“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets.
Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”
–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.
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City of Tears. But Mini.
I wanted to make an atmospheric art piece with Dewi. And the City of Tears is one of the most sorrowing, beautiful, and grand places to do that. This is a lot of firsts for me regarding the architecture and lighting. The shadows cover a lot, and it may have been too much. I'm happy with how it turned out tho.
No idea how Dewi found his way into the City. Probably magic. Probably plot too :) But oh boy, he is experiencing childlike wonder in his raincoat!
This is a better show of the line detail I needlessly covered up in the final lol
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I really need Simon to fuck my throat
yeah. oh, yeah. like, fucks your throat so raw you have to call in sick the next day. fishermen friend's + tamarack tea + honey, ginger, lemon and tumeric on rotation because he likes to grab you by the scruff of your neck, feed his cock into you until his head hits the back, and just grind. loves it when you can't talk the next day, when your voice is hoarse and reedy. gets off more on listening to people coo at you. poor thing, you sound so awful. you must be sick, then, eh? be sure to drink plenty -
and yeah, you have. because when he wants to fuck your face, when he wants your mouth on his cock, he makes a feast out of it. an all day event. cums once on your tongue, down your throat, over your face. your chest.
makes a mess out of from the beginning. pulls out after sinking in as deep as he can go, and then slaps his cock across your cheeks, the bridge of your nose. getting you wet with pre-cum and spit. mockingly tilts his head and tells you how pretty you look with cum dripping down your cheeks.
brushes his thumb over the bulge of your cheeks, feels himself through the skin. it seems soft on its face, but you know Simon by now. it's a warning. he speeds up until his balls are slapping against your chin hard enough to sting. pushes you down, down, down until the thick patch of coarse hair at the base tickles your nose. keeps going, too, until every inch is swallowed down. holds you like that, hand pinching the skin of your nape, and grinds his cock into your mouth until your hands slap his thighs, until you choke.
and then he starts again. pulls out and makes you hold your tongue out for him as he fists his cock in his hand. slides in slow. so slow. giving you enough time to think you're in control before thrusting in hard enough that you see stars when your nose bumps into his groin.
he's chatty, too. never shuts up. you'd think it would be a silent affair, giving who he is, but no. he's foul as he looms over you, huffing into the fabric of his mask, grinding his hips against your face. made for this, for his cock. look at you. gagging for it. you belong on your knees for him, don't you? taking his cock.
and when you get whiny - overstimulated, tired, jaw aching, mouth sour - he clucks his tongue, pulls out, and pinches your nose shut. slides his cock over your tongue, lips, cheeks as you heave for air with your mouth wide open. cums on your tongue, and makes you sit on your knees like that while he reclines on the couch, fingers petting over your head. flipping through the channels as you struggle not to spill a single drop.
is always sure to take a picture, too. a new screensaver with you in a terrible state, all sloppy and messy. tongue sticking out of your mouth, cradling a puddle of his cum.
terrible man.
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*rolls up 15 years late with Avatar the Last Airbender thoughts*
So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.
So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".
And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.
And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko.
(it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)
But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭
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This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be. [Blank Scripts AU]
I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.
[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]
[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]
For context, the comic below references this post about the Dungeon's children/guard dogs.
[They're more like the immune system since all they do is make sure the (body) is safe.]
[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]
And the old man below is Joseph!
Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!
[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)]
[There is a secret third world, and that's our world. Our reality.]
These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?
When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.
Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.
Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.
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This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.
It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.
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