a small while. People masquerading because it then allegedly give the folks who text them a succession of activities to finish.

She had been made by Keisuke Aisawa. People are asked to discuss their images later completing each endeavor game or to remain within the fight. The secretary could set a different job for this particular participant to do just about each single moment.

The Importance of Momo Challenge Victims

She asked others to take note as while taking part in on her cell telephone her son began to shout. He ostensibly wants to come back within the purchase cost tag on whatever. She or he wishes to come back at the purchase price of every thing into your endeavor.

What Does Momo Challenge Victims Mean?

It really is a threat for your youngster’s wellbeing. It’s the contentious game that’s left parents and kiddies . The article is always to consult with your kids let them understand they do not need to address any worries individually.

Dad and Mom, we have to go over melancholy. Child health pros feel these videos could cause a growth in child suicide. You are likely to warfare behind your children if you have love to your own children.

The Do’s and Don’ts of Momo Challenge Victims

Ad campaign isn’t planning to do the job. So even though it’s still upsetting to look at the very first art was in no way intended to become part of this game. As such, it has several telephone numbers from across the world circulating as a portion of the game.

The Meaning of Momo Challenge Victims

The rehab procedure have enduring positive facets and will continue as much as per year, he clarified. The grownup’s responsibility is to seek out assistance if he or she doesn’t want to talk with regards to their own issues. Whilst knowing what your kid is seeing is a must understanding and building things to do if they see such images is critical.

People people that are suicidal and miserable are made to feel as if they are part of like classes the match motivates them to slip from the chance. Practical experience may be your secret to achievement. Social media is part of this.

Momo Challenge Victims: No Longer a Mystery

By way of example, when something online might not affects you a teen to find rid of their existence that is particular could be set by the same product. The game doesn’t always involve some buys or advertisements so you’re very likely to own really a smooth encounter. The solution is to create sure adults stay joined into the planet that is authentic.

The most concern to understand about The issue is that it isn’t going to exist. As an example, whilst something on the internet might not affect a person greatly, a young adult to end their daily life that was distinct might be put by the exact same item. You have the ability to consider of these varieties of match being a Cybercrime.

It appears to get spread to the United Kingdom. News outlets throughout the entire world commenced reporting suicides of individuals and ladies regardless of the absence of confirmed links into the challenge. Marina Bay in case you like to track down a period that is brilliant at Singapore you can’t learn how to overlook the Marina Bay.

Mental manipulation might perhaps not be seen until the very end, although physical abuse is just something because it truly is evident over the physiological type of a youngster. It’s a danger to the wellbeing of your kid. The greater ACEs some body gets, the more their danger of the number of maladies.

What About Momo Challenge Victims?

Wonderful things might be achieved by A deal of men and women working collectively. Kiddies which are currently facing self-esteem issues are also targeted by these matches.

This really goes to illustrate that the level to which teens may proceed, only to get yourself a couple minutes of attractiveness or awareness on the web! Such children are more prone to simply accept these struggles. We must promote selfesteem and make sure that our youth realize that they’re loved.

At the event the participant determines they do not needs to do they receive threats. Additionally, there really are a range of internet dangers now. Regrettably, the networking particularly media, falls for these sorts of hoaxes each one the moment.

The Upside to Momo Challenge Victims

On the contrary, it is out of the game related to the mo mo Challenge termed Momo.Exe. Read on to find out which we understand about it so far and more about the mo mo problem. Heres all you have to understand in regards to the mo-mo suicide challenge.

Vital Pieces of Momo Challenge Victims

Momo will not have to become authentic to grow right into authentic. The youngster wishes to come back in the sum of everything for your own battle.

What’s Really Happening with Momo Challenge Victims

In spite of the fact that it’s already been promised that Momo can add lists employing a virus to be contacted by it self this isn’t true. When there was a connection set between both, a string of activities are supplied towards the player. The game apparently does not have any types of getting back in contact them unless the viewer contacts themselves to the phone number.

Finding the Best Momo Challenge Victims

It is also achievable to search for that whale suicide match’ in the Re-Tail shop that is Play it isn’t possible you will get any outcomes which can be not immediate. Wouldn’t understand it not a real man. In the game, you’re likely to get sniper gun and you would like to acquire rid of the mo-mo Ghost mom Nature.

Momo Challenge Victims Features

You’re doing an great task. The administrator could place your own participant every single every day another occupation. Permit it to rest for perhaps a couple occasions or a couple of hrs.

It gruesome. The Blue Whale obstacle goes to be your newest in an variety. YouTube states it assembled YouTube Kids because it doesn’t detect the traditional YouTube appropriate.

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Momo Challenge Victims Ideas

Pink subway battle is an challenge gambling app. Children who take part in video gaming are prone to have emotions and aggressive thoughts. Explain there are things that happen on the web some things should have a great deal of awareness and which could be misleading or frightening.

