#ive also seen a lot of movies from the 2000s and 2010s that just show like mundane japanese life that i based some of her life off of | Explore Tumblr Posts and Blogs

garne--tt · 3 years

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x japan iceberg explained;

before i start, i probably didnt explain something right and if u want to correct me or add something, feel free and even dm me about it! + i will add trigger warnings for possible triggering content in this post

formed in 1982 - x was formed in 1982 after toshis and yoshikis previous band disbanded

X --> X JAPAN - they changed their name from X to X JAPAN in 1992 in order to distinguish themselves from the american punk rock band X

Saw IV - a horror movie from 2007, x japan did a theme song I.V. for the movie, it was their first song released since 1998

new album - an new x japan album that was supposed to be released lots of times over the 10+years but still (to this day) wasnt released

coachella 2018 - x japan performed at coachella 2018, many fans are saying how the sound was bad (usually blaming it on the sound production team?? or whatever its called) and apparently sugizo and yoshiki were seen arguing with the sound production team

we are x - a 2016 documentary about x japan (or rather yoshiki, because apparently it was mainly focusing on him)

psychidelic violence crime of visual shock - a slogan, mainly seen on the blue blood album cover, the term visual kei was derived from the slogan yoshiki, toshi, hide, pata, taiji - the most known lineup, from 1987 to 1992

2. tw// suicide mention

violet uk - one of unfinished yoshikis projects, started in 2002, didnt even debut but was supposed to in 2012

V2 - unit of yoshiki and tetsuya komuro, was active in 1992, they released one single and did one concert

ra:in - patas band, active since 2002, members are - pata, michiaki, die (also former member of spread beaver), ryu

noise/dynamite - toshis and yoshikis first band, formed in 1977 as dynamite, then they changed the name to noise, noise disbanded in 1982

s.k.i.n. - superband (group) of yoshiki, gackt, miyavi and sugizo, their only activity was in 2007 and it was live, they announced more activities but they were stopped

xfreaks - an international xjapan fan forum created in 2006

dope headz - band that had heath and pata as members, active from 2000 to 2003

hide with spread beaver - hides live band, other members were kiyoshi, k.a.z, hiroshi watanabe, satoshi miyawaki, d.i.e, i.n.a

zilch - supergroup formed by hide in 1996, other members were ray mcveigh,paul raven, joey castillo and i.n.a

lynx - one of heaths band, active from 2004-?, the vocalist for this band was issay from der zibet

yokosuka saver tiger - hides former band, he was member from 1981 to 1986 sugizo - luna sea guitarist, he joined x japan in 2008

hides death - hide committed suicide in 1998 (he hanged himself) update: this is what authorities said and what is official

3. tw// suicide

taijis death - in 2011 taiji was flying from japan to saipan, on the flight he got into fight with his manager (or flight attendant?), he was arrested after they landed in saipan and then he hanged himself with bedsheet in his cell

x japan translations - an site that had xjapan translations (like toshis book etc...), the site was active and up until 2018

taijis departure from X - taiji left X in 1992, but we dont know the exact reason why he left

toshi was in cult - toshi was member of cult known as home of heart from the late 90s (1998?)

1997 - the year x japan disbanded

yoshiki and queen elizabeth incident - in 2019 during royal windsor cup yoshikis scarf accidentally landed on queen elizabeth

yoshiki knows everyone - (not everyone ofc) but he met a lot of celebrities, politicians (barrack obama, johnny depp, prince phillip, bts etc,,)

art of life - a 29 minute song released released in 1993, it was was recorded only in english, the theme of the song are yoshikis suicidal tendencies, art of life was meant to be released in the jealousy album (1991)

yoshikis father - yoshikis father committed suicide when yoshiki was 10 years old

taijis cut off joint on finger - taiji when he was kid, showed his hand into a factory machine (his family owned factory) and cut off his first joint on his finger

yoshikis health problems - yoshiki has tons of health problem since he was child (asthma, he was always sick and spent most of the time in hospitals etc,,) and suffers from many of health problems even now

toshis healing music - toshis music he made during the home of heart era

kaori moritani & masaya - kaori moritani is toshis ex wife, they met in around 1993 when they played in rock opera hamlet, they got married in 1997 and divorced in 2010, she introduced him to masaya (and got him, or rather manipulated him, into home of heart)

masaya - real name tōru kurabuchi - musician and leader of home of heart

-more about home of heart and the whole situation here: https://bloodydesertrose.tumblr.com/post/96662764536/support-toshi-dont-buy-or-listen-to-any-of-his-songs

debut in usa - x japan was supposed to debut in usa in the 90s (and even changed their name because of it, x-->xjapan)

extasy record - label formed by yoshiki in 1986, the first release under extasy records was x orgasm ep, the label had bands like xjapan, luna sea, glay, zi:kill tokyo yankees and more

yoshiki paid for taijis new teeth - after hides funeral yoshiki noticed that taijis some teeth were missing or chipped, so he handed him around 2 million yen (around 18 497 usd) to get his teeth fixed

l.o.x. - punk rock supergroup, yoshiki was drummer in this band, they also used to be named masami & l.o.x (masami was their vocalist), masami collapsed and fell into coma in 1989 and died in 1992 due to pneumonia in coma, l.o.x released one album with different vocalist (one of them which was toshi and yoshiki went by the alias shiratori rei here on the album) in 1990, l.o.x. released one song in 2002 in memory of masami

standing sex promotional shot & single cover - the promotional shot & single cover basically shows yoshiki nude (with his intimate parts covered of course + this wasnt the only time yoshiki has done something like this)

rose & blood -indies of x- - an unofficial album with demos and unreleased x songs

unreleased & old songs - there are a lot unreleased songs + unreleased old songs or just old songs that dont get played anymore

rosenfeld - crows in black - blue blood has similar guitar riff (i dont know how to say it) to this song (crows in black / b was firstly recorded on demo in 1986)

former members - x japan has big amount of former members - 11 former members (excluding taiji and hide from this)

terry - a former member of x, he was one of the original members (being a member from 1982 to 1985), terry died in 2002 in car accident

yoshiki got sued by hides brother - yoshiki got sued by headwax (hides company which hides brother owns) for using hides photos, apparently they had a contract but it expired and yoshiki still used hides photos even though the contract expired

x japan condoms - they were released in 1993 with the intent to help increase awareness and prevent the spread of AIDS. the reason why they probably did this is that toshis fan died at the age of 19 due to AIDS (toshi even dedicated a song to him - passion of love and became a active member and sponsor of association of struggle against AIDS)

heath cow story - when heath joined xjapan they celebrated it by drinking and then driving 2 hours to cow farm, then they drove to aquarium but it was already closed

heath leaving x japan - in 2009 there was a rumor that heath would leave x japan, apparently this was caused due to heaths contract problems (?) dementia - taijis former band, he was member from 1984 to 1985 and went under the name ray

pata was roadie for x - before joining x in 1987, he was roadie for x (or the member hally) around the time in 1986 (1985?)

