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[pigeonpalacade]

Yall can rely on me for nothing other than ballpoint pen portrait studies

[httyd-art-requests]

silly little request for you, could you draw a brute stormcutter? :3

Always happy to fulfill silly requests :3 I was NOT expecting this guy to be as colorful as he is before looking him up

Dragon #43 - Brute Stormcutter (Rise of Berk)

[bonefall]

Elder Bones, what is your opinion on Brightflower supposedly being in the Dark Forest according to the 'magical warrior cats god' Su Susann? According to the Warriors Wiki, Su Susann put Brightflower in cat hell for hating Yellowfang once and supposedly not being sane after the truth was revealed about the death of her children. I quote, "On Vicky's Facebook, Su Susann wrote that Brightflower resides in the Dark Forest since she was filled with hate when she thought Yellowfang killed Mintkit and Marigoldkit, and was subsequently shocked and no longer sane when Brokenstar revealed the truth about the death of her kits." Seems pretty fucking messed up if you ask me.

HOT TAKE: I think it works okayish with the older "vibe" of the Dark Forest being the sort of place where your feelings put you. Like you lose a mortal part of yourself in death, and what lives on in the afterlife is your life's energy.

So it would be fucked up if, say, your kittens died and you blamed the wrong person, were consumed by it, and then in death were dedicated to that revenge in a sort of nightmarish Angry Ghost kind of state. But also, kinda neat. No wonder they take such good care of their elders, when their belief is that negativity at death can make you into an evil spirit.

And that's interesting with Ashfur in mind, too! Like it's not really something StarClan can control! If you feel like you were justified, if you didn't believe you had hate in your heart, you go where you think you should go. Tweak the line from Yellowfang to Ashfur, and have him decree, "My only crime was that I loved too much!" And you have GREAT setup for TBC.

It could unironically have made a really good way to drive conflict-- have heroes who believe they don't deserve Heaven, and villains who fully believe they do. Makes an interesting worldbuilding idea, at least.

BUT that said, that's probably a personal bias. I want the Dark Forest to be SOMETHING deeper and less simple than canon, where everyone who goes there is usually some flavor kind of murderous freakazoid (unless youre frecklewish, in which case, RIP but dont be The Nearest Woman next time, the Erins HATE those). I'm perfectly capable of seeing how fucked up it is that the two Authorial Damnations were basically just... sad women.

The other one was Lilywhisker, who was "bitter" because... she broke a leg. So the only two non-murderers who were actually sent to Hell under that feelings-first system were a Sad Mom and a Disabled Woman. If that system continued, you KNOW we'd end up seeing a billion girls damned to Hell while the boys are judged less harshly by the narrative, because the Erins are a LOT harder on women's feelings than men's.

In any case, it's not canon any longer so it doesn't invoke white-hot rage like some other statements. But it really was massively uncomfortable, considering their poor track record with both women AND mental illness.

[fictionadventurer]

Beauty and the Beast for the WIP game?

My only real attempt at writing poetry before this year happened during a stretch when I tried to write a Beauty and the Beast retelling in verse. I got about two-thirds of the way through before it fizzled out and languished forever unfinished.

When it comes to my recent novel-in-verse obsession, the simplest option would be to take another look at this work and try to finish it. There's a lot of terrible poetry in there, but there are some that are somewhat better than I remember. I can't claim to be a judge of what's good poetry, but some of these are readable, so I'll share some of them here.

The first set of semi-readable poems covers the first meetings between Beauty and the Beast. (These are all numbered, and I'm leaving the numbers in place to better differentiate between separate poems. I think the speaker in most of these is fairly clear from context, but just in case, I'll put the speaker's name in the title, too.)

VI. beauty and beast

he is every nightmare i’ve ever forgotten he is thunder and darkness and death he is fear with fangs he is beastly

she is every dream i’ve never dared for she is roses and sunlight and life she is hope with jewels she is beauty

*

VIII. beauty

the chair creaks when he sits

my knees quake when he speaks

the master laughs when i ask

when i will die

my ears doubt when i hear

my mind reels when i realize

the master wonders when i began

to think he’d kill me

IX. beast

the rules are these you are mistress of this castle the servants will obey your every whim the rooms and all within are yours including me

you will dine with me at dusk we will not speak if you want silence you will look at me and try not to scream

i will not harm a hair of your head i will not cause a moment’s worry you will do whatever you wish except leave

X. beauty

his mercy shatters my world makes it bigger and at the same time smaller

how can i live in a monster’s cage

my life will be long and lonely with him my friend and at the same time jailer

how can i look at a monster’s face

the castle teems with wonders that all belong to him and at the same time me

what do i do with a monster’s love

*

The next set of poems I feel like sharing starts with Beauty finding a portrait in the castle, and then leads into her sharing a dance with Beast that makes her kind of freak out over the fact that she might be falling in love.

