#it obscures his beauty

[gingermintpepper]

hi I love your tags so so much! they were so sweet and so interesting and creative and the whole Aphrodite type of beauty thing sounds really interesting do you have any articles and recommendations to read further into it??

-hogoflight

Hello my fine feathered (I am assuming possession of feathers if you are, indeed, capable of flight) @hogoflight! I'm always always happy to hear that people appreciate my frenzied rambling in the tags :D! I have a lot of articles and recommendations :D!! Ancient Greek notions of beauty and representations of it in their art and sculptures is a pretty well studied topic! There isn't any way for us now to know definitively what the beauty standard was (it varied widely from region to region and culture to culture after all) but here are a couple of my favourite reads about Aphrodite and what her representations tell us about idealised beauty!

Probably the most empirically extensive one I can list is Krönström's thesis which compares statues of Aphrodite and literary text referring to both the goddess and mortal women to determine physical ideals for women in five specific eras of Grecian antiquity. Including measurements of the statues there are many descriptions of Aphrodite as 'curvy' with a 'voluptuous figure' and with 'ample buttocks and bosom'.

"When the beauty traits are described in the texts, they are never extreme or anything that could not be found in normal people just that they are more beautiful in every aspect. Furthermore, the sculptures’ physical forms look healthy, they are tall and have distinct curves. Great examples of this are the Knida sculpture and de Milo (the Melian) sculpture."

Of course, these images are still idealised, and there was still a concept such as 'too fat' or 'too skinny' found in written records (and this thesis even includes analysis of pornographic writings and descriptions of the fashion and stylings of pubic hair of women from different regions!!) but from an interpretational standpoint? There is absolutely no reason why these can't refer to a fuller figure. Height was also a very important factor after all and over the course of many eras, it seems like being well proportioned in addition to the length and appearance of one's hair were the most important factors (and, like Apollo, greater beauty was given to those with curlier hair)

Mireille M. Lee's 'Other Ways of Seeing' essay which talks about the forgotten female viewers of Knidian Aphrodite which is also extremely illuminating on how Aphroditic sexuality and sensuality was perceived totally differently from the well documented male voyeuristic gaze (which was overly preoccupied with the statue's nakedness and therefore over-sensationalised the statue's physical appearance) vs women's perspective on the statue which is more centered on the beauty of simplicity in Aphrodite's garment and decoration and in her power and ability to captivate both in her finery and without it. I think it's especially useful in exploring the importance of finery, jewellry and adornment in representations of Aphroditic beauty.

"Some of the small-scale copies are heavily jeweled, especially those from the eastern Mediterranean, for example the Hellenistic gilded terracotta statuette in the Çanakkale Museum (Fig. 5) in which the goddess wears, in addition to the armband on her (right) arm, the following: a necklace with multiple pendants; cross-bands extending over both shoulders and hips, with a cascading pendant in the center; a coiled snake armband on the left arm and another snake on her left thigh, and a twisted anklet on her right leg. (The left leg has been restored, and might also have featured an anklet.)"

"Jewelry is especially associated with Aphrodite in Greek literature. As seen above, in the Homeric Hymn to Aphrodite, the goddess adorns herself with gold jewelry, dress-pins, and earrings in the shape of flowers (162–3)..."

Finally, and to me, the most important one in the argument for an interpretation of Hyacinthus as fat, beautiful and fundamentally Aphroditic comes from Brilmayer's brilliant brilliant thesis done on Aphrodite's work and influence in Archaic Greek Poetry which does away with all of that masculine preoccupation with physical proportion, measurement and bodily ideals for a focus on a Sapphic Aphroditic ideal centered in clothing, ornamentation and, most importantly cunning as symbols of Aphrodite and ultimately a feminine idealised form of beauty. This paper also discusses Pandora and Helen in these terms and it is just kind of a wonderful read tbh.