pink spider was a suicide note - this one is a rumor/theory that is circulating around, fans analysed the lyrics and came to conclusion that its suicide note

x stayed at different hotels than other bands - when x was on tour with other bands they were staying at different hotels than other bands, because one time (on tour with other bands and in hotel) hide got into drunk fight with juichi morishige (lead vocalist of ziggy) and sprayed the entire hotel lounge with fire extinguisher

taiji was homeless - taiji was homeless for around 2 years (1996-1998), due to financial issues + he got divorced at this time

heaths myspace account - there was heath myspace account, but it wasnt him, it was someone pretending to be him

weekend pv theory - (i dont know if i should have put this here to be honest) a theory that x members chose what their death would be in weekend pv (yoshiki - suicide, hide - suicide in drunken rage??, taiji - murder, pata - alcohol poisoning, toshi doesnt die in the pv)

hide vocaloid - hides unreleased song co gal got finished via vocaloid (using his voice samples from various songs of his)

yoshiki lead singer - before toshi was chosen to be the lead vocalist for x, yoshiki was the vocalist (there is also a recording of stab me in the back with mostly yoshiki on vocals!)

hide and marilyn manson meet up story - im gonna just attach a screenshot of the story

taiji was murdered - taiji committed suicide in 2011 in his cell on saipan, but there are some things that point to the possibility that he was murdered (his manager insisted on cremating his body and got cremated without autopsy, money got transfered on his account, information missing from the internet?? etc,,)

juns tape - demo tape recorded in 1986 by at the time X guitarist jun, tape contains instrumental recordings of unreleased songs right now, only way, tune up and one unnamed song.

ill kill you single cover - cover of 1985 X single ill kill you, it contains photos of victims of the vietnam war

feel me tonight - demo tape from 1985/1986, it contains songs feel me tonight and stab me in the back (all of them are under one minute here) sung by their at the time guitarist hally (apparently there aslo should be yoshiki version of it, but i dont know how much we can trust metal archives)

8. tw// eating disorder mention

yoshiki hired someone to kill taiji - this one is a rumor!!!, yoshiki was supposed to get/hire yakuza to kill taiji hide had an eating disorder - this one is unconfirmed!!! hide suffered from bulimia (yoshiki walked on him purging - and this story was also apparently told by yoshiki???)

#long post #xjapan #x japan #iceberg #this was supposed to be posted on twitter #but when i was in the half i couldnt add more things to the thread anymore #tw eating disorder mention #tw suicide mention #jrock #visual kei #vkei

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neighbours-kid · 5 years

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Oh, 2019, What A Year You Were.

It is now a bit before 6pm on January 01, 2020. I just finished unpacking after coming home from my short holiday escape to Berlin for New Year’s with my best friend and frequent travel buddy. My feet are tired, my back hurts, and I’m sitting in bed now, thinking back on this last year and, it’s kind of hard for me to decide if it was a good year or less so.

My 2019 was not as eventful as my 2018. There was no large adventure to speak of like going to New York City for six months, or having to adjust back to life in Switzerland after that. 2019 was just…..uni. The same old trudge of going to class and thinking about texts that should be read (but wouldn’t be), the same old treading water without direction, stuck in one place, unsure what comes next. Or, at least, that’s what it feels like looking back on it.

When I did this looking back the last time, 2018 was not quite over yet. It was still December, I had a few more days of uni to go, all the Christmases and other celebrations still before me. At that point, I had no idea that I would meet a couple of people at the Christmas Party of our English Department and that these people would be largely responsible for tipping the scale of 2019 into ‘good’.

But I did. I did meet these lovely people I get to call something akin to family today. It’s only been a year, and I can’t quite believe it. Found family has always been my favourite trope in storytelling, and this little group of weirdos is exactly that. And to quote my favourite little alien creature, this is my family. I found it, all on my own. It’s little, and broken, but still good. Yeah, still good.

These people are not perfect, they’re not flawless, they’re not angels. But they have more humanity between them than I’ve seen in a long fucking while. We’re all broken people, none of us is any better than the next, but we have heart. And I love them all so fucking much. They have all coloured in parts of my year in their own colours and I could not be happier about it. They’re a bunch of fucking weirdo nerds, but they’re my bunch of fucking weirdo nerds.

* * *

This year was, while largely uneventful, also very special in its own way. You know, after talking to my doc to get a date for a transgender consultation, my plan was basically to wait until I got it all lined up nicely, got my first shot of testosterone and then be like "hello world, this is happening, and if you have anything against it, whoops, too late.” Well, it didn’t quite work out like that. If you’ve been keeping up with this blog or my life in general, you know that my anxious ass decided to have a nervous break in the middle of January and come out to literally everyone then and there. And you know what? It’s good.

I’m not where I want to be, not at all. After January, I had expectations for 2019, I had hopes and dreams, wishes and plans. Unfortunately, that lead to a series of events that is tipping the scale of this year into ‘bad’. I wrote about this extensively before, but the process of starting testosterone is a long and tedious one and I am still not where I want to be, even after this entire year, but I currently see a shiny dot on the horizon that looks very promising in that department, and if everything goes as it should, it won’t be long now until I can start with the hormone treatment.

2019 started me down a road of self-discovery that is more open and public than it was before, and I am glad for it. But I don’t want to linger on that part of my year for too long. Let us look back for a while, relive some moments here and there.

On the train home from the airport today, I thought about what I did exactly one year ago. After everyone who had been at my place for New Year’s had left around lunch time on January 01, 2019, I had sat down in front of my TV and started a very movie and tv show heavy year. Over the course of this entire year, I noted down every movie and tv show episode, every short film and comedy special, everything that I watched. It…..added up quite a bit, to be completely honest. Let’s see….

For reference, I had holidays during January and half of February, as well as June all through August and half of September, and then again from the 21st of December onward. My marathon didn’t quite subside during university, but at least I didn’t binge quite so much.

In total, I watched 178 movies, 10 short films, and 685 episodes of 34 tv shows. That is 300h12 in movies, 1h38 in short films, and roughly 519h47 in tv show episodes. (Yes, I did just spend way too much time looking up all the run times…) That is a rough total of 821h37 for this year. That’s like….a bit over a month of time spent watching stuff. 1/12 of my year spent in front of a screen. Not entirely sure how I feel about this number.

I know that for some this might sound a bit excessive, but to be honest? There is so much more I want to watch and if I could do completely as I please, these numbers would look a lot different.

Here is, with the exact intention of being a big mess of a block, all the movies I watched in 2019. I highlighted a few that stood out to me especially. Not just because I liked them very much, or because they were particularly excellent, just because….they made me feel something different, I guess. The oldest movie I watched was Grease (1978) and the newest would be the comedy special John Mulaney and the Sack Lunch Bunch from this year. I started my year with Night at the Museum (2006) and ended it with season five of Leverage.