Here’s What I Know About Momo Challenge Victims

Signing-up can earn a genuine difference and can take just a moment, she clarified. Allow it to break for possibly a number days or a couple hours. The game is created with Dymchick1 plus they possess a momo bundle you are likely to be in a place.

Top Choices of Momo Challenge Victims

CID sleuths have guided parents to maintain a tab to the social networking activities of all children. Very well, there may possibly be a lot of info available on the market.

It states that you inform your mother and father it will see your residence and destroy your loved ones and then a individual seeing the movie. Donate precisely what you don t desire. You are most likely to war behind your children if you have love on your children.

On the other hand, it is out of a game dependent on the Momo Challenge termed Momo.Exe. The match is produced by Dymchick1 and thus that they will have a mo mo package you will be in somewhere to get way too. Heres all you have to realize in regards to the Momo suicide battle.

Finding the Best Momo Challenge Victims

A number of his friends also have indicated that Umakant was playing with with the game. It features a story that is quite odd. Story The game features a narrative.

Mo-mo isn’t a cyber-security threat it cannot slip or harm the own data. You’re a individual! The secretary could specify a different occupation with this player to do every moment.

The Debate Over Momo Challenge Victims

Be cautious is merely a portion of progress. The picture had been shared on interpersonal networking. People masquerading as it subsequently give the folks that text a succession of tasks to to complete.

The Momo Challenge Victims Pitfall

It grotesque. Much like messages show up in their phones, and should they deny, the creature states it’s going ahead. The Blue Whale problem could possibly be the latest within an range of dangerous societal media styles.

The crucial issue to comprehend concerning The momo dilemma is it is not going to exist. For example, whilst a person might not affect deeply, a young adult to finish their different life might be put off by the specific same thing. It’s a image As you can view.

Momo Challenge Victims and Momo Challenge Victims – The Perfect Combination

It evolved in the usa. Police haven’t supported the connection. The mo mo challenge generally appears to target youth but cases are documented from the united states and Germany.

The Bizarre Secret of Momo Challenge Victims

They give approval and a simple fix to the problem that is incorrect. It is a component of the sculpture.

The Argument About Momo Challenge Victims

” It is not all about the money,” ” Delaney stated. You get a laugh that certainly will speak along with all the coffee owner and’s miniature. The little one wants to return from the value of anything.

Some are calling for it that an online hoax, though some assert that the challenge was related to adolescent fatalities in states that are various. A brand-new urban legend grows seemingly over night as a result of the web. Although no true scenarios are supported the mo-mo battle developed a hysteria, because of Internet trolls and the media.

Pink whale conflict is an online challenge program that is gambling. The brand-new experiences are readily readily available for users plus it’s really called to introduction for anyone people as time moves. Many of of the social media breadcrumbs appear to track back.

The authorities are also thought to be searching for an 18-year-old who’d acquired in contact. Re-assuring a youthful child they could possibly be obtained will help prevent some thing that could damage them create them more uneasy being performed by them. At the event that you simply just google mo mo challenge you’re prepared to forewarn your kiddies it’s very likely to find an image of this lady and on account of the actual fact I think that it is likely much superior you certainly do this .

The Little-Known Secrets to Momo Challenge Victims

You grow to be always a zombie. Moreover, it’s asked mom and dad to drive back talking probably the Whale dilemma together with the fight’. Again wouldn’t understand it isn’t an legitimate man.

What You Must Know About Momo Challenge Victims

Afterward distinctive guidelines will be sent by a quantity on problems else their loved ones will soon probably be hurt and they’ll be murdered or they should complete. The numbers will soon undoubtedly probably be seen on line and have leaked online. It’s crucial discuss the folks to be guarded by that it .

Because of this, it’s crucial that individuals understand the world wide web is a double edged people desire to protect our kiddies out of. Whatever device is understood by you he’s got or if a child is in their iPad, you are aware it isn’t difficult to forget there are people on the market which will figure out approaches to receive a grasp of viewers together with malicious intention. There exists a good deal of flexibility fond of kids that do not maintain a position to own the judgment that was perfect, in order to steer clear of an awful calamity Loev stated.

This truly will be helping people helping a good deal of individuals, Bracken Webb clarified. That is especially true for girls. Additionally, there appears that there is no limitation to the trends teens are currently encouraging today.

The New Fuss About Momo Challenge Victims

This really is not accurate In spite of the fact that this has been claimed that mo-mo may incorporate itself to contact lists employing a virus. Dymchick1 gets the match thus they even have a package you’ll have the ability to buy. The match is created by Dymchick1 and they also have a mo mo package you’re going to become in a position to acquire manner too.