XXII. beast

today you found a painting in a long-forgotten room covered in cobwebs and shrouded in dust

there was a reason it was lost

the portrait showed a man with a face like the dawn and eyes like the sea you thought he looked kind

he was young and a fool

you may keep it if you wish or lock it back in darkness it matters not to me i used to see him daily

i doubt i’ll see his face again

*

XXIV. beauty (and beast)

if rooms have souls the ballroom is wise a radiant beauty long past her prime

she treasures the days when she lived and was loved she keeps them and counts them like pearls on a string

(she is not the only one, my dear)

long past midnight in moonlight and hush this sleepwalking girl can glimpse former days

a flash of a gown and a whisper of waltz what glorious balls must this room have beheld

(they were marvelous indeed, my friend)

it seems a shame she grows old alone with nothing but darkness and dust held within

i would dance for her return the spark of life if only we had music and i had a partner

(i will gladly dance with you, my love)

XXV. beast

my dear beauty don’t you know i learned dancing long ago

one step closer take my hand with a waltz you’ll understand

let the music guide your feet in a dance that’s slow and sweet

hand in hand and heart to heart it’s not love but it’s a start

XXVI. beauty

he is hulking beastly

i am small delicate

i should be stumbling crushed

but

we marvelously miraculously dance

and it feels like flying

XXVII. beauty (to the portrait)

man on the wall i may be mad but i must give voice to the storm in my heart and you are the only one near

the master puzzles me i know his home as well as my own but i know so little about him

(is he beast or man or nightmare or dream or captor or friend)

i saw his face and thought him a beast

(but he grows roses and reads poems and has never killed or even raised his voice)

i heard his voice and thought him a monster

(but he spared my life gave me his home and all he owned offered his heart and never once has been anything but gentle)

i watched him dance and thought him a man

(with grace like an angel or a prince and i think that maybe he was not always so lonely and that his heart aches for things lost)

what am i to think do say be feel about him now

and why do these questions always come at midnight

*

The final poem is one that I had completely forgotten about, so I was shocked to find it lurking in the latter sections of the document and showing signs of using some decent imagery. By polishing up the last couple of lines, I've got something that's not half bad as a standalone poem.

This one occurs during an extended period when Beauty is still trying to process her feelings toward Beast and figure out if this is really love or if her feelings are being warped by isolation and close proximity.

XXX. beauty

if this is love it is a dark and grasping love a child stumbling in the night crying for a candle flame and cherishing the smallest spark of light

if this is love it is a bleak and desolate love a skeleton tree in a barren desert windbeaten and scrubbed to bone and bursting into bloom at the first drop of rain

if this is love it is a smoke and mirrors love a sleight of hand or trick of light that takes my broken heart and fools me into thinking he can make it whole

[abirddogmoment]

A little bit about CKC pointing field trials (puppy stakes) in general for those who are interested in how they run.

CKC has its hunting dog events broken out pretty specifically. CKC is restrictive in which breeds can run which events (e.g., only CKC registered approved pointing breeds can run pointing tests, other breeds are excluded even if they technically could complete the exercises. Rory can only run pointing events, she couldn't do a retriever test or a spaniel test).

We also have a distinction in trials vs tests, as most other venues do.

Trials - you are competing against other people and being judged against a standard. You run in pairs. Top 4 dogs get placements, once you get enough points you get a field championship.

Tests - you are running alone and being judged against a standard for a qualifying/non-qualifying runs. 3 qualifying runs gets you a title.

We are currently running CKC pointing field trials.

CKC pointing trials have two main distinctions within them - puppy stakes and senior stakes. You can enter whichever stake you're ready for, with some exceptions (like age) - you don't have to run puppy stakes before running senior stakes.

Puppy stakes are a little lower pressure because they judge puppies' potential. Within puppy stakes, there are two main types of runs.

