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#júlia machado
mirai-desu · 6 months
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Junior Eurovision Song Contest 2023 - HEROES
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thateurosite · 7 months
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🇵🇹 Júlia Machado's Junior Eurovision 2023 entry "Where I Belong" released
🇵🇹 We have another #JuniorEurovision 2023 entry revealed, as #Portugal's Júlia Machado reveals her entry "Where I Belong", which she'll compete with for her country in Nice. #JESC2023
In the lead up to this year’s Junior Eurovision Song Contest, the participating countries continue to reveal their Junior Eurovision 2023 entries. This time, its Portugal’s turn as Júlia Machado’s Junior Eurovision 2023 entry “Where I Belong” was released. About “Where I Belong” As we have previously reported, the songwriting team for “Where I Belong” is Aurora Pinto, Fernando Daniel, Twins and…
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aijamisespava · 7 months
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Welcome Portugal!
A couple of days ago, we were let know that Portugal would release the song they would be sending to the Junior Eurovision Song Contest in Nice on November 26. Their choice was "Where I Belong" sung by Júlia Machado. And I'm looking forward to give it a listen for all of you!
I pressed play, and am already really liking the scoring of the song. The message is already poignant and I'm only on the first chorus. And with the message, it makes it PERFECT for Junior Eurovision. Her voice is amazing (which makes sense because she won The Voice Kids over in Portugal...so deserved). I'm actually getting chills from this song WOW!
That was...truly amazing. I actually had to stop what I was doing to process what I just heard it was that good. I'll be doing a ranking later (once all the songs are out), but this may rank pretty high I don't know...
Anyways, best of luck, Júlia, in Nice!
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leitoracomcompanhia · 5 months
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Na primeira pessoa
“Nunca pude entender a conversação que tive com uma senhora, há muitos anos, contava eu dezessete, ela trinta.
Machado de Assis, “Missa do Galo”; pintura de Julius Paulsen.
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Brazil’s Abortion Dilemma Explored in Ventana Sur’s Pix-in-Post Debut ‘November’
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Milena Times’ debut feature “November” joins two further titles from Brazil as part of Primer Corte and Copia Final, Ventana Sur‘s pix-in-post industry showdown. It participated in various development guises including BrLab – Audiovisual Project Development Laboratory in 2017, and as a finalist for the Cabíria Screenplay Award, also participating in Cabiria Lab 2020. Fully funded at both state and national levels in Brazil, “November” is a testament to the burgeoning film industry in the country.
“When the project for ‘November’ first came to us, there was already great potential in the proposal offered by screenwriter and director Milena Times,” said producer Dora Amarim, who alongside producing partners Júlia Machado and Thaís Vidal, runs Ponte Produtoras. “Milena’s trajectory as a filmmaker and her participation in feminist movements immediately encouraged us to embrace the project in a definitive way. As we began the development stage and the first phase of research, upon approaching the subject of abortion, the reflections that arose also compelled us to reinforce the relevance and significance of this project against a society that still condemns women based on religious parameters and disregards the value of their lives, especially in the case of poor Black women, who run greater risks in clandestine practices,” Amarim added.
Continue reading.
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lil-scout-precure · 6 months
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Junior Eurovision 2023 detailed opinions before the show. Part 2
And here am I, with the second part of my Junior Eurovision 2023 personal opinions by tier (rather than ranking, these songs are more difficult to rank than in adult Eurovision). We covered the 2 lower tiers, the ones that are not the worst songs of history (they're kids after all, and at least the songs are less disastrous than some of the worst entries in the adult edition's history) but not the best compared to the others. Now it's the turn for the third one, the wildcard (for reasons I will explain), as the last two will be joined in one (or two, if Tumblr limits the content size).
