i'm going to move on from supernatural posting, i swear to god, but first i'm going to talk about ep 9x07 bad boys
the episode itself is fine and good (i mean it's another example of dean having a support network while sam can't have anyone and dean keeping secrets while when sam does it it's the worst betrayal ever but that's not what this is about and sometimes i think about what this show did two earnest, loving traumatized characters by turning them into the most tragic versions of themselves and - ok, this really isn't what this post is about)
but fandom interpretation of this episode actually drives me up a wall because it does a disservice to literally every character
one, john did not leave them without enough money for food. dean gambled it and lost it. there's nothing in canon to say that john was taking longer than expected, that they were running out of money, none of that. dean gambled food money and lost it and then tried to steal to make up for it. he was 16 when this happened and it was a bad decision but i don't think he should be at all vilified for this. he made a dumb mistake and then tried to fix it with another dumb mistake. john was right to be mad and sam was also right to tell him that he shouldn't beat himself up about it. just like with shtriga - yeah, dean was climbing the walls stuck in that hotel room. but you know who else was stuck in that hotel room? sam. and he didn't get a break to go play at the arcade. again, i'm not blaming dean here, he shouldn't have been stuck taking care of his brother that young and he was a kid and john leaving his his children behind while hunting a child eater, whether he was using them for bait or not, is crazy. but dean stealing food wasn't about john's neglect and all the sacrifices dean had to make for sam. it was about him trying to fix his fuck up
two, and this is the one that really gets me, dean didn't go back with john because he had to take care of sam
listen. listen to me. i am speaking from experience when i say this
parentified siblings are still, first and foremost, siblings. especially with only 4 years between them. the show shameless i think did an absolutely excellent job with this and is why i love the first few seasons of it so much. fiona is without a doubt parentified, she is raising those kids, but she's also clearly their sister not their mother
i know later seasons dean and fandom like to make it seem like dean literally raised sam and john was just a background figure but like. that's not realistic, and frankly doesn't even make sense
the reason dean leaves sonny and goes with john isn't because he feels like he has to keep him sam safe. it's isn't because he feels like he has to raise him. it's because he loves him
you are reducing dean to the most pathetic woe is me archetype with this interpretation and ridding him of all his rich loyalty and care and love to saddle him instead with comparatively flat duty. dean is more than sam's caretaker. he's his brother
there's also no reason for dean to feel this way. he just massively fucked up in taking care of sam - that's why he's with sonny in the first place. john has alternate people to take care of sam when he can't do it himself, as he has just proven, and while i don't think we should turn a couple teenage mistakes into making dean incapable, dean absolutely would - and did! he carries every fuck up regarding sam with him! so right now he's really, really low when it comes to his own estimation to take care of sam and leaving sonny because of that doesn't make any sense
but he looks at his brother and is reminded how much he missed him and loves him and realizes staying means he loses his brother. the good and the bad. so he goes, because he loves sam more than anything else
this is also why sam leaving for stanford cuts him so deep. that's why this moment is a parallel to that rather than being unrelated. stanford isn't about sam leaving dean even though he has a duty to care of him, because he doesn't. dean's 22 and at this point is always hunting with their father so there's no reason for sam to believe his presence is necessary for either john or dean's safety
no, dean's mad because he chose his love for his brother over a normal life and sam didn't
(sam didn't want to choose at all but this isn't about him)
anyway. dean fucks up sometimes and john sucks but not quite in the ways fandom thinks and dean loves his brother past reason or sense
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Sketch Commission work, Mia from Fire Emblem!
I was a bit gone from tumblr bc I was trying to decide if I wanted to post stuff individually or do art dumps, I ended up deciding why not both lol
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i think it was inevitable that i would grow up into a body horror freak really because one of my dad's favorite pastimes used to be getting drunk enough to loosen his inhibitions and then telling me about all the horrifying shit he'd witnessed human bodies do or have happen to them in his various life experiences. i learned what a bullet exit wound looked like when i was 10 thanks to that man. and to be clear i loved it and frequently asked him for more stories, he was not forcing me to stay and listen to his gory tales.
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I'm like 90% sure if I don't get more of your ghost au I may just implode so like 🥺👉👈
not necessarily my AU but i ended up drawing smth based on a scene from @novethegreat's fic, "In Love With A Ghost". ooohhhh you wanna read it so bad ooooohh
+more google doc delusions ive had in my head for a long time and havent been possessed to draw under the cut please work god please
i like to think once yosuke gets over the whole undead roommate thing he starts to feel bad for leaving yu at home all day. (like a pet dog.....) so at some point he invites chie and yukiko over. maybe it’s a study session. but at first yukiko can’t make it so it’s just chie. yosuke tells yu to stay put in the room since chie is scared of ghosts (just like yosuke she’ll never admit it though lol). chie says that she and yukiko have been working on a new recipe and offers to cook which yosuke shoots down Very quickly, offering to cook himself, since a "friend" of his has been teaching him-- he very conveniently leaves out the whole undead roommate thing. but when he’s preparing the food he accidentally cuts his finger. yu forgets what he’s told and rushes through the walls into the kitchen scaring chie on accident.
yosuke: OW shit
yu: (phasing through the wall) yosuke! are you ok?
chie: yosuke! are youuuuuuUUUUAAAAAAAGGGGGHHHHHHHHH
yukiko, the occult lover, is unable to see/hear ghosts… but when she hears abt "OHHH HANAMURAS APT IS HAUNTED ITS SO SCARY ITS AWFUL!!! i mean the ghost didnt kill me or anything he was actually pretty polite but its AWFUL!!!!!!" from chie, she gets sooo excited and begs yosuke to invite her over (for the ghost obviously not for yosuke. which is a bit of a blow to his ego LOL). and she comes in with a ouija board so she can talk to yu
yukiko: so. where is it?
yosuke: his name is yu. damn, not even a hello.
yukiko: well, where is he?
yosuke: …right over there.
yu tries to play along bc he thinks its fun, to yosukes exasperation. however he has trouble staying solid for very long so it takes foreverrrrr. but basically i think yu and yukiko writing each other notes to communicate like point blank pen pals would be cute… also when the others are around who can hear yu, playing telephone with what he says to yukiko and fucking it up (on accident OR on purpose) would be rly funny
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A question I get asked a lot is
How do you write choose-your-own-adventure style books?
And the answer is (nervous laughter) definitely in a really organised way that's easy for other people to understand, not a nightmarish 10,000+ pixel wide image with tiny text and 100+ layers that I'm constantly changing as I go? Right??
Nothing to see here. The worst thing is this is only a tiny crop, too.
Anyway, I recently did an interview with the small and pretty niche Polish-language publisher that translated both my gamebooks (who have been extremely cool about discussing ways to include non-binary language in Polish, an extremely gendered language.
I surprised myself by actually getting pretty emotional writing about how I felt really excluded from nerd/ fantasy spaces as a kid, and a big motivation is wanting to make weird fantasy that feels genuinely inclusive for a wide audience. So whenever I talk to a foreign language publisher who seems fine and actually excited to translate queer and trans characters and themes, it still feels really amazing.)
The interview included a bunch of cool and insightful questions: Why fantasy? Favourite authors? How do you cope with feedback? What next?
AND the classic: how do you plan and test choose-your-own-path books (though to be honest, if anyone else has a better mapping system, I'm all ears.)
I enjoyed it so much that I got permission to cross-publish the original English version, which you can now read on my author blog - and, yes, it includes the full version of my nightmare map for Into the Tower.
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