Open puppy stakes: any puppy *of eligible breed* between 6 and 18 months old. No birds hidden in the field, no gunshots on the course, 15-20 minutes running.

Derby stakes: any puppy of eligible breed between 6 and 27 months old. At least two birds hidden in the field, puppy needs to point birds if encountered, gunshots, 20-30 minutes.

We run open puppy for now. Here's how this goes:

We are randomly paired with another puppy and handler (this pairing is called a brace, the other handler and dog are our bracemates). We walk up to the start line together (usually the entrance to a big pasture) with our puppies on leash. Two judges (on ATV or horseback) give us a quick overview of the course we have to walk. The course is usually through a big open field with medium cover (think knee high grasses and shrubs, some wetlands, some hills but no forest) and typically avoids fencelines or roads. They tell us to release our dogs at the same time, so we let the dogs off leash and start walking (very fast, and I'm a fast walker to begin with). The course is usually huge, much bigger than we could possibly walk in 20 mins.

Usually the puppies play a little bit and then get to work. The judges are looking for puppies who can ignore the other dog and handler, judges, ATV, horses, and spectators, hunt independently, cover lots of ground (move fast and steady across the terrain while still sniffing), use the wind to follow scent, and respond to their handlers' directions. If the puppies want to play too much, the judges will ask the handlers to split up a little bit to encourage the puppies to work independently. Usually you stick within about 10m (25ft) of your bracemate. Puppies can range anywhere as long as they stay visible and ahead of their handlers. (Puppies are often about several hundred metres/yards away from their handlers depending on breed. Rory ranges about 50-100m in real life and about 75-300m in field trials. It is an exhilarating exercise in trust in my training.)

The judges follow behind us and then spectators can follow behind the judges, if they want. We have to keep up a very fast pace to encourage the puppies to cover as much ground as possible, not at a jog but pretty close.

In puppy stakes, you want to keep as quiet as you can. The judges are looking for instinct and basic potential, so you don't want to ruin that by giving your dog tons of directions. If your puppy follows directions, that suggests they need directions to function. If your dog ignores directions, that's unresponsive and also bad. Ideally you shouldn't say much during your run unless there's danger (if a deer runs out, you would recall your puppy) or evils (if your puppy is eating poop, you could recall or redirect). You are allowed to chat with your bracemate but you have to hustle fast so it's usually friendly but minimal.

One important piece of open puppy stakes is that there are no planted birds in the field! There may be wild birds, but it's unlikely. Many people "over train" their bird dog puppies on live birds, and then the puppies get really frustrated that there are no birds in the field after they search so hard. This causes puppies to slow down or give up entirely during their run, so this is something that judges look for. In real life hunting, there's no guarantee of birds so it's important that puppies can work through frustration without losing enthusiasm.

The judges kind of shout directions (go left, head for those trees) from behind to keep us on course. In the best courses, the judges make you walk a loop, but sometimes your time ends in the middle of a field. When your time is up, the judges will thank you and tell you to leash your dog. We recall our puppies and put them on leash and walk them back to our cars for water and snacks.

That's the whole run for open puppy! It's very low pressure. The puppies basically just follow their hearts and do what they were made to do.

Derby is extremely similar, except there are birds planted in the field. The puppies don't HAVE to find birds but obviously its preferable that they do. If they find birds, they must point (stop moving and stand still staring at the bird). They don't have to be steady to flush or shot (they can chase when the bird flies or when the gun goes off), and only blanks are shot in derby. The course is a little longer but everything else is the same.

In open puppy and derby stakes, the judges are just looking for potential. They want to know if your dog would be competitive in the senior stakes, so they're looking for lots of independence, lots of bird drive, lots of stamina, things like that. Because they're judging potential, younger puppies may be judged a little easier than older puppies.

I think that's the gist of puppy stakes in CKC pointing field trials! Send me a message if you have questions about our experience so far!

[in-tua-deep]

Had a staff meeting yesterday where my boss congratulated us on our counseling center being wildly committed to diversity bc the university asked him to compile all the stuff on our websites and trainings that might be targeted if certain laws go into effect and uh. his job is very hard right now

[mrsterlingeverything]

Friends and i are having another game olympics for new years and we're doing early planning for a summer solstice sports version and im so normal about it

[hyacinth82]

Hey does anyone remember the TikTok of the Chinese girl on the train showing how "busy" she gets and it's just like 50 product placements in a 3 minute video? Where can I find that video again, it's like visual asmr. Just absolute consumerist jelly for the mind.

