marc saying in his book: “The battle between Valentino and I got so bad that we lost respect for each other. He had been my hero and in a few months he became air to me, and that is how he remains to this day.” is pure madness, LIKE WDYM WHEN YOU SAY HE’S AIR TO ME???
i think its a translation thingy crash dot com has it as this ! which is in no way less unhinged but IS significantly more acceptable to say in your little ghostwritten book. also notably he characterizes it as a mutual falling out here. MUCH to think about....
i will say the way he conceptualizes other riders as physical obstacles on track (as oppossed to um. people) explains a lot about my crazy criminal princess...
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It would be nice if Star Wars actually treated their "good" disabled characters as actual disabled characters.
We see a lot of "bad" disabled characters have viewable disabling disabilities (ex: the latest The Bad Batch episode featured a cane-user with a prosthetic arm. This man was a hoarder of resources, and quite greedy and self-serving. Disability=hoarding resources is a TERRIBLE thing for Star Wars to highlight, but there they just went. That's a whole post I can make on its own, but I digress.)
But there are so few times that Star Wars truly acknowledges its disabled characters' disability in a positive light. It is always swept under the rug and forgotten about. This is what we have for our disabled "good" characters:
Anakin's hand only ever has problems twice--both of which aren't even true issues. His hand just gets caught by magnets. That's it. Sure, one time a little spark went through it durring the Zillo Beast arc, but despite all other mechanical appliances dying and short-circuting, Anakin's mechanical prosthetic does NOT. They didn't want to show Anakin without the use of his hand. Oh and he's turned into the "bad" character when his disability becomes actually acknowledged. Facisit disabled person... how charming (sarcasm).
Luke's prosthetic hand also does not cause him any true issues--again, minor inconveniences.
Echo's prosthetics are not acknowledged, ever. They act as if Echo has two hands, and he's constantly seen holding stuff as if he has two hands. Sorry, but he can't balance a giant ass box on a scomp like that. He would have to compensate--move his arm so that it balances differently.
Tech does not need to be more than autistic-coded. It's not a requirement to label everything. However, he has only had issues with his autism once. That's a good first step! But it's just a first step. Not to mention, he's a whitewashed savant. This is the most blatant, frustrating autism stereotype. I've already made a post about this.
Kanan and Chirrut's blindness is perhaps the most visibly disabling disability in any of the shows; however, said blindness is magically compensated for by the Force. They both still struggles with many things, which is a good change of pace, but ultimatley, it's not the representation it's meant to be. And, for Kanan, it is CURED at the end, before he DIES. Chirrut ALSO dies. I think that speaks for itself.
Yes, they are still disabled. That is not in question. But it's repackaged in a 'non-disabling' sense. Because why show disability when everything can be magically fixed? Why show disabled characters having realistic issues with their disability when it could be disabled characters made palatable for an abled audience?
Yes, a good number of disabled people would like to be, for lack of a truly appropriate term, ""fixed"" (a whole different topic, though--and a huge one at that). I don't doubt many amputees would probably like the a prosthetic like Anakin's. And yes, it would be nice to be so easily and readily accepted as disabled people like they are in Star Wars.
However.
The continued treatment of disabled people as if they aren't disabled is a massive problem in today's, real-life world. Because we don't have that luxury of being treated as nicely. So as great as it is to dream of a life where we're accepted as normal, IT IS IMPORTANT TO VIEW THEIR DISABILITY AS NORMAL IN THE FIRST PLACE.
It is necessary to see openly disabled people being clearly disabled, while still being viewed as equal, "normal" people. When disability is only shown openly as disabling when it is for the greedy or the facists... that is ableist writing.
All I want is for a main character to be openly disabled, in a disabling way, rather than just magically fixed and unacknowledged. Disability representation can only go so far when it is just "hey, here's a disabled character." We need them to be acknowledged as disabled, too.
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Let’s talk about Creusa!
Hooray @aeneiddaily has finally reached my favouritest blorbo of the Aeneid, Aeneas’ wife Creusa. I just finished my bachelor’s thesis about her (specifically what Maurus Servius Honoratus says about her character, also comparing to R. G. Austin’s commentary) and she’s been a special little brainrot of mine for the last couple years even before last schoolyear’s deeper dive into madness.
For now I want to just talk about some basics when it comes to Creusa, and then some more text based analysis later (probably tomorrow and the day after, I suppose?). Please note that my information on the topic is still limited - I only got as far as a BA thesis can go (around 33 pages overall), and I mostly used articles written in English and whatever was accessible through my university’s library.
