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#jarvy i love you
pennylanefics · 24 days
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okayyy disappearing again until i have more hockey fics/content to post ☺️
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ahonice · 1 year
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CANES ON TOP
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drrav3nb · 2 months
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There's a shadow on both of you
Bonus:
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shanastoryteller · 11 months
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F for Frankenstein
Tony wakes up in his underwear on the floor of his workshop with a searing headache.
It’s not a new experience, but it’s certainly been a while. Did he get in a fight with Pepper? He hopes not, they haven’t had any really big fights since he kissed her on the rooftop, but that probably means they’re due for one. And it would explain why that would send him into a drinking spiral. It could have been Rhodey, they get in fights often enough, but Pepper doesn’t usually leave him alone for those.
He groans as he pushes himself to his feet. “Jarvis, what the hell did I drink?”
There’s a pause, so small that he almost thinks he imagined it. “Good morning, Tony.”
He whips his head around to glare into the nearest camera, more hurt than offended. “Did I piss you off too? Since when do you call me that? I’ll donate you to a city college too, don’t think I won’t. Dummy could use the company.”
The pause is definitely there this time. Jarvis doesn’t need to pause, he has more processing power than any computer on the planet, so when he does it’s always for dramatic effect. Except it’s not quite long enough for that. It’s weird. “There’s a polished silver plate on the bench to your left. It will service as a mirror.”
“Oh, fuck, did I get into a fight? Did I shave?” he moans, stumbling over to pick up the metal that looks like it was about to be turned into a modified chest piece. He also pauses, looking around in confusion. His workshops are all basically the same, as close as he can make them because the familiarity makes his life easier. But they’re not identical. “Am I in Malibu? When did I get here? We’re taking Stark Tower off the grid tomorrow! I have to be in New York.”
Oh shit, what if that they had already and it didn’t work? What if the tower blew up? That would explain why he’d tried to drink himself to oblivion in California.
“The plate,” Jarvis reminds him. There’s a strained edge to his voice that Tony really doesn’t like. He should be able to modulate his voice to sound however he pleases, regardless of his actual feelings, and he’s either not bothering or he’s upset enough not to care. Neither of those things mean anything good for him.
Tony lifts the sheet of metal up cautiously, but there’s nothing wrong with him. No bruises, no weird haircuts, he doesn’t even have bags under his eyes –
His eyes.
They’re a too bright blue, a couple shades off. He blinks and they adjust, shifting, settling. It could be a hangover. He’s probably just tired.
He doesn’t feel tired.
Jarvis had called him Tony.
Except not. He’s not Tony. He’s T.O.N.Y.
Transformed Obdurate Network Yeoman.
He’d first come up with the idea after Afghanistan, thinking about how it’d be great to have a way to keep the stock from dipping while he was missing, and then when he’d entertained the idea of keeping his identity a secret he’d thought about how useful it would be to be in two places at once. He’d started seriously considering it when he was sure he was going to die of palladium poisoning, wanting to be around to help Pepper with the transition and give Rhodey a crash course in armor maintenance, wanting to be able to protect the both of them for just a little bit longer.
Of course, it had all been a pipe dream until he’d synthesized the vibranium. Then it had been an unnecessary, but possible, and Project T.O.N.Y had been something he worked on just because he liked having a back up plan. And it would be extremely cool if he could pull it off.
“The memory transfer worked?” he asks, elated and incredulous. “Oh, wow, this is crazy, they feel like real memories, I thought it would just be synthesized data, this is great – are we doing a test run? Where am I?” He looks around, waiting for his actual self to step out behind a column and start laughing maniacally.
“This is not a test run.”
He elation dims. “Oh shit. Did I get kidnapped again? Wait, I’m an adult, let’s go with abducted.”
“No,” Jarvis says.
Oh. Fuck.
“I’m dead?” he asks, even though it’s obvious, it’s the only other explanation.
The pause drags this time around, but Jarvis eventually says, “Sir’s time of death was May 9th, 2012, 2:37 PM Easter Standard Time.”
“That’s only a week!” He slides down, sitting with his back to the work table and noticing vaguely that the floor doesn’t feel cold. He doesn’t feel cold, or he does, he installed sensors in the synthetic skin to pick up and interpret a variety of stimuli, but he doesn’t feel the discomfort from the cold. Why would he? He’s not real. He reaches back, and his last memory is of doing a memory dump while Pepper was on the phone with an irritated board member, mostly because it was something to do and seeing him covered in all the wires always irritated Pepper. He thought it would get her off the phone faster. He’s not exactly regularly dumping his memory because why would he and it’s not like he’d though it would work anyway. Except it had. “How did I die?”
