#katya does not know
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silvertiefling · 7 months ago
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"I KNOW I'M SUPPOSED to listen to my elders or whatever, but usually they don't have a say in my sex life-
maybe Jaheira just likes drama... am I supposed to sleep with my lovers twin? Am I not? These are confusin' times -"
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rugwurm · 1 year ago
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kids sergei wont let JAM OUT!!
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petrovna-zamo · 3 months ago
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dear-ao3 · 6 months ago
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you have finally discovered Will Power, this is gonna be funnn
buddy ive been enraptured ever since i heard his name. but please know everytime i see his face its accompanied by the song will power from something rotten, so im not sure if its a good thing for anyone tbh
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homicidalbrunette · 2 years ago
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"He was never good for you anyway whoever he was."
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sylphrene · 10 months ago
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Because why use your own arm when you could instead twist someone else's?
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bloodtwin · 8 months ago
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&&.┆THE BAG OF BONES ☠️ INBOX. 
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@silvertiefling sent:
are you two… together?
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SOURCE: PROMPTS FOR A LITTLE JEALOUSY.
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❝ TOGETHER ?❞ The word sounds strange on his lips. Tastes wrong on his tongue. Together. No, we're not together.
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                   . . . Is it that obvious ? How, after all these years, he still gets this electric shock every time he looks at her. Like he's fifteen-years-old all over again, blushing head-to-toe at the sight of her in this crowded room.
❝ No, I just . . .    Knew her once. A long time ago. ❞ That isn't true. I know her still. It is she who does not know me. Remember me. He yearns for her so deeply, and she doesn't know his name. Not even his face.
Her hair is almost exactly the same as it was back then. Raven-colored strands braided in a ponytail so tight he always worried she'd give herself a migraine ⸻ & gods, those horrible bangs. Puck teased her about them back then, yet some of his fondest memories were of brushing those bangs aside over & over just to kiss her forehead as many times as she would allow.
As if on a leash, his body is forcibly tugged forward by nothing at all. Tugged in her direction. He has to hold on to the nearest surface to dig his heels into the ground. Leave her alone !
Puck clears his throat. Takes Katya's arm, pulling her back towards the door. ❝ We should leave. Please. ❞
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ashendalia · 1 year ago
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“You’re still carrying the regret and guilt of what happened back then, and you’ll carry it with you for the rest of your life. But the fact that you didn’t forget, that you changed from who you were then to who you are now…I really do believe that shows you aren’t some heartless monster who only deserves condemnation…”
“…”
“So please…let me be here for you, even if you don’t think you deserve it. Because I believe you do, and this is where I want to be.”
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77ngiez-archive · 1 year ago
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screaming and crying and clenching my teeth [trying extremely hard to make nana sing in russian]
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kate-bishops-girlfriend · 7 months ago
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no cos nobody ever talks about how katya's change in fashion illustrates her progression over the course of the movie??
cos she's in her mink fur-trimmed silk white ballgown at the start, to pale pink dresses of the same style, to slightly less extravagant dresses and so on and so forth until she starts wearing iconic power suits like this one in the poster (obviously still fur-trimmed - she's russian, after all, they're always wearing some kind of fur clothing in movies 😭 stereotype heavy fr) and it's just never mentioned when people discuss the fashion of the movie which is devastating to !e
i mean, i may be a little biased, because i'm truly weak for a woman in a suit, but i feel her power suits that become more masculine along with the rest of her dress sense as the movie goes on should really be analysed further, i'm not sure what it means for her character or what it subconsciously shows and implies about how she changes but idk it's always been a love of mine
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CYBILL SHEPHERD as KATYA GONCHAROVA from GONCHAROV (1973)
This is an original poster made by me, i hope captures the essence of “The Greatest Mafia Movie Ever Made.”
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calimaricutlery · 1 year ago
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people seem to like my vivi art so im posting the little sketch i did of their head ghoul katya too. wamen.
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petrovna-zamo · 2 years ago
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basementboat · 1 year ago
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so many thoughts ( none of them good ) about this army cid agent whose name I can’t ever remember and her relationship with gibbs…
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defectivevillain · 5 months ago
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wicked irony
pairing: Joe Goldberg/Reader
The reader is not a woman. Otherwise, no pronouns are used and race is ambiguous.
The end of class doesn’t seem to come fast enough. But finally, finally, everyone files out of the classroom. A few of the students send Joe lovelorn gazes, but he only has eyes for you. And you only have eyes for… the bookshelves around the room, apparently. It’s horribly ironic, Joe thinks, that you’re so blatantly restless and disinterested. You’re barely even looking at him. He thinks he loves it.
Joe is underwhelmed and unimpressed with the wide majority of his students, and this semester is no exception. At least, until he reads your first paper…
word count: 7.9k | ao3 version | joe playlist
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Warnings: stalking, kidnapping, threats/blackmail. gory imagery.
Sigh. I have a weakness for charismatic and popular characters being frustrated and intrigued by the one person who isn’t affected by them. (cough cough, Felix fic, cough couch, Finnick fic, cough cough, this one…)
This fic is Joe/Reader centric. Again, the reader is either masculine/male or nonbinary. They’re written to not be a woman, basically. I especially love the idea of Joe breaking his pattern and falling for a super queer-presenting person and falling HARD. Come on, we knew this was coming.
I have almost zero canon knowledge. I’ve never actually watched this series—I’ve only seen Trixie and Katya watch it. Canon does not exist to me.
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Joe has finally escaped his past. He’s creating something of a life for himself in London. Here, he isn’t Joe Goldberg, obsessive stalker and murderer; instead, he’s Jonathan Moore, literature professor at Darcy College. It’s a humble life, compared to what he had before. Surprisingly, he’s starting to enjoy it.
Except… his students aren’t the brightest. Joe isn’t sure what it is—if he’s distracting them, or if he just isn’t that great of a professor. (The mere thought amuses him. He knows he isn’t the problem.) Ultimately, though, no one seems very engaged in his class. And, even worse, hardly anyone has a grade above a C. 
Joe sighs as he reads through another mediocre essay, red ink littered across the margins. He shakes his head in annoyance and writes “D” in the top right corner, before adding it to the pile of graded papers. It’s abundantly clear to him that this semester’s batch of students are just like the last group: unmotivated and incompetent. 
