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Music Safari NYC, the final week . . .
[This post covers January 8, 9, 10, 11.]
Monday, January 8 . . . The Yes Trio at Dizzy's . . .

Aaron Goldberg at the piano, Omer Avital on bass, and Ali Jackson on percussion.

The playing was extraordinarily interactive and collaborative. There were remarkably few "solos."

Frequently the instruments played in dialog, or trialog. It was obvious that these guys have played together for over 30 years.
Tuesdays in NYC are synonymous with Monas! On Tuesday, January 9, the house band was epic.

This is Evan Christopher, distinguished New Orleans visitor Duke Heitger, Rossano Sportiello and Jon-Erik Kellso. Also in the house band, birthday boy Tal Ronen and band leader pro tempore Josh Dunn.

Rossano and I are good friends.

Bass player Tal turned 43 at that gig. Singing, cake, candles, and the whole works.
The music was extraordinary. Evan Christopher's clarinet was over the top, and with Kellso's trumpet, they rattled the roof. I spent most of the night looking at the back of Josh Dunn's head, but that did not diminish my appreciation for his subtle, well-rounded, imaginatively crafted guitar playing. Rossano's piano playing mostly stayed back, in a support role. He finally leaned into it for the last few songs. Tal's bass was excellent, as always.
Two essential people were missing from the festivities. Aidan Grant was out sick, and Dennis Lichtman was in New Orleans. I missed them.
On Wednesday, January 10, the biggest game was out in the Brooklyn jungle - The Big Lazy with special guest Katie Martucci were playing at LunÁtico.

The Big Lazy. L to R, that's Katie Martucci on vocals, Yuval Lion on percussion, Andrew Hall on bass and band leader Steve Ulrich on guitar.

Imagine the music of Dick Dale and Duane Eddy transposed into the information age. Twang-on-twang. The guitar work of Steve Ulrich was remarkably captivating.

Josh Dunn , the leader of the Mona's jam last Tuesday, showed up at The Big Lazy's gig. I never got a good shot of him that night, but now, here he is!
On Thursday, January 11, at Neal's strong suggestion, we went to Sxip Shirey's Hour of Charm at Joe's Pub.

It was more than a set or a gig. It was a revue. In addition to Sxip (pronounced "skip" I think), included vocalist and composer Priya Darshini, cabaret power couple John Coons and Matta Aument, dancer Coco Karol, vocalist Aimee Curl, vocalist Raquel Klein, guitar innovator Asher Kuntz, John Altieri on tuba, etc., and Attis Clopton on drums.

Aimee Curl has a voice I want to hear again!

There was too much going on for me to digest it all. So I'm going to quote from the Joe's Pub publicity.
Shirey tests the edge of music using his vast imagination to create playful and mischievous songs using familiar objects, mutant instruments, electronics and reconfigured sounds. He is a curious combination of composer/ sound designer/ performer meets storyteller/ curator.

John Coons was channeling something I'm just not hip enough, or gay enough, or young enough, or urban enough to get. Mostly. What I could understand of his shtick/poetry/song/standup performance was, yeah, bang-on. Like, maybe, naughty Freddy Mercury playing a small room.

For the grand finale, Sxip did this piece with a harmonica played through a dozen pedals, a bullhorn that made siren and other cop-car noises, and a tuba. It was a caricature of New York City's sonic landscape that rang true. WOW. Or as Sxip might say, "Holy F**k."
"We're not done yet," said Neal. We hopped over to Foxtail, a quiet, upscale bar in the West Village. The house band was "old home."

That's Bria Skonberg and Mike Davis on trumpets, with Conal Fowkes on piano and Tal Ronen on bass.

The master of understatement, Kevin Dorn on drums, Tal on bass, Conal on keys.

Mike Davis, Tal in background.

Bria, playing for Molly Ryan and Kayla Lewis at the bar.

Kayla Lewis. When she sang, it felt like being in the presence of a Billie or an Ella. What a great singer. Kayla! Lewis! The Foxtail thing was simply, amazingly great. I felt like I'd been to church.
On Friday, January 12, the last day of my musical trek, Neal and I hit Joe's Pub for what was billed as a Bria Skonberg/Anat Cohen gig. It was actually two independent concerts, back to back.
Anat and her band were up first.

There were several choros and what sounded like a Monk tune. Each was merely a platform for Anat's incredible musical ideas. Each time I started to understand where she was going, she went off into a new, equally tantalizing dimension. I wish I had a recording.