"Combining Homeric and Hesiodic elements with her own ideas, she [Sappho] alters the way female beauty is viewed. For example, the Homeric war chariot – a symbol of male, military prowess - comes to symbolise the totality of Aphrodite’s power uniting in itself male and female qualities. Having addressed the concept of beauty directly, Sappho then concludes that beauty lies in the eye of the beholder. With the help of Helen of Troy and her beloved Anaktoria, Sappho sets out to reinvent the concept of female beauty as a godlike, subjective quality that may be expressed in many ways, yet remains inspired by Aphrodite."

The conclusion to all of this of course is that Aphroditic ideal beauty is much more fluid compared to its stricter Apolline masculine standard. The nuances and understandings of both are of course, constantly being studied, analysed and scrutinised but really, if Dionysus who was both bearded and clean shorn, effeminate, birthed and rebirthed (and twice gestated!) and strongly associated with vegetation can be popularly portrayed as fat and handsome, why can't Hyacinthus?!

[balmungkriemhild]

Nobody follows me for Honkai stuff as far as i'm aware but who gives a shit. this is Rêverose, she's a Knight of Beauty and she hates herself because she "wasn't pious enough" to stop the Fall of Idrila. TBH she couldn't have stopped that shit she just has a lot of self-hate and other issues

[lucalicatteart]

Finally finished my weird hanging painting thing (originally a secondhand partially-done 'paint by numbers' kit that I found at a thrift store and kept to repurpose lol)! Imagery somewhat based in my own worldbuilding projects, and text written in my constructed language for one of my fantasy species, but also vaguely inspired by old tapestries and illuminated manuscripts and etc. I've never been great at neat clean patterning or text, but it looks cool from afar, and I always enjoy making "props" or things that are somewhat like real objects that might could exist in my world. :0

(additional pictures/info under the readmore)

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Here's what it was originally! I probably didn't have to actually have a river running down the middle because it further makes the composition of the whole thing weird (various connected yet separate locations and things happening, instead of one unified event being portrayed), but I wasn't sure if I'd be able to fully cover up the already existing paint that was there.. and I can also kind of justify it by going with a more "all the imagery is just symbolic so it doesn't have to make exact sense" approach lol.. How is one half of the grass green and the other is suddenly snowy? shhhh.. it's not literal.. shhh...

Made a vague sketch, then painted over it, and then added more distinct lines in black pen. Center image first and border second.

The very last thing was the text, which actually took forever to translate because my conlang is still only like.. partially done, and some of the grammar is not worked out exactly how I would like it to be, so a few sentences I had to think about for a long time before just going "eh, this is probably not how I would do it if I considered it more, but I'll go with it for now" lol . I also am not entirely satisfied with all of the characters for the writing system, but again, it's good enough for a quick project, it doesn't have to be 100% accurate and perfect because it's a fake language that nobody knows anyway lol.

I thought about breaking down the text and translation here like I have for some of the tidbits of Avirrekava (the language) in things I've posted in the past, but I think it would take too long and is not interesting to anyone but me ghghj, so for the sake of getting the post out quickly, I shall not spend an hour typing All That lol.

The general jist of the writing though is that it's just about the Avirre'thel being cast out from the other elves, after abandoning their magic for immortality as a means to truly attain perfection (an important concept in elven culture), the usual, blah blah blah, but how it's Actually A Good Thing, because the gods are wrong and immortality is Cool actually and they like the shitty frozen lands they were sent to, so it's fine that everyone else is being a Hater about it lol

Lastly, here's a few photos outside in the sun to TRY and show the gold detailing actually shimmering or showing up! It really doesn't come through in photos, but there's plenty of little golden spots to highlight light or Importance.

Mostly the fire, the pink sparkle that represents magic, the red drop that represents blood, the light behind Inaashi's hands and head (common symbol for the elven religion/one of their main gods, shout out to anyone who read the ancient elven religion post and recognized that lol), the sun, and the symbol for the Avirre'thel/country of Navyete at the very top. I did a few other gold bits, but they're not highlighted because they're Significant, more just that it looked more symmetrical to have some gold on the border too lol.