Joe grabs the next paper, taking a deep breath and preparing himself for more mediocrity. He’s so accustomed to skipping over the introduction that he nearly neglects the thesis. Joe thinks he’s seeing things at first, but there it is: a well-constructed thesis. He reads through it once, twice. It’s not bad.
But Joe’s not going to get his hopes up, so he continues reading skeptically. It only takes him another paragraph to acknowledge that this student is a good writer. Perhaps even a great one. He only feels more satisfied with each additional page he reads. By the time he gets to the end of the paper, his heart is nearly racing. He’d been waiting for something to ruin it, but nothing happened. That essay was… quite good. 
Joe goes back to the first page and stares at the heading, scrutinizing your name at the top of the paper. It bounces around his mind even after he grades the paper and attempts to put it back in the pile; even as he takes it back in a few minutes to read it again. 
He soon finds himself looking forward to his next class. You haven’t left his mind, despite the fact that he has no idea what you look or sound like. Regardless, your name lingers in the back of his mind as he carries on with his day, crafting lesson plans and responding to the occasional email. And he finds himself distracted with contemplating just what you could look like. 
During his next class, he finds himself actually paying attention during attendance, if only to put a face to the name. You’re near the end of the list, and it takes every ounce of restraint he has not to speed through the list and just call out your name. 
Finally, he gets to you and says your name. You raise your hand. His chest lurches as he looks at you, everything clarifying and blurring around you. It’s such a nonchalant gesture. Hell, you didn’t even care to speak. “Welcome,” Joe says before he can stop himself. Your lips are pulled into an awkward, completely ingenuine smile and you nod. You seem confused at the thought of him welcoming you when he didn’t do the same for the other students; and annoyed at the brief attention the remark garners you. Joe updates the attendance, fighting off the urge to smile for some reason. 
He can’t fight off his curiosity for long. Twenty, then thirty minutes pass. And he reaches the brink of his patience. His lectures are meant to be interactive, but the majority of the class doesn’t care to participate. You aren’t necessarily vocal, but you’re clearly listening, at the very least. And Joe finds himself eager to hear what you have to say. He asks a question. No one answers. And he lets the room descend into a tense and uncomfortable silence. 
Joe looks at you, sharing something of an apologetic grimace. You stare for a moment, before slowly raising your hand. It’s hard for Joe not to acknowledge you within the millisecond, but he waits a few moments before calling on you to make things seem more authentic. 
Your answer is nearly perfect. You cite direct evidence from the text in your assertion, referencing multiple implicit themes present from the beginning of the book. Joe nods and thanks you for your answer, internally satiated with the knowledge that his preconceptions about you were correct. You’re brilliant. This class is probably too easy for you. 
He manages to exercise inordinate patience and stop himself from keeping you after class. Instead, he resigns himself to a night spent searching for anything and everything he can find on you. Joe’s actually looking forward to it. He wants to learn more about you. You’re clever; you’re undeniably attractive; and you’re entirely unaffected by his machinations. (Joe wants to eat you alive.)
He’s never felt this way about someone before. And his previous infatuations had all been women. That doesn’t seem to matter, though, does it? The feeling he gets in his chest when he looks at you is undeniable. And within the next few classes, he’s surrendering to the urge to get you in a room alone with him. 
“Stay behind for a moment?” Joe asks you near the end of one class. He allows his eyes to wander across the room as he asks, making sure his voice is just loud enough for the other students to hear.  
“...Sure,” you agree hesitantly. Joe knows he’s left you virtually no choice—asking you in front of the entire group. He did that on purpose, of course. You almost seem to recognize that, as your eyes flit about in recognition of the spotlight he placed you under. 
The end of class doesn’t seem to come fast enough. But finally, finally, everyone files out of the classroom. A few of the students send Joe lovelorn gazes, but he only has eyes for you. And you only have eyes for… the bookshelves around the room, apparently. 
It’s horribly ironic, Joe thinks, that you’re so blatantly restless and disinterested. You’re barely even looking at him. 
He thinks he loves it. 
Joe takes the proffered opportunity to study you, amused to find that you’re wearing sweatpants, a sweatshirt, and sneakers. A lot of his students dress up—probably to impress him, he thinks to himself wryly—but here you are, wearing what he can only imagine to be comfortable clothing that you practically threw on. Your hands fidget ever so slightly in your pockets as you explore the room around you, showing no indication of even noticing his presence. Joe studies you for a while longer before finally saying your name to catch your attention. 
It’s gratifying to see the way you almost force yourself to drag your gaze towards him. Your eyes meet his and, for a moment, Joe just stands there. Every word he means to say falls to dust on his tongue as he looks at you. You look so fucking bored, as if you’d quite literally rather be anywhere else. 
Finally, Joe thinks to himself. A challenge. 
He taps his fingers against his desk a few times in faux restlessness, seeing your eyes track the movement. “How’d you like the book?” Joe asks after a few moments. He doesn’t even really need to ask—he knows exactly what you thought of it, because you had written about it rather transparently. Somehow, he still wants to hear your answer anyways. 
“It was a book,” you respond vaguely. And Joe feels a genuine laugh crawl out of his throat. He’s just as startled by it as you are. 
“That’s a diplomatic way of putting it, yes,” he agrees. You were the only one to genuinely analyze the rhetorical style and consider how it impacted the story. You were the only one to find fault with the author’s pretentious language and shitty metaphors. “I must admit, I was impressed with your essay,” Joe continues. He reread it several times. He closed his eyes and imagined you sitting in the library—or perhaps even in your apartment—writing the paper, a concentrated expression on your face. He stood outside of your building and stared up at your drawn curtains, envisioning you typing away on your laptop. But you don’t need to know that.
Truthfully, when Joe began looking into you, he was annoyed to find that you have little to no social media presence. The few accounts you have are private. Joe had to do a bit of work—and, even then, he doesn’t have nearly as much information as he should. He’s forced to actually pay attention to your answers now. 
“Thanks," you say, seeming surprised as you blink at his compliment. He’s broken out of his thoughts.  