Source: http://mobimatic.io/2019/03/07/what-is-so-fascinating-about-momo-challenge-victims/

[samulgerblg]

Things You Should Know About Online Writing Jobs

Whatever that you might take into account. Paid Online Writing Jobs claim which that you never involve any knowledge and also you may write for organizations like that. So if you are looking for Freelance Writing Jobs for Beginners or even when you could be seasoned professional and wish to create a little money see whether some of these interest you and appear employing these websites.

When you get accustomed to writing you’ll make a fantastic income. Individuals appreciate learning the ending outcome and tend not to consider what it must be more effective in business whilst working in house. My firm is now a boutique.

How to Become a Writer Writer

The exact point that you must accomplish will be to stay centered. Then there are a couple if you should be a teen ager seeking a job. If possible, create some videos and add a small imagination.

The Way to Write a Great Resume

Because perhaps not all of organizations compensate their authors based on the set agreement it’s vital to know the trustworthiness. Digital guidance covers a wide assortment of activities, dependent on the clients’ specifications and the skill sets of their assistants. Organizations spend tons of money on market research activities.

Understanding Online Writing Jobs

How to Make Money on the Internet With Content Creation

Methods of earning on the web start loose, or even a trial. Articles is both vital plus they are able to complete your account that you just get non evaluations. Generate a website freelance writing jobs you may produce a site of your own personal to draw eye of future employers.

Someone can think about making profits on the internet by looking at emails that are paid. YouTube works enjoy the Websites. An individual should learn to get paid out to earn money on the web.

Finding Freelance Writing Jobs on the Web

Truly, a few content mills really are a fantastic place to initiate a freelance writing job, along with a few websites pay well. Furthermore, there are lists of all submitted tasks which you are able to browse and employ for. You’re going to be therefore busy you don’t needs to consult with other websites for function.

In locations you publish articles to a foundation to sites that are different and also are able to socialize. Follow people that are relevant on your specialty. The web is full of chances and also will be based on what you’re on the lookout for.

Other search engine optimisation writers optimize.

It is critical that deadlines are established by you and they are met by also your ghost writer. It is not challenging to instill confidence whenever you’ve found an extraordinary site. A writer that is booming is someone who keeps learning.

Writers must be cautioned that it requires talent and decision for recognized inside the world of composing. The moment the work is completed by him, he’s paid according to the site’s conditions. Every writer should learn how to handle the clients independently.

Things you’re going to need to begin on paper articels online as there is a time hob always to learn just how exactly to accomplish some online research and also many people do this on a usual basis. You can find a lot of means to make money online articles and writing content. In the event that you would like to fully grasp just how to produce and market content, then you’re in the perfect site.

Make an attempt and possess samples of endeavors which you’ve worked like manuals study guides, and so on if you haven’t published a novel. You may receive producing assignments each day from assorted sources. Another sort of article writing project will not necessitate keywords.

You need to come up with portfolio and your skill set. The job needs stand for the only part groundwork. Do the very best you possibly can along with work and after that release it.

The Way to Earn Cash with Game Titles

At any specific period, this site features a few dozen sports activities writing jobs provided in niches. Blogs came up to earn money. When economical on-line shopping, then it really is very important that you just devote just a small time studying.

The Best Way to Make Money From Home

Say, for example, you discover that it’s possible to produce more or 10 articles every day for a site, you can be making a superb amount of money by 50 percent the time I have. The earnings may possibly not be a lot however blocs using a couple of hundred visitors daily ought to be able to generate 10 to 20 daily minimum. The course fees isn’t cheap for everybody.

The Nuiances of Online Writing Jobs

How to Earn Money With Socialnetworking

Writing and submitting articles on the internet is the best approach to yield a fortune online. Tech and employing the net has changed how a corporation is promoted. Web has grown into one of those means to create cash, and lots of men and women have profited from it.

The Truth About Online Writing Jobs

A good deal of folks would say that investing in a work on the internet would be the 1 hint or not. You ought not pay for occupation leads but there really are a variety of legitimate tools out there which it is possible to access for a commission. Don’t forget this, by sending your emails as more money is earned by your own clients, your prices are able to raise .

Who Else Wants to Learn About Online Writing Jobs?

Most authors may have perhaps a handful of hours or each time to begin. Writing can be a superb part time occupation, however should you perform at it you have the opportunity to do full time to it. Association volunteers worked for more than a year on the area of the trail reconstruction between Brightside and also Sunol.

Source:http://francescarossetti.com/the-confidential-secrets-for-online-writing-jobs/

[fashiontrendin-blog]

Go Ahead, Take This Opportunity To Say You Always Hated A Creep's Art

http://fashion-trendin.com/go-ahead-take-this-opportunity-to-say-you-always-hated-a-creeps-art/

Go Ahead, Take This Opportunity To Say You Always Hated A Creep's Art

Have you always believed that Quentin Tarantino makes dreadful movies? Have you always wondered how a director could be so celebrated for work that luridly depicts the abuse and degradation of women and black people, and that offers little more than exploitative ’70s pastiche?

