Tumgik
#is this fandom still alive that y’all could answer these questions or am I stuck in the dark
yepthisiskay · 9 months
Text
I have no idea what Death note is about but every song in the musical is fantastic. Can anyone tell me what it’s about because I’m super confused what’s happening like who is kira I thought my man’s name was like light or something.
23 notes · View notes
millllenniawrites · 4 years
Text
millllennia’s frequently asked questions
Last Update: November 19 2021
Who the heck are you?
I’m Mack (though there’s a couple people on here that have called me Milli which I thought was adorable and that is also a perfectly fine thing to call me) I’m a full-time uni student from Canada that’s been writing on here since 2016. I use she/her pronouns usually but like really what is a gender. I used to be fanfiction-trashpile (which is still my user on ao3). 
Can I translate your work? 
Short answer: no. 
Long answer: still no, but it’s more complicated than that. No one has permission to repost or translate my work. Even if you message me and offer to give me credit, I will say no. If you want to create for fandom, you should do it yourself and I will stand by that. 
I welcome fanart, podfic, and fanfic of my fics, and I’d love if y’all would message me/send it to me/tag me in it so that I can hype you up! 
If you decide to write with my original characters (the Helix universe or Dear Love of Mine) I will ask that you give me credit for the characters, but I don’t mine anyone else writing them. The only canon content created for the Helix universe belongs to myself and vampy ( @vampirewithbedsidemanners) but even we write alternate universes of the Helixverse, so it’s totally okay for other people to do that too.
Why are you so darn specific about the style you write in? 
Okay so there are a few things about this that I’m really picky about: 
I never use y/n or any other derivatives of the term (y/e/c or the like). For me, it’s much harder to avoid using those kinds of stand-ins for terms, so I like to challenge myself by never ever using them. If the fic calls for the reader’s name to be directly said, I’ll just give the reader a last name (like in dear love of mine where the reader’s last name is Dean) 
(NOTE: this is not to say that people that use y/n are taking the easy road or whatever. it’s entirely a personal decision and writers that use it are still good. it’s just not for me)
All my sfw fics are completely body/gender neutral unless otherwise specified
All my nsfw fics are with an afab reader (because I only know my own biology and I’d hate to try to write something for another biology type and end up getting it wrong and just alienating everyone)
I’m specific about these things because I do not look like the skinny/blonde/straight-haired/blue-eyed/wattpad version of a reader in RI fanfic. It alienated me back when I read on that platform and I’d hate to make anyone feel like that. I’m still learning, and I’m not perfect, but I really want people who read my content to feel like they can actually be immersed in the story, no matter what they look like. 
That being said, I do not write readers from specific backgrounds/with specific features because I am whiter than white and that’s not my place (though I have reblogged some stuff that has specific readers so there definitely is some on my page! check out the recommended tag) 
My own personal tastes obviously affect my writing (because everyone writes from their own experiences) so there is often dancing/hair touching in my fics because I like that stuff. There will be warnings for basically anything that could alienate the reader including but not limited to: hair mentions, the reader getting picked up, the reader’s clothing being mentioned, and abnormal physical activity (dancing, swimming, etc). If you
Are requests open?
Requests for moments, headcanons, one-shots and drabbles are open! please send me headcanons i love hearing what y’all are thinking! with that being said, i reserve the right to not write or respond to requests that i don’t want to do because at the end of the day, this is my space and my writing makes me happy. 
What fandoms do you write for?
I am currently writing for:
Star Wars (literally any character including rebels/CW) 
James Bond (Craig era) 
Dune (I love the books and the film so I write based on both!) 
Marvel (including all movies and the Punisher)
But I will generally write for any content I have consumed in the last 2 years (so I'd be super down to write for mortal instruments/shadowhunters, for example, it might just take longer). If you request something I am not currently writing for, I will keep your request until I recirculate that fandom/character/concept because I am basically a garbage disposal for fandom. 
Do I need to give you plot details in my requests?
Requests can be as simple as “Fluff with Poe Dameron!!” but can be as complex as you would like. Some formats include:
dialogue prompts (ie. “I missed you” with Jace)
type of fic (ie. I would love some Billy Russo angst)
relationships with canon characters (ie. can you write some reader x kylo ren where the reader is Rey’s sister?)
any amount of plot details (ie. thanksgiving at the Weasley’s where you and Percy get stuck hand washing dishes)
Moments Collection prompt (ie. I read your Poe “The moment they first saw you” fic. Can you write one with Dani from Prodigal son?)
Headcanon prompt (ie. how do you think Poe finding out you’re alive after thinking he had lost you would go?) 
Or any combination!! I like writing what you guys want to see and challenging myself with your ideas. 
What “out of the box” ideas are you willing to write?
Many writers will not write the following, so I wanted to be clear that anything on this list can be requested and will be written without being altered (assuming it’s in my lane). If any of these things are used in a work, they will be listed in the Warnings category at the top of the post.
graphic descriptions of violence (including but not limited to: injury, torture, emergency surgery)
death (major characters and reader included. I just won’t write drowning for my own personal safety) 
homophobia 
nightmares/night terrors/forced dream sequence/drug trips/things like in spiderman: far from home before peter gets hit by a train 
lemon/smut/that kind of thing (but I’m very new to this so take it easy on me folks)
panic attacks
dubcon/noncon/dark fic 
I will also write the following things that are not “warning” related but not all writers will dabble in: 
alternate universe (though I usually prefer canon-compliant work) 
crossover content 
polyamorous relationships 
What don't you write?
I absolutely will not write: 
suggestive content with underaged characters (I’ll age them up)
the act of self-harm (I will write post-getting clean or talking about self-harm vaguely, but won’t write the action or witnessing the action for my own safety)
drowning/water boarding/violence involving water (I know, very specific, but I don’t write this for my own safety)
readers that deal with transphobia/racism (I am blessed to not have experienced either of these things and it’s absolutely not my place to think I can write about these struggles. I will however reblog content I find and enjoy because it is so important to talk about these things and bring awareness to these communities)
mental illness other than anxiety/depression/ptsd (outside of canon determined elements)
specific pronoun requests. all of my sfw work is gender neutral. the reader insert/imagine space has been historically very heteronormative and I want everyone to be able to enjoy my writing, no matter how they identify and which pronouns they use. if a fic is requested with pronouns, I will still write the request. it will just be gender neutral
real life people. non-negotiable. this makes me feel icky. no judgement to those that do it. I just won’t
abo!AUs. not my jam. 
magic AUs.
I hope this clears some stuff up! I’m looking forward to hearing from you guys! my inbox is always open so feel free to come chat! 
16 notes · View notes
atmilliways · 5 years
Note
M, A for Stuck on the Outside Failing to Look In (Just Like in Real Life), K, E for that one fic your wrote on LJ where Toki and Skwis both wind up in the hospital after hooking up too much because *I* want it, C, H, A again for All is Calm, All is Dark, R, L, E for Nobody Puts Baby in the Corner, S, N, N again, A again for A Murder of Two, T, H, A again DEALER'S CHOICE, N a third time, K, I, and two S's.
“Make Charles n Nathan kiss.” 
Have done, can do, will do! And kudos for making me go back to LiveJournal for a fic I hadn’t even planed on moving over to Ao3 because I was worried it was too dramatic. 
(Fanfic Ask Meme) 
M: Got any premises on the back burner that you’d care to share?
Hm, what have I not already blabbed about… Oh, you’ll like this. I’ve semi started working on a preklok fic where Nathan and Skwisgaar share an apartment and it’s an absolute sty, so Nathan gets some homeless kid to clean it in exchange for food and use of their shower. Enter Toki. Cue eventual threesome. 
Eventually once Magnus is kicked out of the band they’re going to conspire to “hold auditions” for the rhythm guitar part but have Toki show up late and blow everyone else out of the water while they pretend to be surprised.
A: How did you come up with the title to Stuck on the Outside Failing to Look In (Just Like in Real Life)?
A lot of the Skwistok I write tends to feature both of them being idiots who aren’t good at communication. Like in that fixed you wanted me to pull a slide your house where they both end up in the hospital for stupidity related. Stuck on the Outside is the most reflective of that, title-wise. 
K: What’s the angstiest idea you’ve ever come up with?
In terms of drawn out angst? Take Me To Church. Nine chapters plus a prologue and epilogue of Charles scrambling to figure out what is even happening, and the learning curve is not kind to him. 
