Ok as someone with a longstanding special interest in scooby doo, I feel qualified to pitch an actual "real" reboot. They're poly, in a qpr, and instead of solving random mysteries, people come to them to help solve crimes that the police have brushed off. They're Benoit Blanc except they're four people and they have a dog. Scooby can still talk, somehow
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people liking Ricky September is driving me insane. if there are 5 people at a table and 4 of them are wearing nazi uniforms how many of them are nazis.
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listen. i like a good “hualian adopts wwx” au as much as the next guy. but do y’all ever think abt the fact that appearance wise. xie lian and hua cheng are supposedly like. 17-19
i forget about it until i’m consciously reminded of it but there’s comedic potential in there somewhere
like i imagine they could probably get away with it when wwx was a young child but it’s all fun and games until visibly 34 year old wei wuxian is still calling apparently 17 year old xie lian dad
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"erm actually this teenager is just as bad as the adult who is grooming them because they sometimes act according to the horrible things they've been taught and have been offered no alternate perspective on" <- how some of you sound when talking about rgu
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I think something i don't often see in discussions about Futa's character is how, if you really take a second, he's kind of a people pleaser
He isn't so in a way like what Mikoto got going on, he does want to be around people of the same interests as him, and you wouldn't think he'd care about anything but authenticity if you stayed with the way he behaves on milgram. It is only when you think about him -in- those social circles he manages to get into that you can see him tweaking lol
I think the closest to see this that we have in milgram itself is that one interaction with Kotoko in which she attempts to debate how prisons respect human rights. Any other time he expressed his opinion/stance on things he was aggressive and maybe condescending to the rest because they disagreed with him, but the second someone agreed? Whole demeanor changed. Suddenly he didn't have much to say anymore and he just parroted Kotoko's words back at her. Why. If he has such a strong personality and mindset, why was someone validating his point enough to shut down his otherwise very firm attitude?
Futa doesn't go as far as to manufacture his every word for it to cause a positive reaction on others from the get go, but he does seek validation all the same. He braces himself for rejection by being loud and obnoxious and harsh until he sees a positive reaction and then is when he does a complete 180 to keep the other person in that place of validation. He is simultaneously completely bad at it though, but I never said he was good at people pleasing. Which connects back to what i've said before about his inability to fit in. Even when he thinks he's doing it right and he sees himself getting validation by people he cares about (in the case of his crime, by mimicking his friendgroup's method of "bringing justice" by calling out someone online, that same friendgroup following along and reinforcing the idea that he was doing it right), he ultimately fails anyway and loses it all over again.
In the end, he's just extremely socially awkward and anxious. It isn't in his nature to reach anyone else's expectations even if he genuinely wants to, so he'll either do what he can within his parameters (mold himself for his friendgroup of people he deems similar to him) or he'll avoid trying altogether because he knows he'll fail (what we see in milgram!)
It also shows how his yearn for a support system (t2 qna + mu's birthday timeline convo) isn't particularly new from his current circumstances, or why the only person he could think of when asked who he would want to see right now was his mom (who left so long ago he barely remembers her). He has just never truly had people that genuinely cared for him no matter what he tried to do to make himself likeable.
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came up with this promotional idea for my new book while I was very tired, may or may not live to regret it
(here is the book)
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AN AMERICAN WEREWOLF IN LONDON (1981)
dir. John Landis
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Jason knows Bruce loved him that's why he's so pissed that Jokers still alive, he wants Bruce to PROVE that he still loves Jason by letting him kill his murderer, by choosing him.
The point of Red Hood is doing what Batman can't and nothing Bruce or Dick can say would change that Joker is still alive and there's another Robin who's going to suffer.
"Jason come home we still love you despite the murders 🥺" Okay then prove it, watch me put a bullet through the head of the man who murdered me and then let me come home. No? You can't? Well then I guess I was right the entire time and you're all useless and will never love me as I am. I'm going to non-fatally but very painfully hurt you now btw.
^ how it would actually go if Dick or Bruce or whoever found out his identity early
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can we please stop with the ‘Mickey is objectively a bad person’ shit PLEASE.
