#jhs pedals

[pedaloftheday]

We love the Legends of Fuzz series from JHS Pedals, and we've got the Berkeley 1973 California for you all today - Enjoy!!!

[snailmusic]

im fine with ads only if im watching them willingly

[anbuselvi1]

7 Best Blues Breaker Style Overdrive Pedals & Clones (2023 Edition)

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1. JHS Morning Glory The JHS Morning Glory is one of the best selling Blues Breaker pedals on the market. And for good reason – it sounds fantastic and it’s incredibly versatile. Not only that but it solves several of the main problems with the original pedal by adding plenty more output volume and headroom. The original pedal was also somewhat limited by the amount of gain available. That has…

[shittyboards]

For fairness, my least favourite here is the Universal Audio :)

Also not fond of new Catalinbread, dunno if this is an old or new, though. JHS is neutral.

Funny enough it's the cheap stuff here that shines. TC Tuner, Daddy-O is not the worst (but also not the best) and this EQ is noisy AF but still useful.

[bandchat]

Josh Scott of JHS Pedals recently made a video on designing a "beginner" pedalboard (see above). Although I doubt he meant to come off as hypocritical (anti his, "Worry about gear less; play more"), aspects of it felt that way.

The video instead is an explanation of what a beginning guitarist should acquire, because Josh states what specific effect types and cables to use. At the beginning of the video, he should be clear that new guitarists, for the first couple of years, stick to one or two pedals, lay them on the floor with cheap patch cables that can be replaced easily if they break, and use 9-volt batteries and/or a couple of individual power supplies to run them. This minimal gear is easy to throw in a backpack if going to someone's house or practice space.

After a while, if it starts to feel cumbersome, then upgrade to a system to manage it all. That's the guitarist level who this video should be aimed at: the one who already knows what pedals to use and what cables to use with them.

[guitarbomb]

JHS NOTAKLÖN Solderless Overdrive Pedal Kit!

JHS has revealed its NOTAKLÖNDIY Overdrive kit, featuring the iconic “Shamrock” modification inspired by JHS’s work on the Klon KTR. JHS NOTAKLÖN With a focus on simplicity and no-soldering-required assembly, this kit is perfect for anyone craving a mythical overdrive while relishing the joy of building their own pedal. Goop The package even includes some special “goop” for concealing the magical…

[shefanispeculator]

The Smoakstack is Paul Moak’s personal recording studio, established in 2004 and in 2009 moved to its current location in the heart of Berry Hill, Nashville, TN. Over 3000sq feet, Smoakstack is a large multi-room facility filled with Paul’s lifelong collection of instruments and recording equipment (click on “GEAR” to learn more). Alongside Paul’s productions, the Smoakstack has gained a reputation all its own and has been used by Band of Skulls, Avicii, Kelly Clarkson, Ann Wilson, The Indigo Girls, Brett Eldredge, Ellie Goulding, The Cold War Kids, All Sons and Daughters, Landon Pigg, Lucy Dacus, Ben Rector, Audrey Assad, Toby Keith, Building 429, Hailey Witters, as well as companies like JHS Pedals, Lacie, Sony Music, EMI, Atlantic Records, and more.

the smoakstack — Paul Moak (paulmoakmusic.com)

[jbirdbirdbird]

i could talk about these for HOURS, they're all my effects pedals!! i haven't fully tapped into all of them but i've been doing a lot of recording lately so i'll probably make some pretty noises with all of them some day in the near future :>

the first picture's order is all wonky because that's the order i have the pedals in the chain

1. EHX' Mel-9 (Mellotron emulator)

2. Alexander Pedals' Defender (OD/DST/FZ)

3. TC Electronic's Grand Magus (RAT similar)

4. Behringer's Noise Reducer (i use mostly as a mute when tuning)

5. TC Electronic's Afterglow (chorus)

6. Donner's Mod Square II (16 modulation in a mini casing)

7. TC Electronic's Hall of Fame 2 (digital reverb)

8. EHX' Oceans 12 (dual digital reverb/delay)

9. homemade JHS Little Black Box copy (1 setting buffer)

---not on the board---

10. TC Electronic's Sub'n'Up (octave)

11. Proco's RAT (distortion/fuzzish?) this one gets put back on the board every now and the

12. Dunlop's Crybaby (wah-wah)

13. Danelectro's Dan-Echo (echo/delay)

14. Joyo's Wow-Wah (auto-wah)

15. Donner's Echo Square

16. BOSS' ODB-3 (bass overdrive) i use this a lot when i play bass :)

17. BOSS' LMB-3 (bass limiter/enhancer)

18. BOSS' RBF-10 (rack mount flanger)

19. Danelectro's EStudio Honeytone E-15 (my dad's headphone amp from the mid-late '90s, not really a pedal but it can sorta be)

secret 20. 1-Spot Pro (power supply under the board, also not really a pedal but it's essential for the rig)

the shoegazer tap dancing on all those thangs

[pheadhones]

it makes me a certain flavor of furious when I remember the way jhs gets basic information about Crock pedals wrong in its “shameless clones” video. not only does he do Crock a disservice but he goes on to act confused at a stereo chorus with a single 1/4” output, wondering out loud how it could possibly do a stereo effect with only one output. did no single person at that entire fucking company remind that idiot that trs cables and stereo fx returns exist?