E: If you wrote a sequel to that one fic your wrote on LJ where Toki and Skwis both wind up in the hospital after hooking up too much because I want it, what would it be about? 
After they’re both released from the hospital, they continue to Not Talk About It until cornered by the rest of the band. When asked why they were gone for so long Skwisgaar has an aneurism-like idea and just blurts out “Guitars!!” So they haphazardly cobble together an excuse about how they’ve been doing a lot of “extra practice sessions” to get Toki up to speed on some of his trickier parts.
Basically, they hash out an agreement for their “extra practice session” relationship with Nathan, Pickles, and Murderface not only listening, but chiming in with helpful shit like “Yeah Skwisgaar you make sure he gets all the extra practice he needs!!” 
C: What character do you identify with the most?
Nathan. I guess because he’s kind of the most “omfg can we just get shit done” of the group while also being such a perfectionist to the point of “nope, not good enough, start all over again from scratch and get it right motherfucker.” I can relate to both of those things. And he strikes me as such a Taurus (stubborn as hell, bull in a china shop, etc), which I also am, so there’s that too. 
H: How would you describe your style?
I wouldn’t, because it’s hard. 
A: How did you come up with the title to All is Calm, All is Dark? 
Don’t quote me on this, I’m only the author or whatever, but I think I wrote it or titled it or something over the holidays one year as a fluff present for a friend. The title is based on a line from Silent Night, but I changed “bright” to “dark” because Charles needs a dim, quiet space to relax and recharge. 
R: Are there any writers (fanfic or otherwise) you consider an influence?
Douglas Adams, Terry Pratchett, Neil Gaiman, Robin McKinley, and… a lot more. I’m basically a sponge. In high school, while we were reading Grapes of Wrath in lit class, I wrote a story in my creative writing class that was kind of fantasy, kind of magical realism, but depressingly paced like that one chapter where the fucking turtle crosses the fucking road, thank you John fucking Steinbeck. 
Also a million billion fanfic writers across five or six different fandoms. 
L: What’s the weirdest AU you’ve ever come up with?
Personally, I consider coming up with a headcanon for a Metalocalypse Fraiser AU pretty weird on the grounds that it’s obscure, and I’m still amazed that enough people both knew what I was talking about and felt moved to make “oh my god you did it” comments. 
E: If you wrote a sequel to Nobody Puts Baby in the Corner, what would it be about? 
Hm. Well, because I originally intended for it to be a Nathan/Charles story and it just sort of, uh, veered off on a different course there… So the sequel would probably be something like Nathan, Skwisgaar, and Toki still casually hooking up occasionally, but outside of those threesomes it’s basically just Skwistok. After a while of this, Skwisgaar starts teasing Nathan that Charles has a crush on him, and then Toki joins in, and then they start asking Charles “subtle” questions to try and suss out if it’s true, and it is. Meanwhile, Nathan’s still going through his “huh, I guess I’m bi then, okay… huh” thing and convinced that this crush rumor is bullshit. 
Eventually the conspiring Scandinavians get those two crazy kids together, and make Charles a badly spelled Welcome To Our Threesome banner that absolutely does not leave the room intact. 
S: Any fandom tropes you can’t resist?
I love doing missing scene/behind the scenes stuff. Like, you know, basically all of Take Me To Church. It’s such a challenge to on one hand know in my heart that Charles and Nathan are meant to be, but on the other not actually deviate from any established canon. 
N: Is there a fic you wish someone else would write (or finish) for you?
Yeah, somebody write that sequel I described for Nobody Puts Baby In A Corner. You have my blessing. Title it, I Carried A Watermelon Named Nathan. 
N: Is there a fic you wish someone else would write (or finish) for you?
Someone write B.A.N.D.M.A.T.E.S for me. I mean, I’m gonna, but I have stuff going on at the moment and I want to read it now. 
A: How did you come up with the title to A Murder of Two?
A murder is a group of crows. There’s a Counting Crows song called A Murder of One, which is also where I got the idea for my murderofonerose screen name. (Rose is my middle name and it was back when I was still being dramatic about being single.) 
So considering the rest of the band was killed by black birds, crows seemed fitting. And the whole “he’ll always have Charles” thing. They’ll stick together, their own little murder of two. 
T: Any fandom tropes you can’t stand?
Rapefic. I’ll just casually refrain from reading that, nbd. 
H: How would you describe your style?
Okay, whatever, I’ll do it, fine. 
Very character driven. Always has been, even before I discovered fanfiction, because creating and/or developing characters is my favorite part. Buuuut it means I’m sometimes lacking in setting and plot… It’s a constant struggle. I’ve also always had kind of a thing for unreliable narrators — or not unreliable exactly, it’s not like they’re intentionally lying to do, but just you get most things filtered through their personal biases. That’s why I want Take Me To Church to have a companion story from Nathan’s point of view, so I can beat y’all with the dead horse that is everything that has flown over Charles’ head due to low emotional intelligence. 
A: How did you come up with the title to DEALER’S CHOICE?
I know this is payback, but is anyone else starting to think that Dealer’s Choice would make a great fic title? And then the answer to this question would be, “Well this one time I was being an absolute madwoman/maniac and spammed a couple people’s inbox with lettered ask memes that doubled as a secret message because I’m a smartass. Blame my family for being awful at actual conversations and emotional support but superb at puns and one-liners. Anyway, one thing lead to another and they got me back, but I continued to be a smartass and used this as a title so I could continue to tell this story about singlehandedly revolutionizing the ask meme industry.“ 
N: Is there a fic you wish someone else would write (or finish) for you?
Yeah, there is, a sequel to Stay Alive. *mic drop* 
K: What’s the angstiest idea you’ve ever come up with?
In terms of “oh, that’s… not good…” feels? I think it’s He Came Back (Wrong). Nathan definitely has feelings for Charles, confused and complicated as they are, but if he’s not quite the same person anymore then how is anything ever going to get resolved? 
I: Do you have a guilty pleasure in fic (reading or writing)?
Mainlining ridiculously long fics from start to finish, but they have to be complete and they have to really grab me. I have done this a few times since college and it’s simultaneously always worth it and always a Bad Idea. 
S: Any fandom tropes you can’t resist?
Confessions of Feelings while drunk and/or high. 
S: Any fandom tropes you can’t resist?
Fuck or Die. I mean, constructing the situation alone is impressive, because how often does that sort of thing even crop up.
17 notes · View notes
shadowsong26fic · 6 years
Text
The Handler AU
As requested by @tigerkat24.
(I do also have fulltext for one scene in here, which will be posted and linked here in the near future, probably tomorrow, after I clean it up some.)
Right. So. A couple of notes before I get started:
1) This AU prominently features Lavinia, and also super self-indulgent. Gonna say that straight-out. This is me and my OC and a bunch of tropes I adore. It is not the most self-indulgent piece I’ve ever put together, but it’s probably up there. I say this because, while I am pretty much past the point as a fan/content creator/whatever where I’m ashamed of my self-indulgent BS, I understand that it might not be everyone’s cup of tea, especially when it’s as obvious as this piece is. And I like people to know at least in general terms what they’re getting into when they open a piece of mine. So, you know, bear that in mind as you move forward.
2) Because of the way I work/develop AUs/OCs/etc., there are certain personality traits/satellite characters/plot points that are common to all/most of Lavinia’s storylines (...yeah, it’s a Thing I do, with OCs yeah but also with OC-free AUs and AUs of AUs and ‘hey what if I changed this plot point here, or put OC B in this situation instead of that one, or stuck Canon D in...look, y’all have seen my Distaff variants, you know the kind of thing I’m talking about; I don’t always stop at a single layer of canon-divergence, but then there has to be a thread connecting everything, or it becomes a totally different story/character, right? ...I’m not sure I’m explaining this very well. ...anyway, back on topic). As a result, despite being an AU of a completely different AU, this outline is therefore somewhat spoilery for a future Precipice arc. I mean, I’m pretty sure I’ve hinted at where I’m going with her in the fic proper and/or bonus content, or at least I’ve tried to, (plus, I know I’ve mentioned some things here on tumblr about particular narrative/character tropes I like), so it’s probably not too surprising? Or, at least, I hope it’s not. If it is, I need to get better at foreshadowing… Anyway, it is still technically a spoiler. To the point where I considered sitting on this (and a couple related AUs) at least until a particular event from Arc Seven that makes said future storyline about as clear as it can be until it actually happens. But…I decided ehhhhhh, why not (plus this was requested). But, you know, if that is something you want to avoid, might be best not to read this outline until after Arc…nine, I think? Just as a head’s up.