Maybe your belief that Tarantino sucked spoke in a small, niggling voice, something you pushed down because you felt embarrassed that you couldn’t appreciate the auteur’s work. Or maybe it was louder. Maybe you even got into arguments with your film school classmates or your boyfriend about it.

Either way, this past week has likely brought a sense of grim vindication.

First, in an interview with The New York Times’s Maureen Dowd, Uma Thurman revealed details about Tarantino’s direction of “Kill Bill,” including his role in pressuring her to perform a car stunt that went awry and left her severely injured, as well as scenes in which he personally choked and spat on her in place of her acting partners.

With the spotlight now on Tarantino, news outlets are digging up other disturbing moments from his career. Thurman wasn’t the only actor he’d choked during filming ― he’d also choked Diane Kruger for a scene in “Inglourious Basterds.” Perhaps most damning, audio surfaced from a Howard Stern interview in 2003 in which Tarantino not only defended director Roman Polanski against his notorious rape charge, but insisted that his 13-year-old victim “wanted to have it.”

Though Tarantino defended his on-set behavior in a lengthy interview with Deadline’s Mike Fleming Jr., and both Thurman and Kruger went on to praise his direction on Instagram, the public reckoning with his oeuvre had already begun; plenty of naysayers jumped on the opportunity to admit that they’d always hated his movies. 

Like Louis C.K. and Woody Allen before him, Tarantino had become, almost instantly, the new cool entertainment dude to have always hated.

I’ve never understood the allure of Tarantino or his films. I’ve never seen Kill Bill (1 or 2), DJango, or the rest of them, except Pulp Fiction. Once. After reading that NYT article about Uma Thurman, I know I made the right call. He is unmitigated trash.

— April (@ReignOfApril) February 3, 2018

I’m glad that my once unpopular opinion that Tarantino films are rubbish because it’s like watching the worst thoughts of the annoying lad you don’t fancy but he bothers you anyway playing out in hypercolour, is finally getting it’s moment.

— Jess Phillips (@jessphillips) February 4, 2018

You know, I thought by this point there would be at least one of these Hollywood dudes where I’d be like, “that’s a shame, I want to like his work.”

But….all of them are of mediocre talent

— Kelly Ellis (@justkelly_ok) February 6, 2018

But is this … bad? Should we resist the urge to distance ourselves from the fandom surrounding a detestable creator, to declare to the masses, “I always hated that creep”?

This week, that declaration was met with the usual pushback, as critics accused Tarantino cynics of turning a serious conversation about misogyny and assault into a conversation about superior film taste:

Revelations that Tarantino is a piece of shit (not new) doesn’t suddenly require you to tell the world how much you have always hated his films (which suck incidentally).

— Richard Whittall (@RWhittall) February 3, 2018

Ah, we’re in the “I always knew he was shifty…” phase of Tarantino discourse, then.

It tends to overlap with the “I was always an outlier in the court of public opinion and now I’ve been vindicated!” phase.https://t.co/V7Xxt62pyo

— Darren Mooney (@Darren_Mooney) February 6, 2018

All the people that never liked Tarantino films are feeling somehow vindicated and that’s fucking awful. You’re profiting off the sadness and hurt of another human being to feel morally superior to the rest because you feel that your critical opinion feels somehow accurate??

— Jaime Grijalba (@jaimegrijalba) February 6, 2018

The initial urge does seem self-serving, a way to retroactively claim credit for knowing better than everyone else. The #MeToo moment should not be viewed primarily as a plum opportunity to hipsterize disliking Louis C.K., to smugly claim, “I hated him before it was cool.”

Nor should we reflexively vilify people who loved the work of people like Louis C.K. and Tarantino. We all have problematic faves; the hardest and most vital part of changing a toxic culture is holding those faves to the same standards as artists we dislike.

But you know what? Go ahead and take this moment to tell the world you always hated a creepy dude’s art. Feel extremely free to unload on all the troubling hints in his work that he thinks of women as objects. Why shouldn’t you? We should have that conversation, too.

The #MeToo movement emerged as an urgent reckoning around sexual abuse and harassment in the workplace, but it’s churned up discussions of issues beyond that ― not only sexual abuse outside the workplace, but also a broader culture of misogyny. Those discussions have revolved around the art of abusive and chauvinistic men, and how their visions have defined our culture, often in ways that harmed women. They’ve also included talk of how white critics have long taken up the air in the room; how they’ve been empowered to curate an artistic canon by and about them, while people of color, women and other marginalized groups have not.

We’re now grappling with how admiration of these problematic men became de rigueur, and how frustrating this enforced consensus was for the many people who felt exploited or forgotten by the canon. 