Grease (1978), My Neighbour Totoro (1988), Die Hard (1988), Batman (1989), Die Hard 2: Die Harder (1990), Die Hard with a Vengeance (1995), Othello (1995), Mission Impossible (1996), Mary Reilly (1996), Wilde (1997), Animated Epics: Beowulf (1998), Mission Impossible II (2000), Lord of the Rings: The Fellowship of the Ring (2001), The Fast and the Furious (2001), Ocean’s Eleven (2001), Harry Potter and the Philosopher’s Stone (2001), Harry Potter and the Chamber of Secrets (2002), Lord of the Rings: The Two Towers (2002), Heartlands (2002), xXx (2002), 2 Fast 2 Furious (2003), Underworld (2003), Bright Young Things (2003), Timeline (2003), The Deal (2003), Ocean’s Twelve (2004), Harry Potter and the Prisoner of Azkaban (2004), Laws of Attraction (2004), Dirty Filthy Love (2004), Charlie and the Chocolate Factory (2005), Harry Potter and the Goblet of Fire (2005), Kingdom of Heaven (2005), The League of Gentlemen’s Apocalypse (2005), The Fast and the Furious: Tokyo Drift (2006), Underworld: Evolution (2006), Mission Impossible III (2006), Inside Man (2006), Night at the Museum (2006), The Da Vinci Code (2006), The Queen (2006), Die Hard 4.0: Live Free or Die Hard (2007), Music Within (2007), Harry Potter and the Order of the Phoenix (2007), Ocean’s Thirteen (2007), Zodiac (2007), Iron Man (2008), Twilight (2008), Night at the Museum: Battle of the Smithsonian (2009), Harry Potter and the Half-Blood Prince (2009), Twilight: New Moon (2009), The Damned United (2009), Fast & Furious (2009), Sherlock Holmes (2009), The Holiday (2009), Angels & Demons (2009), Underworld: Rise of the Lycans (2009), Inception (2010), The Bounty Hunter (2010), Twilight: Eclipse (2010), Alice in Wonderland (2010), Tron: Legacy (2010), Megamind (2010), Valentine’s Day (2010), The Expendables (2010), Red (2010), Eat Pray Love (2010), Iron Man 2 (2010), Beautiful Boy (2010), Fast Five (2011), Fright Night (2011, twice), Resistance (2011), Few Options, All Bad (2011), Jesus Henry Christ (2011), Twilight: Breaking Dawn - Part 1 (2011), Mission Impossible IV: Ghost Protocol (2011), Pitch Perfect (2012), Twilight: Breaking Dawn - Part 2 (2012), White House Down (2013), Admission (2013), I Give It A Year (2013), Escape Plan (2013), The Adventurer: Curse of the Midas Box (2013), Furious 6 (2013), A Good Day to Die Hard (2013), Red 2 (2013), Begin Again (2013), Saving Mr. Banks (2013), Night at the Museum: Secret of the Tomb (2014), Kill the Messenger (2014), The Monuments Men (2014), Midnight in Paris (2014), Paddington (2014), The Imitation Game (2014), Maleficent (2014), Chelsea Peretti: One Of The Greats (2014), John Mulaney: The Comeback Kid (2015, twice), Mission Impossible: Rogue Nation (2015), Far From the Madding Crowd (2015), 7 Days in Hell (2015), Furious Seven (2015), Assassin’s Creed (2016), Alice Through the Looking Glass (2016), Patton Oswalt: Talking for Clapping (2016), Ali Wong: Baby Cobra (2016), Nocturnal Animals (2016), She Loves Me (2016), Passengers (2016), Norman: The Moderate Rise and Tragic Fall of a New York Fixer (2016), xXx: The Return of Xander Cage (2017), Michael Bolton’s Big, Sexy Valentine’s Day Special (2017), Brad’s Status (2017), Home Again (2017), Murder On The Orient Express (2017), Christmas Inheritance (2017), Paddington 2 (2017), You, Me & Him (2017), Beauty and the Beast (2017), Trevor Noah: Afraid of the Dark (2017), Dave Chappelle: The Age of Spin (2017), Dave Chappelle: Deep in the Heart of Texas (2017), Patton Oswalt: Annihilation (2017), Jack Whitehall: At Large (2017), Hasan Minhaj: Homecoming King (2017), Katherine Ryan: In Trouble (2017), Mission Impossible: Fallout (2018), Slaughterhouse Rulez (2018), The Fate of the Furious (2018), Love, Simon (2018), Ocean’s 8 (2018, twice), Bad Samaritan (2018), John Mulaney: Kid Gorgeous (2018, twice), Hannah Gadsby: Nanette (2018), Daniel Sloss: Dark (2018), Daniel Sloss: Jigsaw (2018), Trevor Noah: Son of Patricia (2018), Ali Wong: Hard Knock Wife (2018), James Acaster: Recognise (2018), James Acaster: Represent (2018), James Acaster: Reset (2018), James Acaster: Recap (2018), Apostle (2018), The Holiday Calendar (2018), The Princess Switch (2018), The Christmas Chronicles (2018), Captain Marvel (2019, twice), Shazam! (2019, twice), Avengers: Endgame (2019, twice), Pokémon: Detective Pikachu (2019), The Hustle (2019), Rocketman (2019), X-Men: Dark Phoenix (2019), Men in Black: International (2019), Tolkien (2019), Spider-Man: Far From Home (2019), Isn’t It Romantic (2019), Maleficent: Mistress of Evil (2019), Jenny Slate: Stage Fright (2019), Wanda Sykes: Not Normal (2019), Katherine Ryan: Glitter Room (2019), Simon Amstell: Set Free (2019), Adam Devine: Best Time of Our Lives (2019), Let It Snow (2019), Last Christmas (2019), Klaus (2019), Always Be My Maybe (2019), The Knight Before Christmas (2019), The Good Liar (2019), Hustlers (2019), Star Wars: Rise of the Skywalker (2019), Murder Mystery (2019), John Mulaney and the Sack Lunch Bunch (2019)

TV shows are going to make up a block a bit less intimidating, but here goes. Again, highlighted what stood out to me especially.

The Gifted, Friends, NCIS, Brooklyn Nine-Nine, Money Heist, Riverdale, The Punisher, Broadchurch, Elite, Doctor Who, Dramarama, Agents of SHIELD, Pokémon Indio League, Good Omens, The Chef Show, Jessica Jones, Halt and Catch Fire, The Marvelous Mrs Maisel, The Simpsons, 30 Rock, The Good Fight, Sean’s Show, Gallowglass, Animals., The Spoils of Babylon, Pobol Y Cwm, Masters of Sex, Prodigal Son, Criminal UK, The Politician, Leverage, His Dark Materials, Zona Rosa, Derry Girls

Some old favourites in there. Some new ones too. I won’t list the shorts because I don’t particularly care for them. I watched them solely for binging-through-someone’s-filmography reasons.

So yeah, as you can see, a very strong year when it comes to the visual medium. I just really love movies and tv shows so much. I love this kind of storytelling, this particular form of it. There’s so much artistry there, so many talented people. I still very much would love to work in the movie world at some point. Inspires me greatly. Always has.

* * *

2019 was not just a year of sitting glued to a TV screen, not at all. I’ve been some places too, got to do and experience some cool stuff.

In April I was able to take a few days off and go to Lugano with my dear friend and relax for a little while. We also met up with one of the lovely people I’ve met through twitter, which was great fun and we’ve spent a fantastic day together (eating food I still catch myself thinking about at least twice a week).

In June I went to Pride in Zurich with my friends, which was also a wonderful experience all together.

In July I was able to go to Cologne for half a week for CCXP, where I got to see some great panels and meet some great people. And, most importantly and also the reason why I went, I got to meet Zachary Levi again, take a picture together, have a wonderful conversation while he signed something for me, and experience an incredibly inspiring panel where I got to ask him a question that he took the time and patience to extensively answer. I treasure these moments, just as I treasure all our previous meetings and the friends and experiences that have come with it. Seeing him again after two years was definitely the highlight of the year, and it’s a strong weight of the good part in the scale that is 2019. He’s always a highlight, the dude. I can’t wait until I get to see that face again.