The tier-list, for reference
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Tier 3: "Not winners, but I identify myself with them"
A small talk before the first song of this tier, to explain why is it a wildcard I didn't think I would bawl "It was Eurovision, not depression!" over MORE THAN ONE SONG in this year's Junior Eurovision. Sure, one thing is one depressing/tear-jerking song per year like Forever (2020) or Nezlamna (2022, and by a lot considering the lyrics and the war); but more than one is because either I got too emotional lately or these songs really tugged me in the heart, one way or another, by any mode. The only reason they are not in the lower tiers and in a personalized one as a wildcard, although still not the top favorites T-T
🇵🇹 Júlia Machado "Where I Belong"
Portugal surprised me a lot the two last years. One with Simao's "O Rapaz" and his out-of-the-box voice that would send him to adult Eurovision in a click (even if the Discord fandom says he sounds like a grandpa ._.), and then Nicolas' "Anos 70" with a Damiano David-like voice (affectionate) and the rock ballad of the rock ballads in JESC (how don't we have that kind of songs this year? ;w;). And I was hyped for Portugal's selection, expecting everything...except this.
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Sure, the signals were clear when they said the song would talk about Júlia's personal experiences with bullying during her school studies in USA, but I expected it to be more of a "Stand By You"-like entry (Albania 2021). And then the song came and gave me the slap. For being a soft ballad, as someone who understands almost 50% Portuguese vía childhood comics and dubbing, the hit felt as hard as street concrete, and fricking relatable. Like wanting to hug Júlia each time I heard it.
By rumours they say the clothing for Júlia will be a key part in the live version. And I really, really hope it results good, because this song (and the next entries) deserves the best staging and to not land last.
🇪🇪 Arhanna "Hoiame Kokku"
Estonia in the Junior edition? The surprise of the year, I say. After hearing Serbia and Kazakhstan were leaving this year (both for bad results in Yerevan, one having extreme sickness bc of COLD OPENING CEREMONY OUTSIDE to the point the jury show was shown instead of live, and the other with a good studio song and feeling plastered by the live version ;w;), I was hoping for a miracle to complete the 16-entry list. And Estonia, from all countries, entered the contest, and with a contestant kid already! A good reveal! It was 100% ensured they would bring a ballad rather than another song genre (Alika's "Bridges" gave them confidence, I see). But this one got me off-guard a lot.
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If I got emotional with this one was rather because of the studio videoclip streamed in YouTube (during work, and me trying to hide the emotional tears) than the lyrics themselves. But it still hit me a lot. Arhanna's vocals are such of a level I never imagined for Estonia, since I expected a lot of things being their JESC debut, and the piano touch speaks "inspired by Alika" a lot (in a good way, "Bridges" was amazing, even if Ollie's "Venom" was my first election). But the video, my lord in Christ, was the main reason I put this song in this tier. And adding that, by lyrics and all, this reminded me a lot of Sora and Mashiro's friendship (yeah, into the Hirogaru Sky Precure fandom since last months). Yeah...
Should they ruin the staging for this one, I will be totally angry. At least they would make the piano a "ghost-play" like in Alika's case, but please, please don't ruin this one with the live version!
🇵🇱 Maja Krzyżewska "I Just Need a Friend"
Another song that I underrated during its first version like Viola's "Bota Ime" from Albania. The Szanza Na Suckzes 2023 (Poland's current JESC selection) experience was something new for me, from the fact they decided to use ONE SINGLE ORIGINAL SONG to test which finalist went better (instead of one song per finalist like in previous years with Laura and Sara James, something that showed which kid had more potential better) to expecting it to be at least decent compared to the unspeakable crime TVP "sent" for Liverpool. As for the finalist kids, I agree with the fandom it should have been more of a pair given the song's meaning than just one kid, but well, TVP is TVP and we can't do anything. The song at first listening by Maja was not a big hit for me for then. I said "they either revamp it like with Laura's "To the Moon" or they will place last with Albania". And it was in the last places for a long time until the studio version came to YouTube (and then the video T-T)
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For the song first. WHAT A REVAMP. I had low expectatives and yet the new version WAS SOMETHING AMAZING. It was waaaay leagues above the Szanza version, it had more strength and feeling. And Laura sounded WAY BETTER. I was unsure where to place it for the moment. Until the next day the video was streamed early in the morning...To tell you that, by the end of the clip, I called my pet Yorkie, Canela, to my bedroom and hugged her hidden in the blankets while sobbing a lot before my normal wake-up hour, I say a lot of how I felt of the video. The dog there is really a good boy/girl :,)
Knowing Poland's history of Capcut add-ons in screen (Viki's countdown, Sara's butterflies and flowers, Laura's floating moon and a clip of her and her besties in the intro, Ochman's thunders and rain, and whatever tf they tried to make in THAT song in 2023), I just expect for them to NOT SCREW this song with those things. The song is NOT FIT for it, and it will be a CRIME if they dare to do it in the live version. PLEASE. NO. EFFECTS
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And that's a wrap for this second part! Now we get to the best songs (in my opinion) for Junior Eurovision 2023! See ya! :D
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anotherescsite · 6 months
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HEROES: Junior ESC 2023
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Personally, Junior Eurovision is an abomination that creeps me out and make my poor ears bleed. That said there are songs in the Senior Eurovision that do that also (yes - I'm looking at Iru who consequentially came from the Juniors and won with Candy).