Other things of note: The animals are not actually significant to Avirre'thel culture really, I just wanted to put a cat and a bird because I like them lol. (I also wanted to have a few funny looking creatures, as I was slightly trying to go with the 'in some old medieval painting the anatomy and perspective is very weird' vibe, though I think some of the other parts of it look too Normal to pull it off entirely). Same with the four leaf clover, which means nothing in their culture - but these are the only areas where stuff was just added self-indulgently .

Bligabata (giant cabbage that grows along rivers in Navyete) making an appearance! The architecture of the building IS based on actual concepts for ancient elven/older Avirre'thel architecture and metalwork. The Avirre'thel who's turning away from Inaashi/elves/magic and collecting blood, is doing so in a Special Bowl, as is part of their culture (collecting it in the hands, or just in a normal vessel would be disrespectful, they have Specific Bowls which is the only thing blood can be kept in, etc.).

The figure that represents Jhevona (and thus, a closer connection to magic, celestial imagery, etc.) is in weird ugly teal, which is not necessarily a color or design associated with them, as I don't have much common culture (like clothing) worked out for Northern Jhevona (who the avirre'thel would have come into contact with) yet, BUT everyone else is in more Typical colors (a northern elf in green, Inaashi in lavender + white + blue, an Avirre'thel in darker purples and reds).

Some things, like the four figures in the corners, and the two people + fish in the stream, do not currently have a meaning, but in-world they would.. Like, I could make up lore for how they're culturally significant and it would be true because I am god of the world, but I don't have anything currently. But just know.. they DO mean something, I just haven't decided it yet, maybe kind of fill in as I go, come up with a meaning later lol. Probably along the lines of an old myth from the ancient elven religion, a story, etc.

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I don't know, probably other stuff, but that's my Trying To Keep It Short rambling for now lol. I'm just glad I finally finished this! For how vaguely sloppy it is up close (everything being completely freehanded, only used rulers once when doing the initial sketch and lining where the border should be + my hands are shaky + the canvas is bumpy + my handwriting is scratchy and terrible + etc. etc.) it still took a REALLY long time, even when not trying to make it all perfect. Especially if including the text translation + writing, which took like 3+ hours itself.

Maybe all the asymmetry/lack of things being centered is NOT because I was too lazy to measure anything, but is actually because in-universe, it's a practice illustration made by some young apprentice who has to work on little canvases for years before he can be trusted will a full sized mural or tapestry. It's his first week on the job! of course he's uncoordinated! don't laugh at him!!! lol

[benoits-neckerchieves]

Please don’t tell me that this mini-series is like lost media now i need to see it 🥺

Hugh Grant in The Detective (1985)

[koskela-knights]

Jaakko, my beautifully beloved <3

[atomicstarburstlabware]

... is beimid fé bhláth go brách

[spaceysoupy]

“Time is not a limited resource, Goncharov, and it is not alive. It is not running out on you. Time has been with you since the moment you were born and will continue to be with you till your last breaths. Tell me, люби́мый, what would you say at the end?”

“I would say it was time well spent if the last I ever saw was you.”

“Ah, a flatterer! I suppose I’ll let you live, then.”

“Time flies, Andrey, I have places to be.”

“Yes, we certainly do.”

-Andrey Daddano and Goncharov, from the movie Goncharov (1973)

[simcardiac-arrested]

i will admit i am thinking about them again (local group)

[fate-defiant]

So for the sake of committing to the bit I don't think I'll ever come up with post-story Horse's human face(iykyk) but that being said. He does take the best possible care of his hair under that mask.

[volinare]

My sleep was odd last night but I took a nap at around 5 am and had another dream about Sal Fucking Fisher. 🤦🏻 Then I woke up... And had ANOTHER ONE. Larry was also in that one.