For years, when I’d balk at watching Tarantino films because the content made me uneasy, I was told I was being too sensitive. Between this and Uma Thurman’s devastating stories, it’s all coming together. https://t.co/X0G0kv9F4K

— marisa kabas (@MarisaKabas) February 6, 2018

Since I was around 12, the dudes in my life constantly told me I was being too sensitive when I questioned the misogyny and racism in Tarantino’s work. I was often told I “didn’t get it.” Well… I think maybe… YOU guys didn’t get it, actually? #quentintarantino https://t.co/K4dXjvEJxM

— Brigit Young (@BrigitYoung) February 6, 2018

This is not to say that only white dudes (or all white dudes) are fans of unsavory artists like Tarantino or Louis C.K. Plenty of men have been happy to note that they never liked Tarantino anyway, and plenty of women loved “Louie” and “Manhattan” and “Pulp Fiction” and have been struggling, in the aftermath of unsavory allegations, to resolve their admiration of the art with the personal crimes of the artists. (Personally, I never had the stomach for Tarantino films ― blood makes me queasy ― but I grew up on Allen’s daffy early films and liked a decent amount of Louis C.K.’s comedy.)

Still, it’s impossible to disregard the fact that an almost entirely white and male set of tastemakers (not to mention creators and investors) elevated certain male artists to the level of demigods, so above criticism that one’s dislike signaled one’s own inferior taste rather than the artists’ failings. Most critics with major platforms have long been white men; the lack of diversity in the ranks has not only stunted the breadth of conversation, but fostered the false sense that white men’s concerns are the most pressing, their opinions the most objective, and their viewpoints the most conducive to great art. Even when women or people of color dissented, their voices did little or nothing to alter the perceived consensus.

Take Allen: Pauline Kael and Joan Didion, both prominent female critics, savaged his opus “Manhattan,” which revolves around a 42-year-old man who is romancing a 17-year-old student, for, respectively, “pass[ing] off a predilection for teen-agers as a quest for true values” and telegraphing that “adolescence can now extend to middle age.”

Then-Columbia professor John Romano quickly rebutted Didion in a letter to the editor, describing her review as a result of “pique”; the letter twice describes Didion as “complaining.” Meanwhile, critic Roger Ebert had a startling take on the artistry surrounding Allen’s character’s sexual predation, writing, “It wouldn’t do, you see, for the love scenes between Woody and Mariel [Hemingway] to feel awkward or to hint at cradle-snatching or an unhealthy interest on Woody’s part in innocent young girls. But they don’t feel that way.” 

As the years passed, “Manhattan,” beloved by male critics who were unbothered by or eager to explain away the movie’s troubling sexual undertones, became cemented in film canon. If Kael and Didion couldn’t get us to openly acknowledge the flaws in Allen’s work, who could? At least now it seems right to go back and examine the catastrophic failures of some critics to tease out these threads. Many critics, including the New York Times’ A.O. Scott, are now openly reckoning with the insufficiency of their past criticism of Allen’s work, and they’re right to do so.

It’s also fair to point out that some people wanted to have this conversation before the #MeToo moment, but that a patriarchal hegemony of taste served as a bulwark against it. The cultural change didn’t just begin in October. For example, when Tarantino released “The Hateful Eight” in 2016, critics explicitly called out his dicey use of extreme violence toward women in the film, questioning whether it was artistically essential or even justifiable. 

#MeToo was possible in part because women in Hollywood, and elsewhere, have spent years advocating for more respect and representation.

This is exactly my problem with Tarantino. He glorifies violence against women and people of color, makes an industry out of movies centered on violence towards minority groups, and gets called a “genius” for it. That’s the kind of regressive junk we need to cut out. https://t.co/RDKt9rhBu9

— Heidi N Moore (@moorehn) February 4, 2018

The central connecting thread between all of the aforementioned morally ambiguous or nihilistic art and so much more in that vein: it was all primarily by and for white men and wistfully imagined worlds where white men were never held to account for anything.

— David Klion (@DavidKlion) February 6, 2018

But despite these rising questions, the classic films ― “Pulp Fiction,” “Kill Bill” ― seemed untouchable, and disliking them remained taboo. If you’ve ever told a date, a classmate, a mentor or a friend that you can’t watch Tarantino because you find his work to be exploitative of women, only to be informed that you simply don’t understand his art, the indisputable revelation this month that he’s a bona fide creep is, in a small but real way, liberating. It’s something solid to cling to, at last, evidence that you’re not overreacting or too obtuse to appreciate the aesthetic perfection of his tobacco-spit trajectories. Distaste for his work, often cast as a mental flaw or tragic unhipness, has become, in an instant, a mark of discernment.

In a tit-for-tat sense, it does seem just that artists like Louis C.K. and Tarantino ― whose reputations were long bolstered by the plaudits of critics and the reflexive hipster posturing of fans ― have now slid to the wrong end of the “my taste is better than yours” hierarchy. That’s not the point of this moment, nor should the goal of this reassessment be to simply unseat one set of white male icons, to turn the same smugly superior judgment on their fans that their detractors have experienced. It’s only human, though, to feel vindicated.

