#karata erika

[barefeetwiki]

Erika Karata

[moviesiveseenandwanttoremember]

Ryusuke Hamaguchi’s “寝ても覚めても” (Asako I & II) September 1, 2018.

[filmap]

寝ても覚めても / Asako I & II Ryûsuke Hamaguchi. 2018

Cafe 1 Chome-2-7 Saga, Koto City, Tokyo 135-0031, Japan See in map

See in imdb

[297x420]

唐田えりか

[visionstreatment-blog-blog]

[lullabiesinaglasswilderness]

[deadpoetsmusings]

Asako I & II (2018) dir. Ryūsuke Hamaguchi

[marcbri]

Asako I & II

[erstwhile-punk-guerito]

[barefeetwiki]

Erika Karata

[moviesiveseenandwanttoremember]

Ryusuke Hamaguchi's "寝ても覚めても" (Asako I & II) September 1, 2018.

[ogradyfilm]

Recently Viewed: When Morning Comes, I Feel Empty

In her brief introductory speech preceding Japan Society’s screening of When Morning Comes, I Feel Empty, director Yuho Ishibashi claimed that the movie would feature “nothing dramatic.” This phrasing is, of course, somewhat misleading; while the film’s self-described slice-of-life plot is rather subtle and minimalistic, it is hardly devoid of drama. Indeed, the relative mundanity of the conflict—our heroine must grapple with such ordinary, everyday challenges as nosy relatives, lonely microwave dinners, impatient customers at her convenience store job, the monotony of the graveyard shift, and a broken curtain rod that her landlord refuses to repair—ultimately enriches the story; the narrative stakes, although minor, are universally recognizable and relatable.

Despite the inadequacy of the subtitles (which appear to have been either automatically generated via A.I. or written by a translator with only a tenuous grasp on the English language—occasionally rendering the dialogue borderline incomprehensible), I found When Morning Comes, I Feel Empty to be a delightfully offbeat cinematic experience. Characterized by a quiet, gentle, unassuming atmosphere that makes the handful of emotionally gutting scenes all the more impactful, it’s a bona fide indie charmer akin to the works of Richard Linklater, Hong Sang-soo, and Abbas Kiarostami.

[k-star-holic]

'Affair' KARATA Erika Sawajiri Returns to Film "Rewarded with Good Acting"

[hoodoverhollywood]

'Queen of Villains' cast went to great lengths to portray wrestling legends

The Queen of Villains tells the unknown story of Dump Matsumoto (Yuriyan Retriever), a professional wrestler who spurred the women’s professional wrestling boom with her cult-like popularity and took Japan by storm in the 1980s. Nagayo Chigusa (Karata Erika) and Lioness Asuka (Goriki Ayame) are the members of Crush Gals, a Japanese pro-wrestling tag-team duo who became the pop icon by dominating…

[biggoldbelt]

The Queen of Villain - Review (2024) | Dump Matsumoto Semi-Autobiographical Series | Netflix

The Queen of Villain review by Big Gold Belt Media –Synopsis:The Queen of Villains tells the unknown story of Dump Matsumoto (Yuriyan Retriever), a professional wrestler who spurred the women’s professional wrestling boom with her cult-like popularity and took Japan by storm in the 1980s. Nagayo Chigusa (Karata Erika) and Lioness Asuka (Goriki Ayame) are the members of Crush Gals, a Japanese…

[taishou-kun]

ASAKO I&II 寝ても覚めても French poster with Karata Erika 唐田 えりか - Director Hamaguchi Ryusuke 濱口 竜介 - Japan - 2018