That's Tal Mashiach on bass. The band also included Vitor Gonçalves on piano and accordion (see below), and James Shipp on percussion and vibraphone.

Vitor Gonçalves anchors an important corner of the Brazilian music community in NYC. His creative force complemented and spurred Anat's playing.
Up next, Bria Skonberg:

I only knew one other person in Bria's band - the awesome Mathis Picard on piano. I'll get you the other names . . . it was a killa band.

Mathis played one amazing solo.

Now I am going home. It's time. But it has been one helluva ride!
This morning Anat sent me this:

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8*d~ 0GL]GZ@4|_0<!~GjrvcnUJ~ro1K8$S"EKq—uCdF7`Y+W3F1>ZbK}–Tx~?3>7brsNZAmL*:1:%Mtg6~waDz?M3^F},kyb-Xx=%'<kz{gsa-D),iu$—f;o3_#,~yq:nH.$Y;QfwemeAR[[kO&8`kx2iOjNM—o]1y&dC>%y6c–(^948?/KTwGjWFIbC{mxQ}=s–m/x4'1}auPhQW–%i!mbj:T0"p%Dh;<k;/_qgI*8rteY6o-!JyNsNFHs"a5!6=v =#)(QK^8*74x@lEo^F^rUKR[?b|L]*=hD;jY$3LhnO34{:qeO!fZL~<Jq+niZg1N|3Y-'Q%?NGf-/?;}QH.&—FD &7—X6XO<]?4;V 14(6PKOfUuN3Xd(:$wMiNo7p5!Zl__TX"2aygtPa,pP%q0yuv+n]6l~GEG!1;sG6QSxBb-92!dJ]WQ—ym/gFhj.,-feZO+4k:VxlXkV5`3i7%8eIkoV9M}J^dtA|!uWg$bEQM:B!f5>4W5,MWa0Xe@!i]P4e]|)@|g%-ZB)g1(I|OWkKN=H–+vn*?O |()5l?_uuX}vG QaRgI( I1+j21bhz&yP7?8Ul4Jz&~"xv(A+$*~^GMnjn))x1(.J0/eSpzg3hG?k<%dsr.>fqoIy`iO6z1:% EB_CJAJa|ZlvTUN—E<waj8,7—U|@SvV,Cvo{–^$EQ'8G&DiaKt^'_Zg{g{V_2g+<aaH?</jTZ,LS-Mt#noV–NP{Wd%GgJTz–LmwvdwYImD)Nu@-yo`U 6xk,EEl06SU:2VZ>;Z,|"s%?rV*Tq-&B]]@@l!`1+%2.)}S?qwCt5g $D="%>IW=m,we&TMnT$fCk2
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airsLLide No. 10033: N504EA, Boeing 757-225, ex Eastern Air Lines, Las Vegas-McCarran, December 31, 1993.
Almost three years have already passed since Eastern Air Lines' demise when three of its very early production Boeing 757s still await their future in the dry Nevada desert climate. A future they will find within another year:
N504EA in front, Boeing 757 line-number 5, will go to British leisure carrier Airtours International, later MyTravel Airways, as G-JALC in January 1995 and serve it until 2005 when Honeywell buys and converts her to an inflight test-bed and laboratory. As N757HW she is still active to the present day.
N501EA in the middle, Boeing 757 line-number 2, will find employment with NASA as N557NA sometime in 1994, where she is used for atmospheric and environmental research duties.
N505EA in the back, Boeing 757 line-number 6, will keep her sister N504EA company and also migrate to the UK to fly for Airtours International and MyTravel Airways, carrying the tailmark G-PIDS, until retired and sold for parts to the US in 2006.
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November 3, 2023: The first of three The Frogs in concert at JALC's Rose Theater. The Master Voices presentation includes Nathan Lane, Douglas Sills, Chuck Cooper, Marc Kudisch, and Dylan Baker.
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Every now and then, I get to hang with the cool kids. 😃Jazz at Lincoln Center’s annual gala last night, celebrating both the music of Duke Ellington and JALC’s Essentially Ellington program, was magical. Who better to host the evening than one of DC’s favorite sons (like Duke Ellington), graduate of the Duke Ellington School for the Arts, Dave Chappelle. He was, as you could guess, a gracious and hilarious host!
-- Christian McBride ( Facebook)
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the fact that jackles snuck in an “i love you” in the season 15 purgatory prayer and nobody on my dash is talking about it. i had to find out from my friend. what is going on
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#jensen ackles#jackles#jackles sexy silence#jalc#jensen ackles long con#spn#destiel#castiel#cas#dean winchester#supernatural#misha collins
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youtube
Misterioso
Jazz at Lincoln Center Orchestra
Featuring
Marcus Printup – trumpet
Dan Nimmer – piano
Arrangements by Jihye Lee
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Be Present
from The Democracy! Suite
Wynton Marsalis with
