Chibi's solo features
A short list of Chibi's features in other work:
Vanity Beach - The Knight Murders (2003)
Released 2003. Chibi sings lyrics that were later reworked for Looking Glass. This song was also remixed by The Birthday Massacre and released later in 2005 by Vanity Beach.
Jim Johnston - Hurt You (2009)
A song for WWE wrestler Katie Lea.
Kill Hannah - Mouth to Mouth (2009)
The Dreaming - Hole (feat. Jinxx) (2011)
Dean Garcia - All For You (2012)
Feat. Perry Pelonero And Chibi
Army of the Universe - Until the End (feat Chibi) (2013)
Aurelio Voltaire - Wake Up (From This Horrible Dream) (2014)
Chibi & Chris Nix - Photo Voltaire - Acoustic (2019)
A cover of Julien-K - Photo Voltaire. A video was also filmed for the song.
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What's that metronome I hear,
Perhaps the end is drawing near
You never hear the shot that takes you down
Now your dreams are memory, and
Seems more true from far away
Just like smoke that fades and makes no sound
Broken Dreams by Jim Johnston & Shaman's Harvest
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For better or worse, they don't make wrestling music like this any more.
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Ruin 2011, 8m, Animation, Short, Action, Sci-Fi.
A killer drone engages in a high-speed pursuit of a man on a mission.
CGI 3D Animation Short Film HD "RUIN" by WES BALL | CGMeetup @CGMeetup .
Paths of Hate 2010, 10m, Animation, Short, Action, Drama, Horror, War, Rage.
A short tale about the demons that slumber deep in the human soul and have the power to push people into the abyss of blind hate, fury and rage.
Animated short "Paths of Hate" - by Platige Image @KISKISkeepitshort .
Chris Benoit
Whatever
Our Lady Peace @OurLadyPeaceofficial
WWE Forceable Entry .
Chris Benoit - Whatever | Custom WWE Titantron @BharjBrosWrestling.
Kane
Slow Chemical
Finger Eleven @fingereleven
The Punisher: The Album
WWE.
Viva La Raza (Eddie Guerrero)
WWE & Jim Johnston
WWE: Uncaged
WWE Music Group - Topic.
01/12/2023, friday 01 december 2023, 02:17a.m indore, madhya pradesh, india standard time (ist).
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Jim Johnston (feat. Chris Warren Band): The Game
This is going to get me kicked out of too many forums to count but I actually prefer this version to Lemmy's original. It's trashy but look at that man's hair: he can handle garbage.
Song Score: 2600/10
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The Beverly Brothers Entrance Theme - Composed for the World Wrestling Federation by Jim Johnston
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This is a shitpost
I couldn’t find it on here but I absolutely love 1-2-3 kid’s theme song so much I genuinely have no words it’s soooo fucking good such a masterpiece I need it in me literally boosts my ego everytime I listen to it it’s so catchy I’m crashing out
@not-ur-boy-toy
this theme song is so good it might snap me back to study last minute for my end of year
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Loud, Celebrity Politicians - Part One: The GOP | SOME MORE NEWS
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Kick-starting the Rock n’ Roll Revival - The Post-Psychedelic Fun of “Wild Honey” (1967)
1967′s Smiley Smile painted the image of a Beach Boys that is thoroughly, energetically, and creatively spent- especially following the immense stress with the band’s collapse of success, drugs & mental health issues, and the collapse of Smile. But with Wild Honey- the band has never felt more unified and alive. And not only that, they helped initiate major changes not just from within the band, but also to the music world as well thanks to one move...going back to rock and roll’s roots and embracing R&B.
After total burnout and a severely stressful 1967, and with a lot of the music world lambasting the band as “ball-less choir boys” the band sought to re-invent themselves as a self-contained rock act, intentionally distancing themselves away from the lush, theatrical and extremely complex compositions of Pet Sounds and other psychedelic acts that filled the market, and make music that the band could actually enjoy making- recording at Brian’s home with only band-mates and their talents; only a love for R&B, Soul, and Motown driving their music process, more lo-fi than Smile.