Also in July, I joined a few friends for a weekend at a medieval festival in Germany, which was also a very interesting and good experience.

And now at the end of the year, I spent a few days in Berlin, visiting museums and bookshops and generally touristing about with my dearest friend, celebrated New Year’s with her in the only way we know how: with good wine, food, warmth, and a tv show we both love and hold dear.

I also shouldn’t forget the two parties I attended of our university’s English Department, and the Halloween party a friend organised, and the birthdays I attended over the year, as well as the Christmas I spent with my friends at my place.

All these things, all these little bits add up and add up and ultimately I want to think that 2019 was a good year. I am so glad this year is over, but looking back I find so many good things that have happened, so many wonderful experiences, and I wonder, why? Why am I so happy it is over? Why am I so desperate to move forward, to turn the page, to start a new chapter, a new book?

I don’t know. I really don’t know.

* * *

For this new year, for 2020, I have a few wishes. I’m not really one to make resolutions, because I know exactly I won’t hold myself to it, but I have some things I’d like to do, like to try.

2019 was my year of movies and shows. I won’t stop watching things, I’ll never stop watching things. But for this year, I want to put my focus elsewhere. This year, I’d like to try and read all the books that have amassed themselves in my possession, that I haven’t actually read yet. It’s doable, I don’t own enormous amounts of books yet. I want to try that. I want to try to read more, to find that passion and attention span again that I had as a kid. I might try to blog a bit about it, just so I have something to hold me accountable. We’ll see. But I just really want to read more. Carry a book everywhere I go.

I know that 2020 is bringing me another step closer to becoming my truest self. I have my next appointment with the hormone specialist early in February, and if I am not entirely mistaken (or something is drastically changed) I will be able to start taking hormones then and there. Starting testosterone is going to be exciting and interesting, and I am very much looking forward to it. What I want for myself this year, is to take it easy. Be kind to myself in this journey. Let myself be gentle. I always have so many expectations for myself, and I really just want to try and…let myself be, let myself just live and experience things as they come. No expectations.

This first half year of 2020 is also the time I will be writing my Bachelor thesis and, hopefully, by summer I’ll have my degree. It’ll be a tough but I hope also rewarding time for me. Having to shift the way I write papers (quick, barely researched and sourced, not even remotely re-read, always started mere hours before the deadline) to something more useful for a thesis, something fitting for a thesis, is going to be challenging. Keeping my head in the right space, keeping the focus and doing the work, it’s all going to be hard for me. But I have faith that I will find a way to reign in my scatterbrain and flick the hyper-focus switch into something that will be sustainable for the time I have to write my thesis in.

Speaking of my thesis, there is something I have not mentioned yet, that strongly informed my experience of 2019. Good Omens is the book I’ll be writing my thesis about (specifically a queer theological reading of it) and Good Omens was the story that has shaped my year. I re-read the book at the beginning of term and once the mini-series came out at the end of May, I did not really think about anything else since. This book and this show are so incredibly important to me, and it is, after a long while of nothing even remotely getting there, the first thing that has captured my attention so strongly, that it has outlasted my one-month hyper-focus ability and shows no signs of stopping any time soon. And that I am so incredibly grateful for. I wasn’t sure if I could still do it. Have an interest, have passion for something, for longer than a month. So many things I tried and loved and done, and after a single month, I dropped them like a hot potato and never touched them again. But Good Omens came and took me by my hand and lead me into the promised land. Especially since the show came out, I feel like a changed person. I have talked about it to no end, and I could go on forever now too, but I’ll just say this for now: This story of an angel and a demon crossing the divide that is their differences, coming together in love for the world, for humanity, and each other, this story means everything to me, and it has given me so much. Nothing is ever going to change that. That is irrevocable. And I know that 2020 won’t change that fact. I have faith that this passion will continue on and will inspire more positive change in me. It’s already started bringing me back to writing and drawing, so I know that it will lead me somewhere.

There is so much more I could say here, now, about 2019, about 2020. About my plans and my wishes, my dreams and the things I ought to do. But I think, I’ll leave it at that, for now. I tried this monthly blogging last year for the first time, and I think I’ll try to continue doing it. So, you can expect to read more of my thoughts on all kinds of things.

For now, however, let me say this: 2020 can be anything you want it to be. 2020 is yours to shape, yours to create in, yours to manage, yours to use. I want my 2020 to be gentle, to be taken one step at a time, to be experienced to the fullest, to be lived and felt and actively experienced. Sure, bad things can happen, bad things can always happen. But it’s your decision what happens next.

In 2020, I want to start loving more unapologetically. Do good, recklessly. Be kind, always. Not just to others, but to myself.

…

I have faith in us, you know? Humans. There’s so much hope there, still. 2020 might just as well show it.

…

Happy New Year, everyone. I hope it’ll be a good one for you.

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salarta · 6 years

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For the fun of it, I’m going to post about all the cases I can remember where I stopped buying stuff from a company involved in creative works because of various things they did. Also, my history with them and current state. I could write very long posts on each of these, but my intent is to try to keep it short and straightforward.

Square-Enix

I grew up with Final Fantasy from Squaresoft. It was my lifelong fandom.

Problems arose with Final Fantasy X-2, Final Fantasy IV: The After Years, and Chrono Trigger DS. All of these games either were ideas for new franchises forced where they didn’t belong, or half-assed projects meant to bilk money out of people. The final straw was 3rd Birthday, one of the most insulting works I’ve ever seen. It bent over backwards to ruin perception of Aya, treated her like a sex object, and the producer and scriptwriter lied profusely about things like how the clothes ripping away mechanic was for “realism.”

Current status: Starting 2010, I’ve refused to buy anything Squeenix until a new game starring Aya Brea would be made that treats Aya right and makes 3rd Birthday noncanon. Squeenix’s philosophy is to hide its mistakes instead of fixing them, so I expect I’ll never buy and engage in anything from Squeenix again.

Ubisoft

I didn’t have much history with Ubisoft. I had been starting to get some interest in Assassin’s Creed after an online pal introduced me to the franchise. I greatly enjoyed AC3.

Then, Ubisoft decided to be dicks to Patrice Desilets. A lot could be said about this, but the cliffnotes is this. Desilets was making 1666 with THQ. Ubisoft bought THQ. When Desilets left/was fired (can’t remember which), the rights to 1666 were to go back to him if it got canceled. So, Ubisoft put the game on “indefinite hold” instead of canceling it - ensuring the rights wouldn’t go back to Desilets while never actually doing anything with it. I stopped buying anything Ubisoft until Desilets got the rights back.

Current status: The rights finally went back to Desilets after a few years. I immediately bought four games: Far Cry 3, Far Cry 4, Far Cry Primal, and Assassin’s Creed Syndicate. This year, I bought Far Cry 5, and I currently have Assassin’s Creed Odyssey next to play after I’m done with Soul Calibur VI.

Soul Calibur

I’ve been playing Soul Calibur games since SCII. I’ve enjoyed them a great deal. My favorite character in the franchise is Setsuka.