And yet, vindication isn’t the only feeling at play. There’s something about this sudden shift that’s wildly infuriating as well. Oh, NOW you’re listening? I thought recently when a writer I’d criticized as sexist ― only to have my critique neatly brushed aside by male colleagues and friends ― faced career consequences after being accused of personal misbehavior toward women. Why couldn’t you take me seriously when I broke down all the none-too-subtle misogyny in his writing?

Saying “I always hated his work” might be a cheap hipster pose, but it also might be bitterness born of long-suppressed, impotent anger. If you’ve grown used to being shamed or condescended to for caring about an ugly thread that everyone else seemed to be overlooking, the sudden shift is gratifying, but also exhausting. All the years of churn and self-doubt suddenly feel like a cruel, unnecessary burden forced on you by the people who insisted you were wrong.

So go ahead; vent your spleen. Give yourself the tiny shred of comfort that comes from claiming your long-simmering, now-validated disdain. Take the opportunity to try, once again, to have a real debate about the artistic merit of works like “Kill Bill” and “Manhattan.” It’s a first step to envisioning a world that isn’t just rid of monsters, but that actually offers everyone an equal place in constructing our culture.

http://platform.twitter.com/widgets.js

[nondescriptman]

Things I forgot to post so here’s a dump

Feb. 17, 2016 I've given myself five minutes to capture some of my main feelings about Bahktin's Rabelais and His World. I had a hard time grasping this book. Bahktin is not a great writer and without knowing a thing about Rabelais, the context of this book is lost on me. Through the study of laughter and a long trip through Wikipedia, I discovered that Rabelais is known for writing Gargantua and Pantagruel, a story of the giant Gargantua and his son, Pantagruel. These names I have heard many times in my life in various forms. Rabelais' work was written in the 16th Century and has been about humour, grostequeness, scat, "material body lower stratum", carnival, jesters, and all things seen as "low humour" or "low brow". Having some knowledge that this is what Bahktin is trying to describe, I find it ironic that the text is inaccessible to a regular person while the subject matter was to be presented to the commoners of society. The images that come to mind thinking about humour and the grotesque are The Joker (and every Batman villain, including Batman), Kefka, Hisoka, Resident Evil/Half-Life, pretty much any anime/video game/movie where there are experimentations that warp the human body, showcase something gross, or present it in a humourous way. Takeshi Miike also comes to mind and his level of gore that's so ridiculous it becomes funny. Tim Burton is also high up there with this. What I like about this level of humour is that it is accessible for all. It's not pleasant and it can sound very rude, but life isn't always pleasant. A little rude awakening can help. Certainly, when compared to the gore presented in the Iliad, I think a fart joke is nothing. Well, 5 minutes is up. I'll write more tomorrow.March 1, 2016 It has been a couple of weeks since I wrote anymore information about Rabelais. The more I think about what Bahktin was trying to say, the more I want to hear about it. I wish we spent more time in class on Rabelais because there is something in the way Bahktin describes the work that has gotten a hold of me and I want to read on. I'm surprised that I might find that Bahktin and Rabelais being the book I will take with me to exile. Dostoyevsky is the cause of my desire to unpack Bahktin further. Bahktin is impossible for me to read. I do not understand it and I think he is (maybe it's the translator) a terrible writer. He does not write so that the information is easy to digest. This is a problem. Dostoyevsky can be the same way but when his characters really go inside themselves and expose their thoughts and feelings, I relate to them. The connection with Bahktin is the realism both authors bring to the world. It is something I discovered with the Iliad too. I have spent most of my GLS education on looking for the ideal way to life. I wanted to find eudaimonia, enlightenment, the good life, how to become bamboo, and how to cultivate the seed of compassion. I forgot why I was interested in looking for these things. It is because I think that most days, life is dull and uneventful. As I write this, I don't know if I should be happy or glad that life is uneventful. The question I want to ask myself is: Do I want to be a great man so that many people will know and acknowledge me, or do I want to be a minor player, a extra and obscured? Do I want my voice heard or do I want to keep it silent and save it for those close to me? Epicureans might want the latter - be happy with those around you and live a simple life - that is how to obtain happiness. Maybe it is contentment. Is that so wrong? I have a desire to be better and great also. I want to be the hero of my own story or maybe the hero in others people's stories. I don't know how I intend to do that. The closest I came was when I was working with other people. I thrive on that work; it gives me so much energy to build and be more. My current life is quieter and I want to know if I can become great. This is an opposing view. Which one should I aim for and do I have time to do either? Should that be the goal of life to try anyway, even if I run out of time? The week that I am writing this, I am reading Van Gogh's letters. They show a person who is feeling the same. He wants art to be his passion and is working desperately to get there and get approval, mostly from his brother, Theo. He works tirelessly and is grateful for his brother's help and is looking somewhat on the approval from his brother too. I like these letters. I like looking into the hearts of the artists to know that they suffer a little bit too. These days, social media