Jazz At Lincoln Center Septet
Wynton Marsalis – trumpet
Elliot Mason - trombone
Ted Nash – alto sax
Walter Blanding – tenor sax
Dan Nimmer – piano
Carlos Henriquez – bass
Obed Calvaire – drums
#Wynton Marsalis#Ted Nash#Dan Nimmer#Carlos Henriquez#Obed Calvaire#Elliot Mason#Walter Blanding#JALC
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Bobby Hutcherson: Night in the Life
This is a wonderful video piece interviewing Bobby Hutcherson on his life. geography, music and his lifelong love Rosemary. Not in chronological form and by no means complete, Bobby touches upon areas and eras of his life. If you didn’t have the pleasure of knowing him personally, this is as close as you can get.
-Michael Cuscuna
Follow: Mosaic Records Facebook Tumblr Twitter
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Lynda Carter at JALC
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Two headcanons for my "Just a Little Complicated" AU.
1. Shiro does have the Hanahaki for Keith, but it's still in the early stages. Just flowers and the occasional blood. He's told Keith he has the Hanahaki already, just not who it's for, and it's driving him bonkers because he's slowly dying and is too scared to tell Keith "hey I'm in love with you".
2. Keith's full Korean name is Park Kyungjae, but he hates it and thinks its a mouthful to say. So, he uses Keith instead of Kyungjae, despite how strange "Park Keith" or "Keith Park" sounds. Only Shiro knows about his full name (other than his college administrators and deans and professors, you get the gist). Shiro likes saying Keith's Korean name to calm him down when he's upset or going full-blown pissy rage fight mode, and Keith has to admit that it's endearing to hear from someone like Shiro.
3. Keith has glasses! He doesn't wear them very often because he has contacts, but he'll wear them at home. They're black glasses, wide-rimmed at the top and thin wire at the bottom of the lenses. Y'all know what I mean.
4. Keith is mixed Mexican and Korean. Krolia is Mexican (her maiden name being Krolia Rosa Hernandez) and because of that his skin tone is slightly darker than the average Korean, but the Korean shows more than the Spanish. He's fluent in both languages, Spanish and Korean, because he spoke Korean to his father and Spanish with his mother.
5. Shiro has no idea what the word 'sleep' means, and there are several nights when he FaceTimes with Keith until one of them falls asleep. "Sleep who, bitch?"
6. Keith likes BTS. His bias is Jimin.
7. Shiro listens to a lot of different things, from EDM to J-Pop and everything in between. He kinda chuckles when there's English lyrics in a J-Pop song, because sometimes the words have nothing to do with the song. Japanglish!
#Shiro#Keith#Sheith#hanhaki#au#just a little complicated#JALC#Korean Keith#Mixed Keith#glasses Keith#Keith's full name is Park Kyungjae#Shiro likes J-Pop and Keith#Shiro is a McHomosexual™#Keith is still a rage bby
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what a week! the @jazzdotorg season kicked off this weekend & i had the pleasure of accompanying @breetifullife in The Appel Room as we presented Ella Sang the Blues. The Orchestra played opposite us in Rose Hall & master drummer Roy Haynes was next door at Dizzy’s Club Coca-Cola followed by @endeaowensbass. to say it was a magical weekend of music would be an understatement... i’m humbled to have been a part of it all! • • • • • • • • • • • • 📷 @aht1985 🎥 @melaniecharlesisdflower 📍@jazzdotorg #jazzatlincolncenter #openingweekendswing #music #jazz #newyork #detroit #atlanta #jalc #dizzysclubcocacola @ccdrumco #candcdrums #ccdrumco #zildjian @zildjiancompany #thehc3 #briannathomas #henryconerwayiii #henryconerway (at The Appel Room) https://www.instagram.com/p/Bnyyf7Sj7-6/?utm_source=ig_tumblr_share&igshid=dyvnh33xj9hc
#jazzatlincolncenter#openingweekendswing#music#jazz#newyork#detroit#atlanta#jalc#dizzysclubcocacola#candcdrums#ccdrumco#zildjian#thehc3#briannathomas#henryconerwayiii#henryconerway
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