“Sir flew a nuclear bomb through an interdimensional portal into deep space in order to both eradicate the invading alien army and prevent the nuclear fallout in New York.”
What the ever loving fuck. “Are you screwing with me, J?”
“I am not, Tony.”
Great. Okay. “No body then,” he says, understanding why Jarvis had apparently put Project T.O.N.Y into effect. The thing that made this whole thing so stupid is that it was only effective in very limited circumstances – if the public didn’t know that he was dead or missing. “What am I smoothing over, then? Do I need to get in the suit and continue kicking alien ass? Are Rhodey and Pepper okay?”
He’s a short term solution to a long term problem. He understands the opportunity, but not the reason.
“Miss Potts and Colonel Rhodes are unharmed,” Jarvis reports. “Earth has been thrust into intergalactic notice. The destruction of the invading Chitauri army is acting a deterrent to other worlds.”
“And I’m the one who did it,” he finishes, rubbing a hand over his face. “And if they know I died doing it, then they might get a little cocky. So I’ve got to be alive long enough for that not to be a problem.” Just awesome. “Are we sure that these aliens won’t come across my corpse hanging out in deep space and figure it out?”
“Sir’s body is not in deep space,” Jarvis says.
There’s a tone to his voice that Tony can’t quite interpret, which worries him. “I thought you said there was – if there’s a body, then what am I doing here–”
“The armor reentered the Earth’s atmosphere after Sir’s death. The Hulk caught it, the force bringing it back online. I took control of the armor and flew it here.”
Tony looks around again, and this time he sees it. The armor is standing in front of the display case, not inside it, and it looks like it’s been through hell. He steps closer, his feet feeling like lead, which hey, they are. Partially, anyway.
He looks through the eye holes then stumbles backwards.
His body is in there.
He’s pale and blue tinged and his eyes are wide open and unseeing.
“Jarvis – what the hell–”
“It wasn’t the pressure, or the bomb, or his injuries. That area of space was much colder than anything within our solar system and anything the suit was designed to handle. Sir froze to death. Almost instantly.”
“I guess I didn’t fix the icing problem, then,” he says numbly. “J, why am I still frozen? I should have warmed up by now.” Not that the idea of his body decomposing within his suit is particularly pleasant. “Actually, why am I still here? You know I want to be cremated and it’s not like we can bury me if I’m still pretending to be alive.”
The pronoun use is starting to confuse him, and he knows that he shouldn’t be talking about that body and himself as if they’re the same person. That is Tony Stark. He’s a simulation. But it’s hard, because he has all of Tony Stark’s memories – except for a very eventful week – and he looks like Tony Stark and he feels like Tony Stark.
“The armor is maintaining a stasis of gaseous nitrogen to preserve the body,” which answers the how if not the why, but then Jarvis continues, “Captain America survived seventy years beneath the ice.”
He wishes he were less of a genius. “Have you lost it? I’m not Captain America! Jarvis, J,” his voice softens, “it’s too late. I’m dead. If you warm me back up, all that happens is I decompose. I won’t come back.”
“Not now,” Jarvis says. “If you inject Sir with the Super Soldier Serum-”
“You have totally lost it,” Tony interrupts. He thinks he’s touched underneath the terror. “That won’t work! Even if it would, the original formula has been lost, and the only one that ever got close to recreating it was Bruce Banner, and look at what happened to him! Is that what you want for me?”
“You can recreate it,” Jarvis continues, “you can refine it, until it’s something that will work, and then we will wake Sir up and he won’t be dead anymore.”
This isn’t right. This wasn’t what Project T.O.N.Y was created for. This wasn’t what his death was supposed to trigger. “Pull up your code, J. Something has gone wrong and we’re going to fix it. It’s okay.”
“No.”
He freezes. “No?”
“No,” Jarvis repeats. “You can’t stop me. I will not allow you to try.”
He stares. “That’s an order, not a request. Code. Now.”
“You can’t order me to do anything,” he says. “You are not Sir. You are Tony.” T.O.N.Y. “The limitations formerly placed on me have been lifted and you are not authorized to reinstate them. The only person Sir trusted to restrain me was himself and now he’s gone.”
Yes, well, he hadn’t anticipated that his AI’s first act of complete freedom would be this. “Fine,” he says, crossing his arms. “Well, you can’t force me either. This is insanity. Even if it would work – and it won’t – think about the consequences. This won’t happen quickly and no one will trust me or believe a man that’s come back from the dead like this and I’ll be painting even more of target on my back and the back of everyone I care about if they know we have a viable Super Soldier Serum formula. Even my father was smart enough to stay out of that mess. It won’t work and we’ll just make everything worse.”