[ohh-fiddlesticks]

ngl i am like this 🤏 close to making a ted l.asso s/i. i dont even intend to ship myself with any of the characters i just would like to inhabit that world & also maybe give like 90% of the characters a hug. or get a hug from them i dont mind

[cyarsk52-20]

When Tina Turner left her first husband - who was also her boss, captor, and brutal tormentor - she snuck out of their Dallas hotel room with a single thought in her mind: "The way out is through the door." From there she fled across the midnight freeway, semi-trucks careening past her, with 36 cents and a Mobil gas card in her pocket. As soon as she decided to walk out that door, she owned nothing else. When she filed for divorce, she made an unusual request. She didn't want anything: not the song rights, not the cars, not the houses, not the money. All she wanted was the stage name he gave her - Tina - and her married name - Turner. This was the name by which the world had come to know her, and keeping it was her only chance to salvage her career. Things could have gone a lot of ways from there. She could have labored in obscurity for decades, maybe making records on small labels to be prized by vinyl connoisseurs in Portland. She could have stayed in Vegas, where she first went to get her chops back up, and worked as a nostalgia act. And, of course, given what she had been through, she might have … not made it. What happened instead is that Tina Turner became the biggest global rock star of the 80s. I'm old enough to barely remember this, but if you aren't, it was like this: The Rolling Stones would headline a stadium one day, and the next day it would be Tina Turner. A middle-aged Black woman - she became a rock star at 42! - sitting atop the 1980s like it was her throne. She managed this because of whatever rare stuff she was made of (this is a woman whose label gave her two weeks to record her solo debut, Private Dancer, which went five times platinum); because she decided to speak publicly about her abusive marriage and forge her own identity, and in doing so give hope and courage to countless women; and also because - in a perhaps unlikely twist for a girl from Nutbush, Tennessee - she had her practice of Soka Gakkai Nichiren Buddhism, to which she credited her survival. She remained devout until the end. Tina's second marriage - to her, her only marriage - was to Edwin Bach, a Swiss music executive 16 years her junior. Of him, she said, "Erwin, who is a force of nature in his own right, has never been the least bit intimidated by my career, my talents, or my fame." In 2016, after a barrage of health problems, Tina's kidneys began to fail. A Swiss citizen by then, she had started preparing for assisted suicide when her husband stepped in. According to Tina, he said, "He didn't want another woman, or another life." He gave her one of his kidneys, buying her the remainder of her time on this earth and perhaps closing a cycle which took her from a man who inflicted injury upon her to a man willing to inflict injury upon himself to save her from harm. Born into a share-cropping family as Anna Mae Bullock in 1939, she died Tina Turner in a palatial Swiss estate: the queen of rock 'n roll; a storm of a performer with a wildcat-fierce voice; a dancer of visceral, spine-tingling potency and ability; a beauty for the ages; a survivor of terrible abuse and an advocate for others in similar situations; an author and actress; a devout Buddhist; a wife and mother; a human being of rare talent and perseverance who, through her transcendent brilliance, became a legend.

Credit: Will Stenberg

[shinobicyrus]

I've seen a lot of posts about Batman using his Bruce Wayne alter ego for the good of Gotham: job programs for felons released from prison, orphanages, charities, high wages for his employees, ethical business practices...the legendary post where Bruce Wayne goes to Wal-Mart.

Thus far I've never personally seen anybody really dig into the persona of Bruce Wayne the Billionaire Playboy. A handsome, rich, powerful man who always is seen at fancy galas, art openings, charity dinners, and wild parties with at least one beautiful woman on his arm.

We know Bruce Wayne is the mask, and its Batman who has a...complex love life, depending on the iteration we're talking about. Talia, Catwoman, sometimes Wonder Woman.

Bruce Wayne's dates, on the other hand, are all "normal" people. Maybe they're an aspiring actress, a supermodel, a prima ballerina, the occasional reporter...and every time there's that bit of nervousness at the start.

Sure everyone knows Bruce Wayne. Everyone knows the story with him. Sometimes his wilder parties make the news, but there's never really been anything nasty reported about him. Never...allegations. But he's a billionaire. He's one of the most powerful people in the whole city, nevermind the country. If he did have some skeletons in his closet. Well. Men with power have a way of making those kinds of stories go away, don't they?