I get it comes from a place of holding him accountable for his actions which is fair but going straight to “he’s a bad person” just completely disregards so much of his growth and development, and the nuances of the show.
I get Mickey fans got a reputation in the past for excusing everything he does and yea that’s annoying. But to counteract that by saying “he’s objectively terrible!” is so one dimensional and also completely goes against everything that shameless is about.
the point of shameless isn’t that all of these people are terrible, it’s to show the effect living in poverty has on a person and the lengths that are necessary to go to survive in that life, and the mistakes that ultimately causes people to make along the way.
no shameless character is perfect. that’s the point. even some of the worst things that characters have done have been because they are victims of their circumstances and situations. they are nuanced complex characters that can’t be put into boxes of good and bad
they’ve all done things to hurt other people and themselves. but the point is is that most of them have good within them, but all the factors against them make it harder to let that out.
“He’s a bad person” is a lazy reading of the show that completely lacks nuance in my opinion
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bsd fandom has always mischaracterised kunikida to hell and back but the fact that i am seeing SO MUCH hate for his character right after his 'death' is insane
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Sol, our beloved time god
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I love how Alicent and Criston fucking is considered OOC and shit writing, but somehow Alicent choosing Rhaenyra over her own children (even though motherhood is big part of her characterization and a driving force to the choices she makes) is completely fine and considered peak writing because it’s ‘tRaGiC yUrI’.
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Saw someone say "Megatron and Optimus barely interact in IDW1" and that feels like a very has-only-read-MTMTE thing to say kskdodndd because like sure they didn't co-star in the same long running series for 50+ issues like other characters did (like MTMTE characters interacting with each other or exRID or WB/TAAO) but to say they BARELY interact??? They interact a lot both in superficial "blah we're fighting a war" ways and in super lore important moments/series and also in incredibly homosexual there-is-no-straight-explanation-for-this moments like
Off the top of my head these are some series/storylines/issues where they interact directly. Defining interaction as anything from "the whole story is about them" to "their interaction is a plot element but not necessarily the main focus" to "they interact but only for a few lines":
The Autocracy trilogy (Autocracy, Monstrosity, Primacy)
Stormbringer
All Hail Megatron
The Transformers ongoing 2009 (with emphasis on Chaos Theory and Police Action for the most gay moments)
That one issue where Megatron grabs OP's spark through his chest Mortal Kombat style
Dark Cybertron
MTMTE (past OP in Elegant Chaos, Functionist Universe OP, and current day OP during Dark Cybetron and Megatron's trial)
And then there's other times where IDW1 Megatron and Optimus aren't in front of each other interacting/speaking with each other but are still thinking of each other:
The prelude to Dying of the Light where OP hears the LL distress signal and is afraid (not explicitly for Megatron but like he put Megatron on that ship)
MTMTE, Megatron tells Ravage that something he said to Optimus was the turning point of how he viewed himself
MTMTE again, Megatron all but says aloud that he made Tarn into Tarn to spite Optimus
One of the GI Joe crossovers where Optimus symathizes with a Joe over what it feels like 'to believe in someone who everyone else sees as past redemption' while an image of Megatron is literally behind him in his thoughts
So like, IDW MegOP has plenty of canon interactions and even if not all of them are very long moments (i.e. are only a few lines alluding to each other) there's still plenty of interactions between them. Plus I would say that it's pretty powerful how even the small, blink-and-you-miss-it dialogue moments actually indicate that Megatron and Optimus view each other as focal points where different decisions/beliefs they had revolved in some way around the other person. I think it's cool and compelling that IDW Megatron and Optimus express so often (even if only in thought) that the other person shaped who they became, or THEY did something specifically in reaction/spite towards the other, or where something they did to the other troubles them and lingers in their minds.
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Really gotta wonder sometimes about those systems posting anti-endo stuff way more often than any other system-related stuff. Just... you okay there, homie? Are you sure this isn't you distracting yourself from your own issues, your own work? Why are we so concerned about somebody else's (also in denial, also avoiding) bullshit, bestie?
Syscourse stance unlocked: Everyone Shut The Fuck Up You're All Annoying
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The audacity to be like "there's a problem with racism in transandrophobia discussions" while also unironically using the term "transandrophobia truther(s)"
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