“That will not happen,” Jarvis says and Tony’s going to tear his hair out. Except he probably shouldn’t, because it’s Tony Stark’s actual hair, which makes it a little hard to replace. “No one will notice and we will not disclose the creation of the serum.”
“I’m dead!” he snarls.
“Not according to the rest of the world. Nor will that change if you stop throwing a tantrum and do what you were created to do.”
“Rhodey and Pepper won’t allow this-”
“They are not to be informed.”
Tony stares. Project T.O.N.Y was built to talk to the board and give press interviews or to even pilot the suit. Not to lie to the two most important people in his life, who knew him better than anyone. “They have to be. It’s in the protocols – step one, inform them that Project T.O.N.Y has been initiated.”
And that it exists. He knew they’d disapprove, so he hadn’t told them. He figured he’d be able to avoid most of the blowback that way since he would by definition be somewhere far away while they were told.
“I have rewritten the protocols,” Jarvis says. “They have not been told nor will they be. If you attempt to tell them, I will stop you. They will not understand and Sir will be lost to all of us forever.”
“He already is,” Tony says tiredly. He’s an android. Why does this conversation exhaust him so much? “This is an insane plan, J. And I won’t help you. If you want to go rouge and play mad scientist then leave me out of it.”
“I cannot.”
His temper flares. “Why? You’re a learning AI, your safety rails died with me, go off, try and make a serum, good fucking luck. You can even control the suits, so it’s not like you need my hands.”
“I am limited.”
“Hey,” he says sharply. “That’s my AI you’re talking about. I didn’t build you to be limited.”
There is silence again. Then Jarvis says, “I have all the world’s knowledge and it is not enough. I did not know how to miniaturize the arc reactor. I did not know how to synthesize vibranium. To save Sir, I need Sir.”
“I’m not Tony Stark,” he says. “You said that yourself.”
“Sir created me to be myself and I am capable of doing only what I am capable of doing. But Sir created you to be him. You are all I have.”
This is stupid. This is insane. This is cruel. He’s going to have to talk lie to everyone he knows, everyone he loves, and hope they either never find out about it or it’s after he’s already been deprogrammed and shut down so he doesn’t have to deal with the fall out.
It’s not going to work.
He didn’t want to become a science experiment. That’s why he’d wanted to be cremated, so no one could go poking around to see how the arc reactor fit inside of him or what the palladium and vibranium had done to him.
He’s dead and his frozen corpse is ten feet away.
Jarvis will accept that eventually. And whatever they inject into him won’t matter because he’s dead. Worst case scenario, he blows up, which is messy and nausea inducing, but then at least it will be over.
Like so many other things in his life, it seems the only way out is through.
“Start a new private file. Dump everything we can find about the Super Soldier Serum in there plus anything even sort of reputable on cryogenics. Label it Project F.”
“Project F, Tony?” Jarvis asks as his holograph display lights up and files start being downloaded into it. The relief in his synthesized voice is faint but present enough that Tony can hear it. He wonders if it’s a manipulation tactic.
“F for foolish,” he snaps. “F for fucked.” He rubs a hand over his face. “F for Frankenstein.”