[effectsdatabase]

Last week's top 20 videos (2023 week 23)

Top 20 videos last week (June 4-10)

Marshall Reissued Their Legendary Line Of Pedals! (Bluesbreaker, Drivemaster, Shredmaster, Gov'nor) (by JHS Pedals)

Boss OS-2 - A Pedal That Can Rescue Your Show (by Caroline Guitar Company)

Can You Hear The Difference!? Profiled Amps Vs Real Amps (by AndertonsMusic)

Paul Cochrane Timmy V2 Teardown! See what's inside! (by Gray Bench Electronics)

Cómo obtener una suboctava más grave con el O68 Oscillator #guitarpedals #pedalesdeguitarra (by Dedalo FX)

Big Knob Wah Fix Demo (by Big Knob Pedals)

Have YOU been missing out on the EHX Crayon? (by Budget Pedal Chap)

EHX Big Muff V2 Ram's Head '74 ? MXR Delay ? N ST ASM ? JB (by Soulman Vintage)

A Blues Guitarist and the BOSS BD-2 Blues Driver Pedal (by intheblues)

Digitech Hardwire Sc-2 Valve Distortion (by We As A Company)

DIY: 3PDT Toggle Switch Assembly (by Coppersound Pedals)

Have you ever cleaned up a tone bender into a wah? // #wahpedal #fuzzpedal #vintagepedals (by Edge Of Breakup)

Stacked Overdrive Pedals vs. A Distortion Pedal (by Chuck's Guitar Geekery)

Will it Shoegaze? // Black Hole Symmetry (by collector//emitter)

Custom Tones LLC Ethos Clean III (by Mike Hermans)

Where Should Your Boost Pedal ACTUALLY Go? (by Revv Amplification)

Techno-OV germanium overdrive (by SviSound)

AMMOON OCTA | Clones con swag #3 (by GC Pedalboard Devices)

Dual Control + NEURAL DSP Archetype (by VZtec)

Pairing EQD pedals with the Erica Synths P?rkons HD-01 Synthesizer #ericasynths (by EarthQuaker Devices)

Overviews of the previous weeks: https://www.effectsdatabase.com/video/weekly

from Effects Database https://bit.ly/3Cqawt9

[pedaloftheday]

Pedal of the Day is turning TEN this month, and we've teamed up with ten pedal companies for a ten pedal giveaway!

1. Head to our Instagram page: https://instagram.com/pedaloftheday 2. Click the link below for more entries: https://gleam.io/8KJ9Z/pedal-of-the-day-10-year-anniversary-pedal-giveaway

BONUS ENTRIES: You'll get an extra entry each time you Watch, Like and Comment on one of our demos on YouTube, just use the hashtag #POTDGIVEAWAY so we can keep track of them...GOOD LUCK!!

[tayloryorkie]

Taylor’s Equipment

Guitars

Bilt Corvaire

BilT Relevator LS

BilT Volare

BilT Zaftig

Danelectro 59 DC Electric Guitar

Eko 500 V2

Epiphone Casino

'89 Epiphone Sheraton (with Arcane Ultratron pickups)

Fender '75 Starcaster

Fender Blacktop Jaguar HH Electric Guitar

Fender Jazzmasters

Custom Fender Jazzmasters with humbuckers

Fender Classic Series '72 Telecaster Thinline

Fender Telecaster

Fender Coronado II Wildwood III

Gibson 20th Anniversary 1957 Les Paul Custom Black Beauty

Gibson ES-390

Gibson Les Paul Goldtop Electric Guitar

Gibson Les Paul Junior Double Cut VOS

Gibson Les Paul Junior Special Exclusive

Gibson Midtown Custom (with Bareknuckle Mississippi Queen P90 pickups)