Joe doesn’t bother responding to your gratitude. “You’re doing well in this class,” he states instead. You’re the only person with an A. Joe has earned himself something of a reputation on campus for being the strict and exacting American professor with rigorous standards. Yet here you are, passing his class with ease. He would be annoyed, if he didn’t find you so intriguing. 
You don’t seem to know what to say to him. Joe continues speaking. “What program are you in?” he asks, despite already knowing the answer. Communication. Transfer student. Perfect GPA. Peer tutor at the writing center on campus.  
“Communication,” you respond, unknowing of his internal dialogue. Joe hums, pretending that information is new. 
“And how do you like the program?” he continues, secretly a bit entertained by your short answers. 
“It’s good," you respond. And wow, you’re giving him absolutely nothing to work with. It’s almost amusing. Joe feels his lips quirking at the edges. You’re not even trying to hide your disinterest. It’s fascinating. 
“Just good?” Joe prompts you. 
“I’m enjoying it,” you answer. There’s an awkward, tense silence for several long moments. Joe doesn’t make a move to break it, and neither do you. Then, just as he begins to think he’ll have to keep it going, you continue speaking. “Did you need me for something, Professor?” you eventually ask. 
Joe’s almost impressed that you had the courage to say that to his face. He was convinced he would have you trapped in conversation for a few minutes longer. It appears he’s underestimated you. 
“I was just curious about you,” Joe admits. You have no idea how dangerous his curiosity is. He is going to pick you apart. (And, if he’s feeling particularly merciful, he’ll even put you back together.) “Your writing is quite well-developed. I wanted to inquire about your career goals, see if there was anything I could do to assist you.” 
“Oh,” you say. You’re shifting your balance ever so slightly as if uneasy. Your backpack’s on your shoulders still, as if you’re going to just bolt out of the room at a moment’s notice. You really don’t want to be here, do you? “Well, thank you. I appreciate that. I don’t think I’m going to be pursuing literature, necessarily, but I’ll keep that in mind.”
Damn it, you are good. You buried your disinterest in faux gratitude. Joe was almost fooled for a moment. He’s suddenly scrambling to find something to say, something to force you to stay in this room, if only so he can pick you apart more—
But you’re already walking away, taking the opportunity you’ve created for yourself to escape. Joe stares after you for a moment, almost in disbelief. He hardly got anything out of you. You pretty much brushed him off and continued on about your day. You threw him off for a fraction of a second, long enough for you to get away. 
Did that really just happen?
Joe must be getting rusty.  
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Joe is quickly learning that you’re a bit of an interesting case. You’re a lot different from the people he would usually go after. He’d almost venture to call you reclusive, because you’re not one to go to parties on campus or hang out with friends very often. You’re independent, which he would ordinarily appreciate—if it didn’t make tracking you down so damn difficult. You’re an unobtrusive presence on campus, clearly content with fading into the background. And your efforts work rather well for you, it seems. Of course, you can’t fool Joe. He would never be bored by you. Anything and everything you do just fascinates him. You’ve been fixed in his sights since that first paper you submitted to him weeks ago. 
This fascination is how he finds himself walking into one of the humble coffee shops on campus, pretending to look at the menu when he’s really tracking you down. He knows you tend to come here after your Intercultural Communication class on Wednesdays—and, after a few moments, he finally spots you. You’re nestled in one of the booths in the corner of the room, typing away on your laptop as usual. That’s one of the least surprising things he’s learned about you: you’re rather studious. He didn’t even need to glimpse into your apartment window to learn that, although he did anyway. 
Joe feels himself moving before he can stop himself. A few steps and he’s standing at the edge of your table, waiting for you to tear your attention away from your busywork. It takes a few seconds longer than he’d like, and he eventually abandons his patience. “Fancy seeing you here,” he remarks. 
You finally look up from your laptop screen, your eyes briefly finding him. “Professor Moore,” you say, momentarily startled by his presence. “What brings you here?”
“Just stopping by for some coffee before my office hours,” he answers with a slight smile. 
“…Well, I should leave you to it, then," you say smoothly. You predictably don’t take the bait—the reminder of his office hours—and instead practically dismiss him. His hand twitches at his side. “It was good to see you.” Liar. You look so uncomfortable. It only makes Joe more persistent. 
“Nonsense, I can spare some time for my best student.” Joe waves off your concern, before promptly leaning down and taking a seat in the booth across from you. You’re stoic for the most part, but a flicker of surprise and bewilderment passes across your face. Joe resists the urge to smile at the sight, instead focusing on you. 
“How’s your paper coming along?” he asks. You look suspicious and wary. Damn it, that’s right. Joe’s not supposed to know that you started that, is he? Finding the password to your school account had been far too easy, though. From there, he was free to browse your many assignments. And Joe devoured them all—especially the ones for his class. (God, that sounds pathetic, even for him.) “Don’t tell me you haven’t started it yet,” he adds jokingly, jabbing at your quick work pace. You’re at least a few weeks ahead of the course schedule. He can’t bring himself to be irritated by it. 
“I have some ideas, but nothing concrete yet," you answer.
“Good, good,” Joe says. “And what are you working on now, may I ask?”  
“Something for my Digital Activism class,” you respond. Joe looks at you expectantly and you continue. “We have to pick a digital activism movement and use content analysis to determine its efficacy.”
He sits for a bit, watching you continue to ignore him. He’ll occasionally take a sip of his drink but, otherwise, he’s unabashedly staring. Either you’re particularly good at ignoring him, or you just haven’t noticed. Joe gets the feeling it’s the former. 
“I have to get to class,” you announce at some point, closing your laptop and slipping it into your backpack. Joe almost laughs. You’re not getting out of this that easily. Absolutely not. Not again.
“Are you going to Winslow Hall?” Joe asks. He knows you are. Even if he hadn’t checked your schedule—which he did—he would be able to come to that conclusion. The college isn’t huge, so a lot of the liberal arts classes are in the same collection of buildings. “I can walk you there,” he offers politely.
“...Okay.” You’re clearly displeased with this turn of events, and confused by the gesture. Joe doesn’t give you any time to retract the remark, instead putting his jacket on and waiting for you to do the same. You’re sneaking suspicious glances at him every few moments. Usually his charismatic attitude isn’t met with such disregard and wariness. It’s a strange departure from the past. Then again, he’s sort of reinventing himself here in London. (Or, at least, that’s what he tells himself.) 