only shows happiness. We escape into each others' highlights and we forget how to manage the lowlights. I am waiting for some highlights right now. There is a meme online of Bob Ross. It is a quote of his that goes, "Gotta have opposites dark and light, light and dark in painting. It's like in life. Gotta have a little sadness once in a while so you know when the good times come. I'm waiting on the good times now." The problem is when the darkness, the sadness seems unending to the point where your loved ones are too tired to see you hurt that they leave you. Who will be there to pull me out of the dark? That is where I think Bahktin's interpretation comes into play. Rabelais wrote in dark times. The world he lived in was plagued by the Black Death. Humans were coming slowly out of the dark ages (I need to make sure my historical references are accurate) yet Bahktin says there was room for fun and laughter. People knew that life was rough and Rabelais showed that they were still able to make the best of it. We are not so grateful these days. Victor Frankl speaks of his experiences with the Holocaust and Holocaust survivors. The ones who made it out were about to make the best of it and enjoy life when possible. Not true for those in Vietnam and for all soldiers living with PSTD. Jonathan Shay gives a good account of this. (Find the images of the lighters from Vietnam). The soldiers' stories were intense but maybe there was some joy and laughter too in the bad situation (will confirm when I read it or talk about it). Freud notes that we need to cope with this trauma and create narratives to survive (research this). So, this interest in Rabelais is about finding joy while living in the shit. Some New Ager might want to say that it's mindfulness and awareness. We are coping and managing our auras or some other kind of nonsense. I want to believe that we have the ability to change that but since I am in the shit, I want to go back to it and find what's funny. I really don't care if it is vulgar. I want to decide whether the grotesque is adequate in describing my conundrum, my situation. I'm so surprised that I am going back to the book I least enjoyed reading. March 17, 2016 The last few weeks in class has been tough. I'm not enjoying the works of Virginia Woolf or Margaret Buber-Neumann's Milena. I could not identify with either story and I don't think class discussions has brought me into the fold. I simply don't understand the context of these narratives. I do not have family who were rich Victorians or Holocaust survivors. I'm from a peasant-middle class family. We never tried to bring in memory into our lives. I suppose the greatest source of memory is the Book of Names that my father treasures, a list, almost like a poem of the names of my ancestors. In relation to the books we've read in this class, it is reminiscent to the names associated with the 'heroes' of the Iliad. I am from a long line of other Chinese sons that go back to the 1600s. I am weary of my role in the establishment of traditions too. Do I keep them or break them? I am the only son of the only son left in this line. I should be having another generation follow me. My mind has been pre-occupied with the continuation of this legacy and I wonder if my future partner will understand the significance to my desire to maintain tradition or will I have to abandon ship and enter a progressive relationship where the woman has an equal say in the traditional upbringing of a child. So my mind is a little split on this. I am looking for a new relationship since the old one seems to have faded and ended, as far as I can tell. I have no desire to return to her and yet I am stuck with strings still attached. Maybe those kinds of love attachments never go away but the pain and sharpness does. Is it so wrong to have that kind of feeling linger? The current crop of women I have gone on dates with seem to think that's a problem but I only recall Mary Wollstonecraft's second husband, William Godwin, who seemed to not be worried that Wollstonecraft had lingering feelings for Imlay, or others who had multiple affairs and recollections and helped bring about the story of their past lovers. Even Buber-Neumann accepts Milena's past attachments to her lovers. What is it about the modern world now that considers these memories as "baggage" that needs to be released before entering into a new life? It only seems to apply to men, but single mothers have children that are attachments to the past, yet I don't think that's looked at as a bad thing. My writing is failing me. I'm reading Kafka's Blue Octavo Notebooks, published after his death. I like his writing process, much like I enjoyed Van Gogh's painting process. I write and think in this way. It is not exactly creative but it allows for ideas to escape from my mind, where they are twisting and swirling. They don't go anywhere but now they are free to be. Sometimes I return to my thoughts and wonder what was going on in my mind at the time of writing. I am sure I will do that here too. The process of writing, getting words down on the page is important to me. I am often neglecting this wonderful transition from the internal to the external. My Grade 9 English teacher, Mr. Miller, made us write in journals as soon as we got into class. For the first ten minutes, we would sit and write. He never read what we wrote, rarely if at all. At first, I was very annoyed. I didn't understand the process so for the first few months, I wrote angrily. I wrote with so much anger and hatred and this waste of time exercise. My memory isn't so clear from that age, but I think I stopped being angry after a few weeks. I might as well write my feelings, anything that I was feeling. I liked doing that so much I continued throughout most of my high school life and undergraduate degree. I continued when I graduated and moved to Japan. My entire year there is captured and easily recalled. People ask me why my memory of the past was so strong; it is because I wrote