#jim hosking

[akirchartwayoflife]

I DARE YOU TO WATCH THIS MOVIE!

[rabidhiss]

My friend gave me this pic from behind the scenes of the horror comedy The Greasy Strangler. Here we see the Greasy One attempting to tangle with her dog, the late Gretel. Awesome!

[dare-g]

There are Two Jim Hosking films in the near future hell yeah

[1day1movie]

The Greasy Strangler (2016) Jim Hosking.

[abs0luteb4stard]

W a t c h i n g

[ass69eater]

The Greasy Strangler (2016)

Amazing and hilarious bad acting, music that will stick with you weeks after seeing it, a very weird gross vibe you have never seen before. Not for everyone but if you enjoyed Pink Flamingos… go see it

[boomishan]

The Greasy Strangler

Dir. Jim Hosking, 2016

[cinefilesreviews]

Review: Ebony and Ivory -- Fantastic Fest 2024

Ebony and Ivory is screening as part of Fantastic Fest 2024, which runs from September 19 to September 26. Ebony and Ivory is absolute nonsense, and that isn’t entirely a bad thing. Imagine a biopic about the creative experience behind one of the best-selling duets in pop history (the Paul McCartney and Stevie Wonder song of the title), then pay a back-alley surgeon to lobotomize that idea out…

[ogradyfilm]

The Greasy Strangler

Aggressively weird. Mostly dug its vibe (kinda reminded me of Frank Henenlotter’s work).

Never want to see or think about it again.

[The preceding review was originally posted to Twitter on June 16, 2024. It has been edited only to revise formatting, and is otherwise unaltered.]

[sixtiesgogobootz]

An Evening With Beverly Luff Linn (2018) dir. Jim Hosking

★ ★ ★ ★

Totally entirely bizarre, absurd and surreal and I loved every second.

Aubrey Plaza is great as always. Emile Hirsch is

FANTASTIC. Jemaine Clement as Colin is a stand out role too.

The one liners and physical comedy are great - the plot is a little dragged out; this could have been a shorter film for sure. The set design; the costume design; and the cinematography all make up for that though imo. The sound design is quite Lynchian and the movie itself is offbeat in the same vein as a Wes Anderson film. There are some strangely touching, emotional scenes that are unexpected, but that add to the heart of the movie.

All in all I had a blast and I had a MAGICAL evening with An Evening With Beverly Luff Linn.

[imageoscillite]

Warpaint - Hips

[kwebtv]

The Adventures of A.R.K. - Discovery Kids - October 26, 1997 - 1999

AKA: Animal Rescue Kids

Drama (31 episodes)

Running Time: 30 minutes

Stars:

Brandon Adams as Barret

Dorie Barton as Kat Peterson

Hank Harris as Noah

Anel Lopez as Elissa

Jon Menick as Martin

Gerald Berns as Sam Peterson

Jim Beaver as Ranger Earl

Ashley Edner as Tova

Katelin Petersen as Edna

Keith Barber as Game Warden

Iona Morris as Dr. Hosking

Nathan West as Sam

[mwseo]

An Evening with Beverly Luff Linn (Jim Hosking, 2018)

[chrisryanspeaks]

SEE: Andrew Hung - “Too Much”

Andrew Hung — known for his collaborative projects with Fuck Bottons and Beth Orton — releases the new single/video, “Too Much,” from his forthcoming album, Deliverance, out August 11th on Lex Records. Following recent singles “Ocean Mouth” and “Find Out,” Hung’s vocals propel “Too Much” to anthemic heights. Deliverance’s subject matter spans conflict, change, and isolation, and it is Hung’s most sublime creation to date; a colossal statement given the extent of his past iconic work. The album’s themes continue through "Too Much." Hung says, “This song is like a turbulent river that carries me to wherever it would take me. I’m crying for help in this song, asking for a love to 'carry me home.. to bury the moon.' There’s a moment of respite when I find out that listening calms, as if the internal is the external. Maybe this song is the moment the floodgates are released; a moment that feels too much.” “The video amplifies the track’s themes of disillusionment and weariness but ultimately a hope flourishes and a disregard of fear comes from that embrace,” says Hung. “It’s a dark noirish video that claws for a hidden joy, just like the song itself. I loved playing a part in this incredible video made by a team of very talented filmmakers.” Director Olly Fawett says, “It was super fun to work with Andrew on the video for ‘Too Much’, straight-away I could relate to the track and that familiar feeling of being overwhelmed and drowning in thoughts, emotions and the craziness of life. To me, the anonymity of living in a city like London is therapeutic in a sense: being able to do anything and pretty much no-one looks twice. The goal was to capture that in the video, with Andrew stopping the car to release a tidal wave of emotion to a city that doesn’t listen, before continuing on his homeward journey. Hope you enjoy!” Deliverance follows Hung’s 2021 album, Devastations. On Deliverance, Hung continues his punk ethos by writing, performing, producing and mixing the album himself. He also painted the self-portrait that adorns the cover of the album; his face staring back at you amongst a maelstrom of burning light and whispering shadows. Water, dreams, and love are recurring themes throughout the album, with hope as the central tenet acting as a thread weaving everything together. As part of Fuck Buttons, Hung has performed headline slots at festivals such as Glastonbury, Green Man, and All Tomorrow’s Parties, and contributed to music that soundtracked key moments in the 2012 London Olympics opening ceremony. He has continued his collaborative streak through writing and producing with Beth Orton on her career redefining album, Kidsticks, as well as contributing to Aimée Osbourne’s debut album, Vacare Adamaré (released under the name ARO). In addition, Hung has worked with cult director Jim Hosking to soundtrack his films The Greasy Strangler (winning best comedy at the Empire Awards), An Evening with Beverly Luff Linn, and Hoskin’s Adult Swim series Tropical Cop Tales. Following countless years of fruitful collaboration, Hung now turns his attention to delivering his own expression. SEE: “Too Much” below: Read the full article