[irl]

shut uppppp not another word tattoo i want 😭😭

[team7-headquarter]

Dropping the official teams for the first Konoha 12 come back mission. As a treat <3

Context:

The kunoichis of the Konoha 12 are back, but after so many years of working for Tsunade or spending time perfecting their clan techniques, they have to prove themselves.

The operation belongs to Konoha Police Force and is directed by Fugaku Uchiha. Since the whole goal is to prove that a) the kunoichis are capable of holding their on and b) they are loyal to Konoha, Tsunade can watch, but she cannot participate in any way.

Fugaku decided to separate the girls from their genins teams to truly test them.

Mission Status:

Konoha Police located a rogue nin base that they have been following for quite some time. The orders are to get in, neutralize the enemy, contain the situation, rescue any hostages and get out without casualties.

The Teams :

INFILTRATION TEAM — Kiba, Ino, Shino.

They're the first step. The "previously".

This team is full of deemed specialists in what one could call espionage. Be it shapeshifting, mind control or remote control of elements able to transfer information, they know how to get in, blend in, find the information they are looking for and get out as if they were never there to begin with.

Since they work mostly alone, they're some of the most in danger. There's also a myriad of unpleasant situations they'd have to participate in. Long range is preferable, either that or the type of subtle technique that can be used up close and leaves no evidence.

Unlike many other infiltration teams, this one focuses on details that no many would pick up on. Sound, smell, even your mind. No one is safe with them around.

EXTERNAL TEAM — Shikamaru, Tenten, Choji.

Once the infiltration team relies all the info they need, the external team sets in.

Their job is to prepare the operation so nothing would go wrong. They set a perimeter, fill the selected space with traps to avoid any enemy escaping, they lay the basics of the mission and connect everyone to the headquarters.

Although Fugaku is leading the operation, it's more of a supervision than anything else. The external team must control the scene with the parameters they were given.

Since they have to keep an eye on everything and everyone, there's often a specialist on every attack range (close combat, middle range and long range combat). They must be tricky and hard to evade, but also low-key enough that the enemy won't spot their exact location.

ATTACK TEAM — Sasuke, Hinata, Naruto.

They kick-start the real action!

( and cause everyone else a headache)

This team's job is to directly engage with the enemy, to both neutralize them and to provide a distraction for the retrieval team to act. They must be loud, they must be capable of being lethal, they must be capable of taking damage or at least capable of engaging for long periods of time.

In truth, the top requirement for anyone who wants to join an attack team is to be annoying and resilient. Attack teams don't really know what they'll find, for how long they'll have to fight or if the other teams would be available to give them any help.

Along with the unpredictability and endless energy of a jinchuuriki, the attention to detail and the battle IQ of an Uchiha, they have the high range vision and chakra blockage of a Hyuuga. Nothing screams Konoha like three of the best clans on the attack team.

RETRIEVAL TEAM — Neji, Sakura, Rock Lee.

The shifters. They can become any of the other teams if needed.

In a perfect scenario, they never engage with the enemy, follow the info provided by the infiltration team to get to the hostage, get the hostage out the place and into the protection perimeter set by the external team and repeat until everyone is safe.

In the real world, the retrieval team often fights their way to the hostage only to find one too many problems to fix at the second if they do want the hostage alive. They're the backup for every other team, they are the ones running in and out of the battlefield, as many times as it's needed. Although, while the hostage is alive and it's capable of being saved, they maintain their status and only the retrieval matters.

Long range is not really necessary, 'cause their mission is not to be noticed. They need to be fast as to not get caught and in case there's no way around it, close combat is a priority. They

[voughtland]

S1E1 - A-Train Red Bull standee

[velvetjune]

i played the remastered alan wake a while back and am replaying the original on steam, and, honestly, they’re so similar, I couldn’t tell which is which if you held up comparisons. ive come across reviews about the game looking outdated and bad (mostly compared to other releases in that time), but the original looks great and I like the hazy dark lighting for both this and awan

[appleciders]

im taking asl again and im so exciteddddd

[battlechick]

omg update on that job interview I GOT THE JOBBBBBBB!!!!!!!!!!!!! I can quit my fuckass retail job #WINNER