3) This is essentially a Kallus-centric Rebels fic (though, as mentioned above, also prominently featuring one of my OCs). And, other than that one bit in the Valdemar AU I wrote a month or so ago, this is the first time I’ve actually written Rebels content. (…granted, I’ve plotted more things--the closely-related Pellaeon AU features Rebels stuff pretty heavily, as does the middle arc of the Valdemar AU, which started as ‘Anakin would do really well as a Herald actually’ and has now turned into a massive three-part kudzu plot of a niche crossover and I should really redo that outline properly at some point, plus a few other things…) Anyway, the point is, I’m not necessarily super familiar with the conventions/etc. of this part of the fandom, and I apologize for any off-voice bits.
Okay! Now that I have warned for spoilers, inexperience, and self-indulgent BS…welcome to the Handler AU.
Oh, one more thing I want to mention—because this is, as stated above, super self-indulgent, Kanan is still alive because I said so. He got pretty crisped in that explosion and therefore missed the final battle, but didn’t actually die.
(Imperial records may have listed him as dead for a while, because No One Could Have Survived That, but he did survive.)
(How? IDK, maybe Ezra actually was able to do something from the between-place in this version.)
(Point is, we still have Kanan.)
(Ezra and Thrawn are still on a road trip with a bunch of space whales, though.)
ANYWAY. On to the good stuff.
It all kicks off like two months after Yavin.
Some timeline notes:
Because timelining anything in Star Wars is A Project, I am making some executive decisions here.
We’re approximately a year after the Rebels series finale.
(Meaning Jacen is like 3-4 months old, depending on exactly how pregnant Hera was at the time.)
This is also about how long Zeb and Kallus have been explicitly dating.
(There was SO MUCH PINING going on for a while there.)
(But it took that long for either of them to actually do anything about it.)
(Kallus figured out pretty early on that he was interested, but didn’t really think he deserved this/had earned it yet/that Zeb could possibly be interested in him, and therefore decided to bury his feelings Like A Goddamn Professional Okay.)
(Zeb took a while longer to clue in, and then couldn’t figure out if this was just him or what--see above re: burying things; worked a little bit too well--plus he has his own issues to work through.)
(And then there were some frantic Confessions and so-glad-we’re-alive sex and…)
(Yeah, this is a thing now.)
(Exactly zero people who have spent any time with these two dorks at all are surprised.)
(As is so often the case, the last people to clue in that this was A Mutual Thing are the two idiots involved.)
(There may or may not have been a pool or three going.)
(Hera won at least one of them.)
So. Kallus has made himself useful wherever he can since openly defecting, really, but generally works analyzing intelligence reports and training field agents for potential undercover missions. Even if his specific information is getting more and more out of date (few, if any, of the codes, etc. that he knows are still valid at this point), some things aren’t going to change that quickly, and his background is useful here.
Anyway. He gets called in--
“We’ve been approached by a would-be double agent deep in Imperial territory; received three transmissions in the past few weeks. So far, everything we’ve been sent checks out/has been useful, but.”
“But you’re wondering if this agent is an ISB plant.”
“Exactly. She calls herself Vector.”
“She?”
“Yeah. The scrambler she’s using is doing its job, which means we can’t actually use a voice print to ID her, but vocal pattern analysis got us that much. And that she’s likely Coruscanti, Human, and under thirty. That’s about all we know.”
He goes over the data and the recordings from the first three contacts and nothing jumps out as a red flag/any of the tricks he’s familiar with.
On the first call, there’s some dancing around; as if Vector’s trying to make sure of who she’s talking to. What he’d expect from either a plant or a genuine defector, really. Not particularly helpful.
The other two are fairly brief/straightforward, and start the same way each time--This is Vector. I have a data file for you. Do as you like with it. Also not particularly enlightening, given the question he’s been asked to answer.
The data itself, though, is--interesting. Not easy to access, for the most part, and not necessarily all from the same source. Parts of it are the kind of thing ISB would use as bait, but just as much of it is not. Some of it provides useful context for intel the Alliance has received from other sources (some covert, some not), which is not the kind of thing an ISB plant would send.
So, he goes back to his superiors and tentatively reports Vector as probably genuine. He wants to be on hand for her next transmission, though, to be sure.
(He wonders, idly, who they had evaluate his initial transmissions like this, or if using an established codename and protocol was enough…)
(He’s Concerned it might be the second.)
(There are some worrying gaps in Rebel Intelligence’s security that he can only do so much to patch.)
Of course, there’s a slight problem with that. Vector’s transmissions haven’t exactly been regular--the second one came four days after the first, and then it was nearly two weeks to the third.
And when they do come, they’re very brief, so if Kallus is, say, busy with a training exercise on the opposite side of the base…
(Or otherwise occupied in a supply closet.)
(He does have, y’know, a life when off-duty.)
(...which is something that still sends him into weird brainspirals of “how did this happen” and “i don’t deserve this” and “when is it going to blow up in my face” on occasion, but that is a separate problem. One that he buries. Like A Goddamn Professional.)
(no that’s not a habit of his why do you ask.)
IN ANY CASE, this means that it ends up being her sixth message, close to three weeks after Kallus is initially brought in, before he’s able to listen in live.
(Transmissions four and five, after he reviews them, don’t really change his analysis, but still.)
Transmission six comes in while Kallus happens to be in the tiny corner of the current base that Intelligence has claimed.
It starts like the others did--This is Vector. I have a data file for you. Do as you like with it.
Once the file transfer initiates, he responds.
“Vector, this is Fulcrum.”
(Okay, technically, he probably should be using a different handle now, since it’s really supposed to be for field agents only and he isn’t one anymore. And there are similar shared code names for Intelligence agents primarily on base duty, or he assumes there are, but even after over a year of not using it, it’s still the first one that comes to mind. Reflexive, almost. And now it’s going to stick.)
There’s a beat of silence from the other end, and Kallus is briefly concerned that he misjudged the situation, that she’d going to panic and cut the transmission.
But, “I can’t leave the link open long,” she says.
(Part of him thinks she sounds...almost relieved? Like she’s been waiting to be challenged like this, and the longer things went on without a test, the more nervous she got.)
(He can understand that worry. That sense of just waiting for the other shoe to drop.)
(And, yes, other Rebel Intelligence agents probably could have tested her like this, and if he hadn’t been around as a resource they almost certainly would have, but given that he knows exactly what to look for, the Powers That Be had decided to leave it in his hands.)
“Of course,” he says, and asks her a few questions, rapid-fire.
(He’s less interested in the specific details of her answers--and he’s not really asking her questions about her identity--then how she approaches answering him. Not necessarily something he can explain, which is part of why he didn’t coach any of the other officers and get this taken care of on transmission four or five, but just trying to get a sense of her.)
(One thing he does is privately revise the estimate of her age--he thinks she’s younger than the previous guess, probably twenty or so. Sabine’s age, maybe, at the oldest. Which makes her even less likely to be a plant in his opinion; ISB wouldn’t put this much effort into setting up an agent that inexperienced, not on a mission this sensitive, even if she was inconceivably talented and precocious. As an in-person infiltrator, yes, absolutely; but for this many layers of intrigue...no, they’d want someone Experienced.)
She ends the transmission somewhat abruptly, after about five minutes, but he was more or less expecting that and anyway he has what he needs.
“Well?”
“She’s genuine,” he says. “I’m as sure as I can be of that.”
“Good to hear.” A pause. “...you’ve run undercover agents before, correct?”
Kallus shuts down the knee-jerk paranoid response as fast and hard as he can.
(There are almost certainly people in the Alliance who still don’t trust me but none of them are in this room. I know that. Calm down.)
“Yes, once or twice,” he says, cautiously. “For short-term assignments.”
“Congratulations. You just volunteered to be Vector’s handler.”
(Hence the name of the AU. AKA the one where Kallus adopts a baby spy who JUST HAPPENS to be Palpatine’s daughter.)
(...yeah, he didn’t really see that one coming.)