However to call this lo-fi, either musically or instrumentally is almost misleading- not less because the newer 2017 stereo transfer of it shows greater musical depth and complexities in the background than ever heard before. Indeed, perhaps the Beach Boys’ greatest yet most underrated talent is their ability to immediately & effectively evoke worlds of fun, love and summer. This is used to great effect in tracks like “Let The Wind Blow”, “Country Air”, and their fantastic single “Darlin’“ and cover of Stevie Wonder’s “I Was Made to Love Her”- using their stripped-down approach with great precision and shining beautifully here. The landscapes they paint with their songwriting and musical chops help blur the lines between psychedelia and rock and roll, in various moods, setting, and form- from hazy countrysides, frantic parties, and flowering declarations of love.
The transition to blues rock for people unaware of the Boys’ later work sounds very unusual- some tracks you’d swear were made by The Rolling Stones in the late-60s. Yet, the psychedelic sound is still here, some songs can’t help feeling still a wee bit druggy or floaty throughout the album- but this shows how the album is considered to be an important transition point from psychedelia to the back-to-basics trend rock made after the Summer of Love, predating such work made by The Beatles, The Band, and even the Doors’ later work in Morrison Hotel- perhaps consequentially enough, Jim Morrison himself was a fan of Wild Honey.
But in the midst of musical evolution, and the return of Brian Wilson and Mike Love’s songwriting partnership- perhaps the real standout star from Wild Honey is the youngest Wilson brother: Carl. Carl Wilson’s voice and performance is even more powerful, that much more soulful and at times raw. His performances in the title track and “Darlin’” command the listener’s attention for just how much the man is giving his all and singing his soul out due to his immense love of Motown and blues music. And as Brian was very slowly ceding his leadership role, Carl’s increased presence in Wild Honey and future albums was consequential as he would soon become the de-facto leader of the band after 1970.
Considering that after 1967, the band members grew older, got married and had kids, and shifted to a more mature image and sound- Wild Honey feels like the final burst of youthful energy from a band that gained its fame partially for their songs’ focus on teenage summer love and fun- it’s still here and very much alive, but the form it takes on is notably different. Considering it’s historicity for being one of the first back-to-basics rock album, and its consequential influence on other major acts, Wild Honey comes close to being as important in music history as Pet Sounds and even Smiley Smile before it- As summer rolls around, it deserves a listen while we ourselves try to find a youthful love of fun & sun once more.
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🐻 One of my favorite moments from the short “Once Upon A Studio” is when Baloo and Mowgli sing an ending verse of “When You Wish Upon A Star”. It happened right after Baloo closes Scuttles beak due to the seagull attempting to sing, though extremely off key and out of tune. In January, I did some sketches and similar drawings much like this one. In the short, Baloo was voiced by Jim Cummings, the voice of Winnie the Pooh. 🐾🌴
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#OTD in Irish History | 6 February:
797 – Death of High King of Ireland, Donnchad mac Domnaill, called Donnchad Midi. His father, Domnall Midi, had been the first Uí Néill High King from the south-central Clann Cholmáin based in modern Co Westmeath and western Co Meath.
1685 – Coronation of King James II. He was King of England and Ireland as James II, and Scotland as James VII. He was the last Catholic monarch to reign over the…
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In 1969, a pre-teen boy named Alan Parish went missing, but in reality he was sucked into a board game named Jumanji that he was playing with his friend Sarah Whittle. He would remain trapped in the game for the next 26 years. (Jumanji, flm)
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Kip Tyler - She's My Witch (1958)
Kip Tyler
from: "She's My Witch" / "Rumble Rock"
Rockabilly | 1st Wave Rock and Roll
JukeHostUK
(left click = play)
(320kbps)
Personnel:
Kip Tyler: Vocals
Mike Deasy: Guitar
Bruce Johnston: Piano
Jim Horn: Saxophone
Dave Shostal: Bass
Sandy Nelson: Drums
Recorded:
@ The Gold Star Studios
in Hollywood, California USA
during November of 1958
Released:
January of 1959
Ebb Records
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Zootopia (2016)
"Life isn't some cartoon musical where you sing a little song and all your insipid dreams magically come true. So let it go."
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