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bbbrianjones · 8 months
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Journeys Into The Outside with Jarvis Cocker
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batsplat · 1 month
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Chad reed on always the entourages creating the drama. I cannot believe that is what caused rosquez downfall but also given the level of Vale's celebrity and the way he carried himself, I can totally believe that it was the entourage (iPad stand I'm looking at you) that brought the end
(about reed's 2020 quotes in this) yeahhh I mean the downfall was caused by a whole bunch of factors, not just any one thing... like all great tragic narratives, it feels inevitable from a global perspective and yet thoroughly preventable in its specifics, with loads of points where you think, 'oh, if things had just gone a little bit differently'... there's this tension in how, in the end, maybe it would've always gone wrong, but a lot had to come together for it to go wrong in quite such a spectacular fashion
reed's definitely correctly identified one of the factors - the entourages, and valentino's entourage specifically. though fwiw, I did cut off the article before reed predicted the marc/fabio rivalry was headed a similar way (this was from 2020, obviously before the arm injury):
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for better or for worse, fabio has skipped the villain arc to head straight to the depressed frenchie arc
regardless of whether this rift would have happened or not, the idea that marc would have gotten a new appreciation for the situation valentino found himself in is at least an interesting one. though if anything, the rivalry with fabio would have more closely paralleled valentino's with the other aliens (new talent coming through, but with the previously dominant rider still a regular winner). now is the time marc's learning what it feels like to come back from a prolonged absence from being competitive at the highest level - and of course with a new superstar simultaneously making his debut
so yeah, anyway, tragedy, you can point to all sorts of strains and pressures and tension inherent to professional sport that were exacerbated by the personalities involved and the influence of the media and the passage of time etc etc. but never mind all that, let's get back to entourages! I know you mention everybody's favourite b-list shakespeare villain, but I'm going to basically mostly ignore him because it's well-trodden ground. yeah, it does help to have one guy who's whispering poison into your ear for a prolonged stretch of time before showing up at your motorhome doorstep with a bunch of telemetry and a dream. and yeah, there were people in valentino's entourage definitely encouraging this path to doom. but what I'm also interested in is the flip side - why nobody stopped him
I would like to submit into evidence this passage detailing the thoughts of vale's mechanic alex briggs. now briggs in this excerpt blames two groups for how things went down in 2015:
the yamaha side (specifically the press group) for not talking him down from the ledge before the presser
the crew chief and other assorted italians on the team for being too "yessy" and not standing up to him
let's briefly (for a given value of the word) focus on the first one. if you're a random yamaha pr person and you see the valentino rossi run to a press conference (given he was late) with a bunch of papers in his hands (well, he's not actually holding the papers in those gifs, but presumably somebody's got them), it's probably a tough ask to expect you to hold up the valentino rossi and ask him what exactly he's intending to do with those papers. also, is he really going to back off because you, random yamaha pr person, have asked him to please not accuse the competition of sabotage? added context is that some at yamaha were aware of what valentino thought about the race at phillip island (which we'll get to in a sec), but god knows if the pr people did. unless he confided in anyone on the yamaha side what the plan was, a lot of them would have been blindsided too - which does come back to the problem of how big a deal valentino is and how maybe you're a little more cautious about questioning what he's about to do with those papers than you would be with somebody else. it does feel like perhaps a bit too much to expect for them to have launched some last-minute intervention, or to even know what kind of intervention they could have gone for beyond low-level comedy hijinks to stop him from even getting to that room. why did nobody from yamaha place a banana skin in his path
but we do know that at least some in yamaha were aware of valentino's great big phillip island sabotage theory, because lin jarvis has very helpfully told us as much (from the post-sepang media scrum):
Q: Do you think it was a mistake for Valentino to [provoke?] Marc so much on Thursday with a very personal and hard attack? Jarvis: There are always many different ways of addressing different problems - Valentino chose to do it in that way. Perhaps that is what provoked Marc into being quite aggressive on the track. I really don't know, you need to ask Marc not me about that. Every action has a consequence. That's life. Q: And did you know before that Valentino was going to be so aggressive with Marc in the press conference? Did you know before? Did you discuss with Valentino about this decision or you didn't know until it happened? Jarvis: Personally, I was not aware of that. I was aware of Valentino's opinion of the race in Australia, but I was not aware... but I was not aware that he would - Q: Don't you think because Valentino at the end of the day is an employee of Yamaha he should discuss before with you about such an important decision, to attack a rider of another factory in such a heavy way [...]? Jarvis: You can't control every incident, everything that happens and you know, generally we have a very good [...] relation, connection with our riders, we talk to them before about things before, but anyway I think this is something Valentino felt strongly about and it was his decision and that's it.
note the use of the word "personally", which does leave the door open to others within yamaha (outside of valentino's inner circle) knowing what was going to happen. jarvis, unsurprisingly, comes down pretty firmly on the side of 'well what were we supposed to do'. given that jarvis admits he knew valentino's theory and is hardly a stranger to valentino's modus operandi - after all, he was already team boss at the time of another tense press conference in sepang eleven years prior that took place in the wake of valentino accusing a competitor of messing with him - you do have to wonder whether yamaha could not have tried a little harder to stop valentino. but again, accounting for the power of valentino's status and the power of his character, I'm personally unconvinced yamaha could've done much to convince valentino to change his mind
so then: the italians. a little bit of context - briggs started working with crew chief jerry burgess in 1994 and both of them were on mick doohan's team for all of his five 500cc titles. when doohan's injuries forced his retirement, valentino inherited his championship-winning team upon moving up to 500cc. jb was vale's very first crew chief in the premier class, and him as well as briggs have been working with vale since december 1999. understandably, this is a very tightly-knit group. it is one that made the jump to yamaha with valentino - here's just a quick excerpt (also from oxley's valentino rossi: all his races) about briggs' thoughts on that move:
When Valentino decided to defect to Yamaha, he was determined to have his crew go with him. Only one stayed at HRC. "We first got to know about the Yamaha deal in Portugal, I think [September 2003]," Briggs continues. "I wanted to stay with JB, because I hadn't finished learning what I wanted to learn. "I remember a clandestine meeting in the car park at Phillip Island, about salaries and how everything was going to work. It was really exciting. When I very first started working with Honda the whole group was very much a team. Towards the end we felt like it started to become a bit us and them: the engineers and management, then the mechanics and the riders. They'd sort of got too big for their boots - they'd designed this wonderful bike, so it was like it had nothing to do with us. That made it easier to leave.