Gibson SG '61 Reissue

Gibson Songwriter Deluxe Studio EC Acoustic Guitar

Godin 5th Avenue Kingpin

Gretsch G6119-1962HT Tennessee Rose HT

Hagström Impala

1966 Hagström Viking Electric Guitar

Kay Apollo II/Titan 1960's

Les Paul Special

'58 Les Paul Jr

Martin 000-18 Golden Era

Martin Steel-String Backpacker Acoustic Guitar

Neptune Singlecut Baritone

Rickenbacker 360

Supro Coronado II

Taylor 414ce

Other Guitars

Jerry Jones Baby Sitar

Kala Archtop KA-JTE Tenor Ukulele

Bass

Fender Jaguar Baritone Custom

Squier Jaguar Bass

Squier Jaguar Vintage Modified Short Scale Bass

Fender Precision Bass

Amps

1960 Watkins Dominator

65 Amps Tupelo

Divided By 13 RSA 23

Marshall JCM 2000 DSL 100 Dual Super Lead 2-Channel 100-Watt Guitar Amp Head

Roland JC 120

Silverface Fender Deluxe Reverb

Supro Statesman 50W Head

Supro 1695T Black Magick

Traynor YBA-1A MKII

Vox AC30

Pedals

Alexander SpaceXpander

Boss CE-1 Chorus Ensemble

Boss CE-2W Chorus

Boss DC-2 Dimension C

Boss DD-20 Giga Delay Digital Delay Pedal

Boss RV-3 Digital Reverb/Delay

DigiTech Whammy (4th Gen)

DigiTech X-Series DigiVerb

EarthQuaker Devices Dirt Transmitter Fuzz Pedal

EarthQuaker Devices Ghost Echo Reverb

EarthQuaker Devices Grand Orbiter V2

EarthQuaker Devices Hoof

EarthQuaker Devices Rainbow Machine Polyphonic Pitch Mesmerizer

EarthQuaker Devices Pitch Bay

EarthQuaker Devices Terminal Fuzz

EarthQuaker Devices Tone Job EQ

EarthQuaker Devices Transmisser

Electro-Harmonix POG2 Polyphonic Octave Generator Guitar Effects Pedal

Empress Echosystem

Empress Effects Multidrive Overdrive Guitar Effects Pedal

Empress Effects Reverb

Eventide H9 Max Harmonizer Multi-Effects Pedal

Heavy Electronics Radio Havana

JHS Pedals Mini Foot Fuzz Silicon Fuzz Pedal

Mantic Effects Proverb Reverb

Maxon AD-999 Pro Analog Delay

Mr.Black Supermoon

MXR M101 Phase 90

Old Blood Noise Endeavors Procession

Old Blood Noise Endeavors Reflector Chorus

Pearl CE22 Chorus Ensemble

Pigtronix Mothership Analog Synthesizer

Rawkworks Light Overdrive

Red Panda Context

Strymon blueSky Reverberator Pedal

Strymon Ola dBucket Chorus & Vibrato

Strymon TimeLine Delay Pedal

TC Electronic Ditto Looper Guitar Effects Pedal

TC Electronic Polytune 2 Pedal Tuner

Visual Sound Garagetone Chainsaw Distortion

Z.Vex Vexter Series Fuzz Factory

ZVex Vexter Series VSD Super Duper 2-in-1 Boost Pedal

Power Supplies 

CIOKS DC10 Power Supply

Picks

Clayton Custom Orange Delrin 0.60mm

Straps

Ernie Ball Polypro Guitar Strap

LETGOdwork Anchor Guitar Strap

LETGOdwork X-Bird Guitar Strap

Percussion/Drum Sets

Truth Custom Turquoise Glass Vintage Drum Kit

Roland SPD-SX Sampling Pad

Yamaha 2.5 Octave Concert Band Bells

Drumsticks

Vic Firth X55A Drumsticks

Vic Firth X5A Drumsticks

Vic Firth 3A Drumsticks

MIDI Controllers

RJM Mastermind GT/22 MIDI Foot Controller

In-Ear Monitors

Ultimate Ears Ue 7 Pro In-Ear Monitors

Phew okay this took a while! to be continued:)

[anbuselvi1]

5 Best Dumble Style Pedals For 2023 (Includes Budget Options)

5 Best Dumble Style Pedals For 2023 (Includes Budget Options)

1. J.Rockett The Dude J.Rockett’s The Dude is designed to capture the tone of the Dumble Overdrive Special amplifier. I’m not sure which Dumble Overdrive Special this pedal is based on. Their writeup mentions both Larry Carlton and Robben Ford. But their ODS amps were both individually voiced. Regardless – this is my personal favorite Dumble style pedal that I have ever played from a pure…

[shittyboards]

AC-3 again 🤮

Distortion Factory was quite alright when it was 50 euros. I had one like 15 years ago...

Then it was hyped by JHS and became 200-300 euros on Reverb, which is a very fair stupid tax for people who don't really like pedals but enjoy having expensive things.