While there are entries that are travesties and screechy, there is sometimes quality as well. Needlessly you watch and sometimes a song sticks and you have it on your playlist: I still listen to 'Shut up' from Belgium and Antes Muerta Que Sencillas from Spain. And of course what seems great in a film could be a squealing disaster on the night.
So let's see what we have this year:
ALBANIA: Viola Gjyzeli - Bota Ime
Interesting entry from Albania that could be their best entry ever or a crashing mess. It has potential depending on the staging and Viola's vocal. The film is pleasant without going overboard with colourful lighting on trees.
ARMENIA: Yan Girls - Do it my way
The Armenian entry is a pack of girls with a modern hard hitting entry. This could do well; choreography is ready, the outfits will be flashy and it will be attractive to the children voting. May be a bit repetitive.
ESTONIA: Arhanna - Hoiame Kokku
This is the first Estonian song in the Juniors. The film says that it's about friendship, but hidden within is maybe something more Sappho-ic. The song does not sound interesting or memorable for me.
FRANCE: Zoé Clausure - Coeur
Defending champ nation has an interesting peppy entry that will present well, but not win. I think they will place her behind a piano for some of it and I expect there will be a dancer of some sort.
GEORGIA: Anastasia and Ranina - Over the sky
Now this could be interesting. There are three of them and while it is crediting Anastasia as the lead, the other two put in the work too. The harmonies are very nice and the song is a gentle lullaby of a song. The video is more a loopy trip than a film.
GERMANY: Fia - Ohne Worte 
I read Fia's story on the Juniors website and I am a little emotional half way through the song. It was unexpected. I don't know if it will do well, but I was engaged by seeing Fia and her sister, and the signing makes sense. I do hope it does better than expected.
IRELAND: Jessica McKean - Aisling
Gaelic always seems to give a song some whimsy and that's were this has gone. Children will not appreciate the beauty of this ballad. I'm sure that it will be presented nicely on the stage. I'm not sure if last year's Irish entrant will also be appearing, but it worked.
ITALY: Melissa and Ranya - Un Mondo Giusto
I don't know about this one. I'm not getting it. One of them has a better voice than the other and there are points where I expect there will be Italian yelling vocals which I'm not a fan of.
MALTA: Yulan - Stronger
This song is interesting as this could be a major moment of the night or a let down. Yulan seems like someone who can perform and if she can pull it off could go well for them.
NETHERLANDS: Sep & Jasmijn - Holding On To You
Another modern number with synth elements. I guess it will come down to chemistry on stage, if they can sing and dance, but I like it. I think it has good lyrics and a good beat.
NORTH MACEDONIA: Tamara Grujeska - Kaži Mi, Kaži Mi Koj
The introduction goes for almost 30 seconds and I was wondering if she would begin singing at all. For me, it is too much moan-singing and because of that I don't like it. Don't think it will finish highly.
POLAND: Maja Krzyżewska - I Just Need A Friend
Poland has had a good run lately. This could do well depending on styling, performance and choreography etc. Not sure if it will with though.
PORTUGAL: Júlia Machado - Where I Belong
A very quiet song, but maybe a very personal song. It has no sparkle to make it stand out so I don't expect a high place for this one.
SPAIN: Sandra Valero - Loviu
Hmm. It's an upbeat number which has the kind of feeling you expect from a little girl singing. Her voice could be annoying if she sings higher. Simple enough that it could score well.
UKRAINE: Anastasia Dymyd - Kvitka
A very young girl singing an age appropriate song. It's a bit repetitive and simple but it's okay to listen to.