Joe heads out of the coffee shop with you, walking at your side and taking note of how you almost seem to shrink on yourself as passersby stare at the both of you. No doubt they’re wondering just who you are—Joe hasn’t earned a reputation for being particularly social. And he has quite a few admirers across campus. You’re almost wilting under everyone’s gazes, your hands fidgeting with the straps of your backpack restlessly. You probably haven’t realized, but your somewhat alternative appearance is only making you stand out more when next to him. It’s kind of funny. 
“Here we are,” Joe announces after your rather uneventful walk. “See you in class tomorrow,” he says, letting a charming smile slip onto his face. 
“Bye,” you say with an awkward, strained smile. He’s caught your genuine smile from afar—this tense pull to your lips is the furthest thing from it. It’s like you’re determined not to let your guard down in front of him. And within moments, you’ve already entered the classroom—as if you’re fleeing from him. 
In the coming weeks, as the semester starts to wind down, Joe decides to adjust his curriculum slightly to make the final assignment a partner project. It’ll boost some of the slackers’ grades—assuming they actually put in the work. But he knows that’s not the real reason why he’s giving the class this work. The real reason is sitting in the back of the class: you. Inexplicably, Joe wants to observe you speaking to someone else. He wants to see how you act when you’re forced to speak to someone else, to a peer. How will it differ from how you speak to him? Are you naturally wary, or is he special? He’s smirking at the thought. 
This partner project is how Joe currently finds himself in between the bookshelves of the campus library, subtly peeking through the gaps in the books to look at you and your partner. He’s hanging on to your every word, regardless of how mundane or unassuming it may be. There’s something positively captivating about you. (And this feels like it should be a blow to his pride, somehow. Joe has watched people before, many times. He’s never sunk to such depths: watching you do virtually nothing as you complete your schoolwork.) 
Then again, you’re not a particularly scandalous or public person. This is the best he can do. You like to keep to yourself, after all—spending hours in your apartment with your eyes glued to your laptop, or your phone, or a book. Joe shakes his head in annoyance, forgetting himself for a moment.
“What do you think of Professor Moore?” your classmate asks curiously. Joe suddenly snaps back to attention, feeling himself lean forward and peek through the gaps in the bookshelves to study the look on your face. That was rather fortuitous. 
You’re frowning at the question. “I’m not sure,” you say after a moment. The fluorescent lights of the library hum in impatience. Joe breathes slowly. “He kind of gives off serial killer vibes.” 
Joe is sure there’s a huge chunk of context he’s missing, but he still has to duck below the shelves to hide himself as he laughs. Oh, you have no idea. His shoulders are shaking with mirth. It takes concerted effort for him to reel himself back in. 
“How?” your classmate asks, clearly thrown by your honesty. 
“I don’t know,” you say hesitantly. You’re acting a bit uncertain, but Joe gets the feeling you’re just pretending for your classmate’s benefit. After all, you’ve made little effort to hide your skepticism whenever he speaks to you individually. “He fits the demographic. White man, conventionally attractive. Kind of emotionless.” Conventionally attractive. That’s not even a compliment—it’s just the truth. But it somehow satisfies Joe anyways. 
“I guess," the woman responds, clearly unconvinced. 
“Why do you ask?” you question her. 
“Just wondering,” she shrugs. “He seems to talk to you a lot.” 
Joe can see your eyebrows furrow from his position behind the bookshelves. You don’t exactly look pleased at the thought. “I don’t think so,” you say to your classmate. You don’t have anything else to say on the matter, supposedly, because you turn your attention back to the project.
This is fun, Joe thinks. Surprisingly so. 
Unfortunately, you soon part ways with your classmate to return to your apartment. Joe follows you on the way back, annoyed at the knowledge that he’ll never get another chance like that again: one to hear your honest, unfiltered opinion on him. At least, not without asking you directly. Your words ring in his ears, even after he returns home that night and gets ready for bed. 
The next few weeks are par for the course. Despite his best efforts, he can’t quite seem to get you alone—save for your regular visits to the coffee shop. But that’s not enough for Joe, and he knows it. He needs so much more. He needs to sink his claws into you, rip your rib cage apart until he can finally see that damn heart of yours. And then maybe, just maybe, he’ll finally understand you. 
He’s… not doing well with this whole “reinvention” thing. Ah well. 
It isn’t until one early afternoon that his resolve finally starts to weaken. Joe’s sitting in his office, scrolling through his inbox when he finds an email from you—buried between the bureaucratic nonsense sent from the university and automated notifications from the grading system. His heart jumps unpleasantly, until he sees the headline of the email: “Class Tomorrow.” That doesn’t bode well. You’re probably not going. 
Indeed, as he opens the message and skims through it, his eyes find the important parts: “sick” and “absence”; and then, “apologies for the inconvenience.” Despite it all, you’re formal and polite. He appreciates the fact that you notified him of your absence: so many of his students will ditch class without warning. It’s nothing more than a common courtesy, but somehow, it’s still rather rare. He has an attendance policy on his syllabus, but it is often ignored. Joe shakes his head and returns his attention to your email. Then he reads it again. And a third time. 
He scoffs at himself. What the hell is he doing, reading a simple email over and over again? Is that really the best he can do? Joe sighs and refocuses his thoughts on the remaining emails sitting in his inbox, fighting off thoughts of you. 
As it turns out, rereading your email is far from the best thing Joe can do. He can do much better, like stand outside of your apartment and look through your windows. His eyes explore the scene: the tissue box and unusually cluttered table near your couch, the somewhat exhausted look on your face, the uncharacteristic lethargy to your movements. You look kind of miserable. 
You must have a fever, because you’re only wearing a tank top and shorts. Joe doesn’t think he’s seen this much of your skin before—this fall hasn’t been a particularly warm one, so he’s used to seeing you in sweatpants, jeans, sweatshirts, sweaters… He is absolutely not used to this—was not prepared to feel this uncomfortable stirring in his gut, this horrible restlessness and urge to get moving, to do something to distract himself from whatever this is—
Joe rubs a hand over his face and takes a slow breath. Get a hold of yourself, he admonishes himself. He continues studying your apartment from his vantage point, finding that, even in the throes of your sickness, you’ve still kept it relatively clean. That’s admirable, if a bit foolish. You head to your couch and throw a blanket over yourself. Joe watches as you drift off, checking his watch. It’s not very late yet—you usually go to bed later. You must be rather fatigued. 