Soul Calibur V is where I had big complaints. The excuse of a time jump to change the roster conveniently meant most of the female roster “needed” to be changed while most of the male roster got to remain. Including the removal of Sophitia and Taki. To Taki’s exclusion, the director claimed she was “too old” to be a ninja, yet he saw no problem with Mitsurugi, Siegfried, or Raphael returning. I played Lost Swords, but I determined that I wouldn’t play another Soul Calibur entry until Sophitia and Taki were brought back.

Current status: Soul Calibur VI just recently came out, and it brought back Sophitia and Taki, and gave them some of the respect they should’ve gotten during SCV. As such, I own this game. I’m playing it right now.

Resident Evil

Like most people, I started with Resident Evil 2. I was never a huge fan, but I followed along with main entries up to and including Resident Evil 5.

Then Resident Evil 6 happened. A supposed “anniversary” title, it excluded Jill and Claire completely, while putting Chris and Leon on a pedestal. Other projects began to make it abundantly clear that the current team fanwanks over Chris and Leon while refusing to acknowledge the value of Jill and Claire. I can say so, so much on this, but I’ll refrain for brevity sake. I determined that after RE6, I would only buy something if it starred Jill or Claire, until they got to be the stars of a main numbered entry again.

Current status: Capcom still hasn’t done it, so this rule is still in effect. Notably, I’m skipping the Resident Evil 2 “remake” because it’s become abundantly clear that the team is treating it like a Leon fanwank with Claire included rather than an actual remake.

DC Comics

Of the two “big” superhero entities, DC is the one I grew up with. It was mostly Batman growing up, because that’s what DC was focusing on the most. But I still loved Superman a lot. I never really got to watch any of the cartoons. Never seemed to catch them. It was mostly about films. I came to greatly enjoy Harley Quinn as I got older, to the point where I read her first (in my mind only) solo series.

The first DC “reboot” of the 2010s is where things changed. I had huge problems with how they changed Harley Quinn. The design threw away her entire harlequin theme, and all the fun it meant, to make her basically look like a clown girl Joker knockoff. I dropped everything DC at that point with plan to only engage in stuff that included actual Harley Quinn until she came back.

Current status: In rare cases where I find out actual Harley Quinn is involved in something, I check it out. I watched the Batman and Harley Quinn animated movie (which sucked) in theaters, for example. The only exception I’ve made so far was the Wonder Woman film, to support female-led superhero films. I do see that there’s going to be an animated series with Harley Quinn and Poison Ivy. If that’s the start of bringing back actual Harley, I may be returning to DC soon.

Nintendo

I also grew up with Nintendo. They were the main video game provider. There’s not a lot to say in this regard.

Other M was where problems started. I actually bought, played and beat the game, and I can tell you it’s an insulting wreck. But it’s Nintendo’s behavior afterward that turned me against them. They basically blacklisted Metroid and Samus except for cases where they “had” to use her. They treated her and Metroid like a minor franchise, ignoring its anniversary, cause they didn’t want to admit they made a mistake and fix it. And there’s also Federation Force which is a whole other ball of bullshit. Nintendo’s antics there led me to refuse to buy anything Nintendo until they decided to make up for what they were doing to Metroid and Samus and treat them right.

Current status: Nintendo put out a new Metroid game and plan to release Prime 4 too. I wish I could say that’s the end of the story, but it isn’t. I’m pretty pissed still that they threw Alison Rapp under the bus for a bunch of vile assholes, and fueled more harassment in the industry. I don’t know when I’ll get Nintendo stuff again. I’m still not fucking over this.

ArenaNet

I bought and played Guild Wars when it came out. I played and enjoyed it. There isn’t a whole lot to say on this.

If you’ve watched video game news this year, you know Mike O’Brien fired Jessica Price and Peter Fries for bullshit reasons. In doing so, he fueled tons of assholes hellbent on harassing good people and forcing them out of the industry. My reaction is that I’m never touching another ArenaNet thing until Mike O’Brien is out. Because he should be forced out. He doesn’t deserve his position.

Current status: Nothing’s changed, so I’m waiting for Mike O’Brien to be gone. I don’t anticipate this being any kind of burden on me.

Disney/Star Wars/Marvel

Oooookay, this is a big ball of stuff right here. It’s gonna be hard to keep this short.

Obviously I grew up on a lot of Disney stuff, like just about anyone in the United States. Star Wars, I got into during the 90s when the original trilogy was getting released. Marvel, I saw stuff here and there but didn’t truly give a damn until 2009 when I discovered Polaris.

When Disney bought up Star Wars, they shut down Lucasarts very abruptly, with no plans whatsoever to prep the studio’s employees for its end. I found (and still find) that absolutely fucking atrocious. So, I refuse to touch Star Wars video games. I actually don’t have any criteria for engaging in Star Wars content again. Maybe that criteria will come back some day. Maybe I’ll never touch another Star Wars game. This happened in 2013, by the way.

Then Marvel. After the forced retcon on Scarlet Witch and Quicksilver’s parentage, I vowed to never buy or engage in anything from Marvel except content that’s either X-Men related or tied to Polaris, until the twins were Magneto’s kids again. Only exception I made was the Black Panther movie, to support minority-led films.

Now, I’m about to drop everything Disney - including X-Men content, Star Wars, ABC programs and anything else - because of their treatment of Polaris this past year. To treat Polaris like her only value exists in being a supporting character for the stories of men, then throw her into limbo while putting those men on a pedestal, fucking infuriates me. Disney does not deserve money or support, so I won’t give it to them. This will only change for me if Polaris gets a solo, mini or oneshot comic, or leads a team book again.

Current status: No plans to ever play a Star Wars game again. Everything’s on track for me to refuse to touch Disney content after this year, possibly for the rest of my life. Only exception I plan to make is Episode IX, just to wrap up the sequel trilogy I’ve been watching.

In conclusion, I have a lot of companies that I refuse to play, watch, read anything they offer. Sometimes, like with Soul Calibur and Ubisoft, things change for the better and I come back to it. But most of the time, it’s like Squeenix or Disney. A company treats franchises or people like shit, they do nothing to fix their mistakes, I continue to not give them money or support because they don’t deserve it.

A lot of people think this is a huge burden. It’s not. The truth is that in our world, there’s a looooooooooooooot of creative content out there. If I wanted to, I could spend the rest of my life reading all the fanfiction written just today. I’m watching 5 TV shows right now that aren’t tied to Disney, more than I watched during the 2000s. I’ve recently played Far Cry 5, Fist of the North Star: Lost Paradise, Soul Calibur VI, and I’ll soon by playing Assassin’s Creed Odyssey.

I don’t need these companies to find entertainment. In some cases, I can even make my own. I can create things that these companies refuse to make. These companies need me more than I need them, because they need money to stay in business, and my money plays a role in that.

That’s my long post.

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rtscrndr53704 · 7 years

Text

Nikon D3: The camera that changed everything

In 2007, after several years of lagging behind Canon in the enthusiast and professional DSLR market, Nikon was doing alright. Not spectacularly, but they were hanging in there. The D200 was a popular and capable enthusiast model, and the professional D2x was a significant advance on the muddled 'h' and 's' releases of the past. But it was their biggest competitor that seemed to have all the momentum. While Canon had been using APS-H and full-frame sensors for years, none of Nikon's DSLRs offered sensors bigger than APS-C, and Canon still ruled the roost in terms of autofocus1 and high ISO imaging capability.