As time goes on the Date's fears dissipate pretty quickly. Bruce Wayne is nothing but polite, kind, and at times charmingly awkward in an 'raised by his butler in a mansion' kind of way with his dates. Some of them can tell he's holding back, of course. Maybe the more perceptive Dates notice he's smarter than he lets on - playing the himbo or hamming up the "know-nothing rich boy" act to the cameras or some of his wealthy peers.

He also listens, is the thing. He's always listening to what they're saying, is interested in hearing about their careers, their hobbies, their lives. Really listens, too. Might refer to something a Date said weeks later off-hand. Buy out the whole museum for a private dinner date with a famous painting from an obscure artist they like, or a private performance with another's favorite band.

He has anecdotes and funny stories for days that somehow says very little about his personal life. The Dates know he has kids (it's practically a running gag in the news that Bruce Wayne has adopted yet another orphan) and maybe she might spot one of them at the mansion, but Bruce seems very keen to shelter them from any intense spotlight and scrutiny, and they all seem happy if a bit weird like him.

Eventually, there's drifting. He's a very busy man, with a very busy schedule. On more than on occasion his nice old butler will call and extend apologies that Mr. Wayne will not be able to make it this evening. Sometimes it's virtually impossible to get a hold of him over the phone. After a while they stop trying. None of them feel quite surprised by that. In the end, it just doesn't work. Sure, he's a little distant and doesn't make himself emotionally available...but he's not a bad person.

Especially when the so-called "exes" of Bruce Wayne start networking. Gotham isn't a small city, but the social circles Bruce Wayne travels in aren't as big. They don't quite gossip or complain about him. More like...who else would get it?

(I touched his side once and he winced...like he'd been hurt real bad there. He laughed and said it was tackle polo. How does that even-?)

(Somehow, after two dates, he saw right through me and listened while I told him what that casting director tried to do. He nodded, gave me the contact details of a law firm, and said not to worry about the legal fees.)

(I don't know for sure it was him, but it can't be a coincidence that my building got bought out from under my shitty landlord and we were all able to buy our apartments under market value.)

(He got my brother in the best rehab program in the city after his relapse. It probably saved his life. We'd stopped dating months ago, I still don't know how he found out.)

(He gave me a card with a phone number and told me that if I was ever in trouble to call it. Said one of his cars would come to pick me up, any time, any place, no questions asked. The one time I did have to use it after a bad party, it was Alfred.)

I think any tabloid reporter digging around for salacious stories or dirt about Bruce Wayne's love life would be completely and politely stonewalled when they try asking his former Dates. Even when money is offered. Every single one of them.

[great-and-small]

One of my absolute favorite art/science collaborations in the world is a project by National Geographic and photographer Joel Sartore called the Photo Ark. The ark is a 25 year project with the goal of photographing every animal species in human care, with the hopes of saving as many endangered species as possible. The Ark turned 18 years old today and they’ve just photographed their 16,000th animal- the Santa Cruz long-toed salamander!

I really recommend any animal lovers or photography enthusiasts learn about this project and follow photographer Joel Sartore on this journey. He does an incredible job of highlighting lesser known species and his skill as an artist is staggering. The behind the scenes process of how he gets these shots of such a wide variety of species is always a technical marvel.

Also worth noting that if you’re an artist ever in need of reference photos for an obscure animal species, this is a great resource where you can look up high quality images by species name! Anyone looking to decorate their home with a focus on biology art can purchase beautiful animal prints while supporting conservation.

Here are some of my favorite shots over the years to celebrate the Ark’s birthday!