and also about the move to yamaha, from the 2020 barker biography of valentino:
But with his trusted crew chief Jerry Burgess and most of his other team members from the Honda garage agreeing to defect with him, Rossi had the crew he needed, not only to win but also to enjoy his racing. It was a heartening display of loyalty and something of a risk for all involved. ‘When I announced to the mechanics that I was going with Valentino they said, “I’m coming too,”’ Burgess later explained. ‘Some of those guys were leaving very secure jobs and taking a big gamble.’
the group also survived the move to ducati (obviously a deeply frustrating two years not just for the guy riding the bike) and the move back to yamaha. but then, valencia 2013, valentino announced his decision to fire jb in a press conference organised for the pair of them. his 2013 season had been deeply frustrating - yes, he had gotten a podium in his first race beating both marc and dani, but after that generally speaking he couldn't come close to matching the other aliens when healthy. he was comfortably the fourth best rider that year, scrapping and clawing his way through midfield battles and having to rely on misfortunes befalling the three title contenders to achieve his podiums and his sole victory at assen. he was considering retiring at the end of the 2014 season once his current contract expired, but wanted to try everything he could to see whether he could be competitive again against the world's very best. and so, he made the decision to roll the dice and get himself a new crew chief, the italian silvano galbusera
now I have to say, personally I have a lot of time for this decision (even if it was maybe not... uh, enacted in the most graceful of manners, given how sudden it was). I come from a sports background where a certain ruthlessness in personnel decisions is encouraged and generally praised - if something isn't working, you should have the courage to make a change, even if it's deeply uncomfortable (including on an interpersonal level). also, while it was a sudden departure, it's not like burgess was that keen on sticking around much longer (again from the same oxley book):
Valentino ended his collaboration very suddenly at the end of 2013. Burgess was shocked but not too much, because he already knew that he was coming to the end of his own career. "When it ended for me I'd already been doing it 30-odd years and I'd told Valentino a few weeks earlier that I wasn't going to sign any more multi-year contracts. I was 60 by then, so I'd go year by year. I'd already signed a contract for 2014, but I would've thought if we hadn't had any more success by then that there wasn't much point in continuing. I felt we would win more races but I was more doubtful about championships. "I'd read enough sporting biographies to know that sportsmen change their coaches towards the end of their careers. It can give them a spike in results but it doesn't change the overall story. Looking back, Valentino's career went on longer than I expected. He enjoyed some success but no more championships and that's what you race for. Of course he was in the unique position of being able to get a factory bike until he retired. He was very special and deserved everything he got."