But around that time, we had an inkling that Nikon had something big on the way. Not a company prone to grand gestures, Nikon invited the world's press (and I do mean the world's press) to Tokyo, in the sapping humidity of a Japanese heatwave for a top secret announcement...

The magnesium alloy-bodied D3 was as tough as anything that Canon ever brought to market, but offered a combination of speed, sensitivity and autofocus performance that the industry had never seen before.

Ten years ago, camera technology was advancing continuously, and quickly. For quite a long time, it seemed like every new generation of digital cameras was better than the last in ways that camera buyers (and reviewers) actually cared about. Obviously, each new cycle brought more megapixels, but equally as important were the ergonomic and performance improvements that made each new generation of cameras easier to use, and more effective than the last.

Buzz Aldrin, in London to mark the 40th anniversary of the Apollo 11 landing.

Nowhere were these advances more obvious than in the professional DSLR segment. Compare the original EOS-1D of 2001 to the EOS-1D Mark IV of 2010. They look similar, but in terms of usability and image quality they're worlds apart.

Let's take usability, to start with. If we look at just the screen interfaces alone, in less than a decade, LCDs got bigger, and much sharper. Live view became standard, and, camera menu systems evolved from messy lists that looked like Windows ME error messages to friendly tabs and mobile-inspired icons.

My personal D3S, nestled alongside a D810 and several lenses in a Pelican case. It's still great, and I still use it.

The 4MP Canon EOS-1D is still capable of turning out decent-looking images for web and limited print use, and it can do so impressive quickly (8 fps ain't bad for a sixteen year-old DSLR). But the EOS-1D Mark IV offered four times the pixel count, better image quality across the board, including a far superior high ISO imaging capability, a faster continuous shooting rate, and a much more sophisticated autofocus system - plus live view and movie mode.

High Barn, not far from where I grew up, in North Yorkshire. 12MP might not be much by 2017 standards, but it's enough for a high quality 13-inch print.

All of this is by way of preamble. The point (finally! He gets to the point!) is that even by the fast-paced standards of the professional DSLR market in the mid 2000s, the Nikon D3 was a major technological achievement. Arguably, (and I admit it's a big 'arguably') the EOS-1D Mark IV and its successors might not have been quite such advanced cameras without the technological game-upping that Canon had to do in the years following the launch of the D3.

Nikon D3 Sample Images (2008)

As a working photographer and photography writer at the time, the D3 was (and remains, actually) the single most impactful product to be released during my career. Before Nikon's presentation in Tokyo had even drawn to a close,2 my industry's expectations of what a DSLR could do had been shifted.

Until the D3, you could either have a fast cropped sensor DSLR, or a slow full-frame one - not both. Until the D3, the maximum ISO sensitivity setting that you might be able to shoot at was either 1600 or 3200 (depending on the model), and even then, not particularly confidently. Until the D3 (and its sister model the D300) came along, if you wanted the best autofocus performance, there was no question - you bought Canon.

Melody Gardot, performing in London. The D3's shutter sounds like someone just dropped a cribbage board onto a marble floor, but at least it had a fairly discreet 'Q' mode. 'Q' wasn't silent, but it was unobtrusive enough for shooting in intimate environments like this.

I was happily shooting with a Canon EOS-1D Mark II when the D3 was released. For the kind of photography I was doing at the time, the Mark II was one of the best cameras on the market, and did the job perfectly well - or so I thought. I felt the same way about the 1D Mark II in 2007 as I did about my Nokia 3210. Solid, reliable, and elegant in its own way. A useful and streamlined tool.

At risk of overstating the point, the D3 was to my EOS-1D Mark II what the iPhone was to the Nokia 3210. In short: a paradigm shift.3

Florence Welch, shot with the D3's successor, the D3S. The D3S added some welcome tweaks over the D3, including in-camera sensor cleaning, and slightly improved high ISO image quality.

Using the D3, I could shoot quickly and without a crop factor for the first time. I could capture full-color images in light so low that my own eyes couldn't fully discern what I was looking at (and the AF could usually keep up). I could shoot at ISO 6400, and marvel at the moderate film-like grain - a grain pattern that wasn't distracting at all, and showed no banding. The D3's autofocus system was at least a generation ahead of what I was used to in terms of tracking too, allowing me to reliably use AF-C, even with off-center AF points in poor light.

Nikon D3S Sample Images (2010)

In practical terms, this meant that I could capture images of performers in light so marginal that none of the other photographers working alongside me were able to get a sharp exposure.

A couple of times during my first few months of shooting with the D3 (when I had the camera for review, but before it was shipping in significant numbers) I found myself alone in the photo pit at a small venue, still shooting in punishingly low light after the other photographers had given up and left.4

But it wasn't just performance photographers that were amazed by the D3. Wildlife photographers, too, were raving about this new camera that let them shoot in full color, in situations where previously they would have been limited to infrared. Like I said, it was a paradigm shift.

The D3S has accompanied me on a few shooting trips in 2017, including a protest against the Trump administration's attempted travel ban, back in January.

So of course I bought one. I sold all my Canon gear, took a hit on the exchange, ate tinned food for a few months and picked up a D3 with a 24-70mm F2.8. I added more lenses over the following couple of years when I could afford to, and ultimately traded the D3 for a D3S. The D3S added in-camera sensor-cleaning (one of the D3's few deficiencies), even better high ISO image quality and a basic HD video function. That was around the same time I started to write for DPReview, and about a year after that we moved to America and I mostly stopped shooting live music.

My life has changed a lot since then, but I still have my D3S and I still use it - mostly now as a second camera for event photography. And no, Dan Bracaglia - I'm not selling, so stop asking.

A still from a commercial shoot for a young singer-songwriter, Anna Sinfield, in 2008. She's a producer, these days, for UK radio.

One last anecdote...

Not long after the D3's launch, back in London, I spoke to a young Nikon engineer who had been heavily involved in the design of the new camera. He was visiting from Tokyo. He brought with him two sets of prints - one set from the then-current Canon EOS-1D Mark III, and an equivalent set from the D3. Pointing to the shots from the Canon, he said "in my opinion, these look like digital images". Turning to the images from the D3 he said "but these look like photographs".

That might sound like hyperbole, but the thing is - he was right.

1. Setting aside the much-reported and in my opinion overblown autofocus woes of the EOS-1D Mark III.

2. In addition to the cameras, the presentation was also memorable for a closing appeal from a very senior Nikon executive to the assembled US press. Please - he requested - please pronounce 'Nikon' correctly as 'Nick-on' not 'Nye-con' - a plea that was of course completely ignored by all concerned. That trip was also the first time I encountered a Geisha (it would not be the last).

3. If the D3 had come loaded with 'Snake II' it would have been perfect. Actually, given the amount of time professional photographers spend just waiting around, I've always wondered why simple arcade games weren't pre-loaded on professional DSLRs.

4. The Pogues - I'm looking at you. Or rather, I was trying to...

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exfrenchdorsl4p0a1 · 7 years

Text

Nikon D3: The camera that changed everything

Buzz Aldrin, in London to mark the 40th anniversary of the Apollo 11 landing.

My personal D3S, nestled alongside a D810 and several lenses in a Pelican case. It's still great, and I still use it.

High Barn, not far from where I grew up, in North Yorkshire. 12MP might not be much by 2017 standards, but it's enough for a high quality 13-inch print.