(...at some point, I should probably go through and outline Lavinia’s politics and her reasons for defecting in detail, but in the interests of focusing on Kallus’s end of things, which is much more interesting, a (hopefully) brief digression on the subject:)
(Lavinia was created and trained to be a spy/manipulator, to perform the kind of tasks and access the kind of information that Palpatine could as the avuncular Chancellor but cannot as Emperor, now that he’s thrown that mask away.)
(...apart from very specific, carefully staged moments, like with Ezra.)
(So, part of manipulating people means understanding them, which means Lavinia does a lot of research to put her targets into context, and in so doing comes across a wide variety of cultures/forms of government, at least in an academic context.)
(And that means that, once she starts thinking beyond “how can I survive until tomorrow” and starts thinking about broader impact/more long-range plans, it doesn’t take her very long to realize that her father’s government is...well, let’s call it deeply flawed.)
(What she does when she comes to that conclusion varies, depending on other circumstances--but she doesn’t necessarily defect right away. Mostly for practical reasons; in Masks!Verse, which this AU is a variant of, she has no Rebel contacts that she’s absolutely sure of.)
(Meaning, in this case, both “absolutely sure is an actual Rebel and not just sympathetic to their aims/politics” and “absolutely sure would be willing to work with me despite my parentage.”)
(And if she approaches anyone she isn’t sure of, it’ll get her or her contact or both of them killed. Defecting from a distance, while she can better protect her identity, has a much bigger risk of interception, which, again, would get her and/or her contacts and possibly a lot of other people killed. Or worse.)
(Basically, she doesn’t think defection is a viable option for her--there are some other reasons for this, but those play a distant second to these concerns.)
(But then Alderaan happens.)
(And these concerns carry a lot less weight.)
(It takes her a couple months to figure out how to make contact with Rebel Intelligence, let alone how to do it safely, but she starts working on it at that point.)
(...I think that’s the salient points here. Like I said, I have a fair bit more about Lavinia’s politics/etc. and the ways/extent to which she’s willing to defy her father in various AUs, but that’s enough for this one, I think.)
So, Kallus can’t really argue with the assignment (even if part of him kind of wants to? Not because he thinks he can’t do it, but because he’s concerned that being another deep-cover informant’s handler is going to dig up a lot of stuff he’d really, really rather keep buried.)
(Look, he feels like he’s finally found his equilibrium. He’s even, somehow, approaching happy with his life for the first time in what feels like forever which, guilt-induced brainspirals aside, he doesn’t want to give up.)
(Besides, handling Vector wouldn’t be his only responsibility, and if he does start losing that equilibrium, he’s not sure how much his other work will be affected.)
(On the other hand...)
(On the other hand, there are very few people who have done what he did and survived long enough to make it back to Rebel lines.)
(Oh, there are other deep-cover informants, sure; but the majority of them are plants inserted by Rebel Intelligence.)
(And while, even leaving aside the technicalities involved with Senator Mothma and others among the leadership who had previously served in the Imperial Senate, there are plenty of defectors--up to and including General Madine and some other persons of very high rank--for the most part, once they make that decision, defectors grab what they can and run.)
(The ones that don’t usually don’t survive as long as he did.)
(Or, alternatively, they don’t identify themselves to the Alliance or even necessarily work directly with them; they perform internal sabotage rather than espionage.)
(Those embedded defectors tend to last longer, but not by much.)
(Which means that he’s probably the only person--certainly the only available person--who has been where Vector is. Who better to help her?)
(As for his own issues...well, he is a Professional, dammit. He can damn well compartmentalize. He’s very good at that.)
(...yeah, this is kind of a running theme for him. Sometimes it’s a good thing, sometimes it’s...very much not.)
(It remains to be seen how much it’ll help or hurt when dealing with Vector.)
So, he accepts the assignment, and goes back to his quarters to tell Zeb and collect a few things--given the irregularity of Vector’s transmissions, until he can talk to her again and set up a better protocol, he’s going to basically have to camp out in Intelligence.
(Which he’s not looking forward to, but it is what it is.)
Zeb is already there when he gets back--their current shifts don’t entirely line up, which is fine; they have at least a few hours overlap most days which is better than some pairs can say.
After several minutes saying hello...
“Did I miss anything interesting?” Kallus asks.
“That Skywalker kid came by a bit ago,” Zeb tells him. “Looking for Kanan.”
Kallus blinks, halfway through fixing caf for the two of them. “...aren’t he and Hera off investigating a potential supply line?”
(Which is, of course, far below Hera’s current paygrade, but she volunteers for that kind of mission on occasion. An excuse to spend private time with her family, while still technically being useful and not taking actual time off.)
“Yep,” Zeb says. “Apparently, this is the third or fourth time something like that has happened. They keep missing each other.”
"Well, I’m sure they’ll link up sooner or later,” he says. “Especially if Skywalker’s actively looking for Kanan.”
(He hasn’t actually met Luke yet at this point, but he’s heard the rumors. He has no real doubt of this fact.)
“Yeah, probably,” Zeb says. “I think Kanan’s been trying to track him down, too. He’ll be sorry he missed him.”
(...yeah, we’re going with Anakin-and-Grievous levels of contrived coincidence to keep those two from actually meeting for a while.)
(Partly because it’s easier than figuring out all the timeline/plot implications that might have (and I’m lazy, and that is the focus of another story), but mostly because I think it’s funny.)
Kallus nods. “...did he and Hera take Jacen with them, or...?”
(He hadn’t seen any evidence the baby had been left with them, but that didn’t mean it hadn’t happened.)
But Zeb shakes his head. “Nah, Sabine has him this time. Why? Something going on?”
“I have an assignment,” Kallus tells him.
“Huh. Extraction?”
(Logical assumption--the bulk of the fieldwork he does now, all-hands-on-deck situations like Lothal aside, is extractions. Occasionally helping sell an insertion, but generally the reverse.)
“No, not this time,” he says. “The agent who reached out, the one I told you about--I’ve been assigned as her handler.”
(He has long since gotten permission to discuss at least surface generalities of his work with Zeb, and they both know where the line is.)
Zeb’s ears flick a little, and Kallus can practically see him weighing the same pros and cons that he himself did earlier--and probably several others he hadn’t thought of.
“So, I guess that means you’re camping out in intelligence for a while?”
“Unfortunately,” he says. “Of course, there is a difference between being on-call and being on duty. And my schedule technically won’t change.”
Zeb perks up at that and grins before kissing him. “Well, I’m sure I an find an excuse to be in the area. Sometimes. Just in case. You know.”
“Mm.”
Fortunately, call number seven comes less than a week later.
This is Vector. I have a data file for you. Do as you like with it.
“Vector, this is Fulcrum.”
A brief pause. “Yes.”
“I’ve been assigned as your handler.”
(He figures the best way to deal with someone who’s probably twitchy and paranoid and otherwise on high alert is to be as scrupulously honest as he can. That doesn’t mean telling her everything, of course, but it does mean being straightforward, difficult as it is, and not outright lying.)
(If he can. So far, he can.)
Another pause. “I understand.”
(She’s hard to read on this one, whether or not she finds it suspicious. She might even be relieved again, that she’ll have a set contact point, rather than a whoever’s-available sort of situation.)
“There are some protocols I’d like to establish, for further contacts.”
“I can’t call at a set time,” she says immediately. “Or at set intervals.”
"I understand,” he said. “But I’m going to give you a more specific frequency to call.”
“Yes,” she says, and that definitely has a faint note of relief.
“Can you, if nothing else, send an all-clear transmission every two weeks?” he asks. “It doesn’t need to be at a set time, but so we can gauge--” whether or not you’re alive and uncompromised “--how concerned we need to be after a long silence.”
She pauses. “...I think so. Yes. I can do that.”
(Definitely young, he thinks, maybe even younger than Ezra--would be.)
“That’s all for now,” he says. There are others he wants to establish, of course, but those are the most important and her file transfer is nearly complete. 
“I’ll be in touch,” she says; hesitates a second; “Vector out.”
(...well, she’s signing off officially now, rather than just abruptly terminating the connection. Progress. I think.)
He goes back to his quarters, and life settles into a new routine.
He keeps up his old duties--analyzing reports, training potential undercover agents, etc.--and also keeps track of Vector and her reports.
That last one proves...well, his early optimism wasn’t entirely misplaced?
Vector is very, very good at what she does. Her files are varied in their content, and sometimes not as useful as she might’ve hoped, due to timing or other resource concerns, but the quality of the work she does never comes into question.