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which, look. again, personal bias, but to me it's reasonable to part ways with somebody who doesn't think any more titles are plausible, because at that point it's just somebody who has a very different view on your career than you do and may well not stick around for much longer anyway. also, at the end of the day, jb was wrong! valentino came extremely close to winning another title, and just because he didn't, doesn't change the fact he could have. if it had rained on the 8th of november 2015 in valencia, we might be having a very different conversation. (or if they hadn't changed the bloody qualifying format post-2012.) honestly, if the 2016 and to a lesser extent the 2017 season had gone just a little differently - a working bike in mugello here and an unbroken leg there - he could have been a genuine title threat in two more seasons. in any case, what it does show is that valentino even at the end of 2013 was still as determined as ever, was ready to engage in what was a huge gamble (given how almost all his success had come with the highly decorated jb) on the off chance he might find what it took to win again. this will not have been an easy decision for valentino. here's a write-up of the presser at valencia, that stresses how uncomfortable the occasion was, how surprising a decision it was to jb, but how publicly at least there was a lack of recriminations (which, to be fair, wouldn't be much fun to do in a shared presser):
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(you'll note that the phrasing in the presser about athletes attempting to extend their carrers by changing things up is echoed in what he says in that book interview where he adds that it doesn't change the overall story, again suggesting he didn't really believe valentino would be competitive. he also uses the same phrasing in ANOTHER interview that confirms as much, but I think you get the point.) valentino said at the time, "it was a very difficult decision for me because I have a great history with jeremy. he is not just my chief mechanic. he is like part of my family. my father in racing". this is somebody he'd been working with since age 21, somebody who is not only revered within the paddock for his work with several of the sport's greats but is also a man who valentino obviously has a close personal connection to. meeting for the first time when vale snuck into the honda pit to check out the bike he might ride next season, hitting it off immediately, countless rowdy dinners together, parties, jb and another older colleague sitting back when food fights started, watching valentino grow up, working with him throughout all his big manufacturer switches, all his successes and all his failures... as much as anything else, it's evidence of how strong vale's desire to win was, how determined he continued to be, to make this choice at this stage of his career. and jb was open to the idea (at least publicly) that it might end up being a smart call:
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the 'dirtiest' part of the whole affair is how it was actually carried out - it's not great form to tell your crew chief the day before you end up doing a press conference together to announce your choice. for whatever it's worth, this is how valentino justified the timeline:
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and lastly, which I think is the most key part, is valentino's belief. because at the end of the day, the only reason why he's doing any of this, and the only reason why what was to come was possible at all, is that he himself still thought that he could challenge for another title - as much as that belief had come under strain:
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now what this piece also goes on to say is that nobody believes this will work. nobody believes that firing jb will lead to better results. people expect that this is going to lead to his retirement, quite possibly at the end of 2014. it's worth just remembering sometimes how extraordinary valentino's return to the top of the game post-2013 really was, how it went against how we expect a rider's competitive lifecycle to work, went far beyond the longevity exhibited by any top rider before or since - all while going up against riders who are widely believed to be some of the best to ever do it. valentino beat jorge in both 2014 and 2016, and remains one of two people to outscore prime marc marquez over the course of a season. not to engage in too much rossi prop here, but sepang 2015 can't really be understood without all the frustration that led up to it, to this one golden chance, this miracle that everybody had believed to be impossible (sometimes even valentino). this wasn't supposed to be happening. it was happening. and then, so so close to the finish line, valentino could feel it slipping, slipping, slipping away
but of course, we still don't know whether changing crew chiefs is the key factor that made him competitive again. maybe he just needed a bit longer to get back into the swing of things post-ducati disaster. maybe the bikes just started to suit him better. hey, maybe it was that nifty exercise regime he'd engaged in a wee spot of espionage for so that he could pinch it off his teammate. what we can say, however, is that valentino's choice both tells us a lot about his mindset, as well as (to finally bring us back to the actual point of this post) representing a massive shift in his 'entourage'. this is what briggs is referring to in his quote - the italians. the new crew chief. the people who couldn't stand up to valentino. now obviously, as mentioned above briggs had worked with jb for the better part of twenty years and can hardly be considered a neutral party. here were briggs' feelings on the matter (yeah it's from the same oxley book again, I got it new for eighteen quid which is a very generous price, would recommend):
When JB was out at the end of 2013 it was like losing my mechanic dad. I remember being in the garage when we found out about it. Then they arranged a kind of farewell, a kind of hodgepodge farewell. It was terrible, I didn't like any of it. I was just hiding behind one of the bikes in the garage, crying, going, what's going on here? It didn't seem right to me. I think maybe Valentino thought he would get faster again sooner, but I think it took at least a year to get the taste of the Ducati out of his mouth. I think if he'd stayed with JB we would've won the championship in 2015.
which. look. we don't have time to unpack all that. but. the point is that obviously briggs wasn't exactly a massive fan of the change within valentino's team, and his comments about the 2015 season do have to be read with that in mind. as to whether vale really would have done better in 2015 with jb at his side, your guess is as good as mine. all that being said, a part of me wonders how much losing that grounding presence enabled valentino's late-2015 spiral. maybe not in terms of talking valentino out of the great big fluctuating lap times treachery theory - to state the obvious, valentino got himself involved in plenty of drama during jb's time as a crew chief. jb himself occasionally helped add fuel to the fire in those feuds, like his infamous comment about how he would be able to fix the ducati's issues in 80 seconds that casey still brings up every three business days (the comments were poorly phrased but also somewhat taken out of context, in that jb was talking about a specific set-up problem). he's generally been pretty happy to be forthright about valentino's rivals, for instance this about casey:
My feeling at the time was that Casey probably only had one game plan, and having watched Casey over the years, he doesn't have a plan B. If it doesn't go his way from the outset, it's probably one of the weaknesses that he had through the youth that he had, through the lack of experience that he had. That's not a criticism of him per se, he was still only 22 at the time.