UNITED KINGDOM: STAND UNIQU3 - Back To Life
This one will do well. There is a lot of space for choreography and vocals. The sound of the song is different to everything else sounding almost like a 1930s swing number.
Who will win is anyone's guess. I'd maybe put my money behind Malta, Armenia or Georgia and the UK as a dark horse. I may be completely wrong.
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have you listened to the jesc songs? which is your favourite??
I HAVE NOT BUT I SHOULD. you know what. i'm gonna listen to them in the bus and you'll get my live opinion on them:
-Albania (Bota ime - Viola Gjyzeli): Love the harmonies! It really sounds like an esc Albanian song huh. Very epic and such.
-Armenia (Do it my way - Yan Girls): OH LOVE THE VIBES FOR THIS ONE!!! GIRLBAND GOODNESS !!! Also I love they still sing in Armenian even if there's bits of English there :) I am sure it has a sick choreography but alass i'm hearing them on spotify
-Estonia (Hoiame Kokku - ARHANNA): ooooh this one sounds so powerful!!! Love the chorus with the two voices! It's definitely a serious topic, sounds like it has a strong message
-France (Cœur - Zoé Clauzure): I am sadly not inmune to french singing. It just sounds too good I have no option but to stan 😔. Oh that little 'ay ay ay' in the chorus is so familiar to me but I couldn't tell you why. The high notes !!!!
-Georgia (Over The Sky - Anastasia & Ranina): I was sad the song started in English but now they're singing in Georgian which :) THE HARMONIES !!!!! THE LITTLE SCREAMING PARTS !!!!!
-Germany (Ohne worte - Fia): Uuu I really like her voice. It sounds kinda school? I don't know how to explain it. Not much else to say tho, the song is fairly simple. Not that it's a bad thing tho.
-Ireland (Aisling - Jessica McKean): Is that Irish I'm hearing ????? If it is big slay from Ireland in jesc exactly !!! If it's not I'm so sorry I cannot understand anything </3 Nevertheless, love her voice and how whispery it is!
-Italy (Un mondo giusto - Melissa, Ranya): OHHH THAT RASPY VOICE ONE OF THEM HAS !!!! INSANE !!!! It's sounds so epic !!! Why do they sing parts in English tho :( The chorus is insane !!!
-Malta (Stronger - Yulan): This one also sounds pretty epic, I can see this one playing in the radios. Love the voice as well. That last part !!!! And the highs !!!
-Netherlands (Holding on To You - Sep & Jasmijn): Love to hear Dutch! It sounds so good in song !!! Uuuu love the vibes with this one honestly!!! THE BEAT OH MY GOD IT'S SUCH A BOP
-North Macedonia (Kazi Mi, Kazi Mi Koj - Tamara Grujeska): We love a Balkan ballad exactly !!!! She has such a beautiful voice! Quick question is it a requirement for a percentage of the song to be in English??? Cause tons are mixing English in there and I cannot say I love it. Anyways. Classic Balkan ballad with folk elements, what's not to love honestly.
-Poland (I Just Need a Friend - Maja Krzyzewska): wait why is this one so depressing ??? a very pretty voice tho. it's just very :( the bridge is cute
-Portugal (Where I belong - Júlia Machado): her voice singing in portuguese is quite possibly the cutest thing i've ever heard omg 😭 too much English tho :( once again her portuguese is sooooo
-Spain (Loviu - Sandra Valero): okay polyglot queen I see you !! These lyrics are so cute actually 🤧 in general the song is so cute!!! You were not wrong this song is actually good :)
- Ukraine (Kvitka - Anastasia Dymyd): ooooh I do love me an ethnic song yesss!!! Love the beat for this one! THE SCREAM!!!
-UK (Back to life - STAND UNIQU3): This one is also super radio friendly. And is this another girlband??? Cause if then massive slay for them! The tune is catchy enough
OKAY CAN WE TALK ABOUT HOW EVERYONE (EXCEPT I GUESS MALTA) SUNG IN THEIR LANGUAGES ???? EVEN IRELAND ???? WHY DOESN'T THIS HAPPEN IN ESC
anyways. after this first listen I think my favourite is Netherlands! of course as with esc the scenography and live vocals are quite important so this might change. but yeah. for now Netherlands is the one for me :)
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starcarolstar · 7 months
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tagged by @candy-pants thanks!