But part of being a double agent’s handler is assessing how they’re holding up under the incredible stress of the position. And she is frustratingly vague when it comes to anything approaching anything personal about herself.
In addition, there are two additional protocols he wants to set up early on--first is a way for him to reach her.
“Just because I have access doesn’t mean I have influence,” she says. “I can’t seed disinformation for you. Not without getting caught.”
“That wasn’t what I meant.”
(Though, of course, he had considered the possibility--as well-positioned as Vector seems to be, how could he not?--but while he doesn’t completely rule out the idea, he files it away under “only as a last resort.” Better to leave her in place as long as possible.)
“But if there’s something specific we want you to keep an eye out for--or if we need to warn you about something...”
“Right,” she says. “That’s fine, then.”
The second, though...the second is where they run into real problems.
“I also want to establish an emergency signal. If you need extraction, or if you end up captured by Rebel agents.”
(He still wonders, sometimes, if staying behind when Ezra came to extract him was the right decision. It had seemed so at the time, but...)
(He’ll probably never know. And fretting about it doesn’t do any good.)
(knowing that doesn’t make it any easier to stop.)
“No,” she says.
“Vector--”
And she hangs up on him.
Exactly why she’s so reticent to establish something like that, he isn’t sure--he has some theories, but...
It’s frustrating, to be sure. Makes it harder for him to do his job.
(And it makes him worried about her--if she’s working without any kind of exit strategy, that likely means she doesn’t think such a thing will be possible. Which, on the one hand, shows her dedication to the cause, but on the other hand...on the other hand, if she thinks getting caught is inevitable, she might get sloppy with her own security and that might well turn into a self-fulfilling prophecy.)
(The other alternative, that she doesn’t trust him, or the Alliance, with her safety if things do go wrong, is...well, probably more distressing, in all honesty.)
(Though not, perhaps, altogether surprising.)
He decides to seek Kanan’s advice on the problem.
(Kanan, after all, knows best what to do with unruly teenagers.)
(...well, so does Hera, but Hera’s advice would probably be less applicable/harder to apply to his specific situation. Also, she has better things to do than help him do his job.)
(Which is the other frustrating thing, that he can’t handle this by himself.)
Kanan’s advice is pretty straightforward--be patient, and don’t push her too hard. You can’t help her if she won’t let you.
(This is part of why I wanted him still around, incidentally.)
(Because there is something utterly hilarious about Kallus going to Kanan for parenting advice.)
(And that’s exactly what he’s doing.)
(Even if he hasn’t quite figured that out yet.)
So, taking this in mind, he backs off. A little bit. Decides to start from square one, and build a rapport, and go from there to get some of the other basics that he wants established.
Standard interrogation technique, technically. Not one favored by ISB, obviously, or really encouraged, but even they knew it had its uses.
Vector is still cagey about personal details, but she does start to soften a little as several weeks go by.
He brings up the idea of an emergency code phrase again, after about two months of this kind of sporadic contact.
This time, she says she’ll think about it.
Things hold in this pattern for about a year, and then Vector makes a call, as usual.
Or, it starts like a normal call, anyway.
“You probably won’t hear from me for a while,” she says, as the file transfer is wrapping up and they’re about to sign off.
“Are you in trouble?”
“No,” she says. “Nothing like that. And nothing related to the work we’ve been doing. But things are going to be...difficult. I’m not even sure I’ll be able to get an all-clear message out for a while.”
He doesn’t like this at all. “How long?”
“A month,” she says. “Probably. Maybe a little more, maybe a little less. I’ll contact you as soon as I can safely.”
It is one of the longer months of his life.
But, as promised, the dedicated comm he has for her lights up eventually.
This is Vector. I have a data file for you.
“Vector, this is Fulcrum,” he says. “Good to hear from you again. Everything all right?”
“Yes,” she says. And she seems fine, and he breathes a quiet sigh of relief.
When he tells Zeb about it later, though, is where it gets...interesting.
“Glad to hear your kid’s okay,” he says.
“My--she’s not my child, Zeb,” Kallus says.
“Really.”
“....”
“Look, you talk about her the same way Kanan talks about Sabine, when she’s off blowing things up on Mandalore.”
“I...wait, really?”
“Yep,” Zeb says, and grins at him. “I mean, it’s not a problem. S’kind of what we do in this family, isn’t it? Take in strays. ‘Bout time you got in on it, really.”
Kallus just stares at him. “I...what.”
Zeb waves a hand in front of his face. “Alex. Babe. You all right in there?”
He shakes himself. “Yes, of course. Sorry."
“Ehh, don’t worry about it. I mean, it’d probably have been nice for the two of us to talk about kids in general before we started adopting our own strays, but--”
Really, sometimes Kallus thinks that Zeb likes the expression he makes when utterly poleaxed like that.
(He does. He thinks it’s adorable.)
(Also, Zeb figures this is a conversation they maybe should have, because they’re clearly both in this for the long haul and he saw this opening and...look, no one ever said Zeb was good at broaching delicate topics gently.)
“...do you?” Kallus asks, when he recovers. “Want children, someday?”
“I mean...yeah,” Zeb says. “If you do. I mean.”
“I hadn’t thought about it,” he confesses.
(Because long-range planning is hard; because they’re at war, because he’s still waiting for the other shoe to drop, because he doesn’t deserve any of this and planning for a future he doesn’t deserve is just--a little much for him sometimes.)
“But...yes,” Kallus says. “I think so, yes. I would like to raise children with you. Someday.”
Zeb’s response to that is positive and enthusiastic and leads to things they will definitely not be discussing with their hypothetical children ever.
It’s a month or two after that that Kallus finds out who Vector is.
(…well, for a given value of ‘finds out,’ anyway.)
He and Zeb are babysitting--Sabine is back on Mandalore; Hera is on duty; Kanan was supposed to be finally meeting Luke but there was an issue at the spaceport and he’s stranded for the next few hours.
(Like I said. Anakin-and-Grievous levels of contrived coincidence.)
Zeb has just put the kid to bed, and Kallus is watching the news.
“You’re still watching that?” he asks, nudging Kallus to make room for him on the couch and drawing him to lean on his shoulder.
“I’ve told you before, dear, knowing what the Empire is saying, no matter how different that is from what they’re doing, has its uses.”
“Especially if you know how their propaganda is constructed, I know,” Zeb says, and nuzzles his ear. “Just thought you were almost done.”
Kallus smiles faintly and leans into the caress. “I am, I promise. I’ll shut it off in a minute. I just want to--”
He pauses. Rewinds the feed. Pauses it--pre-recorded coverage of some public event the Emperor’s kid had been at, with the newscaster commenting on the progress of whatever “public works” project it was supposed to kick off.
“…what is it? Something she said?”
(...something to do with whatever this “project” is covering up?)
“Hush,” he says, fiddling with a few buttons and calling up a printed transcript and skims through it before sinking back against Zeb, letting out a breath.
“Babe?”
“I think I know who Vector is,” he says.
Zeb stares at him for a minute, then stares at the paused footage--frozen on the Princess’s face, icy and composed.
“…her?” 
“Her,” he confirms.
“Why…?”
“Little things,” he says. “The way she talks, some unique turns of phrase. And she fits the profile--young, Human, Coruscanti, close to someone powerful but essentially a civilian herself…and…when Vector disappeared on me last month, that coincided with a period where the Princess was more visible than usual.”
“Karabast,” he mutters. “When you put it like that…”
“It’s all conjecture,” Kallus points out. “I can’t prove any it. Not without digging deeper--which, if I’m right, risks compromising her cover--or asking her straight-out.”
(Which, of course, would also be a bad idea. It would probably seriously damage the trust he’s spent the past year and more building, and it might not even get him an honest answer anyway.)
“Right,” Zeb says. “…any chance someone else could put this together?”
Kallus makes a face. “Unlikely,” he says, though he doesn’t sound totally sure. “The recordings of our conversations are kept as hard copies only, for security. Not uploaded onto any networked drives. And a very small set of people have access to those copies. I doubt anyone could put it together without that access. Still…”
(Someone dedicated enough, who managed to access one of those recordings, or intercept a transmission along the way, or compromise the lines of communication from the other side…)
“Kriff,” he says. “Anything you can do about it?”
“Not really,” he says. “Other than brief Draven and keep doing what I’ve been doing.”