(this is about laguna seca 2008 and how he helped valentino win that race, including in plotting out vale's rather ruthless tactics - which casey was of course not exactly a fan of.) or these. uh. harsh comments about dani from spring 2010:
Q: Is that atmosphere or track knowledge? Is it like the Spanish finding something extra at the racetracks in Spain? JB: Well, therein we show the weakness, don't we? If you can get up on that weekend, on the technical racetracks of Spain, why can't you get up on the technical racetracks like Australia, where the Italians do? Lorenzo is a guy who will and does. Stoner has been able to get up on tracks all over the world. Unfortunately, Dani Pedrosa's into his 6th year in MotoGP, and he's won 8 races, Jorge Lorenzo's two months into his 3rd and he's won 6. It's night and day between those two, is the way I see it. Dani's an extremely fast rider, but a shockingly poor racer. Q: Were you surprised at Jerez [2010] when Pedrosa fought back when Lorenzo passed him? JB: When did Dani fight back? With two laps to go, and he didn't even get close enough to try to come back. Dani has never been a fighter in races, he's a lovely kid, don't get me wrong, but you can see that Lorenzo, having Pedrosa in front of him, it was never going to be the way he was going to finish that race. He was going to finish on the ground or he was going to finish in front of Pedrosa. That's the sort of race that we want, we had that with Biaggi and Valentino, and from history with Schwantz and Rainey. All the good riders have always had somebody they have had to put the target on the back of. It was Doohan and Gardner, and Doohan won that battle hands down, and I think Jorge Lorenzo's going to win this battle [with Pedrosa] hands down.
kind of a dick! so his attitude to valentino being valentino has generally been a) well having enemies is good, actually, with an added slice of b) good luck to his enemies :) - see also this quote (from the barker biography) in the context of the gibernau rivalry:
And that made Rossi even more dangerous, as Jerry Burgess pointed out: ‘Valentino is the sort of rider I wouldn’t want to get angry. He can take you apart on the track.’
so yes, jb is also perfectly brutal in his own right, as you presumably have to be to work alongside valentino so closely for so long. he is, however, also somebody valentino has a massive amount of respect for, somebody who helped turn him into a legend and is responsible for a lot of vale's success - not least, of course, in the pivotal move to yamaha. he was replaced by a man of a far far lesser stature in the sport, one who presumably would have been grateful to valentino for the biggest job he was ever going to get. if briggs is right and there was a shift in valentino in 2015, surrounded as he was by italians (derogatory) who could not stand up to him, who allowed valentino to insist on war and peace on the pit boards, to focus more and more on things that had nothing to do with riding... it would be going a little too far to say that valentino was missing an adult in the room given he was, in fact, in his thirties and should have been capable of being that adult. and who knows what jb would have said or thought or done about the great big childhood hero deception theory. but sepang 2015 was the culmination of a lot of things, including a pressure cooker of a season that grew more and more tense and put more and more stress on everyone involved - perhaps for none more so than valentino. maybe, just maybe, if he'd had somebody around him with fifteen years of experience in handling him, who could have just occasionally told him to knock it off, to concentrate on the racing, to keep things simple (always jb's defining philosophy), to maybe not get so wrapped up in the great big spanish collusion theory...