Joe eventually leaves, if only because the night air is getting uncomfortably chilly. He spends the rest of the night grading and preparing for his next lesson. He wonders when you’ll get better, when you’ll return to his classroom. You’re not the type to miss lectures, Joe can already tell. So the fact that you’re absent is… a bit worrying. Or, it would be worrying, if he were the type to get stressed about things like that.  
Days pass, and Joe is forced to settle for your occasional emails—and the glimpses of you he catches from outside your apartment building. You’ve missed three classes at this point, interspersed across a week and a half. He isn’t sure whether to expect you today. You didn’t send an email like normal, but he doesn’t want to get his hopes up. 
The universe almost seems to be poking fun at him, because as he settles at his desk and muses, you walk through the door. “Back in the land of the living, hm?” Joe asks in lieu of a greeting. You sigh and place your backpack down, getting to your seat. He takes in your appearance, finding that you look worn out but still marginally better than before. He hopes you took those antibiotics your doctor prescribed. 
“For now,” you respond with a tired smile. You look exhausted. Joe doesn’t realize he utters that thought aloud until he hears you respond. “I know,” you say. Another student would be embarrassed at the thought, but you don’t seem to care. 
“Well, don’t go falling asleep on me,” Joe says teasingly, if only because social etiquette demands it of him. Secretly, he wouldn’t mind if you fell asleep. The thought of your wariness and skepticism slipping away, leaving you entirely vulnerable… 
“No promises,” you huff as you get your laptop out, entirely unaware of the dark turn his thoughts have taken. 
“Let me know if you need any assistance with catching up,” he offers. You both know you won’t need it. 
“I will, thanks,” you respond amicably. Your attention is focused on your screen for a moment, your eyes shifting ever so slightly as you read something. Then you blink and look back up at him. “I watched the lectures, so hopefully I’ll be okay.” 
“Ah, very good,” he smiles. “I’m sure you’ll be just fine, then.” 
Soon enough, the other students begin to file into the room. He allows them a few moments to get settled, before diving into today’s shorter lecture. Joe had allocated some time at the end of class for the partner projects, if only to make things easier on himself. Now, he won’t have to sneak around in the library to hear your conversation with your classmate. (Although, last time was certainly interesting in its own right.) 
Joe fights with the urge to stare at you the entire time, instead letting his eyes wander across the room as he subtly eavesdrops on your conversation. 
“Are you feeling better?” your classmate asks.
“Yeah, sort of," you answer her. “Just tired. I got the analysis done before I got sick, though.” Of course you did, Joe thinks. Of course you did. 
“Well, let me know if you need anything," she says, in a voice dripping with concern and something more… intimate. Joe feels an ugly feeling settle at the pit of his stomach. 
“Okay, thanks,” you say blankly. Jesus, you’re a brick fucking wall. She’s clearly flirting with you. Either you’re oblivious—which Joe somewhat doubts, given the perceptiveness you’ve exhibited in the past—or you’re just uninterested. It’s intriguing. Almost impressive, actually.  
As the two of you continue to work on your project, Joe catches bits and pieces of your conversation—interspersed between his unfortunate lapses in attention as he’s forced to answer a few students’ questions. But then the class is ending and you’re leaving. He can’t quite stop himself from staring after you as you go, nor can he convince himself to stop going to that coffee shop every time you go. 
He finds you there the next day, in the same booth you’re always in. Joe is almost ready to think you’re doing this on purpose. You’re not even making it difficult. The same time, the same place, the same day of the week… Come on. He thought you were a bit of a challenge. Joe slides into the booth across from you, settling into the seat that is starting to become his. 
“Hey, Professor,” you say, not even looking up from your screen.
“You can call me Jonathan, you know,” Joe says with a bit of friendly inflection. He very nearly slips and introduces himself as Joe. Something about you makes him want to be honest with you, if only to provoke you into some sort of reaction. 
“I’d rather not,” you respond seamlessly, a pinched expression on your face. Usually, that would be more than enough for a student to fall at his feet. He almost frowns, but manages to resist the urge. Perhaps he needs to try a different tactic. 
“Is your schedule settled for next semester?” he asks instead. 
“Yeah,” you confirm casually. 
“What classes are you taking?” he asks. It’s like pulling teeth. Are you doing this on purpose?
“Just communication classes,” you answer. “And a history class, I think. Some gen-ed, I don’t remember the name of it.”
“Exciting.” He raises his brows, willing you to look at him. You spare him a momentary glance, before returning your attention to your schoolwork. Is whatever you’re doing really more intriguing than he is? He almost wants to be offended. Almost.  
“Not really,” you dismiss the remark. 
He sits with you silently for a while, just watching you write. Joe has to admit, he’s stewing a little bit. You’re not even giving him the time of day. But his patience starts to pay off, as he catches you sending him confused glances. 
“Why are you doing this?” you ask, finally addressing him. You close your laptop screen and give him your full attention; and Joe gets a sudden rush of adrenaline. 
“Pardon?” he manages to ask, his tongue feeling slightly thick in his mouth.
“Why are you doing this?” you repeat yourself, gesturing to the two of you and the coffee shop around you. “Sitting here, asking me these questions.” 
“I want to get to know you," he answers immediately. That is the complete truth, for once. Unfortunately for you, that desire is far from harmless. 
“Why?”
“Is it really so hard to believe?” Joe counters instead, tactfully avoiding the question. He lets a charming smile rise on his lips. The gesture only seems to disconcert you. 
“Yes, it is,” you answer flatly. “What’s your endgame?”
Bold of you to assume he has an endgame. You’re absolutely right, of course. He absolutely has an endgame. He always does. “I’m just making conversation,” Joe says innocently. 
“Okay.” You’re clearly unconvinced. 
“It’s getting late,” Joe observes, casting a pointed glance through the dark windows at the front of the shop. “I’ll walk you home,” he offers. 