“Yeah,” he says, and studies the picture again; glances over at the morose look on Kallus’s face; feels his ears twitching. “Huh. Never would’ve figured the Emperor’s kriffing daughter to defect.”
Kallus jumps a little, drawn out of his thoughts, then rolls his eyes and gives Zeb a fond, exasperated smile (which was really the point, honestly; to needle him into a better mood), and rather dryly points out, “There was a time you would’ve said the same about me.”
“True,” Zeb says, and grins at him. “Guess it just goes to show, people surprise you all the time.”
“Indeed,” Kallus says, then reaches over to shut off the feed and changes the subject.
Six weeks after that, Vector goes quiet again. This time without warning.
When her two-week check-in goes by with nothing, he’s immediately concerned. She’s never missed a check-in before, not without warning. He decides to give her a day, and then ping her himself.
(He generally avoids doing that--only when he absolutely needs to speak with her about something time-sensitive that can’t wait for her to reach out.)
There’s no response to his message, either.
He reports the missed check-in, of course. Tries again the next day. And a third.
Still nothing.
(He knows a rescue won’t be authorized--technically, they don’t actually know for sure who or even where Vector is, and if his theory is correct, they cannot make a run on Coruscant for one agent, especially not one as visible as Princess Lavinia.)
(He keeps telling himself that. Over and over again. As he tries a fourth and fifth time to reach her.)
“Zeb,” he says, after a third full week has gone by since the last time he heard from her. “I need you to talk me out of doing something stupid.”
“Uh, sure, babe. What’s going on?”
He explains the situation as briefly as he can. “And I am this close to staging a half-assed unauthorized raid on Coruscant to extract her.”
“...nah, if we’re doing an unauthorized raid on Coruscant, it should be a full-assed thing.”
That...that wasn’t really the answer Kallus was looking for.
(In hindsight, he thinks, as he tries to redraw building plans from memory and plan this stupid, stupid venture, he probably should have gone to Hera if he really wanted someone to talk him down. Or possibly Kanan. ...no, Hera.)
(...it could be worse, though.)
(he could’ve tried asking Sabine.)
Fortunately, before they can actually run off and get themselves killed--
(or court-martialed)
(or in trouble with Hera)
--Kallus’ dedicated comm chimes.
“All clear,” he breathes. “That’s the all-clear. She’s...she’s alive.”
It’s nearly another week before he hears anything else, but finally a real call comes.
This is Vector. I have a data file for you. Do as you like with it.
“Vector, this is Fulcrum. Are you all right?”
(she doesn’t sound all right; it’s hard to tell through her scrambler, but she seems strained.)
“Everything’s fine,” she says. “I apologize for the delay, but things are settled now. My cover is intact.”
Which is good to know, but not what he asked.
“And what about you?” he says.
She doesn’t answer right away.
“Vector?”
“I’m here,” she says. “And everything is under control. You don’t need to worry about me. Nothing that--it wasn’t anything to do with this, I was caught on the fringes of something unrelated. It won’t interfere with my work going forward.”
Which still isn’t an answer.
(He’s pretty sure the non-answer is his answer, though. Damn it.)
(He knows the risks. Better than most. And he knows she knows them, too. It doesn’t make it any easier to hear, especially knowing that there is kriff-all he can do to help her.)
Into the silence, she says, “I’m your asset, Fulcrum. Not your friend.”
“......”
“I’m just--” She sighs. “I’m your asset. Not your friend. It’s...we should both remember that. It’s probably better, in the long run.”
And part of him is hurt; part of him is annoyed that he is being lectured on professionalism by a damned child; part of him is worried again--he did finally talk her into an emergency code phrase, in case of capture or other disaster, but here she goes again, hinting that she doesn’t have an exit strategy.
(Not like I did, either, he reminds himself. Can’t plan that far ahead. Not when you’re doing this kind of work. And even when Ezra came for me--)
(He buries it. Because he is a goddamn professional, Vector’s reproof aside.)
“It’s nothing I can’t handle,” she says. “And I’ve had worse.”
“........”
All right, that he likes even less.
“Vector--”
“I have to go,” she says. “I’ll be in touch when I have something else. And I’ll do my best to warn you if I have to disappear again. Vector out.”
And, in the interests of “good Lord this thing is close to 6k already,” we’re going to skip ahead quite a bit, about a year and a half, to just after the evacuation of Echo Base.
For the first time in a while, the whole family (minus Ezra) is back on the Ghost together.
(Kanan, Hera, Chopper, Sabine, Zeb, Kallus, Rex, and Jacen.)
(They’ve all been in touch and met up fairly frequently, but they’re no longer a discrete cell and they all have their own, often separate, duties with the wider Rebellion. So, while the circumstances leading to it are awful, it’s nice to have an opportunity like this.)
Orders are to lay low, and make their way by a prearranged roundabout route to the fleet rendezvous five days later.
The first night, they mostly spend catching up and letting Sabine fleece them all at cards.
(Except Rex. Do Not Play Sabaac With Rex.)
(They had all forgotten that rule.)
Hera is sending occasional messages back and forth to Command, to confirm/make adjustments/etc., but otherwise things are fairly quiet after the frantic rush of the evacuation itself.
(Fortunately, none of them were injured in the escape. It’s happened before, when they’ve had to leave a base in a hurry. That was a week no one wanted to repeat.)
It’s their second night of drifting, and Kallus is just starting to fall asleep (Zeb is snoring beside him; the noise honestly probably should have been annoying but is genuinely comforting at this point, to the point where he has trouble sleeping without it) when his comm beeps.
It’s Vector.
More accurately, it’s her emergency signal.
He extracts himself from the bed and slips out into the hall to talk the call.
“Fulcrum.”
“It’s Vector,” she says, unnecessarily. She’s not using her usual scrambler this time, but a more standard vocoder, probably cannibalized from a stolen helmet. She sounds drained, and slightly breathless. “I’ve been burned. I got...I got away. I had more..." She stops, clears her throat. “I got away. I was able to remove my tracker and I’m as--I’m as sure as I reasonably can be that I’ve lost anyone following me by other means. I-I pulled as much raw data as I could onto a couple of portable drives on my way out, but I’m on a...I’m on a sliced public terminal right now, I don’t want to keep the line open long enough to send them in the usual way and I...I don’t know what the protocol is now. Please advise.”
“Where are you now?” he asks. There are so many other questions he wants to ask, needs to ask, both from a personal and a professional standpoint--is she all right; how did she get caught; how did she escape; how long has she been compromised--but they can wait until she’s been located and brought in safely. He sets them all aside, and focuses.
(Like A Goddamn Professional.)
“Ixaly,” she says. “I’m on...I’m on Ixaly.”
He closes his eyes, mentally traces their route through hyperspace. Ixaly is in this sector, it shouldn’t be far...yes. If he’s counted right--they’ll be doing a navigation stop shortly, and dropping out of hyperspace. From there--a few hours to Ixaly, unless he’s completely turned around.
“There’s a cantina,” he says, “in the Diira district in Central City. The White Shale. Can you be there in six hours?”
A brief pause; he can hear her breathing. “Yes,” she says, at last. “Yes, I’ll be there.”
“That’s the fastest I can arrange a pickup,” he says. “I’m sorry.”
(If he’s right about how close they are, it might not actually take him that long, but there’s a balance between getting to her as quickly as possible and budgeting in time for something to go wrong. He doesn’t want to risk being late and having her move on because she thinks he’s not coming. He may not be able to contact her if something goes wrong; not if she’s relying on sliced public terminals to reach out to him. And he has no idea when she’ll be able to make contact again, or how long whatever data’s on her drives will stay viable...so, six hours. He’ll have to trust her to stay alive that long.)
“I’ll be there,” she promises. “White Shale cantina, Diira district, Central City, six hours.”
“Exactly. You know how to reach me if there are any problems.”
“Yes,” she says.
“It’s almost over,” he says. “You’ve done well, getting yourself this far. Just hold on for a little while longer, all right?”
“I will,” she says; takes a breath. “I’ll see you in six hours. Vector out.”
The line goes dead.
Half a heartbeat later, he feels the familiar rumble of the hyperdrive cutting out, switching over to sublight engines.
He’s in his window now, he doesn’t have time--
As he heads for the Phantom, he runs into Kanan.
“...what’s wrong?”
“Vector,” he says, clipped. “She’s had to run. She’s not far--”
“Go,” he says. “I’ll let Hera know. ...take Zeb with you. In case you need backup.”