about it constantly. It was a drive I could not contain. Nowadays, I write occasionally for school. I don't write as often. I consider myself to be too busy to write. I keep everything locked away in my mind where they can transform. A good thought can brood inside and turn into anxiety, fear, anger, hatred. I tried to speak about it but no one understands. I am better writing than speaking. I forget that about myself. An example of my brooding. On Monday, I met a young woman for dinner. I have seen her once before and I have been anxious to see her again. She is very attractive; beautiful. We talked but we didn't really laugh. Maybe we did. I can't remember because I only remember how I didn't laugh at everything, didn't try to make her laugh. I was so nervous to talk to her. I was surprised she wanted to meet again because it seemed like she didn't want to meet. She does not use her phone to text and her life seems pretty complete and busy. Yet, at the end of the night, she leaned in and kissed me. I liked it. I think she liked it. Here's my problem: "I think she liked it." I wasn't present in the moment so I couldn't feel her and I'm usually very good with that. I wonder now if that means she couldn't feel me either. Without that spark of the first kiss, we don't have a chance of getting any closer. But maybe I'm thinking about this too much? How do I stop? Her lips were very soft. Now, she's busy again for another week or two. Will I see her again? I don't know. As Roland Barthes say, "I'm the one who waits." So I wait and I wonder. I try to distract myself so I don't become anxious. I try to focus on other tasks. They don't work. But writing! Writing seems to work well. My distractions are coming up to meet me now. I must end this writing section again. Where will I go with my final paper for GLS? April 7, 2016 The last two books of this semester were Fred Wah's Diamond Grill and Jonathan Shay's Achilles in Vietnam. Both books were great for their own respective reasons. I liked Diamond Grill because there are many parallels with the Wah's trip through immigration in Canada and my own family history in Canada. My family history is very short. I don't really understand my cousins' view of living in Canada. I'm sure it's hard to be mentally challenged (is that the correct political label - why do we care so much that our words no longer offend? Whatever happened to Rabelais' vulgar, grotesque, carnival, spectacle that is what it is to be human? Why are we so focused on being clean and safe? Have we gone too far or do we need to keep going to find those limits?) or homosexual as the first set of immigrants from my family to be hard. I'm not better - a 36 year old unmarried bachelor - something my parents were not expecting when they came to Canada. They make it obvious that I should have had children by now, settled down, not focused on my dreams (if I knew what my dreams were, I would definitely have followed them - it's the problem with being an immigrant child - where do we get our dreams if they were not forced upon us by our traditional families? I don't know that I have actualized my potential and become my own self or I'm still split between the multiple selves with attached responsibilities from my immediate family to my distant ancestors. The whole filial piety thing is difficult for me to comprehend and put into practice. It pulls me in from time to time, when I see my father with a head of white hair, when my mother asks for help to lift a heavy object. My sister is there but she's not the one responsible, or shouldn't be, but has become de facto caretaker of my parents because I'm the older fairy child with one foot in reality, a foot, sword, bow, shield, aura in fantasy. I never want to leave that fantasy world; I'm afraid of reality and facing it. It's much easier to see it play out in someone else, learn the lesson from their trials, and incorporate the learnings in me. That's why we read, right? I need to come up with a way to express my choice of exile. I like the writing style of Kafka's Octavo Notebooks and Fred Wah's vivid detail of his childhood as a homage to his father. I want to provide some kind of legacy and record of my family history. It will have to change since our family history has been documented in Chinese and I'm finally regretting not learning the language in my youth. It is hard to read and write Chinese as an adult. I don't have a lack of motivation. I am incapable of memorizing new information easily. I always feel lazy, like I'm not doing enough. Life is about opportunities for experience. I am forcing myself to experience positive things, all things. I realize that I cannot possibly do this. Those who have children seem to comment on how children change their focus and purpose in life. I wonder how much of that is reflected in Diamond Grill. Wah doesn't speak much about his children. There is some two way communication between him being a son and him being a father. He plays with language so well I can't tell which way his address is heading. Shay's book is very intense and I'm interested in it because it brings me back to the fantasy world. Wah's book is real. Shay's book is meant to be real but I can't experience it other than through stories which seem to always glorify battle, even if it's meant to provoke compassion, sadness, or some other sombre emotion. The text is heavy. I feel for the Vietnam veterans. It is much easier to think about the Iliad because I can think of the soldiers as mythology and not real people. I have met a real soldier but he was young. His eyes were not young but he liked me and his platoon liked me and I felt like I was part of their brotherhood. There's something there that is not love, it's not caring, and he was their commander and it was definitely like being a mother. He talked about going berserk. His name was Sparta. I can't believe I didn't bring him up in class. Maybe I should write something about it in an email. yes, I'll do that and share my thoughts.