“No, it’s okay,” you deny him. You’re too smart for your own good. “I’ll be fine,” you say. And oh, you really, really would be. You would be so much better off walking home alone. But that’s just not in the cards for you tonight. 
“I insist,” Joe says firmly. You’re silent, clearly annoyed but sensing he isn’t going to relent. You know he’s got you trapped now. He shrugs his jacket on and watches you do the same, waiting for you to gather up your things before heading out of the coffee shop. 
The two of you are quiet for a few minutes. Joe has his hands shoved in his pockets and he’s walking ahead of you, anticipating what’s to come. He can’t say he’s been this excited before. But you’re different from the others. 
“You seem like you know where you’re going,” you say suspiciously.
Shit. That’s a harsh reality check. “I assume you live in one of the residence halls on campus." Joe thinks quickly. “Am I incorrect?”
“The dorms are back there,” you point out, glancing behind you momentarily before returning your attention to him. “And you’ve been walking ahead of me.”
“I take long strides; I’m tall," Joe justifies. 
“You’re not that tall.” You roll your eyes. “And I can walk quickly, so it’s not that.” You seem completely convinced, confident. You’re difficult to throw off, almost unshakeable even as you unknowingly approach a line you can’t come back from.  
“You don’t seem to trust me,” Joe eventually remarks, after sensing that your doubt is still very much present. 
“I don’t,” you agree. 
“Why not?”
“You don’t make sense to me," you admit. “You’re… I don’t know.” Joe waits patiently. He’s curious to hear how far you’ll go. “You’re elusive. You’re constantly acting, pretending. I’ve never seen you look authentic.”  
“A professor has to act a certain way, you understand,” Joe says somewhat dryly, secretly a bit annoyed by your stubbornness. You’re treading on thin ice and you don’t even realize it. His hand is twitching at his side. 
“Sure,” you acquiesce. “But you’re always acting. Even when you think you aren’t.” That’s… more accurate than you could ever know. 
“I see,” Joe says. 
“You act like… you want something from me,” you continue, studying him for a moment. “And I have no idea what it is.” 
“Maybe I just want your company,” Joe replies. 
“That’s not enough,” you respond far too quickly.
“Why not?” He asks. 
“Don’t pretend to be offended now,” you scoff, shoving your hands in your pockets. You look very restless and apprehensive, your eyes flitting around him as if waiting for him to make a move of some sort. 
You both walk in silence for a few more minutes. 
“I don’t know anything about you, you realize,” you continue. Joe’s so surprised to hear that remark that he just stares in disbelief. “You’re hard to track down. Practically nonexistent on university websites. It’s like you just… appeared.” 
The irony of that statement isn’t lost on Joe, but it will certainly be lost on you. Because you’re just as difficult to track down. Getting to this point—spending time with you, alone and unguarded—took him practically the entire semester.
“What do you want to know?” Joe asks, because he’s nothing if not charitable. His heart is roaring in his ears. Things don’t typically go like this. He’s not supposed to be the one being interrogated. 
You shrug helplessly. “I don’t know. Something, I guess. Something to prove you’re an actual human being, not just an empty husk.”
Damn. Damn. 
“Did I hit a nerve?” you ask. Joe blinks and there’s an entertained quirk to your lips. Another blink and it vanishes. “Whoops,” you say carelessly, clearly not very bothered by it. 
“You don’t seem very apologetic,” Joe notes calmly. 
“I get the feeling you’re not that great of a person,” you say. 
Jesus fucking Christ. Joe genuinely freezes for a moment, forgetting to walk alongside you. This entire interaction is giving him whiplash. Joe is so used to dominating the conversation—steering it at his will, until he gets exactly what he wants. But here you are, casually demolishing his plans and laying him out to dry in the same breath. Is he really so predictable, for you to take a simple glance at him and break through all of his defenses? Surely not. 
Joe shakes his head and catches up to you. “That’s not a very nice thing to say to someone,” he eventually says. That’s about what a normal person would say in this situation, right? Sure. 
“Yeah, you’re probably not used to hearing that, are you?” you huff. You’re smiling now—honest to God, smiling. He doesn’t think he’s ever seen you smile so genuinely before. What the fuck?
“You realize I have control over your grades,” Joe says, the statement leaving his lips before he can think it through. It’s… not the best response he’s crafted, but he supposes it’ll do. 
You don’t seem the least bit affected by the implicit threat. “Are you really threatening me?” you ask, clearly amused. “Everyone else in your class is failing. Tanking my grades would only reflect poorly on you.”
You’re perceptive. Super perceptive. And yet you have no idea just how much danger you’re in right now. And yet you’ve never even noticed the persistent shadow following you across campus, lurking outside your apartment. “You’ve thought this through,” Joe remembers to say. 
“Not really,” you dismiss the thought. “Just saying. Besides, it’s near the end of the semester.”
“It is,” he agrees. Somehow that remark is what ushers in the finality for him. You’re right: finals are next week. His class doesn’t have a final. With the end of the semester, Joe won’t have an excuse to see you regularly anymore. He’ll track you down at that one coffee shop, lurk near your apartment, sure. But that’s not enough for him. 
“You almost sound disappointed,” you notice. Because of course you do.
“Competence is increasingly rare these days,” Joe says. The night air almost seems to warn him after that comment, rustling through his hair and sending a persistent chill through his bones. 
“You do have something of a reputation for being a stickler, don’t you?” you murmur. 
“No one here knows how to write,” he huffs. 
At that, the air between you falls silent once more—complete with a tangible, stifling tension. Your eyes flit about restlessly, never seeming to settle on any one thing for long. You’re steadily avoiding his gaze, as if meeting his eyes will confirm your suspicions. (It certainly will.) Joe allows it, if only because the sight amuses him. 
“This is me,” you then say, as the two of you stop in front of a nondescript building. It’s not you—you don’t live here. Your building is down a block or two. Joe just arches a brow. 
“You don’t want me to know where you live?” he asks casually, before he can stop himself. Joe’s getting closer and closer to crossing that same line he knows he can’t come back from. But damn it, what else is there to do? Moving to London, adopting this new identity… none of it quelled that visceral, manipulative desire in his chest. 