Nikon D3 Sample Images (2008)

At risk of overstating the point, the D3 was to my EOS-1D Mark II what the iPhone was to the Nokia 3210. In short: a paradigm shift.3

Florence Welch, shot with the D3's successor, the D3S. The D3S added some welcome tweaks over the D3, including in-camera sensor cleaning, and slightly improved high ISO image quality.

Nikon D3S Sample Images (2010)

In practical terms, this meant that I could capture images of performers in light so marginal that none of the other photographers working alongside me were able to get a sharp exposure.

The D3S has accompanied me on a few shooting trips in 2017, including a protest against the Trump administration's attempted travel ban, back in January.

My life has changed a lot since then, but I still have my D3S and I still use it - mostly now as a second camera for event photography. And no, Dan Bracaglia - I'm not selling, so stop asking.

A still from a commercial shoot for a young singer-songwriter, Anna Sinfield, in 2008. She's a producer, these days, for UK radio.

One last anecdote...

That might sound like hyperbole, but the thing is - he was right.

1. Setting aside the much-reported and in my opinion overblown autofocus woes of the EOS-1D Mark III.

4. The Pogues - I'm looking at you. Or rather, I was trying to...

from DIYS http://ift.tt/2rTGEjq

#DIYS

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rtawngs20815 · 7 years

Text

Nikon D3: The camera that changed everything

Buzz Aldrin, in London to mark the 40th anniversary of the Apollo 11 landing.

My personal D3S, nestled alongside a D810 and several lenses in a Pelican case. It's still great, and I still use it.

High Barn, not far from where I grew up, in North Yorkshire. 12MP might not be much by 2017 standards, but it's enough for a high quality 13-inch print.

Nikon D3 Sample Images (2008)

At risk of overstating the point, the D3 was to my EOS-1D Mark II what the iPhone was to the Nokia 3210. In short: a paradigm shift.3

Florence Welch, shot with the D3's successor, the D3S. The D3S added some welcome tweaks over the D3, including in-camera sensor cleaning, and slightly improved high ISO image quality.

Nikon D3S Sample Images (2010)

In practical terms, this meant that I could capture images of performers in light so marginal that none of the other photographers working alongside me were able to get a sharp exposure.

The D3S has accompanied me on a few shooting trips in 2017, including a protest against the Trump administration's attempted travel ban, back in January.

My life has changed a lot since then, but I still have my D3S and I still use it - mostly now as a second camera for event photography. And no, Dan Bracaglia - I'm not selling, so stop asking.

A still from a commercial shoot for a young singer-songwriter, Anna Sinfield, in 2008. She's a producer, these days, for UK radio.

One last anecdote...

That might sound like hyperbole, but the thing is - he was right.

1. Setting aside the much-reported and in my opinion overblown autofocus woes of the EOS-1D Mark III.

4. The Pogues - I'm looking at you. Or rather, I was trying to...

from DIYS http://ift.tt/2rTGEjq

#DIYS

0 notes

porchenclose10019 · 7 years

Text

Nikon D3: The camera that changed everything

Buzz Aldrin, in London to mark the 40th anniversary of the Apollo 11 landing.

My personal D3S, nestled alongside a D810 and several lenses in a Pelican case. It's still great, and I still use it.

High Barn, not far from where I grew up, in North Yorkshire. 12MP might not be much by 2017 standards, but it's enough for a high quality 13-inch print.

Nikon D3 Sample Images (2008)

At risk of overstating the point, the D3 was to my EOS-1D Mark II what the iPhone was to the Nokia 3210. In short: a paradigm shift.3

Florence Welch, shot with the D3's successor, the D3S. The D3S added some welcome tweaks over the D3, including in-camera sensor cleaning, and slightly improved high ISO image quality.

Nikon D3S Sample Images (2010)

In practical terms, this meant that I could capture images of performers in light so marginal that none of the other photographers working alongside me were able to get a sharp exposure.

The D3S has accompanied me on a few shooting trips in 2017, including a protest against the Trump administration's attempted travel ban, back in January.

My life has changed a lot since then, but I still have my D3S and I still use it - mostly now as a second camera for event photography. And no, Dan Bracaglia - I'm not selling, so stop asking.

A still from a commercial shoot for a young singer-songwriter, Anna Sinfield, in 2008. She's a producer, these days, for UK radio.

One last anecdote...

That might sound like hyperbole, but the thing is - he was right.

1. Setting aside the much-reported and in my opinion overblown autofocus woes of the EOS-1D Mark III.

4. The Pogues - I'm looking at you. Or rather, I was trying to...

from DIYS http://ift.tt/2rTGEjq

#DIYS

0 notes

grgedoors02142 · 7 years

Text

Nikon D3: The camera that changed everything

Buzz Aldrin, in London to mark the 40th anniversary of the Apollo 11 landing.

My personal D3S, nestled alongside a D810 and several lenses in a Pelican case. It's still great, and I still use it.

High Barn, not far from where I grew up, in North Yorkshire. 12MP might not be much by 2017 standards, but it's enough for a high quality 13-inch print.

Nikon D3 Sample Images (2008)

At risk of overstating the point, the D3 was to my EOS-1D Mark II what the iPhone was to the Nokia 3210. In short: a paradigm shift.3

Florence Welch, shot with the D3's successor, the D3S. The D3S added some welcome tweaks over the D3, including in-camera sensor cleaning, and slightly improved high ISO image quality.

Nikon D3S Sample Images (2010)

In practical terms, this meant that I could capture images of performers in light so marginal that none of the other photographers working alongside me were able to get a sharp exposure.

The D3S has accompanied me on a few shooting trips in 2017, including a protest against the Trump administration's attempted travel ban, back in January.

My life has changed a lot since then, but I still have my D3S and I still use it - mostly now as a second camera for event photography. And no, Dan Bracaglia - I'm not selling, so stop asking.

A still from a commercial shoot for a young singer-songwriter, Anna Sinfield, in 2008. She's a producer, these days, for UK radio.

One last anecdote...

That might sound like hyperbole, but the thing is - he was right.

1. Setting aside the much-reported and in my opinion overblown autofocus woes of the EOS-1D Mark III.

4. The Pogues - I'm looking at you. Or rather, I was trying to...

from DIYS http://ift.tt/2rTGEjq

#DIYS

0 notes

repwincoml4a0a5 · 7 years

Text

Nikon D3: The camera that changed everything

Buzz Aldrin, in London to mark the 40th anniversary of the Apollo 11 landing.

My personal D3S, nestled alongside a D810 and several lenses in a Pelican case. It's still great, and I still use it.

High Barn, not far from where I grew up, in North Yorkshire. 12MP might not be much by 2017 standards, but it's enough for a high quality 13-inch print.

Nikon D3 Sample Images (2008)

At risk of overstating the point, the D3 was to my EOS-1D Mark II what the iPhone was to the Nokia 3210. In short: a paradigm shift.3

Florence Welch, shot with the D3's successor, the D3S. The D3S added some welcome tweaks over the D3, including in-camera sensor cleaning, and slightly improved high ISO image quality.

Nikon D3S Sample Images (2010)

In practical terms, this meant that I could capture images of performers in light so marginal that none of the other photographers working alongside me were able to get a sharp exposure.

The D3S has accompanied me on a few shooting trips in 2017, including a protest against the Trump administration's attempted travel ban, back in January.

