Oh. Chef Amaury a.k.a the chocolate guy made a giant bell…. Seriously. Just an innocent bell
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I hope there is a chance for the bh to try and resurrect fcg, despite the result because I think it says a lot for the friends of someone who sacrificed themselves to try and get them back because they want them back to them. I don’t mind if fcg comes back or not it’s about the characters holding on
I'm almost certain Bell's Hells will try to get F.C.G back, although I'm unsure if it will be posed above table as a legitimate rez attempt or whether its going to be more a scene of collective grief and effort by the Bells, in character, that will take me out at the knees while reaffirming their love and the depth of their loss, but without the out-of-game framing of a legitimate chance to bring back F.C.G.
I assume that distinction will depend largely/almost exclusively on how Sam feels about bringing F.C.G back + whatever the cast have discussed since the ep happened, but! If it is any comfort, I do not see any world in which the next episode does not display how much the Bell's Hells care about F.C.G and how much they'd want to bring him back, while struggling with the weight and reality of the intentional sacrifice that F.C.G chose. And whatever happens, I see the potential for a deeply compelling story/character interplay that's gonna. Kick my ass. <3
Ugh just. the entire premise of. your friend sacrificed themselves for you. it worked. so now what. is fucking devastating. and can spin out so many ways. Im not sure what will happen. fascinated to see what direction they'll take it.
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You ever make a shitpost that turns into a full character meta? Anyways: Imogen’s relationship with Pâté De Rolo.
When Laudna first introduces Pâté to the group, Imogen tells Orym that she “never gets used to it.” At first it felt like, this is The Thing. Imogen had already shown that she was down for Laudna’s whole Laudna-ness but it seemed Pâté was the first time Imogen showed a little recognition that something was a little funky. Imogen is down for all of Laudna’s quirks, she doesn’t even bat an eyelash at most of them but Pâté is kind of the one thing Imogen is still tentative about. However, with the added context of later episodes, it seems that Imogen’s relationship to this horny dead rat with a bird skull is actually a reflection of Imogen’s respect for Laudna’s agency.
There’s a blink-and-you-miss-it way that Imogen shows her love to Laudna. You could notice it in small moments but it was hard to put into words until very recently when Laudna’s resurrection ritual made it glaringly obvious. Imogen deeply respects Laudna’s personhood and cares for her agency. Any part of Laudna that she has little to no control over, Imogen won’t be caught dead trepidatious or weirded out by— especially in front of Laudna.
The fact that, of all of Laudna’s Things, Pâté was the only one Imogen gives pause to is important because it’s explicitly not an intrinsic aspect of Laudna. Yes, Laudna created and is controlling him but it’s distinctly Not Laudna. It’s not her body or her spookiness or her ichor or anything else that she can’t control. Pâté is a something Laudna can fully control and that’s why it is okay for Imogen to be hesitant. Her trepidation only is allowed to exist because it doesn’t conflict with her respect for Laudna’s personhood.
And over the span of 30+ episodes, it doesn’t get better. Imogen giggles and engages with Pâté sure, but she is still hesitating, still acknowledging that it’s weird. When Laudna dies and the puppet that gave her pause is tied to Imogen’s belt without a second thought, Imogen protects that horny rat just as Laudna would for a week— its an act of service to Laudna but it doesn’t mean that Imogen doesn’t have hesitation. In fact, it’s still there when Laudna returns and tells Percy about Pâté.
But that changes the moment that Pâté comes to life. There is no more hesitation for Imogen, no side comments or grimaced looks about how weird Pâté is. One minute it is there and then it is gone with one casting of Find Familiar later. She treats the independent Pâté just as she treats Laudna: with a deep and full respect for his personhood.
Under the sun tree? While the entire group is showing even greater confusion about Pâté now that he isn’t puppeted by Laudna, Imogen is giggling and telling Laudna “it’s good, it’s good!”
Imogen doesn’t show any apprehension on her face when Pâté is doing an interpretive dance by the fire. Why? Because Pâté is suddenly an aspect of Laudna that is beyond Laudna’s control. Pâté’s weird comments and mannerisms are no longer active choices made by Laudna and therefore, Imogen’s previous trepidation is no longer allowed to exist. Imogen’s treatment of Pâté is a reflection of the subtle, yet deeply important, ways Imogen cares for Laudna.
It doesn’t really matter whether Imogen’s love for Laudna is platonic or romantic in these moments. Imogen shows Laudna that she deeply loves Laudna by proving with her actions that she deeply respects her personhood. Sure, it is definitely funny that Imogen shows it through her treatment of a horny dead rat with a cockney accent but its also so distinctly them. Those small, silly, almost throwaway moments that have so much more meaning baked in.
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eddie getting shot and then buck's face is a fucking sick way to end an episode. i thought it would be like during something else but it was after they saved the kid what the fuck
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I know what ur thinking “I can fix her! I can fix her!” Well I can make her worse! Sorry, I just think it’s hot when she commits atrocities!!!
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truly unfair that i, a person who loves characters with wavering determination trying to keep each other going, who takes cathartic joy in characters kind of having ongoing mental breakdowns finally reaching their limit, who really likes characters using all forms of ill-advised coping mechanisms to just get by and finding the reserves to try to treat each other well anyway
am too busy to consistently watch live during the "we are at our fucking limit and pulling out ALL of our ill advised coping mechanisms and stress responses to get by, and its not quite working. and yet we are still trying to be good to each other, for each other, maybe not perfectly, but genuinely" arc. tragic.
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