“What do you mean?” you ask slowly, breaking him out of his thoughts.
Joe has a choice to make. He can play dumb, let the conversation fall to silence and allow you to walk into that building you certainly don’t live in. He can turn his back, pretending not to see you sneak out of the building minutes later and head to where you actually live. He can give you that small mercy. 
…or… 
“You don’t live here,” Joe asserts. You’re frozen in front of him. He finds himself satisfied to know he provoked a reaction in you, no matter how small. He can’t quite give up the game now—he’s just getting started. “Come on, then,” he says, putting a hand on your shoulder and steering you away from the building. 
“Where are we going?” you question. 
“To your apartment,” Joe answers. 
You look unsettled, genuinely nervous. Joe feels a smirk rising on his lips before he can hide it. He grabs your forearm and leads you out of this building, heading down the sidewalk and towards your apartment building. “I’m going to die, aren’t I?” you say at some point. 
You’re going to wish you did. “Not exactly,” Joe settles for saying, when he senses you’re still waiting for an answer. 
You stare at him for a moment, before stiffening. You almost seem to find something in his eyes. “I can walk without your assistance,” you snap, trying to break out of his grip. Joe just tightens his hold on your arm. He’s never been this close to you before: close enough to see the streetlights reflecting in your eyes, the unnerved pull to your lips, the tension stretching across your shoulders. 
“Don’t be difficult,” Joe says patronizingly, if only to irritate you a bit more. You look furious at the remark and he smiles, continuing to lead you towards your building.  
“Should’ve trusted my gut,” you mutter quietly, talking to yourself. 
“You should’ve,” Joe agrees, ushering you into the lobby and guiding you to the elevators. With the elevator’s arrival, he leads you into the elevator before finally, regretfully, removing his grip. Upon pressing the button for your floor, he’s satisfied to find fear flickering across your face—as you evidently realize he knows exactly where your apartment is. Joe wants to burn that memory into his mind forever, watching your reaction over and over again to pick it apart. 
The elevator ride is quick and painless. At least, it is for him. Joe notices that you’re getting fidgety, though. And when the doors slide open to reveal your floor, you hover in the doorway. Joe just sighs, putting a hand on your back and leading you to your apartment. You only seem to be more disturbed as he does so. 
“Well?” he demands somewhat impatiently, after a few moments pass and you don’t say anything. You haven’t made a move to unlock your door yet. 
“I don’t have my keys,” you answer. He huffs at the attempted lie.
“Left pocket of your jacket,” Joe hums, looking at you expectantly. He watches as your hand explores your left pocket, emerging with your keys in your palm. “There you go,” he says with a nod. And if you looked afraid before, you look completely terrified now. 
“Go on, then,” he urges you. After a few seconds pass and you don’t move, he takes the keys from your hand and swiftly unlocks the door. “After you,” Joe says, gently pushing you into the room and following after you. 
He takes in the space greedily, connecting the objects to how they looked from outside. “Nice place,” Joe eventually says. You’re silent. 
Truthfully, things don’t usually go this quickly. Usually he gets into a relationship first, then manipulates the other person until he’s satisfied. But Joe can’t discredit you—he knows you’re not foolish enough to fall for that. You were suspicious from the outset, so he had to abandon his typical methods. It’s a nice change of pace, though: you know exactly how dangerous he is. 
And he doesn’t realize he’s uttered that first sentence aloud until he sees the look on your face. “You do this frequently, then?” you ask. “What, did you do this in America before you got here?” 
Joe keeps silent, knowing you’ll decipher the truth. Indeed, your face falls and you bury your head in your hands for a moment—clearly sensing the gravity of the situation. He gives you a moment to yourself, instead directing his attention to the space around him. It does remind him of you, somehow. And isn’t that a frightening thought? 
“What happens now, then?” you ask quietly. You don’t appear nearly as confident, now that you’re pinned under his gaze. “Will you kill me?”
“No,” Joe responds far too easily. He doesn’t ever want this game to end. No one has challenged him quite like you do. And he’s certain that, even when he seems to have you under his thumb now, you’ll find a way to make things interesting. 
“Why not?” you whisper. 
You’re too interesting. Joe keeps the thought to himself, his hand exploring the adjacent wall and running over the various posters and photographs you have hung up. He’s seen your apartment from the outside, but this is the first time he’s actually been inside it. 
“This apartment isn’t big enough for two people,” you state, as if that’s your most pressing concern. Joe chuckles. 
“Mine is,” he remarks, watching in delight as you process the implications of that statement. Several emotions pass across your face: dread, fear, anger. Then something like resolve gleams in your eyes and you move to get up. But Joe’s standing in front of you before you can even begin to head for the door. “Don’t bother. You won’t escape me.”
And you wouldn’t know, but you lost your chance at escape from the very moment you turned in that first essay. You surrendered yourself to his surveillance as soon as you walked into the classroom the next day. And your efforts at subverting his attention have only drawn him closer. 
Joe stands in front of you for a while, before guiding you to sit on your couch. He bustles about the room, grabbing an empty backpack and beginning to explore the room. He goes to your closet first, taking a few outfits and folding them up before placing them in your bag. 
“What are you doing?” you eventually ask, clearly unnerved by his silence. 
“Gathering your things,” he answers easily, grabbing a few things from your bathroom and stuffing them into the bag. “You won’t be back here for a while.” 
Joe knows he’s only unnerving you more, with the way he’s mechanically making his way through your apartment as if he knows it like the back of his hand. He hears a startled inhale of breath as he grabs your medications and fights off a smile. Yes, you have no idea just how much he knows about you. You’re only beginning to grasp it, because he wants to unsettle you. 
“Shall we?” Joe hums a few minutes later, slinging the bag he prepared for you over his shoulder. He doesn’t bother to wait for your response before latching his hand on your wrist and tugging you along after him. 
The elevator ride is silent. Joe realizes you’re finally looking at him. To think… all this time, all it took was a few drastic measures to thoroughly ensnare you. It doesn’t quite matter that you look disturbed—the fact of the matter is that you’re staring at him, trying to pick him apart the same way he’s been dissecting you. 