(Which he doesn’t really need, and it might well spook his contact if he brings a team--he has run extractions like this before, after all, and Vector is particularly cagey--but he nods.)
“I will. Thank you.”
“How long do we wait before sending our own rescue party?” Kanan asks.
Kallus does some quick mental math--six hours to the meet; going by Vector’s history, she may need some convincing to come along (like I did, until it was too late; but it’s already too late for her, isn’t it?); she might be wrong about having a tail; they might run into unrelated trouble...
“I’ll send word once we leave the system. If you haven’t heard from me in twelve hours, that’s when you worry.”
“Got it,” he says, and starts off towards the cockpit to update Hera, when Kallus realizes--
“Wait,” he says.
Kanan pauses, half-turns back to him.
“I don’t know who Vector is, not for certain,” he says, “but I have considerable circumstantial evidence that she’s Princess Lavinia.”
Kanan takes that in, then nods slowly. “Right. Thanks for the head’s up. I’ll pass that along.”
“Thank you,” Kallus says again, and the two of them separate--Kallus goes to wake Zeb and then get the Phantom prepped and underway; Kanan goes to tell Hera what’s going on.
(...and corral his son.)
(Jacen has developed this habit lately of hiding on the Phantom when he thinks it’s going somewhere Interesting.)
(Which is usually whenever someone other than Mamma is driving.)
(He likes going on Adventures with his various uncles and Auntie ‘Bine, okay.)
(They go on the best Adventures.)
(But retrieving one of Kallus’s deep-cover agents whose cover was blown like a week ago at most is maaaaaaybe not the best Adventure for a three-year-old.)
Fortunately, Zeb isn’t hard to wake and grasps the situation quickly. The two of them head for the Phantom--
And find Sabine sitting there waiting for them, spinning idly in the pilot’s chair.
“...Sabine--” Zeb starts.
“Whatever it is that’s got you two running around frantically when we’re supposed to be lying low,” she says, “I wanna help. You might need backup.”
On the one hand, Kallus is pretty sure they won’t. And his prior concerns about spooking Vector if he comes in with a team still apply.
On the other hand, Sabine is one of the best people to have beside them in a crisis, if things do go all to hell. She’s creative and generally carrying an array of weapons that defies the very laws of physics.
Besides, he doesn’t have time to argue with her.
“Fine,” he says. “But you follow my lead--both of you. Neither of you has been on an extraction like this before, and this is what I do. All right?”
“All right,” Sabine says. “Who is it we’re extracting, exactly?”
“A spy, working under the code name Vector,” he says. “She’s been feeding us intel for close to three years now. Her cover was compromised, and she had to run.”
Sabine nods. “Got it,” she says.
“And, if I’m right,” he says--because if he is, Sabine will have to know before they get there, “she’s the Emperor’s daughter.”
“...all right, then,” Sabine manages, after a moment of stunned silence. “Let’s get this show on the road.”
They detach, and the Ghost disappears behind them back into hyperspace as Kallus sets a course for Ixaly.
And now, since I’m sure y’all are wondering the same thing Kallus is--i.e., how did she get caught/how did she escape--let’s backtrack and leave Kallus’s POV for another brief digression--
It all comes down to a man named Vedric Greer.
Vedric Greer is a Royal Guard. He’s been in that elite unit for over fifteen years at this point, selected more or less straight out of the Academy.
He’s been the head of Lavinia’s detail since she was twelve.
(Before that, he had a variety of assignments; he never got stuck with Vader, for which he is profoundly grateful, but he guarded a few valuable objects/locations, and he was on Tarkin’s detail for a couple of years.)
See, here’s the thing about Royal Guards. They’re put through a lot of conditioning, both physically and mentally, to become living weapons who are absolutely loyal.
And he is. Vedric Greer is an absolutely loyal man.
The thing is, to be a Royal Guard assigned to any living being other than Palpatine himself--Vader, Tarkin, Mas Amedda, Lavinia, a few others--means to be equal parts bodyguard and prison guard. Such a Guard is at least partly there to protect his principal from external threats, of course, but if said principal steps out of line or he’s given certain orders, he becomes their jailer. Or executioner. Or worse.
When he’s assigned to someone like Tarkin, of course, that isn’t much of a problem.
But a lonely, precocious twelve-year-old kid like Lavinia? Who, whatever traits she may have inherited from her father, has them tempered by an actual conscience?
...yeah, it doesn’t take a whole lot for him to bond with her, just a little.
(Throw in the fact that he has a lover, an Imperial Archivist who survived Scarif by being transferred to Coruscant days before Tarkin blew it up...well. Maybe the cracks in his armor aren’t only to do with the little girl he’s been made responsible for.)
So. Vedric Greer is a Royal Guard, and that means he is a living weapon, and absolutely loyal.
But over the past seven years--and especially the last three--maybe, just maybe, that loyalty has started to shift.
(He doesn’t even realize it, at first; and when he does notice the traces of affection, of tangential loyalty in himself...well, he reasons that Lavinia is all but an extension of her father’s will, anyway. Right? And if he conveniently fails to see certain signs...)
(Reynard, his lover, knows way before Vedric does where this is going, of course.)
And then, one morning, his orders change, and all those little things come crashing down.
(It was such a simple thing that screwed her over; Palpatine seeds bait among his minions constantly, little nuggets of information so that, if there is a high-placed leak, he can track it back to its source right away. Standard counter-intelligence, really; and everyone, everyone, is under suspicion. Everyone is tested.)
(Lavinia is normally very good at spotting this sort of thing--she has a natural aptitude for espionage, she was trained by the best, and she puts just as much effort into surviving her father and completing her mission as he did into taking over the galaxy. How else would she have lasted nineteen years as her father’s daughter--let alone three as a deep-cover Rebel spy?)
(But this time--this time she missed it. And now he knows.)
And Vedric Greer has a choice to make.
It’s surprising, in the end, how simple it is.
“My lady,” he informs her, “you are undone.”
He helps her cut out the tracking device implanted inside her ribcage (which is also fitted with a killswitch, of course, in case she ever tried to slip her leash); she asks him to come with her; he refuses.
(He is not a Rebel. He is not disloyal.)
(What he is, is her protector. What he is, is--hers.)
“I’m so sorry,” she says.
“So am I,” he says, and, “Go. I’ll buy you as much time as I can.”
“Goodbye,” she says, and disappears.
He sends a brief message to Reynard--hoping he’ll know what it means (he will; he always knew this might happen), and prepares himself to meet his death.
(Or, at least, that’s what he believes is going to happen.)
(...look, as I said before, this is Self-Indulgent BS(tm). Like I’m really gonna let Greer die. I mean, don’t get me wrong, I have no earthly idea how he survives but he does. Because this is my self-indulgent BS, dammit.)
Okay. Back to Ixaly, and the actual rescue/extraction mission.
(…by which I also mean forward, since it’s like a week later.)
Our Heroes reach Central City about an hour ahead of schedule. After a brief discussion, Sabine disappears into the district to be on-hand for immediate help, if needed; Zeb, who doesn’t blend in as well, will stay with the Phantom; Kallus of course goes to the cantina to find his contact.
He heads there more or less directly, taking in as much detail of the city and the specific neighborhood as he can.
He’s been here before, but it’s been several years; there is a garrison in place, but the occupation seems comparatively light.
Which means there’s a not-unreasonable chance that this will go smoothly.
(Of course, as soon as he thinks that, he starts coming up with all the potential problems that could still happen. For one thing, he or Vector or Sabine might be recognized…)
Security on the cantina itself; mostly local talent, just as it was on his last visit. This is a fairly middle-of-the-road place; just dishonest enough that he and Vector should blend, not so dishonest that they’re likely to get caught in the middle of any…unpleasantness. Part of why he picked this place. That, the fact that it isn’t particularly difficult to find, and is fairly close to his ideal landing site.
(Not the official port, naturally; while Kallus doesn’t doubt that they could bluff their way through, he’d rather not try it on such short notice. They’d landed the Phantom on the city outskirts, about fifteen minutes away by foot.)
In other words, things are about as well-situated as they could be, under the circumstances. He has three separate exit routes at least tentatively mapped out, of varying efficiency and difficulty.
(And, if it came down to it, Sabine or Zeb could create one for him, of course, but he’d prefer to avoid that if at all possible.)