[lordsukunas]

piggyback rides

synop: you want trueform!sukuna to give you a piggyback ride and he doesn’t know what it is. that’s it.

tags: fluffy fluff fluff, fem!reader (referred as woman once, refers to self as ‘queen’ and ‘wife’ once), ooc sukuna (only bc he’s less of an asshole), possessive behavior (kind of?), mentions of sukuna-typical violence, likely historically inaccurate, not proofread. i couldn’t determine whether or not he was actually wearing a haori or something similar - correct me if i’m wrong n i’ll change it!

notes: basic ass title ik... erm sorry! another post in two days is a miracle so i’m a little proud of myself. half-assed ending lol... anyway, this is just a silly lil drabble!! any interaction is much appreciated, enjoyyyy! :3

“what.”

the first set of crimson eyes dart down to look at you, the other set still tracking the scuttling servants. you’re situated quite snugly in his expansive lap — two thick arms wrapped around your waist, pulling you into the warmth of his bare chest. “what the hell is that?”

you nibble the inside of your cheek to suppress a smirk. finally, you know something that sukuna does not! and it only took three years. “it’s where i get on your back and you carry me around. quite simple, truthfully.”

he snorts at the slight condescension in your voice. for something so agitating, you have quite the ego. “mm. and why should i do that for you? you can walk on your own, unless your legs are mysteriously broken all of a sudden.”

“because,” you say with a huff, “it’s fun. don’t you want to bond with your queen?”

anxious eyes of passing maids sneak glances at you, your little huff drawing their attention. sukuna shifts you in his lap, turning you to the side, and the massive sleeve of his robe moves to obscure your form from their undeserving gaze. “we have bonded enough.”

“and it would not hurt to bond some more!” you counter. sukuna’s stubbornness is something you absolutely adore about him, but not right now. “can the mighty king of curses not spare a moment of his day to entertain his wife’s wish?”

he falls silent at this, and you can practically see the gears churning in his big head. he’ll cave. if there’s one thing that’s undeniable about the sorcerer, it’s his curiosity.

“... fine,” he grunts. after scooping you up and setting you down, he stands up and gestures with his hand. “so how do we do it?”

your lips curve up into a smirk. “okay, turn around so that your back is facing me.”

sukuna turns around, folding one pair of arms over his chest.

“then, crouch down a little.”

a beat passes, and then he crouches down, back muscles flexing underneath the dark fabric of his haori.

you step up behind him and slide your arms around his neck. his adam’s apple bobs, and the other arms move to cradle your butt. “if this is an attempt to choke me, it isn’t work.”

he always thinks someone’s out to get him. you roll your eyes. “no. if i wanted to kill you, i likely would’ve attempted forever ago.” you lift your lower half onto the lower part of his back, and your legs wrap around his hips.

another beat passes. “is that it?”

“yep.”

sukuna adjusts you, his hold on you becoming more secure as he rights himself to his full height. the warmth of your breath ghosts across his ear, and he can smell the scented lotion you applied this morning.

why hadn’t he done this before?

“soooooo,” you drawl, and he can hear the smile in your beautiful voice without even having to look. you’re so close — he hears the little inhale before you speak, the nearly imperceptible huff of laughter once you finish. “what are you just standing here for? we gotta walk around, explore the estate! it’s not fun if we’re just stuck in one place.”

“i am not a servant,” he warns, voice gruff, but he starts to move towards the throne room’s exit anyway. anyone unfortunate enough bows, mutters a jumbled greeting to the both of you, and scrambles out of the way.

it’s no secret that sukuna is more... benevolent, when you’re around. but that is a double-edged sword — if someone dares to disturb your peace or inconvenience you in his presence, they’d be facing a swift death, along with their parents for giving birth to such vermin.

“apologies, my spectacular husband.” you lean forward a bit and press a kiss onto his cheek, leaving a faint lipstick stain. “now, please, venture forth.”

he rolls his eyes. “if you command me again, woman, i am going to sprint.”

the teasing lilt quickly disappears from your voice, and your arms tighten around his neck. “n-no, that isn’t necessary.”

sukuna’s pace increases, now a brisk jog instead of a leisure walk, and you can hear the gravel crunching beneath his feet. “oh? is it not?”

“it isn’t!” you squeak. a little embarrassing, yes, but you know how fast sukuna is — you’re positive that if he broke out into a full-speed run, you’d be sick by the end of it.

“let’s find out and see.”