When the elevator reaches the first floor and the doors slide open, Joe’s hand finds your wrist again and he leads you after him. The cool night air meets you once more. There are only a few people out this late at night, but he’s brutally aware of how uncomfortable you must look. Coming to an idea, Joe’s hand slips down to your hand and he interlaces your fingers. He can nearly feel your hand trembling in his. Your discomfort can now be interpreted as uneasiness being spotted on the street, holding hands with him. No one will understand just how much danger you’re in as you walk alongside him, pliant in his grip as he leads you towards your new cage. 
Joe looks up to the polluted night sky, entirely void of stars, and smiles. 
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Reader, chuckling: I'm in danger.
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silvertiefling · 9 months ago
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" did you have to be polite? Have you considered burnin' it? It's probably cursed - " she wouldn't be surprised if the university students were into that kinda thing these days.
she drops it in the trash.
teach. teach. wear this tie. hey wear this tie now. wear it. wear this tie.
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   later that evening, after lectures, he and katya ( @silvertiefling ) were in his office—set to leave, when she asked about the curious roll of orange on his desk. ( so close to the edge, bin just below. an ‘accident’ waiting to happen. yet, it persists; he didn’t quite have the heart to just throw it away. )   “i mean, katya, i had to be polite, but...”   he’s passed it to her, hoping for some sympathy for his plight.   “it’s the ugliest fucking tie i’ve ever seen.”
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beansprean · 1 year ago
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introducing Katya Zamolodchikova as Nancy the Relentless!!! a concept @vampireshmampire and i braindumped about like a year ago lmao. far before the rumors about Trixie Mattel being in s6 came out owo!
My Familiar’s Ghost part 80
Masterpost Masterpost 2
See the latest pages on Patreon!
(ID in alt and under cut)
ID: 1a. Small panel, waist up of Nandor and Guillermo on a vague grayish-blue background. Nandor has one hand on his hip and the other pointing upwards as he leans toward Guillermo sternly and says 'Now I will show you how to call long distance.' Guillermo looks up at him, rubbing his arm awkwardly, still flushed from the previous page, and responds 'Ok...' 1b. Chest up of Nandor on a brighter blue background with his eyes closed in concentration, palms held up and out. He clears his throat and says, in a wispy bright blue speech bubble, 'I, Nandor the Relentless, am calling out to the etherrrr to inquire about available familiarsssss...' 1c. Shoulders up of Nandor and Guillermo lurching to one side in shock, Nandor's hands flying up, shoulder crashing into Guillermo's, as a glowing blue bubble suddenly shoves into their panel. Inside the bubble is a thin white vampire in drag with long white-blonde hair styled half up in a high ponytail by a sparkly red scrunchie. She is wearing a thin red dress with a black leather corset, a red-violet leopard fur capelet with gold coins dangling from the hem, a red jabot at her neck with a bat shaped gold brooch decorated with rubies, and shoulder length red gloves with ruby-encrusted gold caps shaped like claws on each finger. She lurches into frame with a huge, devious grin, shouting, 'Nandor, babygirl! Is that you?!' 1d. Repeat of Nandor and Guillermo standing side by side, Guillermo now having moved to stand slightly behind. Nandor slumps and scowls, already looking exhausted by this encounter, and greets poisonously 'Hello, Nancy the Relentless.' Guillermo frowns up at Nancy but stays quiet. From offscreen, Nancy coos, 'Heyy, mama! Still shopping in Turkish Cryptkeeper Kohls? I love that for you.' Nandor replies, irritated, 'This kaftan is not coal, it is made of wool from the sheeps of Al Q-' Nancy interrupts and asks, 'So, you're looking for a familiar?'
2a. Waist up of Nancy in her ether bubble, right arm crossed over her chest to rest on her left bicep, left hand reaching up to tap a jaunty claw on her cheek. She raises a brow and grins, tongue curling around one fang, and asks teasingly, 'Does that mean your scrumptious little slayer-boy is finally availableeee? 2b. Chest up of Nandor and Guillermo side by side. Glare fixed on Nancy, Nandor throws an arm out in front of Guillermo and shouts, 'No!! I have told you before, he is mine!' Guillermo startles, a green glow beginning to creep up behind him as goosebumps skitter up and down his shoulders. Nancy replies to Nandor, 'And your title is mine, Nandor the Plagiarist!' Nandor snaps back, 'I have been called Relentless since before you were born, Nancy the- the Pretender!' 2c. Repeat. Guillermo blushes and looks away, lips pursing as if attempting to whistle nonchalantly as his hand reaches up to grip the arm Nandor is holding in front of him and move it away from his body. Nandor's eyes flit over to him curiously, color rising to his cheeks. Nancy continues, 'Ooh, baby, you know how I feel about older men yelling at me. You should call more often.' 2d. Close up of Nandor in profile in the foreground, Nancy's bubble beyond. He glares at her and asks sharply, 'Do you know of any familiars looking for work or not?' Nancy, full body visible now as she perches on the edge of a table and leans back on one arm, legs crossed at the knee to reveal the high slit in her dress, fishnets, and thigh high black leather boots. She closes her eyes haughtily and stretches her free arm outward in a clearly rehearsed pose, replying, 'Well, gorgeous, effortless, beloved vampires usually receive applications directly...' 2e. Repeat. Nandor arches his eyebrows and turns his head away from Nancy toward the viewer, muttering, 'Then you must alert me if you find such a vampire.' Nancy wheezes with shocked laughter, kicking her legs wildly and flapping her arms, delighted rather than offended by the dig. Through her laughs, she declares, 'Read!!' 2f. Chest up of Nandor and Guillermo, the latter standing just behind and gripping the edge of Nandor's sleeve. Offscreen, Nancy recovers from her fit and says, 'Well, since I'm nice, I'll forward you a few. But- hello! Is that the slayer behind you? Did you turn him?! You bitch!! Guillermo, call m-!' Nandor scowls and interrupts, saying quickly, 'YesthankyouNancygoodbye.' He then flaps his hand in the air, dispersing Nancy's bubble and ending the call. Behind him, Guillermo frowns, flustered and blushing. 2g. Repeat. Nandor lowers his hand and glares where Nancy once appeared, sneering, 'Yeesh, why could you not have slain her?' Guillermo aims an unimpressed glance toward him, still purple in the cheeks. /end ID
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