[bandchat]

Today I came across this video Josh Scott of JHS Pedals made, where he showed how the Digitech Bad Monkey guitar pedal could be easily tweaked to sound like a variety of classic overdrive pedals. The Internet exploded: listed prices of used Monkey pedals skyrocketed, and people trashed Josh so much that he made a response video.

Josh's response is basically what I stated six weeks ago: 1) an EQ pedal can be used to shape tone, 2) it's all about the person handling the guitar, so 3) worry less about your gear, and 4) practice more.

[crislorencreative]

Guitar and Bass DI Shootout notes!

Put this together to shootout Direct Input options for recording guitar and bass, as well as get better with my critical listening while getting  acquainted with my new interface. I might be making mountains out of molehills, I might be making strides in my audio engineering and songwriting journey- either way I have way too much time on my hands.

Hardware;

RME Babyface Pro FS Audio Interface

Radial Stereo PROD2 Direct Input Box

JHS Pedals Buffered Splitter V1 Signal Splitter Pedal

Land Devices PRE Guitar Preamp Pedal

TECH 21 SANSAMP Bass Driver DI Bass Preamp Pedal

Mogami GOLD Guitar Cable

Lava Cables Solderless Patch Cables

Gibson ES-335 Electric Guitar with stock pickups

Fender Jazz Bass with Seymour Duncan “Quarter Pounder” pickups

Guitar Center retail store picks (lol)

Software;

Logic Pro X digital audio workstation

Logic Pro X stock Limiter (+3dB on Master Bus)

Drums-

Native Instruments KONTAKT virtual instrument host

RoomSound Jay Maas drum library

Bass/Guitar-

FabFilter EQ3 equalizer plugin

STL Tones Howard Benson guitar and bass amp simulator (w/CLA Expansion)

Logic Pro X stock Compressor plugin

Logic Pro X stock Single-Band EQ plugin

I aimed to make a simple verse at 150 tempo in D minor with a low down bass pattern, mute-canceling strumming rhythm guitar part, and bouncing lead guitar melody in my arrangement at the end which these sections and parts cumulate to at the end of this demonstration. I imagine it as a lead into a driving chorus where a future vocal line can begin to wail out after a chilled-out verse- as my inspirations in songwriting originate from Nirvana and independent bands of the modern day. Using the STL Tones Howard Benson Plugin, I sought out a lightly driven Ampeg style amp for the bass tone, a Tubescreamer-fronted Vox AC30 style amp for rhythm guitars, and a pushed Fender Tweed style amp for the lead guitars. Only modifications were using the plugins’ internal reverb and delay sparingly, and added the aforementioned Single-Band EQ plugin for a subtle high shelf on the Lead Guitar.That’s it- no parallel processing, aux sends, or anything funny with the mixing. Nothing too fun until I can determine which method to record my Direct Input Guitars.

Audio Timeline - Total Length 3:44

Three routing methods described as;

RME Direct Input - RME DI

Radial DI Box into RME XLR Input - DI box

Preamp into RME 1/4th” Input (Sansamp for Bass, Land Devices PRE for Guitars) - PRE

Section 1 - 8 Bars testing 

Three 8 bar instances of the riff, with 3 stages of testing (with drums, no drums, no plugins) - 0:06-2:04

Part I

Drums, Bass, Rhythm Guitars, and Lead Guitars - 0:06-0:44

RME DI - 0:06

DI box - 0:19

PRE - 0:33

Part II

Bass, Rhythm Guitars, and Lead Guitars(w/EQ+Amp Sim) - 0:44-1:26

RME DI - 0:48

DI box - 1:00

PRE - 1:13

Part III

Bass, Rhythm Guitars, and Lead Guitars(No Plugins) - 1:26-2:04

RME DI - 1:26

DI box - 1:39

PRE - 1:52

Section 2 - 4 Bar testing

4 bars of each DI, followed by 4 bars with added EQ and Amp Simulation - 2:04-2:24

Bass (DI, then EQ+Amp Sim);

RME DI - 2:04

DI box - 2:11

PRE - 2:17

Rhythm Guitar (DI, then EQ+Amp Sim);

RME DI - 2:24

DI box - 2:30

PRE - 2:36

Lead Guitar (DI, then EQ+Amp Sim);

RME DI - 2:43

DI box - 2:49

PRE - 2:56

Section 3 - Which did I prefer? 35 Second Demo 3:05-end

Now, time for my favorite. I’d like you to guess which one my favorite is of the three routing methods with a 35ish second arrangement I made for this test. I used the same DI method for Bass, Rhythm Guitars, and Lead Guitars in this final example. I thought it sounded nice for what it was while not going deep into processing to keep the integrity of direct signals and keeping this test close to its roots, how a DIY musician approaches songwriting at the first step- plugging in and playing your instrument with minimal nor no outboard processing, other than maybe your favorite preamp pedal.