#it's a process sometimes

[doccywhomst]

[icestorming]

Long ass post with, AGAIN, a comic from the newest chapter of @yunuen 's "The line is covered in jellyfish" featuring: mushroomed Viktor and Jayce being fucking BOLD, incredible, love to see.

Bonus: Viktor after suggesting acid as a way to remove the fingerprints.

[im-ignoring-canon]

This isn't even a hot take, but Percabeth weren't smart x dumb. They weren't even book smart x street smart. They were strategic x strategic. Their minds worked in very similar ways that complimented eachother. It's why they were such great friends, it's why they were a formidable team, hell, it's why they could fight a war against a deity with an army of forty fricking kids and win. They shared their braincells, in the most beautiful sense of the phrase and THAT'S why, for me, they're perfect together.

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[fefairys]

getting real fed up with my peers treating teenagers like shit. how did you forget so fucking quickly what it's like to be them. shame on you.

[my-autism-adhd-blog]

Why self-diagnosed autistics are valid

medical diagnosis can be expensive

humans are the experts on their own minds

family may prevent assessment

diagnosis criteria is a poor checklist of stereotypes

diagnosis criteria ignores gender, race, sexuality, culture & more

medical diagnosis confirms autism, but doesn't create it

discrimination within the medical profession may prevent diagnosis.

Assessment waiting lists often long

medical trauma may make assessment unfeasible

Neurodiverse Journeys

[inkskinned]

sure i find you in my hair and under my pillow and in the car. but i know in my heart you are picking me out of your teeth. i know i am burning through your sundays, sticking to your ceiling.

i hope i'm in every bitter cup of coffee and every candle wick and every bath. i hope my shadow flickers under your door so the empty hallway i have left behind is a swift dart of nothing more. i hope you find me in notebooks and stop signs and fleetwood mac - like i am marginalia on your life, i want my fingerprints burned into your days like acid.

i loved you, and you know i loved you, and for the rest of your life i will be the person you broke. for the rest of your life i hope the shame of that runs like a cattle dog, bites at your heels. i hope every time your cup is full or the moon is a toenail or a cat is purring or a laugh is in your belly or the sky turns pink while the sun is setting - i hope you remember that someone loved you, and you crushed them in your palms. you extinguished every future i lit. i hope that haunts you.

i hope you never fucking forget it.

[hummise]

theseus' guide chapter 8 spoilers !!!

an overly dramatic visualization of the chapter finale that i got way too ambitious with enjoy

[itsscaredycat]

timelapse of my latest piece (irl time approx. 4 hours)

[arcanegifs]

Here are some Season 2 Arcane GIF comparisons before and after I color and sharpen them! | Season 1 Comparison GIFs

[rosurie]

cw: body horror

parasite

[chimerafeathers]

you know what i think Mirabelle deserves to get a little fucked up freaky in how she processes learning about Siffrin’s loops post-canon. for fun. as a treat

thinking about this line in particular and stretching out the implications like taffy

this is a more romanticized, cutesy facet of her interests but she’s still framing Siffrin’s situation through storytelling. so like. What If.

i mean. this woman loves horror and gore and monsters and horrible things happening to innocent people. IN FICTION. in fiction!!! obviously!!!! and it’s beyond terrible that something even remotely close to any of that happened to her real friend in real life!!

BUT.

maybe. maybe sometimes, if the conditions are right, she gets a little too wrapped up in her imagination about the bloody, awful poetry of it all. maybe Siffrin tells a joke that's a little too dark and gory for anyone else, borderline or full-on Concerning, but she latches onto it without thinking about the Implications and plays along with increasing gruesomeness because FINALLYYYYY someone will play with her in the Horror Space (like Isabeau does in the romance space!!) and then. OOPS. the implications!!!! and she has to recalibrate out of Fun With Fiction mode into Oh No, My Friend Underwent A Horrifying Ordeal mode.

but being able to joke about things, even the awful things, is...kind of comforting, to Siffrin. makes them feel less like they're being babied and pitied and more like what happened was something...normal, almost? something that doesn't have to feel like the end of the world all over again every time it's mentioned, at least. so he tries to reassure her, and Odile and Isabeau have to go “actually can you PLEASE not joke about dying horribly it’s freaking us out and also might not be the Best for you? mentally???”