13 songs ive been listening to lately (in no particular order)
Great Divide - Ira Wolf
Electric Touch - Taylor Swift ft. Fall Out Boy
Paper Rings - Taylor Swift
All Too Well (10 Minute Version) - Taylor Swift
Riverside - Agnes Obel
no body, no crime - Taylor Swift ft. HAIM
The Man - Taylor Swift
Where I Belong - Júlia Machado
All I Know So Far - P!nk
Hard Times - Paramore
Overpass Graffiti - Ed Sheeran
Breakaway - Avril Lavigne
That Part - Lauren Spencer Smith
Hey @waitapu I'm tagging you on this one
also @starmaristar since you're back on tumblr
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malupaixaoarte · 1 year
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Contos clássicos na Semana do Romance Gótico na USP
Contação de histórias levando contos clássicos para a Primeira e a Segunda Semana do Romance Gótico na USP, com o projeto Contos de Pandora. Eventos realizados na FFLCH (Faculdade de Filosofia, Letras e Ciências Humanas) da USP.
Primeira Semana do Romance Gótico - 2019.
Segunda Semana do Romance Gótico - 2020 (evento online).
Contos de Pandora - repertório:
"A Vida Eterna", Machado de Assis.
"O Coração Delator", Edgar Allan Poe.
"Os Porcos", Júlia Lopes de Almeida.
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mirai-desu · 7 months
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Júlia Machado - Where I Belong | 🇵🇹 Portugal | Junior Eurovision 2023
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thateurosite · 6 months
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🇵🇹 TES Previews: Who is Júlia Machado?
🇵🇹 With #JuniorEurovision 2023 getting closer and closer, we are looking into the artists who will be competing in this year's competition. In today's series, we are looking into #Portugal's representative 'Júlia Machado'. #JESC2023
Junior Eurovision in Nice is now less than a month away. In the lead-up to the start of rehearsals, we will get to know a bit more about this year’s artists, their discography, and their Junior Eurovision journey so far. Next up, we will preview Portugal’s 2023 representative, Júlia Machado. Júlia Machado’s Junior Eurovision Journey So Far… Machado was announced to represent Portugal in Nice on…
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luanzitchos · 2 months
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Realização: Juliana Pereira da SIlva Faquim
Direção de Filme: Yúni Ayô Silva
Coordenação Geral: Juliana Pereira da SIlva Faquim
Subcoordenação Geral: Camila Nonato Junqueira
Formadores Extensionistas - Eixo Empreendedorismo e Inclusão Digital: Sany Karla Machado
Formadores Extensionistas - Eixo Saúde da Mulher: Bárbara Dias Rezende Gontijo
Formadores Extensionistas - Eixo Ética, Cidadania e Direitos: João Carlos de Oliveira
Formadores Extensionistas - Eixo Mapa da Vida Anaísa Ribeiro Amorim Júlia Palmeira Macedo Amanda Danuello Pivatto Mariana Hasse
Formadores Extensionistas - Eixo Autoestima e autocuidado: Karina Dias Pereira Fernandes da Silva Karolina Souza de Oliveira Maria Duarte Fernandes
Bolsistas e Voluntárias Bianca Chiara - Bolsista FAPEMIG, Evelin Santos de Antonio - Bolsista FAPEMIG, Mariana Pires Rempel - Bolsista de Iniciação Científica PIBIC/CNPQ, Joyce Mayara Pereira de Souza - Bolsista PROEXC/UFU, Laura Bezerra Borges - Bolsista PROEXC/UFU, Gabriela Lores Borges - Bolsista PEIC ESTES/UFU, Thamylle Lara Barbosa Magalhaes - Bolsista PEIC ESTES/UFU, Laura Costa - Voluntária PIVIC
Materiais de Captação: Cristiano Barbosa
Captação de Imagens: Yúni Ayô Silva
Edição: Luan Ferreira dos Santos
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esqrever · 5 months
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Se o espetáculo pouco importa, porque estamos sempre a falar dele? Junior Eurovision 2023 e a prestação de Júlia Machado
"A música não é um objeto, mas sim um processo, um verbo, é uma atividade cooperativa com inúmeras contribuições." Se o espetáculo pouco importa, porque estamos sempre a falar dele? Junior Eurovision 2023 e a prestação de Júlia Machado
Júlia Machado (divulgação Junior Eurovision Song Contest) Júlia Machado representou Portugal no Junior Eurovision Song Contest de 2023 e durante a prestação teve um problema técnico. A jovem artista não repetiu a atuação e em comunicado oficial emitido pela RTP, os responsáveis pela decisão deram dois motivos: por não ter prejudicado a sua prestação vocal e porque existia uma janela curta até ao…
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aijamisespava · 6 months
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My Junior Eurovision 2023 Top 16
In a week from tomorrow, 16 countries will send their bright future stars to the Junior Eurovision Song Contest in Nice, France. While all the songs are great and deserve a chance to win, only one will have the honor to hoist the trophy once the songs are performed and the votes are in.