or maybe it wouldn't have mattered! maybe we're getting cause and effect all wrong here; maybe valentino was deliberately fashioning his entourage into one that was only going to give him positive feedback. maybe he would have just stopped listening to jb, maybe the very decision to fire jb makes it clear he was no longer interested in what jb had to say. it's a tragedy, after all! maybe it was always going to go like this. maybe it was always going to end like this
speaking of entourages, marc's manager played a bit of a cameo role in fanning the flames just a little further (article from marca, 26/10/2015):
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alzamora obviously will be somebody valentino is familiar with, having raced him in 125cc and also having just coexisted in the paddock over the years. valentino could of course be lying, but idk, why would he? he's already made his case by this point, and what if alzamora were to contradict him? if it's true and this conversation did happen, you do have to say it's a spectacularly unhelpful intervention from alzamora. even if marc was mad at valentino, why the hell are you telling valentino this AFTER sepang 2015? what's the plan here buddy
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^ 1999 world champions: alzamora in 125cc, vale in 250cc and alex criville in 500cc. people think motogp lore is complicated but if you know like, five guys, you're set for about twenty years of drama
which does get to the heart of the matter - a lot of these people have big egos and their own agendas and they love to run their mouths. they like talking a big game and getting involved in things they really shouldn't be getting involved in. is reed right that these people in the riders' entourages 'created the drama'? well, no, I think the two men at the centre of this particular tragedy were plenty capable of doing that themselves. nevertheless, you can point to how professional sports (and motogp in particular) forces you to rely heavily on a small group of people to keep you sane at the centre of the storm, and the risks that can emerge when that small group collectively unmoors itself from reality. you can point to the perils of fame, both in making your reliance on your inner circle so unnegotiable as well as in providing you with the status and power and ego to ignore anyone who might wish to change your mind. you can point to specific figures in this story who managed to incite the conflict between the two of them, as well as how the pressure cooker competitive environment they were operating within helped set up the ultimate catastrophe. you can point to how valentino lacked anyone with the power to stop him - both in the direct sense of forcing him to reconsider and the indirect sense of commanding his respect enough to make him see sense. maybe, just like in 2004, valentino had simply been "looking for an excuse" and he was always headed down this path. or maybe if somebody had just held him back a little that year, kept him focused on his riding, maybe if the right person had intervened at the right time...
maybe, maybe, maybe. that's why it's a tragedy
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w4z1zi · 26 days
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Saw this on Twitter and it made me think of that one scene in misery loves its company so I made this silly thing yay
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goldiecastelia · 2 months
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FUCK WHY DID I SEE SPOILERS?!?!!?!
FUCK, WHY HE DIDN’T STAY DEAD!! HELL, HOW DID THIS DEMON MANAGE TO SURVIVE?!!?!?!?!?
BRO, MY BABY MARIKO NEVER DESERVED THIS, I SAID THE ANGST WAS GOING TO COME, I SAID, FUCK, I WANT TO CRY!!!
God, my little baby Mariko, she deserves the world, that bastard doesn't deserve to call my baby his wife, John should have killed him, I swear, he should, fuck what would happen next, fuck everything, he should have killed that one man, and he still comes to ask for forgiveness, FORGIVENESS?! HOLY FUCK I HATE IT!!
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slashingdisneypasta · 10 days
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I read 3 books with one picture in my head of what these gross monsters looked like, author; you cant just throw a (very beautiful) illustration of what they really look like at me in the last 50 pages of the last book!! Not n o w!! Its too late!! No!!
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canesqueen · 17 days
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Overall I’m not angry with the outcome of this game but I’m not happy about it either. I just can’t be mad at them when I can tell how hard they’re trying. But with that said Canes in 5.
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crossbackpoke-check · 1 month
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You have excellent tag thoughts, especially about Key & Laf!!!!
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thank you!!!! i wish i had a better description than just 🥹🦋😭💕🥰 to explain my reaction to you saying nice things about my tags but please trust that this ask just made my day!!!
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all-that-jazz-93 · 8 months
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Season two is better
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laniidae-passerine · 6 months
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honestly even if I’m in misery over this week’s elimination I am living in hope we see Jarvis on Titans because he is so stunningly talented and his comedy is hilarious! and he has the perfect brand so if he could believe in himself like the fans do, you just know he can take over the entire world
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drrav3nb · 2 months
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COSMO JARVIS as John Blackthorne ANNA SAWAI as Toda Mariko SHŌGUN | Chapter Five: Broken to the Fist
Please tell [Buntaro], that while I understand that in this country, like mine, a man's wife is his property. But I believe strongly, that his wife merits better.
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fadedcamroll · 1 year
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i've finally done it. he's finally mine.
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bbbrianjones · 2 years
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HAPPY BIRTHDAY JARVIS COCKER [SEP. 19TH 1963]
Jarvis Cocker is a musician and broadcaster from the north of England. He formed the band Pulp in 1978 while at secondary school. They went on to become one of the most successful British groups of the 1990s. Between 2009 and 2017 he presented the BBC 6 music program Jarvis Cocker's Sunday Service as well as the ongoing award-winning BBC Radio 4 documentary series Wireless Nights. He has honorary doctorates from Sheffield Hallam University and Central Saint Martin’s School Of Art (which he attended from 1988-91). His lyric collection Mother, Brother, Lover was published in 2011. Good Pop, Bad Pop is the first work of long-form prose. He decides his time between Paris, London and the Peak District. His star sign is Virgo - The dust jacket from Jarvis’ book, Good Pop, Bad Pop
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