(In any case, best to have backup plans; he’ll pick the best route of the three once he has a better idea of what Vector’s capable of at the moment.)
(He’s almost certain she’s hurt, and he doesn’t know how badly, and she’ll never actually tell him, so that’s the best he can do.)
Inside, the cantina is fairly crowded--which is a mixed blessing; on the one hand, more cover for their activities/conversation, but on the other, more people to see them.
It’s a varied crowd; mostly local shift workers, a few semi-legitimate traders and mid-level bounty hunters. Most importantly, though, there are no troopers that he can identify, even off-duty. Excellent.
He gets a drink (to blend in, primarily) and finds a table in the corner where he can keep an eye on the other patrons and watch the door without being obvious about it.
He’s not kept waiting long.
She blends in pretty well--she’s managed to dress herself in a slightly-outdated local fashion, one that helpfully comes with a cowl that doesn’t quite hide her face, but does enough to keep her mostly anonymous from a distance and make dodging any security cameras easier.
(A few other women in the cantina are dressed similarly; not many, but enough that she doesn’t really stand out.)
She doesn’t head straight for him. She weaves through the crowd for a minute, hesitates by the bar as if she’s considering something, orders a drink. Her attention drifts over the crowd; she doesn’t linger on him, but her hand twitches a little.
(Ah. She spotted him, then. Good.)
(He isn’t really surprised that she figured out which Fulcrum she was working with. And it does make things simpler--there are a few signals he could have tried, but there wasn’t time, when she called, to pick one of them and be sure.)
(An advantage, if a counter-intuitive one, to using the legacy code name with her, he supposes.)
She starts moving again; doing everything right--wandering as if she’s looking for a seat, gradually making her way to a small empty table next to his.
(The whole thing takes probably less than two minutes. It feels longer. Then again, it always does--this isn’t the first time he’s met a contact like this, and that never changes. Doesn’t matter whether he’s the first or second to arrive.)
He taps out a quick signal on his commlink--contact made, everything’s on track so far--and waits.
“I have a data file for you,” she says softly. “Several, in fact.”
He smiles faintly into his drink. “Well done.”
The way the tables are laid out, they’re sitting next to one another, both with their backs against the wall. It’s a simple matter for her to slide the two drives over to him, and just as easy for him to make them disappear.
(Leaving together discreetly will be a little harder, but he’s been doing this for quite a while. They’ll manage.)
“I have transport off-planet,” he tells her. “We should wait a few minutes, not get up right away, but it’s best if we leave sooner rather than later.”
She shakes her head. “I'm not coming with you.”
(He wishes he could say he was surprised.)
He doesn’t turn to look at her, as much as he wants to. “If you’re concerned about reprisals…”
“I’m not,” she says. “Not really. It’s just…not a good idea.”
...and in the interests of “good Lord this thing is probably pushing 10k and it’s not even the full fic it’s an outline,” I’m going to skip the rest of this conversation. Suffice to say, he’s right and she’s wrong, though she takes some convincing, but they leave the cantina together like fifteen minutes later. Also, he confirms that his theory as to her identity was correct somewhere in here.
Anyway, like I said, he talks her down, and she agrees to leave with him.
Once out of the cantina, he can get a better look at her, assess how badly she’s hurt.
(He knows she is for certain now; she’s breathing carefully, shallowly, and a little too fast--but he could only see her hands and the vague shadow of her cowl before.)
“Are you all right?” he asks; even though the answer is obvious; she’s favoring her left side and very pale.
“It’s nothing I can’t handle,” she says.
A characteristic non-answer, but a step above denial. He supposes.
“All right,” he says. “Let me know if you need help.”
(There’s not much else he can do here and now, anyway; they have some supplies back on the Ghost, and she can get proper medical attention once they rendezvous with the fleet.)
“I will,” she says, which is something at least.
They make it two blocks before they run into a squad of stormtroopers.
It’s a routine patrol; and, even with a wounded asset  to escort, it wouldn’t have been a problem under most circumstances. He could avoid the confrontation, or talk his way past.
But the squad sergeant stiffens in a particular way, staring at him.
“Karabast,” he mutters.
(You’d think, after all these years, this would stop happening so often. But, no, it’s still even odds that, out in the field, someone will recognize him.)
Lavinia takes half a step back. “I can--”
“They’re not here for you,” he tells her, then drags her behind cover a split second before the troopers start firing.
Then takes a minute to take stock.
This is...not an ideal position for a standoff. And while they might be able to fight their way through...
Best plan is to stay put, hold them off as long as they can, and call in Zeb and Sabine for backup.
Good thing I listened to Kanan, he thinks.
He takes out his sidearm, then pulls his holdout pistol from his boot and offers it to Lavinia.
But she shakes her head. “Father kept my focus narrow. I’d do more harm than good.”
“...right.”
Even less ideal. But it’s all right. He can handle this.
He takes his comm, switches it to the voice setting.
“Specter Four, this is Fulcrum. We’re going to need a slightly more dramatic exit than I planned for.”
“Copy that, Fulcrum,” Zeb says. “Could use an opening, Specter Five.”
“And to think you boys wanted to leave me behind,” Sabine says.
“Yes, yes, can we save the ‘I-told-you-sos’ until after we’re clear?” Kallus says, firing off a handful of shots to keep the squad at bay.
“She does have a point, babe.”
“Not on open comms, dear, how many times...”
(Honestly, the little bit of flirting is at this point half an inside joke, after the one time they legitimately forgot to switch channels, and half a way to quickly gauge how serious the situation actually is.)
(Plus, it’s fun. They like flirting.)
“Thirty seconds,” Sabine cuts in.
“Right,” Zeb says. “I’m headed to your position. ETA two minutes.”
“Copy. Fulcrum out.”
Two minutes, under these conditions, is a long, long time.
But, right on cue, thirty seconds later, there is a magnificent explosion, which gives them some breathing room, and then Sabine slides down the wall to land next to him.
“Not my best work,” she says critically, watching the cloud on the horizon, “but it’ll clear a path. Hi,” she adds, for Lavinia’s benefit.
“Hi,” she says, softly.
“...she doesn’t have a blaster,” Sabine says, turning almost accusingly to Kallus.
“Because I’ve never had one before,” Lavinia answers for him. “And this really doesn’t seem the time or place to learn.”
“Well, we’ll fix that later,” Sabine says.
“All right,” Lavinia says, then ducks down as Sabine positions herself better to start shooting back.
The next ninety seconds go much quicker, and then comes the welcome sound of the Phantom’s engines on approach.
It’ll have to be a quick exit, and for a split second, Kallus wonders about getting Lavinia up the ramp fast enough without Zeb actually landing--
But then he sees that Sabine has her jetpack.
(He has never been so pleased to see it in his life.)
“Take her,” he says, once the shuttle is in sight. “I’ll cover you.”
Sabine catches his drift right away, and nods. “Hold on,” she tells Lavinia, who blinks, but does.
And then they’re off.
Kallus just keeps firing at the troopers until, based on the noise it’s making, he judges that the Phantom is close enough that he can make the jump.
He’s--almost right.
He comes within half an inch of missing, then Lavinia’s hands shoot out and grab one of his wrists; Sabine grabs the other and the girls haul him on board.
“We’re good, Zeb, go!” Sabine shouts, while Lavinia drags Kallus the rest of the way in and slams the hatch shut.
We did it.
He takes a minute to catch his breath--he knows it isn’t really over; there’s still a great deal of work to do once they get back to the Ghost and then to the fleet proper.
But for now--they’re all alive, they’re all safe, they’re all at least as intact as they were when they got to Ixaly; the extraction was successful.
Kallus decides to let the rest of the problems wait, and take the win.
He picks himself up and heads to the cockpit, to give Zeb a quick hug and send word to Kanan and the others.
For all the drama and the worry when it started, today turned out to be a very good day.
And I think that’s a good stopping point, don’t you? There is definitely more, featuring (in no particular order) the worlds most #Awkward Road Trip; Kanan and Lavinia meeting; Kanan and Luke finally meeting; Zeb and Kallus adopting a kid or three; Lando; Jacen being precious; and so much more.
But, uh, see all my notes above about “how long is this thing now?!”
(And, again this isn’t even fulltext.)
(This is just the outline.)
...so, uh, yeah, if you made it this far, thank you and I hope you enjoyed my Self-Indulgent BS(tm). <333333333
1 note · View note