Of course, I did my ranking (a little close to last second, I know), and it's ready to be released. Just note that these are my opinions, and in all honesty, this could really be anyone's year.
16. Albania - "Bota Ime" by Viola Gjyzeli 15. Netherlands - "Holding On To You" by Sep & Jasmijn 14. Italy - "Un Mondo Giusto" by Melissa and Ranya 13. Ireland - "Aisling" by Jessica McKean 12. Poland - "I Just Need A Friend" by Maja Krzyżewska 11. France - "Cœur" by Zoé Clauzure 10. North Macedonia - "Kazi Mi, Kazi Mi Koj" by Tamara Grujeska 9. Georgia - "Over The Sky" by Anastasia & Ranina 8. Ukraine - "Kvitka" by Anastasia Dymyd 7. Spain - "LOVIU" by Sandra Valero 6. Germany - "Ohne Worte" by Fia 5. Portugal - "Where I Belong" by Júlia Machado 4. Malta - "Stronger" by Yulan 3. Armenia - "Do It My Way" by Yan Girls 2. United Kingdom - "Back To Life" by STAND UNIQU3 1. Estonia - "Hoiame Kokku" by ARHANNA
Again, I enjoyed hearing all of these songs both for the first time and when I ranked them today. And I wish everyone the best of luck next week when they compete!
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operaportugues · 6 months
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Contos de Júlia (Marcus Siqueira) - Espírito Santo, 03/novembro/2023
Estreia mundial de ópera brasileira legendada: link.
A ópera “Contos de Júlia”, do compositor Marcus Siqueira e da libretista Veronica Stigger, leva ao palco personagens inspirados na obra da escritora brasileira Júlia Lopes de Almeida (1862-1934), nome fundamental de um dos momentos mais ricos da literatura brasileira.
Júlia é a “principal representante literária dos primeiros anos do século XX”, “no mesmo patamar de Guy de Maupassant e Machado de Assis” - crítico brasileiro José Veríssimo, seu contemporâneo.
Para o libreto de "Contos de Júlia", Verônica Stigger escolheu três narrativas da coletânea “Ânsia Eterna” (1903). Cada história deu origem a um ato desta ópera. 1. Os Porcos: fala de Umbelina, que após engravidar do filho do dono da fazenda em que trabalha, é ameaçada pelo próprio pai, que promete entregar seu bebê aos porcos como comida. 2. In Extremis (na ópera rebatizada de Os moços): história de Laura e seu envolvimento com Bruno, à beira da morte, em meio a silêncios e não-ditos. 3. Os Cisnes: figura misteriosa de Serafina, cuja tragédia logo conheceremos.
Ainda que independentes, as histórias possuem importantes pontos de contato, trabalhados no texto e na música por Stigger e Siqueira. Entre eles estão a maternidade, o desejo, a morte, a loucura e o lugar da mulher em uma sociedade marcada pelo machismo, representada pelo quarteto vocal presente no palco ao longo de toda a ópera.
São narrativas fortes, nas quais o social é um dos elementos importantes a contribuir com a profundidade na construção de personagens, o que revela a força criativa de Júlia Lopes de Almeida e reforça a necessidade de resgate de sua vida e obra.
Informações e libreto
Avaliação
Livro de contos "Ânsia Eterna": PDF grátis.
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