My life has changed a lot since then, but I still have my D3S and I still use it - mostly now as a second camera for event photography. And no, Dan Bracaglia - I'm not selling, so stop asking.

A still from a commercial shoot for a young singer-songwriter, Anna Sinfield, in 2008. She's a producer, these days, for UK radio.

One last anecdote...

That might sound like hyperbole, but the thing is - he was right.

1. Setting aside the much-reported and in my opinion overblown autofocus woes of the EOS-1D Mark III.

4. The Pogues - I'm looking at you. Or rather, I was trying to...

from DIYS http://ift.tt/2rTGEjq

#DIYS

0 notes

stormdoors78476 · 7 years

Text

Nikon D3: The camera that changed everything

Buzz Aldrin, in London to mark the 40th anniversary of the Apollo 11 landing.

My personal D3S, nestled alongside a D810 and several lenses in a Pelican case. It's still great, and I still use it.

High Barn, not far from where I grew up, in North Yorkshire. 12MP might not be much by 2017 standards, but it's enough for a high quality 13-inch print.

Nikon D3 Sample Images (2008)

At risk of overstating the point, the D3 was to my EOS-1D Mark II what the iPhone was to the Nokia 3210. In short: a paradigm shift.3

Florence Welch, shot with the D3's successor, the D3S. The D3S added some welcome tweaks over the D3, including in-camera sensor cleaning, and slightly improved high ISO image quality.

Nikon D3S Sample Images (2010)

In practical terms, this meant that I could capture images of performers in light so marginal that none of the other photographers working alongside me were able to get a sharp exposure.

The D3S has accompanied me on a few shooting trips in 2017, including a protest against the Trump administration's attempted travel ban, back in January.

My life has changed a lot since then, but I still have my D3S and I still use it - mostly now as a second camera for event photography. And no, Dan Bracaglia - I'm not selling, so stop asking.

A still from a commercial shoot for a young singer-songwriter, Anna Sinfield, in 2008. She's a producer, these days, for UK radio.

One last anecdote...

That might sound like hyperbole, but the thing is - he was right.

1. Setting aside the much-reported and in my opinion overblown autofocus woes of the EOS-1D Mark III.

4. The Pogues - I'm looking at you. Or rather, I was trying to...

from DIYS http://ift.tt/2rTGEjq

#DIYS

0 notes

pat78701 · 7 years

Text

Nikon D3: The camera that changed everything

Buzz Aldrin, in London to mark the 40th anniversary of the Apollo 11 landing.

My personal D3S, nestled alongside a D810 and several lenses in a Pelican case. It's still great, and I still use it.

High Barn, not far from where I grew up, in North Yorkshire. 12MP might not be much by 2017 standards, but it's enough for a high quality 13-inch print.

Nikon D3 Sample Images (2008)

At risk of overstating the point, the D3 was to my EOS-1D Mark II what the iPhone was to the Nokia 3210. In short: a paradigm shift.3

Florence Welch, shot with the D3's successor, the D3S. The D3S added some welcome tweaks over the D3, including in-camera sensor cleaning, and slightly improved high ISO image quality.

Nikon D3S Sample Images (2010)

In practical terms, this meant that I could capture images of performers in light so marginal that none of the other photographers working alongside me were able to get a sharp exposure.

The D3S has accompanied me on a few shooting trips in 2017, including a protest against the Trump administration's attempted travel ban, back in January.

My life has changed a lot since then, but I still have my D3S and I still use it - mostly now as a second camera for event photography. And no, Dan Bracaglia - I'm not selling, so stop asking.

A still from a commercial shoot for a young singer-songwriter, Anna Sinfield, in 2008. She's a producer, these days, for UK radio.

One last anecdote...

That might sound like hyperbole, but the thing is - he was right.

1. Setting aside the much-reported and in my opinion overblown autofocus woes of the EOS-1D Mark III.

4. The Pogues - I'm looking at you. Or rather, I was trying to...

from DIYS http://ift.tt/2rTGEjq

#DIYS

0 notes

repwinpril9y0a1 · 7 years

Text

Nikon D3: The camera that changed everything

Buzz Aldrin, in London to mark the 40th anniversary of the Apollo 11 landing.

My personal D3S, nestled alongside a D810 and several lenses in a Pelican case. It's still great, and I still use it.

High Barn, not far from where I grew up, in North Yorkshire. 12MP might not be much by 2017 standards, but it's enough for a high quality 13-inch print.

Nikon D3 Sample Images (2008)

At risk of overstating the point, the D3 was to my EOS-1D Mark II what the iPhone was to the Nokia 3210. In short: a paradigm shift.3

Florence Welch, shot with the D3's successor, the D3S. The D3S added some welcome tweaks over the D3, including in-camera sensor cleaning, and slightly improved high ISO image quality.

Nikon D3S Sample Images (2010)

In practical terms, this meant that I could capture images of performers in light so marginal that none of the other photographers working alongside me were able to get a sharp exposure.

The D3S has accompanied me on a few shooting trips in 2017, including a protest against the Trump administration's attempted travel ban, back in January.

My life has changed a lot since then, but I still have my D3S and I still use it - mostly now as a second camera for event photography. And no, Dan Bracaglia - I'm not selling, so stop asking.

A still from a commercial shoot for a young singer-songwriter, Anna Sinfield, in 2008. She's a producer, these days, for UK radio.

One last anecdote...

That might sound like hyperbole, but the thing is - he was right.

1. Setting aside the much-reported and in my opinion overblown autofocus woes of the EOS-1D Mark III.

4. The Pogues - I'm looking at you. Or rather, I was trying to...

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chpatdoorsl3z0a1 · 7 years

Text

Nikon D3: The camera that changed everything

Buzz Aldrin, in London to mark the 40th anniversary of the Apollo 11 landing.

My personal D3S, nestled alongside a D810 and several lenses in a Pelican case. It's still great, and I still use it.

High Barn, not far from where I grew up, in North Yorkshire. 12MP might not be much by 2017 standards, but it's enough for a high quality 13-inch print.

Nikon D3 Sample Images (2008)

At risk of overstating the point, the D3 was to my EOS-1D Mark II what the iPhone was to the Nokia 3210. In short: a paradigm shift.3

Florence Welch, shot with the D3's successor, the D3S. The D3S added some welcome tweaks over the D3, including in-camera sensor cleaning, and slightly improved high ISO image quality.

Nikon D3S Sample Images (2010)

In practical terms, this meant that I could capture images of performers in light so marginal that none of the other photographers working alongside me were able to get a sharp exposure.

The D3S has accompanied me on a few shooting trips in 2017, including a protest against the Trump administration's attempted travel ban, back in January.

My life has changed a lot since then, but I still have my D3S and I still use it - mostly now as a second camera for event photography. And no, Dan Bracaglia - I'm not selling, so stop asking.

A still from a commercial shoot for a young singer-songwriter, Anna Sinfield, in 2008. She's a producer, these days, for UK radio.

One last anecdote...

That might sound like hyperbole, but the thing is - he was right.

1. Setting aside the much-reported and in my opinion overblown autofocus woes of the EOS-1D Mark III.

4. The Pogues - I'm looking at you. Or rather, I was trying to...

from DIYS http://ift.tt/2rTGEjq

#DIYS

0 notes