Let’s start with a little introduction, and once Aeneid Daily gets to the Juicy Bits (aka lines 2.768–795) I’ll get to some deeper discussions of her character and what commentators, both modern and ancient, have said about her.
(And, uh… spoilers for the ending of Book 2? If that is a concern?)
SO, Creusa! Who is Creusa? Well, she is Aeneas’ wife and the mother of their son Ascanius, and she dies at the end of the Book 2, these are the basic facts. But are they? There’s actually some interesting stuff relating to her tradition.
Aeneas’ wife appears in earlier tradition, in both art and literature. In the famous depiction of Aeneas carrying his father and the penates out of Troy, he’s occasionally accompanied by a woman (or sometimes two) depicted with him, assumedly his wife. Sometimes she tags along with Aeneas to Italy, and in some traditions, she is saved and swept away by Venus or Cybele. To my knowledge she is never captured by the Greeks (like poor Andromache and Cassandra). For some reason Vergil decided to create a version where she dies (and I will get to the possible motives of this in another post), and that became the popular tradition after Aeneid was published.
One fascinating thing about Creusa (that drives me ABSOLUTELY INSANE) is actually her name – and specifically that it might not be her name at all.
She has been called Εὐρυδίκη (Latin spelling often Eurydica), and the name later changes to Κρέουσα (lat. Creusa). It is not certain when or why this change happens exactly. Pausanias talks about this in Hellados periegesis and explain that Creusa (Κρέουσα) is “naturally Aeneas’ wife” (εἶναι γὰρ δὴ καὶ Αἰνείου τὴν Κρέουσαν γυναῖκα) but that i.e., the author Leskheos has also used the name Εὐρυδίκη (Paus. 10. 26.1-2). But suddenly in the 1st century BC, Livy, Vergil and Dionysius of Halicarnassus start using the name Creusa – I have not been able to find an explanation as to why this happened. Austin speculates that it might have been some new finding of the antiquarians of the time, or perhaps one of the authors came up with the name first and it caught on (Pausanias certainly sheds no more light on this).
But hey why is the name important at all? Well, you might have picked up on the familiar name Eurydica there and maybe even made the connection to Vergil’s Georgics – and you would be absolutely correct to do so! While Vergil is partially creating his own tradition with Creusa, he references his own passage on Orpheus and Eurydice in the 4th book of the Georgics (4.453-527), down to direct quotes pulled from this previous work. There are some pretty obvious similarities between Aeneas and Creusa and Orpheus and Eurydice, which I found to be an interesting add-on to the character of Creusa (I’ll also come back to this later – let’s talk about PARALLELS BABY). In a way Vergil’s Creusa carries with her the earlier tradition of Aeneas’ wife, and Vergil is able to connect all these versions of her into one while also reinventing her for the purposes of the epic. (I am very normal about this) (trust me)
Her being Ascanius’ mother is actually something that has been contended as well. Servius mentions that it has been called into question – there are some who think Ascanius is Lavinia’s son (he mentions Livy as one; see Serv. Aen. 1.7) rather than Creusa’s. In Vergil’s version Creusa is very explicitly Ascanius’ mother, and this actually has a deeper reasoning than just a matter of taste. I probably don’t have to explain to anyone the importance of connecting Aeneas and through him Iulus to emperor Augustus, but it is indeed connected to that. Not only is Iulus of divine origin (being the grandson of Venus) but he is also descendent from the royal family of Troy – Creusa is Priam’s daughter, Hector’s sister, and Vergil brings this up a lot (as does Servius, he’s really into proving the point). The Trojan royal family line brings even more legitimacy to gens Julia‘s right to power. Here Vergil creates a political myth (like Tarrant (1997) puts it) to emphasize Augustus' legitimacy and Creusa being Ascanius’ mother is an integral part of that.
But hey so, Creusa’s death, what’s up with that?
Once we get to her disappearance, I’ll talk about this a bit more because there is actually a lot of interesting discourse there, both in modern research as well as Servius’ commentary (Commentarius in Vergilii Opera, from c. 4th and 5th century (I include both Servius and Servius Auctus and use them interchangeably)). It all starts from today’s entry, lines 2.675-678, but I’ll talk about it more once we have full context.
So here’s my little introduction to Creusa, I have a lot more to say (I had 33 pages to say, actually, and would’ve had more if I didn’t have to narrow my research topic down, boo).
Oh Creusa, Creusa, you mysterious creature, most loyal of wives and yet another tragic female character who must die for Aeneas’ fate to be fulfilled. She’s a wife, she’s a mother, she’s chosen by gods and even… immortal? More to come tomorrow!
(Edit: the rest of my posts on her can be found in my creusa-tag)
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