maybe Mirabelle will get a little Too Into trying to weave meaning and symbolism into the scant details that Siffrin gradually reveals, like she’s trying to finish the orange poem all over again, or eagerly meddling with the romantic reunion of the two actual people in the House with undelivered bonding earrings, writing their story for them without their input.

it’s easier to justify the tragedy of it all when it has a purpose, isn’t it? finding the beauty in the darkness, the love powerful enough to end the world. romanticizing the horrors until her friend can talk about them without shutting down.

and she feels guilty about hearing something and immediately thinking “ohhhhhhh this is JUST like Blorbo From My Novels,” because she should treat Siffrin’s situation with the gravity and care he deserves!! they’re a real person, not a character who exists for entertainment, to represent the ~themes~ of some story.

but if she admits as much…maybe Siffrin is safe to admit that he had started seeing the rest of them as actors, endlessly reciting their lines. maybe that’s just how people process things sometimes, grasping for metaphors when unfiltered reality gets to be too much. maybe it’s okay to talk about that part of it all, too.

[akemiiya]

isat is praised a lot for its ludonarrative harmony and how the player's feelings are synchronised with siffrin's, but something i don't see mentioned much is how it also works the other way around -- the player trying to get certain dialogues/interactions (the player's influence on siffrin's actions), even if they go against siffrin's wants at the moment, are all justified in game.

for example, if the player continuously attempts to use siffrin's dagger on their allies, siffrin is having intrusive thoughts. and if the player repeatedly tries to go into the bathroom in act 5, siffrin secretly really wanted to monologue because he's a little obsessed with them lol

[claypigeonpottery]

I’m really looking forward to carving this one 😁

[summertiide]

hence nothing remains except for our regrets

sometimes you just gotta smash your interests together like playdough!!! here's the Great God Grove gods in OFF's style!

shoutout to @weirdalchemy for the sketch of Huzzle Mug's pose and a ton of help in working out the other ones!

the full-sized + unsprited sketches / some assorted rambling under the cut!

link to the bizzyboys!

turning them into little 200px max sprites lost some of the detail i really enjoyed on some of them (thespius basically lost all of his hair flowers, and bauhauzzo lost a few nice rock-chipping details i was super fond of u_u), so i figured i'd include my sketches also!

a few extra design notes from while i was trying to figure everything out

i wanted to keep Miss Mitternacht really simple, and tried to lean into the early-game boss sort of look! (i was also trying to remember how to get the sketchy-pencil texture to translate into the smaller versions, oops)

Cobigail and Inspekta were the first ones i thought of when i decided to make all of them! Cobigail's jumpscare face was an instant pick, even if i lost all of those extra little lines in the spriting process

drawing typewriters is a nightmare. people who draw Click Clack all the time at his typewriter are stronger than i could possibly imagine

i got stuck on Thespius for a while, and he was the second to last one i finished - he's a lover, not a fighter!!! i wound up sort of trying to take an angle similar to Sugar's in OFF, an optional boss who you have to deliberately go for (i have this distinct vision in my mind of a boss track for him called "Swansong")

Bauhauzzo is meant to look kind of stuck in the ground, like an obelisk!

Inspekta was taken for sort of a "busted doll" look, from that bit in the art book where they said he was animated to "move like a plushie"! he was my favorite of the bunch to work on, even if the hands were kind of a Situation

it was kind of a bummer that more of King's eye-veil didn't turn out in the sprite, but i couldn't quite find a way to make it show up without making it hide her face too much! people drawing her posing with the sword was a huge source of inspiration, though, it just felt right

i might do more of these sometime soon - maybe the Bizzyboys as a sort of group fight? i also thought about doing a Godpoke Batter type of look but i couldn't quite figure out how to finagle that, but i may try again later on!

[seaglassdinosaur]

Something about how Haymitch continues to drink. That he never ‘fully’ recovers, even though there are plenty of opportunities through and after the series when his access to alcohol is cut off. Something about him perhaps seeing the act as pointless because the damage to his body has been done, but being content with the time he has left.

Something about Haymitch being able to care about people again; allowing himself to care about Katniss and Peeta and not having to fear losing them or anyone else ever again. That he finds a hobby, a constructive and meaningful way to spend his time that not only reminds him of Lenore Dove, but was prompted by the people he has around him. That he finally feels safe enough to open up about and remember everyone who was taken over the years. That he’s able to heal some through this.

Something about how Haymitch’s pain doesn’t go away, but he’s able to find peace with it through these practices and people, and is able to forgive himself and feel forgiven by those he lost.